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For The Love Of A Princess
Songs like
For The Love Of A Princess
by
James Horner
Based on a tempo of (+/- 10%) and a similar genre
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Marc Streitenfeld
Life
69 bpm • E Maj • 02:30 • -20.33db
47% Popularity • 11% Danceability • 12% Energy • 10% Liveness
92% Instrumentalness • 3% Positiveness
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James Horner
For The Love Of A Princess
69 bpm • A min • 04:07 • -25.77db
59% Popularity • 19% Danceability • 6% Energy • 12% Liveness
92% Instrumentalness • 4% Positiveness
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John Powell
Stoick's Ship
69 bpm • G min • 03:47 • -21.18db
46% Popularity • 14% Danceability • 7% Energy • 6% Liveness
97% Instrumentalness • 4% Positiveness
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Jan A.P. Kaczmarek
The Hope
70 bpm • D min • 03:43 • -19.46db
22% Popularity • 23% Danceability • 16% Energy • 11% Liveness
95% Instrumentalness • 4% Positiveness
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Rob Lane
Gwen & Arthur
68 bpm • D# min • 00:55 • -25db
52% Popularity • 15% Danceability • 4% Energy • 11% Liveness
85% Instrumentalness • 4% Positiveness
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William Ross
Lonely Roscuro
68 bpm • A min • 01:15 • -36db
54% Popularity • 21% Danceability • 1% Energy • 8% Liveness
77% Instrumentalness • 4% Positiveness
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Hans Zimmer
Honor Him
68 bpm • F# min • 01:19 • -24db
65% Popularity • 19% Danceability • 11% Energy • 12% Liveness
89% Instrumentalness • 4% Positiveness
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Brian Tyler
Thor: The Dark World
68 bpm • A# Maj • 02:10 • -9.67db
48% Popularity • 32% Danceability • 71% Energy • 19% Liveness
96% Instrumentalness • 24% Positiveness
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Harry Gregson-Williams
Crossing Mars
70 bpm • C min • 03:36 • -18.67db
44% Popularity • 6% Danceability • 7% Energy • 11% Liveness
97% Instrumentalness • 4% Positiveness
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Jan A.P. Kaczmarek
The Kite - Finding Neverland/Soundtrack ...
68 bpm • C Maj • 01:37 • -16.92db
39% Popularity • 29% Danceability • 12% Energy • 7% Liveness
74% Instrumentalness • 7% Positiveness
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Ramin Djawadi
Home
68 bpm • C Maj • 02:30 • -16db
49% Popularity • 11% Danceability • 18% Energy • 6% Liveness
94% Instrumentalness • 4% Positiveness
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James Horner
Rooftop Kiss
70 bpm • G Maj • 02:34 • -36.28db
49% Popularity • 8% Danceability • 1% Energy • 8% Liveness
91% Instrumentalness • 4% Positiveness
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Ennio Morricone
The Mission: Gabriel's Oboe
70 bpm • D Maj • 03:12 • -13.91db
56% Popularity • 16% Danceability • 26% Energy • 13% Liveness
90% Instrumentalness • 5% Positiveness
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Dario Marianelli
My Edward and I
68 bpm • F Maj • 03:53 • -24.67db
41% Popularity • 9% Danceability • 6% Energy • 9% Liveness
40% Instrumentalness • 4% Positiveness
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Edward Elgar
Elgar: Variations on an Original Theme, ...
70 bpm • D# Maj • 03:54 • -18.17db
49% Popularity • 6% Danceability • 15% Energy • 11% Liveness
82% Instrumentalness • 4% Positiveness
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Michael Kamen
Winters On Subway - Instrumental
71 bpm • G Maj • 01:54 • -36db
29% Popularity • 16% Danceability • 0% Energy • 8% Liveness
93% Instrumentalness • 13% Positiveness
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Jan A.P. Kaczmarek
Geppetto Creates
71 bpm • C Maj • 01:17 • -26db
49% Popularity • 24% Danceability • 7% Energy • 12% Liveness
19% Instrumentalness • 9% Positiveness
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Aram Khachaturian
Masquerade (Suite): 1. Waltz - Excerpt
67 bpm • C Maj • 02:10 • -15.13db
48% Popularity • 17% Danceability • 29% Energy • 64% Liveness
92% Instrumentalness • 33% Positiveness
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James Horner
Becoming one of "The People" Becoming on...
71 bpm • C# Maj • 07:43 • -26.31db
56% Popularity • 10% Danceability • 9% Energy • 7% Liveness
85% Instrumentalness • 4% Positiveness
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Secret Garden
Song From A Secret Garden
67 bpm • C min • 03:34 • -10.87db
59% Popularity • 23% Danceability • 30% Energy • 16% Liveness
88% Instrumentalness • 9% Positiveness
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Marc Streitenfeld
The Legend Begins
67 bpm • F Maj • 01:27 • -17.96db
61% Popularity • 24% Danceability • 23% Energy • 24% Liveness
97% Instrumentalness • 3% Positiveness
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Jerry Goldsmith
Theme From Rudy
71 bpm • A Maj • 04:56 • -26.14db
17% Popularity • 16% Danceability • 4% Energy • 9% Liveness
94% Instrumentalness • 5% Positiveness
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Jan A.P. Kaczmarek
The Chess - Finding Neverland/Soundtrack...
67 bpm • A min • 01:07 • -16.29db
36% Popularity • 18% Danceability • 13% Energy • 11% Liveness
93% Instrumentalness • 5% Positiveness
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BBC Scottish Symphony Orchestra
Scotland
67 bpm • A min • 02:12 • -15db
51% Popularity • 12% Danceability • 40% Energy • 20% Liveness
94% Instrumentalness • 4% Positiveness
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Anne Dudley
The Blue Dress
67 bpm • D# Maj • 02:03 • -17.36db
27% Popularity • 17% Danceability • 23% Energy • 8% Liveness
75% Instrumentalness • 4% Positiveness
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London Symphony Orchestra
Finale
72 bpm • A Maj • 03:30 • -17.34db
29% Popularity • 14% Danceability • 16% Energy • 9% Liveness
93% Instrumentalness • 6% Positiveness
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Bear McCreary
People Disappear All the Time
72 bpm • G Maj • 03:32 • -19db
49% Popularity • 22% Danceability • 17% Energy • 15% Liveness
78% Instrumentalness • 4% Positiveness
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Michael Giacchino
Jyn Erso & Hope Suite
72 bpm • G Maj • 05:51 • -17.03db
43% Popularity • 13% Danceability • 12% Energy • 33% Liveness
92% Instrumentalness • 4% Positiveness
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Marc Streitenfeld
The Final Arrow
66 bpm • F min • 02:29 • -17.15db
46% Popularity • 18% Danceability • 12% Energy • 10% Liveness
81% Instrumentalness • 6% Positiveness
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Mychael Danna
Which Story do you Prefer?
72 bpm • D Maj • 02:05 • -22db
37% Popularity • 22% Danceability • 4% Energy • 6% Liveness
88% Instrumentalness • 4% Positiveness
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Anne Dudley
I Stopped Lying
66 bpm • F min • 01:29 • -22.58db
33% Popularity • 17% Danceability • 8% Energy • 10% Liveness
92% Instrumentalness • 4% Positiveness
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Michael Kamen
Boy Eats Chocolate - Instrumental
72 bpm • C Maj • 01:16 • -24.15db
31% Popularity • 27% Danceability • 1% Energy • 12% Liveness
90% Instrumentalness • 4% Positiveness
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Charlotte Church
All Love Can Be
72 bpm • F# min • 03:17 • -22db
36% Popularity • 19% Danceability • 5% Energy • 9% Liveness
7% Instrumentalness • 7% Positiveness
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James Horner
An Ocean of Memories
66 bpm • A min • 07:58 • -28db
33% Popularity • 6% Danceability • 4% Energy • 30% Liveness
77% Instrumentalness • 4% Positiveness
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Craig Armstrong
Me Before You Orchestral
73 bpm • C Maj • 07:13 • -16db
46% Popularity • 26% Danceability • 14% Energy • 12% Liveness
90% Instrumentalness • 4% Positiveness
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Mark McKenzie
Goodbye My Friend
65 bpm • D Maj • 02:34 • -23.19db
39% Popularity • 19% Danceability • 15% Energy • 11% Liveness
78% Instrumentalness • 3% Positiveness
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Bear McCreary
The Key to Lallybroch
74 bpm • D Maj • 07:09 • -23.05db
31% Popularity • 7% Danceability • 6% Energy • 8% Liveness
90% Instrumentalness • 3% Positiveness
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Jan A.P. Kaczmarek
Unfaithful
65 bpm • D min • 02:34 • -14db
38% Popularity • 14% Danceability • 20% Energy • 11% Liveness
64% Instrumentalness • 9% Positiveness
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Vangelis
Conquest of Paradise
74 bpm • D Maj • 04:38 • -14.26db
62% Popularity • 43% Danceability • 30% Energy • 23% Liveness
57% Instrumentalness • 16% Positiveness
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James Horner
The Ludlows
73 bpm • G Maj • 05:40 • -28db
54% Popularity • 16% Danceability • 2% Energy • 10% Liveness
85% Instrumentalness • 5% Positiveness
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Craig Armstrong
Oak Leaves
73 bpm • D min • 01:10 • -19.74db
46% Popularity • 18% Danceability • 8% Energy • 10% Liveness
87% Instrumentalness • 8% Positiveness
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Mark McKenzie
Dragon Heaven
73 bpm • C Maj • 01:21 • -32.67db
45% Popularity • 14% Danceability • 3% Energy • 11% Liveness
70% Instrumentalness • 4% Positiveness
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Nicholas Hooper
The Friends
74 bpm • C Maj • 02:00 • -26.45db
48% Popularity • 21% Danceability • 7% Energy • 11% Liveness
79% Instrumentalness • 4% Positiveness
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Stephen Warbeck
A Nation Died
64 bpm • D min • 01:42 • -17.8db
50% Popularity • 18% Danceability • 13% Energy • 12% Liveness
77% Instrumentalness • 5% Positiveness
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Harry Gregson-Williams
From Western Woods to Beaversdam
75 bpm • F min • 03:34 • -23.76db
43% Popularity • 9% Danceability • 10% Energy • 9% Liveness
94% Instrumentalness • 4% Positiveness
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James Horner
The Princess Pleads For Wallace's Life
73 bpm • C Maj • 03:37 • -38.85db
41% Popularity • 17% Danceability • 2% Energy • 10% Liveness
92% Instrumentalness • 8% Positiveness
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Craig Armstrong
Your Song
64 bpm • C Maj • 02:28 • -16db
39% Popularity • 24% Danceability • 15% Energy • 16% Liveness
82% Instrumentalness • 6% Positiveness
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Mark McKenzie
Keep Looking Up
64 bpm • F Maj • 02:29 • -26db
41% Popularity • 8% Danceability • 4% Energy • 10% Liveness
97% Instrumentalness • 4% Positiveness
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Pyotr Ilyich Tchaikovsky
Tchaikovsky: Swan Lake, Op. 20, Act 1: I...
75 bpm • D Maj • 05:44 • -16.18db
49% Popularity • 33% Danceability • 30% Energy • 10% Liveness
90% Instrumentalness • 6% Positiveness
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David Arnold
Vesper
64 bpm • A min • 01:44 • -23.64db
52% Popularity • 24% Danceability • 5% Energy • 7% Liveness
91% Instrumentalness • 7% Positiveness
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Alexis Ffrench
Bluebird
75 bpm • A# Maj • 03:24 • -20.61db
60% Popularity • 45% Danceability • 11% Energy • 10% Liveness
90% Instrumentalness • 8% Positiveness
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James Horner
Never an Absolution
64 bpm • D Maj • 03:02 • -29.57db
48% Popularity • 14% Danceability • 3% Energy • 23% Liveness
79% Instrumentalness • 4% Positiveness
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Trevor Rabin
Theme from "Armageddon"
75 bpm • A min • 03:08 • -11db
34% Popularity • 19% Danceability • 54% Energy • 10% Liveness
90% Instrumentalness • 18% Positiveness
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Craig Armstrong
Corn Exchange
74 bpm • G Maj • 01:26 • -18.43db
44% Popularity • 9% Danceability • 13% Energy • 7% Liveness
82% Instrumentalness • 8% Positiveness
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Harry Gregson-Williams
To Aslan's Camp
64 bpm • D Maj • 03:12 • -15.59db
46% Popularity • 7% Danceability • 21% Energy • 14% Liveness
64% Instrumentalness • 4% Positiveness
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London Symphony Orchestra
Run
75 bpm • G# Maj • 05:25 • -15.89db
12% Popularity • 22% Danceability • 27% Energy • 10% Liveness
75% Instrumentalness • 7% Positiveness
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Jerry Goldsmith
Imhotep
63 bpm • G# Maj • 04:16 • -21.58db
36% Popularity • 6% Danceability • 15% Energy • 9% Liveness
80% Instrumentalness • 4% Positiveness
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James Horner
The Changing Seasons, Wild Horses, Trist...
63 bpm • A# Maj • 05:11 • -21.57db
28% Popularity • 6% Danceability • 8% Energy • 8% Liveness
53% Instrumentalness • 3% Positiveness
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Ludwig van Beethoven
Symphony No. 7 in A, Op. 92: 2. Allegret...
63 bpm • E min • 08:29 • -19.94db
35% Popularity • 18% Danceability • 6% Energy • 14% Liveness
62% Instrumentalness • 7% Positiveness
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Craig Armstrong
Journey To Dignitas
64 bpm • C min • 01:40 • -22.72db
44% Popularity • 29% Danceability • 6% Energy • 9% Liveness
1% Instrumentalness • 10% Positiveness
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John Williams
The Flight To Neverland
75 bpm • C Maj • 04:56 • -14.26db
44% Popularity • 14% Danceability • 37% Energy • 7% Liveness
90% Instrumentalness • 40% Positiveness
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Tyler Bates
Goodbye My Love
63 bpm • D min • 03:21 • -16.16db
39% Popularity • 22% Danceability • 15% Energy • 10% Liveness
64% Instrumentalness • 3% Positiveness
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Mychael Danna
Tsimtsum
63 bpm • F# min • 02:49 • -20.38db
52% Popularity • 17% Danceability • 13% Energy • 10% Liveness
96% Instrumentalness • 3% Positiveness
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James Horner
Return To The Wild
63 bpm • F Maj • 09:47 • -20.51db
11% Popularity • 6% Danceability • 8% Energy • 12% Liveness
92% Instrumentalness • 3% Positiveness
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Royal Philharmonic Orchestra
King Arthur: Tell Me Now (What You See)
76 bpm • C Maj • 04:32 • -16.24db
19% Popularity • 16% Danceability • 22% Energy • 11% Liveness
82% Instrumentalness • 4% Positiveness
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Craig Armstrong
Time Moves On
75 bpm • A Maj • 01:08 • -20.72db
42% Popularity • 21% Danceability • 16% Energy • 10% Liveness
91% Instrumentalness • 4% Positiveness
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Howard Shore
A Lord of the Rings Suite
76 bpm • D Maj • 06:44 • -21.6db
23% Popularity • 24% Danceability • 9% Energy • 10% Liveness
95% Instrumentalness • 5% Positiveness
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Ennio Morricone
La Califfa
62 bpm • D Maj • 02:37 • -13db
48% Popularity • 10% Danceability • 21% Energy • 11% Liveness
95% Instrumentalness • 14% Positiveness
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Clint Mansell
Together We Will Live Forever
76 bpm • G min • 05:01 • -25.5db
49% Popularity • 48% Danceability • 2% Energy • 9% Liveness
93% Instrumentalness • 20% Positiveness
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James Horner
Casper: Casper's Lullaby
76 bpm • E min • 05:55 • -23.09db
37% Popularity • 10% Danceability • 7% Energy • 12% Liveness
95% Instrumentalness • 4% Positiveness
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Dario Marianelli
Awaken
77 bpm • C min • 04:25 • -18db
44% Popularity • 17% Danceability • 4% Energy • 9% Liveness
91% Instrumentalness • 4% Positiveness
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Craig Armstrong
Croissants In France
76 bpm • C Maj • 01:07 • -23.13db
55% Popularity • 22% Danceability • 7% Energy • 11% Liveness
95% Instrumentalness • 23% Positiveness
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Max Richter
I will not forget you
77 bpm • C Maj • 03:55 • -16.68db
42% Popularity • 15% Danceability • 11% Energy • 9% Liveness
6% Instrumentalness • 3% Positiveness
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Ennio Morricone
The Mission
77 bpm • G Maj • 02:49 • -23.18db
52% Popularity • 23% Danceability • 9% Energy • 7% Liveness
87% Instrumentalness • 4% Positiveness
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Thomas Newman
American Beauty
77 bpm • G min • 03:06 • -31.96db
62% Popularity • 21% Danceability • 1% Energy • 9% Liveness
96% Instrumentalness • 5% Positiveness
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James Horner
End Credits
62 bpm • G Maj • 07:15 • -25.99db
43% Popularity • 17% Danceability • 3% Energy • 42% Liveness
85% Instrumentalness • 4% Positiveness
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Czech Philharmonic
Wonderful Days Theme II - 오케스트�...
77 bpm • D min • 03:18 • -16.03db
30% Popularity • 18% Danceability • 12% Energy • 24% Liveness
29% Instrumentalness • 13% Positiveness
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John Debney
Resurrection
77 bpm • A# Maj • 05:04 • -19.3db
40% Popularity • 7% Danceability • 26% Energy • 11% Liveness
91% Instrumentalness • 4% Positiveness
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Geoff Zanelli
Storybook
77 bpm • A min • 01:22 • -20.87db
51% Popularity • 44% Danceability • 12% Energy • 9% Liveness
92% Instrumentalness • 37% Positiveness
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John Williams
Flying Theme
77 bpm • C Maj • 03:40 • -20db
33% Popularity • 19% Danceability • 18% Energy • 15% Liveness
78% Instrumentalness • 7% Positiveness
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Thomas Newman
The Night Window
77 bpm • A# Maj • 03:41 • -20.65db
45% Popularity • 18% Danceability • 10% Energy • 10% Liveness
2% Instrumentalness • 3% Positiveness
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Bear McCreary
As Long as We Both Shall Live
77 bpm • G Maj • 07:45 • -18.08db
30% Popularity • 10% Danceability • 13% Energy • 7% Liveness
84% Instrumentalness • 4% Positiveness
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James Horner
Braveheart: End Credits
62 bpm • G Maj • 07:42 • -25.34db
19% Popularity • 6% Danceability • 4% Energy • 7% Liveness
95% Instrumentalness • 4% Positiveness
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Mychael Danna
Leaving India
61 bpm • G Maj • 01:20 • -27.55db
41% Popularity • 9% Danceability • 4% Energy • 12% Liveness
98% Instrumentalness • 4% Positiveness
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Nicholas Hooper
A Journey to Hogwarts
78 bpm • A min • 02:52 • -22db
48% Popularity • 9% Danceability • 14% Energy • 36% Liveness
93% Instrumentalness • 3% Positiveness
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Ennio Morricone
Gabriel's Oboe
61 bpm • D Maj • 02:14 • -17.2db
61% Popularity • 23% Danceability • 20% Energy • 8% Liveness
91% Instrumentalness • 7% Positiveness
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Thomas Newman
Danger of Hell
78 bpm • C min • 02:27 • -36.61db
46% Popularity • 20% Danceability • 1% Energy • 7% Liveness
81% Instrumentalness • 4% Positiveness
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Guy Farley
The Hat First
78 bpm • D min • 02:30 • -25.57db
30% Popularity • 35% Danceability • 3% Energy • 10% Liveness
95% Instrumentalness • 4% Positiveness
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James Horner
The Legend Spreads
78 bpm • G Maj • 01:09 • -17.64db
41% Popularity • 20% Danceability • 43% Energy • 11% Liveness
37% Instrumentalness • 16% Positiveness
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Marc Streitenfeld
Walter's Burial
78 bpm • G min • 03:04 • -22db
48% Popularity • 7% Danceability • 6% Energy • 11% Liveness
94% Instrumentalness • 3% Positiveness
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Roque Baños
The White Whale Chant
78 bpm • G# Maj • 04:38 • -16.13db
35% Popularity • 7% Danceability • 17% Energy • 11% Liveness
34% Instrumentalness • 4% Positiveness
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Joe Hisaishi
One Summer's Day
78 bpm • C Maj • 04:03 • -26.93db
47% Popularity • 31% Danceability • 6% Energy • 28% Liveness
88% Instrumentalness • 4% Positiveness
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Thomas Newman
Any Other Name
78 bpm • G min • 04:06 • -33.19db
57% Popularity • 30% Danceability • 1% Energy • 10% Liveness
96% Instrumentalness • 4% Positiveness
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Guy Farley
Wake of Death - Reunited
61 bpm • C min • 02:34 • -17db
45% Popularity • 14% Danceability • 14% Energy • 17% Liveness
97% Instrumentalness • 10% Positiveness
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James Horner
The Ludlows
78 bpm • G Maj • 06:22 • -23.1db
22% Popularity • 7% Danceability • 5% Energy • 12% Liveness
71% Instrumentalness • 4% Positiveness
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Bear McCreary
The New Fraser's Ridge
78 bpm • A Maj • 02:57 • -17.71db
33% Popularity • 9% Danceability • 15% Energy • 8% Liveness
84% Instrumentalness • 7% Positiveness
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Ramin Djawadi
The Night King
61 bpm • A# Maj • 08:50 • -16.34db
55% Popularity • 18% Danceability • 7% Energy • 11% Liveness
89% Instrumentalness • 4% Positiveness
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Klaus Badelt
Sorrow
78 bpm • G# Maj • 01:26 • -23.41db
48% Popularity • 17% Danceability • 14% Energy • 12% Liveness
93% Instrumentalness • 4% Positiveness
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Ennio Morricone
Once upon a time in America (Deborah's T...
78 bpm • E Maj • 04:11 • -23db
50% Popularity • 7% Danceability • 5% Energy • 9% Liveness
91% Instrumentalness • 3% Positiveness
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Craig Armstrong
The Lake Scene
79 bpm • C Maj • 01:35 • -18db
46% Popularity • 17% Danceability • 8% Energy • 33% Liveness
96% Instrumentalness • 8% Positiveness
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For The Love Of A Princess