Songs like For Their Hearts Were Full of Spring by Ringmasters
Based on a tempo of (+/- 10%) and a similar genre
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The Whiffenpoofs
When the Saints Go Marchin' In
74 bpm • E Maj • 03:22 • -9.62db
10% Popularity • 36% Danceability • 28% Energy • 14% Liveness
0% Instrumentalness • 13% Positiveness
10% Popularity • 36% Danceability • 28% Energy • 14% Liveness
0% Instrumentalness • 13% Positiveness
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The Barbershop Singers
Let Me Call You Sweetheart
74 bpm • F Maj • 01:07 • -9.12db
14% Popularity • 34% Danceability • 5% Energy • 29% Liveness
0% Instrumentalness • 10% Positiveness
14% Popularity • 34% Danceability • 5% Energy • 29% Liveness
0% Instrumentalness • 10% Positiveness
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Da Vinci's Notebook
Baby Please
74 bpm • F Maj • 02:13 • -11.97db
16% Popularity • 58% Danceability • 34% Energy • 10% Liveness
0% Instrumentalness • 85% Positiveness
16% Popularity • 58% Danceability • 34% Energy • 10% Liveness
0% Instrumentalness • 85% Positiveness
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Ringmasters
For Their Hearts Were Full of Spring
74 bpm • A# Maj • 03:33 • -10.22db
9% Popularity • 18% Danceability • 11% Energy • 16% Liveness
0% Instrumentalness • 4% Positiveness
9% Popularity • 18% Danceability • 11% Energy • 16% Liveness
0% Instrumentalness • 4% Positiveness
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Acoustix
Tonight, Tonight
74 bpm • G# Maj • 01:59 • -14db
10% Popularity • 33% Danceability • 9% Energy • 9% Liveness
0% Instrumentalness • 10% Positiveness
10% Popularity • 33% Danceability • 9% Energy • 9% Liveness
0% Instrumentalness • 10% Positiveness
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Realtime
One Note Samba
74 bpm • F Maj • 02:03 • -8.73db
8% Popularity • 44% Danceability • 28% Energy • 11% Liveness
0% Instrumentalness • 9% Positiveness
8% Popularity • 44% Danceability • 28% Energy • 11% Liveness
0% Instrumentalness • 9% Positiveness
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The Gas House Gang
Lazy Day
75 bpm • F Maj • 02:59 • -6.5db
9% Popularity • 53% Danceability • 29% Energy • 14% Liveness
0% Instrumentalness • 34% Positiveness
9% Popularity • 53% Danceability • 29% Energy • 14% Liveness
0% Instrumentalness • 34% Positiveness
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Bluegrass Student Union
Coney Island Baby - We All Fall For (Med...
73 bpm • C# min • 01:54 • -12.64db
13% Popularity • 48% Danceability • 36% Energy • 10% Liveness
0% Instrumentalness • 38% Positiveness
13% Popularity • 48% Danceability • 36% Energy • 10% Liveness
0% Instrumentalness • 38% Positiveness
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GQ
Timshel
73 bpm • F# Maj • 03:35 • -9db
11% Popularity • 35% Danceability • 18% Energy • 14% Liveness
0% Instrumentalness • 11% Positiveness
11% Popularity • 35% Danceability • 18% Energy • 14% Liveness
0% Instrumentalness • 11% Positiveness
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Masterpiece
Tennessee Waltz
75 bpm • A# Maj • 04:54 • -15.64db
10% Popularity • 23% Danceability • 7% Energy • 13% Liveness
0% Instrumentalness • 11% Positiveness
10% Popularity • 23% Danceability • 7% Energy • 13% Liveness
0% Instrumentalness • 11% Positiveness
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Acoustix
Irish Blessing
74 bpm • A# Maj • 01:46 • -16.65db
13% Popularity • 30% Danceability • 1% Energy • 9% Liveness
0% Instrumentalness • 7% Positiveness
13% Popularity • 30% Danceability • 1% Energy • 9% Liveness
0% Instrumentalness • 7% Positiveness
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The Whiffenpoofs
House of the Rising Sun
75 bpm • F Maj • 03:41 • -7.88db
8% Popularity • 59% Danceability • 20% Energy • 21% Liveness
0% Instrumentalness • 40% Positiveness
8% Popularity • 59% Danceability • 20% Energy • 21% Liveness
0% Instrumentalness • 40% Positiveness
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The Harvard Krokodiloes
On the Sunny Side of the Street
73 bpm • B min • 01:58 • -6.83db
9% Popularity • 46% Danceability • 32% Energy • 27% Liveness
0% Instrumentalness • 69% Positiveness
9% Popularity • 46% Danceability • 32% Energy • 27% Liveness
0% Instrumentalness • 69% Positiveness
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Hans Bridger Heruth
Joy (Live)
75 bpm • D Maj • 05:31 • -21db
3% Popularity • 13% Danceability • 17% Energy • 68% Liveness
86% Instrumentalness • 4% Positiveness
3% Popularity • 13% Danceability • 17% Energy • 68% Liveness
86% Instrumentalness • 4% Positiveness
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DU Chamber Singers
Salmo 150
73 bpm • A Maj • 01:56 • -18.1db
19% Popularity • 47% Danceability • 21% Energy • 9% Liveness
0% Instrumentalness • 43% Positiveness
19% Popularity • 47% Danceability • 21% Energy • 9% Liveness
0% Instrumentalness • 43% Positiveness
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Instant Classic
Simple Gifts-Shenandoah Medley
73 bpm • C# Maj • 04:25 • -14.47db
13% Popularity • 22% Danceability • 10% Energy • 13% Liveness
0% Instrumentalness • 11% Positiveness
13% Popularity • 22% Danceability • 10% Energy • 13% Liveness
0% Instrumentalness • 11% Positiveness
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The Gas House Gang
Lullabye (Goodnight My Angel) - For Ryan
73 bpm • G# Maj • 03:53 • -15.09db
14% Popularity • 34% Danceability • 10% Energy • 10% Liveness
0% Instrumentalness • 6% Positiveness
14% Popularity • 34% Danceability • 10% Energy • 10% Liveness
0% Instrumentalness • 6% Positiveness
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OC Times
Crazy Little Thing Called Love
75 bpm • G Maj • 02:46 • -7.17db
16% Popularity • 60% Danceability • 28% Energy • 12% Liveness
0% Instrumentalness • 52% Positiveness
16% Popularity • 60% Danceability • 28% Energy • 12% Liveness
0% Instrumentalness • 52% Positiveness
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The Singers - Minnesota Choral Artists & Matthew Culloton
Nelly Bly
75 bpm • C# Maj • 02:32 • -19.64db
8% Popularity • 22% Danceability • 13% Energy • 26% Liveness
0% Instrumentalness • 21% Positiveness
8% Popularity • 22% Danceability • 13% Energy • 26% Liveness
0% Instrumentalness • 21% Positiveness
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Ringmasters
Between the Devil and the Deep Blue Sea
76 bpm • E Maj • 03:49 • -9.2db
17% Popularity • 43% Danceability • 31% Energy • 34% Liveness
0% Instrumentalness • 30% Positiveness
17% Popularity • 43% Danceability • 31% Energy • 34% Liveness
0% Instrumentalness • 30% Positiveness
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4:2:Five
I Feel Good
72 bpm • E Maj • 02:29 • -7.85db
14% Popularity • 66% Danceability • 42% Energy • 8% Liveness
0% Instrumentalness • 86% Positiveness
14% Popularity • 66% Danceability • 42% Energy • 8% Liveness
0% Instrumentalness • 86% Positiveness
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The Instant Classic
Crazy Little Thing Called Love
76 bpm • G Maj • 02:56 • -9.59db
14% Popularity • 62% Danceability • 22% Energy • 14% Liveness
0% Instrumentalness • 61% Positiveness
14% Popularity • 62% Danceability • 22% Energy • 14% Liveness
0% Instrumentalness • 61% Positiveness
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Z. Randall Stroope
Revelation
76 bpm • A# min • 05:27 • -19.98db
7% Popularity • 34% Danceability • 19% Energy • 96% Liveness
5% Instrumentalness • 8% Positiveness
7% Popularity • 34% Danceability • 19% Energy • 96% Liveness
5% Instrumentalness • 8% Positiveness
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OC Times
Put Your Head on My Shoulder
76 bpm • A min • 04:37 • -11.23db
10% Popularity • 28% Danceability • 12% Energy • 10% Liveness
0% Instrumentalness • 10% Positiveness
10% Popularity • 28% Danceability • 12% Energy • 10% Liveness
0% Instrumentalness • 10% Positiveness
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Street Corner Symphony
Southern Autumn Nostalgia
76 bpm • D# Maj • 04:21 • -10.5db
16% Popularity • 27% Danceability • 20% Energy • 11% Liveness
0% Instrumentalness • 6% Positiveness
16% Popularity • 27% Danceability • 20% Energy • 11% Liveness
0% Instrumentalness • 6% Positiveness
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Randall Thompson
Stopping By Woods On a Snowy Evening - R...
76 bpm • F min • 04:12 • -36.1db
9% Popularity • 12% Danceability • 1% Energy • 7% Liveness
0% Instrumentalness • 4% Positiveness
9% Popularity • 12% Danceability • 1% Energy • 7% Liveness
0% Instrumentalness • 4% Positiveness
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Bluegrass Student Union
Bluegrass Gospel Medley - How Great Thou...
76 bpm • B min • 03:44 • -16.28db
7% Popularity • 26% Danceability • 11% Energy • 10% Liveness
0% Instrumentalness • 15% Positiveness
7% Popularity • 26% Danceability • 11% Energy • 10% Liveness
0% Instrumentalness • 15% Positiveness
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The Instant Classic
I Won't Send Roses
76 bpm • F# Maj • 04:08 • -17.68db
15% Popularity • 22% Danceability • 2% Energy • 25% Liveness
0% Instrumentalness • 8% Positiveness
15% Popularity • 22% Danceability • 2% Energy • 25% Liveness
0% Instrumentalness • 8% Positiveness
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Midtown
You're Falling in Love
76 bpm • C# Maj • 02:58 • -8.87db
17% Popularity • 51% Danceability • 31% Energy • 11% Liveness
0% Instrumentalness • 24% Positiveness
17% Popularity • 51% Danceability • 31% Energy • 11% Liveness
0% Instrumentalness • 24% Positiveness
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Acoustix
The Star Spangled Banner
77 bpm • F# Maj • 01:46 • -13.55db
10% Popularity • 29% Danceability • 6% Energy • 17% Liveness
0% Instrumentalness • 33% Positiveness
10% Popularity • 29% Danceability • 6% Energy • 17% Liveness
0% Instrumentalness • 33% Positiveness
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Yale Glee Club
Tchaka
71 bpm • G Maj • 04:52 • -20db
11% Popularity • 25% Danceability • 31% Energy • 21% Liveness
2% Instrumentalness • 20% Positiveness
11% Popularity • 25% Danceability • 31% Energy • 21% Liveness
2% Instrumentalness • 20% Positiveness
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Groove For Thought
True Colors
77 bpm • A# Maj • 04:19 • -13.84db
15% Popularity • 47% Danceability • 9% Energy • 11% Liveness
0% Instrumentalness • 16% Positiveness
15% Popularity • 47% Danceability • 9% Energy • 11% Liveness
0% Instrumentalness • 16% Positiveness
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The Whiffenpoofs
Both Sides Now
77 bpm • D Maj • 04:27 • -10.4db
12% Popularity • 28% Danceability • 16% Energy • 10% Liveness
0% Instrumentalness • 25% Positiveness
12% Popularity • 28% Danceability • 16% Energy • 10% Liveness
0% Instrumentalness • 25% Positiveness
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The Harvard Krokodiloes
I Can't Believe That You're in Love with...
77 bpm • A# Maj • 02:55 • -6.85db
10% Popularity • 44% Danceability • 43% Energy • 7% Liveness
0% Instrumentalness • 72% Positiveness
10% Popularity • 44% Danceability • 43% Energy • 7% Liveness
0% Instrumentalness • 72% Positiveness
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Ringmasters
I Love Being Here With You
71 bpm • D Maj • 02:30 • -6.9db
14% Popularity • 38% Danceability • 45% Energy • 13% Liveness
0% Instrumentalness • 36% Positiveness
14% Popularity • 38% Danceability • 45% Energy • 13% Liveness
0% Instrumentalness • 36% Positiveness
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Lemon Squeezy
Things Are Looking Up
78 bpm • G# Maj • 02:54 • -19.04db
8% Popularity • 31% Danceability • 7% Energy • 6% Liveness
0% Instrumentalness • 25% Positiveness
8% Popularity • 31% Danceability • 7% Energy • 6% Liveness
0% Instrumentalness • 25% Positiveness
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OC Times
I Will Go Sailing No More
78 bpm • G Maj • 03:18 • -9.76db
15% Popularity • 24% Danceability • 8% Energy • 30% Liveness
0% Instrumentalness • 13% Positiveness
15% Popularity • 24% Danceability • 8% Energy • 30% Liveness
0% Instrumentalness • 13% Positiveness
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Saunder Choi
Leron, Leron Sinta
70 bpm • F# Maj • 03:36 • -27db
14% Popularity • 24% Danceability • 4% Energy • 11% Liveness
56% Instrumentalness • 4% Positiveness
14% Popularity • 24% Danceability • 4% Energy • 11% Liveness
56% Instrumentalness • 4% Positiveness
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The Barbershop Singers
My Wild Irish Rose
78 bpm • F Maj • 01:35 • -9.58db
11% Popularity • 26% Danceability • 16% Energy • 15% Liveness
0% Instrumentalness • 10% Positiveness
11% Popularity • 26% Danceability • 16% Energy • 15% Liveness
0% Instrumentalness • 10% Positiveness
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Vocal Spectrum
Bring Him Home
70 bpm • A# Maj • 04:05 • -13.44db
2% Popularity • 20% Danceability • 9% Energy • 10% Liveness
0% Instrumentalness • 4% Positiveness
2% Popularity • 20% Danceability • 9% Energy • 10% Liveness
0% Instrumentalness • 4% Positiveness
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Acappology
New Tomorrow
78 bpm • F# Maj • 02:46 • -8db
12% Popularity • 54% Danceability • 50% Energy • 7% Liveness
0% Instrumentalness • 56% Positiveness
12% Popularity • 54% Danceability • 50% Energy • 7% Liveness
0% Instrumentalness • 56% Positiveness
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Da Vinci's Notebook
I Wish I Were
78 bpm • D# Maj • 04:53 • -12db
21% Popularity • 49% Danceability • 25% Energy • 17% Liveness
0% Instrumentalness • 40% Positiveness
21% Popularity • 49% Danceability • 25% Energy • 17% Liveness
0% Instrumentalness • 40% Positiveness
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OC Times
Be My Baby Tonight
78 bpm • F Maj • 02:33 • -7.36db
8% Popularity • 64% Danceability • 38% Energy • 7% Liveness
0% Instrumentalness • 62% Positiveness
8% Popularity • 64% Danceability • 38% Energy • 7% Liveness
0% Instrumentalness • 62% Positiveness
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The Gas House Gang
Beethoven 5.1
70 bpm • F min • 07:17 • -8db
8% Popularity • 46% Danceability • 31% Energy • 13% Liveness
0% Instrumentalness • 30% Positiveness
8% Popularity • 46% Danceability • 31% Energy • 13% Liveness
0% Instrumentalness • 30% Positiveness
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GQ
Come What May
70 bpm • C Maj • 04:46 • -14.62db
15% Popularity • 27% Danceability • 7% Energy • 10% Liveness
0% Instrumentalness • 7% Positiveness
15% Popularity • 27% Danceability • 7% Energy • 10% Liveness
0% Instrumentalness • 7% Positiveness
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Asante Acappella
Freedom
79 bpm • G# min • 02:57 • -7.24db
10% Popularity • 63% Danceability • 37% Energy • 9% Liveness
0% Instrumentalness • 57% Positiveness
10% Popularity • 63% Danceability • 37% Energy • 9% Liveness
0% Instrumentalness • 57% Positiveness
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Crossroads
Crying
69 bpm • C Maj • 03:59 • -9db
10% Popularity • 29% Danceability • 14% Energy • 14% Liveness
0% Instrumentalness • 12% Positiveness
10% Popularity • 29% Danceability • 14% Energy • 14% Liveness
0% Instrumentalness • 12% Positiveness
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Joakim Arenius & Praise Unit
Celebrate the Lord
79 bpm • D Maj • 02:30 • -10.5db
8% Popularity • 49% Danceability • 41% Energy • 33% Liveness
0% Instrumentalness • 60% Positiveness
8% Popularity • 49% Danceability • 41% Energy • 33% Liveness
0% Instrumentalness • 60% Positiveness
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OC Times
Love Me
79 bpm • G# Maj • 03:23 • -9.49db
10% Popularity • 28% Danceability • 12% Energy • 12% Liveness
0% Instrumentalness • 14% Positiveness
10% Popularity • 28% Danceability • 12% Energy • 12% Liveness
0% Instrumentalness • 14% Positiveness
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4 in a Bar
God Only Knows
79 bpm • E Maj • 02:29 • -11.82db
10% Popularity • 24% Danceability • 12% Energy • 8% Liveness
0% Instrumentalness • 13% Positiveness
10% Popularity • 24% Danceability • 12% Energy • 8% Liveness
0% Instrumentalness • 13% Positiveness
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The Instant Classic
When She Loved Me
79 bpm • G Maj • 04:51 • -17.35db
14% Popularity • 18% Danceability • 3% Energy • 11% Liveness
0% Instrumentalness • 6% Positiveness
14% Popularity • 18% Danceability • 3% Energy • 11% Liveness
0% Instrumentalness • 6% Positiveness
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Ward Swingle
It was a lover and his lass
69 bpm • E Maj • 02:48 • -31.29db
10% Popularity • 30% Danceability • 3% Energy • 11% Liveness
0% Instrumentalness • 32% Positiveness
10% Popularity • 30% Danceability • 3% Energy • 11% Liveness
0% Instrumentalness • 32% Positiveness
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Crossroads
Better Than I
69 bpm • A Maj • 04:10 • -10db
7% Popularity • 30% Danceability • 7% Energy • 12% Liveness
0% Instrumentalness • 23% Positiveness
7% Popularity • 30% Danceability • 7% Energy • 12% Liveness
0% Instrumentalness • 23% Positiveness
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Bluegrass Student Union
I Can Dream Can't I
80 bpm • D# Maj • 03:22 • -12.64db
8% Popularity • 24% Danceability • 6% Energy • 8% Liveness
0% Instrumentalness • 7% Positiveness
8% Popularity • 24% Danceability • 6% Energy • 8% Liveness
0% Instrumentalness • 7% Positiveness
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Canadian Brass
Just a Closer Walk with Thee
80 bpm • A# Maj • 02:45 • -8.69db
8% Popularity • 46% Danceability • 46% Energy • 35% Liveness
66% Instrumentalness • 29% Positiveness
8% Popularity • 46% Danceability • 46% Energy • 35% Liveness
66% Instrumentalness • 29% Positiveness
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Lemon Squeezy
Love Walked In
80 bpm • C Maj • 03:59 • -7.32db
9% Popularity • 30% Danceability • 19% Energy • 19% Liveness
0% Instrumentalness • 4% Positiveness
9% Popularity • 30% Danceability • 19% Energy • 19% Liveness
0% Instrumentalness • 4% Positiveness
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The Instant Classic
Mills Brothers Medley
80 bpm • D min • 05:36 • -13.22db
8% Popularity • 54% Danceability • 10% Energy • 7% Liveness
0% Instrumentalness • 20% Positiveness
8% Popularity • 54% Danceability • 10% Energy • 7% Liveness
0% Instrumentalness • 20% Positiveness
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OC Times
Teddy Bear
80 bpm • A min • 02:02 • -11.31db
12% Popularity • 61% Danceability • 25% Energy • 18% Liveness
0% Instrumentalness • 56% Positiveness
12% Popularity • 61% Danceability • 25% Energy • 18% Liveness
0% Instrumentalness • 56% Positiveness
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Dhristian Eigueroa
My Room
80 bpm • G Maj • 02:21 • -31.69db
26% Popularity • 19% Danceability • 1% Energy • 10% Liveness
4% Instrumentalness • 5% Positiveness
26% Popularity • 19% Danceability • 1% Energy • 10% Liveness
4% Instrumentalness • 5% Positiveness
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The Swingles
Tokyo Sunrise
80 bpm • F# Maj • 04:37 • -10db
8% Popularity • 46% Danceability • 38% Energy • 12% Liveness
0% Instrumentalness • 6% Positiveness
8% Popularity • 46% Danceability • 38% Energy • 12% Liveness
0% Instrumentalness • 6% Positiveness
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Concordia Sacrae
Emerald Stream
80 bpm • A# min • 02:13 • -17.46db
9% Popularity • 46% Danceability • 29% Energy • 10% Liveness
0% Instrumentalness • 72% Positiveness
9% Popularity • 46% Danceability • 29% Energy • 10% Liveness
0% Instrumentalness • 72% Positiveness
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Ringmasters
I Got Life
80 bpm • G Maj • 03:03 • -8.14db
8% Popularity • 60% Danceability • 41% Energy • 14% Liveness
0% Instrumentalness • 46% Positiveness
8% Popularity • 60% Danceability • 41% Energy • 14% Liveness
0% Instrumentalness • 46% Positiveness
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Geoff Castellucci
Blackbird
80 bpm • A Maj • 03:47 • -13.4db
35% Popularity • 35% Danceability • 15% Energy • 11% Liveness
1% Instrumentalness • 20% Positiveness
35% Popularity • 35% Danceability • 15% Energy • 11% Liveness
1% Instrumentalness • 20% Positiveness
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Midtown
Come Back to Me
80 bpm • C Maj • 03:07 • -4db
10% Popularity • 38% Danceability • 39% Energy • 21% Liveness
0% Instrumentalness • 44% Positiveness
10% Popularity • 38% Danceability • 39% Energy • 21% Liveness
0% Instrumentalness • 44% Positiveness
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Lemon Squeezy
Too Darn Hot
80 bpm • F# Maj • 04:15 • -20.41db
5% Popularity • 32% Danceability • 6% Energy • 20% Liveness
0% Instrumentalness • 30% Positiveness
5% Popularity • 32% Danceability • 6% Energy • 20% Liveness
0% Instrumentalness • 30% Positiveness
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University of Nebraska-Lincoln Bathtub Dogs
Lost In the Waves
81 bpm • D# Maj • 03:44 • -8.95db
8% Popularity • 31% Danceability • 25% Energy • 11% Liveness
0% Instrumentalness • 15% Positiveness
8% Popularity • 31% Danceability • 25% Energy • 11% Liveness
0% Instrumentalness • 15% Positiveness
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The Harvard Krokodiloes
La Vie En Rose
81 bpm • C# Maj • 03:32 • -13.83db
10% Popularity • 34% Danceability • 13% Energy • 10% Liveness
0% Instrumentalness • 9% Positiveness
10% Popularity • 34% Danceability • 13% Energy • 10% Liveness
0% Instrumentalness • 9% Positiveness
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Ringmasters
All Shook Up
80 bpm • A# Maj • 02:08 • -8.85db
13% Popularity • 65% Danceability • 37% Energy • 26% Liveness
0% Instrumentalness • 60% Positiveness
13% Popularity • 65% Danceability • 37% Energy • 26% Liveness
0% Instrumentalness • 60% Positiveness
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Max Q
You Can Fly
81 bpm • F Maj • 02:34 • -10.46db
9% Popularity • 42% Danceability • 12% Energy • 9% Liveness
0% Instrumentalness • 19% Positiveness
9% Popularity • 42% Danceability • 12% Energy • 9% Liveness
0% Instrumentalness • 19% Positiveness
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VOCA PEOPLE
Thank You For The Music
81 bpm • E Maj • 01:38 • -8db
23% Popularity • 41% Danceability • 34% Energy • 11% Liveness
0% Instrumentalness • 42% Positiveness
23% Popularity • 41% Danceability • 34% Energy • 11% Liveness
0% Instrumentalness • 42% Positiveness
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The Varsity Singers
Bright College Years
81 bpm • C# Maj • 01:37 • -16.1db
13% Popularity • 33% Danceability • 7% Energy • 21% Liveness
0% Instrumentalness • 26% Positiveness
13% Popularity • 33% Danceability • 7% Energy • 21% Liveness
0% Instrumentalness • 26% Positiveness
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Collabro
The Old Rugged Cross
81 bpm • F Maj • 04:32 • -14.59db
8% Popularity • 30% Danceability • 11% Energy • 12% Liveness
0% Instrumentalness • 23% Positiveness
8% Popularity • 30% Danceability • 11% Energy • 12% Liveness
0% Instrumentalness • 23% Positiveness
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Favoured MG
Vangeli
81 bpm • E Maj • 04:29 • -9.48db
13% Popularity • 24% Danceability • 26% Energy • 16% Liveness
0% Instrumentalness • 24% Positiveness
13% Popularity • 24% Danceability • 26% Energy • 16% Liveness
0% Instrumentalness • 24% Positiveness
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Ringmasters
Aftonen
81 bpm • D Maj • 03:42 • -11.82db
6% Popularity • 13% Danceability • 14% Energy • 14% Liveness
38% Instrumentalness • 4% Positiveness
6% Popularity • 13% Danceability • 14% Energy • 14% Liveness
38% Instrumentalness • 4% Positiveness
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Dhristian Eigueroa
My Life
82 bpm • A min • 02:52 • -22.81db
26% Popularity • 30% Danceability • 3% Energy • 13% Liveness
1% Instrumentalness • 11% Positiveness
26% Popularity • 30% Danceability • 3% Energy • 13% Liveness
1% Instrumentalness • 11% Positiveness
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4:2:Five
The Chicken Song
82 bpm • E Maj • 04:19 • -16.49db
15% Popularity • 56% Danceability • 45% Energy • 83% Liveness
0% Instrumentalness • 36% Positiveness
15% Popularity • 56% Danceability • 45% Energy • 83% Liveness
0% Instrumentalness • 36% Positiveness
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Hopers Zambia
Angels
82 bpm • D# Maj • 02:57 • -12.66db
10% Popularity • 38% Danceability • 20% Energy • 12% Liveness
0% Instrumentalness • 33% Positiveness
10% Popularity • 38% Danceability • 20% Energy • 12% Liveness
0% Instrumentalness • 33% Positiveness
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Brian Stokes Mitchell
The Impossible Dream (The Quest)
82 bpm • A Maj • 03:53 • -9.28db
37% Popularity • 39% Danceability • 32% Energy • 8% Liveness
1% Instrumentalness • 28% Positiveness
37% Popularity • 39% Danceability • 32% Energy • 8% Liveness
1% Instrumentalness • 28% Positiveness
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Toccatatones
I Hear a Symphony
82 bpm • D# Maj • 03:27 • -10db
9% Popularity • 20% Danceability • 23% Energy • 12% Liveness
0% Instrumentalness • 23% Positiveness
9% Popularity • 20% Danceability • 23% Energy • 12% Liveness
0% Instrumentalness • 23% Positiveness
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Ringmasters
Baby Driver (Reprise)
81 bpm • D# Maj • 01:07 • -6.88db
5% Popularity • 43% Danceability • 56% Energy • 36% Liveness
0% Instrumentalness • 44% Positiveness
5% Popularity • 43% Danceability • 56% Energy • 36% Liveness
0% Instrumentalness • 44% Positiveness
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Vocal Line
Why Should I Cry for You
82 bpm • G# Maj • 04:04 • -10db
11% Popularity • 48% Danceability • 27% Energy • 9% Liveness
0% Instrumentalness • 19% Positiveness
11% Popularity • 48% Danceability • 27% Energy • 9% Liveness
0% Instrumentalness • 19% Positiveness
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Rochester College A Cappella Chorus
Daniel, Daniel, Servant of the Lord
82 bpm • B min • 02:21 • -17db
16% Popularity • 33% Danceability • 18% Energy • 36% Liveness
0% Instrumentalness • 19% Positiveness
16% Popularity • 33% Danceability • 18% Energy • 36% Liveness
0% Instrumentalness • 19% Positiveness
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Bluegrass Student Union
Sixteen Tons
66 bpm • C# min • 02:36 • -16.38db
8% Popularity • 31% Danceability • 15% Energy • 11% Liveness
0% Instrumentalness • 32% Positiveness
8% Popularity • 31% Danceability • 15% Energy • 11% Liveness
0% Instrumentalness • 32% Positiveness
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4:2:Five
Goodnight Sweetheart
82 bpm • A# Maj • 02:04 • -11.49db
19% Popularity • 34% Danceability • 18% Energy • 9% Liveness
0% Instrumentalness • 37% Positiveness
19% Popularity • 34% Danceability • 18% Energy • 9% Liveness
0% Instrumentalness • 37% Positiveness
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Ensemble Perspectives
Joshua - Arranged for Choir
82 bpm • F min • 01:58 • -10.73db
15% Popularity • 45% Danceability • 40% Energy • 10% Liveness
0% Instrumentalness • 53% Positiveness
15% Popularity • 45% Danceability • 40% Energy • 10% Liveness
0% Instrumentalness • 53% Positiveness
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Ringmasters
Baby Driver
82 bpm • G# Maj • 02:45 • -8db
14% Popularity • 53% Danceability • 41% Energy • 30% Liveness
0% Instrumentalness • 69% Positiveness
14% Popularity • 53% Danceability • 41% Energy • 30% Liveness
0% Instrumentalness • 69% Positiveness
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The Instant Classic
You Gotta Change Parts
66 bpm • G# Maj • 03:50 • -14.34db
15% Popularity • 34% Danceability • 5% Energy • 15% Liveness
0% Instrumentalness • 8% Positiveness
15% Popularity • 34% Danceability • 5% Energy • 15% Liveness
0% Instrumentalness • 8% Positiveness
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The Gas House Gang
Blackbird / I Will Medley
83 bpm • G# Maj • 05:00 • -9.56db
8% Popularity • 22% Danceability • 16% Energy • 11% Liveness
0% Instrumentalness • 7% Positiveness
8% Popularity • 22% Danceability • 16% Energy • 11% Liveness
0% Instrumentalness • 7% Positiveness
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The Duke's Men
She's Always a Woman
83 bpm • C# Maj • 03:41 • -11.21db
9% Popularity • 40% Danceability • 33% Energy • 12% Liveness
0% Instrumentalness • 25% Positiveness
9% Popularity • 40% Danceability • 33% Energy • 12% Liveness
0% Instrumentalness • 25% Positiveness
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Voices in Your Head
Hallelujah
83 bpm • D Maj • 04:16 • -10.88db
11% Popularity • 25% Danceability • 16% Energy • 67% Liveness
0% Instrumentalness • 22% Positiveness
11% Popularity • 25% Danceability • 16% Energy • 67% Liveness
0% Instrumentalness • 22% Positiveness
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Tonic Sol-Fa
Brown Eyed Girl
83 bpm • F# Maj • 02:47 • -5db
28% Popularity • 56% Danceability • 73% Energy • 23% Liveness
0% Instrumentalness • 90% Positiveness
28% Popularity • 56% Danceability • 73% Energy • 23% Liveness
0% Instrumentalness • 90% Positiveness
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Ringmasters
Kung Liljekonvalje
82 bpm • A# min • 03:16 • -10.55db
10% Popularity • 25% Danceability • 21% Energy • 10% Liveness
0% Instrumentalness • 6% Positiveness
10% Popularity • 25% Danceability • 21% Energy • 10% Liveness
0% Instrumentalness • 6% Positiveness
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OC Times
Grow Old With You
83 bpm • G# Maj • 01:47 • -14.39db
19% Popularity • 35% Danceability • 15% Energy • 34% Liveness
0% Instrumentalness • 19% Positiveness
19% Popularity • 35% Danceability • 15% Energy • 34% Liveness
0% Instrumentalness • 19% Positiveness
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Max Q
Put Your Arms Around Me Honey / Them Gir...
84 bpm • F Maj • 03:09 • -6.51db
9% Popularity • 41% Danceability • 44% Energy • 8% Liveness
0% Instrumentalness • 24% Positiveness
9% Popularity • 41% Danceability • 44% Energy • 8% Liveness
0% Instrumentalness • 24% Positiveness
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Da Vinci's Notebook
What a Wonderful World
84 bpm • D Maj • 02:41 • -14.64db
19% Popularity • 52% Danceability • 9% Energy • 12% Liveness
0% Instrumentalness • 25% Positiveness
19% Popularity • 52% Danceability • 9% Energy • 12% Liveness
0% Instrumentalness • 25% Positiveness
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Voices in Your Head
Heroes Listen
84 bpm • F Maj • 04:32 • -9.3db
9% Popularity • 25% Danceability • 24% Energy • 16% Liveness
0% Instrumentalness • 20% Positiveness
9% Popularity • 25% Danceability • 24% Energy • 16% Liveness
0% Instrumentalness • 20% Positiveness
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Karen Linford Robinson
High Flight
84 bpm • C Maj • 05:28 • -22.77db
12% Popularity • 18% Danceability • 8% Energy • 7% Liveness
31% Instrumentalness • 4% Positiveness
12% Popularity • 18% Danceability • 8% Energy • 7% Liveness
31% Instrumentalness • 4% Positiveness
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Ringmasters
Blackbird
83 bpm • F# Maj • 02:44 • -10.88db
21% Popularity • 23% Danceability • 17% Energy • 16% Liveness
5% Instrumentalness • 21% Positiveness
21% Popularity • 23% Danceability • 17% Energy • 16% Liveness
5% Instrumentalness • 21% Positiveness
