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For Some We Loved
Songs like
For Some We Loved
by
Dorothy Ashby
Based on a tempo of (+/- 10%) and a similar genre
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Ronald Langestraat
Alpha Centauri
108 bpm • C min • 04:11 • -11.05db
28% Popularity • 84% Danceability • 72% Energy • 16% Liveness
75% Instrumentalness • 72% Positiveness
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Mamman Sani
Gosi
108 bpm • D# min • 05:34 • -11.08db
12% Popularity • 55% Danceability • 39% Energy • 20% Liveness
91% Instrumentalness • 18% Positiveness
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Fabiano do Nascimento
Planalto
108 bpm • D min • 02:09 • -13.1db
31% Popularity • 38% Danceability • 42% Energy • 20% Liveness
89% Instrumentalness • 50% Positiveness
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Steve Tibbetts
Walking
108 bpm • G Maj • 06:32 • -24.22db
9% Popularity • 71% Danceability • 8% Energy • 11% Liveness
0% Instrumentalness • 22% Positiveness
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The Lyman Woodard Organization
Saturday Night Special
108 bpm • A# Maj • 07:08 • -9.93db
20% Popularity • 72% Danceability • 47% Energy • 13% Liveness
87% Instrumentalness • 75% Positiveness
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Angel Bat Dawid
No Space Fo Us
108 bpm • C Maj • 03:48 • -12.14db
13% Popularity • 43% Danceability • 41% Energy • 8% Liveness
45% Instrumentalness • 34% Positiveness
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Alice Coltrane
Sita Ram
108 bpm • F Maj • 04:45 • -12.72db
17% Popularity • 21% Danceability • 36% Energy • 23% Liveness
71% Instrumentalness • 4% Positiveness
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Ronald Langestraat
Orpheus
108 bpm • A min • 04:29 • -14.18db
21% Popularity • 45% Danceability • 41% Energy • 9% Liveness
83% Instrumentalness • 28% Positiveness
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Dorothy Ashby
For Some We Loved
108 bpm • F min • 04:02 • -15db
22% Popularity • 47% Danceability • 23% Energy • 18% Liveness
12% Instrumentalness • 57% Positiveness
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Marion Brown
Bismillahi 'Rrahmani 'Rrahim
109 bpm • F# Maj • 06:02 • -18.32db
20% Popularity • 24% Danceability • 17% Energy • 11% Liveness
88% Instrumentalness • 4% Positiveness
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Laurie Anderson
Kokoku
107 bpm • C# Maj • 07:08 • -22db
21% Popularity • 58% Danceability • 19% Energy • 5% Liveness
8% Instrumentalness • 47% Positiveness
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Ahmed Malek
La ville, Pt. 2
107 bpm • C Maj • 05:12 • -8.59db
31% Popularity • 54% Danceability • 69% Energy • 12% Liveness
86% Instrumentalness • 45% Positiveness
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Ashra
Oasis
109 bpm • D Maj • 03:46 • -20.74db
36% Popularity • 70% Danceability • 15% Energy • 11% Liveness
77% Instrumentalness • 60% Positiveness
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The Lyman Woodard Organization
Belle Isle Daze
109 bpm • C min • 07:27 • -13.32db
14% Popularity • 62% Danceability • 54% Energy • 10% Liveness
90% Instrumentalness • 42% Positiveness
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Byard Lancaster
It's Not up to Us
107 bpm • D min • 04:53 • -13.45db
14% Popularity • 38% Danceability • 36% Energy • 30% Liveness
38% Instrumentalness • 58% Positiveness
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Alhaji Waziri Oshomah
Forgive Them Oh God Amin – Amin
109 bpm • E Maj • 08:40 • -10.1db
9% Popularity • 59% Danceability • 51% Energy • 42% Liveness
8% Instrumentalness • 80% Positiveness
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Mamman Sani
Ya Bismillah
107 bpm • D min • 04:21 • -9.49db
30% Popularity • 74% Danceability • 52% Energy • 6% Liveness
82% Instrumentalness • 85% Positiveness
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Ebo Taylor
Love And Death
109 bpm • C Maj • 08:17 • -7.46db
29% Popularity • 81% Danceability • 92% Energy • 8% Liveness
9% Instrumentalness • 81% Positiveness
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Dorothy Ashby
Jollity
109 bpm • G# Maj • 03:36 • -15.98db
23% Popularity • 61% Danceability • 24% Energy • 9% Liveness
60% Instrumentalness • 81% Positiveness
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Karin Krog
Meaning of Love
109 bpm • F Maj • 05:06 • -15db
30% Popularity • 48% Danceability • 58% Energy • 10% Liveness
6% Instrumentalness • 81% Positiveness
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Ronald Langestraat
Space train
110 bpm • G min • 03:54 • -15.06db
23% Popularity • 57% Danceability • 42% Energy • 10% Liveness
57% Instrumentalness • 30% Positiveness
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Lloyd Miller
Mandala
109 bpm • E Maj • 03:22 • -12.4db
20% Popularity • 36% Danceability • 63% Energy • 8% Liveness
82% Instrumentalness • 62% Positiveness
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Tarawangsawelas
Kecemasan
110 bpm • G# Maj • 07:53 • -9.22db
12% Popularity • 53% Danceability • 31% Energy • 12% Liveness
94% Instrumentalness • 6% Positiveness
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Leon Thomas
It's My Life I'm Fighting For
110 bpm • G min • 10:08 • -15.13db
9% Popularity • 50% Danceability • 59% Energy • 16% Liveness
0% Instrumentalness • 76% Positiveness
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Dorothy Ashby
Aeolian Groove
107 bpm • D min • 04:16 • -12.16db
8% Popularity • 58% Danceability • 34% Energy • 12% Liveness
0% Instrumentalness • 66% Positiveness
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Karl Hector & The Malcouns
Transition >X<
110 bpm • C Maj • 00:57 • -11.53db
27% Popularity • 85% Danceability • 74% Energy • 11% Liveness
82% Instrumentalness • 96% Positiveness
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Domenique Dumont
Le château de corail
110 bpm • F Maj • 04:05 • -11.35db
35% Popularity • 53% Danceability • 40% Energy • 15% Liveness
88% Instrumentalness • 15% Positiveness
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Vangelis
Let It Happen
106 bpm • D min • 04:20 • -14db
20% Popularity • 35% Danceability • 49% Energy • 43% Liveness
1% Instrumentalness • 50% Positiveness
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Idris Ackamoor
Whispering Tenderness
106 bpm • A# Maj • 03:49 • -8.92db
19% Popularity • 62% Danceability • 50% Energy • 13% Liveness
22% Instrumentalness • 70% Positiveness
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Sven Wunder
Tulip
110 bpm • A# min • 02:47 • -11.5db
36% Popularity • 54% Danceability • 69% Energy • 36% Liveness
93% Instrumentalness • 17% Positiveness
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Dorothy Ashby
Joyful Grass And Grape
106 bpm • F min • 03:41 • -13.41db
28% Popularity • 58% Danceability • 38% Energy • 14% Liveness
78% Instrumentalness • 54% Positiveness
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Hailu Mergia
Woghenei
106 bpm • G min • 03:58 • -7.28db
19% Popularity • 52% Danceability • 58% Energy • 11% Liveness
0% Instrumentalness • 76% Positiveness
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Amanaz
Kale
105 bpm • D# min • 04:42 • -10.09db
21% Popularity • 35% Danceability • 41% Energy • 16% Liveness
0% Instrumentalness • 48% Positiveness
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Mamman Sani
Dangay Kotyo
111 bpm • D min • 04:16 • -12.33db
17% Popularity • 58% Danceability • 56% Energy • 17% Liveness
94% Instrumentalness • 20% Positiveness
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Noël McGhie & Space Spies
Trapeze
111 bpm • F# min • 07:40 • -13.04db
13% Popularity • 47% Danceability • 43% Energy • 12% Liveness
94% Instrumentalness • 40% Positiveness
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Ndikho Xaba
Nomusa
111 bpm • B min • 08:47 • -13.05db
11% Popularity • 68% Danceability • 40% Energy • 15% Liveness
43% Instrumentalness • 52% Positiveness
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Dorothy Ashby
Moonlight In Vermont
110 bpm • D Maj • 05:15 • -17.5db
33% Popularity • 36% Danceability • 22% Energy • 11% Liveness
74% Instrumentalness • 25% Positiveness
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Eden Ahbez
Eden's Cove
111 bpm • C min • 02:44 • -17db
24% Popularity • 45% Danceability • 32% Energy • 28% Liveness
0% Instrumentalness • 42% Positiveness
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Adele Sebastian
Desert Fairy Princess
111 bpm • F Maj • 09:02 • -23.6db
13% Popularity • 39% Danceability • 13% Energy • 8% Liveness
90% Instrumentalness • 37% Positiveness
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Ananda Shankar
Mamata (Affection)
111 bpm • A Maj • 03:09 • -9.02db
29% Popularity • 54% Danceability • 44% Energy • 12% Liveness
11% Instrumentalness • 66% Positiveness
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Art Ensemble Of Chicago
Prayer For Jimbo Kwesi
105 bpm • D Maj • 09:47 • -21.07db
9% Popularity • 22% Danceability • 12% Energy • 12% Liveness
72% Instrumentalness • 5% Positiveness
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Kayanza
Salutation Akazéhé
111 bpm • A Maj • 01:43 • -24.09db
10% Popularity • 49% Danceability • 10% Energy • 18% Liveness
0% Instrumentalness • 84% Positiveness
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Dorothy Ashby
It's A Minor Thing
106 bpm • A min • 03:54 • -12.74db
14% Popularity • 45% Danceability • 33% Energy • 11% Liveness
1% Instrumentalness • 76% Positiveness
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Hailu Mergia
Yemiasleks Fikir
105 bpm • E Maj • 04:04 • -9.8db
22% Popularity • 30% Danceability • 44% Energy • 7% Liveness
0% Instrumentalness • 75% Positiveness
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Momo Wandel Soumah
Afro Blue
105 bpm • F min • 07:28 • -16.35db
21% Popularity • 61% Danceability • 34% Energy • 11% Liveness
83% Instrumentalness • 75% Positiveness
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Ahmed Malek
Tape 27 Track 5
105 bpm • C# Maj • 01:38 • -16.35db
40% Popularity • 48% Danceability • 36% Energy • 10% Liveness
78% Instrumentalness • 49% Positiveness
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Ambrose Campbell
Yolanda
111 bpm • D# Maj • 03:14 • -16.16db
11% Popularity • 75% Danceability • 48% Energy • 7% Liveness
0% Instrumentalness • 90% Positiveness
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Codona
Mumakata
111 bpm • B min • 08:14 • -16.74db
10% Popularity • 64% Danceability • 34% Energy • 6% Liveness
6% Instrumentalness • 54% Positiveness
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Márta Sebestyén
András
105 bpm • F# Maj • 06:08 • -13.76db
11% Popularity • 49% Danceability • 26% Energy • 11% Liveness
12% Instrumentalness • 6% Positiveness
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Angelo Vanotti
Sketches Of Anderland
105 bpm • D min • 03:21 • -4.17db
9% Popularity • 76% Danceability • 84% Energy • 13% Liveness
78% Instrumentalness • 92% Positiveness
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Dorothy Ashby
Wine The Infidel
111 bpm • F Maj • 03:59 • -15.84db
18% Popularity • 47% Danceability • 38% Energy • 25% Liveness
11% Instrumentalness • 67% Positiveness
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Lloyd Miller
Fantasia Pt. 1
111 bpm • C# Maj • 02:35 • -12.98db
33% Popularity • 45% Danceability • 64% Energy • 14% Liveness
74% Instrumentalness • 47% Positiveness
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Pete Brandt's Method
What You Are
105 bpm • G min • 03:35 • -10.85db
35% Popularity • 65% Danceability • 60% Energy • 9% Liveness
34% Instrumentalness • 61% Positiveness
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Yusef Lateef
Ching Miau - Remastered 2023
104 bpm • G min • 03:19 • -12.37db
40% Popularity • 39% Danceability • 30% Energy • 10% Liveness
0% Instrumentalness • 29% Positiveness
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Dream Stars
Pop Makossa
112 bpm • F min • 04:47 • -11.54db
19% Popularity • 79% Danceability • 49% Energy • 9% Liveness
5% Instrumentalness • 61% Positiveness
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Blue Nouveaux
Obscurity
104 bpm • F Maj • 04:55 • -22.07db
10% Popularity • 81% Danceability • 12% Energy • 6% Liveness
10% Instrumentalness • 80% Positiveness
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Dorothy Ashby
Myself When Young
112 bpm • D min • 05:20 • -15.92db
27% Popularity • 56% Danceability • 37% Energy • 20% Liveness
1% Instrumentalness • 48% Positiveness
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Ronald Langestraat
Girl where are you?
104 bpm • E min • 03:49 • -11.26db
30% Popularity • 58% Danceability • 52% Energy • 10% Liveness
12% Instrumentalness • 59% Positiveness
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Laraaji
Cosmic Joe
112 bpm • F Maj • 04:27 • -11.06db
17% Popularity • 57% Danceability • 53% Energy • 28% Liveness
0% Instrumentalness • 75% Positiveness
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Mamman Sani
Tunan
104 bpm • C# min • 03:21 • -7db
33% Popularity • 67% Danceability • 63% Energy • 17% Liveness
21% Instrumentalness • 72% Positiveness
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Alice Coltrane
Blue Nile
112 bpm • B min • 07:01 • -13db
38% Popularity • 37% Danceability • 53% Energy • 10% Liveness
60% Instrumentalness • 25% Positiveness
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Lloyd Miller
Chahargah
104 bpm • D min • 02:58 • -13.9db
27% Popularity • 49% Danceability • 44% Energy • 12% Liveness
87% Instrumentalness • 17% Positiveness
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Weldon Irvine
Music Is the Key
112 bpm • G Maj • 07:35 • -13db
22% Popularity • 54% Danceability • 33% Energy • 12% Liveness
1% Instrumentalness • 53% Positiveness
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Ronald Langestraat
A fast drive through the universe
112 bpm • A# min • 03:32 • -15db
31% Popularity • 66% Danceability • 57% Energy • 16% Liveness
68% Instrumentalness • 81% Positiveness
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Argile
Tagtraum Eines Elefanten
104 bpm • G# Maj • 04:28 • -13.91db
11% Popularity • 70% Danceability • 37% Energy • 8% Liveness
86% Instrumentalness • 60% Positiveness
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Francis Bebey
Forest Nativity
103 bpm • B Maj • 04:23 • -10.84db
31% Popularity • 68% Danceability • 57% Energy • 14% Liveness
65% Instrumentalness • 68% Positiveness
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Blue Heron
Paul's Blues
113 bpm • A# min • 07:26 • -15.61db
10% Popularity • 37% Danceability • 33% Energy • 10% Liveness
91% Instrumentalness • 26% Positiveness
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Orlando Julius
Omo Oba Blues
103 bpm • C# Maj • 03:52 • -8.21db
23% Popularity • 79% Danceability • 70% Energy • 67% Liveness
80% Instrumentalness • 46% Positiveness
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Alice Coltrane
Bhaja Govindam
113 bpm • C Maj • 04:33 • -10.39db
12% Popularity • 49% Danceability • 41% Energy • 11% Liveness
0% Instrumentalness • 29% Positiveness
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Dorothy Ashby
You Stepped Out of a Dream
103 bpm • C Maj • 02:59 • -13.99db
4% Popularity • 38% Danceability • 26% Energy • 12% Liveness
48% Instrumentalness • 19% Positiveness
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Bennie Maupin
The Jewel In The Lotus
103 bpm • D Maj • 10:02 • -14.09db
15% Popularity • 27% Danceability • 31% Energy • 21% Liveness
9% Instrumentalness • 4% Positiveness
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Lonnie Liston Smith
Astral Traveling
113 bpm • F Maj • 05:30 • -11db
24% Popularity • 42% Danceability • 63% Energy • 10% Liveness
6% Instrumentalness • 55% Positiveness
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Les Filles de Illighadad
Migrid Noulhawan
113 bpm • E min • 03:15 • -9.59db
19% Popularity • 76% Danceability • 15% Energy • 9% Liveness
84% Instrumentalness • 46% Positiveness
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Angel Bat Dawid
Destination (Dr. Yusef Lateef)
103 bpm • G# Maj • 02:22 • -16.03db
28% Popularity • 25% Danceability • 11% Energy • 11% Liveness
25% Instrumentalness • 6% Positiveness
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Ronald Langestraat
Chet Baker
103 bpm • G# min • 01:50 • -19.21db
20% Popularity • 53% Danceability • 3% Energy • 10% Liveness
0% Instrumentalness • 16% Positiveness
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Francis Bebey
Blinta Madiallo
103 bpm • D Maj • 06:42 • -8.52db
16% Popularity • 68% Danceability • 69% Energy • 9% Liveness
82% Instrumentalness • 32% Positiveness
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Ryo Kawasaki
You Are The Sunlight
113 bpm • F Maj • 06:15 • -13.44db
16% Popularity • 49% Danceability • 30% Energy • 10% Liveness
39% Instrumentalness • 20% Positiveness
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Bembeya Jazz National
Ah Kani
114 bpm • D# Maj • 06:19 • -9.13db
19% Popularity • 51% Danceability • 76% Energy • 22% Liveness
9% Instrumentalness • 87% Positiveness
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Giuliano Sorgini
Ultima caccia
114 bpm • C Maj • 03:55 • -14.56db
15% Popularity • 75% Danceability • 80% Energy • 9% Liveness
81% Instrumentalness • 51% Positiveness
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The Gaslamp Killer
She's Coming
102 bpm • E min • 03:19 • -12.88db
34% Popularity • 41% Danceability • 57% Energy • 11% Liveness
87% Instrumentalness • 33% Positiveness
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Mamman Sani
Bodo
102 bpm • C min • 04:20 • -9.4db
12% Popularity • 75% Danceability • 65% Energy • 7% Liveness
70% Instrumentalness • 84% Positiveness
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Mulatu Astatke
Mascaram Setaba
102 bpm • G Maj • 01:50 • -13.76db
43% Popularity • 53% Danceability • 30% Energy • 24% Liveness
0% Instrumentalness • 26% Positiveness
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Roberto Musci
Water Music
114 bpm • G# min • 02:02 • -13.86db
37% Popularity • 67% Danceability • 38% Energy • 8% Liveness
91% Instrumentalness • 50% Positiveness
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The Lloyd McNeill Quartet
Home Rule
102 bpm • A# Maj • 06:04 • -17.57db
10% Popularity • 53% Danceability • 42% Energy • 7% Liveness
74% Instrumentalness • 80% Positiveness
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dumama + kechou
mother time
102 bpm • F min • 07:32 • -11.45db
7% Popularity • 66% Danceability • 23% Energy • 17% Liveness
1% Instrumentalness • 5% Positiveness
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João Gilberto
Undiú
114 bpm • G# Maj • 06:37 • -27.07db
33% Popularity • 46% Danceability • 4% Energy • 12% Liveness
90% Instrumentalness • 20% Positiveness
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Orlando Julius
Jaiyede Afro
102 bpm • F min • 06:06 • -5.03db
22% Popularity • 74% Danceability • 88% Energy • 58% Liveness
80% Instrumentalness • 89% Positiveness
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Tokyo Academy Philharmonic Chorus Group
Taharazaka
114 bpm • C# Maj • 02:54 • -10.52db
12% Popularity • 50% Danceability • 52% Energy • 16% Liveness
0% Instrumentalness • 42% Positiveness
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Sonny Sharrock
Black Woman
115 bpm • D Maj • 05:14 • -11db
20% Popularity • 17% Danceability • 72% Energy • 10% Liveness
0% Instrumentalness • 20% Positiveness
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Dorothy Ashby
By The Time I Get To Phoenix
102 bpm • C min • 03:30 • -9db
43% Popularity • 60% Danceability • 69% Energy • 7% Liveness
81% Instrumentalness • 72% Positiveness
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Sir Shina Peters
Yabis
102 bpm • E min • 06:58 • -12.71db
20% Popularity • 78% Danceability • 57% Energy • 23% Liveness
7% Instrumentalness • 69% Positiveness
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Naná Vasconcelos
Ondas (Na Óhlos De Petronila)
115 bpm • A# Maj • 07:52 • -19.16db
12% Popularity • 50% Danceability • 40% Energy • 9% Liveness
85% Instrumentalness • 43% Positiveness
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John Carroll Kirby
Wind
115 bpm • F# Maj • 05:27 • -10.5db
32% Popularity • 51% Danceability • 25% Energy • 16% Liveness
92% Instrumentalness • 16% Positiveness
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Raymond Scott
Sleepy Time
101 bpm • C Maj • 04:27 • -20.89db
23% Popularity • 35% Danceability • 28% Energy • 8% Liveness
86% Instrumentalness • 57% Positiveness
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Sun Ra & His Arkestra
Door of the Cosmos
115 bpm • A# Maj • 09:00 • -9.25db
35% Popularity • 59% Danceability • 61% Energy • 11% Liveness
65% Instrumentalness • 61% Positiveness
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Max Roach
Morning/Midday
115 bpm • A min • 06:49 • -22.55db
10% Popularity • 53% Danceability • 10% Energy • 7% Liveness
8% Instrumentalness • 8% Positiveness
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Dorothy Ashby
Stranger in Paradise
101 bpm • F Maj • 03:21 • -14.46db
8% Popularity • 39% Danceability • 27% Energy • 10% Liveness
68% Instrumentalness • 26% Positiveness
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Roberto Musci
Lullabies... Mother Sings... Father Play...
116 bpm • C# Maj • 03:29 • -12.84db
30% Popularity • 54% Danceability • 40% Energy • 26% Liveness
0% Instrumentalness • 33% Positiveness
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Domenique Dumont
Ono mambo haiku
101 bpm • G min • 03:15 • -11db
41% Popularity • 83% Danceability • 23% Energy • 10% Liveness
86% Instrumentalness • 92% Positiveness
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Lonnie Liston Smith
Colors of the Rainbow
116 bpm • D# Maj • 03:51 • -14.01db
33% Popularity • 20% Danceability • 31% Energy • 11% Liveness
0% Instrumentalness • 10% Positiveness
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For Some We Loved