Songs like For The Want Of A Kiss - Live by Johnny Hartman
Based on a tempo of (+/- 10%) and a similar genre
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Johnny Hartman
For The Want Of A Kiss - Live
91 bpm • C Maj • 03:01 • -17.28db
34% Popularity • 39% Danceability • 11% Energy • 55% Liveness
4% Instrumentalness • 17% Positiveness
34% Popularity • 39% Danceability • 11% Energy • 55% Liveness
4% Instrumentalness • 17% Positiveness
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Carmen McRae
Them There Eyes
91 bpm • G Maj • 02:45 • -11db
41% Popularity • 67% Danceability • 40% Energy • 11% Liveness
0% Instrumentalness • 67% Positiveness
41% Popularity • 67% Danceability • 40% Energy • 11% Liveness
0% Instrumentalness • 67% Positiveness
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Connie Lansberg
What'll I Do
91 bpm • A# Maj • 04:05 • -14db
40% Popularity • 35% Danceability • 13% Energy • 12% Liveness
0% Instrumentalness • 19% Positiveness
40% Popularity • 35% Danceability • 13% Energy • 12% Liveness
0% Instrumentalness • 19% Positiveness
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Dizzy Gillespie
I Should Care
90 bpm • G# Maj • 03:03 • -14.91db
0% Popularity • 35% Danceability • 16% Energy • 21% Liveness
7% Instrumentalness • 30% Positiveness
0% Popularity • 35% Danceability • 16% Energy • 21% Liveness
7% Instrumentalness • 30% Positiveness
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Mel Torme & the Mel-Tones
Heart & Soul
90 bpm • D# Maj • 02:58 • -22.44db
24% Popularity • 50% Danceability • 3% Energy • 11% Liveness
3% Instrumentalness • 46% Positiveness
24% Popularity • 50% Danceability • 3% Energy • 11% Liveness
3% Instrumentalness • 46% Positiveness
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Cyrille Aimee
I'll Be Seeing You
90 bpm • F min • 03:19 • -18.35db
42% Popularity • 58% Danceability • 2% Energy • 10% Liveness
0% Instrumentalness • 16% Positiveness
42% Popularity • 58% Danceability • 2% Energy • 10% Liveness
0% Instrumentalness • 16% Positiveness
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Johnny Hartman
It Never Entered My Mind
90 bpm • C# Maj • 03:39 • -21.92db
28% Popularity • 46% Danceability • 4% Energy • 12% Liveness
0% Instrumentalness • 19% Positiveness
28% Popularity • 46% Danceability • 4% Energy • 12% Liveness
0% Instrumentalness • 19% Positiveness
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Sonny Rollins
Manhattan
90 bpm • G# Maj • 04:30 • -16db
36% Popularity • 60% Danceability • 14% Energy • 21% Liveness
9% Instrumentalness • 38% Positiveness
36% Popularity • 60% Danceability • 14% Energy • 21% Liveness
9% Instrumentalness • 38% Positiveness
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Connie Lansberg
You Hit the Spot
92 bpm • C Maj • 02:14 • -11db
46% Popularity • 68% Danceability • 28% Energy • 14% Liveness
0% Instrumentalness • 60% Positiveness
46% Popularity • 68% Danceability • 28% Energy • 14% Liveness
0% Instrumentalness • 60% Positiveness
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Jackie Paris
If Love Is Good To Me
90 bpm • A# Maj • 03:13 • -19.15db
29% Popularity • 31% Danceability • 12% Energy • 37% Liveness
0% Instrumentalness • 24% Positiveness
29% Popularity • 31% Danceability • 12% Energy • 37% Liveness
0% Instrumentalness • 24% Positiveness
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Irene Kral
Memphis In June
92 bpm • G# Maj • 02:55 • -13.85db
29% Popularity • 35% Danceability • 10% Energy • 22% Liveness
0% Instrumentalness • 39% Positiveness
29% Popularity • 35% Danceability • 10% Energy • 22% Liveness
0% Instrumentalness • 39% Positiveness
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Jo Stafford
Almost Like Being In Love
92 bpm • F Maj • 02:59 • -10.48db
27% Popularity • 34% Danceability • 24% Energy • 38% Liveness
0% Instrumentalness • 31% Positiveness
27% Popularity • 34% Danceability • 24% Energy • 38% Liveness
0% Instrumentalness • 31% Positiveness
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Sarah McKenzie
I Fell in Love with You
90 bpm • G Maj • 03:58 • -10.32db
14% Popularity • 60% Danceability • 45% Energy • 30% Liveness
0% Instrumentalness • 50% Positiveness
14% Popularity • 60% Danceability • 45% Energy • 30% Liveness
0% Instrumentalness • 50% Positiveness
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Katrine Madsen
From a Mother to a Child
90 bpm • G# Maj • 07:28 • -16db
35% Popularity • 31% Danceability • 16% Energy • 20% Liveness
0% Instrumentalness • 19% Positiveness
35% Popularity • 31% Danceability • 16% Energy • 20% Liveness
0% Instrumentalness • 19% Positiveness
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Lizz Wright
Stars Fell On Alabama
90 bpm • D Maj • 03:52 • -14.39db
49% Popularity • 49% Danceability • 20% Energy • 11% Liveness
1% Instrumentalness • 16% Positiveness
49% Popularity • 49% Danceability • 20% Energy • 11% Liveness
1% Instrumentalness • 16% Positiveness
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Lorez Alexandria
My One And Only Love
93 bpm • F min • 04:28 • -20.07db
23% Popularity • 40% Danceability • 4% Energy • 11% Liveness
0% Instrumentalness • 18% Positiveness
23% Popularity • 40% Danceability • 4% Energy • 11% Liveness
0% Instrumentalness • 18% Positiveness
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Dorothy Dandridge
It's Easy To Remember
90 bpm • F min • 02:25 • -19.62db
31% Popularity • 40% Danceability • 12% Energy • 11% Liveness
0% Instrumentalness • 25% Positiveness
31% Popularity • 40% Danceability • 12% Energy • 11% Liveness
0% Instrumentalness • 25% Positiveness
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Art Pepper
You'd Be So Nice to Come Home To
89 bpm • F Maj • 05:27 • -11.74db
45% Popularity • 66% Danceability • 42% Energy • 6% Liveness
0% Instrumentalness • 53% Positiveness
45% Popularity • 66% Danceability • 42% Energy • 6% Liveness
0% Instrumentalness • 53% Positiveness
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Johnny Hartman
Our Time
89 bpm • C Maj • 02:57 • -20.73db
16% Popularity • 31% Danceability • 4% Energy • 10% Liveness
5% Instrumentalness • 18% Positiveness
16% Popularity • 31% Danceability • 4% Energy • 10% Liveness
5% Instrumentalness • 18% Positiveness
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The Ben Webster Quintet
Makin' Whoopee
93 bpm • G# Maj • 04:31 • -19.13db
42% Popularity • 53% Danceability • 6% Energy • 12% Liveness
12% Instrumentalness • 36% Positiveness
42% Popularity • 53% Danceability • 6% Energy • 12% Liveness
12% Instrumentalness • 36% Positiveness
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Johnny Hodges & His Orchestra
Things Ain't What They Used To Be - 1995...
89 bpm • C# Maj • 03:37 • -17.04db
30% Popularity • 65% Danceability • 13% Energy • 11% Liveness
90% Instrumentalness • 53% Positiveness
30% Popularity • 65% Danceability • 13% Energy • 11% Liveness
90% Instrumentalness • 53% Positiveness
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Chris Connor
I've Got A Crush On You
94 bpm • D min • 02:18 • -20db
37% Popularity • 41% Danceability • 5% Energy • 11% Liveness
0% Instrumentalness • 27% Positiveness
37% Popularity • 41% Danceability • 5% Energy • 11% Liveness
0% Instrumentalness • 27% Positiveness
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Dorothy Dandridge
The Nearness Of You
88 bpm • G Maj • 03:20 • -18.34db
27% Popularity • 42% Danceability • 12% Energy • 14% Liveness
0% Instrumentalness • 22% Positiveness
27% Popularity • 42% Danceability • 12% Energy • 14% Liveness
0% Instrumentalness • 22% Positiveness
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Rigmor Gustafsson
Close to You
94 bpm • C# Maj • 04:03 • -15.55db
41% Popularity • 56% Danceability • 13% Energy • 11% Liveness
0% Instrumentalness • 30% Positiveness
41% Popularity • 56% Danceability • 13% Energy • 11% Liveness
0% Instrumentalness • 30% Positiveness
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Hank Mobley
A Dab Of This And That
94 bpm • F min • 05:12 • -10.5db
42% Popularity • 59% Danceability • 56% Energy • 6% Liveness
0% Instrumentalness • 55% Positiveness
42% Popularity • 59% Danceability • 56% Energy • 6% Liveness
0% Instrumentalness • 55% Positiveness
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Sophie Wellington
Duke Ellington's Sound of Love
88 bpm • B Maj • 04:49 • -14.01db
10% Popularity • 35% Danceability • 14% Energy • 9% Liveness
2% Instrumentalness • 10% Positiveness
10% Popularity • 35% Danceability • 14% Energy • 9% Liveness
2% Instrumentalness • 10% Positiveness
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Zoot Sims
My Old Flame
88 bpm • G Maj • 03:23 • -11.03db
31% Popularity • 54% Danceability • 22% Energy • 9% Liveness
28% Instrumentalness • 40% Positiveness
31% Popularity • 54% Danceability • 22% Energy • 9% Liveness
28% Instrumentalness • 40% Positiveness
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Johnny Hartman
Nobody Home
88 bpm • F# Maj • 03:32 • -19.99db
11% Popularity • 34% Danceability • 2% Energy • 10% Liveness
0% Instrumentalness • 24% Positiveness
11% Popularity • 34% Danceability • 2% Energy • 10% Liveness
0% Instrumentalness • 24% Positiveness
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Ellen Andersson
Once Upon a Summertime
88 bpm • B Maj • 04:39 • -16.83db
32% Popularity • 30% Danceability • 14% Energy • 11% Liveness
0% Instrumentalness • 10% Positiveness
32% Popularity • 30% Danceability • 14% Energy • 11% Liveness
0% Instrumentalness • 10% Positiveness
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Gene Ammons
Angel Eyes
88 bpm • C min • 08:48 • -15.13db
35% Popularity • 38% Danceability • 9% Energy • 11% Liveness
81% Instrumentalness • 13% Positiveness
35% Popularity • 38% Danceability • 9% Energy • 11% Liveness
81% Instrumentalness • 13% Positiveness
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Molly Johnson
You've Changed
88 bpm • A# min • 04:30 • -10.94db
41% Popularity • 36% Danceability • 23% Energy • 25% Liveness
0% Instrumentalness • 16% Positiveness
41% Popularity • 36% Danceability • 23% Energy • 25% Liveness
0% Instrumentalness • 16% Positiveness
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Dorothy Dandridge
That Old Feeling
88 bpm • C min • 03:08 • -16db
27% Popularity • 44% Danceability • 14% Energy • 19% Liveness
0% Instrumentalness • 21% Positiveness
27% Popularity • 44% Danceability • 14% Energy • 19% Liveness
0% Instrumentalness • 21% Positiveness
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Paul Motian
Tea for Two
87 bpm • C# Maj • 04:07 • -12.96db
28% Popularity • 40% Danceability • 15% Energy • 10% Liveness
0% Instrumentalness • 27% Positiveness
28% Popularity • 40% Danceability • 15% Energy • 10% Liveness
0% Instrumentalness • 27% Positiveness
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Johnny Hartman
Down In The Depths Of The 90th Floor
87 bpm • A# Maj • 02:58 • -9.14db
4% Popularity • 53% Danceability • 34% Energy • 32% Liveness
0% Instrumentalness • 44% Positiveness
4% Popularity • 53% Danceability • 34% Energy • 32% Liveness
0% Instrumentalness • 44% Positiveness
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Anita O'Day
Angel Eyes
95 bpm • D# Maj • 03:39 • -21.54db
38% Popularity • 37% Danceability • 6% Energy • 22% Liveness
0% Instrumentalness • 24% Positiveness
38% Popularity • 37% Danceability • 6% Energy • 22% Liveness
0% Instrumentalness • 24% Positiveness
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Morgana King
Frankie And Johnny
87 bpm • D# Maj • 02:40 • -12.92db
26% Popularity • 63% Danceability • 26% Energy • 10% Liveness
0% Instrumentalness • 29% Positiveness
26% Popularity • 63% Danceability • 26% Energy • 10% Liveness
0% Instrumentalness • 29% Positiveness
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Vic Damone
Out of Nowhere
87 bpm • F Maj • 03:42 • -15.99db
25% Popularity • 46% Danceability • 19% Energy • 12% Liveness
0% Instrumentalness • 12% Positiveness
25% Popularity • 46% Danceability • 19% Energy • 12% Liveness
0% Instrumentalness • 12% Positiveness
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Beverly Kenney
A Lover Like You
95 bpm • G# Maj • 03:27 • -14.93db
8% Popularity • 38% Danceability • 10% Energy • 11% Liveness
1% Instrumentalness • 30% Positiveness
8% Popularity • 38% Danceability • 10% Energy • 11% Liveness
1% Instrumentalness • 30% Positiveness
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Kurt Elling
Moonlight Serenade
87 bpm • D# Maj • 04:22 • -18.25db
47% Popularity • 38% Danceability • 9% Energy • 10% Liveness
0% Instrumentalness • 16% Positiveness
47% Popularity • 38% Danceability • 9% Energy • 10% Liveness
0% Instrumentalness • 16% Positiveness
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Johnny Hartman
Charade
87 bpm • B min • 02:35 • -18db
32% Popularity • 39% Danceability • 17% Energy • 10% Liveness
0% Instrumentalness • 26% Positiveness
32% Popularity • 39% Danceability • 17% Energy • 10% Liveness
0% Instrumentalness • 26% Positiveness
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Chris Connor
Try a Little Tenderness
87 bpm • D min • 03:05 • -20.04db
9% Popularity • 45% Danceability • 6% Energy • 17% Liveness
0% Instrumentalness • 34% Positiveness
9% Popularity • 45% Danceability • 6% Energy • 17% Liveness
0% Instrumentalness • 34% Positiveness
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Morgana King
Everything I Love
96 bpm • A# Maj • 03:19 • -17.16db
40% Popularity • 46% Danceability • 12% Energy • 14% Liveness
0% Instrumentalness • 41% Positiveness
40% Popularity • 46% Danceability • 12% Energy • 14% Liveness
0% Instrumentalness • 41% Positiveness
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Irene Kral
The Night We Called It A Day
87 bpm • C Maj • 02:30 • -11db
13% Popularity • 28% Danceability • 14% Energy • 42% Liveness
0% Instrumentalness • 24% Positiveness
13% Popularity • 28% Danceability • 14% Energy • 42% Liveness
0% Instrumentalness • 24% Positiveness
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Gene Ammons
Here's That Rainy Day
96 bpm • F Maj • 06:07 • -15db
41% Popularity • 39% Danceability • 10% Energy • 11% Liveness
19% Instrumentalness • 16% Positiveness
41% Popularity • 39% Danceability • 10% Energy • 11% Liveness
19% Instrumentalness • 16% Positiveness
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Dexter Gordon
Everybody's Somebody's Fool
96 bpm • G Maj • 06:47 • -16.63db
38% Popularity • 48% Danceability • 8% Energy • 17% Liveness
40% Instrumentalness • 24% Positiveness
38% Popularity • 48% Danceability • 8% Energy • 17% Liveness
40% Instrumentalness • 24% Positiveness
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Johnny Hartman
Once In A While
96 bpm • C Maj • 02:27 • -14.23db
12% Popularity • 39% Danceability • 23% Energy • 36% Liveness
0% Instrumentalness • 32% Positiveness
12% Popularity • 39% Danceability • 23% Energy • 36% Liveness
0% Instrumentalness • 32% Positiveness
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Emma Smith
Makin' Whoopee
96 bpm • F min • 04:24 • -16db
40% Popularity • 48% Danceability • 19% Energy • 13% Liveness
0% Instrumentalness • 31% Positiveness
40% Popularity • 48% Danceability • 19% Energy • 13% Liveness
0% Instrumentalness • 31% Positiveness
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Gerry Mulligan
Fall Out
96 bpm • G# Maj • 05:45 • -15db
34% Popularity • 79% Danceability • 20% Energy • 11% Liveness
12% Instrumentalness • 67% Positiveness
34% Popularity • 79% Danceability • 20% Energy • 11% Liveness
12% Instrumentalness • 67% Positiveness
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Nancy Wilson
This Time The Dream's On Me - Remastered
96 bpm • A# min • 02:19 • -8.85db
36% Popularity • 61% Danceability • 34% Energy • 14% Liveness
0% Instrumentalness • 67% Positiveness
36% Popularity • 61% Danceability • 34% Energy • 14% Liveness
0% Instrumentalness • 67% Positiveness
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Jamie Cullum
I'm Glad There Is You
97 bpm • E Maj • 04:09 • -14.8db
44% Popularity • 35% Danceability • 10% Energy • 10% Liveness
0% Instrumentalness • 18% Positiveness
44% Popularity • 35% Danceability • 10% Energy • 10% Liveness
0% Instrumentalness • 18% Positiveness
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Karen Rosenberg
Behind Me
96 bpm • D min • 06:20 • -14db
39% Popularity • 44% Danceability • 19% Energy • 12% Liveness
0% Instrumentalness • 8% Positiveness
39% Popularity • 44% Danceability • 19% Energy • 12% Liveness
0% Instrumentalness • 8% Positiveness
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Eartha Kitt
Let's Do It
97 bpm • G# Maj • 03:05 • -20db
50% Popularity • 65% Danceability • 5% Energy • 24% Liveness
0% Instrumentalness • 43% Positiveness
50% Popularity • 65% Danceability • 5% Energy • 24% Liveness
0% Instrumentalness • 43% Positiveness
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Caity Gyorgy
Look the Other Way
86 bpm • F min • 07:54 • -9.63db
30% Popularity • 51% Danceability • 29% Energy • 10% Liveness
0% Instrumentalness • 32% Positiveness
30% Popularity • 51% Danceability • 29% Energy • 10% Liveness
0% Instrumentalness • 32% Positiveness
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Dakota Staton
Willow Weep For Me
97 bpm • C Maj • 02:30 • -12db
43% Popularity • 46% Danceability • 25% Energy • 16% Liveness
0% Instrumentalness • 49% Positiveness
43% Popularity • 46% Danceability • 25% Energy • 16% Liveness
0% Instrumentalness • 49% Positiveness
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Vic Damone
I'm Glad There Is You
85 bpm • C min • 02:41 • -17.08db
31% Popularity • 35% Danceability • 6% Energy • 18% Liveness
0% Instrumentalness • 7% Positiveness
31% Popularity • 35% Danceability • 6% Energy • 18% Liveness
0% Instrumentalness • 7% Positiveness
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Dexter Gordon
Darn That Dream - Remastered 2015
85 bpm • G Maj • 07:31 • -22db
38% Popularity • 43% Danceability • 3% Energy • 13% Liveness
26% Instrumentalness • 27% Positiveness
38% Popularity • 43% Danceability • 3% Energy • 13% Liveness
26% Instrumentalness • 27% Positiveness
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Massimo Faraò
Isn't It a Pity
97 bpm • D# Maj • 05:48 • -17.08db
33% Popularity • 49% Danceability • 8% Energy • 12% Liveness
0% Instrumentalness • 13% Positiveness
33% Popularity • 49% Danceability • 8% Energy • 12% Liveness
0% Instrumentalness • 13% Positiveness
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The Ben Webster Quintet
Time On My Hands
85 bpm • D Maj • 04:19 • -20.78db
28% Popularity • 48% Danceability • 2% Energy • 7% Liveness
2% Instrumentalness • 22% Positiveness
28% Popularity • 48% Danceability • 2% Energy • 7% Liveness
2% Instrumentalness • 22% Positiveness
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The Dave Brubeck Quartet
Stardust - Live At Finney Chapel / 1953
97 bpm • C# Maj • 06:25 • -19.87db
39% Popularity • 57% Danceability • 16% Energy • 72% Liveness
75% Instrumentalness • 43% Positiveness
39% Popularity • 57% Danceability • 16% Energy • 72% Liveness
75% Instrumentalness • 43% Positiveness
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Coleman Hawkins Quartet
Quintessence
85 bpm • F Maj • 04:44 • -16db
48% Popularity • 44% Danceability • 13% Energy • 9% Liveness
5% Instrumentalness • 13% Positiveness
48% Popularity • 44% Danceability • 13% Energy • 9% Liveness
5% Instrumentalness • 13% Positiveness
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Ida Sand
One for My Baby
98 bpm • F# Maj • 03:49 • -9.68db
39% Popularity • 68% Danceability • 42% Energy • 36% Liveness
0% Instrumentalness • 53% Positiveness
39% Popularity • 68% Danceability • 42% Energy • 36% Liveness
0% Instrumentalness • 53% Positiveness
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Johnny Hodges & His Orchestra
Satin Doll
85 bpm • D Maj • 05:01 • -19db
34% Popularity • 60% Danceability • 6% Energy • 10% Liveness
35% Instrumentalness • 33% Positiveness
34% Popularity • 60% Danceability • 6% Energy • 10% Liveness
35% Instrumentalness • 33% Positiveness
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Irene Kral
I Let A Song Go Out Of My Heart
98 bpm • G# Maj • 02:43 • -8.11db
27% Popularity • 55% Danceability • 27% Energy • 26% Liveness
0% Instrumentalness • 36% Positiveness
27% Popularity • 55% Danceability • 27% Energy • 26% Liveness
0% Instrumentalness • 36% Positiveness
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Johnny Hartman
Stairway To The Stars
84 bpm • A# Maj • 03:05 • -23.95db
38% Popularity • 39% Danceability • 4% Energy • 11% Liveness
2% Instrumentalness • 28% Positiveness
38% Popularity • 39% Danceability • 4% Energy • 11% Liveness
2% Instrumentalness • 28% Positiveness
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Caity Gyorgy
East of The Sun
84 bpm • G# Maj • 04:47 • -10db
26% Popularity • 48% Danceability • 31% Energy • 9% Liveness
0% Instrumentalness • 52% Positiveness
26% Popularity • 48% Danceability • 31% Energy • 9% Liveness
0% Instrumentalness • 52% Positiveness
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Steve Tyrell
I Can't Get Started with You
98 bpm • G min • 03:53 • -9.23db
22% Popularity • 52% Danceability • 38% Energy • 15% Liveness
0% Instrumentalness • 32% Positiveness
22% Popularity • 52% Danceability • 38% Energy • 15% Liveness
0% Instrumentalness • 32% Positiveness
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Sophie Milman
Like Someone In Love
84 bpm • F Maj • 03:30 • -7.49db
36% Popularity • 48% Danceability • 35% Energy • 16% Liveness
0% Instrumentalness • 36% Positiveness
36% Popularity • 48% Danceability • 35% Energy • 16% Liveness
0% Instrumentalness • 36% Positiveness
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Paul Desmond
For All We Know
99 bpm • F# Maj • 05:31 • -18.71db
43% Popularity • 54% Danceability • 9% Energy • 9% Liveness
0% Instrumentalness • 30% Positiveness
43% Popularity • 54% Danceability • 9% Energy • 9% Liveness
0% Instrumentalness • 30% Positiveness
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Gary Smulyan
I'm Never Happy Anymore
84 bpm • F min • 07:38 • -17.42db
32% Popularity • 45% Danceability • 5% Energy • 9% Liveness
7% Instrumentalness • 24% Positiveness
32% Popularity • 45% Danceability • 5% Energy • 9% Liveness
7% Instrumentalness • 24% Positiveness
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Morgana King
Deep Song
84 bpm • D min • 03:38 • -19.86db
13% Popularity • 27% Danceability • 9% Energy • 12% Liveness
3% Instrumentalness • 16% Positiveness
13% Popularity • 27% Danceability • 9% Energy • 12% Liveness
3% Instrumentalness • 16% Positiveness
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Caity Gyorgy
Cover Up
99 bpm • G# Maj • 06:06 • -6.86db
10% Popularity • 55% Danceability • 34% Energy • 13% Liveness
0% Instrumentalness • 33% Positiveness
10% Popularity • 55% Danceability • 34% Energy • 13% Liveness
0% Instrumentalness • 33% Positiveness
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Sinne Eeg
Spring Waltz
84 bpm • A# Maj • 03:26 • -16db
23% Popularity • 48% Danceability • 6% Energy • 8% Liveness
0% Instrumentalness • 21% Positiveness
23% Popularity • 48% Danceability • 6% Energy • 8% Liveness
0% Instrumentalness • 21% Positiveness
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Carmen McRae
Something To Live For
84 bpm • C Maj • 03:11 • -14.28db
35% Popularity • 33% Danceability • 14% Energy • 9% Liveness
0% Instrumentalness • 9% Positiveness
35% Popularity • 33% Danceability • 14% Energy • 9% Liveness
0% Instrumentalness • 9% Positiveness
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Ann Hampton Callaway
Blusette
99 bpm • G# Maj • 03:37 • -12.09db
21% Popularity • 59% Danceability • 41% Energy • 16% Liveness
0% Instrumentalness • 54% Positiveness
21% Popularity • 59% Danceability • 41% Energy • 16% Liveness
0% Instrumentalness • 54% Positiveness
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Samara Joy
I Miss You So
99 bpm • C# Maj • 03:43 • -15.81db
34% Popularity • 52% Danceability • 6% Energy • 11% Liveness
2% Instrumentalness • 23% Positiveness
34% Popularity • 52% Danceability • 6% Energy • 11% Liveness
2% Instrumentalness • 23% Positiveness
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Johnny Hartman
The Morning After
83 bpm • A# Maj • 03:37 • -21.85db
12% Popularity • 60% Danceability • 6% Energy • 16% Liveness
20% Instrumentalness • 28% Positiveness
12% Popularity • 60% Danceability • 6% Energy • 16% Liveness
20% Instrumentalness • 28% Positiveness
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Ruth Cameron
Waitin' For The Train To Come In
100 bpm • C Maj • 03:10 • -15db
30% Popularity • 62% Danceability • 19% Energy • 12% Liveness
0% Instrumentalness • 37% Positiveness
30% Popularity • 62% Danceability • 19% Energy • 12% Liveness
0% Instrumentalness • 37% Positiveness
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Lorez Alexandria
Almost Like Being In Love
83 bpm • G# Maj • 02:23 • -17.78db
31% Popularity • 70% Danceability • 20% Energy • 10% Liveness
0% Instrumentalness • 54% Positiveness
31% Popularity • 70% Danceability • 20% Energy • 10% Liveness
0% Instrumentalness • 54% Positiveness
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Dorothy Dandridge
I Didn't Know What Time It Was
100 bpm • G Maj • 02:41 • -15.22db
23% Popularity • 55% Danceability • 20% Energy • 8% Liveness
0% Instrumentalness • 47% Positiveness
23% Popularity • 55% Danceability • 20% Energy • 8% Liveness
0% Instrumentalness • 47% Positiveness
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Kevin Mahogany
Pretty Blue
83 bpm • D min • 03:57 • -14db
33% Popularity • 64% Danceability • 29% Energy • 24% Liveness
0% Instrumentalness • 40% Positiveness
33% Popularity • 64% Danceability • 29% Energy • 24% Liveness
0% Instrumentalness • 40% Positiveness
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Nils Landgren
They Say It's Wonderful
83 bpm • D# Maj • 04:23 • -7.82db
34% Popularity • 41% Danceability • 38% Energy • 13% Liveness
0% Instrumentalness • 15% Positiveness
34% Popularity • 41% Danceability • 38% Energy • 13% Liveness
0% Instrumentalness • 15% Positiveness
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Judy Whitmore
I Remember You
100 bpm • C# Maj • 04:05 • -11db
31% Popularity • 49% Danceability • 33% Energy • 15% Liveness
0% Instrumentalness • 34% Positiveness
31% Popularity • 49% Danceability • 33% Energy • 15% Liveness
0% Instrumentalness • 34% Positiveness
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Vic Damone
All the Things You Are
83 bpm • G# Maj • 03:27 • -10.85db
31% Popularity • 19% Danceability • 28% Energy • 24% Liveness
0% Instrumentalness • 10% Positiveness
31% Popularity • 19% Danceability • 28% Energy • 24% Liveness
0% Instrumentalness • 10% Positiveness
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Rebekka Blöndal
With You
83 bpm • F min • 04:31 • -15.31db
35% Popularity • 41% Danceability • 18% Energy • 10% Liveness
0% Instrumentalness • 19% Positiveness
35% Popularity • 41% Danceability • 18% Energy • 10% Liveness
0% Instrumentalness • 19% Positiveness
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Susie Arioli
Here's That Rainy Day
100 bpm • A# min • 02:54 • -12db
39% Popularity • 68% Danceability • 27% Energy • 9% Liveness
0% Instrumentalness • 24% Positiveness
39% Popularity • 68% Danceability • 27% Energy • 9% Liveness
0% Instrumentalness • 24% Positiveness
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Julie London
Ev'ry Time We Say Goodbye
83 bpm • G min • 04:20 • -18.52db
41% Popularity • 30% Danceability • 11% Energy • 10% Liveness
0% Instrumentalness • 8% Positiveness
41% Popularity • 30% Danceability • 11% Energy • 10% Liveness
0% Instrumentalness • 8% Positiveness
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Morgana King
Bill
83 bpm • G Maj • 02:47 • -18.36db
31% Popularity • 39% Danceability • 6% Energy • 18% Liveness
0% Instrumentalness • 20% Positiveness
31% Popularity • 39% Danceability • 6% Energy • 18% Liveness
0% Instrumentalness • 20% Positiveness
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Vicki Burns
Siren Song
100 bpm • A# min • 06:20 • -12.99db
30% Popularity • 60% Danceability • 15% Energy • 12% Liveness
0% Instrumentalness • 18% Positiveness
30% Popularity • 60% Danceability • 15% Energy • 12% Liveness
0% Instrumentalness • 18% Positiveness
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Dexter Gordon
Who Can I Turn To (When Nobody Needs Me)
82 bpm • F Maj • 05:16 • -18.51db
36% Popularity • 42% Danceability • 5% Energy • 11% Liveness
39% Instrumentalness • 32% Positiveness
36% Popularity • 42% Danceability • 5% Energy • 11% Liveness
39% Instrumentalness • 32% Positiveness
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John Coltrane Quartet
It's Easy To Remember - Take 11
100 bpm • F min • 02:37 • -13.3db
41% Popularity • 53% Danceability • 20% Energy • 8% Liveness
0% Instrumentalness • 32% Positiveness
41% Popularity • 53% Danceability • 20% Energy • 8% Liveness
0% Instrumentalness • 32% Positiveness
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Susie Arioli
It's Always You
101 bpm • C Maj • 02:52 • -11.65db
38% Popularity • 64% Danceability • 24% Energy • 26% Liveness
0% Instrumentalness • 39% Positiveness
38% Popularity • 64% Danceability • 24% Energy • 26% Liveness
0% Instrumentalness • 39% Positiveness
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Don Byas
Georgia On My Mind
82 bpm • F Maj • 02:52 • -12.69db
39% Popularity • 53% Danceability • 8% Energy • 9% Liveness
85% Instrumentalness • 41% Positiveness
39% Popularity • 53% Danceability • 8% Energy • 9% Liveness
85% Instrumentalness • 41% Positiveness
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Johnny Hartman
I Just Dropped By To Say Hello
101 bpm • F min • 04:05 • -23.07db
43% Popularity • 45% Danceability • 5% Energy • 11% Liveness
12% Instrumentalness • 33% Positiveness
43% Popularity • 45% Danceability • 5% Energy • 11% Liveness
12% Instrumentalness • 33% Positiveness
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Anthony Strong
Ain't Misbehavin
101 bpm • D min • 04:03 • -7.96db
36% Popularity • 61% Danceability • 44% Energy • 30% Liveness
0% Instrumentalness • 41% Positiveness
36% Popularity • 61% Danceability • 44% Energy • 30% Liveness
0% Instrumentalness • 41% Positiveness
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Lou Donaldson
Green Eyes
82 bpm • F min • 05:19 • -13.57db
44% Popularity • 59% Danceability • 38% Energy • 8% Liveness
0% Instrumentalness • 86% Positiveness
44% Popularity • 59% Danceability • 38% Energy • 8% Liveness
0% Instrumentalness • 86% Positiveness
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Katherine Kostoff
It Happens Like That
102 bpm • A min • 03:31 • -10.77db
17% Popularity • 44% Danceability • 16% Energy • 18% Liveness
0% Instrumentalness • 15% Positiveness
17% Popularity • 44% Danceability • 16% Energy • 18% Liveness
0% Instrumentalness • 15% Positiveness
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Ike Quebec
Blue And Sentimental - Remastered 2007/R...
101 bpm • D# Maj • 07:28 • -10db
41% Popularity • 54% Danceability • 18% Energy • 12% Liveness
20% Instrumentalness • 33% Positiveness
41% Popularity • 54% Danceability • 18% Energy • 12% Liveness
20% Instrumentalness • 33% Positiveness
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Harry Connick, Jr.
He Is They Are
81 bpm • G Maj • 04:11 • -13.96db
35% Popularity • 58% Danceability • 18% Energy • 36% Liveness
0% Instrumentalness • 42% Positiveness
35% Popularity • 58% Danceability • 18% Energy • 36% Liveness
0% Instrumentalness • 42% Positiveness
