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For What Awaits
Songs like
For What Awaits
by
Daniel Kaede
Based on a tempo of (+/- 10%) and a similar genre
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Kim Aspen
Shallow Oceans
124 bpm • C min • 03:05 • -13.98db
28% Popularity • 77% Danceability • 31% Energy • 12% Liveness
84% Instrumentalness • 10% Positiveness
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Gabriel Femi
Kosmos
124 bpm • C Maj • 02:33 • -17.81db
22% Popularity • 74% Danceability • 17% Energy • 7% Liveness
72% Instrumentalness • 27% Positiveness
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FREJOH
Wordless
124 bpm • F Maj • 03:52 • -14db
27% Popularity • 94% Danceability • 4% Energy • 10% Liveness
58% Instrumentalness • 34% Positiveness
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Toledo Heights
Unforced
124 bpm • A Maj • 02:21 • -19.8db
27% Popularity • 79% Danceability • 8% Energy • 11% Liveness
91% Instrumentalness • 20% Positiveness
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Channing Spence
On Hold
124 bpm • A Maj • 03:14 • -11db
13% Popularity • 70% Danceability • 19% Energy • 14% Liveness
22% Instrumentalness • 20% Positiveness
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Daniel Kaede
For What Awaits
124 bpm • D Maj • 02:59 • -13.89db
32% Popularity • 63% Danceability • 23% Energy • 12% Liveness
85% Instrumentalness • 42% Positiveness
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Kim Aspen
Interstelled
124 bpm • B min • 02:47 • -13.42db
18% Popularity • 63% Danceability • 30% Energy • 11% Liveness
92% Instrumentalness • 19% Positiveness
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Tom Ellenhag
Whispers
124 bpm • B Maj • 03:08 • -13.27db
38% Popularity • 69% Danceability • 21% Energy • 11% Liveness
88% Instrumentalness • 23% Positiveness
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Aias Conor
Pacific Crossing
123 bpm • C min • 03:18 • -12.12db
31% Popularity • 61% Danceability • 34% Energy • 10% Liveness
89% Instrumentalness • 26% Positiveness
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Between the Dots
Mountain Sunrise
123 bpm • E min • 01:45 • -15.62db
25% Popularity • 40% Danceability • 20% Energy • 33% Liveness
96% Instrumentalness • 3% Positiveness
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Mark Kroos
Be Still & Know
125 bpm • D Maj • 03:07 • -16db
29% Popularity • 66% Danceability • 6% Energy • 12% Liveness
48% Instrumentalness • 35% Positiveness
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Chris Embers
Invitation
126 bpm • D min • 02:38 • -19.1db
33% Popularity • 39% Danceability • 9% Energy • 11% Liveness
94% Instrumentalness • 41% Positiveness
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Roberto Diana
Before Dawn
122 bpm • B min • 02:43 • -16db
26% Popularity • 48% Danceability • 19% Energy • 12% Liveness
32% Instrumentalness • 19% Positiveness
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Dawn, Dawn, Dawn
My Open Hand
122 bpm • A Maj • 03:11 • -12.83db
19% Popularity • 60% Danceability • 32% Energy • 25% Liveness
96% Instrumentalness • 17% Positiveness
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Al McCain
Magic Wind
126 bpm • D Maj • 02:02 • -22.87db
40% Popularity • 64% Danceability • 3% Energy • 11% Liveness
85% Instrumentalness • 35% Positiveness
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Channing Spence
The Return of Cupid
126 bpm • B Maj • 03:07 • -10.74db
21% Popularity • 65% Danceability • 24% Energy • 10% Liveness
85% Instrumentalness • 11% Positiveness
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Aurélien Trigo
Headroom
126 bpm • A Maj • 02:52 • -20.63db
35% Popularity • 41% Danceability • 12% Energy • 11% Liveness
96% Instrumentalness • 19% Positiveness
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Michelle Qureshi
Skipping Stones
126 bpm • C# Maj • 03:24 • -20.84db
25% Popularity • 54% Danceability • 9% Energy • 12% Liveness
83% Instrumentalness • 30% Positiveness
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Muniesa
Chip Chip
122 bpm • A Maj • 02:19 • -22.46db
31% Popularity • 51% Danceability • 2% Energy • 12% Liveness
92% Instrumentalness • 33% Positiveness
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Allan Soderbergh
Spirited Away
122 bpm • A Maj • 02:03 • -15.54db
26% Popularity • 71% Danceability • 11% Energy • 14% Liveness
75% Instrumentalness • 20% Positiveness
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Realizer
Rolling Hills
122 bpm • G Maj • 01:54 • -16db
35% Popularity • 55% Danceability • 25% Energy • 11% Liveness
89% Instrumentalness • 46% Positiveness
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Daniel Kaede
To the Coast of Ceylon
127 bpm • D Maj • 02:32 • -9.74db
24% Popularity • 69% Danceability • 26% Energy • 10% Liveness
90% Instrumentalness • 28% Positiveness
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Channing Spence
Forevermore
121 bpm • A Maj • 02:05 • -11.8db
32% Popularity • 62% Danceability • 37% Energy • 11% Liveness
80% Instrumentalness • 15% Positiveness
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Josephine Forrester
The Other Side Of The Sun
121 bpm • E Maj • 02:35 • -15db
43% Popularity • 60% Danceability • 16% Energy • 11% Liveness
94% Instrumentalness • 21% Positiveness
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Sheldon Sandberg
Dancing Feet
127 bpm • G Maj • 02:09 • -18.92db
30% Popularity • 45% Danceability • 20% Energy • 11% Liveness
93% Instrumentalness • 42% Positiveness
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Czarina Frost
Airborne
128 bpm • F# Maj • 01:44 • -15.47db
40% Popularity • 67% Danceability • 24% Energy • 10% Liveness
93% Instrumentalness • 47% Positiveness
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Realizer
Around
122 bpm • E Maj • 02:29 • -15db
34% Popularity • 52% Danceability • 35% Energy • 10% Liveness
91% Instrumentalness • 22% Positiveness
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Daniel Kaede
Distant Fortune
121 bpm • G Maj • 03:21 • -14.69db
36% Popularity • 70% Danceability • 24% Energy • 11% Liveness
89% Instrumentalness • 40% Positiveness
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Kent Paters
Peacefulness
121 bpm • A min • 03:12 • -16.4db
26% Popularity • 75% Danceability • 14% Energy • 11% Liveness
85% Instrumentalness • 9% Positiveness
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John Hanks
Be Over Ay
120 bpm • G# Maj • 02:02 • -15.68db
31% Popularity • 66% Danceability • 23% Energy • 11% Liveness
92% Instrumentalness • 4% Positiveness
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Henrik Janson
Capri Interlude For Guitar and Strings
120 bpm • C Maj • 01:43 • -15.3db
42% Popularity • 59% Danceability • 14% Energy • 9% Liveness
86% Instrumentalness • 16% Positiveness
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Vadim Cervenka
In My Garden
128 bpm • E Maj • 04:03 • -8.6db
23% Popularity • 69% Danceability • 37% Energy • 13% Liveness
89% Instrumentalness • 13% Positiveness
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Realizer
Lucid
127 bpm • A Maj • 02:54 • -15.68db
26% Popularity • 56% Danceability • 27% Energy • 10% Liveness
89% Instrumentalness • 23% Positiveness
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Daniel Kaede
Southern
121 bpm • A min • 02:38 • -10.34db
32% Popularity • 53% Danceability • 37% Energy • 12% Liveness
91% Instrumentalness • 42% Positiveness
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Aurélien Trigo
Like a Lullaby
128 bpm • D Maj • 02:39 • -12.75db
24% Popularity • 64% Danceability • 18% Energy • 13% Liveness
78% Instrumentalness • 40% Positiveness
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Alan Shoesmith
Pastel Phase
128 bpm • E Maj • 02:27 • -14.54db
36% Popularity • 79% Danceability • 17% Energy • 16% Liveness
94% Instrumentalness • 32% Positiveness
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River Foxcroft
Excelsior
128 bpm • F Maj • 03:26 • -14.34db
22% Popularity • 51% Danceability • 28% Energy • 11% Liveness
90% Instrumentalness • 31% Positiveness
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Enrico Carmona
Tranceformation
120 bpm • D Maj • 02:48 • -16.11db
43% Popularity • 72% Danceability • 24% Energy • 10% Liveness
85% Instrumentalness • 11% Positiveness
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John A. Nilson
Ave Nocturne
120 bpm • D Maj • 03:24 • -16.46db
38% Popularity • 82% Danceability • 12% Energy • 11% Liveness
79% Instrumentalness • 16% Positiveness
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Harper Adams
Intention
120 bpm • G Maj • 02:16 • -16.39db
21% Popularity • 56% Danceability • 34% Energy • 11% Liveness
92% Instrumentalness • 47% Positiveness
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Henrik Janson
Vero Amore
120 bpm • A min • 02:40 • -21db
22% Popularity • 84% Danceability • 6% Energy • 11% Liveness
56% Instrumentalness • 20% Positiveness
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Kent Paters
Purple Sunset
120 bpm • G Maj • 03:21 • -13.88db
25% Popularity • 76% Danceability • 20% Energy • 12% Liveness
82% Instrumentalness • 25% Positiveness
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Happy Pastures
Peter The Wild Boy
120 bpm • F# Maj • 03:17 • -15.95db
17% Popularity • 78% Danceability • 22% Energy • 11% Liveness
92% Instrumentalness • 17% Positiveness
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Enrico Carmona
Braids
120 bpm • C Maj • 03:30 • -14db
40% Popularity • 72% Danceability • 21% Energy • 10% Liveness
89% Instrumentalness • 16% Positiveness
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Henry Windon
Monday Morning
120 bpm • G Maj • 03:19 • -17.1db
29% Popularity • 76% Danceability • 12% Energy • 11% Liveness
93% Instrumentalness • 4% Positiveness
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Dorian Tyrell
The King of Hearts
128 bpm • C Maj • 02:43 • -9.64db
18% Popularity • 75% Danceability • 25% Energy • 10% Liveness
92% Instrumentalness • 30% Positiveness
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John Hanks
Hills And Horizons
120 bpm • D Maj • 02:36 • -18.06db
33% Popularity • 75% Danceability • 14% Energy • 6% Liveness
91% Instrumentalness • 26% Positiveness
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Will Moore
Walking in Paris
120 bpm • D Maj • 02:28 • -12.03db
29% Popularity • 68% Danceability • 28% Energy • 11% Liveness
84% Instrumentalness • 34% Positiveness
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Daniel Westley
First Movement
120 bpm • D Maj • 02:26 • -16db
30% Popularity • 79% Danceability • 11% Energy • 11% Liveness
85% Instrumentalness • 8% Positiveness
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Leonardo Reyes
Parents
120 bpm • B min • 03:56 • -13.78db
18% Popularity • 77% Danceability • 11% Energy • 11% Liveness
94% Instrumentalness • 30% Positiveness
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Cary Bestwood
By The Campfire
120 bpm • D Maj • 02:14 • -15db
23% Popularity • 88% Danceability • 17% Energy • 10% Liveness
85% Instrumentalness • 18% Positiveness
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Henrik Janson
Capri Interlude
120 bpm • C Maj • 01:43 • -13.18db
33% Popularity • 85% Danceability • 19% Energy • 9% Liveness
88% Instrumentalness • 22% Positiveness
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August Flendahl
A Walk in the Forest
120 bpm • F# min • 02:32 • -15db
21% Popularity • 73% Danceability • 39% Energy • 10% Liveness
88% Instrumentalness • 52% Positiveness
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Caleufu
Ali
120 bpm • F Maj • 02:07 • -18.14db
33% Popularity • 63% Danceability • 11% Energy • 7% Liveness
27% Instrumentalness • 10% Positiveness
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Kim Aspen
Lightyears In No Time
120 bpm • G min • 03:26 • -13db
11% Popularity • 62% Danceability • 18% Energy • 20% Liveness
91% Instrumentalness • 4% Positiveness
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Sisters Of Marks
Under Taken
120 bpm • C Maj • 02:56 • -17db
32% Popularity • 56% Danceability • 22% Energy • 12% Liveness
90% Instrumentalness • 17% Positiveness
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Ciaran Delany
Mirror
120 bpm • C# Maj • 03:02 • -16db
28% Popularity • 75% Danceability • 22% Energy • 13% Liveness
91% Instrumentalness • 45% Positiveness
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Cary Bestwood
At The Saloon
120 bpm • G Maj • 02:18 • -17db
28% Popularity • 69% Danceability • 18% Energy • 10% Liveness
92% Instrumentalness • 31% Positiveness
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August Flendahl
It Takes Endurance
120 bpm • D# min • 02:10 • -14db
38% Popularity • 84% Danceability • 14% Energy • 11% Liveness
89% Instrumentalness • 47% Positiveness
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Whalebone
Follow the River
120 bpm • G Maj • 02:18 • -17db
40% Popularity • 67% Danceability • 28% Energy • 11% Liveness
95% Instrumentalness • 52% Positiveness
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Eric Kenesov
re:stacks
120 bpm • F Maj • 03:35 • -13.58db
39% Popularity • 79% Danceability • 22% Energy • 11% Liveness
91% Instrumentalness • 21% Positiveness
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Bill Valentino
Under a Starlit Sky
120 bpm • E Maj • 02:29 • -20db
38% Popularity • 88% Danceability • 5% Energy • 11% Liveness
87% Instrumentalness • 23% Positiveness
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Claes Nilsson
Awakening
120 bpm • E Maj • 02:43 • -14db
16% Popularity • 60% Danceability • 5% Energy • 11% Liveness
86% Instrumentalness • 14% Positiveness
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Gabriel Femi
Reflections
120 bpm • G Maj • 01:55 • -16.8db
36% Popularity • 66% Danceability • 15% Energy • 11% Liveness
95% Instrumentalness • 32% Positiveness
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August Flendahl
A Life Worth Remembering
120 bpm • B min • 02:53 • -14db
31% Popularity • 77% Danceability • 17% Energy • 12% Liveness
90% Instrumentalness • 28% Positiveness
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Peter Lainson
Winding Stream
120 bpm • G# Maj • 01:57 • -14.64db
40% Popularity • 59% Danceability • 11% Energy • 11% Liveness
96% Instrumentalness • 23% Positiveness
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BeAlicia
Guitarra De Aire
120 bpm • E min • 03:45 • -18.08db
19% Popularity • 43% Danceability • 15% Energy • 10% Liveness
94% Instrumentalness • 42% Positiveness
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Allan Soderbergh
Stars Rising
128 bpm • C Maj • 02:35 • -20.8db
33% Popularity • 70% Danceability • 4% Energy • 12% Liveness
93% Instrumentalness • 15% Positiveness
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John A. Nilson
Rainbows
120 bpm • D Maj • 02:27 • -17db
37% Popularity • 77% Danceability • 14% Energy • 13% Liveness
84% Instrumentalness • 16% Positiveness
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Tomas Hilber
Comets
120 bpm • D min • 01:41 • -14.93db
21% Popularity • 68% Danceability • 15% Energy • 10% Liveness
79% Instrumentalness • 5% Positiveness
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Minos Gold
Harvesting
120 bpm • A Maj • 02:15 • -17.9db
41% Popularity • 77% Danceability • 9% Energy • 9% Liveness
79% Instrumentalness • 17% Positiveness
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Miguel Serugetti
Softly
129 bpm • A Maj • 02:25 • -18.34db
42% Popularity • 60% Danceability • 6% Energy • 13% Liveness
92% Instrumentalness • 18% Positiveness
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Olma
Melrose
129 bpm • C Maj • 02:04 • -23.69db
28% Popularity • 60% Danceability • 6% Energy • 11% Liveness
91% Instrumentalness • 10% Positiveness
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Auguste Henrique
Purple
119 bpm • C Maj • 01:54 • -17.01db
7% Popularity • 73% Danceability • 11% Energy • 10% Liveness
69% Instrumentalness • 15% Positiveness
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Cody Francis
I Remember Well
129 bpm • D Maj • 03:06 • -12.33db
29% Popularity • 70% Danceability • 46% Energy • 8% Liveness
78% Instrumentalness • 56% Positiveness
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August D. Valentine
Autumn
129 bpm • G Maj • 02:35 • -16.06db
29% Popularity • 54% Danceability • 13% Energy • 10% Liveness
94% Instrumentalness • 43% Positiveness
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Andri Hart
Colors of the Sun
129 bpm • C Maj • 02:26 • -16.18db
29% Popularity • 50% Danceability • 4% Energy • 11% Liveness
55% Instrumentalness • 24% Positiveness
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Realizer
Hylo
129 bpm • E Maj • 02:55 • -17.89db
27% Popularity • 53% Danceability • 30% Energy • 10% Liveness
84% Instrumentalness • 17% Positiveness
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Taz Steen
Weightless
119 bpm • C Maj • 02:30 • -15.46db
16% Popularity • 61% Danceability • 19% Energy • 11% Liveness
93% Instrumentalness • 26% Positiveness
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Aias Conor
Empty Shorelines
119 bpm • G Maj • 02:59 • -14.32db
33% Popularity • 78% Danceability • 18% Energy • 11% Liveness
88% Instrumentalness • 22% Positiveness
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Miguel Serugetti
La Lunga Strada
119 bpm • G Maj • 02:03 • -18.79db
33% Popularity • 66% Danceability • 10% Energy • 11% Liveness
35% Instrumentalness • 11% Positiveness
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Daniel Kaede
When the Ocean Sleeps
130 bpm • B Maj • 03:13 • -7.59db
21% Popularity • 78% Danceability • 35% Energy • 10% Liveness
86% Instrumentalness • 37% Positiveness
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Jessica Grange
Esta Calma
130 bpm • E min • 02:04 • -13.66db
10% Popularity • 67% Danceability • 12% Energy • 10% Liveness
30% Instrumentalness • 7% Positiveness
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Realizer
Abalone
119 bpm • A Maj • 01:57 • -17db
26% Popularity • 62% Danceability • 26% Energy • 11% Liveness
77% Instrumentalness • 18% Positiveness
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Kim Aspen
Dimension Five
130 bpm • B min • 03:33 • -14.27db
17% Popularity • 66% Danceability • 26% Energy • 11% Liveness
82% Instrumentalness • 32% Positiveness
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Oscar Roland
Long Road Ahead
118 bpm • G Maj • 01:05 • -16.14db
30% Popularity • 60% Danceability • 22% Energy • 11% Liveness
91% Instrumentalness • 19% Positiveness
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Hans Wolfgang Ziegler
Sunny & Cloudy
118 bpm • G min • 02:17 • -18.23db
35% Popularity • 79% Danceability • 12% Energy • 11% Liveness
92% Instrumentalness • 10% Positiveness
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Roberto Dalla Vecchia
Whispering Grove
118 bpm • A Maj • 03:37 • -20.69db
28% Popularity • 44% Danceability • 10% Energy • 12% Liveness
88% Instrumentalness • 37% Positiveness
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Daniel Kaede
Light over Bad Lands
130 bpm • G Maj • 02:32 • -11.19db
26% Popularity • 60% Danceability • 29% Energy • 11% Liveness
87% Instrumentalness • 29% Positiveness
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Realizer
Mountain Hymn
130 bpm • G Maj • 02:39 • -20.31db
32% Popularity • 61% Danceability • 10% Energy • 11% Liveness
96% Instrumentalness • 14% Positiveness
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Sebastian Winskog
Mornings
118 bpm • F# Maj • 02:34 • -13.81db
30% Popularity • 69% Danceability • 27% Energy • 11% Liveness
82% Instrumentalness • 23% Positiveness
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Muniesa
Smiling You
117 bpm • A Maj • 02:56 • -22.26db
32% Popularity • 54% Danceability • 8% Energy • 12% Liveness
58% Instrumentalness • 12% Positiveness
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Don Steale
My Deep Desolation
117 bpm • B Maj • 03:54 • -14.28db
30% Popularity • 72% Danceability • 14% Energy • 11% Liveness
79% Instrumentalness • 28% Positiveness
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Elijah Stone
Love Again
131 bpm • G# Maj • 02:23 • -21.09db
40% Popularity • 52% Danceability • 17% Energy • 12% Liveness
91% Instrumentalness • 17% Positiveness
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American Legion
Fireside Advice
117 bpm • E Maj • 03:03 • -16.5db
31% Popularity • 48% Danceability • 15% Energy • 10% Liveness
94% Instrumentalness • 22% Positiveness
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Czarina Frost
Moonrise
132 bpm • D Maj • 02:04 • -18.28db
39% Popularity • 48% Danceability • 10% Energy • 12% Liveness
86% Instrumentalness • 28% Positiveness
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Sebastian Winskog
Forests
117 bpm • C Maj • 02:20 • -15.28db
39% Popularity • 64% Danceability • 14% Energy • 11% Liveness
90% Instrumentalness • 8% Positiveness
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Muniesa
Not so Far
117 bpm • A# Maj • 02:28 • -21.43db
32% Popularity • 59% Danceability • 10% Energy • 9% Liveness
89% Instrumentalness • 18% Positiveness
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Ivan Bielsa
Hügel des Nordens
117 bpm • A# Maj • 02:03 • -22.77db
39% Popularity • 60% Danceability • 10% Energy • 11% Liveness
96% Instrumentalness • 10% Positiveness
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Dominique Saison
Morning In Paris
117 bpm • D Maj • 02:07 • -13.33db
32% Popularity • 62% Danceability • 26% Energy • 10% Liveness
86% Instrumentalness • 34% Positiveness
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For What Awaits