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Footsteps In The Dark
Songs like
Footsteps In The Dark
by
Elmer Bernstein
Based on a tempo of (+/- 10%) and a similar genre
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Nicholas Hooper
Farewell Aragog
82 bpm • G Maj • 02:08 • -25db
46% Popularity • 12% Danceability • 3% Energy • 8% Liveness
6% Instrumentalness • 5% Positiveness
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George Fenton
Empty Store
82 bpm • G Maj • 02:51 • -15.63db
31% Popularity • 37% Danceability • 6% Energy • 42% Liveness
76% Instrumentalness • 5% Positiveness
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Elmer Bernstein
Footsteps In The Dark
82 bpm • A Maj • 02:07 • -21.07db
15% Popularity • 22% Danceability • 3% Energy • 9% Liveness
79% Instrumentalness • 4% Positiveness
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Dario Marianelli
Denouement
82 bpm • C# Maj • 02:27 • -21db
29% Popularity • 8% Danceability • 7% Energy • 11% Liveness
93% Instrumentalness • 4% Positiveness
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Geoff Zanelli
My Favorite Day
82 bpm • C Maj • 02:42 • -17.49db
22% Popularity • 22% Danceability • 15% Energy • 9% Liveness
55% Instrumentalness • 8% Positiveness
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John Lunn
Mr. Chambers
82 bpm • F Maj • 01:47 • -11db
20% Popularity • 26% Danceability • 30% Energy • 35% Liveness
84% Instrumentalness • 5% Positiveness
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Thomas Adès
Etching Montage
82 bpm • A Maj • 01:23 • -15.71db
10% Popularity • 14% Danceability • 18% Energy • 11% Liveness
64% Instrumentalness • 11% Positiveness
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Royal Philharmonic Orchestra
The Curious Case of Benjamin Button: Pos...
82 bpm • B Maj • 04:52 • -21.58db
11% Popularity • 13% Danceability • 6% Energy • 11% Liveness
51% Instrumentalness • 8% Positiveness
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Elmer Bernstein
Ellen's Letter
82 bpm • E min • 02:04 • -19.81db
10% Popularity • 16% Danceability • 8% Energy • 11% Liveness
80% Instrumentalness • 3% Positiveness
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John Ottman
Suite from X2
82 bpm • A# Maj • 07:11 • -16db
29% Popularity • 8% Danceability • 19% Energy • 9% Liveness
94% Instrumentalness • 4% Positiveness
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Nathan Johnson
The Thrombey Estate
81 bpm • G min • 01:37 • -22.46db
34% Popularity • 22% Danceability • 6% Energy • 8% Liveness
43% Instrumentalness • 4% Positiveness
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John Lunn
All Aboard
82 bpm • F min • 01:41 • -11.09db
18% Popularity • 24% Danceability • 34% Energy • 14% Liveness
84% Instrumentalness • 29% Positiveness
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Harald Kloser
Body Heat
83 bpm • A min • 01:50 • -27.42db
28% Popularity • 8% Danceability • 7% Energy • 11% Liveness
91% Instrumentalness • 3% Positiveness
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Clint Eastwood
They're Amateurs
81 bpm • G Maj • 01:16 • -23.08db
40% Popularity • 9% Danceability • 10% Energy • 11% Liveness
91% Instrumentalness • 4% Positiveness
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Elmer Bernstein
Slighted
82 bpm • E Maj • 00:55 • -12.45db
11% Popularity • 21% Danceability • 22% Energy • 11% Liveness
90% Instrumentalness • 6% Positiveness
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Dennis McCarthy
Star Trek: Generations: Overture
81 bpm • C min • 03:51 • -14.83db
24% Popularity • 10% Danceability • 28% Energy • 6% Liveness
91% Instrumentalness • 9% Positiveness
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Michael Giacchino
Thank Your Lucky Star Date
83 bpm • A# Maj • 02:16 • -26.16db
20% Popularity • 17% Danceability • 5% Energy • 12% Liveness
87% Instrumentalness • 4% Positiveness
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Leonard Rosenman
Crash-Whale Fugue
81 bpm • G Maj • 08:15 • -17.06db
10% Popularity • 12% Danceability • 20% Energy • 11% Liveness
92% Instrumentalness • 4% Positiveness
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John Lunn
Next Generation
83 bpm • G Maj • 01:13 • -13db
26% Popularity • 24% Danceability • 30% Energy • 8% Liveness
95% Instrumentalness • 20% Positiveness
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Clint Eastwood
Frankie's Dilemma
83 bpm • C# Maj • 01:09 • -19.42db
16% Popularity • 20% Danceability • 16% Energy • 11% Liveness
93% Instrumentalness • 6% Positiveness
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Elmer Bernstein
Love And Ambition
83 bpm • E min • 04:01 • -16.74db
11% Popularity • 11% Danceability • 23% Energy • 37% Liveness
66% Instrumentalness • 6% Positiveness
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Boston Pops Orchestra
Theme
83 bpm • C Maj • 08:13 • -15.93db
29% Popularity • 29% Danceability • 23% Energy • 10% Liveness
74% Instrumentalness • 22% Positiveness
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Adrian Johnston
Brideshead Revisited: No. 13, Carnival
81 bpm • G min • 02:05 • -23.03db
7% Popularity • 28% Danceability • 13% Energy • 81% Liveness
94% Instrumentalness • 9% Positiveness
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Philharmonia Orchestra
Julie's House
83 bpm • F Maj • 01:58 • -16.81db
13% Popularity • 25% Danceability • 13% Energy • 12% Liveness
85% Instrumentalness • 29% Positiveness
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John Lunn
Two Households
83 bpm • F Maj • 05:00 • -22.66db
18% Popularity • 38% Danceability • 7% Energy • 11% Liveness
89% Instrumentalness • 11% Positiveness
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John Ottman
Just a Dream
83 bpm • G min • 01:15 • -42.45db
31% Popularity • 21% Danceability • 0% Energy • 12% Liveness
99% Instrumentalness • 7% Positiveness
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Elmer Bernstein
Ellen Leaves
83 bpm • D min • 02:38 • -11.8db
8% Popularity • 18% Danceability • 34% Energy • 11% Liveness
81% Instrumentalness • 5% Positiveness
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Clint Eastwood
Jimmy's Anguish
81 bpm • C Maj • 03:09 • -19.98db
11% Popularity • 17% Danceability • 8% Energy • 11% Liveness
93% Instrumentalness • 4% Positiveness
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Adrian Johnston
Brideshead Revisited: No. 15, Contra Mun...
81 bpm • E min • 01:23 • -24.52db
12% Popularity • 16% Danceability • 9% Energy • 15% Liveness
92% Instrumentalness • 18% Positiveness
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Leonard Rosenman
Company Of The Ring
83 bpm • B min • 01:39 • -14.68db
13% Popularity • 11% Danceability • 28% Energy • 15% Liveness
83% Instrumentalness • 12% Positiveness
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John Lunn
One Hundred Years Of Downton
81 bpm • A min • 05:13 • -17db
32% Popularity • 16% Danceability • 21% Energy • 7% Liveness
90% Instrumentalness • 6% Positiveness
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David Arnold
City of Lovers
81 bpm • F Maj • 03:30 • -23db
32% Popularity • 13% Danceability • 3% Energy • 12% Liveness
81% Instrumentalness • 4% Positiveness
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Elmer Bernstein
Remember Mama
81 bpm • D Maj • 01:08 • -35.45db
18% Popularity • 8% Danceability • 1% Energy • 10% Liveness
82% Instrumentalness • 8% Positiveness
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Daniel Pemberton
The Start Of A Dream
83 bpm • E min • 00:50 • -12.97db
15% Popularity • 16% Danceability • 27% Energy • 15% Liveness
97% Instrumentalness • 4% Positiveness
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Guy Farley
Father
81 bpm • C min • 01:48 • -31db
24% Popularity • 8% Danceability • 3% Energy • 10% Liveness
98% Instrumentalness • 3% Positiveness
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Mark Isham
Shooting the Chutes
81 bpm • C# Maj • 01:53 • -13.47db
16% Popularity • 49% Danceability • 24% Energy • 9% Liveness
91% Instrumentalness • 19% Positiveness
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Bruce Broughton
Reunited
80 bpm • F Maj • 04:23 • -21.32db
22% Popularity • 10% Danceability • 5% Energy • 38% Liveness
3% Instrumentalness • 4% Positiveness
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DLG Orchestra
Close Encounters Of The Third Kind
80 bpm • B Maj • 04:58 • -13.77db
18% Popularity • 17% Danceability • 19% Energy • 22% Liveness
86% Instrumentalness • 3% Positiveness
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Lennie Niehaus
Will Rides In
80 bpm • C Maj • 01:05 • -19.94db
28% Popularity • 17% Danceability • 13% Energy • 12% Liveness
97% Instrumentalness • 6% Positiveness
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John Lunn
Resolution
84 bpm • D Maj • 02:15 • -18.9db
22% Popularity • 8% Danceability • 12% Energy • 9% Liveness
80% Instrumentalness • 5% Positiveness
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Rachel Portman
Catrin Goes To The Ministry
84 bpm • D Maj • 00:57 • -19.6db
12% Popularity • 30% Danceability • 7% Energy • 16% Liveness
89% Instrumentalness • 27% Positiveness
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The Chamber Orchestra Of London
Violet
84 bpm • A min • 01:54 • -16db
34% Popularity • 13% Danceability • 14% Energy • 22% Liveness
93% Instrumentalness • 4% Positiveness
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Yuja Wang
Wallfisch: The Races
80 bpm • F# Maj • 01:33 • -18.33db
19% Popularity • 34% Danceability • 26% Energy • 11% Liveness
88% Instrumentalness • 8% Positiveness
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Pino Donaggio
John's Theme (Laura Leaves Venice)
84 bpm • G Maj • 01:00 • -16.25db
29% Popularity • 22% Danceability • 28% Energy • 36% Liveness
98% Instrumentalness • 6% Positiveness
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Harry Gregson-Williams
Marian and Mrs. Scott
80 bpm • D min • 02:14 • -30.83db
19% Popularity • 24% Danceability • 3% Energy • 9% Liveness
98% Instrumentalness • 4% Positiveness
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John Lunn
The Handsome Mr. Barber
84 bpm • C Maj • 01:56 • -12.59db
17% Popularity • 20% Danceability • 21% Energy • 11% Liveness
95% Instrumentalness • 4% Positiveness
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Elmer Bernstein
Main Title
80 bpm • A Maj • 03:00 • -16.92db
9% Popularity • 20% Danceability • 4% Energy • 11% Liveness
88% Instrumentalness • 13% Positiveness
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Mark Isham
In Half-Light of the Canyon
80 bpm • F Maj • 02:47 • -15db
29% Popularity • 24% Danceability • 18% Energy • 9% Liveness
87% Instrumentalness • 5% Positiveness
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Rachel Portman
You Would Be My Wife
84 bpm • G Maj • 02:19 • -18.85db
30% Popularity • 8% Danceability • 8% Energy • 9% Liveness
86% Instrumentalness • 4% Positiveness
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Rob Lane
The Declaration Of Independence
84 bpm • D min • 06:05 • -17.56db
15% Popularity • 11% Danceability • 16% Energy • 9% Liveness
88% Instrumentalness • 3% Positiveness
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Harry Gregson-Williams
Marian Brook
84 bpm • G Maj • 02:02 • -22.99db
23% Popularity • 34% Danceability • 6% Energy • 12% Liveness
56% Instrumentalness • 19% Positiveness
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Carl Davis
The French Lieutenant's Woman: Main Titl...
84 bpm • E Maj • 04:30 • -22.09db
11% Popularity • 13% Danceability • 11% Energy • 12% Liveness
85% Instrumentalness • 4% Positiveness
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Victor Young
Main Title: Prelude
84 bpm • F Maj • 02:10 • -10.28db
14% Popularity • 17% Danceability • 23% Energy • 10% Liveness
86% Instrumentalness • 13% Positiveness
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David Hirschfelder
Elizabeth - Original Motion Picture Soun...
80 bpm • A# Maj • 01:49 • -25.21db
33% Popularity • 13% Danceability • 8% Energy • 34% Liveness
85% Instrumentalness • 4% Positiveness
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Adrian Johnston
Brideshead Revisited: No. 6, Arcadia
84 bpm • F Maj • 01:44 • -20.24db
10% Popularity • 18% Danceability • 8% Energy • 24% Liveness
71% Instrumentalness • 7% Positiveness
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Rob Lane
Abigail
80 bpm • C# Maj • 01:35 • -26.71db
16% Popularity • 24% Danceability • 2% Energy • 11% Liveness
99% Instrumentalness • 7% Positiveness
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Anne Dudley
The Endless River
79 bpm • C# min • 02:04 • -16db
45% Popularity • 20% Danceability • 17% Energy • 11% Liveness
85% Instrumentalness • 4% Positiveness
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Elmer Bernstein
In Paris
80 bpm • C Maj • 01:08 • -11.61db
9% Popularity • 12% Danceability • 20% Energy • 24% Liveness
90% Instrumentalness • 13% Positiveness
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Elliot Goldenthal
Alien 3: Adagio
79 bpm • E min • 04:21 • -23db
19% Popularity • 7% Danceability • 4% Energy • 6% Liveness
61% Instrumentalness • 3% Positiveness
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John Ottman
Rebuilding / Cuffed / Goodbye Old Friend
79 bpm • G min • 03:35 • -35db
27% Popularity • 14% Danceability • 0% Energy • 11% Liveness
96% Instrumentalness • 3% Positiveness
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Adrian Johnston
Brideshead Revisited: No. 16, Mid-Atlant...
84 bpm • E min • 02:53 • -27.21db
7% Popularity • 16% Danceability • 5% Energy • 15% Liveness
82% Instrumentalness • 11% Positiveness
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Ernest Gold
Exodus - Theme
85 bpm • E min • 02:52 • -10.7db
19% Popularity • 13% Danceability • 25% Energy • 9% Liveness
91% Instrumentalness • 8% Positiveness
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Bruce Broughton
Bambi And The Great Prince
79 bpm • A# Maj • 03:34 • -16.17db
28% Popularity • 9% Danceability • 26% Energy • 12% Liveness
94% Instrumentalness • 4% Positiveness
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Elmer Bernstein
Go, Proclaim Liberty!
79 bpm • A min • 03:16 • -14.4db
10% Popularity • 11% Danceability • 23% Energy • 19% Liveness
92% Instrumentalness • 8% Positiveness
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Academy of St. Martin in the Fields
Why Picton?
79 bpm • E min • 01:09 • -20.64db
30% Popularity • 20% Danceability • 5% Energy • 27% Liveness
90% Instrumentalness • 4% Positiveness
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William Ross
Hometown Hero
79 bpm • G# Maj • 01:59 • -21.2db
45% Popularity • 15% Danceability • 6% Energy • 13% Liveness
79% Instrumentalness • 4% Positiveness
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Dario Marianelli
Atonement
85 bpm • A Maj • 05:18 • -25.17db
34% Popularity • 16% Danceability • 4% Energy • 10% Liveness
90% Instrumentalness • 4% Positiveness
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John Ottman
I Have Faith in You - Goodbyes
79 bpm • F Maj • 03:19 • -29db
31% Popularity • 7% Danceability • 2% Energy • 8% Liveness
91% Instrumentalness • 3% Positiveness
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Rob Lane
Letter To Jefferson
79 bpm • G Maj • 03:51 • -17.75db
10% Popularity • 8% Danceability • 16% Energy • 9% Liveness
86% Instrumentalness • 4% Positiveness
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Elmer Bernstein
Creepy Caper / Peek-A-Boo
79 bpm • C min • 04:10 • -24.42db
8% Popularity • 19% Danceability • 3% Energy • 15% Liveness
48% Instrumentalness • 4% Positiveness
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Joseph Sample
One Day I'll Fly Away
78 bpm • C# min • 03:15 • -15.82db
24% Popularity • 16% Danceability • 8% Energy • 11% Liveness
90% Instrumentalness • 4% Positiveness
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William Ross
Will Grows Up
79 bpm • D# Maj • 08:57 • -18db
28% Popularity • 10% Danceability • 12% Energy • 27% Liveness
69% Instrumentalness • 4% Positiveness
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Christopher Palmer
The Deerhunter: Introduction and Cavatin...
78 bpm • E Maj • 06:59 • -20.37db
10% Popularity • 8% Danceability • 10% Energy • 8% Liveness
91% Instrumentalness • 3% Positiveness
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Rachel Portman
Proposal
86 bpm • G Maj • 04:22 • -21.37db
19% Popularity • 9% Danceability • 7% Energy • 5% Liveness
88% Instrumentalness • 3% Positiveness
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Joseph Vitarelli
John Says Goodbye
78 bpm • A min • 03:26 • -20.17db
9% Popularity • 12% Danceability • 9% Energy • 9% Liveness
95% Instrumentalness • 4% Positiveness
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Elmer Bernstein
Pick Up Ellen
79 bpm • C min • 02:11 • -9.04db
9% Popularity • 19% Danceability • 37% Energy • 24% Liveness
90% Instrumentalness • 14% Positiveness
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The Royal Philharmonic Orchestra/Nic Raine
Cavatina
78 bpm • E Maj • 03:36 • -23.14db
27% Popularity • 37% Danceability • 7% Energy • 10% Liveness
94% Instrumentalness • 14% Positiveness
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John Frizzell
On The Porch
78 bpm • C Maj • 02:31 • -37.88db
11% Popularity • 13% Danceability • 0% Energy • 11% Liveness
89% Instrumentalness • 5% Positiveness
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Guy Farley
Alice Studies
86 bpm • G min • 01:46 • -24.92db
44% Popularity • 28% Danceability • 7% Energy • 10% Liveness
84% Instrumentalness • 12% Positiveness
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Alex North
Pharsalia
86 bpm • A min • 01:17 • -23db
12% Popularity • 14% Danceability • 7% Energy • 12% Liveness
87% Instrumentalness • 20% Positiveness
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Klaus Badelt
Reunion
78 bpm • G min • 07:17 • -20.29db
9% Popularity • 11% Danceability • 7% Energy • 10% Liveness
73% Instrumentalness • 3% Positiveness
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Elmer Bernstein
Atticus Accepts The Case / Roll In The T...
86 bpm • F Maj • 02:06 • -16.02db
13% Popularity • 23% Danceability • 14% Energy • 26% Liveness
93% Instrumentalness • 7% Positiveness
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Mark Isham
A Trip to the Unknown
86 bpm • G Maj • 02:29 • -18.59db
18% Popularity • 12% Danceability • 11% Energy • 21% Liveness
79% Instrumentalness • 16% Positiveness
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Terence Blanchard
Hatred at Its Best
78 bpm • G# Maj • 02:37 • -18.96db
15% Popularity • 15% Danceability • 11% Energy • 13% Liveness
88% Instrumentalness • 9% Positiveness
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Michael Giacchino
Eye of the Tiger (String Quartet Version...
78 bpm • G# Maj • 02:08 • -27.28db
14% Popularity • 9% Danceability • 3% Energy • 9% Liveness
96% Instrumentalness • 4% Positiveness
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Dario Marianelli
Robbies Note
86 bpm • G min • 03:04 • -22.18db
27% Popularity • 16% Danceability • 5% Energy • 14% Liveness
94% Instrumentalness • 4% Positiveness
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Lennie Niehaus
Pony For The Lady
86 bpm • C# Maj • 01:31 • -23.17db
14% Popularity • 11% Danceability • 6% Energy • 12% Liveness
92% Instrumentalness • 4% Positiveness
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Elmer Bernstein
First Visit
78 bpm • A min • 02:26 • -21.93db
19% Popularity • 21% Danceability • 6% Energy • 8% Liveness
80% Instrumentalness • 4% Positiveness
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Mark Isham
A Four-Count Rythm
78 bpm • B Maj • 02:29 • -17.93db
17% Popularity • 19% Danceability • 16% Energy • 14% Liveness
78% Instrumentalness • 4% Positiveness
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Burkhard Dallwitz
Truman Sets Sail
86 bpm • F min • 01:57 • -16.87db
27% Popularity • 14% Danceability • 19% Energy • 37% Liveness
88% Instrumentalness • 7% Positiveness
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Joe Kraemer
Solomon Lane
86 bpm • A min • 04:07 • -18.9db
25% Popularity • 12% Danceability • 8% Energy • 18% Liveness
90% Instrumentalness • 3% Positiveness
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Victor Young
Main Title
87 bpm • A# Maj • 02:15 • -8.09db
17% Popularity • 12% Danceability • 48% Energy • 28% Liveness
92% Instrumentalness • 45% Positiveness
► Preview
Lily Jimeth
Passion Catalyst
87 bpm • D# min • 02:13 • -22.19db
16% Popularity • 23% Danceability • 6% Energy • 16% Liveness
95% Instrumentalness • 12% Positiveness
► Preview
Elmer Bernstein
Main Title
78 bpm • A Maj • 03:21 • -18db
24% Popularity • 15% Danceability • 4% Energy • 10% Liveness
79% Instrumentalness • 5% Positiveness
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Mark Isham
Peewee And Jackie
87 bpm • G Maj • 01:33 • -26.55db
11% Popularity • 12% Danceability • 4% Energy • 9% Liveness
89% Instrumentalness • 5% Positiveness
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Marcel Barsotti
Pope Joan (Main Theme)
87 bpm • G min • 02:34 • -19.14db
15% Popularity • 12% Danceability • 13% Energy • 10% Liveness
94% Instrumentalness • 7% Positiveness
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John Ottman
How Could You Leave Us
87 bpm • D min • 05:47 • -19db
24% Popularity • 12% Danceability • 8% Energy • 11% Liveness
67% Instrumentalness • 3% Positiveness
► Preview
Michael Giacchino
The Gathering
87 bpm • C# Maj • 04:19 • -19.05db
22% Popularity • 10% Danceability • 7% Energy • 14% Liveness
83% Instrumentalness • 3% Positiveness
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David Arnold
Death of Vesper
77 bpm • E min • 02:50 • -24.41db
26% Popularity • 10% Danceability • 8% Energy • 11% Liveness
86% Instrumentalness • 4% Positiveness
► Preview
Elmer Bernstein
Psych
78 bpm • E min • 01:02 • -30.87db
8% Popularity • 14% Danceability • 3% Energy • 14% Liveness
92% Instrumentalness • 6% Positiveness
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Footsteps In The Dark