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For Every Boy There's a Girl
Songs like
For Every Boy There's a Girl
by
Neville
Based on a tempo of (+/- 10%) and a similar genre
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Anna King
Make Up Your Mind
184 bpm • C Maj • 02:43 • -13.71db
7% Popularity • 39% Danceability • 14% Energy • 90% Liveness
0% Instrumentalness • 51% Positiveness
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Annie Williams
I've Got a Man
193 bpm • G# Maj • 02:42 • -9.13db
9% Popularity • 40% Danceability • 63% Energy • 19% Liveness
0% Instrumentalness • 89% Positiveness
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Shirley Bassey
Light My Fire - 1994 Remaster
184 bpm • D min • 03:27 • -8.81db
46% Popularity • 39% Danceability • 61% Energy • 12% Liveness
0% Instrumentalness • 53% Positiveness
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The Impressions
Never Let Me Go
180 bpm • F# Maj • 02:33 • -15.2db
17% Popularity • 36% Danceability • 18% Energy • 12% Liveness
0% Instrumentalness • 41% Positiveness
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Wilson Pickett
I Found a Love - Single Version
180 bpm • G Maj • 02:59 • -9.9db
22% Popularity • 26% Danceability • 62% Energy • 30% Liveness
0% Instrumentalness • 58% Positiveness
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Roy Redmond
Good Day Sunshine
178 bpm • C Maj • 02:41 • -9.29db
5% Popularity • 49% Danceability • 41% Energy • 16% Liveness
0% Instrumentalness • 64% Positiveness
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Modeliste
Cissy Strut
178 bpm • F Maj • 02:59 • -15.36db
3% Popularity • 52% Danceability • 61% Energy • 35% Liveness
56% Instrumentalness • 80% Positiveness
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Doris Troy
A School for Fools
177 bpm • A# Maj • 03:07 • -18.75db
8% Popularity • 35% Danceability • 11% Energy • 15% Liveness
0% Instrumentalness • 36% Positiveness
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Sugar Pie DeSanto
It Won't Be Long
176 bpm • D Maj • 02:03 • -5.71db
15% Popularity • 55% Danceability • 59% Energy • 31% Liveness
0% Instrumentalness • 97% Positiveness
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Roberta Flack
Reverend Lee
176 bpm • E min • 04:32 • -15.23db
22% Popularity • 40% Danceability • 25% Energy • 9% Liveness
0% Instrumentalness • 51% Positiveness
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Dorothy Williams
Closer To My Baby
175 bpm • G Maj • 02:26 • -11.51db
10% Popularity • 43% Danceability • 21% Energy • 28% Liveness
0% Instrumentalness • 40% Positiveness
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Mable John
Running Out
175 bpm • C Maj • 02:08 • -9.46db
37% Popularity • 56% Danceability • 55% Energy • 46% Liveness
0% Instrumentalness • 81% Positiveness
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The Como Mamas
Out of the Wilderness
175 bpm • B min • 04:10 • -9db
32% Popularity • 46% Danceability • 68% Energy • 18% Liveness
0% Instrumentalness • 75% Positiveness
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Barbara & The Browns
It Hurts Me So Much (To Be Able to Look ...
175 bpm • A# min • 02:22 • -9.99db
14% Popularity • 36% Danceability • 42% Energy • 11% Liveness
0% Instrumentalness • 33% Positiveness
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Bobby Womack
No Money In My Pocket
175 bpm • G Maj • 03:00 • -10.31db
25% Popularity • 52% Danceability • 51% Energy • 6% Liveness
0% Instrumentalness • 68% Positiveness
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Sharon Jones & The Dap-Kings
Giving Up
173 bpm • F min • 03:09 • -5.05db
27% Popularity • 44% Danceability • 62% Energy • 5% Liveness
0% Instrumentalness • 62% Positiveness
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Merry Clayton
Grandma's Hands
171 bpm • F min • 03:28 • -9db
19% Popularity • 50% Danceability • 72% Energy • 6% Liveness
0% Instrumentalness • 89% Positiveness
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Amarjits
Ranjha Man
172 bpm • A Maj • 05:04 • -9.53db
2% Popularity • 62% Danceability • 60% Energy • 27% Liveness
6% Instrumentalness • 75% Positiveness
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Ike & Tina Turner
Workin' Together
171 bpm • F Maj • 03:35 • -9.59db
33% Popularity • 46% Danceability • 56% Energy • 11% Liveness
0% Instrumentalness • 62% Positiveness
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Marlena Shaw
Mercy, Mercy, Mercy
171 bpm • A# Maj • 03:06 • -8.99db
24% Popularity • 48% Danceability • 48% Energy • 7% Liveness
0% Instrumentalness • 56% Positiveness
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Julie London
Yummy, Yummy, Yummy
169 bpm • C Maj • 02:58 • -10.81db
29% Popularity • 44% Danceability • 46% Energy • 13% Liveness
0% Instrumentalness • 65% Positiveness
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Hank Ballard
Tear Drops On Your Letter
170 bpm • C Maj • 02:38 • -12.77db
13% Popularity • 43% Danceability • 27% Energy • 10% Liveness
0% Instrumentalness • 33% Positiveness
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Nicole Willis
Invisible Man
169 bpm • B min • 02:59 • -4.2db
1% Popularity • 63% Danceability • 89% Energy • 24% Liveness
0% Instrumentalness • 90% Positiveness
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Doris Duke
He's Gone
169 bpm • F Maj • 04:35 • -13.76db
5% Popularity • 36% Danceability • 32% Energy • 5% Liveness
1% Instrumentalness • 43% Positiveness
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Laura Lee
Dirty Man
168 bpm • D Maj • 02:51 • -15db
31% Popularity • 50% Danceability • 26% Energy • 5% Liveness
0% Instrumentalness • 66% Positiveness
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Gladys Knight & The Pips
Every Beat of My Heart
167 bpm • A min • 02:06 • -14.45db
22% Popularity • 21% Danceability • 26% Energy • 19% Liveness
0% Instrumentalness • 21% Positiveness
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Mel Tormé
Secret Agent Man
167 bpm • A# Maj • 02:35 • -15db
21% Popularity • 56% Danceability • 36% Energy • 9% Liveness
0% Instrumentalness • 92% Positiveness
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Eddie Floyd
Warm and Tender Love
167 bpm • A# Maj • 03:31 • -19.58db
14% Popularity • 58% Danceability • 12% Energy • 8% Liveness
4% Instrumentalness • 74% Positiveness
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Martha High
I'€™d Rather Go Blind
167 bpm • A Maj • 03:53 • -4db
7% Popularity • 44% Danceability • 57% Energy • 36% Liveness
1% Instrumentalness • 71% Positiveness
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Lee Hazlewood
These Boots Are Made For Walking
165 bpm • A Maj • 03:16 • -11.15db
28% Popularity • 54% Danceability • 53% Energy • 13% Liveness
0% Instrumentalness • 71% Positiveness
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Allen Toussaint
Chico
164 bpm • C Maj • 02:19 • -8.32db
17% Popularity • 59% Danceability • 80% Energy • 9% Liveness
64% Instrumentalness • 98% Positiveness
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Robert Mitchum
Not Me
164 bpm • C Maj • 03:02 • -6.24db
22% Popularity • 65% Danceability • 72% Energy • 10% Liveness
0% Instrumentalness • 96% Positiveness
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Howard Tate
Girl of the North Country
164 bpm • A# Maj • 03:44 • -8db
29% Popularity • 52% Danceability • 46% Energy • 16% Liveness
2% Instrumentalness • 61% Positiveness
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Barbara & The Browns
Great Big Thing aka Till You Came
162 bpm • G Maj • 02:46 • -9.44db
14% Popularity • 32% Danceability • 37% Energy • 13% Liveness
9% Instrumentalness • 50% Positiveness
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Wendy Rene
Give You What I Got
162 bpm • G Maj • 02:47 • -12.05db
34% Popularity • 62% Danceability • 26% Energy • 66% Liveness
0% Instrumentalness • 82% Positiveness
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For Every Boy There's a Girl