Songs like Folk Paintings Op. 18: XIV. Hurrah! Con brio by Feliks Nowowiejski
Based on a tempo of (+/- 10%) and a similar genre
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Carl Loewe
Das Sühnopfer des neuen Bundes, Pt. 1: ...
114 bpm • C min • 00:59 • -15.41db
18% Popularity • 36% Danceability • 19% Energy • 13% Liveness
47% Instrumentalness • 48% Positiveness
18% Popularity • 36% Danceability • 19% Energy • 13% Liveness
47% Instrumentalness • 48% Positiveness
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Marcel Barsotti
Church of the Ancestors
114 bpm • A min • 01:21 • -14.15db
18% Popularity • 18% Danceability • 2% Energy • 11% Liveness
98% Instrumentalness • 8% Positiveness
18% Popularity • 18% Danceability • 2% Energy • 11% Liveness
98% Instrumentalness • 8% Positiveness
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Musica Bohemica
Hájo, Hájedlo
113 bpm • A# Maj • 02:46 • -17.97db
12% Popularity • 28% Danceability • 12% Energy • 10% Liveness
0% Instrumentalness • 16% Positiveness
12% Popularity • 28% Danceability • 12% Energy • 10% Liveness
0% Instrumentalness • 16% Positiveness
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St.Petersburg Chamber Choir
The Little Litany
115 bpm • C Maj • 01:03 • -35.06db
15% Popularity • 17% Danceability • 3% Energy • 12% Liveness
6% Instrumentalness • 3% Positiveness
15% Popularity • 17% Danceability • 3% Energy • 12% Liveness
6% Instrumentalness • 3% Positiveness
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Louis Spohr
Sechs deutsche Lieder, Opus 41: Nr. 5 De...
113 bpm • E Maj • 01:42 • -15.87db
13% Popularity • 50% Danceability • 11% Energy • 9% Liveness
0% Instrumentalness • 18% Positiveness
13% Popularity • 50% Danceability • 11% Energy • 9% Liveness
0% Instrumentalness • 18% Positiveness
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Feliks Nowowiejski
Folk Paintings Op. 18: XIII. Krakowiak N...
115 bpm • D Maj • 04:47 • -18.52db
0% Popularity • 49% Danceability • 26% Energy • 31% Liveness
25% Instrumentalness • 54% Positiveness
0% Popularity • 49% Danceability • 26% Energy • 31% Liveness
25% Instrumentalness • 54% Positiveness
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Banda dell'orgoglio nazionale
Repubblica Ceca - Kde Domov Můj? - Inno...
116 bpm • D# Maj • 01:06 • -14.84db
13% Popularity • 30% Danceability • 29% Energy • 34% Liveness
79% Instrumentalness • 23% Positiveness
13% Popularity • 30% Danceability • 29% Energy • 34% Liveness
79% Instrumentalness • 23% Positiveness
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Lukasz Karauda
Usta Milcza Dusza Spiewa
112 bpm • G Maj • 03:05 • -12.69db
12% Popularity • 23% Danceability • 25% Energy • 35% Liveness
0% Instrumentalness • 8% Positiveness
12% Popularity • 23% Danceability • 25% Energy • 35% Liveness
0% Instrumentalness • 8% Positiveness
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Slavisch Byzantijns Koor Zwolle
Dostojno Jestj
117 bpm • A# Maj • 02:00 • -26.82db
17% Popularity • 17% Danceability • 13% Energy • 19% Liveness
98% Instrumentalness • 7% Positiveness
17% Popularity • 17% Danceability • 13% Energy • 19% Liveness
98% Instrumentalness • 7% Positiveness
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LeoRoads
Serenade of the Celestials
117 bpm • E Maj • 02:17 • -17.26db
7% Popularity • 25% Danceability • 14% Energy • 12% Liveness
88% Instrumentalness • 7% Positiveness
7% Popularity • 25% Danceability • 14% Energy • 12% Liveness
88% Instrumentalness • 7% Positiveness
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Heraldos del Evangelio
Magna Et Mirabilia
111 bpm • D Maj • 02:18 • -14.89db
12% Popularity • 18% Danceability • 22% Energy • 17% Liveness
64% Instrumentalness • 8% Positiveness
12% Popularity • 18% Danceability • 22% Energy • 17% Liveness
64% Instrumentalness • 8% Positiveness
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Ali Ismael
パレスチナ 革命者
111 bpm • D# Maj • 01:08 • -15.54db
9% Popularity • 63% Danceability • 38% Energy • 15% Liveness
0% Instrumentalness • 41% Positiveness
9% Popularity • 63% Danceability • 38% Energy • 15% Liveness
0% Instrumentalness • 41% Positiveness
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Feliks Nowowiejski
Folk Paintings Op. 18: XIX. Obertas No. ...
111 bpm • A Maj • 01:32 • -14.16db
0% Popularity • 45% Danceability • 63% Energy • 24% Liveness
69% Instrumentalness • 76% Positiveness
0% Popularity • 45% Danceability • 63% Energy • 24% Liveness
69% Instrumentalness • 76% Positiveness
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Paweł Płoskoń
Między przedsionkiem a ołtarzem
117 bpm • B min • 02:45 • -19.93db
8% Popularity • 23% Danceability • 8% Energy • 14% Liveness
0% Instrumentalness • 4% Positiveness
8% Popularity • 23% Danceability • 8% Energy • 14% Liveness
0% Instrumentalness • 4% Positiveness
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Kim André Arnesen
Holy Spirit Mass: The Spirit's Work: Ame...
111 bpm • C min • 00:57 • -11.15db
16% Popularity • 22% Danceability • 39% Energy • 23% Liveness
72% Instrumentalness • 35% Positiveness
16% Popularity • 22% Danceability • 39% Energy • 23% Liveness
72% Instrumentalness • 35% Positiveness
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Праздничный хор и хор сестер Минского Свято-Елисаветинского монастыря
Нить судьбы
118 bpm • A# min • 02:38 • -16.79db
8% Popularity • 50% Danceability • 22% Energy • 16% Liveness
0% Instrumentalness • 32% Positiveness
8% Popularity • 50% Danceability • 22% Energy • 16% Liveness
0% Instrumentalness • 32% Positiveness
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Gioachino Rossini
Petite messe solennelle: Kyrie I
110 bpm • C Maj • 02:48 • -21db
7% Popularity • 24% Danceability • 14% Energy • 13% Liveness
92% Instrumentalness • 7% Positiveness
7% Popularity • 24% Danceability • 14% Energy • 13% Liveness
92% Instrumentalness • 7% Positiveness
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Zoltán Kodály
Stabat mater
118 bpm • D min • 01:50 • -27.08db
11% Popularity • 20% Danceability • 6% Energy • 16% Liveness
0% Instrumentalness • 4% Positiveness
11% Popularity • 20% Danceability • 6% Energy • 16% Liveness
0% Instrumentalness • 4% Positiveness
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Feliks Nowowiejski
Folk Paintings Op. 18: XX. Finale. Un po...
110 bpm • D Maj • 02:25 • -13.83db
0% Popularity • 38% Danceability • 64% Energy • 7% Liveness
96% Instrumentalness • 57% Positiveness
0% Popularity • 38% Danceability • 64% Energy • 7% Liveness
96% Instrumentalness • 57% Positiveness
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Uli Gutscher
17 Korn, das in die Erde
118 bpm • B min • 01:46 • -15.58db
11% Popularity • 30% Danceability • 22% Energy • 36% Liveness
0% Instrumentalness • 44% Positiveness
11% Popularity • 30% Danceability • 22% Energy • 36% Liveness
0% Instrumentalness • 44% Positiveness
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Peter Maxwell Davies
O magnum mysterium: I. O magnum mysteriu...
110 bpm • F# Maj • 01:43 • -23.46db
19% Popularity • 26% Danceability • 12% Energy • 9% Liveness
89% Instrumentalness • 3% Positiveness
19% Popularity • 26% Danceability • 12% Energy • 9% Liveness
89% Instrumentalness • 3% Positiveness
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Maurice Duruflé
Requiem, Op. 9: III. Domine Jesu Christe
110 bpm • C# min • 08:02 • -21.09db
10% Popularity • 16% Danceability • 5% Energy • 13% Liveness
33% Instrumentalness • 3% Positiveness
10% Popularity • 16% Danceability • 5% Energy • 13% Liveness
33% Instrumentalness • 3% Positiveness
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Gaetano Amadeo
Verset No. 1: Marziale
109 bpm • C# Maj • 01:07 • -14.4db
12% Popularity • 26% Danceability • 24% Energy • 32% Liveness
87% Instrumentalness • 13% Positiveness
12% Popularity • 26% Danceability • 24% Energy • 32% Liveness
87% Instrumentalness • 13% Positiveness
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Mystic Symphony
Attack
120 bpm • C min • 02:03 • -13.06db
14% Popularity • 46% Danceability • 42% Energy • 32% Liveness
38% Instrumentalness • 37% Positiveness
14% Popularity • 46% Danceability • 42% Energy • 32% Liveness
38% Instrumentalness • 37% Positiveness
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Feliks Nowowiejski
Unter der Friedensflagge
118 bpm • C# Maj • 02:35 • -10.98db
1% Popularity • 66% Danceability • 45% Energy • 7% Liveness
86% Instrumentalness • 61% Positiveness
1% Popularity • 66% Danceability • 45% Energy • 7% Liveness
86% Instrumentalness • 61% Positiveness
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Anonymous
Im Abendrot, D. 799 (arr. for male choir...
108 bpm • A# Maj • 02:23 • -22.05db
9% Popularity • 21% Danceability • 14% Energy • 14% Liveness
0% Instrumentalness • 11% Positiveness
9% Popularity • 21% Danceability • 14% Energy • 14% Liveness
0% Instrumentalness • 11% Positiveness
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Christopher Tyler Nickel
Requiem: V. Dies Irae
120 bpm • G min • 07:09 • -20.01db
13% Popularity • 48% Danceability • 11% Energy • 10% Liveness
92% Instrumentalness • 5% Positiveness
13% Popularity • 48% Danceability • 11% Energy • 10% Liveness
92% Instrumentalness • 5% Positiveness
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Smooth Moment
Maria jumping mountains
120 bpm • C Maj • 03:26 • -19.47db
8% Popularity • 20% Danceability • 18% Energy • 17% Liveness
88% Instrumentalness • 8% Positiveness
8% Popularity • 20% Danceability • 18% Energy • 17% Liveness
88% Instrumentalness • 8% Positiveness
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Luigi Gherardeschi
Gran Marcia per Organo
108 bpm • F Maj • 03:32 • -10.8db
8% Popularity • 55% Danceability • 29% Energy • 8% Liveness
5% Instrumentalness • 38% Positiveness
8% Popularity • 55% Danceability • 29% Energy • 8% Liveness
5% Instrumentalness • 38% Positiveness
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Miklós Kocsár
Missa in A Major: IV. Sanctus - Benedict...
108 bpm • C# Maj • 03:07 • -23.88db
13% Popularity • 24% Danceability • 8% Energy • 10% Liveness
4% Instrumentalness • 4% Positiveness
13% Popularity • 24% Danceability • 8% Energy • 10% Liveness
4% Instrumentalness • 4% Positiveness
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Feliks Nowowiejski
Folk Paintings Op. 18: XVI. Obertas No. ...
109 bpm • A Maj • 02:09 • -13.55db
0% Popularity • 56% Danceability • 62% Energy • 37% Liveness
92% Instrumentalness • 61% Positiveness
0% Popularity • 56% Danceability • 62% Energy • 37% Liveness
92% Instrumentalness • 61% Positiveness
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Heino Eller
Symphonic Suite "White Night": I. White ...
108 bpm • F# min • 02:29 • -30.03db
11% Popularity • 16% Danceability • 3% Energy • 6% Liveness
70% Instrumentalness • 4% Positiveness
11% Popularity • 16% Danceability • 3% Energy • 6% Liveness
70% Instrumentalness • 4% Positiveness
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Georg Anton Kreusser
2. Coro: Sein Odem ist schwach
121 bpm • A# min • 03:16 • -19.29db
17% Popularity • 24% Danceability • 10% Energy • 11% Liveness
30% Instrumentalness • 9% Positiveness
17% Popularity • 24% Danceability • 10% Energy • 11% Liveness
30% Instrumentalness • 9% Positiveness
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Heinrich Schütz
Matthäus-Passion, SWV 479: Introitus: "...
107 bpm • C Maj • 02:11 • -20.87db
9% Popularity • 37% Danceability • 8% Energy • 53% Liveness
0% Instrumentalness • 6% Positiveness
9% Popularity • 37% Danceability • 8% Energy • 53% Liveness
0% Instrumentalness • 6% Positiveness
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Zoltán Kodály
Hary Janos: Adventure 1: Intermezzo
121 bpm • D min • 04:42 • -17.84db
10% Popularity • 37% Danceability • 8% Energy • 11% Liveness
92% Instrumentalness • 28% Positiveness
10% Popularity • 37% Danceability • 8% Energy • 11% Liveness
92% Instrumentalness • 28% Positiveness
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Jack Lenz Music
God Is Sufficient Unto Me
121 bpm • G min • 06:43 • -19.52db
8% Popularity • 30% Danceability • 5% Energy • 34% Liveness
51% Instrumentalness • 9% Positiveness
8% Popularity • 30% Danceability • 5% Energy • 34% Liveness
51% Instrumentalness • 9% Positiveness
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Feliks Nowowiejski
Quo vadis, Op. 30 (Sung in Polish), Scen...
120 bpm • D# min • 03:02 • -13.9db
0% Popularity • 26% Danceability • 37% Energy • 75% Liveness
74% Instrumentalness • 18% Positiveness
0% Popularity • 26% Danceability • 37% Energy • 75% Liveness
74% Instrumentalness • 18% Positiveness
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Ferdinand David
Trombone Concertino in E-flat Major, Op....
122 bpm • A# Maj • 01:18 • -17.53db
16% Popularity • 31% Danceability • 18% Energy • 11% Liveness
96% Instrumentalness • 15% Positiveness
16% Popularity • 31% Danceability • 18% Energy • 11% Liveness
96% Instrumentalness • 15% Positiveness
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Laestadian Lutheran Church
With His Blood the Dear Lord Jesus SHZ 5...
107 bpm • G min • 01:56 • -15.71db
11% Popularity • 16% Danceability • 11% Energy • 9% Liveness
94% Instrumentalness • 4% Positiveness
11% Popularity • 16% Danceability • 11% Energy • 9% Liveness
94% Instrumentalness • 4% Positiveness
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Dick Le Mair
Wege zu dir - Wege zu mir
122 bpm • F Maj • 03:32 • -11.99db
9% Popularity • 18% Danceability • 26% Energy • 13% Liveness
91% Instrumentalness • 4% Positiveness
9% Popularity • 18% Danceability • 26% Energy • 13% Liveness
91% Instrumentalness • 4% Positiveness
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George Lloyd
A Litany for soprano, baritone, chorus &...
107 bpm • G# Maj • 06:03 • -28.28db
7% Popularity • 16% Danceability • 6% Energy • 13% Liveness
10% Instrumentalness • 4% Positiveness
7% Popularity • 16% Danceability • 6% Energy • 13% Liveness
10% Instrumentalness • 4% Positiveness
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Camille Saint-Saëns
2 Choeurs, Op. 68: No. 2. Les fleurs et ...
106 bpm • E Maj • 01:43 • -19.4db
11% Popularity • 24% Danceability • 16% Energy • 11% Liveness
76% Instrumentalness • 5% Positiveness
11% Popularity • 24% Danceability • 16% Energy • 11% Liveness
76% Instrumentalness • 5% Positiveness
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Feliks Nowowiejski
Folk Paintings Op. 18: XII. Dances after...
121 bpm • G Maj • 02:42 • -19.97db
0% Popularity • 52% Danceability • 27% Energy • 21% Liveness
26% Instrumentalness • 48% Positiveness
0% Popularity • 52% Danceability • 27% Energy • 21% Liveness
26% Instrumentalness • 48% Positiveness
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Wolfgang Amadeus Mozart
Vèpres solennelles d'un confesseur en D...
123 bpm • F Maj • 04:57 • -12.44db
15% Popularity • 21% Danceability • 25% Energy • 20% Liveness
0% Instrumentalness • 4% Positiveness
15% Popularity • 21% Danceability • 25% Energy • 20% Liveness
0% Instrumentalness • 4% Positiveness
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Niccolò Moretti
Sonata VI ad uso Offertorio
123 bpm • C# Maj • 02:23 • -16.93db
9% Popularity • 27% Danceability • 23% Energy • 21% Liveness
88% Instrumentalness • 20% Positiveness
9% Popularity • 27% Danceability • 23% Energy • 21% Liveness
88% Instrumentalness • 20% Positiveness
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Athesinus Consort Berlin
Wie Wasser
105 bpm • G Maj • 03:10 • -16.13db
12% Popularity • 19% Danceability • 25% Energy • 10% Liveness
0% Instrumentalness • 17% Positiveness
12% Popularity • 19% Danceability • 25% Energy • 10% Liveness
0% Instrumentalness • 17% Positiveness
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Orfeón de Miravalles
Ecce quan bonum (salmo 132)
105 bpm • F Maj • 03:25 • -11.81db
9% Popularity • 22% Danceability • 41% Energy • 19% Liveness
71% Instrumentalness • 15% Positiveness
9% Popularity • 22% Danceability • 41% Energy • 19% Liveness
71% Instrumentalness • 15% Positiveness
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Jean-Baptiste Lully
Exaudiat te Dominus, LWV 77 No. 15: IV. ...
105 bpm • F min • 02:38 • -18.3db
13% Popularity • 19% Danceability • 23% Energy • 61% Liveness
0% Instrumentalness • 15% Positiveness
13% Popularity • 19% Danceability • 23% Energy • 61% Liveness
0% Instrumentalness • 15% Positiveness
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Feliks Nowowiejski
Folk Paintings Op. 18: XVII. Obertas No....
106 bpm • C Maj • 01:31 • -15.37db
0% Popularity • 39% Danceability • 46% Energy • 30% Liveness
77% Instrumentalness • 90% Positiveness
0% Popularity • 39% Danceability • 46% Energy • 30% Liveness
77% Instrumentalness • 90% Positiveness
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Diego Adinolfi
Glória a Jesus! Glória a Jesus!
124 bpm • G Maj • 03:30 • -27.41db
8% Popularity • 20% Danceability • 8% Energy • 11% Liveness
74% Instrumentalness • 12% Positiveness
8% Popularity • 20% Danceability • 8% Energy • 11% Liveness
74% Instrumentalness • 12% Positiveness
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ジャン・シベリウス
アンダンテ・フェスティーヴ�...
105 bpm • G Maj • 03:27 • -16.59db
9% Popularity • 17% Danceability • 27% Energy • 94% Liveness
83% Instrumentalness • 5% Positiveness
9% Popularity • 17% Danceability • 27% Energy • 94% Liveness
83% Instrumentalness • 5% Positiveness
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Johannes Brahms
Liebeslieder-Walzer, Op. 52: No. 8, Wenn...
124 bpm • G# Maj • 01:30 • -24.57db
8% Popularity • 23% Danceability • 12% Energy • 12% Liveness
71% Instrumentalness • 6% Positiveness
8% Popularity • 23% Danceability • 12% Energy • 12% Liveness
71% Instrumentalness • 6% Positiveness
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Giuseppe Gherardeschi
Offertorio in B-Flat Major
104 bpm • A# Maj • 03:17 • -8.86db
9% Popularity • 35% Danceability • 32% Energy • 6% Liveness
44% Instrumentalness • 42% Positiveness
9% Popularity • 35% Danceability • 32% Energy • 6% Liveness
44% Instrumentalness • 42% Positiveness
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Heinrich Schütz
Geistliche Chormusik: Unser Wandel ist i...
104 bpm • E min • 03:50 • -20.87db
9% Popularity • 19% Danceability • 9% Energy • 9% Liveness
92% Instrumentalness • 4% Positiveness
9% Popularity • 19% Danceability • 9% Energy • 9% Liveness
92% Instrumentalness • 4% Positiveness
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Feliks Nowowiejski
Folk Paintings Op. 18: IX. Kujawiak No. ...
106 bpm • G Maj • 01:29 • -12.85db
0% Popularity • 36% Danceability • 63% Energy • 17% Liveness
0% Instrumentalness • 70% Positiveness
0% Popularity • 36% Danceability • 63% Energy • 17% Liveness
0% Instrumentalness • 70% Positiveness
► Preview
Paul Fey
Advent Prelude on "Lift up your Heads"
125 bpm • F Maj • 02:48 • -17.63db
14% Popularity • 19% Danceability • 13% Energy • 9% Liveness
94% Instrumentalness • 7% Positiveness
14% Popularity • 19% Danceability • 13% Energy • 9% Liveness
94% Instrumentalness • 7% Positiveness
► Preview
Francis Poulenc
Stabat Mater, FP 148: I. Stabat Mater do...
104 bpm • A min • 03:40 • -23.75db
12% Popularity • 15% Danceability • 9% Energy • 10% Liveness
65% Instrumentalness • 4% Positiveness
12% Popularity • 15% Danceability • 9% Energy • 10% Liveness
65% Instrumentalness • 4% Positiveness
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Huang Haihuai
Horse Race (Arr. for Orchestra by Tom Ya...
125 bpm • G Maj • 02:08 • -18.77db
9% Popularity • 32% Danceability • 19% Energy • 11% Liveness
69% Instrumentalness • 40% Positiveness
9% Popularity • 32% Danceability • 19% Energy • 11% Liveness
69% Instrumentalness • 40% Positiveness
► Preview
Giacomo Puccini
Messa di Gloria: VIII. Quoniam
125 bpm • C Maj • 01:07 • -18db
13% Popularity • 29% Danceability • 5% Energy • 10% Liveness
95% Instrumentalness • 28% Positiveness
13% Popularity • 29% Danceability • 5% Energy • 10% Liveness
95% Instrumentalness • 28% Positiveness
► Preview
Anton Bruckner
Locus iste, WAB 23
125 bpm • C Maj • 03:21 • -26.29db
21% Popularity • 17% Danceability • 3% Energy • 8% Liveness
4% Instrumentalness • 3% Positiveness
21% Popularity • 17% Danceability • 3% Energy • 8% Liveness
4% Instrumentalness • 3% Positiveness
► Preview
Feliks Nowowiejski
Folk Paintings Op. 18: XVIII. Obertas No...
105 bpm • D# Maj • 01:10 • -14.43db
0% Popularity • 50% Danceability • 40% Energy • 45% Liveness
0% Instrumentalness • 25% Positiveness
0% Popularity • 50% Danceability • 40% Energy • 45% Liveness
0% Instrumentalness • 25% Positiveness
► Preview
Soċjetà Filarmonika Santa Marija Mosta
Post Morterm
104 bpm • F# Maj • 07:35 • -15.32db
8% Popularity • 19% Danceability • 25% Energy • 16% Liveness
83% Instrumentalness • 13% Positiveness
8% Popularity • 19% Danceability • 25% Energy • 16% Liveness
83% Instrumentalness • 13% Positiveness
► Preview
Alfred Schnittke
Three Sacred Hymns: II. Herr Jesus, Sohn...
125 bpm • C min • 01:34 • -17.89db
11% Popularity • 20% Danceability • 18% Energy • 7% Liveness
15% Instrumentalness • 3% Positiveness
11% Popularity • 20% Danceability • 18% Energy • 7% Liveness
15% Instrumentalness • 3% Positiveness
► Preview
Schola Cantorum de la Universidad Pontificia de Comillas
Responsorios: O vos omnes (a 4 v.g.) - R...
126 bpm • D Maj • 03:47 • -16.81db
8% Popularity • 20% Danceability • 22% Energy • 9% Liveness
84% Instrumentalness • 4% Positiveness
8% Popularity • 20% Danceability • 22% Energy • 9% Liveness
84% Instrumentalness • 4% Positiveness
► Preview
Karl Jenkins
The Armed Man (Ensemble Version): XIII. ...
127 bpm • G Maj • 09:26 • -19.29db
11% Popularity • 35% Danceability • 21% Energy • 14% Liveness
0% Instrumentalness • 12% Positiveness
11% Popularity • 35% Danceability • 21% Energy • 14% Liveness
0% Instrumentalness • 12% Positiveness
► Preview
Johann Kuhnau
Christ lag in Todesbanden: IVf. Rittorne...
126 bpm • C# min • 01:11 • -16.9db
13% Popularity • 17% Danceability • 11% Energy • 12% Liveness
34% Instrumentalness • 8% Positiveness
13% Popularity • 17% Danceability • 11% Energy • 12% Liveness
34% Instrumentalness • 8% Positiveness
► Preview
Feliks Nowowiejski
Symphony No. 3, Op. 53 "Siedem barw Iris...
125 bpm • F min • 06:50 • -27.86db
0% Popularity • 18% Danceability • 6% Energy • 10% Liveness
85% Instrumentalness • 5% Positiveness
0% Popularity • 18% Danceability • 6% Energy • 10% Liveness
85% Instrumentalness • 5% Positiveness
► Preview
Franz Schubert
Arpeggione Sonata in A Minor, D. 821 (Ar...
103 bpm • B Maj • 04:14 • -20.92db
10% Popularity • 21% Danceability • 9% Energy • 10% Liveness
95% Instrumentalness • 4% Positiveness
10% Popularity • 21% Danceability • 9% Energy • 10% Liveness
95% Instrumentalness • 4% Positiveness
► Preview
Wolfgang Amadeus Mozart
Große Credomesse, KV 257: IV. Sanctus
127 bpm • C Maj • 01:40 • -7.12db
7% Popularity • 30% Danceability • 60% Energy • 32% Liveness
2% Instrumentalness • 34% Positiveness
7% Popularity • 30% Danceability • 60% Energy • 32% Liveness
2% Instrumentalness • 34% Positiveness
► Preview
Jakob van Berchem
O Jesu Christe
127 bpm • D Maj • 03:16 • -28db
8% Popularity • 17% Danceability • 4% Energy • 11% Liveness
24% Instrumentalness • 3% Positiveness
8% Popularity • 17% Danceability • 4% Energy • 11% Liveness
24% Instrumentalness • 3% Positiveness
► Preview
August Söderman
Ett bondbröllop: I. Bröllopsmarsch
102 bpm • F Maj • 02:29 • -17db
11% Popularity • 38% Danceability • 22% Energy • 12% Liveness
0% Instrumentalness • 26% Positiveness
11% Popularity • 38% Danceability • 22% Energy • 12% Liveness
0% Instrumentalness • 26% Positiveness
► Preview
Fredrik Schwenk
Missa Pro Pace Benedictus
127 bpm • A Maj • 03:39 • -21.52db
0% Popularity • 18% Danceability • 12% Energy • 37% Liveness
80% Instrumentalness • 3% Positiveness
0% Popularity • 18% Danceability • 12% Energy • 37% Liveness
80% Instrumentalness • 3% Positiveness
► Preview
Feliks Nowowiejski
Piano Concerto in D minor, Op. 60 "Slavi...
126 bpm • D min • 10:16 • -17.47db
0% Popularity • 31% Danceability • 20% Energy • 19% Liveness
85% Instrumentalness • 13% Positiveness
0% Popularity • 31% Danceability • 20% Energy • 19% Liveness
85% Instrumentalness • 13% Positiveness
► Preview
Christelijk Gemengd Drechtstedenkoor Praise Him
Halleluja, Christus Is Verrezen!
102 bpm • A Maj • 02:55 • -14.92db
11% Popularity • 30% Danceability • 21% Energy • 14% Liveness
87% Instrumentalness • 23% Positiveness
11% Popularity • 30% Danceability • 21% Energy • 14% Liveness
87% Instrumentalness • 23% Positiveness
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Wolfgang Amadeus Mozart
Große Credomesse, KV 257: III. Credo
127 bpm • C Maj • 09:19 • -9.4db
8% Popularity • 27% Danceability • 38% Energy • 29% Liveness
25% Instrumentalness • 7% Positiveness
8% Popularity • 27% Danceability • 38% Energy • 29% Liveness
25% Instrumentalness • 7% Positiveness
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Pavel Chesnokov
Sovet Prevechnyj (The pre-eternal counse...
128 bpm • E min • 02:48 • -19db
10% Popularity • 23% Danceability • 24% Energy • 10% Liveness
33% Instrumentalness • 4% Positiveness
10% Popularity • 23% Danceability • 24% Energy • 10% Liveness
33% Instrumentalness • 4% Positiveness
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Schola Cantorum de la Universidad Pontificia de Comillas
Responsorios: Iesum tradidit impius (a 4...
128 bpm • D Maj • 03:11 • -16.61db
10% Popularity • 18% Danceability • 27% Energy • 14% Liveness
69% Instrumentalness • 4% Positiveness
10% Popularity • 18% Danceability • 27% Energy • 14% Liveness
69% Instrumentalness • 4% Positiveness
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Oulun kamariorkesteri
Alkukuoro, Vuorten Ylle Aurinko on Nouss...
128 bpm • G Maj • 04:27 • -23.6db
15% Popularity • 17% Danceability • 10% Energy • 10% Liveness
79% Instrumentalness • 4% Positiveness
15% Popularity • 17% Danceability • 10% Energy • 10% Liveness
79% Instrumentalness • 4% Positiveness
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Negrasálmur
Go down Moses
102 bpm • B min • 01:52 • -20.1db
13% Popularity • 26% Danceability • 12% Energy • 9% Liveness
91% Instrumentalness • 22% Positiveness
13% Popularity • 26% Danceability • 12% Energy • 9% Liveness
91% Instrumentalness • 22% Positiveness
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Jaap & Hendrik
Because He lives
102 bpm • G# Maj • 02:53 • -20.43db
7% Popularity • 19% Danceability • 6% Energy • 10% Liveness
89% Instrumentalness • 12% Positiveness
7% Popularity • 19% Danceability • 6% Energy • 10% Liveness
89% Instrumentalness • 12% Positiveness
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Feliks Nowowiejski
Folk Paintings Op. 18: II. Kujawiak No. ...
102 bpm • D Maj • 01:57 • -12.73db
0% Popularity • 50% Danceability • 61% Energy • 10% Liveness
0% Instrumentalness • 90% Positiveness
0% Popularity • 50% Danceability • 61% Energy • 10% Liveness
0% Instrumentalness • 90% Positiveness
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Stringendo Ifjúsági Zenekar
Rókatánc
128 bpm • D Maj • 02:55 • -14.35db
9% Popularity • 38% Danceability • 23% Energy • 20% Liveness
95% Instrumentalness • 36% Positiveness
9% Popularity • 38% Danceability • 23% Energy • 20% Liveness
95% Instrumentalness • 36% Positiveness
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Clive Osgood
Magnificat: No. 6, Esurientes implevit
101 bpm • E Maj • 02:50 • -28.13db
24% Popularity • 20% Danceability • 5% Energy • 9% Liveness
3% Instrumentalness • 15% Positiveness
24% Popularity • 20% Danceability • 5% Energy • 9% Liveness
3% Instrumentalness • 15% Positiveness
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Joose Vähäsöyrinki
Resitatiivi, Silloin Jeesus Ojensi Käte...
101 bpm • G min • 02:12 • -19.61db
11% Popularity • 21% Danceability • 20% Energy • 12% Liveness
64% Instrumentalness • 5% Positiveness
11% Popularity • 21% Danceability • 20% Energy • 12% Liveness
64% Instrumentalness • 5% Positiveness
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Johann Kuhnau
Christ lag in Todesbanden: II. Choral "C...
129 bpm • C# min • 01:26 • -12.03db
15% Popularity • 46% Danceability • 35% Energy • 11% Liveness
0% Instrumentalness • 72% Positiveness
15% Popularity • 46% Danceability • 35% Energy • 11% Liveness
0% Instrumentalness • 72% Positiveness
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The Inkwell Alchemists
Rusted Gears Grinding Tales of Industria...
129 bpm • A# Maj • 01:07 • -12.23db
14% Popularity • 27% Danceability • 58% Energy • 60% Liveness
41% Instrumentalness • 12% Positiveness
14% Popularity • 27% Danceability • 58% Energy • 60% Liveness
41% Instrumentalness • 12% Positiveness
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Feliks Nowowiejski
Symphony No. 2, Op. 52 "Rytm i prac": An...
129 bpm • F min • 04:23 • -17.88db
0% Popularity • 18% Danceability • 20% Energy • 28% Liveness
82% Instrumentalness • 8% Positiveness
0% Popularity • 18% Danceability • 20% Energy • 28% Liveness
82% Instrumentalness • 8% Positiveness
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Henryk Górecki
Christi crux
101 bpm • E min • 02:45 • -21.76db
16% Popularity • 19% Danceability • 17% Energy • 28% Liveness
0% Instrumentalness • 15% Positiveness
16% Popularity • 19% Danceability • 17% Energy • 28% Liveness
0% Instrumentalness • 15% Positiveness
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Mikko Finneman
Toccatatiamo
129 bpm • C min • 01:40 • -13.94db
9% Popularity • 18% Danceability • 32% Energy • 20% Liveness
93% Instrumentalness • 48% Positiveness
9% Popularity • 18% Danceability • 32% Energy • 20% Liveness
93% Instrumentalness • 48% Positiveness
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Orquesta de Cámara de Berlín
La Pasión según San Mateo, BWV 244: No...
129 bpm • G# Maj • 01:42 • -14.84db
8% Popularity • 24% Danceability • 40% Energy • 11% Liveness
0% Instrumentalness • 8% Positiveness
8% Popularity • 24% Danceability • 40% Energy • 11% Liveness
0% Instrumentalness • 8% Positiveness
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Edward Elgar
Nimrod
129 bpm • D# Maj • 01:14 • -18.21db
15% Popularity • 16% Danceability • 21% Energy • 36% Liveness
82% Instrumentalness • 4% Positiveness
15% Popularity • 16% Danceability • 21% Energy • 36% Liveness
82% Instrumentalness • 4% Positiveness
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Antonín Dvořák
Moravské dvojzpěvy, 2. řada, Op. 29: ...
101 bpm • A min • 01:32 • -28.31db
11% Popularity • 42% Danceability • 2% Energy • 6% Liveness
0% Instrumentalness • 22% Positiveness
11% Popularity • 42% Danceability • 2% Energy • 6% Liveness
0% Instrumentalness • 22% Positiveness
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Feliks Nowowiejski
Folk Paintings Op. 18: I. Wedding Proces...
101 bpm • A Maj • 04:19 • -16.82db
0% Popularity • 23% Danceability • 34% Energy • 22% Liveness
46% Instrumentalness • 31% Positiveness
0% Popularity • 23% Danceability • 34% Energy • 22% Liveness
46% Instrumentalness • 31% Positiveness
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Zespół Pieśni i Tańca Śląsk
Karlik
129 bpm • F Maj • 01:14 • -11.65db
13% Popularity • 64% Danceability • 40% Energy • 26% Liveness
0% Instrumentalness • 85% Positiveness
13% Popularity • 64% Danceability • 40% Energy • 26% Liveness
0% Instrumentalness • 85% Positiveness
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Jose Nebra
Donde hay violencia no hay culpa, Act I:...
100 bpm • A# min • 01:25 • -15db
12% Popularity • 34% Danceability • 42% Energy • 13% Liveness
66% Instrumentalness • 48% Positiveness
12% Popularity • 34% Danceability • 42% Energy • 13% Liveness
66% Instrumentalness • 48% Positiveness
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Anonymous
The British Grenadiers
100 bpm • F Maj • 02:14 • -17.61db
8% Popularity • 64% Danceability • 48% Energy • 10% Liveness
80% Instrumentalness • 93% Positiveness
8% Popularity • 64% Danceability • 48% Energy • 10% Liveness
80% Instrumentalness • 93% Positiveness
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Edward Elgar
Variations on an Original Theme Enigma, ...
100 bpm • C Maj • 01:19 • -25.27db
15% Popularity • 20% Danceability • 3% Energy • 8% Liveness
1% Instrumentalness • 16% Positiveness
15% Popularity • 20% Danceability • 3% Energy • 8% Liveness
1% Instrumentalness • 16% Positiveness
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LeoRoads
Harmony of Angels
130 bpm • E min • 02:19 • -16.85db
8% Popularity • 48% Danceability • 18% Energy • 14% Liveness
95% Instrumentalness • 4% Positiveness
8% Popularity • 48% Danceability • 18% Energy • 14% Liveness
95% Instrumentalness • 4% Positiveness
