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For the Love of a Woman
Songs like
For the Love of a Woman
by
John Primer
Based on a tempo of (+/- 10%) and a similar genre
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Matt "Guitar" Murphy
Blue Walls
204 bpm • C Maj • 06:12 • -10.8db
19% Popularity • 33% Danceability • 64% Energy • 24% Liveness
58% Instrumentalness • 54% Positiveness
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Bob Margolin
Blues Lover
204 bpm • G Maj • 04:53 • -12.97db
18% Popularity • 36% Danceability • 40% Energy • 27% Liveness
9% Instrumentalness • 76% Positiveness
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Eddie Cotton
No Crime No Time
206 bpm • D Maj • 05:39 • -8.27db
11% Popularity • 57% Danceability • 52% Energy • 4% Liveness
3% Instrumentalness • 55% Positiveness
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Angela Strehli
It Hurts Me, Too
202 bpm • D Maj • 02:57 • -12.99db
22% Popularity • 16% Danceability • 57% Energy • 39% Liveness
0% Instrumentalness • 48% Positiveness
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Todd A Curry
Drunk man blues by T Curry
208 bpm • G Maj • 04:20 • -8.45db
16% Popularity • 32% Danceability • 56% Energy • 15% Liveness
1% Instrumentalness • 41% Positiveness
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Paolo Mizzau & the Doctor Love Band
Bluesno
200 bpm • D Maj • 04:00 • -7.35db
3% Popularity • 29% Danceability • 79% Energy • 10% Liveness
8% Instrumentalness • 73% Positiveness
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John Primer
Feel Like Going Home
201 bpm • C Maj • 06:48 • -2.7db
8% Popularity • 36% Danceability • 74% Energy • 25% Liveness
2% Instrumentalness • 57% Positiveness
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Mick Kolassa
Leavin Trunk
200 bpm • C Maj • 03:56 • -6.43db
18% Popularity • 46% Danceability • 82% Energy • 7% Liveness
50% Instrumentalness • 86% Positiveness
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Bob Margolin
Down in the Alley
199 bpm • C Maj • 06:00 • -8.74db
2% Popularity • 38% Danceability • 47% Energy • 4% Liveness
1% Instrumentalness • 53% Positiveness
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Little Charlie & The Nightcats
Don't Boss Me
198 bpm • C# min • 02:08 • -11.56db
26% Popularity • 45% Danceability • 70% Energy • 14% Liveness
3% Instrumentalness • 94% Positiveness
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Altered Five Blues Band
Leave Before I Let You Down
197 bpm • C Maj • 04:21 • -4.6db
11% Popularity • 35% Danceability • 74% Energy • 26% Liveness
0% Instrumentalness • 35% Positiveness
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Mississippi Heat
Heartbroken
196 bpm • D Maj • 05:43 • -5.38db
14% Popularity • 34% Danceability • 76% Energy • 7% Liveness
1% Instrumentalness • 73% Positiveness
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Bill Reid and the Fewer Sorrows Band
Dig the Bottom Out
191 bpm • A Maj • 04:39 • -8.71db
8% Popularity • 50% Danceability • 41% Energy • 35% Liveness
2% Instrumentalness • 46% Positiveness
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A.C. Reed
Fast Food Annie
190 bpm • G Maj • 04:26 • -7.26db
12% Popularity • 56% Danceability • 90% Energy • 14% Liveness
0% Instrumentalness • 69% Positiveness
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Long John Hunter
Crazy Love
188 bpm • F Maj • 05:41 • -12.48db
28% Popularity • 47% Danceability • 40% Energy • 17% Liveness
1% Instrumentalness • 41% Positiveness
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Little Charlie & The Nightcats
Percolatin'
190 bpm • F Maj • 04:18 • -5.18db
20% Popularity • 45% Danceability • 89% Energy • 29% Liveness
75% Instrumentalness • 78% Positiveness
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The Kentucky Headhunters
Meet Me In Bluesland
188 bpm • F Maj • 05:44 • -6.32db
15% Popularity • 38% Danceability • 68% Energy • 9% Liveness
3% Instrumentalness • 42% Positiveness
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Mississippi Heat
Blues for George Baze
186 bpm • F min • 04:18 • -4db
8% Popularity • 42% Danceability • 87% Energy • 32% Liveness
21% Instrumentalness • 79% Positiveness
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Billy Branch
Blue And Lonesome
185 bpm • D min • 04:11 • -8.55db
18% Popularity • 30% Danceability • 52% Energy • 11% Liveness
11% Instrumentalness • 64% Positiveness
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Eddy Clearwater
Gotta Move On
186 bpm • G# Maj • 04:40 • -4db
29% Popularity • 31% Danceability • 72% Energy • 34% Liveness
0% Instrumentalness • 27% Positiveness
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Rick Estrin & The Nightcats
Take It Slow
184 bpm • B min • 03:13 • -5.84db
24% Popularity • 37% Danceability • 48% Energy • 26% Liveness
54% Instrumentalness • 51% Positiveness
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Big Mike and The Booty Papas
Trouble Blues
185 bpm • C Maj • 08:28 • -12.67db
4% Popularity • 31% Danceability • 56% Energy • 5% Liveness
32% Instrumentalness • 58% Positiveness
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John Primer
She’s Too Much
184 bpm • D Maj • 05:58 • -7.92db
6% Popularity • 42% Danceability • 74% Energy • 12% Liveness
0% Instrumentalness • 55% Positiveness
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Debbie Davies
Okie Dokie Stomp
183 bpm • G min • 02:38 • -8.45db
14% Popularity • 43% Danceability • 72% Energy • 31% Liveness
24% Instrumentalness • 59% Positiveness
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The Cinelli Brothers
Last Cigarette
182 bpm • E min • 04:03 • -9.27db
11% Popularity • 34% Danceability • 42% Energy • 17% Liveness
0% Instrumentalness • 53% Positiveness
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Al Miller
Billy's Boogie
182 bpm • C Maj • 03:38 • -9.38db
1% Popularity • 44% Danceability • 64% Energy • 11% Liveness
17% Instrumentalness • 95% Positiveness
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Chris Cain
Late Night City Blues
181 bpm • F min • 06:20 • -8.04db
22% Popularity • 28% Danceability • 54% Energy • 32% Liveness
43% Instrumentalness • 34% Positiveness
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Doyle Bramhall
Other Side of Love
181 bpm • F Maj • 04:23 • -7.71db
18% Popularity • 30% Danceability • 62% Energy • 33% Liveness
0% Instrumentalness • 54% Positiveness
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John Primer
Take the Bitter with the Sweet
184 bpm • E Maj • 05:56 • -6.1db
7% Popularity • 46% Danceability • 65% Energy • 29% Liveness
0% Instrumentalness • 60% Positiveness
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Roomful Of Blues
In A Roomful of Blues
180 bpm • C Maj • 03:31 • -4db
28% Popularity • 61% Danceability • 77% Energy • 30% Liveness
0% Instrumentalness • 77% Positiveness
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Albert Castiglia
Drowning at the Bottom
180 bpm • D min • 04:32 • -4.65db
9% Popularity • 26% Danceability • 67% Energy • 15% Liveness
2% Instrumentalness • 78% Positiveness
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Billy Branch
Mellow Down Easy
180 bpm • A Maj • 04:31 • -6.26db
10% Popularity • 48% Danceability • 67% Energy • 33% Liveness
0% Instrumentalness • 75% Positiveness
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Chris Cain
You Won't Have A Problem When I'm Gone
180 bpm • A min • 03:06 • -2.28db
31% Popularity • 27% Danceability • 89% Energy • 13% Liveness
0% Instrumentalness • 67% Positiveness
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Byther Smith
The Man Wants Me Dead
180 bpm • D min • 05:01 • -8db
26% Popularity • 55% Danceability • 47% Energy • 22% Liveness
1% Instrumentalness • 58% Positiveness
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John Primer
Sweet Man
182 bpm • G Maj • 07:49 • -6.32db
10% Popularity • 41% Danceability • 66% Energy • 90% Liveness
0% Instrumentalness • 57% Positiveness
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William Clarke
Lonesome Bedroom Blues
180 bpm • G min • 05:45 • -13db
33% Popularity • 38% Danceability • 46% Energy • 12% Liveness
0% Instrumentalness • 48% Positiveness
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The Mannish Boys
Those Worries
180 bpm • A min • 07:01 • -6db
10% Popularity • 33% Danceability • 63% Energy • 15% Liveness
0% Instrumentalness • 59% Positiveness
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Lonesome Sundown
One More Night
179 bpm • A Maj • 04:15 • -15.08db
17% Popularity • 50% Danceability • 25% Energy • 9% Liveness
0% Instrumentalness • 66% Positiveness
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John Németh
Come on in This House
178 bpm • E min • 04:22 • -5.67db
25% Popularity • 44% Danceability • 56% Energy • 48% Liveness
0% Instrumentalness • 58% Positiveness
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Byther Smith
Givin' Up On Love
179 bpm • D# Maj • 05:47 • -11.57db
36% Popularity • 46% Danceability • 39% Energy • 36% Liveness
4% Instrumentalness • 40% Positiveness
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John Primer
Going Back Down South
178 bpm • F Maj • 06:55 • -11db
16% Popularity • 46% Danceability • 47% Energy • 25% Liveness
0% Instrumentalness • 64% Positiveness
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Kirk Fletcher
Struggle for Grace
178 bpm • D min • 05:13 • -7.49db
37% Popularity • 49% Danceability • 59% Energy • 5% Liveness
2% Instrumentalness • 32% Positiveness
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A.C. Reed
Hard Times
176 bpm • C# Maj • 03:19 • -5.31db
14% Popularity • 54% Danceability • 82% Energy • 6% Liveness
0% Instrumentalness • 77% Positiveness
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Eddy Clearwater
I Came Up The Heard Way
175 bpm • F min • 07:36 • -10.97db
18% Popularity • 59% Danceability • 39% Energy • 8% Liveness
1% Instrumentalness • 60% Positiveness
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Rick Estrin & The Nightcats
Bo Dee's Bounce
175 bpm • A Maj • 02:39 • -2.67db
22% Popularity • 53% Danceability • 74% Energy • 26% Liveness
0% Instrumentalness • 86% Positiveness
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Clarence "Gatemouth" Brown
I Hate These Doggone Blues
174 bpm • G Maj • 04:38 • -12.84db
29% Popularity • 52% Danceability • 29% Energy • 18% Liveness
4% Instrumentalness • 28% Positiveness
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John Primer
The Things I Used To Do
175 bpm • F Maj • 06:17 • -7.72db
2% Popularity • 38% Danceability • 58% Energy • 55% Liveness
1% Instrumentalness • 68% Positiveness
► Preview
John Primer
Blues behind closed doors
175 bpm • G Maj • 07:00 • -6.86db
11% Popularity • 42% Danceability • 75% Energy • 12% Liveness
0% Instrumentalness • 75% Positiveness
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For the Love of a Woman