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Forearm Shiver
Songs like
Forearm Shiver
by
Sam Spence
Based on a tempo of (+/- 10%) and a similar genre
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Sam Spence
Forearm Shiver
173 bpm • D min • 02:40 • -7.79db
34% Popularity • 50% Danceability • 71% Energy • 12% Liveness
93% Instrumentalness • 84% Positiveness
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Peter Winslow
Goodbye Rodney
173 bpm • F min • 01:52 • -13.32db
11% Popularity • 25% Danceability • 41% Energy • 12% Liveness
88% Instrumentalness • 32% Positiveness
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Heinz Kiessling
On Your Bike
172 bpm • F Maj • 02:15 • -11.48db
29% Popularity • 38% Danceability • 40% Energy • 8% Liveness
0% Instrumentalness • 80% Positiveness
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John Shakespeare
Bell Hop
172 bpm • G Maj • 02:40 • -10.44db
22% Popularity • 51% Danceability • 42% Energy • 24% Liveness
27% Instrumentalness • 40% Positiveness
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Rolf Krueger
The Grinder
172 bpm • C Maj • 02:22 • -7.75db
18% Popularity • 43% Danceability • 96% Energy • 66% Liveness
93% Instrumentalness • 72% Positiveness
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Los Lobos Featuring Arturo Sandoval
Walk Don't Rango
174 bpm • C Maj • 02:47 • -6.4db
36% Popularity • 40% Danceability • 90% Energy • 81% Liveness
93% Instrumentalness • 55% Positiveness
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Elmer Bernstein
Ghostbusters Theme
171 bpm • C# Maj • 03:01 • -14.21db
36% Popularity • 57% Danceability • 21% Energy • 10% Liveness
15% Instrumentalness • 41% Positiveness
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Frank Chacksfield
Dapper Don
175 bpm • G Maj • 02:41 • -9db
16% Popularity • 37% Danceability • 27% Energy • 26% Liveness
15% Instrumentalness • 66% Positiveness
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Jim Long
Powersurge
175 bpm • F Maj • 02:24 • -9.55db
17% Popularity • 61% Danceability • 80% Energy • 9% Liveness
0% Instrumentalness • 79% Positiveness
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Werner Tautz
Grand Central
171 bpm • A# Maj • 03:15 • -7.94db
23% Popularity • 44% Danceability • 74% Energy • 14% Liveness
78% Instrumentalness • 77% Positiveness
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Kristofer Maddigan
Inkwell Isle One
170 bpm • D Maj • 03:15 • -6.69db
36% Popularity • 58% Danceability • 48% Energy • 14% Liveness
75% Instrumentalness • 85% Positiveness
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Veritas
Moon Men
170 bpm • G Maj • 02:30 • -11.7db
33% Popularity • 57% Danceability • 54% Energy • 35% Liveness
78% Instrumentalness • 72% Positiveness
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The Meltones
Return Of The Surfin' Headhunters
170 bpm • C Maj • 01:57 • -2.79db
16% Popularity • 33% Danceability • 92% Energy • 16% Liveness
92% Instrumentalness • 84% Positiveness
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Dominic Lewis
The Hornet Stings
170 bpm • C# Maj • 02:16 • -19.89db
18% Popularity • 24% Danceability • 13% Energy • 20% Liveness
72% Instrumentalness • 4% Positiveness
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Johnny Mandel
The Big Bang
177 bpm • D# Maj • 02:03 • -5.39db
15% Popularity • 52% Danceability • 93% Energy • 10% Liveness
66% Instrumentalness • 91% Positiveness
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Robert Folk
Ace in Africa
169 bpm • D Maj • 04:12 • -10db
23% Popularity • 59% Danceability • 79% Energy • 38% Liveness
90% Instrumentalness • 66% Positiveness
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Brad Fiedel
Tunnel Chase
177 bpm • E min • 05:13 • -9.64db
25% Popularity • 36% Danceability • 96% Energy • 10% Liveness
91% Instrumentalness • 16% Positiveness
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Johnny Hawksworth
Er Indoors
177 bpm • C Maj • 02:22 • -9.56db
21% Popularity • 66% Danceability • 45% Energy • 6% Liveness
49% Instrumentalness • 96% Positiveness
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The Meltones
Fault Line
169 bpm • C# min • 02:06 • -4.21db
9% Popularity • 37% Danceability • 90% Energy • 12% Liveness
91% Instrumentalness • 82% Positiveness
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Michael McCuistion
Justice League Unlimited Theme
177 bpm • A# Maj • 01:02 • -10db
39% Popularity • 11% Danceability • 77% Energy • 14% Liveness
88% Instrumentalness • 37% Positiveness
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Raymond Scott
Powerhouse
168 bpm • A# min • 02:54 • -12.88db
28% Popularity • 49% Danceability • 39% Energy • 20% Liveness
93% Instrumentalness • 83% Positiveness
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Jerry Martin
Mall Rat
169 bpm • C Maj • 02:44 • -16.66db
42% Popularity • 38% Danceability • 23% Energy • 10% Liveness
92% Instrumentalness • 33% Positiveness
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Hyper Hippo Entertainment
Moon
168 bpm • G# Maj • 02:54 • -13.46db
9% Popularity • 72% Danceability • 42% Energy • 34% Liveness
81% Instrumentalness • 94% Positiveness
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Sam Spence
Sunday With Soul
178 bpm • F Maj • 02:38 • -11.34db
15% Popularity • 29% Danceability • 70% Energy • 7% Liveness
82% Instrumentalness • 51% Positiveness
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The Woodies
Mavericks
168 bpm • E min • 02:50 • -9.72db
14% Popularity • 28% Danceability • 66% Energy • 10% Liveness
86% Instrumentalness • 85% Positiveness
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The Meltones
Kung Fu Saturdays
167 bpm • B min • 02:11 • -4.98db
18% Popularity • 20% Danceability • 92% Energy • 13% Liveness
94% Instrumentalness • 66% Positiveness
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David Schwartz
Face Blindness (L&M)
178 bpm • G# min • 01:34 • -8.58db
11% Popularity • 58% Danceability • 64% Energy • 26% Liveness
50% Instrumentalness • 96% Positiveness
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Dick Dale
Space Mountain
167 bpm • D min • 02:43 • -11db
34% Popularity • 12% Danceability • 73% Energy • 23% Liveness
71% Instrumentalness • 9% Positiveness
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The New South Bay Orchestra
Home Improvement
179 bpm • G min • 01:10 • -8.63db
15% Popularity • 57% Danceability • 86% Energy • 31% Liveness
10% Instrumentalness • 72% Positiveness
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Aaron Wheeler
Afternoon Jive
167 bpm • F min • 02:20 • -6.4db
8% Popularity • 75% Danceability • 76% Energy • 3% Liveness
34% Instrumentalness • 97% Positiveness
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The Little Street Band
Big Top Polka
167 bpm • C min • 01:17 • -10.62db
24% Popularity • 64% Danceability • 39% Energy • 8% Liveness
95% Instrumentalness • 90% Positiveness
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Andy Poland
Lobby
180 bpm • D min • 01:23 • -12.5db
13% Popularity • 83% Danceability • 36% Energy • 8% Liveness
86% Instrumentalness • 98% Positiveness
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The Daniel Pemberton TV Orchestra
Adventure Is Go! (Kinect Adventures Them...
180 bpm • G Maj • 03:36 • -7.15db
16% Popularity • 65% Danceability • 87% Energy • 9% Liveness
90% Instrumentalness • 58% Positiveness
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Guy Trevino and Friends
Crossover Creek
180 bpm • C Maj • 02:15 • -10.07db
17% Popularity • 34% Danceability • 48% Energy • 14% Liveness
91% Instrumentalness • 50% Positiveness
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Jacques Mercier
Sur les bateaux-mouche
166 bpm • F Maj • 02:03 • -9.94db
25% Popularity • 59% Danceability • 63% Energy • 9% Liveness
80% Instrumentalness • 90% Positiveness
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The Dutch National Folk and Dance Orchestra
The Achterhoek Dances
180 bpm • G Maj • 03:57 • -13.3db
37% Popularity • 57% Danceability • 11% Energy • 6% Liveness
0% Instrumentalness • 93% Positiveness
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Kenny Graham
Slick in the City
182 bpm • C Maj • 01:04 • -8db
9% Popularity • 59% Danceability • 47% Energy • 6% Liveness
0% Instrumentalness • 60% Positiveness
► Preview
John Swihart
Here's Rico
164 bpm • A Maj • 00:52 • -10.56db
23% Popularity • 78% Danceability • 92% Energy • 10% Liveness
94% Instrumentalness • 30% Positiveness
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Sam Spence
Western Wind (Bonus Track)
163 bpm • B Maj • 02:23 • -19.41db
8% Popularity • 22% Danceability • 36% Energy • 51% Liveness
74% Instrumentalness • 80% Positiveness
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John Carpenter
Coming to L.A.
182 bpm • E min • 04:02 • -17.12db
19% Popularity • 61% Danceability • 20% Energy • 12% Liveness
81% Instrumentalness • 37% Positiveness
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Jacques Mercier
La Cité Radieuse
166 bpm • F Maj • 02:03 • -9db
21% Popularity • 52% Danceability • 70% Energy • 12% Liveness
88% Instrumentalness • 91% Positiveness
► Preview
Laurie Johnson
The Bachelor Life (1 - 4)
183 bpm • D# Maj • 02:37 • -8.18db
10% Popularity • 48% Danceability • 72% Energy • 13% Liveness
53% Instrumentalness • 77% Positiveness
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Vince De Vera & Jason Garner
Ragtime
185 bpm • E min • 01:23 • -13db
37% Popularity • 78% Danceability • 36% Energy • 8% Liveness
85% Instrumentalness • 97% Positiveness
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Pumodi
14 Wheeled Fury
162 bpm • C Maj • 05:03 • -13.12db
15% Popularity • 25% Danceability • 70% Energy • 22% Liveness
79% Instrumentalness • 27% Positiveness
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Richard Myhill
Surfin' Summer
162 bpm • E Maj • 02:49 • -8.83db
30% Popularity • 57% Danceability • 77% Energy • 35% Liveness
0% Instrumentalness • 96% Positiveness
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Jeremy Sherman
Paris St. Germain
185 bpm • G Maj • 01:35 • -9db
39% Popularity • 48% Danceability • 43% Energy • 11% Liveness
87% Instrumentalness • 39% Positiveness
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The Meltones
Rocket Sled To Oahu
185 bpm • D Maj • 02:07 • -4.54db
22% Popularity • 24% Danceability • 94% Energy • 22% Liveness
90% Instrumentalness • 61% Positiveness
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Manuel De Sica
Il circo
161 bpm • A min • 03:28 • -12.17db
20% Popularity • 48% Danceability • 87% Energy • 11% Liveness
76% Instrumentalness • 98% Positiveness
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Masters of Sound
Pause Screen [Cover]
160 bpm • C Maj • 01:08 • -11db
40% Popularity • 55% Danceability • 42% Energy • 12% Liveness
78% Instrumentalness • 30% Positiveness
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Syd Dale
Convenience Store
160 bpm • F Maj • 02:23 • -11.14db
24% Popularity • 56% Danceability • 42% Energy • 14% Liveness
83% Instrumentalness • 82% Positiveness
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Peter McConnell
Bone Wagon
160 bpm • C Maj • 01:28 • -13.13db
18% Popularity • 48% Danceability • 62% Energy • 20% Liveness
67% Instrumentalness • 92% Positiveness
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Kristofer Maddigan
Botanic Panic
160 bpm • F# Maj • 04:01 • -5.88db
42% Popularity • 69% Danceability • 80% Energy • 8% Liveness
86% Instrumentalness • 79% Positiveness
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Rolf Krueger
Oregon Spirit
160 bpm • G# Maj • 00:54 • -13.93db
18% Popularity • 58% Danceability • 54% Energy • 10% Liveness
82% Instrumentalness • 71% Positiveness
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Hyperduck Soundworks
Pequeña Tienda
160 bpm • A# min • 02:48 • -12.38db
14% Popularity • 76% Danceability • 63% Energy • 11% Liveness
89% Instrumentalness • 96% Positiveness
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John Rowcroft
Mexican Chase
160 bpm • A Maj • 02:00 • -5.54db
18% Popularity • 76% Danceability • 78% Energy • 5% Liveness
34% Instrumentalness • 96% Positiveness
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Andy Clark
World Beater
160 bpm • D Maj • 03:27 • -13db
17% Popularity • 54% Danceability • 60% Energy • 26% Liveness
79% Instrumentalness • 20% Positiveness
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Vince DiCola
Autobot / Decepticon Battle
160 bpm • E Maj • 04:18 • -11.68db
24% Popularity • 53% Danceability • 88% Energy • 7% Liveness
85% Instrumentalness • 82% Positiveness
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Guy Trevino and Friends
Under the Marquee
160 bpm • D Maj • 02:08 • -11db
31% Popularity • 63% Danceability • 56% Energy • 11% Liveness
97% Instrumentalness • 73% Positiveness
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Harry & Mudge Cast
Theme Song
159 bpm • G# Maj • 01:01 • -7.27db
20% Popularity • 23% Danceability • 52% Energy • 32% Liveness
95% Instrumentalness • 31% Positiveness
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Jack Wall
This Jazz is Classified
159 bpm • F min • 02:30 • -8.92db
31% Popularity • 38% Danceability • 65% Energy • 13% Liveness
84% Instrumentalness • 41% Positiveness
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Gordon Mills
Break-Thru
159 bpm • G# Maj • 01:37 • -10.54db
19% Popularity • 45% Danceability • 70% Energy • 12% Liveness
82% Instrumentalness • 86% Positiveness
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Cody Wright
Theme Refunkified
188 bpm • B min • 02:07 • -13.14db
13% Popularity • 77% Danceability • 51% Energy • 8% Liveness
40% Instrumentalness • 61% Positiveness
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Syd Dale
Secret Service
158 bpm • D min • 02:25 • -9db
16% Popularity • 29% Danceability • 72% Energy • 26% Liveness
89% Instrumentalness • 89% Positiveness
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Heinz Kiessling
Hotsy-Totsy
158 bpm • F min • 02:17 • -11.3db
26% Popularity • 59% Danceability • 54% Energy • 8% Liveness
1% Instrumentalness • 87% Positiveness
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Jack Beaver
Workaday World
156 bpm • G# Maj • 01:16 • -12db
18% Popularity • 38% Danceability • 60% Energy • 15% Liveness
92% Instrumentalness • 73% Positiveness
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Kenny Graham
Panic Patrol
156 bpm • A# min • 01:19 • -12db
16% Popularity • 45% Danceability • 58% Energy • 10% Liveness
0% Instrumentalness • 29% Positiveness
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Simon Viklund
Master Plan
156 bpm • A Maj • 03:26 • -11db
37% Popularity • 54% Danceability • 72% Energy • 19% Liveness
78% Instrumentalness • 7% Positiveness
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Kapono Beamer
Old Hilo March - Remastered
155 bpm • C Maj • 01:55 • -8.88db
31% Popularity • 70% Danceability • 57% Energy • 15% Liveness
83% Instrumentalness • 95% Positiveness
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Frank McDonald
Lubricator
154 bpm • A Maj • 02:58 • -9db
13% Popularity • 41% Danceability • 73% Energy • 48% Liveness
2% Instrumentalness • 51% Positiveness
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Werner Tautz
Derby Day
155 bpm • A# Maj • 02:38 • -12.61db
30% Popularity • 38% Danceability • 48% Energy • 17% Liveness
58% Instrumentalness • 82% Positiveness
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Michael Giacchino
Thunderhead
154 bpm • A min • 03:06 • -8.73db
20% Popularity • 48% Danceability • 68% Energy • 21% Liveness
66% Instrumentalness • 54% Positiveness
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Jack Beaver
Workaday World
156 bpm • F min • 01:19 • -12db
22% Popularity • 38% Danceability • 55% Energy • 13% Liveness
88% Instrumentalness • 62% Positiveness
► Preview
Vicarious Visions Audio
Hog Wild
153 bpm • A min • 01:10 • -11.97db
35% Popularity • 65% Danceability • 74% Energy • 8% Liveness
80% Instrumentalness • 98% Positiveness
► Preview
Kapono Beamer
Bashful Eyes
153 bpm • G Maj • 01:14 • -17.67db
26% Popularity • 58% Danceability • 16% Energy • 13% Liveness
89% Instrumentalness • 67% Positiveness
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Dave Porter
Breaking Bad Main Title Theme (Extended)
153 bpm • D min • 01:15 • -11.79db
51% Popularity • 63% Danceability • 43% Energy • 10% Liveness
78% Instrumentalness • 46% Positiveness
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Werner Tautz
Glitterati Party
153 bpm • C Maj • 02:51 • -12.72db
24% Popularity • 49% Danceability • 51% Energy • 37% Liveness
0% Instrumentalness • 93% Positiveness
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Combustible Edison
Spy Vs. Spy
153 bpm • A min • 03:36 • -8.29db
31% Popularity • 43% Danceability • 70% Energy • 10% Liveness
49% Instrumentalness • 36% Positiveness
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Barry Gray
Fireflash Landing
153 bpm • C# min • 01:14 • -9db
22% Popularity • 37% Danceability • 82% Energy • 7% Liveness
90% Instrumentalness • 56% Positiveness
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Laurie Johnson
Happy-Go-Lively
153 bpm • A# Maj • 01:58 • -11.05db
37% Popularity • 36% Danceability • 45% Energy • 7% Liveness
33% Instrumentalness • 61% Positiveness
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Douglas Holmquist
Teardown Theme
153 bpm • G Maj • 01:21 • -10.2db
23% Popularity • 80% Danceability • 45% Energy • 10% Liveness
82% Instrumentalness • 93% Positiveness
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Dan Slider
National Aerobics Theme
152 bpm • C Maj • 05:16 • -12.52db
25% Popularity • 66% Danceability • 75% Energy • 35% Liveness
79% Instrumentalness • 84% Positiveness
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Dave Porter
Better Call Saul End Credits
152 bpm • A Maj • 04:06 • -11.36db
35% Popularity • 75% Danceability • 70% Energy • 14% Liveness
89% Instrumentalness • 74% Positiveness
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Tony Kinsey
Star Parade
152 bpm • G min • 02:49 • -13.9db
14% Popularity • 39% Danceability • 40% Energy • 29% Liveness
79% Instrumentalness • 67% Positiveness
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Herbert von Karajan
Medley - Bats / Rango Theme / Ride Of Th...
152 bpm • D Maj • 04:28 • -9.51db
31% Popularity • 28% Danceability • 45% Energy • 16% Liveness
80% Instrumentalness • 14% Positiveness
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Yuji Ohno
Saeko's Theme
150 bpm • C min • 02:13 • -12.78db
24% Popularity • 53% Danceability • 53% Energy • 36% Liveness
42% Instrumentalness • 78% Positiveness
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Werner Tautz
Off Broadway
150 bpm • D Maj • 02:30 • -8.71db
27% Popularity • 60% Danceability • 67% Energy • 46% Liveness
88% Instrumentalness • 85% Positiveness
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Neal Hefti
Classic Batman Main Title
150 bpm • G Maj • 01:24 • -9.44db
23% Popularity • 69% Danceability • 82% Energy • 22% Liveness
56% Instrumentalness • 39% Positiveness
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Hyperduck Soundworks
Queso Nacho
150 bpm • F min • 02:22 • -11.68db
11% Popularity • 47% Danceability • 55% Energy • 12% Liveness
94% Instrumentalness • 33% Positiveness
► Preview
Doug Perkins
Down by the Riverside
200 bpm • G# Maj • 03:05 • -7.34db
4% Popularity • 44% Danceability • 72% Energy • 72% Liveness
30% Instrumentalness • 96% Positiveness
► Preview
Kookie Freeman
Happy Jose - Remastered
200 bpm • D min • 02:40 • -8.42db
20% Popularity • 43% Danceability • 57% Energy • 8% Liveness
94% Instrumentalness • 58% Positiveness
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Clive Richardson
Gay Activity
148 bpm • D Maj • 01:47 • -15.67db
38% Popularity • 60% Danceability • 32% Energy • 17% Liveness
87% Instrumentalness • 61% Positiveness
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Ralph Dollimore
Ocean Terminal
149 bpm • F Maj • 01:29 • -12.71db
16% Popularity • 66% Danceability • 60% Energy • 7% Liveness
93% Instrumentalness • 91% Positiveness
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Kristofer Maddigan
Introduction
148 bpm • E min • 03:31 • -6.53db
43% Popularity • 64% Danceability • 72% Energy • 13% Liveness
11% Instrumentalness • 61% Positiveness
► Preview
Hyper Hippo Entertainment
Earth
148 bpm • G Maj • 01:43 • -15.53db
18% Popularity • 82% Danceability • 71% Energy • 11% Liveness
95% Instrumentalness • 98% Positiveness
► Preview
Sesor N Snug
Pipe Dream
148 bpm • G min • 03:23 • -15db
19% Popularity • 54% Danceability • 52% Energy • 11% Liveness
78% Instrumentalness • 24% Positiveness
► Preview
Luciano Michelini
Frolic (Theme from "Curb Your Enthusiasm...
148 bpm • C Maj • 03:33 • -15db
39% Popularity • 58% Danceability • 34% Energy • 9% Liveness
0% Instrumentalness • 82% Positiveness
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David Flavin
Saxophone Horse
147 bpm • A# Maj • 02:17 • -6.92db
8% Popularity • 69% Danceability • 71% Energy • 16% Liveness
96% Instrumentalness • 55% Positiveness
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Perrey and Kingsley
Electronic Can-Can
147 bpm • G# Maj • 02:04 • -11db
14% Popularity • 75% Danceability • 76% Energy • 25% Liveness
5% Instrumentalness • 96% Positiveness
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Dick Walter
Cocktail Lounge
205 bpm • F Maj • 00:53 • -29db
39% Popularity • 44% Danceability • 3% Energy • 11% Liveness
96% Instrumentalness • 43% Positiveness
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David Snell
Tomfoolery
244 bpm • G Maj • 02:08 • -19.25db
28% Popularity • 60% Danceability • 11% Energy • 10% Liveness
87% Instrumentalness • 89% Positiveness
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Forearm Shiver