Songs like For The Good Times by Tom McBryde
Based on a tempo of (+/- 10%) and a similar genre
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Chemayne
Send in the Clowns
101 bpm • D# Maj • 03:49 • -23.09db
20% Popularity • 35% Danceability • 5% Energy • 11% Liveness
90% Instrumentalness • 11% Positiveness
20% Popularity • 35% Danceability • 5% Energy • 11% Liveness
90% Instrumentalness • 11% Positiveness
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Tom McBryde
For The Good Times
101 bpm • F Maj • 03:11 • -21db
29% Popularity • 50% Danceability • 7% Energy • 13% Liveness
91% Instrumentalness • 29% Positiveness
29% Popularity • 50% Danceability • 7% Energy • 13% Liveness
91% Instrumentalness • 29% Positiveness
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Stacey Hersh
Waltz for Christine
101 bpm • B Maj • 02:11 • -15db
50% Popularity • 22% Danceability • 22% Energy • 13% Liveness
27% Instrumentalness • 29% Positiveness
50% Popularity • 22% Danceability • 22% Energy • 13% Liveness
27% Instrumentalness • 29% Positiveness
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Nicolas de Angelis
Ô Seigneur, je viens vers toi
101 bpm • D Maj • 03:05 • -10.04db
36% Popularity • 67% Danceability • 35% Energy • 12% Liveness
83% Instrumentalness • 57% Positiveness
36% Popularity • 67% Danceability • 35% Energy • 12% Liveness
83% Instrumentalness • 57% Positiveness
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Miguel Nacel
Ramona
101 bpm • D Maj • 01:52 • -13db
36% Popularity • 61% Danceability • 32% Energy • 21% Liveness
44% Instrumentalness • 43% Positiveness
36% Popularity • 61% Danceability • 32% Energy • 21% Liveness
44% Instrumentalness • 43% Positiveness
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Francisco Garcia
Blue Moon
101 bpm • F Maj • 02:52 • -15db
23% Popularity • 54% Danceability • 33% Energy • 16% Liveness
95% Instrumentalness • 38% Positiveness
23% Popularity • 54% Danceability • 33% Energy • 16% Liveness
95% Instrumentalness • 38% Positiveness
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Paul Weston
Poor Butterfly
102 bpm • C# Maj • 03:04 • -16db
42% Popularity • 26% Danceability • 22% Energy • 9% Liveness
92% Instrumentalness • 23% Positiveness
42% Popularity • 26% Danceability • 22% Energy • 9% Liveness
92% Instrumentalness • 23% Positiveness
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Helmut Zacharias
Manha de Carneval
102 bpm • E min • 03:03 • -13.91db
18% Popularity • 33% Danceability • 29% Energy • 10% Liveness
23% Instrumentalness • 20% Positiveness
18% Popularity • 33% Danceability • 29% Energy • 10% Liveness
23% Instrumentalness • 20% Positiveness
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Ferdinand Snow
Bewitched - 2023 Remastered Version
102 bpm • C Maj • 02:37 • -21.61db
26% Popularity • 41% Danceability • 3% Energy • 12% Liveness
91% Instrumentalness • 21% Positiveness
26% Popularity • 41% Danceability • 3% Energy • 12% Liveness
91% Instrumentalness • 21% Positiveness
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Eddie Fernandez Quintet
Noche de Ronda
100 bpm • D Maj • 03:42 • -10.82db
28% Popularity • 70% Danceability • 55% Energy • 10% Liveness
93% Instrumentalness • 43% Positiveness
28% Popularity • 70% Danceability • 55% Energy • 10% Liveness
93% Instrumentalness • 43% Positiveness
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羽田健太郎
恋は水色
102 bpm • G Maj • 02:43 • -11db
32% Popularity • 47% Danceability • 48% Energy • 22% Liveness
92% Instrumentalness • 31% Positiveness
32% Popularity • 47% Danceability • 48% Energy • 22% Liveness
92% Instrumentalness • 31% Positiveness
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Sergio Mella
Hopelessly Devoted To You
102 bpm • D Maj • 03:39 • -9.46db
39% Popularity • 64% Danceability • 46% Energy • 11% Liveness
76% Instrumentalness • 17% Positiveness
39% Popularity • 64% Danceability • 46% Energy • 11% Liveness
76% Instrumentalness • 17% Positiveness
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The Richard Romance Orchestra
All Kinds of Everything
100 bpm • A# Maj • 02:10 • -13db
33% Popularity • 76% Danceability • 31% Energy • 10% Liveness
92% Instrumentalness • 83% Positiveness
33% Popularity • 76% Danceability • 31% Energy • 10% Liveness
92% Instrumentalness • 83% Positiveness
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Alan Alonmoore
Come Prima
100 bpm • C Maj • 02:29 • -10db
38% Popularity • 72% Danceability • 35% Energy • 14% Liveness
66% Instrumentalness • 76% Positiveness
38% Popularity • 72% Danceability • 35% Energy • 14% Liveness
66% Instrumentalness • 76% Positiveness
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Billy Vaughn
Look for a Star
102 bpm • G Maj • 02:16 • -14db
43% Popularity • 37% Danceability • 38% Energy • 28% Liveness
90% Instrumentalness • 52% Positiveness
43% Popularity • 37% Danceability • 38% Energy • 28% Liveness
90% Instrumentalness • 52% Positiveness
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Nicolas de Angelis
Berceuse du Morvan
100 bpm • G Maj • 01:16 • -18.44db
45% Popularity • 56% Danceability • 3% Energy • 10% Liveness
65% Instrumentalness • 33% Positiveness
45% Popularity • 56% Danceability • 3% Energy • 10% Liveness
65% Instrumentalness • 33% Positiveness
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The Gino Marinello Orchestra
Theme from ''A Summerplace''
100 bpm • A# Maj • 02:44 • -14.59db
44% Popularity • 58% Danceability • 26% Energy • 10% Liveness
17% Instrumentalness • 50% Positiveness
44% Popularity • 58% Danceability • 26% Energy • 10% Liveness
17% Instrumentalness • 50% Positiveness
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Christine Brown
Happy Together
100 bpm • D min • 04:04 • -20.58db
27% Popularity • 44% Danceability • 15% Energy • 12% Liveness
89% Instrumentalness • 9% Positiveness
27% Popularity • 44% Danceability • 15% Energy • 12% Liveness
89% Instrumentalness • 9% Positiveness
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Ernesto Cortazar III
Nostalgia
100 bpm • C Maj • 03:52 • -11.62db
33% Popularity • 40% Danceability • 20% Energy • 14% Liveness
91% Instrumentalness • 15% Positiveness
33% Popularity • 40% Danceability • 20% Energy • 14% Liveness
91% Instrumentalness • 15% Positiveness
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Melodías Mágicas
Maria Elena
100 bpm • G min • 02:38 • -14db
51% Popularity • 48% Danceability • 24% Energy • 26% Liveness
87% Instrumentalness • 41% Positiveness
51% Popularity • 48% Danceability • 24% Energy • 26% Liveness
87% Instrumentalness • 41% Positiveness
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Discovey Light Orchestra
Angelica
100 bpm • C Maj • 03:02 • -13db
52% Popularity • 58% Danceability • 35% Energy • 10% Liveness
92% Instrumentalness • 63% Positiveness
52% Popularity • 58% Danceability • 35% Energy • 10% Liveness
92% Instrumentalness • 63% Positiveness
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Miguel Nacel
Siempre En Me Corazon
99 bpm • D# Maj • 01:49 • -14db
36% Popularity • 69% Danceability • 27% Energy • 14% Liveness
83% Instrumentalness • 30% Positiveness
36% Popularity • 69% Danceability • 27% Energy • 14% Liveness
83% Instrumentalness • 30% Positiveness
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Anthony Ventura
Last Waltz
103 bpm • C Maj • 02:04 • -15.49db
42% Popularity • 45% Danceability • 31% Energy • 18% Liveness
84% Instrumentalness • 34% Positiveness
42% Popularity • 45% Danceability • 31% Energy • 18% Liveness
84% Instrumentalness • 34% Positiveness
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Santi Caballero y Su Saxo de Oro
Something Stupid, Instrumental Sax
103 bpm • D Maj • 02:38 • -7.14db
32% Popularity • 52% Danceability • 52% Energy • 12% Liveness
91% Instrumentalness • 50% Positiveness
32% Popularity • 52% Danceability • 52% Energy • 12% Liveness
91% Instrumentalness • 50% Positiveness
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Tom McBryde
Happy Days Are Here Again
99 bpm • C Maj • 02:55 • -22.09db
15% Popularity • 44% Danceability • 6% Energy • 10% Liveness
90% Instrumentalness • 8% Positiveness
15% Popularity • 44% Danceability • 6% Energy • 10% Liveness
90% Instrumentalness • 8% Positiveness
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Jamie Conway
If
103 bpm • A Maj • 02:23 • -21.59db
36% Popularity • 56% Danceability • 7% Energy • 11% Liveness
92% Instrumentalness • 9% Positiveness
36% Popularity • 56% Danceability • 7% Energy • 11% Liveness
92% Instrumentalness • 9% Positiveness
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Sergio Mella
Till There Was You
103 bpm • F Maj • 02:54 • -12.13db
41% Popularity • 64% Danceability • 44% Energy • 9% Liveness
79% Instrumentalness • 50% Positiveness
41% Popularity • 64% Danceability • 44% Energy • 9% Liveness
79% Instrumentalness • 50% Positiveness
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Henry Salomon y su Orquesta
La Playa
103 bpm • D min • 02:43 • -15db
46% Popularity • 67% Danceability • 23% Energy • 10% Liveness
78% Instrumentalness • 73% Positiveness
46% Popularity • 67% Danceability • 23% Energy • 10% Liveness
78% Instrumentalness • 73% Positiveness
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Frank Mills
Plaisir D'Amour
103 bpm • G Maj • 03:30 • -29.23db
24% Popularity • 28% Danceability • 5% Energy • 9% Liveness
91% Instrumentalness • 22% Positiveness
24% Popularity • 28% Danceability • 5% Energy • 9% Liveness
91% Instrumentalness • 22% Positiveness
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The Gino Marinello Orchestra
Guantamanera
98 bpm • D Maj • 03:06 • -11db
42% Popularity • 62% Danceability • 37% Energy • 11% Liveness
1% Instrumentalness • 69% Positiveness
42% Popularity • 62% Danceability • 37% Energy • 11% Liveness
1% Instrumentalness • 69% Positiveness
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Tom McBryde
Second Time Around
99 bpm • C Maj • 03:13 • -19.73db
21% Popularity • 55% Danceability • 7% Energy • 12% Liveness
93% Instrumentalness • 28% Positiveness
21% Popularity • 55% Danceability • 7% Energy • 12% Liveness
93% Instrumentalness • 28% Positiveness
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The Richard Romance Orchestra
Guantanamera
98 bpm • D Maj • 03:08 • -11.47db
26% Popularity • 62% Danceability • 37% Energy • 12% Liveness
1% Instrumentalness • 68% Positiveness
26% Popularity • 62% Danceability • 37% Energy • 12% Liveness
1% Instrumentalness • 68% Positiveness
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Matt Ganim
Moon River (Piano Version)
98 bpm • C Maj • 02:46 • -19.65db
41% Popularity • 57% Danceability • 4% Energy • 12% Liveness
93% Instrumentalness • 28% Positiveness
41% Popularity • 57% Danceability • 4% Energy • 12% Liveness
93% Instrumentalness • 28% Positiveness
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Len Rhodes
And I Love Her (Hard Day's Night)
104 bpm • C# min • 03:00 • -24.02db
15% Popularity • 39% Danceability • 3% Energy • 10% Liveness
93% Instrumentalness • 23% Positiveness
15% Popularity • 39% Danceability • 3% Energy • 10% Liveness
93% Instrumentalness • 23% Positiveness
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Silvard
Forever Yours
98 bpm • D Maj • 04:26 • -14.51db
20% Popularity • 40% Danceability • 23% Energy • 10% Liveness
84% Instrumentalness • 21% Positiveness
20% Popularity • 40% Danceability • 23% Energy • 10% Liveness
84% Instrumentalness • 21% Positiveness
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The Marco Phillipe Orchestra
Leaving On a Jet Plane
98 bpm • D Maj • 02:28 • -17.6db
43% Popularity • 35% Danceability • 15% Energy • 15% Liveness
89% Instrumentalness • 40% Positiveness
43% Popularity • 35% Danceability • 15% Energy • 15% Liveness
89% Instrumentalness • 40% Positiveness
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Rusty Hudelson
Autumn Leaves
98 bpm • A min • 03:33 • -15.87db
12% Popularity • 48% Danceability • 20% Energy • 11% Liveness
93% Instrumentalness • 20% Positiveness
12% Popularity • 48% Danceability • 20% Energy • 11% Liveness
93% Instrumentalness • 20% Positiveness
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Miguel Nacel
Amar y Vivir
98 bpm • C min • 02:47 • -16.47db
30% Popularity • 68% Danceability • 30% Energy • 9% Liveness
65% Instrumentalness • 37% Positiveness
30% Popularity • 68% Danceability • 30% Energy • 9% Liveness
65% Instrumentalness • 37% Positiveness
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Chris Sidwell
Somewhere in Time
104 bpm • E min • 05:06 • -19.71db
26% Popularity • 62% Danceability • 26% Energy • 6% Liveness
91% Instrumentalness • 34% Positiveness
26% Popularity • 62% Danceability • 26% Energy • 6% Liveness
91% Instrumentalness • 34% Positiveness
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Melodías Mágicas
La Sombra de Tu Sonrisa
104 bpm • D min • 02:41 • -17db
45% Popularity • 54% Danceability • 22% Energy • 26% Liveness
81% Instrumentalness • 26% Positiveness
45% Popularity • 54% Danceability • 22% Energy • 26% Liveness
81% Instrumentalness • 26% Positiveness
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Paul Steinway
Strangers in the Night
97 bpm • A min • 03:14 • -15.92db
37% Popularity • 30% Danceability • 28% Energy • 16% Liveness
83% Instrumentalness • 24% Positiveness
37% Popularity • 30% Danceability • 28% Energy • 16% Liveness
83% Instrumentalness • 24% Positiveness
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Francis Pourcel Orchestra
Un Extraño en la Playa
98 bpm • A# Maj • 02:51 • -13.3db
31% Popularity • 35% Danceability • 26% Energy • 12% Liveness
83% Instrumentalness • 30% Positiveness
31% Popularity • 35% Danceability • 26% Energy • 12% Liveness
83% Instrumentalness • 30% Positiveness
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John Troutman
What a Wonderful World
105 bpm • F Maj • 02:14 • -22.85db
27% Popularity • 37% Danceability • 15% Energy • 11% Liveness
93% Instrumentalness • 22% Positiveness
27% Popularity • 37% Danceability • 15% Energy • 11% Liveness
93% Instrumentalness • 22% Positiveness
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Charlie Shaffer
April Love - Love Letters In The Sand
105 bpm • C Maj • 02:38 • -19.17db
28% Popularity • 75% Danceability • 11% Energy • 13% Liveness
91% Instrumentalness • 58% Positiveness
28% Popularity • 75% Danceability • 11% Energy • 13% Liveness
91% Instrumentalness • 58% Positiveness
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Tom McBryde
Somewhere In Time
97 bpm • C Maj • 04:27 • -20.46db
17% Popularity • 40% Danceability • 6% Energy • 11% Liveness
88% Instrumentalness • 18% Positiveness
17% Popularity • 40% Danceability • 6% Energy • 11% Liveness
88% Instrumentalness • 18% Positiveness
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Paco Nula
Something Stupid
105 bpm • E Maj • 03:02 • -10.67db
30% Popularity • 79% Danceability • 57% Energy • 11% Liveness
86% Instrumentalness • 65% Positiveness
30% Popularity • 79% Danceability • 57% Energy • 11% Liveness
86% Instrumentalness • 65% Positiveness
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Nicolas de Angelis
Laisserons-nous à notre table
97 bpm • D Maj • 02:32 • -11.1db
45% Popularity • 68% Danceability • 38% Energy • 10% Liveness
94% Instrumentalness • 41% Positiveness
45% Popularity • 68% Danceability • 38% Energy • 10% Liveness
94% Instrumentalness • 41% Positiveness
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Stephan Schleiner
Raindrops Keep Falling on My Head
105 bpm • D# Maj • 03:09 • -20.26db
37% Popularity • 61% Danceability • 18% Energy • 11% Liveness
96% Instrumentalness • 16% Positiveness
37% Popularity • 61% Danceability • 18% Energy • 11% Liveness
96% Instrumentalness • 16% Positiveness
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Renato Falerni
Quando Quando Quando
97 bpm • G Maj • 02:51 • -15db
21% Popularity • 50% Danceability • 26% Energy • 11% Liveness
93% Instrumentalness • 28% Positiveness
21% Popularity • 50% Danceability • 26% Energy • 11% Liveness
93% Instrumentalness • 28% Positiveness
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Charlie Shaffer
Sentimental Me - A Very Precious Love
105 bpm • C Maj • 02:41 • -19db
32% Popularity • 64% Danceability • 15% Energy • 13% Liveness
85% Instrumentalness • 39% Positiveness
32% Popularity • 64% Danceability • 15% Energy • 13% Liveness
85% Instrumentalness • 39% Positiveness
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John Troutman
Somewhere in Time
97 bpm • C Maj • 03:01 • -21.98db
16% Popularity • 40% Danceability • 10% Energy • 12% Liveness
93% Instrumentalness • 19% Positiveness
16% Popularity • 40% Danceability • 10% Energy • 12% Liveness
93% Instrumentalness • 19% Positiveness
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Tom McBryde
Time In A Bottle
105 bpm • D Maj • 03:49 • -21.94db
12% Popularity • 38% Danceability • 5% Energy • 11% Liveness
93% Instrumentalness • 16% Positiveness
12% Popularity • 38% Danceability • 5% Energy • 11% Liveness
93% Instrumentalness • 16% Positiveness
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Frank Chacksfield
How Was It for You
105 bpm • G# Maj • 03:25 • -14.5db
24% Popularity • 29% Danceability • 34% Energy • 14% Liveness
86% Instrumentalness • 27% Positiveness
24% Popularity • 29% Danceability • 34% Energy • 14% Liveness
86% Instrumentalness • 27% Positiveness
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Nicolas de Angelis
Dans le soleil ou le brouillard
97 bpm • E min • 02:44 • -9.11db
33% Popularity • 74% Danceability • 42% Energy • 11% Liveness
59% Instrumentalness • 46% Positiveness
33% Popularity • 74% Danceability • 42% Energy • 11% Liveness
59% Instrumentalness • 46% Positiveness
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Francisco Garcia
Non Ho L'Ete Per Amarti
106 bpm • A Maj • 03:03 • -19.19db
33% Popularity • 63% Danceability • 27% Energy • 20% Liveness
94% Instrumentalness • 55% Positiveness
33% Popularity • 63% Danceability • 27% Energy • 20% Liveness
94% Instrumentalness • 55% Positiveness
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Denis Solee
Strangers In The Night
97 bpm • F Maj • 03:26 • -17.22db
40% Popularity • 63% Danceability • 20% Energy • 10% Liveness
91% Instrumentalness • 66% Positiveness
40% Popularity • 63% Danceability • 20% Energy • 10% Liveness
91% Instrumentalness • 66% Positiveness
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Living Strings
Faraway Places
96 bpm • A# Maj • 09:02 • -19db
24% Popularity • 14% Danceability • 23% Energy • 39% Liveness
80% Instrumentalness • 8% Positiveness
24% Popularity • 14% Danceability • 23% Energy • 39% Liveness
80% Instrumentalness • 8% Positiveness
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Raul Di Blasio
Orfeo Negro Medley
96 bpm • B min • 04:39 • -18db
29% Popularity • 41% Danceability • 28% Energy • 17% Liveness
84% Instrumentalness • 6% Positiveness
29% Popularity • 41% Danceability • 28% Energy • 17% Liveness
84% Instrumentalness • 6% Positiveness
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Bruno Bertone
How Deep Is Your Love
106 bpm • F min • 03:59 • -8.19db
30% Popularity • 70% Danceability • 53% Energy • 12% Liveness
12% Instrumentalness • 44% Positiveness
30% Popularity • 70% Danceability • 53% Energy • 12% Liveness
12% Instrumentalness • 44% Positiveness
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Stars Magical Orchestra
My All
106 bpm • G min • 04:20 • -16.39db
27% Popularity • 61% Danceability • 33% Energy • 12% Liveness
90% Instrumentalness • 11% Positiveness
27% Popularity • 61% Danceability • 33% Energy • 12% Liveness
90% Instrumentalness • 11% Positiveness
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Francisco Garcia
Una Lacrima Sul Viso
106 bpm • C Maj • 02:21 • -19db
35% Popularity • 63% Danceability • 27% Energy • 22% Liveness
96% Instrumentalness • 56% Positiveness
35% Popularity • 63% Danceability • 27% Energy • 22% Liveness
96% Instrumentalness • 56% Positiveness
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Tom McBryde
A Time For Love
96 bpm • A# Maj • 03:38 • -21.47db
12% Popularity • 36% Danceability • 8% Energy • 11% Liveness
91% Instrumentalness • 16% Positiveness
12% Popularity • 36% Danceability • 8% Energy • 11% Liveness
91% Instrumentalness • 16% Positiveness
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John Troutman
Endless Love (Piano)
96 bpm • A# Maj • 03:15 • -16db
15% Popularity • 54% Danceability • 30% Energy • 13% Liveness
88% Instrumentalness • 15% Positiveness
15% Popularity • 54% Danceability • 30% Energy • 13% Liveness
88% Instrumentalness • 15% Positiveness
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Hagood Hardy
This Is My Beloved
96 bpm • D# Maj • 02:49 • -20.81db
15% Popularity • 20% Danceability • 5% Energy • 11% Liveness
88% Instrumentalness • 6% Positiveness
15% Popularity • 20% Danceability • 5% Energy • 11% Liveness
88% Instrumentalness • 6% Positiveness
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The Marco Phillipe Orchestra
Morning Dew
96 bpm • F min • 03:13 • -14.32db
43% Popularity • 58% Danceability • 15% Energy • 12% Liveness
93% Instrumentalness • 24% Positiveness
43% Popularity • 58% Danceability • 15% Energy • 12% Liveness
93% Instrumentalness • 24% Positiveness
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Jane Leslie
Cherished Times
96 bpm • F# min • 03:08 • -24.68db
42% Popularity • 36% Danceability • 3% Energy • 12% Liveness
91% Instrumentalness • 19% Positiveness
42% Popularity • 36% Danceability • 3% Energy • 12% Liveness
91% Instrumentalness • 19% Positiveness
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The Violin Sisters
Air on a G String
96 bpm • D Maj • 02:17 • -11.16db
36% Popularity • 19% Danceability • 22% Energy • 16% Liveness
7% Instrumentalness • 15% Positiveness
36% Popularity • 19% Danceability • 22% Energy • 16% Liveness
7% Instrumentalness • 15% Positiveness
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Tom McBryde
Every Time You Touch Me
96 bpm • A# Maj • 03:24 • -22.86db
16% Popularity • 37% Danceability • 7% Energy • 9% Liveness
91% Instrumentalness • 13% Positiveness
16% Popularity • 37% Danceability • 7% Energy • 9% Liveness
91% Instrumentalness • 13% Positiveness
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Henry Dubois
Mandy
107 bpm • A# Maj • 02:27 • -10.9db
48% Popularity • 51% Danceability • 51% Energy • 14% Liveness
88% Instrumentalness • 47% Positiveness
48% Popularity • 51% Danceability • 51% Energy • 14% Liveness
88% Instrumentalness • 47% Positiveness
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Sounds Orchestral
Carnival (Manha de Carnaval)
96 bpm • G min • 02:34 • -17.85db
26% Popularity • 44% Danceability • 15% Energy • 35% Liveness
94% Instrumentalness • 32% Positiveness
26% Popularity • 44% Danceability • 15% Energy • 35% Liveness
94% Instrumentalness • 32% Positiveness
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The Gino Marinello Orchestra
Put Your Head On My Shoulder
96 bpm • D# Maj • 02:13 • -13.64db
38% Popularity • 57% Danceability • 33% Energy • 22% Liveness
87% Instrumentalness • 63% Positiveness
38% Popularity • 57% Danceability • 33% Energy • 22% Liveness
87% Instrumentalness • 63% Positiveness
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MauColi
I Left My Heart in San Francisco
107 bpm • C Maj • 02:52 • -15.84db
36% Popularity • 43% Danceability • 6% Energy • 29% Liveness
76% Instrumentalness • 14% Positiveness
36% Popularity • 43% Danceability • 6% Energy • 29% Liveness
76% Instrumentalness • 14% Positiveness
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Steve Hall & Mary Beth Carlson
Tennessee Waltz / Let Me Call You Sweeth...
107 bpm • C Maj • 03:16 • -21db
22% Popularity • 48% Danceability • 11% Energy • 10% Liveness
90% Instrumentalness • 9% Positiveness
22% Popularity • 48% Danceability • 11% Energy • 10% Liveness
90% Instrumentalness • 9% Positiveness
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Tom McBryde
Time After Time
107 bpm • A min • 02:48 • -18.85db
20% Popularity • 50% Danceability • 6% Energy • 8% Liveness
90% Instrumentalness • 32% Positiveness
20% Popularity • 50% Danceability • 6% Energy • 8% Liveness
90% Instrumentalness • 32% Positiveness
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Jeff Steinberg
Innamorata
95 bpm • F Maj • 03:14 • -13.85db
34% Popularity • 42% Danceability • 22% Energy • 10% Liveness
46% Instrumentalness • 25% Positiveness
34% Popularity • 42% Danceability • 22% Energy • 10% Liveness
46% Instrumentalness • 25% Positiveness
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Melodías Mágicas
Mañana de Carnaval
107 bpm • G min • 02:50 • -15db
45% Popularity • 64% Danceability • 21% Energy • 6% Liveness
76% Instrumentalness • 36% Positiveness
45% Popularity • 64% Danceability • 21% Energy • 6% Liveness
76% Instrumentalness • 36% Positiveness
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The Gino Marinello Orchestra
Love Is Blue (L'amour est bleu)
107 bpm • A Maj • 02:31 • -13.21db
32% Popularity • 60% Danceability • 32% Energy • 16% Liveness
91% Instrumentalness • 50% Positiveness
32% Popularity • 60% Danceability • 32% Energy • 16% Liveness
91% Instrumentalness • 50% Positiveness
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Hagood Hardy
Friends In This World
107 bpm • A# Maj • 03:25 • -17.72db
17% Popularity • 36% Danceability • 17% Energy • 14% Liveness
88% Instrumentalness • 9% Positiveness
17% Popularity • 36% Danceability • 17% Energy • 14% Liveness
88% Instrumentalness • 9% Positiveness
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Ronny Matthes
Habanera aus Carmen - Piano Lounge Mix
95 bpm • D min • 05:32 • -17.59db
14% Popularity • 75% Danceability • 24% Energy • 4% Liveness
55% Instrumentalness • 53% Positiveness
14% Popularity • 75% Danceability • 24% Energy • 4% Liveness
55% Instrumentalness • 53% Positiveness
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Miguel Nacel
Mas
95 bpm • C Maj • 01:54 • -8.06db
28% Popularity • 54% Danceability • 53% Energy • 26% Liveness
25% Instrumentalness • 25% Positiveness
28% Popularity • 54% Danceability • 53% Energy • 26% Liveness
25% Instrumentalness • 25% Positiveness
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Jeff Steinberg
O Mio Babbino Caro
95 bpm • D Maj • 03:53 • -15.26db
33% Popularity • 42% Danceability • 25% Energy • 9% Liveness
78% Instrumentalness • 19% Positiveness
33% Popularity • 42% Danceability • 25% Energy • 9% Liveness
78% Instrumentalness • 19% Positiveness
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Attila Fias
More Than Words - Piano Instrumental
108 bpm • G Maj • 04:11 • -15db
36% Popularity • 54% Danceability • 27% Energy • 12% Liveness
88% Instrumentalness • 24% Positiveness
36% Popularity • 54% Danceability • 27% Energy • 12% Liveness
88% Instrumentalness • 24% Positiveness
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Charlie Shaffer
You'll Never Know - It Might As Well Be ...
95 bpm • D# Maj • 03:26 • -17db
22% Popularity • 60% Danceability • 19% Energy • 13% Liveness
84% Instrumentalness • 45% Positiveness
22% Popularity • 60% Danceability • 19% Energy • 13% Liveness
84% Instrumentalness • 45% Positiveness
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Alfred Hause
Mattinata
95 bpm • C Maj • 03:48 • -12db
35% Popularity • 18% Danceability • 36% Energy • 7% Liveness
70% Instrumentalness • 9% Positiveness
35% Popularity • 18% Danceability • 36% Energy • 7% Liveness
70% Instrumentalness • 9% Positiveness
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Christopher West
My Way
108 bpm • C Maj • 03:07 • -18.59db
29% Popularity • 40% Danceability • 15% Energy • 11% Liveness
90% Instrumentalness • 10% Positiveness
29% Popularity • 40% Danceability • 15% Energy • 11% Liveness
90% Instrumentalness • 10% Positiveness
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Paco Nula
You'Ve Got a Friend
95 bpm • D Maj • 04:16 • -9.78db
32% Popularity • 80% Danceability • 49% Energy • 19% Liveness
84% Instrumentalness • 62% Positiveness
32% Popularity • 80% Danceability • 49% Energy • 19% Liveness
84% Instrumentalness • 62% Positiveness
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Jeff Steinberg
I Have But One Heart
95 bpm • C Maj • 04:29 • -15.81db
34% Popularity • 57% Danceability • 17% Energy • 20% Liveness
62% Instrumentalness • 26% Positiveness
34% Popularity • 57% Danceability • 17% Energy • 20% Liveness
62% Instrumentalness • 26% Positiveness
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Tom McBryde
You Don't Bring Me Flowers
94 bpm • C Maj • 03:53 • -23.55db
12% Popularity • 39% Danceability • 4% Energy • 11% Liveness
87% Instrumentalness • 18% Positiveness
12% Popularity • 39% Danceability • 4% Energy • 11% Liveness
87% Instrumentalness • 18% Positiveness
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Luis Siu Riveron
Estrellita - Instrumental
108 bpm • C Maj • 02:33 • -14.71db
38% Popularity • 63% Danceability • 42% Energy • 12% Liveness
89% Instrumentalness • 87% Positiveness
38% Popularity • 63% Danceability • 42% Energy • 12% Liveness
89% Instrumentalness • 87% Positiveness
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Willy Cruz
It Might Be You
108 bpm • G# Maj • 03:48 • -24.56db
30% Popularity • 42% Danceability • 6% Energy • 15% Liveness
87% Instrumentalness • 12% Positiveness
30% Popularity • 42% Danceability • 6% Energy • 15% Liveness
87% Instrumentalness • 12% Positiveness
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Frank Davis Orchestra
Cheek to Cheek
108 bpm • C Maj • 03:11 • -8.69db
12% Popularity • 58% Danceability • 54% Energy • 9% Liveness
65% Instrumentalness • 23% Positiveness
12% Popularity • 58% Danceability • 54% Energy • 9% Liveness
65% Instrumentalness • 23% Positiveness
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Miguel Nacel
Cerezo Rosa (Inolvidable Primavera)
108 bpm • C Maj • 01:39 • -12db
41% Popularity • 76% Danceability • 37% Energy • 22% Liveness
87% Instrumentalness • 41% Positiveness
41% Popularity • 76% Danceability • 37% Energy • 22% Liveness
87% Instrumentalness • 41% Positiveness
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Jeff Steinberg
More
108 bpm • C# Maj • 04:16 • -16.12db
23% Popularity • 68% Danceability • 33% Energy • 10% Liveness
86% Instrumentalness • 50% Positiveness
23% Popularity • 68% Danceability • 33% Energy • 10% Liveness
86% Instrumentalness • 50% Positiveness
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Pierre Charlon
Monalisa
108 bpm • G Maj • 02:47 • -16.2db
43% Popularity • 53% Danceability • 22% Energy • 9% Liveness
62% Instrumentalness • 55% Positiveness
43% Popularity • 53% Danceability • 22% Energy • 9% Liveness
62% Instrumentalness • 55% Positiveness
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MauColi
Como Fue
94 bpm • C Maj • 02:58 • -9.99db
27% Popularity • 42% Danceability • 28% Energy • 10% Liveness
88% Instrumentalness • 19% Positiveness
27% Popularity • 42% Danceability • 28% Energy • 10% Liveness
88% Instrumentalness • 19% Positiveness
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Willy Cruz
Forevermore
94 bpm • F Maj • 04:14 • -18.54db
30% Popularity • 45% Danceability • 19% Energy • 12% Liveness
85% Instrumentalness • 20% Positiveness
30% Popularity • 45% Danceability • 19% Energy • 12% Liveness
85% Instrumentalness • 20% Positiveness
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Hagood Hardy
The Homecoming/Jennifer's Song
94 bpm • C Maj • 05:00 • -24.12db
30% Popularity • 24% Danceability • 5% Energy • 16% Liveness
85% Instrumentalness • 14% Positiveness
30% Popularity • 24% Danceability • 5% Energy • 16% Liveness
85% Instrumentalness • 14% Positiveness
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Jane Leslie
Southampton Sunset
109 bpm • D# Maj • 03:24 • -24db
41% Popularity • 47% Danceability • 2% Energy • 14% Liveness
92% Instrumentalness • 12% Positiveness
41% Popularity • 47% Danceability • 2% Energy • 14% Liveness
92% Instrumentalness • 12% Positiveness
