Songs like Follow the Fleet: Let's Face the Music and Dance by Trisha O'Brien
Based on a tempo of (+/- 10%) and a similar genre
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Divine Nation
Enchantment
115 bpm • F Maj • 03:24 • -25.52db
10% Popularity • 80% Danceability • 6% Energy • 11% Liveness
0% Instrumentalness • 12% Positiveness
10% Popularity • 80% Danceability • 6% Energy • 11% Liveness
0% Instrumentalness • 12% Positiveness
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Monika Ryan
Slipping Out
115 bpm • C Maj • 03:56 • -10.52db
17% Popularity • 65% Danceability • 16% Energy • 12% Liveness
0% Instrumentalness • 32% Positiveness
17% Popularity • 65% Danceability • 16% Energy • 12% Liveness
0% Instrumentalness • 32% Positiveness
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Hilde Leite Gaupås
Mixed Colors
115 bpm • F min • 03:48 • -8.32db
9% Popularity • 77% Danceability • 57% Energy • 30% Liveness
0% Instrumentalness • 52% Positiveness
9% Popularity • 77% Danceability • 57% Energy • 30% Liveness
0% Instrumentalness • 52% Positiveness
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Ova Wunsch
Exquisite Ladies
115 bpm • F# Maj • 05:12 • -19.42db
8% Popularity • 54% Danceability • 5% Energy • 11% Liveness
8% Instrumentalness • 23% Positiveness
8% Popularity • 54% Danceability • 5% Energy • 11% Liveness
8% Instrumentalness • 23% Positiveness
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Melissa Errico
Dawn
115 bpm • D# Maj • 04:39 • -11.89db
20% Popularity • 50% Danceability • 24% Energy • 10% Liveness
0% Instrumentalness • 21% Positiveness
20% Popularity • 50% Danceability • 24% Energy • 10% Liveness
0% Instrumentalness • 21% Positiveness
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John Norman Thomas
Beauty
115 bpm • F Maj • 03:41 • -12.39db
15% Popularity • 55% Danceability • 14% Energy • 10% Liveness
0% Instrumentalness • 20% Positiveness
15% Popularity • 55% Danceability • 14% Energy • 10% Liveness
0% Instrumentalness • 20% Positiveness
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Darcy Cooke
Careless Love / St. Louis Blues
115 bpm • C Maj • 05:00 • -8.5db
28% Popularity • 60% Danceability • 38% Energy • 13% Liveness
0% Instrumentalness • 44% Positiveness
28% Popularity • 60% Danceability • 38% Energy • 13% Liveness
0% Instrumentalness • 44% Positiveness
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Marie Mørck
Days Gone By
115 bpm • G Maj • 03:14 • -11.91db
24% Popularity • 73% Danceability • 35% Energy • 8% Liveness
1% Instrumentalness • 42% Positiveness
24% Popularity • 73% Danceability • 35% Energy • 8% Liveness
1% Instrumentalness • 42% Positiveness
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Trisha O'Brien
Follow the Fleet: Let's Face the Music a...
115 bpm • D min • 04:39 • -12.52db
0% Popularity • 57% Danceability • 42% Energy • 10% Liveness
4% Instrumentalness • 41% Positiveness
0% Popularity • 57% Danceability • 42% Energy • 10% Liveness
4% Instrumentalness • 41% Positiveness
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TOKU
リトル・ガール
115 bpm • C Maj • 02:33 • -13.79db
15% Popularity • 62% Danceability • 45% Energy • 10% Liveness
1% Instrumentalness • 62% Positiveness
15% Popularity • 62% Danceability • 45% Energy • 10% Liveness
1% Instrumentalness • 62% Positiveness
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Melissa Errico
Can That Boy Foxtrot!
115 bpm • F Maj • 03:30 • -12.22db
20% Popularity • 68% Danceability • 27% Energy • 14% Liveness
0% Instrumentalness • 41% Positiveness
20% Popularity • 68% Danceability • 27% Energy • 14% Liveness
0% Instrumentalness • 41% Positiveness
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Elena Ciampa
If I Didn't Have
116 bpm • G# Maj • 04:16 • -10.52db
16% Popularity • 60% Danceability • 36% Energy • 11% Liveness
0% Instrumentalness • 42% Positiveness
16% Popularity • 60% Danceability • 36% Energy • 11% Liveness
0% Instrumentalness • 42% Positiveness
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Taylor Sage
Spring
116 bpm • A# min • 02:10 • -11.71db
28% Popularity • 52% Danceability • 51% Energy • 20% Liveness
5% Instrumentalness • 81% Positiveness
28% Popularity • 52% Danceability • 51% Energy • 20% Liveness
5% Instrumentalness • 81% Positiveness
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Cayla Nielsen
Wish Learned
114 bpm • G# Maj • 03:04 • -10.74db
9% Popularity • 77% Danceability • 40% Energy • 16% Liveness
0% Instrumentalness • 49% Positiveness
9% Popularity • 77% Danceability • 40% Energy • 16% Liveness
0% Instrumentalness • 49% Positiveness
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Jeff Meegan
Days of Summer
114 bpm • D min • 02:27 • -12.64db
10% Popularity • 63% Danceability • 20% Energy • 8% Liveness
0% Instrumentalness • 53% Positiveness
10% Popularity • 63% Danceability • 20% Energy • 8% Liveness
0% Instrumentalness • 53% Positiveness
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Cindel Erdmann
Talk About
114 bpm • C# Maj • 02:48 • -7.99db
10% Popularity • 76% Danceability • 71% Energy • 45% Liveness
0% Instrumentalness • 79% Positiveness
10% Popularity • 76% Danceability • 71% Energy • 45% Liveness
0% Instrumentalness • 79% Positiveness
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Melissa Errico
Uptown, Downtown
116 bpm • F Maj • 04:15 • -12.11db
11% Popularity • 66% Danceability • 27% Energy • 13% Liveness
0% Instrumentalness • 38% Positiveness
11% Popularity • 66% Danceability • 27% Energy • 13% Liveness
0% Instrumentalness • 38% Positiveness
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Trisha O'Brien
Everybody Loves My Baby
116 bpm • A# min • 05:32 • -13.03db
0% Popularity • 64% Danceability • 20% Energy • 9% Liveness
0% Instrumentalness • 26% Positiveness
0% Popularity • 64% Danceability • 20% Energy • 9% Liveness
0% Instrumentalness • 26% Positiveness
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JD Walter
Dedicated To You
116 bpm • G# Maj • 04:12 • -15.39db
11% Popularity • 51% Danceability • 22% Energy • 13% Liveness
0% Instrumentalness • 30% Positiveness
11% Popularity • 51% Danceability • 22% Energy • 13% Liveness
0% Instrumentalness • 30% Positiveness
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Joe Goodwin
When You're Smiling
116 bpm • F min • 04:11 • -12.98db
14% Popularity • 56% Danceability • 28% Energy • 15% Liveness
4% Instrumentalness • 28% Positiveness
14% Popularity • 56% Danceability • 28% Energy • 15% Liveness
4% Instrumentalness • 28% Positiveness
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Nuance Crusaders
Faith
114 bpm • D Maj • 02:39 • -10db
16% Popularity • 71% Danceability • 48% Energy • 10% Liveness
0% Instrumentalness • 73% Positiveness
16% Popularity • 71% Danceability • 48% Energy • 10% Liveness
0% Instrumentalness • 73% Positiveness
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Tracy Lytton
Season
116 bpm • F min • 01:58 • -16.78db
13% Popularity • 64% Danceability • 36% Energy • 9% Liveness
0% Instrumentalness • 77% Positiveness
13% Popularity • 64% Danceability • 36% Energy • 9% Liveness
0% Instrumentalness • 77% Positiveness
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Keiko Lee
星たちの距離(英語バージョン...
116 bpm • D# Maj • 05:51 • -15db
9% Popularity • 43% Danceability • 11% Energy • 11% Liveness
0% Instrumentalness • 17% Positiveness
9% Popularity • 43% Danceability • 11% Energy • 11% Liveness
0% Instrumentalness • 17% Positiveness
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Donatella Montinaro
The Best Thing For You
116 bpm • G# Maj • 01:59 • -10.27db
25% Popularity • 62% Danceability • 22% Energy • 16% Liveness
0% Instrumentalness • 79% Positiveness
25% Popularity • 62% Danceability • 22% Energy • 16% Liveness
0% Instrumentalness • 79% Positiveness
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Judy Niemack
Strollin' / Nostalgia in Time Square
116 bpm • C min • 04:13 • -14.16db
7% Popularity • 60% Danceability • 12% Energy • 8% Liveness
0% Instrumentalness • 24% Positiveness
7% Popularity • 60% Danceability • 12% Energy • 8% Liveness
0% Instrumentalness • 24% Positiveness
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Carey Pullman
The Wind Is Howling
116 bpm • G min • 03:10 • -16.08db
11% Popularity • 44% Danceability • 27% Energy • 56% Liveness
0% Instrumentalness • 17% Positiveness
11% Popularity • 44% Danceability • 27% Energy • 56% Liveness
0% Instrumentalness • 17% Positiveness
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Marcia Buckendorf
Ocean Room
114 bpm • F min • 03:27 • -13.97db
7% Popularity • 48% Danceability • 51% Energy • 20% Liveness
6% Instrumentalness • 65% Positiveness
7% Popularity • 48% Danceability • 51% Energy • 20% Liveness
6% Instrumentalness • 65% Positiveness
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Susie Arioli
I Gotta Right To Sing The Blues
117 bpm • D# Maj • 03:35 • -10.5db
16% Popularity • 46% Danceability • 33% Energy • 19% Liveness
0% Instrumentalness • 19% Positiveness
16% Popularity • 46% Danceability • 33% Energy • 19% Liveness
0% Instrumentalness • 19% Positiveness
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Berton Bowman
Relax Your Brain
116 bpm • F# Maj • 03:27 • -13.12db
13% Popularity • 74% Danceability • 29% Energy • 9% Liveness
0% Instrumentalness • 35% Positiveness
13% Popularity • 74% Danceability • 29% Energy • 9% Liveness
0% Instrumentalness • 35% Positiveness
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Dennis
Love Elevates Me
113 bpm • G# Maj • 03:37 • -7.21db
10% Popularity • 52% Danceability • 29% Energy • 12% Liveness
0% Instrumentalness • 58% Positiveness
10% Popularity • 52% Danceability • 29% Energy • 12% Liveness
0% Instrumentalness • 58% Positiveness
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Naama
Old Mother Hubbard
113 bpm • C# Maj • 02:10 • -14.05db
11% Popularity • 68% Danceability • 20% Energy • 10% Liveness
0% Instrumentalness • 35% Positiveness
11% Popularity • 68% Danceability • 20% Energy • 10% Liveness
0% Instrumentalness • 35% Positiveness
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Lisa Lovbrand
Seagulls
117 bpm • A min • 04:32 • -11.26db
8% Popularity • 59% Danceability • 25% Energy • 8% Liveness
0% Instrumentalness • 39% Positiveness
8% Popularity • 59% Danceability • 25% Energy • 8% Liveness
0% Instrumentalness • 39% Positiveness
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Kris Russell
I Remember You
113 bpm • C Maj • 03:36 • -10.75db
34% Popularity • 34% Danceability • 30% Energy • 12% Liveness
0% Instrumentalness • 26% Positiveness
34% Popularity • 34% Danceability • 30% Energy • 12% Liveness
0% Instrumentalness • 26% Positiveness
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Bernie Noyes
Be Distracted By You
113 bpm • C# Maj • 03:36 • -19.33db
18% Popularity • 61% Danceability • 10% Energy • 10% Liveness
0% Instrumentalness • 40% Positiveness
18% Popularity • 61% Danceability • 10% Energy • 10% Liveness
0% Instrumentalness • 40% Positiveness
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Lorez Alexandria
Be a Sweet Pumpkin
117 bpm • C Maj • 03:56 • -9.86db
8% Popularity • 66% Danceability • 30% Energy • 11% Liveness
0% Instrumentalness • 48% Positiveness
8% Popularity • 66% Danceability • 30% Energy • 11% Liveness
0% Instrumentalness • 48% Positiveness
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Gloria B. Vega
I Fell in Love Too Slowly
117 bpm • A min • 03:07 • -12.9db
8% Popularity • 72% Danceability • 35% Energy • 10% Liveness
0% Instrumentalness • 39% Positiveness
8% Popularity • 72% Danceability • 35% Energy • 10% Liveness
0% Instrumentalness • 39% Positiveness
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Asa Orbison
Åsa's Waltz
117 bpm • G# Maj • 03:22 • -14.96db
30% Popularity • 50% Danceability • 26% Energy • 10% Liveness
3% Instrumentalness • 13% Positiveness
30% Popularity • 50% Danceability • 26% Energy • 10% Liveness
3% Instrumentalness • 13% Positiveness
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Letizia Brugnoli
We Both Knew
117 bpm • A# Maj • 04:53 • -13.37db
10% Popularity • 49% Danceability • 18% Energy • 4% Liveness
0% Instrumentalness • 20% Positiveness
10% Popularity • 49% Danceability • 18% Energy • 4% Liveness
0% Instrumentalness • 20% Positiveness
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Carla Helmbrecht
The Party's Over
118 bpm • C min • 05:32 • -10.25db
9% Popularity • 56% Danceability • 45% Energy • 11% Liveness
0% Instrumentalness • 35% Positiveness
9% Popularity • 56% Danceability • 45% Energy • 11% Liveness
0% Instrumentalness • 35% Positiveness
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Gael Horellou Quintet
Gk
112 bpm • C Maj • 07:08 • -16.76db
10% Popularity • 37% Danceability • 7% Energy • 12% Liveness
42% Instrumentalness • 7% Positiveness
10% Popularity • 37% Danceability • 7% Energy • 12% Liveness
42% Instrumentalness • 7% Positiveness
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Liv Monaghan
Passion Fruit Moons
118 bpm • A# min • 02:26 • -11.83db
15% Popularity • 76% Danceability • 24% Energy • 8% Liveness
0% Instrumentalness • 52% Positiveness
15% Popularity • 76% Danceability • 24% Energy • 8% Liveness
0% Instrumentalness • 52% Positiveness
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Julie Lind
Blame It On The Weather
112 bpm • C Maj • 03:45 • -15.1db
10% Popularity • 47% Danceability • 16% Energy • 11% Liveness
8% Instrumentalness • 19% Positiveness
10% Popularity • 47% Danceability • 16% Energy • 11% Liveness
8% Instrumentalness • 19% Positiveness
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Tina Schlieske
Do Nothing Till You Hear From Me
118 bpm • C# Maj • 04:45 • -11.22db
15% Popularity • 55% Danceability • 22% Energy • 20% Liveness
0% Instrumentalness • 18% Positiveness
15% Popularity • 55% Danceability • 22% Energy • 20% Liveness
0% Instrumentalness • 18% Positiveness
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Mark Winkler
Jazz Swings
118 bpm • G# Maj • 02:38 • -9.37db
13% Popularity • 73% Danceability • 45% Energy • 11% Liveness
0% Instrumentalness • 48% Positiveness
13% Popularity • 73% Danceability • 45% Energy • 11% Liveness
0% Instrumentalness • 48% Positiveness
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Nick The Nightfly
Brother Where Are You
112 bpm • A min • 03:28 • -9.07db
15% Popularity • 74% Danceability • 36% Energy • 9% Liveness
0% Instrumentalness • 41% Positiveness
15% Popularity • 74% Danceability • 36% Energy • 9% Liveness
0% Instrumentalness • 41% Positiveness
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Tina Hartt
Absence of You
112 bpm • G# Maj • 03:28 • -9.95db
11% Popularity • 78% Danceability • 37% Energy • 34% Liveness
0% Instrumentalness • 56% Positiveness
11% Popularity • 78% Danceability • 37% Energy • 34% Liveness
0% Instrumentalness • 56% Positiveness
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Dalia Valanciute
Open the Door
118 bpm • F min • 03:49 • -13.86db
20% Popularity • 81% Danceability • 32% Energy • 5% Liveness
0% Instrumentalness • 50% Positiveness
20% Popularity • 81% Danceability • 32% Energy • 5% Liveness
0% Instrumentalness • 50% Positiveness
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FABIANA MENDES
Forever Green
119 bpm • A# Maj • 03:14 • -17db
9% Popularity • 68% Danceability • 20% Energy • 13% Liveness
0% Instrumentalness • 34% Positiveness
9% Popularity • 68% Danceability • 20% Energy • 13% Liveness
0% Instrumentalness • 34% Positiveness
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Hannah Svensson
Crossroad
112 bpm • G Maj • 04:43 • -11.62db
9% Popularity • 44% Danceability • 41% Energy • 20% Liveness
0% Instrumentalness • 35% Positiveness
9% Popularity • 44% Danceability • 41% Energy • 20% Liveness
0% Instrumentalness • 35% Positiveness
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Kelly Sefakis
Crush Some Ice
111 bpm • F min • 02:04 • -12.6db
12% Popularity • 69% Danceability • 23% Energy • 11% Liveness
0% Instrumentalness • 48% Positiveness
12% Popularity • 69% Danceability • 23% Energy • 11% Liveness
0% Instrumentalness • 48% Positiveness
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Jeanne Strout
My Blue Heaven
111 bpm • F Maj • 03:40 • -14.51db
16% Popularity • 56% Danceability • 18% Energy • 16% Liveness
0% Instrumentalness • 43% Positiveness
16% Popularity • 56% Danceability • 18% Energy • 16% Liveness
0% Instrumentalness • 43% Positiveness
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Elenata Harmony
Sunday Afternoon Serenade
111 bpm • F min • 01:20 • -8.91db
19% Popularity • 77% Danceability • 55% Energy • 8% Liveness
7% Instrumentalness • 93% Positiveness
19% Popularity • 77% Danceability • 55% Energy • 8% Liveness
7% Instrumentalness • 93% Positiveness
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Vicente Bueso
Disappointment
119 bpm • A min • 01:38 • -17.25db
7% Popularity • 33% Danceability • 11% Energy • 11% Liveness
0% Instrumentalness • 19% Positiveness
7% Popularity • 33% Danceability • 11% Energy • 11% Liveness
0% Instrumentalness • 19% Positiveness
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Gypsy Trio
Anouman
119 bpm • D min • 02:40 • -9.98db
12% Popularity • 53% Danceability • 24% Energy • 10% Liveness
66% Instrumentalness • 21% Positiveness
12% Popularity • 53% Danceability • 24% Energy • 10% Liveness
66% Instrumentalness • 21% Positiveness
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Soesja Citroen
Song for Ma
111 bpm • D# min • 05:21 • -8.47db
12% Popularity • 50% Danceability • 38% Energy • 18% Liveness
0% Instrumentalness • 45% Positiveness
12% Popularity • 50% Danceability • 38% Energy • 18% Liveness
0% Instrumentalness • 45% Positiveness
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Kane Kalas
If Ever I Would Leave You
119 bpm • A# Maj • 04:49 • -11.72db
16% Popularity • 64% Danceability • 35% Energy • 9% Liveness
0% Instrumentalness • 53% Positiveness
16% Popularity • 64% Danceability • 35% Energy • 9% Liveness
0% Instrumentalness • 53% Positiveness
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Shelly Frings
Stories We Hold
119 bpm • C min • 01:51 • -14.25db
13% Popularity • 48% Danceability • 37% Energy • 14% Liveness
0% Instrumentalness • 60% Positiveness
13% Popularity • 48% Danceability • 37% Energy • 14% Liveness
0% Instrumentalness • 60% Positiveness
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Ellas Kapell
For All We Know - Alternate Version
120 bpm • F# Maj • 04:53 • -16.78db
11% Popularity • 60% Danceability • 20% Energy • 10% Liveness
8% Instrumentalness • 13% Positiveness
11% Popularity • 60% Danceability • 20% Energy • 10% Liveness
8% Instrumentalness • 13% Positiveness
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Dani Klein
Do Your Duty
119 bpm • A# min • 03:03 • -11.93db
11% Popularity • 66% Danceability • 27% Energy • 20% Liveness
0% Instrumentalness • 43% Positiveness
11% Popularity • 66% Danceability • 27% Energy • 20% Liveness
0% Instrumentalness • 43% Positiveness
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Celia Mclaughlin
Your Deep Love
111 bpm • G# Maj • 02:39 • -10.7db
10% Popularity • 59% Danceability • 49% Energy • 24% Liveness
0% Instrumentalness • 55% Positiveness
10% Popularity • 59% Danceability • 49% Energy • 24% Liveness
0% Instrumentalness • 55% Positiveness
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Yvonne
Whisper Not
110 bpm • E min • 03:06 • -8.63db
13% Popularity • 61% Danceability • 36% Energy • 12% Liveness
0% Instrumentalness • 30% Positiveness
13% Popularity • 61% Danceability • 36% Energy • 12% Liveness
0% Instrumentalness • 30% Positiveness
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Melissa Errico
Take Me To The World
120 bpm • G# Maj • 03:26 • -14.4db
14% Popularity • 68% Danceability • 18% Energy • 12% Liveness
0% Instrumentalness • 19% Positiveness
14% Popularity • 68% Danceability • 18% Energy • 12% Liveness
0% Instrumentalness • 19% Positiveness
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石田ヒロキ
What A Differrence a Day Made
120 bpm • F Maj • 04:37 • -15.08db
11% Popularity • 50% Danceability • 4% Energy • 13% Liveness
0% Instrumentalness • 14% Positiveness
11% Popularity • 50% Danceability • 4% Energy • 13% Liveness
0% Instrumentalness • 14% Positiveness
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Elenata Harmony
Serene tranquility
120 bpm • G Maj • 01:04 • -19.76db
24% Popularity • 78% Danceability • 15% Energy • 14% Liveness
0% Instrumentalness • 42% Positiveness
24% Popularity • 78% Danceability • 15% Energy • 14% Liveness
0% Instrumentalness • 42% Positiveness
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Olivia Flenley
Into The Ocean
120 bpm • F min • 03:23 • -14.43db
9% Popularity • 74% Danceability • 25% Energy • 10% Liveness
0% Instrumentalness • 38% Positiveness
9% Popularity • 74% Danceability • 25% Energy • 10% Liveness
0% Instrumentalness • 38% Positiveness
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Grace Mahya
マスカレード
110 bpm • F min • 04:58 • -14db
10% Popularity • 50% Danceability • 9% Energy • 7% Liveness
0% Instrumentalness • 9% Positiveness
10% Popularity • 50% Danceability • 9% Energy • 7% Liveness
0% Instrumentalness • 9% Positiveness
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Frank Sark
I Wanna Know
120 bpm • A# Maj • 02:00 • -10.82db
16% Popularity • 59% Danceability • 41% Energy • 10% Liveness
0% Instrumentalness • 57% Positiveness
16% Popularity • 59% Danceability • 41% Energy • 10% Liveness
0% Instrumentalness • 57% Positiveness
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Mark Winkler
Here's to Jazz
120 bpm • C# Maj • 04:36 • -7.95db
9% Popularity • 74% Danceability • 45% Energy • 9% Liveness
0% Instrumentalness • 55% Positiveness
9% Popularity • 74% Danceability • 45% Energy • 9% Liveness
0% Instrumentalness • 55% Positiveness
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Emma Smith
Where Am I Going?
120 bpm • A# Maj • 04:07 • -12.04db
9% Popularity • 65% Danceability • 27% Energy • 11% Liveness
0% Instrumentalness • 26% Positiveness
9% Popularity • 65% Danceability • 27% Energy • 11% Liveness
0% Instrumentalness • 26% Positiveness
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The Jasmates
Smile on You
110 bpm • F min • 03:11 • -16.69db
13% Popularity • 78% Danceability • 13% Energy • 9% Liveness
0% Instrumentalness • 47% Positiveness
13% Popularity • 78% Danceability • 13% Energy • 9% Liveness
0% Instrumentalness • 47% Positiveness
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Daewon Lee
City of Seoul
110 bpm • G Maj • 03:11 • -10.98db
8% Popularity • 85% Danceability • 38% Energy • 10% Liveness
0% Instrumentalness • 63% Positiveness
8% Popularity • 85% Danceability • 38% Energy • 10% Liveness
0% Instrumentalness • 63% Positiveness
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Gracie Terzian
Saints and Poets
110 bpm • A# min • 03:08 • -16.03db
12% Popularity • 65% Danceability • 20% Energy • 10% Liveness
0% Instrumentalness • 17% Positiveness
12% Popularity • 65% Danceability • 20% Energy • 10% Liveness
0% Instrumentalness • 17% Positiveness
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Elenata Harmony
Tranquil Moment
110 bpm • E min • 01:14 • -22.85db
19% Popularity • 70% Danceability • 16% Energy • 15% Liveness
14% Instrumentalness • 34% Positiveness
19% Popularity • 70% Danceability • 16% Energy • 15% Liveness
14% Instrumentalness • 34% Positiveness
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Mark Winkler
Lessons I've Learned
120 bpm • F# min • 04:38 • -10.62db
7% Popularity • 58% Danceability • 41% Energy • 9% Liveness
0% Instrumentalness • 21% Positiveness
7% Popularity • 58% Danceability • 41% Energy • 9% Liveness
0% Instrumentalness • 21% Positiveness
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Jill Desiree
Dienda
110 bpm • A# Maj • 03:08 • -13.22db
21% Popularity • 55% Danceability • 30% Energy • 30% Liveness
0% Instrumentalness • 16% Positiveness
21% Popularity • 55% Danceability • 30% Energy • 30% Liveness
0% Instrumentalness • 16% Positiveness
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Moses Macadam
It Is Too Windy
110 bpm • F Maj • 04:18 • -8.38db
28% Popularity • 71% Danceability • 37% Energy • 14% Liveness
0% Instrumentalness • 56% Positiveness
28% Popularity • 71% Danceability • 37% Energy • 14% Liveness
0% Instrumentalness • 56% Positiveness
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Daniella Firpo
Una bossa per te
121 bpm • C# min • 04:31 • -8.98db
14% Popularity • 76% Danceability • 46% Energy • 10% Liveness
0% Instrumentalness • 39% Positiveness
14% Popularity • 76% Danceability • 46% Energy • 10% Liveness
0% Instrumentalness • 39% Positiveness
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John Allee
This Old Hat
110 bpm • F min • 05:40 • -15.84db
17% Popularity • 47% Danceability • 17% Energy • 16% Liveness
7% Instrumentalness • 22% Positiveness
17% Popularity • 47% Danceability • 17% Energy • 16% Liveness
7% Instrumentalness • 22% Positiveness
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Jazzin´Pop Band
Sweet Child O´ Mine
121 bpm • D# Maj • 02:54 • -9.44db
10% Popularity • 75% Danceability • 43% Energy • 30% Liveness
0% Instrumentalness • 53% Positiveness
10% Popularity • 75% Danceability • 43% Energy • 30% Liveness
0% Instrumentalness • 53% Positiveness
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Liv Monaghan
Foolish Woman
121 bpm • A min • 03:03 • -15.4db
11% Popularity • 51% Danceability • 20% Energy • 12% Liveness
0% Instrumentalness • 23% Positiveness
11% Popularity • 51% Danceability • 20% Energy • 12% Liveness
0% Instrumentalness • 23% Positiveness
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Anette von Eichel
After the Storm
109 bpm • C Maj • 07:23 • -15.84db
9% Popularity • 67% Danceability • 17% Energy • 12% Liveness
0% Instrumentalness • 34% Positiveness
9% Popularity • 67% Danceability • 17% Energy • 12% Liveness
0% Instrumentalness • 34% Positiveness
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Monica Mancini
Something Tells Me
121 bpm • B Maj • 03:21 • -12db
12% Popularity • 45% Danceability • 34% Energy • 12% Liveness
0% Instrumentalness • 42% Positiveness
12% Popularity • 45% Danceability • 34% Energy • 12% Liveness
0% Instrumentalness • 42% Positiveness
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Klint Shelton
Back Home
109 bpm • A# min • 01:54 • -17db
28% Popularity • 57% Danceability • 36% Energy • 70% Liveness
0% Instrumentalness • 37% Positiveness
28% Popularity • 57% Danceability • 36% Energy • 70% Liveness
0% Instrumentalness • 37% Positiveness
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Daisy Hicks
When I'm Gone - acoustic
109 bpm • E min • 04:25 • -9.25db
16% Popularity • 80% Danceability • 42% Energy • 8% Liveness
0% Instrumentalness • 40% Positiveness
16% Popularity • 80% Danceability • 42% Energy • 8% Liveness
0% Instrumentalness • 40% Positiveness
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Marco Bovi
Takes Two to Tango
109 bpm • G Maj • 02:52 • -8.65db
11% Popularity • 82% Danceability • 31% Energy • 10% Liveness
0% Instrumentalness • 58% Positiveness
11% Popularity • 82% Danceability • 31% Energy • 10% Liveness
0% Instrumentalness • 58% Positiveness
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Dennis van Aarssen
Me And The Guy At The Piano
121 bpm • C# Maj • 03:46 • -9.43db
30% Popularity • 76% Danceability • 35% Energy • 12% Liveness
0% Instrumentalness • 52% Positiveness
30% Popularity • 76% Danceability • 35% Energy • 12% Liveness
0% Instrumentalness • 52% Positiveness
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Jerrad Corrigan
Seashore Arguments
109 bpm • C# Maj • 02:19 • -13.2db
15% Popularity • 54% Danceability • 53% Energy • 18% Liveness
0% Instrumentalness • 57% Positiveness
15% Popularity • 54% Danceability • 53% Energy • 18% Liveness
0% Instrumentalness • 57% Positiveness
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Elenata Harmony
Swingin' in the Groove
122 bpm • A Maj • 01:09 • -8.83db
20% Popularity • 88% Danceability • 57% Energy • 46% Liveness
0% Instrumentalness • 96% Positiveness
20% Popularity • 88% Danceability • 57% Energy • 46% Liveness
0% Instrumentalness • 96% Positiveness
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Melissa Errico
Sorry-Grateful
109 bpm • A# Maj • 04:55 • -15.75db
10% Popularity • 37% Danceability • 12% Energy • 36% Liveness
0% Instrumentalness • 21% Positiveness
10% Popularity • 37% Danceability • 12% Energy • 36% Liveness
0% Instrumentalness • 21% Positiveness
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Leneir Fletcher
We Three Kings
109 bpm • F Maj • 02:37 • -7.96db
12% Popularity • 60% Danceability • 63% Energy • 57% Liveness
0% Instrumentalness • 51% Positiveness
12% Popularity • 60% Danceability • 63% Energy • 57% Liveness
0% Instrumentalness • 51% Positiveness
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Vivian Buczek
The Lady Is a Tramp
122 bpm • G Maj • 03:00 • -8.5db
16% Popularity • 57% Danceability • 54% Energy • 12% Liveness
0% Instrumentalness • 36% Positiveness
16% Popularity • 57% Danceability • 54% Energy • 12% Liveness
0% Instrumentalness • 36% Positiveness
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Dennis van Aarssen
Just Call It Love
122 bpm • C# Maj • 04:05 • -11.32db
33% Popularity • 47% Danceability • 29% Energy • 10% Liveness
0% Instrumentalness • 22% Positiveness
33% Popularity • 47% Danceability • 29% Energy • 10% Liveness
0% Instrumentalness • 22% Positiveness
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Monika Ryan
Keepin' It Light, Keepin' It Mellow
122 bpm • F Maj • 03:09 • -7.57db
12% Popularity • 69% Danceability • 34% Energy • 21% Liveness
0% Instrumentalness • 34% Positiveness
12% Popularity • 69% Danceability • 34% Energy • 21% Liveness
0% Instrumentalness • 34% Positiveness
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Elenata Harmony
Serene Whispers
109 bpm • D Maj • 01:14 • -17.8db
19% Popularity • 58% Danceability • 8% Energy • 10% Liveness
0% Instrumentalness • 13% Positiveness
19% Popularity • 58% Danceability • 8% Energy • 10% Liveness
0% Instrumentalness • 13% Positiveness
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Julie Lind
Too Sweet, Too Nice
122 bpm • E min • 03:32 • -16.43db
10% Popularity • 80% Danceability • 27% Energy • 11% Liveness
6% Instrumentalness • 49% Positiveness
10% Popularity • 80% Danceability • 27% Energy • 11% Liveness
6% Instrumentalness • 49% Positiveness
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Karen Thornton
Worth The Wait
122 bpm • D Maj • 04:43 • -11.6db
17% Popularity • 63% Danceability • 31% Energy • 10% Liveness
0% Instrumentalness • 18% Positiveness
17% Popularity • 63% Danceability • 31% Energy • 10% Liveness
0% Instrumentalness • 18% Positiveness
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ONTO
Stupidly Charming
122 bpm • D# Maj • 02:54 • -11db
12% Popularity • 77% Danceability • 33% Energy • 10% Liveness
0% Instrumentalness • 70% Positiveness
12% Popularity • 77% Danceability • 33% Energy • 10% Liveness
0% Instrumentalness • 70% Positiveness
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Mary Stallings
While We're Young
122 bpm • C# Maj • 04:41 • -13.3db
9% Popularity • 63% Danceability • 23% Energy • 12% Liveness
0% Instrumentalness • 43% Positiveness
9% Popularity • 63% Danceability • 23% Energy • 12% Liveness
0% Instrumentalness • 43% Positiveness
