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For The Crowd
Songs like
For The Crowd
by
Alessandro Rizzo
Based on a tempo of (+/- 10%) and a similar genre
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Syd Dale
Brass and Bongos
155 bpm • F min • 03:56 • -6.09db
10% Popularity • 73% Danceability • 80% Energy • 36% Liveness
79% Instrumentalness • 81% Positiveness
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Chris Joss
Danger Buds
154 bpm • A# min • 02:59 • -6.6db
32% Popularity • 72% Danceability • 56% Energy • 9% Liveness
96% Instrumentalness • 84% Positiveness
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Combustible Edison
Spy Vs. Spy
153 bpm • A min • 03:36 • -8.29db
31% Popularity • 43% Danceability • 70% Energy • 10% Liveness
49% Instrumentalness • 36% Positiveness
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The Easy Access Orchestra
The Pepper
155 bpm • F min • 05:16 • -7.28db
7% Popularity • 67% Danceability • 70% Energy • 46% Liveness
91% Instrumentalness • 75% Positiveness
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Keith Mansfield
Young Scene
153 bpm • D# Maj • 02:30 • -6.84db
10% Popularity • 42% Danceability • 88% Energy • 14% Liveness
89% Instrumentalness • 86% Positiveness
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Italian Secret Service
Smell like ten spirit
156 bpm • C# Maj • 04:41 • -9.48db
25% Popularity • 61% Danceability • 66% Energy • 20% Liveness
73% Instrumentalness • 90% Positiveness
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Syd Dale
The Hell Raisers
153 bpm • A# min • 02:21 • -5.69db
19% Popularity • 54% Danceability • 91% Energy • 10% Liveness
13% Instrumentalness • 72% Positiveness
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Shawn Lee's Ping Pong Orchestra
Straight to Video
151 bpm • A# Maj • 02:17 • -5.83db
14% Popularity • 72% Danceability • 89% Energy • 26% Liveness
86% Instrumentalness • 96% Positiveness
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The Alan Tew Orchestra
The Pink Panther Theme (Mixed)
158 bpm • B min • 03:36 • -14.5db
21% Popularity • 35% Danceability • 58% Energy • 28% Liveness
89% Instrumentalness • 37% Positiveness
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Betty Black
Lonely Man - Part 2
157 bpm • C Maj • 03:00 • -6.62db
11% Popularity • 66% Danceability • 91% Energy • 31% Liveness
75% Instrumentalness • 67% Positiveness
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Vanessa Contenay-Quinones
Tralala
150 bpm • C Maj • 03:07 • -6.08db
0% Popularity • 62% Danceability • 89% Energy • 10% Liveness
0% Instrumentalness • 68% Positiveness
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Alessandro Rizzo
Showcase
150 bpm • G Maj • 02:15 • -8.65db
0% Popularity • 73% Danceability • 59% Energy • 43% Liveness
27% Instrumentalness • 37% Positiveness
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Bart & Baker
16 Tons (Skeewiff Remix)
150 bpm • C# min • 04:25 • -7.56db
17% Popularity • 68% Danceability • 77% Energy • 38% Liveness
3% Instrumentalness • 39% Positiveness
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The Bas Lexter Ensample
The Champions
150 bpm • G Maj • 03:32 • -10.21db
22% Popularity • 75% Danceability • 69% Energy • 35% Liveness
81% Instrumentalness • 91% Positiveness
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Son Of Dave
Shake a Bone
149 bpm • C# Maj • 03:04 • -17db
45% Popularity • 86% Danceability • 39% Energy • 31% Liveness
29% Instrumentalness • 96% Positiveness
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Syd Dale
Two Time
160 bpm • G# Maj • 02:09 • -8.98db
7% Popularity • 66% Danceability • 61% Energy • 5% Liveness
18% Instrumentalness • 69% Positiveness
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Vanessa Contenay-Quinones
Odyssèe
150 bpm • E min • 04:13 • -10.21db
1% Popularity • 59% Danceability • 53% Energy • 16% Liveness
0% Instrumentalness • 35% Positiveness
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Alessandro Rizzo
Obstinate
150 bpm • F# min • 02:32 • -7.94db
0% Popularity • 76% Danceability • 76% Energy • 8% Liveness
79% Instrumentalness • 65% Positiveness
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De-Phazz
Heartfixer
148 bpm • B min • 03:31 • -8.65db
31% Popularity • 54% Danceability • 89% Energy • 15% Liveness
37% Instrumentalness • 64% Positiveness
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Milt Buckner
The Beast
148 bpm • F Maj • 02:30 • -11db
35% Popularity • 71% Danceability • 60% Energy • 7% Liveness
85% Instrumentalness • 85% Positiveness
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Skeewiff
The Spider
161 bpm • B Maj • 04:40 • -7db
18% Popularity • 57% Danceability • 84% Energy • 8% Liveness
34% Instrumentalness • 62% Positiveness
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Arling & Cameron
Shiva's R&R Dub
160 bpm • F Maj • 01:55 • -9.9db
14% Popularity • 79% Danceability • 39% Energy • 7% Liveness
2% Instrumentalness • 92% Positiveness
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Johnny Harris
Paint It Black
161 bpm • F min • 03:55 • -10.81db
13% Popularity • 30% Danceability • 59% Energy • 18% Liveness
86% Instrumentalness • 65% Positiveness
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Alessandro Rizzo
Velvet Voice
150 bpm • E min • 03:10 • -7.91db
1% Popularity • 75% Danceability • 57% Energy • 9% Liveness
0% Instrumentalness • 68% Positiveness
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Pepe Deluxe
The Beat Experience - Sony Version
146 bpm • C# Maj • 05:29 • -7.77db
12% Popularity • 60% Danceability • 80% Energy • 27% Liveness
3% Instrumentalness • 92% Positiveness
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Shawn Lee's Ping Pong Orchestra
Rehab
146 bpm • C Maj • 04:37 • -3.68db
16% Popularity • 64% Danceability • 89% Energy • 5% Liveness
79% Instrumentalness • 93% Positiveness
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Keith Mansfield
Teenage Chase
145 bpm • C Maj • 02:26 • -13db
21% Popularity • 73% Danceability • 42% Energy • 12% Liveness
91% Instrumentalness • 87% Positiveness
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Montefiori Cocktail
Hu Ha
145 bpm • G# Maj • 04:09 • -6.29db
9% Popularity • 70% Danceability • 96% Energy • 13% Liveness
74% Instrumentalness • 93% Positiveness
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6ix Toys
Voodoo People
145 bpm • C# min • 05:11 • -5.3db
19% Popularity • 77% Danceability • 79% Energy • 3% Liveness
65% Instrumentalness • 96% Positiveness
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Alessandro Rizzo
The Organ Grinder's Monkey
160 bpm • G# Maj • 03:38 • -8.5db
0% Popularity • 73% Danceability • 86% Energy • 13% Liveness
71% Instrumentalness • 90% Positiveness
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Ursula 1000
Mondo Beyondo
145 bpm • G# Maj • 03:42 • -5db
12% Popularity • 58% Danceability • 98% Energy • 31% Liveness
87% Instrumentalness • 86% Positiveness
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Chris Joss
Early Morning Wanderings
164 bpm • E min • 04:11 • -3.03db
10% Popularity • 76% Danceability • 95% Energy • 8% Liveness
78% Instrumentalness • 96% Positiveness
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Alan Hawkshaw
Busy Rat Race
165 bpm • A min • 03:26 • -8.32db
2% Popularity • 70% Danceability • 76% Energy • 15% Liveness
93% Instrumentalness • 96% Positiveness
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Montefiori Cocktail
Gne Gne
145 bpm • F min • 04:19 • -4.36db
13% Popularity • 74% Danceability • 88% Energy • 5% Liveness
82% Instrumentalness • 91% Positiveness
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Syd Dale
The Sample Syndicate
143 bpm • D Maj • 03:03 • -5.17db
11% Popularity • 66% Danceability • 99% Energy • 39% Liveness
92% Instrumentalness • 87% Positiveness
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Alessandro Rizzo
Stone Ocean
160 bpm • A Maj • 02:49 • -6.36db
0% Popularity • 54% Danceability • 74% Energy • 10% Liveness
90% Instrumentalness • 42% Positiveness
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Frank Popp Ensemble
The Rural Assiduity
143 bpm • F# min • 04:35 • -5.46db
12% Popularity • 71% Danceability • 70% Energy • 11% Liveness
78% Instrumentalness • 75% Positiveness
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Chris Joss
The Man with a Suitcase
165 bpm • C# Maj • 03:56 • -5.84db
10% Popularity • 57% Danceability • 90% Energy • 6% Liveness
77% Instrumentalness • 94% Positiveness
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Cookin' On 3 Burners
Enter Sandman
142 bpm • B min • 03:20 • -4db
24% Popularity • 54% Danceability • 82% Energy • 5% Liveness
84% Instrumentalness • 79% Positiveness
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The Bas Lexter Ensample
Nipponside Winder
143 bpm • C# Maj • 02:55 • -11db
22% Popularity • 67% Danceability • 92% Energy • 11% Liveness
74% Instrumentalness • 96% Positiveness
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James Clarke
Blow Up A-Go-Go!
142 bpm • B min • 02:32 • -9.52db
17% Popularity • 69% Danceability • 84% Energy • 5% Liveness
69% Instrumentalness • 89% Positiveness
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Alessandro Rizzo
Until The Next Day
165 bpm • D# min • 02:12 • -8.14db
2% Popularity • 67% Danceability • 78% Energy • 20% Liveness
0% Instrumentalness • 89% Positiveness
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Nicolas Godin
Twist à Saint Germain
167 bpm • B min • 02:09 • -6.08db
20% Popularity • 46% Danceability • 69% Energy • 15% Liveness
86% Instrumentalness • 96% Positiveness
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Mato
The Imperial March Dub
168 bpm • G# Maj • 02:41 • -7.2db
10% Popularity • 75% Danceability • 73% Energy • 5% Liveness
44% Instrumentalness • 75% Positiveness
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Lucas Pittman
Snake Hips
168 bpm • D Maj • 04:02 • -7.33db
9% Popularity • 54% Danceability • 94% Energy • 22% Liveness
95% Instrumentalness • 90% Positiveness
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Keith Mansfield
Wild Waters
168 bpm • G# Maj • 03:28 • -5.54db
9% Popularity • 63% Danceability • 92% Energy • 32% Liveness
85% Instrumentalness • 79% Positiveness
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Coco Steel Lovebomb
Yachts - A Man Called Adam mix
168 bpm • E min • 05:39 • -7.55db
45% Popularity • 34% Danceability • 95% Energy • 27% Liveness
84% Instrumentalness • 92% Positiveness
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Shawn Lee's Ping Pong Orchestra
Moodbender
141 bpm • F Maj • 04:01 • -6.85db
12% Popularity • 76% Danceability • 82% Energy • 12% Liveness
89% Instrumentalness • 96% Positiveness
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Seckin
Calm Horse
140 bpm • A Maj • 03:14 • -12.67db
8% Popularity • 94% Danceability • 49% Energy • 10% Liveness
91% Instrumentalness • 97% Positiveness
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Alessandro Rizzo
Beautiful Technology
140 bpm • B Maj • 02:12 • -12.95db
0% Popularity • 71% Danceability • 34% Energy • 8% Liveness
64% Instrumentalness • 33% Positiveness
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The Wiseguys
Nil by Mouth
170 bpm • C# Maj • 05:51 • -7.36db
18% Popularity • 75% Danceability • 48% Energy • 17% Liveness
77% Instrumentalness • 58% Positiveness
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Keith Mansfield
The Mexican D.J.
141 bpm • C Maj • 02:15 • -6.97db
12% Popularity • 67% Danceability • 75% Energy • 34% Liveness
52% Instrumentalness • 89% Positiveness
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Joe Loss & His Orchestra
Music to Drive By - 2011 Remaster
140 bpm • F Maj • 02:52 • -13.96db
9% Popularity • 46% Danceability • 40% Energy • 20% Liveness
73% Instrumentalness • 63% Positiveness
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Trüby Trio
A Go Go
170 bpm • F min • 03:32 • -6db
30% Popularity • 77% Danceability • 77% Energy • 17% Liveness
75% Instrumentalness • 68% Positiveness
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Kidleee
Guitar Kid
170 bpm • D min • 02:08 • -11.21db
24% Popularity • 73% Danceability • 85% Energy • 8% Liveness
1% Instrumentalness • 95% Positiveness
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Alessandro Rizzo
Little Jazz Big Jazz
170 bpm • A# min • 02:30 • -7.19db
0% Popularity • 52% Danceability • 78% Energy • 36% Liveness
79% Instrumentalness • 28% Positiveness
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Mint Royale
From Rusholme with Love
139 bpm • G# Maj • 05:06 • -7db
38% Popularity • 64% Danceability • 87% Energy • 22% Liveness
88% Instrumentalness • 61% Positiveness
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Keith Mansfield
Funky Flight
140 bpm • C# Maj • 01:38 • -13.6db
20% Popularity • 50% Danceability • 60% Energy • 27% Liveness
85% Instrumentalness • 54% Positiveness
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Freedust
Jump Up and Down
170 bpm • C Maj • 02:55 • -5.25db
4% Popularity • 59% Danceability • 97% Energy • 34% Liveness
0% Instrumentalness • 76% Positiveness
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Syd Dale
Man Friday
139 bpm • C Maj • 02:37 • -5.39db
17% Popularity • 35% Danceability • 90% Energy • 39% Liveness
25% Instrumentalness • 62% Positiveness
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Shawn Lee's Ping Pong Orchestra
Out of Time
139 bpm • A min • 03:42 • -6.48db
10% Popularity • 63% Danceability • 61% Energy • 8% Liveness
79% Instrumentalness • 75% Positiveness
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OMFO
The Sorcerer
172 bpm • E min • 04:22 • -9.57db
8% Popularity • 60% Danceability • 66% Energy • 88% Liveness
77% Instrumentalness • 66% Positiveness
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David Holmes
$165 Million + Interest (Intro) The Roun...
172 bpm • A min • 05:43 • -9.04db
34% Popularity • 29% Danceability • 73% Energy • 10% Liveness
92% Instrumentalness • 54% Positiveness
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Keith Mansfield
Crazy Crazy
170 bpm • F min • 03:23 • -5.72db
4% Popularity • 58% Danceability • 92% Energy • 35% Liveness
40% Instrumentalness • 75% Positiveness
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Lucas Pittman
Dusty Blinds
172 bpm • D Maj • 04:06 • -9.67db
10% Popularity • 64% Danceability • 58% Energy • 32% Liveness
85% Instrumentalness • 48% Positiveness
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Messer Für Frau Müller
The Best Girl in the Ussr
172 bpm • B Maj • 03:06 • -7.05db
15% Popularity • 73% Danceability • 77% Energy • 49% Liveness
0% Instrumentalness • 85% Positiveness
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Señor Coconut
Mambo Numerique
174 bpm • A# min • 01:30 • -10.58db
13% Popularity • 67% Danceability • 81% Energy • 57% Liveness
7% Instrumentalness • 82% Positiveness
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Terry Hall & Mushtaq
A Tale of Woe
174 bpm • E min • 04:22 • -6.95db
12% Popularity • 65% Danceability • 62% Energy • 11% Liveness
34% Instrumentalness • 50% Positiveness
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Leonard Nimoy
Music To Watch Space Girls By
136 bpm • D Maj • 02:19 • -8.26db
34% Popularity • 43% Danceability • 61% Energy • 38% Liveness
14% Instrumentalness • 51% Positiveness
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Keith Mansfield
Skydive
173 bpm • F min • 02:56 • -5.41db
7% Popularity • 46% Danceability • 92% Energy • 36% Liveness
74% Instrumentalness • 64% Positiveness
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James Clarke
Second Cut
136 bpm • B Maj • 01:54 • -10db
9% Popularity • 76% Danceability • 67% Energy • 10% Liveness
62% Instrumentalness • 72% Positiveness
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The Third Degree
Can’t Get You out of My Head (Smoove R...
136 bpm • A min • 05:09 • -4.64db
31% Popularity • 59% Danceability • 92% Energy • 12% Liveness
16% Instrumentalness • 66% Positiveness
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Isaac Hayes
Main Title "Truck Turner"
135 bpm • E min • 02:42 • -12.8db
37% Popularity • 69% Danceability • 76% Energy • 18% Liveness
8% Instrumentalness • 82% Positiveness
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Vanessa Contenay-Quinones
Thème Du Matin
175 bpm • C min • 02:59 • -11.24db
0% Popularity • 30% Danceability • 45% Energy • 21% Liveness
0% Instrumentalness • 23% Positiveness
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Alessandro Rizzo
Periscope
135 bpm • E min • 02:40 • -9.82db
0% Popularity • 53% Danceability • 51% Energy • 8% Liveness
92% Instrumentalness • 34% Positiveness
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Henry Mancini
The Streets of San Francisco
135 bpm • A min • 02:48 • -11.22db
23% Popularity • 43% Danceability • 58% Energy • 26% Liveness
35% Instrumentalness • 92% Positiveness
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James Clarke
Second Cut (re-edit)
136 bpm • B Maj • 02:27 • -10.97db
22% Popularity • 76% Danceability • 63% Energy • 12% Liveness
86% Instrumentalness • 74% Positiveness
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Peppino De Luca
Rito a Los Angeles
134 bpm • D min • 01:38 • -12.52db
17% Popularity • 34% Danceability • 45% Energy • 9% Liveness
96% Instrumentalness • 23% Positiveness
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The Hustlers
Inertia
177 bpm • E min • 02:47 • -13.25db
24% Popularity • 63% Danceability • 55% Energy • 38% Liveness
9% Instrumentalness • 45% Positiveness
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Ludovic Bource
Chicks at the Pool
134 bpm • C Maj • 01:21 • -4.15db
10% Popularity • 61% Danceability • 85% Energy • 19% Liveness
81% Instrumentalness • 92% Positiveness
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Quincy Jones
Ironside - Theme From "Ironside"
134 bpm • A min • 03:53 • -10.11db
31% Popularity • 49% Danceability • 64% Energy • 11% Liveness
23% Instrumentalness • 56% Positiveness
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Chris Joss
Discotheque Dancing
134 bpm • C# min • 03:40 • -2db
17% Popularity • 61% Danceability • 92% Energy • 17% Liveness
76% Instrumentalness • 78% Positiveness
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Big Boss Man
Party 7
134 bpm • F Maj • 03:37 • -6.28db
18% Popularity • 62% Danceability • 87% Energy • 12% Liveness
12% Instrumentalness • 90% Positiveness
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Savages
Rollin' - Scratches by DJ Globe
177 bpm • C# Maj • 03:48 • -6.85db
12% Popularity • 61% Danceability • 77% Energy • 60% Liveness
65% Instrumentalness • 94% Positiveness
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David Lindup
Ballroom Beat Bonanza
133 bpm • F min • 03:12 • -4.43db
9% Popularity • 79% Danceability • 94% Energy • 43% Liveness
72% Instrumentalness • 97% Positiveness
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Sammy Burdson
News Background (A)
179 bpm • A min • 02:30 • -12db
11% Popularity • 47% Danceability • 73% Energy • 14% Liveness
13% Instrumentalness • 48% Positiveness
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Max Greger
Big Train
132 bpm • A# Maj • 02:16 • -7.17db
3% Popularity • 69% Danceability • 87% Energy • 6% Liveness
82% Instrumentalness • 74% Positiveness
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Chris Joss
You've Been Spiked
133 bpm • F# Maj • 04:39 • -2db
32% Popularity • 80% Danceability • 92% Energy • 20% Liveness
76% Instrumentalness • 96% Positiveness
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Daniel Pemberton
The Playmates
180 bpm • A min • 02:20 • -11.14db
14% Popularity • 78% Danceability • 46% Energy • 11% Liveness
80% Instrumentalness • 52% Positiveness
► Preview
Alessandro Rizzo
The Whole Enchilada
180 bpm • A Maj • 03:57 • -9.25db
0% Popularity • 62% Danceability • 72% Energy • 8% Liveness
91% Instrumentalness • 40% Positiveness
► Preview
The Wiseguys
Cowboy '78
131 bpm • B min • 06:14 • -8.53db
21% Popularity • 46% Danceability • 85% Energy • 88% Liveness
56% Instrumentalness • 87% Positiveness
► Preview
The Bongolian
B-Boy Toga Party
181 bpm • A min • 02:26 • -7.23db
14% Popularity • 50% Danceability • 82% Energy • 7% Liveness
5% Instrumentalness • 78% Positiveness
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Skeewiff
Magnanimous
186 bpm • D# Maj • 03:22 • -7.16db
8% Popularity • 48% Danceability • 50% Energy • 17% Liveness
21% Instrumentalness • 35% Positiveness
► Preview
Chris Joss
Waking up in the Park
133 bpm • C# Maj • 01:31 • -6.23db
34% Popularity • 83% Danceability • 70% Energy • 11% Liveness
86% Instrumentalness • 94% Positiveness
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N.o.h.a.
Balkan Hot-Step
190 bpm • G Maj • 05:57 • -6.2db
22% Popularity • 40% Danceability • 92% Energy • 90% Liveness
88% Instrumentalness • 67% Positiveness
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Alessandro Rizzo
Night Drive
180 bpm • G# min • 02:03 • -18.39db
0% Popularity • 43% Danceability • 13% Energy • 11% Liveness
83% Instrumentalness • 13% Positiveness
► Preview
Ludovic Bource
Speed Date Car
187 bpm • A# min • 02:55 • -5.32db
18% Popularity • 50% Danceability • 77% Energy • 11% Liveness
81% Instrumentalness • 83% Positiveness
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Dimitri From Paris
Sacré français
190 bpm • A# min • 04:54 • -8.42db
32% Popularity • 69% Danceability • 88% Energy • 22% Liveness
60% Instrumentalness • 47% Positiveness
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Jacknife Lee
Here Kitty Kitty
190 bpm • F Maj • 04:12 • -7.5db
9% Popularity • 51% Danceability • 85% Energy • 67% Liveness
79% Instrumentalness • 87% Positiveness
► Preview
Lucas Pittman
Le Chat Noir
192 bpm • A# min • 04:08 • -6.08db
20% Popularity • 70% Danceability • 61% Energy • 8% Liveness
90% Instrumentalness • 89% Positiveness
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For The Crowd