Songs like Folk Paintings Op. 18: XX. Finale. Un poco piu vivo by Feliks Nowowiejski
Based on a tempo of (+/- 10%) and a similar genre
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The Gerst Ensemble
5 pièces de clavecin: Le petit rien
110 bpm • D Maj • 01:08 • -35.13db
14% Popularity • 34% Danceability • 0% Energy • 8% Liveness
45% Instrumentalness • 74% Positiveness
14% Popularity • 34% Danceability • 0% Energy • 8% Liveness
45% Instrumentalness • 74% Positiveness
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Gioachino Rossini
Petite messe solennelle: Kyrie I
110 bpm • C Maj • 02:48 • -21db
7% Popularity • 24% Danceability • 14% Energy • 13% Liveness
92% Instrumentalness • 7% Positiveness
7% Popularity • 24% Danceability • 14% Energy • 13% Liveness
92% Instrumentalness • 7% Positiveness
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Nathan Felix
Love Song for Anita
110 bpm • C min • 08:41 • -16.79db
11% Popularity • 26% Danceability • 17% Energy • 42% Liveness
2% Instrumentalness • 6% Positiveness
11% Popularity • 26% Danceability • 17% Energy • 42% Liveness
2% Instrumentalness • 6% Positiveness
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Arcangelo Corelli
Clavier Sonata in D: Sortie
110 bpm • D Maj • 01:51 • -8db
11% Popularity • 36% Danceability • 34% Energy • 7% Liveness
81% Instrumentalness • 17% Positiveness
11% Popularity • 36% Danceability • 34% Energy • 7% Liveness
81% Instrumentalness • 17% Positiveness
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Rafael Krux
Royal Fanfare The Entrance of The King
110 bpm • C Maj • 01:00 • -14.88db
15% Popularity • 67% Danceability • 26% Energy • 6% Liveness
94% Instrumentalness • 16% Positiveness
15% Popularity • 67% Danceability • 26% Energy • 6% Liveness
94% Instrumentalness • 16% Positiveness
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Enschede's Byzantijns Kozakkenkoor
Gaude Mater Polonia
110 bpm • C Maj • 02:21 • -24.05db
11% Popularity • 16% Danceability • 6% Energy • 10% Liveness
14% Instrumentalness • 6% Positiveness
11% Popularity • 16% Danceability • 6% Energy • 10% Liveness
14% Instrumentalness • 6% Positiveness
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Lars-Erik Larsson
Forkladd gud, Op. 24: Valsignelse foljer...
110 bpm • G Maj • 04:17 • -14.89db
8% Popularity • 33% Danceability • 24% Energy • 11% Liveness
85% Instrumentalness • 7% Positiveness
8% Popularity • 33% Danceability • 24% Energy • 11% Liveness
85% Instrumentalness • 7% Positiveness
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Christian Lindberg
Pegasos III
111 bpm • G# Maj • 01:04 • -11.65db
14% Popularity • 56% Danceability • 52% Energy • 15% Liveness
96% Instrumentalness • 31% Positiveness
14% Popularity • 56% Danceability • 52% Energy • 15% Liveness
96% Instrumentalness • 31% Positiveness
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Maurice Duruflé
Requiem, Op. 9: III. Domine Jesu Christe
110 bpm • C# min • 08:02 • -21.09db
8% Popularity • 16% Danceability • 5% Energy • 13% Liveness
33% Instrumentalness • 3% Positiveness
8% Popularity • 16% Danceability • 5% Energy • 13% Liveness
33% Instrumentalness • 3% Positiveness
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Ali Ismael
パレスチナ 革命者
111 bpm • D# Maj • 01:08 • -15.54db
9% Popularity • 63% Danceability • 38% Energy • 15% Liveness
0% Instrumentalness • 41% Positiveness
9% Popularity • 63% Danceability • 38% Energy • 15% Liveness
0% Instrumentalness • 41% Positiveness
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Heraldos del Evangelio
Magna Et Mirabilia
111 bpm • D Maj • 02:18 • -14.89db
12% Popularity • 18% Danceability • 22% Energy • 17% Liveness
64% Instrumentalness • 8% Positiveness
12% Popularity • 18% Danceability • 22% Energy • 17% Liveness
64% Instrumentalness • 8% Positiveness
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Gaetano Amadeo
Verset No. 1: Marziale
109 bpm • C# Maj • 01:07 • -14.4db
13% Popularity • 26% Danceability • 24% Energy • 32% Liveness
87% Instrumentalness • 13% Positiveness
13% Popularity • 26% Danceability • 24% Energy • 32% Liveness
87% Instrumentalness • 13% Positiveness
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Anton Bruckner
Te Deum in C Major, WAB 45: III. Aeterna...
111 bpm • A# Maj • 01:36 • -15.43db
13% Popularity • 25% Danceability • 23% Energy • 16% Liveness
80% Instrumentalness • 12% Positiveness
13% Popularity • 25% Danceability • 23% Energy • 16% Liveness
80% Instrumentalness • 12% Positiveness
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Antonín Dvořák
Slavonic Dances, Series I., Op. 46, B. 8...
109 bpm • D Maj • 06:13 • -19.09db
9% Popularity • 42% Danceability • 6% Energy • 10% Liveness
90% Instrumentalness • 14% Positiveness
9% Popularity • 42% Danceability • 6% Energy • 10% Liveness
90% Instrumentalness • 14% Positiveness
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Théodore Dubois
3 extraits de la Messe des Morts: Agnus ...
109 bpm • F min • 03:53 • -30.02db
13% Popularity • 17% Danceability • 2% Energy • 13% Liveness
27% Instrumentalness • 6% Positiveness
13% Popularity • 17% Danceability • 2% Energy • 13% Liveness
27% Instrumentalness • 6% Positiveness
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Stanisław Moniuszko
Ach! Pani Marto, mówcie szczerze (Chór...
109 bpm • C Maj • 01:56 • -19db
7% Popularity • 43% Danceability • 25% Energy • 20% Liveness
0% Instrumentalness • 78% Positiveness
7% Popularity • 43% Danceability • 25% Energy • 20% Liveness
0% Instrumentalness • 78% Positiveness
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MartÍn Palmeri
Misatango, Misa a Buenos Aires: VI. Cred...
108 bpm • C min • 02:44 • -14.63db
9% Popularity • 26% Danceability • 22% Energy • 12% Liveness
84% Instrumentalness • 18% Positiveness
9% Popularity • 26% Danceability • 22% Energy • 12% Liveness
84% Instrumentalness • 18% Positiveness
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Diego Adinolfi
Venho Adorar-Te, Santo Criador
109 bpm • F Maj • 02:51 • -29.79db
10% Popularity • 16% Danceability • 6% Energy • 10% Liveness
87% Instrumentalness • 8% Positiveness
10% Popularity • 16% Danceability • 6% Energy • 10% Liveness
87% Instrumentalness • 8% Positiveness
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Lukasz Karauda
Usta Milcza Dusza Spiewa
112 bpm • G Maj • 03:05 • -12.69db
11% Popularity • 23% Danceability • 25% Energy • 35% Liveness
0% Instrumentalness • 8% Positiveness
11% Popularity • 23% Danceability • 25% Energy • 35% Liveness
0% Instrumentalness • 8% Positiveness
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Paul Wranitzky
Achmet und Zenide, Act IV: Marsch
108 bpm • A# Maj • 01:57 • -17.53db
19% Popularity • 55% Danceability • 17% Energy • 9% Liveness
0% Instrumentalness • 66% Positiveness
19% Popularity • 55% Danceability • 17% Energy • 9% Liveness
0% Instrumentalness • 66% Positiveness
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Luigi Gherardeschi
Gran Marcia per Organo
108 bpm • F Maj • 03:32 • -10.8db
13% Popularity • 55% Danceability • 29% Energy • 8% Liveness
5% Instrumentalness • 38% Positiveness
13% Popularity • 55% Danceability • 29% Energy • 8% Liveness
5% Instrumentalness • 38% Positiveness
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Feliks Nowowiejski
Ballade No. 2 in A Major, Op. 20 No. 2
108 bpm • A Maj • 07:23 • -18.9db
0% Popularity • 48% Danceability • 10% Energy • 12% Liveness
88% Instrumentalness • 4% Positiveness
0% Popularity • 48% Danceability • 10% Energy • 12% Liveness
88% Instrumentalness • 4% Positiveness
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Johann Sebastian Bach
Bach, JS: Matthäus-Passion, BWV 244, Pt...
112 bpm • D# min • 01:00 • -16.31db
11% Popularity • 55% Danceability • 67% Energy • 19% Liveness
94% Instrumentalness • 36% Positiveness
11% Popularity • 55% Danceability • 67% Energy • 19% Liveness
94% Instrumentalness • 36% Positiveness
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Johann Strauss I
Exeter Polka, Op. 294
108 bpm • D Maj • 01:55 • -18db
26% Popularity • 60% Danceability • 18% Energy • 8% Liveness
36% Instrumentalness • 73% Positiveness
26% Popularity • 60% Danceability • 18% Energy • 8% Liveness
36% Instrumentalness • 73% Positiveness
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Jakub Jan Ryba
Missa pastoralis bohemica, "Hej, mistre"...
113 bpm • G Maj • 01:57 • -18.08db
7% Popularity • 36% Danceability • 6% Energy • 8% Liveness
0% Instrumentalness • 32% Positiveness
7% Popularity • 36% Danceability • 6% Energy • 8% Liveness
0% Instrumentalness • 32% Positiveness
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Julian Hauptmann
Macht weit die Pforten in der Welt!
108 bpm • D Maj • 01:11 • -20.32db
8% Popularity • 19% Danceability • 20% Energy • 11% Liveness
83% Instrumentalness • 29% Positiveness
8% Popularity • 19% Danceability • 20% Energy • 11% Liveness
83% Instrumentalness • 29% Positiveness
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Heinrich Schütz
Matthäus-Passion, SWV 479: Introitus: "...
107 bpm • C Maj • 02:11 • -20.87db
9% Popularity • 37% Danceability • 8% Energy • 53% Liveness
0% Instrumentalness • 6% Positiveness
9% Popularity • 37% Danceability • 8% Energy • 53% Liveness
0% Instrumentalness • 6% Positiveness
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Feliks Nowowiejski
Quo vadis, Op. 30, Scene 3: Scene 3: Die...
113 bpm • A Maj • 01:58 • -19.31db
0% Popularity • 29% Danceability • 20% Energy • 11% Liveness
79% Instrumentalness • 8% Positiveness
0% Popularity • 29% Danceability • 20% Energy • 11% Liveness
79% Instrumentalness • 8% Positiveness
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Louis Spohr
Sechs deutsche Lieder, Opus 41: Nr. 5 De...
113 bpm • E Maj • 01:42 • -15.87db
13% Popularity • 50% Danceability • 11% Energy • 9% Liveness
0% Instrumentalness • 18% Positiveness
13% Popularity • 50% Danceability • 11% Energy • 9% Liveness
0% Instrumentalness • 18% Positiveness
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Theobald Boehm
Fantasia dall'Austria: "Le Desir" su un ...
107 bpm • G# Maj • 03:16 • -10.34db
9% Popularity • 40% Danceability • 35% Energy • 9% Liveness
96% Instrumentalness • 79% Positiveness
9% Popularity • 40% Danceability • 35% Energy • 9% Liveness
96% Instrumentalness • 79% Positiveness
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Laestadian Lutheran Church
With His Blood the Dear Lord Jesus SHZ 5...
107 bpm • G min • 01:56 • -15.71db
11% Popularity • 16% Danceability • 11% Energy • 9% Liveness
94% Instrumentalness • 4% Positiveness
11% Popularity • 16% Danceability • 11% Energy • 9% Liveness
94% Instrumentalness • 4% Positiveness
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Marcel Barsotti
Church of the Ancestors
114 bpm • A min • 01:21 • -14.15db
19% Popularity • 18% Danceability • 2% Energy • 11% Liveness
98% Instrumentalness • 8% Positiveness
19% Popularity • 18% Danceability • 2% Energy • 11% Liveness
98% Instrumentalness • 8% Positiveness
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Carl Loewe
Das Sühnopfer des neuen Bundes, Pt. 1: ...
114 bpm • C min • 00:59 • -15.41db
19% Popularity • 36% Danceability • 19% Energy • 13% Liveness
47% Instrumentalness • 48% Positiveness
19% Popularity • 36% Danceability • 19% Energy • 13% Liveness
47% Instrumentalness • 48% Positiveness
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Wolfgang Amadeus Mozart
Missa solemnis, KV337: Gloria
106 bpm • C Maj • 03:56 • -9.72db
8% Popularity • 38% Danceability • 47% Energy • 9% Liveness
67% Instrumentalness • 37% Positiveness
8% Popularity • 38% Danceability • 47% Energy • 9% Liveness
67% Instrumentalness • 37% Positiveness
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Ēriks Ešenvalds
Who Can Sail Without the Wind?
106 bpm • E min • 03:04 • -27.37db
9% Popularity • 25% Danceability • 4% Energy • 10% Liveness
1% Instrumentalness • 8% Positiveness
9% Popularity • 25% Danceability • 4% Energy • 10% Liveness
1% Instrumentalness • 8% Positiveness
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Raphael Fimm
Les Hypermnésiques
115 bpm • E Maj • 01:39 • -15.79db
9% Popularity • 18% Danceability • 19% Energy • 15% Liveness
85% Instrumentalness • 11% Positiveness
9% Popularity • 18% Danceability • 19% Energy • 15% Liveness
85% Instrumentalness • 11% Positiveness
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Radoslaw Pallarz
Accepi Epistulam Tuam
115 bpm • C min • 04:36 • -22.45db
8% Popularity • 28% Danceability • 15% Energy • 9% Liveness
52% Instrumentalness • 4% Positiveness
8% Popularity • 28% Danceability • 15% Energy • 9% Liveness
52% Instrumentalness • 4% Positiveness
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Antal Gyorgy Csermak
Az intezett veszedelem vagy Hazy szerete...
115 bpm • D Maj • 01:12 • -22.46db
19% Popularity • 38% Danceability • 2% Energy • 10% Liveness
47% Instrumentalness • 4% Positiveness
19% Popularity • 38% Danceability • 2% Energy • 10% Liveness
47% Instrumentalness • 4% Positiveness
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Хор Сретенского монастыря
Родина (Вижу чудное пр...
115 bpm • E min • 02:50 • -10.3db
7% Popularity • 31% Danceability • 54% Energy • 18% Liveness
2% Instrumentalness • 19% Positiveness
7% Popularity • 31% Danceability • 54% Energy • 18% Liveness
2% Instrumentalness • 19% Positiveness
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Orfeón de Miravalles
Ecce quan bonum (salmo 132)
105 bpm • F Maj • 03:25 • -11.81db
9% Popularity • 22% Danceability • 41% Energy • 19% Liveness
71% Instrumentalness • 15% Positiveness
9% Popularity • 22% Danceability • 41% Energy • 19% Liveness
71% Instrumentalness • 15% Positiveness
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St.Petersburg Chamber Choir
The Little Litany
115 bpm • C Maj • 01:03 • -35.06db
13% Popularity • 17% Danceability • 3% Energy • 12% Liveness
6% Instrumentalness • 3% Positiveness
13% Popularity • 17% Danceability • 3% Energy • 12% Liveness
6% Instrumentalness • 3% Positiveness
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Aileen
Earth Wind and Fire
105 bpm • C# Maj • 03:05 • -19.92db
16% Popularity • 64% Danceability • 12% Energy • 20% Liveness
89% Instrumentalness • 83% Positiveness
16% Popularity • 64% Danceability • 12% Energy • 20% Liveness
89% Instrumentalness • 83% Positiveness
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Banda dell'orgoglio nazionale
Repubblica Ceca - Kde Domov Můj? - Inno...
116 bpm • D# Maj • 01:06 • -14.84db
10% Popularity • 30% Danceability • 29% Energy • 34% Liveness
79% Instrumentalness • 23% Positiveness
10% Popularity • 30% Danceability • 29% Energy • 34% Liveness
79% Instrumentalness • 23% Positiveness
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Feliks Nowowiejski
The King of The Winds Op. 37: V. Image "...
116 bpm • F Maj • 09:59 • -17.14db
0% Popularity • 33% Danceability • 18% Energy • 10% Liveness
76% Instrumentalness • 9% Positiveness
0% Popularity • 33% Danceability • 18% Energy • 10% Liveness
76% Instrumentalness • 9% Positiveness
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Giuseppe Gherardeschi
Offertorio in B-Flat Major
104 bpm • A# Maj • 03:17 • -8.86db
13% Popularity • 35% Danceability • 32% Energy • 6% Liveness
44% Instrumentalness • 42% Positiveness
13% Popularity • 35% Danceability • 32% Energy • 6% Liveness
44% Instrumentalness • 42% Positiveness
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Francis Poulenc
Stabat Mater, FP 148: I. Stabat Mater do...
104 bpm • A min • 03:40 • -23.75db
13% Popularity • 15% Danceability • 9% Energy • 10% Liveness
65% Instrumentalness • 4% Positiveness
13% Popularity • 15% Danceability • 9% Energy • 10% Liveness
65% Instrumentalness • 4% Positiveness
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Arturo Sacchetti
Fanfare (Lemmens)
104 bpm • D Maj • 02:53 • -15db
11% Popularity • 34% Danceability • 33% Energy • 22% Liveness
90% Instrumentalness • 60% Positiveness
11% Popularity • 34% Danceability • 33% Energy • 22% Liveness
90% Instrumentalness • 60% Positiveness
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Karl Jenkins
The Armed Man (Ensemble Version): VII. C...
117 bpm • A# Maj • 07:12 • -18.06db
13% Popularity • 33% Danceability • 44% Energy • 32% Liveness
1% Instrumentalness • 4% Positiveness
13% Popularity • 33% Danceability • 44% Energy • 32% Liveness
1% Instrumentalness • 4% Positiveness
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Soċjetà Filarmonika Santa Marija Mosta
Post Morterm
104 bpm • F# Maj • 07:35 • -15.32db
10% Popularity • 19% Danceability • 25% Energy • 16% Liveness
83% Instrumentalness • 13% Positiveness
10% Popularity • 19% Danceability • 25% Energy • 16% Liveness
83% Instrumentalness • 13% Positiveness
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Feliks Nowowiejski
Quo vadis, Op. 30, Scene 4: Scene 4: Ich...
116 bpm • C# Maj • 01:46 • -15.96db
0% Popularity • 38% Danceability • 30% Energy • 22% Liveness
51% Instrumentalness • 36% Positiveness
0% Popularity • 38% Danceability • 30% Energy • 22% Liveness
51% Instrumentalness • 36% Positiveness
► Preview
August Söderman
Ett bondbröllop: I. Bröllopsmarsch
102 bpm • F Maj • 02:29 • -17db
9% Popularity • 38% Danceability • 22% Energy • 12% Liveness
0% Instrumentalness • 26% Positiveness
9% Popularity • 38% Danceability • 22% Energy • 12% Liveness
0% Instrumentalness • 26% Positiveness
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William Ralph Driffill
Toccata in F Minor
102 bpm • F min • 05:16 • -12db
13% Popularity • 17% Danceability • 44% Energy • 10% Liveness
91% Instrumentalness • 6% Positiveness
13% Popularity • 17% Danceability • 44% Energy • 10% Liveness
91% Instrumentalness • 6% Positiveness
► Preview
Negrasálmur
Go down Moses
102 bpm • B min • 01:52 • -20.1db
14% Popularity • 26% Danceability • 12% Energy • 9% Liveness
91% Instrumentalness • 22% Positiveness
14% Popularity • 26% Danceability • 12% Energy • 9% Liveness
91% Instrumentalness • 22% Positiveness
► Preview
Mordechai Sobol
Tiher Rabbi Yishmael
119 bpm • A# min • 05:26 • -10.02db
7% Popularity • 26% Danceability • 34% Energy • 17% Liveness
7% Instrumentalness • 10% Positiveness
7% Popularity • 26% Danceability • 34% Energy • 17% Liveness
7% Instrumentalness • 10% Positiveness
► Preview
Jules Grison
Toccata In F Major
102 bpm • F Maj • 06:19 • -15.72db
20% Popularity • 18% Danceability • 31% Energy • 16% Liveness
95% Instrumentalness • 27% Positiveness
20% Popularity • 18% Danceability • 31% Energy • 16% Liveness
95% Instrumentalness • 27% Positiveness
► Preview
Feliks Nowowiejski
Unter der Friedensflagge
118 bpm • C# Maj • 02:35 • -10.98db
1% Popularity • 66% Danceability • 45% Energy • 7% Liveness
86% Instrumentalness • 61% Positiveness
1% Popularity • 66% Danceability • 45% Energy • 7% Liveness
86% Instrumentalness • 61% Positiveness
► Preview
Felix Mendelssohn
Symphony No. 2, Op. 52, "Lobgesang": I. ...
101 bpm • G min • 06:24 • -31.07db
14% Popularity • 15% Danceability • 3% Energy • 14% Liveness
93% Instrumentalness • 8% Positiveness
14% Popularity • 15% Danceability • 3% Energy • 14% Liveness
93% Instrumentalness • 8% Positiveness
► Preview
Antonio Vivaldi
Dorilla in tempe, RV 709: Sinfonia al ba...
119 bpm • B Maj • 01:20 • -12.64db
18% Popularity • 69% Danceability • 62% Energy • 12% Liveness
98% Instrumentalness • 41% Positiveness
18% Popularity • 69% Danceability • 62% Energy • 12% Liveness
98% Instrumentalness • 41% Positiveness
► Preview
Mystic Symphony
Attack
120 bpm • C min • 02:03 • -13.06db
13% Popularity • 46% Danceability • 42% Energy • 32% Liveness
38% Instrumentalness • 37% Positiveness
13% Popularity • 46% Danceability • 42% Energy • 32% Liveness
38% Instrumentalness • 37% Positiveness
► Preview
Pyotr Ilyich Tchaikovsky
Swan Lake, Op. 20, TH 12: Pas de deux (T...
120 bpm • D# min • 04:15 • -22.72db
21% Popularity • 28% Danceability • 5% Energy • 10% Liveness
5% Instrumentalness • 8% Positiveness
21% Popularity • 28% Danceability • 5% Energy • 10% Liveness
5% Instrumentalness • 8% Positiveness
► Preview
Christopher Tyler Nickel
Requiem: V. Dies Irae
120 bpm • G min • 07:09 • -20.01db
17% Popularity • 48% Danceability • 11% Energy • 10% Liveness
92% Instrumentalness • 5% Positiveness
17% Popularity • 48% Danceability • 11% Energy • 10% Liveness
92% Instrumentalness • 5% Positiveness
► Preview
Feliks Nowowiejski
Folk Paintings Op. 18: II. Kujawiak No. ...
102 bpm • D Maj • 01:57 • -12.73db
0% Popularity • 50% Danceability • 61% Energy • 10% Liveness
0% Instrumentalness • 90% Positiveness
0% Popularity • 50% Danceability • 61% Energy • 10% Liveness
0% Instrumentalness • 90% Positiveness
► Preview
Antonín Dvořák
Moravské dvojzpěvy, 2. řada, Op. 29: ...
101 bpm • A min • 01:32 • -28.31db
11% Popularity • 42% Danceability • 2% Energy • 6% Liveness
0% Instrumentalness • 22% Positiveness
11% Popularity • 42% Danceability • 2% Energy • 6% Liveness
0% Instrumentalness • 22% Positiveness
► Preview
Sherlock Holmes und Dr. Watson
Sherlock Holmes und Dr. Watson Teil 6 - ...
120 bpm • G Maj • 05:20 • -19.81db
9% Popularity • 59% Danceability • 38% Energy • 46% Liveness
0% Instrumentalness • 40% Positiveness
9% Popularity • 59% Danceability • 38% Energy • 46% Liveness
0% Instrumentalness • 40% Positiveness
► Preview
Jose Nebra
Donde hay violencia no hay culpa, Act I:...
100 bpm • A# min • 01:25 • -15db
12% Popularity • 34% Danceability • 42% Energy • 13% Liveness
66% Instrumentalness • 48% Positiveness
12% Popularity • 34% Danceability • 42% Energy • 13% Liveness
66% Instrumentalness • 48% Positiveness
► Preview
Wolfgang Amadeus Mozart
Große Credomesse, KV 257: I. Kyrie
100 bpm • G Maj • 02:22 • -8.48db
9% Popularity • 24% Danceability • 44% Energy • 14% Liveness
70% Instrumentalness • 13% Positiveness
9% Popularity • 24% Danceability • 44% Energy • 14% Liveness
70% Instrumentalness • 13% Positiveness
► Preview
Georg Anton Kreusser
2. Coro: Sein Odem ist schwach
121 bpm • A# min • 03:16 • -19.29db
19% Popularity • 24% Danceability • 10% Energy • 11% Liveness
30% Instrumentalness • 9% Positiveness
19% Popularity • 24% Danceability • 10% Energy • 11% Liveness
30% Instrumentalness • 9% Positiveness
► Preview
Feliks Nowowiejski
Folk Paintings Op. 18: I. Wedding Proces...
101 bpm • A Maj • 04:19 • -16.82db
0% Popularity • 23% Danceability • 34% Energy • 22% Liveness
46% Instrumentalness • 31% Positiveness
0% Popularity • 23% Danceability • 34% Energy • 22% Liveness
46% Instrumentalness • 31% Positiveness
► Preview
Hector Berlioz
La Damnation de Faust, Op. 24 - Part 2: ...
121 bpm • D Maj • 03:01 • -37.85db
8% Popularity • 20% Danceability • 1% Energy • 8% Liveness
95% Instrumentalness • 11% Positiveness
8% Popularity • 20% Danceability • 1% Energy • 8% Liveness
95% Instrumentalness • 11% Positiveness
► Preview
Felix Mendelssohn
Christus: IV. "Und der ganze Haufe stand...
121 bpm • A# Maj • 06:25 • -19.25db
9% Popularity • 36% Danceability • 13% Energy • 12% Liveness
3% Instrumentalness • 9% Positiveness
9% Popularity • 36% Danceability • 13% Energy • 12% Liveness
3% Instrumentalness • 9% Positiveness
► Preview
Pyotr Ilyich Tchaikovsky
The Sleeping Beauty, Op. 66, Act II: Pas...
121 bpm • D# Maj • 07:52 • -20.43db
10% Popularity • 19% Danceability • 10% Energy • 9% Liveness
88% Instrumentalness • 4% Positiveness
10% Popularity • 19% Danceability • 10% Energy • 9% Liveness
88% Instrumentalness • 4% Positiveness
► Preview
Danke Timi Briggs
Rivulet of Truth
121 bpm • G min • 02:29 • -18.68db
18% Popularity • 38% Danceability • 20% Energy • 20% Liveness
77% Instrumentalness • 25% Positiveness
18% Popularity • 38% Danceability • 20% Energy • 20% Liveness
77% Instrumentalness • 25% Positiveness
► Preview
Zoltán Kodály
Hary Janos: Adventure 1: Intermezzo
121 bpm • D min • 04:42 • -17.84db
10% Popularity • 37% Danceability • 8% Energy • 11% Liveness
92% Instrumentalness • 28% Positiveness
10% Popularity • 37% Danceability • 8% Energy • 11% Liveness
92% Instrumentalness • 28% Positiveness
► Preview
Jack Lenz Music
God Is Sufficient Unto Me
121 bpm • G min • 06:43 • -19.52db
7% Popularity • 30% Danceability • 5% Energy • 34% Liveness
51% Instrumentalness • 9% Positiveness
7% Popularity • 30% Danceability • 5% Energy • 34% Liveness
51% Instrumentalness • 9% Positiveness
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Ferdinand David
Trombone Concertino in E-flat Major, Op....
122 bpm • A# Maj • 01:18 • -17.53db
18% Popularity • 31% Danceability • 18% Energy • 11% Liveness
96% Instrumentalness • 15% Positiveness
18% Popularity • 31% Danceability • 18% Energy • 11% Liveness
96% Instrumentalness • 15% Positiveness
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Georges Delerue
Radioscopie
99 bpm • D min • 02:32 • -18.08db
26% Popularity • 33% Danceability • 16% Energy • 8% Liveness
14% Instrumentalness • 30% Positiveness
26% Popularity • 33% Danceability • 16% Energy • 8% Liveness
14% Instrumentalness • 30% Positiveness
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Hans Koessler
Missa in F Minor: III. Credo
99 bpm • A# Maj • 06:03 • -18.53db
9% Popularity • 22% Danceability • 16% Energy • 10% Liveness
25% Instrumentalness • 7% Positiveness
9% Popularity • 22% Danceability • 16% Energy • 10% Liveness
25% Instrumentalness • 7% Positiveness
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Stanisław Moniuszko
Mazur: Hej! zagrajcie siarczyscie, rznij...
99 bpm • C Maj • 05:09 • -12.51db
9% Popularity • 49% Danceability • 33% Energy • 51% Liveness
0% Instrumentalness • 53% Positiveness
9% Popularity • 49% Danceability • 33% Energy • 51% Liveness
0% Instrumentalness • 53% Positiveness
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Zoltán Kodály
Hary Janos: Adventure 3: Rectuiting Danc...
122 bpm • A min • 04:31 • -13.96db
13% Popularity • 40% Danceability • 36% Energy • 34% Liveness
53% Instrumentalness • 41% Positiveness
13% Popularity • 40% Danceability • 36% Energy • 34% Liveness
53% Instrumentalness • 41% Positiveness
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Jean Sibelius
Karelia Suite, Op. 11: I. Intermezzo. Mo...
99 bpm • D# Maj • 04:19 • -24.37db
16% Popularity • 19% Danceability • 15% Energy • 9% Liveness
96% Instrumentalness • 4% Positiveness
16% Popularity • 19% Danceability • 15% Energy • 9% Liveness
96% Instrumentalness • 4% Positiveness
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Richard Strauss
Horn Concerto No. 1 in E-Flat Major, Op....
122 bpm • D# Maj • 05:33 • -17.39db
7% Popularity • 35% Danceability • 10% Energy • 11% Liveness
86% Instrumentalness • 23% Positiveness
7% Popularity • 35% Danceability • 10% Energy • 11% Liveness
86% Instrumentalness • 23% Positiveness
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Peter Breiner
Micronesia (arr. P. Breiner): Micronesia...
123 bpm • F Maj • 01:43 • -18.58db
9% Popularity • 17% Danceability • 12% Energy • 11% Liveness
92% Instrumentalness • 4% Positiveness
9% Popularity • 17% Danceability • 12% Energy • 11% Liveness
92% Instrumentalness • 4% Positiveness
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Stevan St. Mokranjac
Druga rukovet (iz moje domovine)
99 bpm • F Maj • 03:45 • -22.76db
7% Popularity • 31% Danceability • 15% Energy • 12% Liveness
30% Instrumentalness • 15% Positiveness
7% Popularity • 31% Danceability • 15% Energy • 12% Liveness
30% Instrumentalness • 15% Positiveness
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Conrad Zwicky
Zürcher Sechseläutenmarsch
98 bpm • G Maj • 02:06 • -14db
11% Popularity • 24% Danceability • 23% Energy • 6% Liveness
8% Instrumentalness • 30% Positiveness
11% Popularity • 24% Danceability • 23% Energy • 6% Liveness
8% Instrumentalness • 30% Positiveness
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Luigi Cherubini
Requiem in C Minor: II. Graduale
123 bpm • G min • 01:12 • -18db
21% Popularity • 19% Danceability • 28% Energy • 9% Liveness
28% Instrumentalness • 10% Positiveness
21% Popularity • 19% Danceability • 28% Energy • 9% Liveness
28% Instrumentalness • 10% Positiveness
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George Frideric Handel
Music for the Royal Fireworks, HWV 351: ...
123 bpm • C# Maj • 02:55 • -20.28db
2% Popularity • 41% Danceability • 5% Energy • 8% Liveness
86% Instrumentalness • 45% Positiveness
2% Popularity • 41% Danceability • 5% Energy • 8% Liveness
86% Instrumentalness • 45% Positiveness
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Feliks Nowowiejski
Mater Dolorosa
98 bpm • G# Maj • 05:28 • -23.9db
0% Popularity • 13% Danceability • 2% Energy • 12% Liveness
95% Instrumentalness • 3% Positiveness
0% Popularity • 13% Danceability • 2% Energy • 12% Liveness
95% Instrumentalness • 3% Positiveness
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Johannes Brahms
Schicksalslied, Op. 54: Orchestral Postl...
98 bpm • C Maj • 02:43 • -32.63db
18% Popularity • 13% Danceability • 2% Energy • 9% Liveness
59% Instrumentalness • 3% Positiveness
18% Popularity • 13% Danceability • 2% Energy • 9% Liveness
59% Instrumentalness • 3% Positiveness
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Stanisław Moniuszko
Mazur
97 bpm • C min • 04:07 • -17.1db
11% Popularity • 36% Danceability • 51% Energy • 73% Liveness
95% Instrumentalness • 38% Positiveness
11% Popularity • 36% Danceability • 51% Energy • 73% Liveness
95% Instrumentalness • 38% Positiveness
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Diego Adinolfi
Glória a Jesus! Glória a Jesus!
124 bpm • G Maj • 03:30 • -27.41db
8% Popularity • 20% Danceability • 8% Energy • 11% Liveness
74% Instrumentalness • 12% Positiveness
8% Popularity • 20% Danceability • 8% Energy • 11% Liveness
74% Instrumentalness • 12% Positiveness
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Johann Staden
Plausus Noricus praecelsissimo atque pot...
97 bpm • C Maj • 05:13 • -16.36db
9% Popularity • 33% Danceability • 9% Energy • 7% Liveness
1% Instrumentalness • 21% Positiveness
9% Popularity • 33% Danceability • 9% Energy • 7% Liveness
1% Instrumentalness • 21% Positiveness
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Franz Schubert
Schubert: 3 Marches militaires, Op. 51, ...
97 bpm • D Maj • 05:04 • -18db
14% Popularity • 26% Danceability • 20% Energy • 16% Liveness
93% Instrumentalness • 34% Positiveness
14% Popularity • 26% Danceability • 20% Energy • 16% Liveness
93% Instrumentalness • 34% Positiveness
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Feliks Nowowiejski
Symphony No. 3, Op. 53 "Siedem barw Iris...
125 bpm • F min • 06:50 • -27.86db
0% Popularity • 18% Danceability • 6% Energy • 10% Liveness
85% Instrumentalness • 5% Positiveness
0% Popularity • 18% Danceability • 6% Energy • 10% Liveness
85% Instrumentalness • 5% Positiveness
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Johannes Brahms
Liebeslieder-Walzer, Op. 52: No. 8, Wenn...
124 bpm • G# Maj • 01:30 • -24.57db
7% Popularity • 23% Danceability • 12% Energy • 12% Liveness
71% Instrumentalness • 6% Positiveness
7% Popularity • 23% Danceability • 12% Energy • 12% Liveness
71% Instrumentalness • 6% Positiveness
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Stanisław Moniuszko
Verbum nobile: Overture
125 bpm • G Maj • 05:14 • -20.58db
21% Popularity • 37% Danceability • 11% Energy • 22% Liveness
91% Instrumentalness • 46% Positiveness
21% Popularity • 37% Danceability • 11% Energy • 22% Liveness
91% Instrumentalness • 46% Positiveness
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Mikko Finneman
Paint My Wall
97 bpm • C min • 01:12 • -12.7db
10% Popularity • 16% Danceability • 32% Energy • 59% Liveness
93% Instrumentalness • 18% Positiveness
10% Popularity • 16% Danceability • 32% Energy • 59% Liveness
93% Instrumentalness • 18% Positiveness
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Tomas Blank
Stolta stad
97 bpm • A Maj • 01:26 • -16.29db
13% Popularity • 67% Danceability • 3% Energy • 7% Liveness
96% Instrumentalness • 77% Positiveness
13% Popularity • 67% Danceability • 3% Energy • 7% Liveness
96% Instrumentalness • 77% Positiveness
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Diego Adinolfi
Quando Vier do Céu
97 bpm • D# Maj • 03:17 • -23.38db
9% Popularity • 13% Danceability • 9% Energy • 11% Liveness
40% Instrumentalness • 19% Positiveness
9% Popularity • 13% Danceability • 9% Energy • 11% Liveness
40% Instrumentalness • 19% Positiveness