Songs like Forever Yours by The Maddox Brothers & Rose
Based on a tempo of (+/- 10%) and a similar genre
► Preview
Pee Wee King & His Golden West Cowboys
Bonaparte's Retreat
166 bpm • A# Maj • 02:47 • -12.76db
13% Popularity • 61% Danceability • 25% Energy • 8% Liveness
0% Instrumentalness • 96% Positiveness
13% Popularity • 61% Danceability • 25% Energy • 8% Liveness
0% Instrumentalness • 96% Positiveness
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Rose Maddox
Move It On Over
166 bpm • C min • 02:16 • -10db
17% Popularity • 55% Danceability • 76% Energy • 14% Liveness
0% Instrumentalness • 94% Positiveness
17% Popularity • 55% Danceability • 76% Energy • 14% Liveness
0% Instrumentalness • 94% Positiveness
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Hank Thompson And His Brazos Valley Boys
A Six Pack To Go
166 bpm • D Maj • 02:09 • -6db
12% Popularity • 65% Danceability • 79% Energy • 6% Liveness
0% Instrumentalness • 76% Positiveness
12% Popularity • 65% Danceability • 79% Energy • 6% Liveness
0% Instrumentalness • 76% Positiveness
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The Delmore Brothers
I Let the Freight Train Carry Me On
166 bpm • E Maj • 02:35 • -9.44db
15% Popularity • 59% Danceability • 46% Energy • 13% Liveness
0% Instrumentalness • 86% Positiveness
15% Popularity • 59% Danceability • 46% Energy • 13% Liveness
0% Instrumentalness • 86% Positiveness
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The Maddox Brothers & Rose
Just Over the Stars
165 bpm • C Maj • 02:30 • -8.51db
1% Popularity • 50% Danceability • 32% Energy • 5% Liveness
0% Instrumentalness • 69% Positiveness
1% Popularity • 50% Danceability • 32% Energy • 5% Liveness
0% Instrumentalness • 69% Positiveness
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Grady Martin
Juke Joint Johnny
167 bpm • D Maj • 02:28 • -7db
11% Popularity • 53% Danceability • 90% Energy • 20% Liveness
8% Instrumentalness • 96% Positiveness
11% Popularity • 53% Danceability • 90% Energy • 20% Liveness
8% Instrumentalness • 96% Positiveness
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Glen Glenn
Laurie Ann
167 bpm • C min • 02:41 • -5.62db
9% Popularity • 51% Danceability • 62% Energy • 44% Liveness
0% Instrumentalness • 84% Positiveness
9% Popularity • 51% Danceability • 62% Energy • 44% Liveness
0% Instrumentalness • 84% Positiveness
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Don Gibson
Sweet, Sweet Girl
164 bpm • E Maj • 01:50 • -11.77db
14% Popularity • 68% Danceability • 72% Energy • 15% Liveness
0% Instrumentalness • 97% Positiveness
14% Popularity • 68% Danceability • 72% Energy • 15% Liveness
0% Instrumentalness • 97% Positiveness
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Hoyt Axton
Young Man
164 bpm • G Maj • 02:16 • -12.24db
7% Popularity • 25% Danceability • 61% Energy • 30% Liveness
0% Instrumentalness • 84% Positiveness
7% Popularity • 25% Danceability • 61% Energy • 30% Liveness
0% Instrumentalness • 84% Positiveness
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Carl Smith
Back up Buddy
164 bpm • E Maj • 02:33 • -12.16db
13% Popularity • 77% Danceability • 25% Energy • 15% Liveness
0% Instrumentalness • 89% Positiveness
13% Popularity • 77% Danceability • 25% Energy • 15% Liveness
0% Instrumentalness • 89% Positiveness
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The Maddox Brothers & Rose
Empty Mansions
167 bpm • E Maj • 02:26 • -9.42db
2% Popularity • 45% Danceability • 42% Energy • 9% Liveness
0% Instrumentalness • 68% Positiveness
2% Popularity • 45% Danceability • 42% Energy • 9% Liveness
0% Instrumentalness • 68% Positiveness
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Doug Poindexter and Starlite Wranglers
My Kind of Carrying On
163 bpm • B Maj • 01:58 • -7.73db
9% Popularity • 61% Danceability • 52% Energy • 6% Liveness
0% Instrumentalness • 88% Positiveness
9% Popularity • 61% Danceability • 52% Energy • 6% Liveness
0% Instrumentalness • 88% Positiveness
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Al Dexter
Wine, Women and Song
168 bpm • C min • 02:49 • -11.14db
21% Popularity • 75% Danceability • 33% Energy • 8% Liveness
1% Instrumentalness • 94% Positiveness
21% Popularity • 75% Danceability • 33% Energy • 8% Liveness
1% Instrumentalness • 94% Positiveness
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Claude King
Johnny Valentine
169 bpm • G Maj • 02:45 • -14db
15% Popularity • 46% Danceability • 38% Energy • 8% Liveness
0% Instrumentalness • 70% Positiveness
15% Popularity • 46% Danceability • 38% Energy • 8% Liveness
0% Instrumentalness • 70% Positiveness
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Jimmie Rodgers
In the Jailhouse Now
163 bpm • C Maj • 03:18 • -11.43db
37% Popularity • 64% Danceability • 26% Energy • 16% Liveness
0% Instrumentalness • 66% Positiveness
37% Popularity • 64% Danceability • 26% Energy • 16% Liveness
0% Instrumentalness • 66% Positiveness
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Justin Tubb
Rock It on Down to My House
170 bpm • A Maj • 02:19 • -5.99db
9% Popularity • 57% Danceability • 60% Energy • 15% Liveness
0% Instrumentalness • 96% Positiveness
9% Popularity • 57% Danceability • 60% Energy • 15% Liveness
0% Instrumentalness • 96% Positiveness
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The Maddox Brothers & Rose
My Child Has a Billy Goat
165 bpm • D Maj • 02:16 • -9.57db
0% Popularity • 60% Danceability • 34% Energy • 23% Liveness
0% Instrumentalness • 78% Positiveness
0% Popularity • 60% Danceability • 34% Energy • 23% Liveness
0% Instrumentalness • 78% Positiveness
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Buddy Emmons
Bottle Baby Boogie
170 bpm • G min • 02:37 • -11db
10% Popularity • 53% Danceability • 60% Energy • 25% Liveness
0% Instrumentalness • 92% Positiveness
10% Popularity • 53% Danceability • 60% Energy • 25% Liveness
0% Instrumentalness • 92% Positiveness
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Rusty & Doug Kershaw
Cajun Joe (The Bully Of The Bayou)
170 bpm • G Maj • 02:06 • -10.86db
5% Popularity • 55% Danceability • 70% Energy • 18% Liveness
0% Instrumentalness • 95% Positiveness
5% Popularity • 55% Danceability • 70% Energy • 18% Liveness
0% Instrumentalness • 95% Positiveness
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Little Jimmy Dickens
(I Got) A Hole In My Pocket
170 bpm • A# Maj • 02:30 • -7.47db
18% Popularity • 62% Danceability • 77% Energy • 17% Liveness
0% Instrumentalness • 97% Positiveness
18% Popularity • 62% Danceability • 77% Energy • 17% Liveness
0% Instrumentalness • 97% Positiveness
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Red Foley
Hang Your Head In Shame
171 bpm • D Maj • 02:53 • -13.85db
11% Popularity • 47% Danceability • 23% Energy • 12% Liveness
0% Instrumentalness • 89% Positiveness
11% Popularity • 47% Danceability • 23% Energy • 12% Liveness
0% Instrumentalness • 89% Positiveness
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Tex Williams
Castle Of My Dreams
161 bpm • G# Maj • 02:30 • -11.64db
12% Popularity • 49% Danceability • 35% Energy • 19% Liveness
0% Instrumentalness • 73% Positiveness
12% Popularity • 49% Danceability • 35% Energy • 19% Liveness
0% Instrumentalness • 73% Positiveness
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The Maddox Brothers & Rose
Little Willie Waltz
164 bpm • G Maj • 02:29 • -10.46db
1% Popularity • 54% Danceability • 36% Energy • 35% Liveness
0% Instrumentalness • 71% Positiveness
1% Popularity • 54% Danceability • 36% Energy • 35% Liveness
0% Instrumentalness • 71% Positiveness
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Del Reeves
Women Do Funny Things To Me
171 bpm • C Maj • 02:29 • -10db
37% Popularity • 57% Danceability • 53% Energy • 24% Liveness
0% Instrumentalness • 93% Positiveness
37% Popularity • 57% Danceability • 53% Energy • 24% Liveness
0% Instrumentalness • 93% Positiveness
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Stanley Brothers
Molly And Tenbrook
171 bpm • C Maj • 02:23 • -12.84db
25% Popularity • 49% Danceability • 40% Energy • 34% Liveness
6% Instrumentalness • 89% Positiveness
25% Popularity • 49% Danceability • 40% Energy • 34% Liveness
6% Instrumentalness • 89% Positiveness
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Don Gibson
Look Who's Blue
172 bpm • E Maj • 02:22 • -10.65db
11% Popularity • 60% Danceability • 70% Energy • 15% Liveness
0% Instrumentalness • 86% Positiveness
11% Popularity • 60% Danceability • 70% Energy • 15% Liveness
0% Instrumentalness • 86% Positiveness
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Chris Barber
Railroad Bill
172 bpm • A Maj • 02:26 • -17.44db
8% Popularity • 55% Danceability • 29% Energy • 71% Liveness
1% Instrumentalness • 81% Positiveness
8% Popularity • 55% Danceability • 29% Energy • 71% Liveness
1% Instrumentalness • 81% Positiveness
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Dick Curless
Drag 'Em Off The Interstate, Sock It To ...
160 bpm • G Maj • 02:33 • -9.72db
23% Popularity • 62% Danceability • 68% Energy • 9% Liveness
28% Instrumentalness • 85% Positiveness
23% Popularity • 62% Danceability • 68% Energy • 9% Liveness
28% Instrumentalness • 85% Positiveness
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The Maddox Brothers & Rose
Brown Eyes
160 bpm • E Maj • 02:52 • -12.48db
0% Popularity • 34% Danceability • 46% Energy • 17% Liveness
19% Instrumentalness • 63% Positiveness
0% Popularity • 34% Danceability • 46% Energy • 17% Liveness
19% Instrumentalness • 63% Positiveness
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Jimmie Rodgers
Blue Yodel (T for Texas)
160 bpm • D# Maj • 03:23 • -7.83db
35% Popularity • 53% Danceability • 54% Energy • 42% Liveness
0% Instrumentalness • 53% Positiveness
35% Popularity • 53% Danceability • 54% Energy • 42% Liveness
0% Instrumentalness • 53% Positiveness
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Del Reeves
This Must Be The Bottom
171 bpm • A# Maj • 02:14 • -15.35db
36% Popularity • 51% Danceability • 41% Energy • 36% Liveness
1% Instrumentalness • 84% Positiveness
36% Popularity • 51% Danceability • 41% Energy • 36% Liveness
1% Instrumentalness • 84% Positiveness
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Hank Thompson And His Brazos Valley Boys
Honky Tonk Girl
172 bpm • A# Maj • 02:27 • -10db
27% Popularity • 52% Danceability • 33% Energy • 13% Liveness
0% Instrumentalness • 91% Positiveness
27% Popularity • 52% Danceability • 33% Energy • 13% Liveness
0% Instrumentalness • 91% Positiveness
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Charlie Walker
Little Ole Wine Drinker Me
160 bpm • G Maj • 02:06 • -11db
41% Popularity • 52% Danceability • 39% Energy • 31% Liveness
0% Instrumentalness • 78% Positiveness
41% Popularity • 52% Danceability • 39% Energy • 31% Liveness
0% Instrumentalness • 78% Positiveness
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Don Rich And The Buckaroos
The Happy-Go-Lucky-Guitar
159 bpm • G# Maj • 01:57 • -9.19db
16% Popularity • 57% Danceability • 73% Energy • 7% Liveness
25% Instrumentalness • 97% Positiveness
16% Popularity • 57% Danceability • 73% Energy • 7% Liveness
25% Instrumentalness • 97% Positiveness
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Carl Smith
Go Boy Go
174 bpm • F Maj • 02:06 • -11.3db
10% Popularity • 69% Danceability • 43% Energy • 5% Liveness
0% Instrumentalness • 96% Positiveness
10% Popularity • 69% Danceability • 43% Energy • 5% Liveness
0% Instrumentalness • 96% Positiveness
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Jimmie Rodgers
Blue Yodel No. 8 (Mule Skinner Blues)
173 bpm • D Maj • 02:57 • -8db
22% Popularity • 57% Danceability • 36% Energy • 15% Liveness
0% Instrumentalness • 76% Positiveness
22% Popularity • 57% Danceability • 36% Energy • 15% Liveness
0% Instrumentalness • 76% Positiveness
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Maddox Brothers
Why Not Confess
174 bpm • G Maj • 02:29 • -12db
9% Popularity • 37% Danceability • 31% Energy • 22% Liveness
0% Instrumentalness • 62% Positiveness
9% Popularity • 37% Danceability • 31% Energy • 22% Liveness
0% Instrumentalness • 62% Positiveness
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Del Reeves
A Dime At A Time
159 bpm • A Maj • 02:07 • -11.66db
25% Popularity • 58% Danceability • 54% Energy • 32% Liveness
29% Instrumentalness • 74% Positiveness
25% Popularity • 58% Danceability • 54% Energy • 32% Liveness
29% Instrumentalness • 74% Positiveness
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Hank Thompson And His Brazos Valley Boys
(I've Got A) Humpty Dumpty Heart
173 bpm • A Maj • 02:26 • -10.46db
16% Popularity • 71% Danceability • 30% Energy • 7% Liveness
0% Instrumentalness • 85% Positiveness
16% Popularity • 71% Danceability • 30% Energy • 7% Liveness
0% Instrumentalness • 85% Positiveness
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Little Jimmy Dickens
Walk Chicken, Walk ('Cause You're Too Fa...
175 bpm • G Maj • 02:22 • -10.19db
12% Popularity • 63% Danceability • 40% Energy • 11% Liveness
0% Instrumentalness • 79% Positiveness
12% Popularity • 63% Danceability • 40% Energy • 11% Liveness
0% Instrumentalness • 79% Positiveness
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Carl Smith
(When You Feel Like You're in Love) Don'...
174 bpm • C Maj • 02:22 • -11.33db
19% Popularity • 56% Danceability • 34% Energy • 11% Liveness
0% Instrumentalness • 84% Positiveness
19% Popularity • 56% Danceability • 34% Energy • 11% Liveness
0% Instrumentalness • 84% Positiveness
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Johnnie Lee Wills
The Band's A'Rockin'
176 bpm • C# Maj • 02:52 • -6.32db
8% Popularity • 64% Danceability • 56% Energy • 9% Liveness
0% Instrumentalness • 85% Positiveness
8% Popularity • 64% Danceability • 56% Energy • 9% Liveness
0% Instrumentalness • 85% Positiveness
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Junior Brown
My Baby Don't Dance To Nothing But Ernes...
177 bpm • A Maj • 02:12 • -13.6db
28% Popularity • 56% Danceability • 36% Energy • 11% Liveness
0% Instrumentalness • 78% Positiveness
28% Popularity • 56% Danceability • 36% Energy • 11% Liveness
0% Instrumentalness • 78% Positiveness
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Lattie Moore
I'm Not Broke But I'm Badly Bent
176 bpm • G Maj • 02:22 • -9.43db
18% Popularity • 66% Danceability • 39% Energy • 11% Liveness
0% Instrumentalness • 90% Positiveness
18% Popularity • 66% Danceability • 39% Energy • 11% Liveness
0% Instrumentalness • 90% Positiveness
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Maddox Brothers
Philadelphia Lawyer
155 bpm • C Maj • 03:15 • -11db
9% Popularity • 45% Danceability • 25% Energy • 20% Liveness
12% Instrumentalness • 70% Positiveness
9% Popularity • 45% Danceability • 25% Energy • 20% Liveness
12% Instrumentalness • 70% Positiveness
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Lonnie Irving
Gooseball Brown
177 bpm • A Maj • 02:24 • -10.64db
11% Popularity • 67% Danceability • 67% Energy • 13% Liveness
0% Instrumentalness • 97% Positiveness
11% Popularity • 67% Danceability • 67% Energy • 13% Liveness
0% Instrumentalness • 97% Positiveness
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Rose Maddox
Sing A Little Song Of Heartache
155 bpm • A Maj • 02:08 • -10.77db
3% Popularity • 57% Danceability • 50% Energy • 4% Liveness
0% Instrumentalness • 92% Positiveness
3% Popularity • 57% Danceability • 50% Energy • 4% Liveness
0% Instrumentalness • 92% Positiveness
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Little Jimmy Dickens
Salty Boogie
177 bpm • A# Maj • 02:18 • -11.67db
9% Popularity • 56% Danceability • 54% Energy • 40% Liveness
0% Instrumentalness • 97% Positiveness
9% Popularity • 56% Danceability • 54% Energy • 40% Liveness
0% Instrumentalness • 97% Positiveness
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Billy Grammer
Gotta Travel On
178 bpm • D# Maj • 02:32 • -7.11db
31% Popularity • 57% Danceability • 64% Energy • 9% Liveness
0% Instrumentalness • 90% Positiveness
31% Popularity • 57% Danceability • 64% Energy • 9% Liveness
0% Instrumentalness • 90% Positiveness
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The Delmore Brothers
Lonesome Yodel Blues
180 bpm • D Maj • 02:37 • -15.04db
19% Popularity • 50% Danceability • 14% Energy • 15% Liveness
1% Instrumentalness • 70% Positiveness
19% Popularity • 50% Danceability • 14% Energy • 15% Liveness
1% Instrumentalness • 70% Positiveness
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Johnny Bond
So Long to the Red River Valley
181 bpm • A# Maj • 02:05 • -12.75db
11% Popularity • 53% Danceability • 28% Energy • 36% Liveness
0% Instrumentalness • 66% Positiveness
11% Popularity • 53% Danceability • 28% Energy • 36% Liveness
0% Instrumentalness • 66% Positiveness
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Tommy Collins
The Girl on Sugar Pie Lane
182 bpm • E Maj • 02:01 • -14.86db
14% Popularity • 57% Danceability • 59% Energy • 14% Liveness
0% Instrumentalness • 97% Positiveness
14% Popularity • 57% Danceability • 59% Energy • 14% Liveness
0% Instrumentalness • 97% Positiveness
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Audrey Williams
I Heard My Mother Praying for Me
152 bpm • A Maj • 02:36 • -6.65db
1% Popularity • 49% Danceability • 46% Energy • 11% Liveness
0% Instrumentalness • 68% Positiveness
1% Popularity • 49% Danceability • 46% Energy • 11% Liveness
0% Instrumentalness • 68% Positiveness
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Little Jimmy Dickens
A-Sleepin' At the Foot of the Bed
179 bpm • F Maj • 02:43 • -9.7db
18% Popularity • 60% Danceability • 33% Energy • 10% Liveness
0% Instrumentalness • 84% Positiveness
18% Popularity • 60% Danceability • 33% Energy • 10% Liveness
0% Instrumentalness • 84% Positiveness
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Jimmie Rodgers
Blue Yodel No. 6
151 bpm • G Maj • 03:06 • -10.65db
10% Popularity • 56% Danceability • 22% Energy • 19% Liveness
0% Instrumentalness • 38% Positiveness
10% Popularity • 56% Danceability • 22% Energy • 19% Liveness
0% Instrumentalness • 38% Positiveness
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The Delmore Brothers
Blues You Never Lose
152 bpm • A Maj • 02:29 • -10.53db
7% Popularity • 58% Danceability • 34% Energy • 21% Liveness
0% Instrumentalness • 68% Positiveness
7% Popularity • 58% Danceability • 34% Energy • 21% Liveness
0% Instrumentalness • 68% Positiveness
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Tex Williams
Brother, Drop Dead
150 bpm • G Maj • 02:30 • -9.34db
10% Popularity • 74% Danceability • 52% Energy • 13% Liveness
0% Instrumentalness • 96% Positiveness
10% Popularity • 74% Danceability • 52% Energy • 13% Liveness
0% Instrumentalness • 96% Positiveness
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Al Dexter
Too Late to Worry, Too Blue to Cry
182 bpm • G min • 02:43 • -14.22db
23% Popularity • 74% Danceability • 35% Energy • 9% Liveness
11% Instrumentalness • 96% Positiveness
23% Popularity • 74% Danceability • 35% Energy • 9% Liveness
11% Instrumentalness • 96% Positiveness
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Kitty Wells
As Long As I Live - 1955 Single Version
150 bpm • G Maj • 02:33 • -13.78db
29% Popularity • 61% Danceability • 16% Energy • 20% Liveness
0% Instrumentalness • 54% Positiveness
29% Popularity • 61% Danceability • 16% Energy • 20% Liveness
0% Instrumentalness • 54% Positiveness
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Warren Smith
Stop The World
150 bpm • E min • 02:01 • -12.5db
15% Popularity • 67% Danceability • 73% Energy • 12% Liveness
0% Instrumentalness • 89% Positiveness
15% Popularity • 67% Danceability • 73% Energy • 12% Liveness
0% Instrumentalness • 89% Positiveness
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Jimmy Martin & The Sunny Mountain Boys
20/20 Vision
184 bpm • E Maj • 02:43 • -9.26db
10% Popularity • 40% Danceability • 33% Energy • 29% Liveness
0% Instrumentalness • 54% Positiveness
10% Popularity • 40% Danceability • 33% Energy • 29% Liveness
0% Instrumentalness • 54% Positiveness
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Guy Mitchell
Goodbye Road, Hello Home
185 bpm • E Maj • 02:05 • -9.2db
9% Popularity • 50% Danceability • 60% Energy • 26% Liveness
0% Instrumentalness • 95% Positiveness
9% Popularity • 50% Danceability • 60% Energy • 26% Liveness
0% Instrumentalness • 95% Positiveness
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Tex Williams
Wild Card
150 bpm • C Maj • 02:20 • -10.48db
13% Popularity • 71% Danceability • 57% Energy • 33% Liveness
0% Instrumentalness • 97% Positiveness
13% Popularity • 71% Danceability • 57% Energy • 33% Liveness
0% Instrumentalness • 97% Positiveness
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Moon Mullican
Cherokee Boogie
185 bpm • G Maj • 03:03 • -11.23db
8% Popularity • 48% Danceability • 48% Energy • 7% Liveness
0% Instrumentalness • 92% Positiveness
8% Popularity • 48% Danceability • 48% Energy • 7% Liveness
0% Instrumentalness • 92% Positiveness
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Patsy Montana
Deep In The Heart Of Texas
149 bpm • C Maj • 02:35 • -9db
8% Popularity • 70% Danceability • 35% Energy • 17% Liveness
9% Instrumentalness • 82% Positiveness
8% Popularity • 70% Danceability • 35% Energy • 17% Liveness
9% Instrumentalness • 82% Positiveness
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Dick Curless
Juke Box Man
185 bpm • G# Maj • 02:38 • -9.48db
26% Popularity • 44% Danceability • 66% Energy • 34% Liveness
73% Instrumentalness • 93% Positiveness
26% Popularity • 44% Danceability • 66% Energy • 34% Liveness
73% Instrumentalness • 93% Positiveness
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Wynn Stewart
Uncle Tom Got Caught
185 bpm • E Maj • 02:09 • -10.81db
3% Popularity • 50% Danceability • 64% Energy • 33% Liveness
0% Instrumentalness • 96% Positiveness
3% Popularity • 50% Danceability • 64% Energy • 33% Liveness
0% Instrumentalness • 96% Positiveness
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Carl Smith
Deep Water
148 bpm • F Maj • 02:15 • -11.49db
23% Popularity • 56% Danceability • 52% Energy • 21% Liveness
0% Instrumentalness • 88% Positiveness
23% Popularity • 56% Danceability • 52% Energy • 21% Liveness
0% Instrumentalness • 88% Positiveness
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Hawkshaw Hawkins
Rattlesnakin' Daddy
148 bpm • E Maj • 02:42 • -8.55db
12% Popularity • 58% Danceability • 42% Energy • 8% Liveness
0% Instrumentalness • 65% Positiveness
12% Popularity • 58% Danceability • 42% Energy • 8% Liveness
0% Instrumentalness • 65% Positiveness
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Red Foley
Chattanoogie Shoe Shine Boy - 1949 Singl...
148 bpm • A# Maj • 02:49 • -16db
35% Popularity • 72% Danceability • 37% Energy • 12% Liveness
2% Instrumentalness • 85% Positiveness
35% Popularity • 72% Danceability • 37% Energy • 12% Liveness
2% Instrumentalness • 85% Positiveness
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Moon Mullican
Grandpa Stole My Baby
148 bpm • D min • 02:35 • -10.4db
10% Popularity • 67% Danceability • 48% Energy • 7% Liveness
0% Instrumentalness • 78% Positiveness
10% Popularity • 67% Danceability • 48% Energy • 7% Liveness
0% Instrumentalness • 78% Positiveness
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Audrey Williams
Lost on the River
148 bpm • A Maj • 02:35 • -6.46db
1% Popularity • 50% Danceability • 47% Energy • 14% Liveness
0% Instrumentalness • 65% Positiveness
1% Popularity • 50% Danceability • 47% Energy • 14% Liveness
0% Instrumentalness • 65% Positiveness
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Don Gibson
Won't 'Cha Come Back to Me
186 bpm • A Maj • 01:32 • -13.27db
25% Popularity • 45% Danceability • 48% Energy • 18% Liveness
0% Instrumentalness • 94% Positiveness
25% Popularity • 45% Danceability • 48% Energy • 18% Liveness
0% Instrumentalness • 94% Positiveness
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Tex Williams
I Got Texas In My Soul
187 bpm • G Maj • 02:57 • -9.97db
33% Popularity • 63% Danceability • 44% Energy • 17% Liveness
26% Instrumentalness • 84% Positiveness
33% Popularity • 63% Danceability • 44% Energy • 17% Liveness
26% Instrumentalness • 84% Positiveness
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Del Reeves
Belles Of Southern Bell
187 bpm • A# Maj • 02:37 • -11.03db
40% Popularity • 47% Danceability • 76% Energy • 34% Liveness
0% Instrumentalness • 90% Positiveness
40% Popularity • 47% Danceability • 76% Energy • 34% Liveness
0% Instrumentalness • 90% Positiveness
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The Davis Sisters
Gotta Get A-Goin'
147 bpm • F Maj • 02:02 • -8.14db
14% Popularity • 50% Danceability • 64% Energy • 54% Liveness
0% Instrumentalness • 87% Positiveness
14% Popularity • 50% Danceability • 64% Energy • 54% Liveness
0% Instrumentalness • 87% Positiveness
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Little Jimmy Dickens
Country Boy
187 bpm • F Maj • 02:52 • -10.04db
24% Popularity • 58% Danceability • 38% Energy • 11% Liveness
0% Instrumentalness • 96% Positiveness
24% Popularity • 58% Danceability • 38% Energy • 11% Liveness
0% Instrumentalness • 96% Positiveness
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Floyd Tillman
Slippin' Around
147 bpm • A Maj • 02:06 • -14.52db
9% Popularity • 45% Danceability • 46% Energy • 16% Liveness
0% Instrumentalness • 81% Positiveness
9% Popularity • 45% Danceability • 46% Energy • 16% Liveness
0% Instrumentalness • 81% Positiveness
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The Maddox Brothers & Rose
New Mule Skinner Blues
188 bpm • G# Maj • 03:06 • -10.29db
11% Popularity • 41% Danceability • 55% Energy • 13% Liveness
1% Instrumentalness • 89% Positiveness
11% Popularity • 41% Danceability • 55% Energy • 13% Liveness
1% Instrumentalness • 89% Positiveness
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Warner Mack
Sittin' On A Rock (Crying In A Creek)
146 bpm • G Maj • 02:06 • -12.64db
15% Popularity • 64% Danceability • 51% Energy • 29% Liveness
0% Instrumentalness • 86% Positiveness
15% Popularity • 64% Danceability • 51% Energy • 29% Liveness
0% Instrumentalness • 86% Positiveness
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Don Rich
Orange Blossom Special
146 bpm • A Maj • 02:09 • -10.03db
17% Popularity • 49% Danceability • 64% Energy • 17% Liveness
70% Instrumentalness • 96% Positiveness
17% Popularity • 49% Danceability • 64% Energy • 17% Liveness
70% Instrumentalness • 96% Positiveness
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Jimmie Rodgers
No Hard Times
146 bpm • C Maj • 03:07 • -8.91db
10% Popularity • 68% Danceability • 38% Energy • 29% Liveness
0% Instrumentalness • 75% Positiveness
10% Popularity • 68% Danceability • 38% Energy • 29% Liveness
0% Instrumentalness • 75% Positiveness
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Skeets McDonald
Same Old Town
145 bpm • C# Maj • 02:32 • -11.49db
9% Popularity • 49% Danceability • 38% Energy • 7% Liveness
0% Instrumentalness • 83% Positiveness
9% Popularity • 49% Danceability • 38% Energy • 7% Liveness
0% Instrumentalness • 83% Positiveness
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Kitty Wells
No One But You
190 bpm • C Maj • 01:52 • -10.07db
32% Popularity • 54% Danceability • 35% Energy • 38% Liveness
0% Instrumentalness • 96% Positiveness
32% Popularity • 54% Danceability • 35% Energy • 38% Liveness
0% Instrumentalness • 96% Positiveness
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Carl Smith
How I Love Them Old Songs
145 bpm • C Maj • 02:36 • -12.15db
11% Popularity • 58% Danceability • 38% Energy • 12% Liveness
0% Instrumentalness • 93% Positiveness
11% Popularity • 58% Danceability • 38% Energy • 12% Liveness
0% Instrumentalness • 93% Positiveness
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Elton Britt
Cannonball Yodel
143 bpm • G# Maj • 02:57 • -13.1db
9% Popularity • 54% Danceability • 41% Energy • 16% Liveness
1% Instrumentalness • 76% Positiveness
9% Popularity • 54% Danceability • 41% Energy • 16% Liveness
1% Instrumentalness • 76% Positiveness
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The Maddox Brothers & Rose
Will There Be Any Stars In My Crown?
143 bpm • E Maj • 02:30 • -8.72db
1% Popularity • 47% Danceability • 33% Energy • 42% Liveness
0% Instrumentalness • 57% Positiveness
1% Popularity • 47% Danceability • 33% Energy • 42% Liveness
0% Instrumentalness • 57% Positiveness
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Jimmie Rodgers
My Rough and Rowdy Ways
145 bpm • C Maj • 02:31 • -12.28db
16% Popularity • 57% Danceability • 21% Energy • 16% Liveness
0% Instrumentalness • 77% Positiveness
16% Popularity • 57% Danceability • 21% Energy • 16% Liveness
0% Instrumentalness • 77% Positiveness
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The Delmore Brothers
Old Mountain Dew
143 bpm • F min • 02:34 • -14.5db
11% Popularity • 62% Danceability • 21% Energy • 12% Liveness
0% Instrumentalness • 37% Positiveness
11% Popularity • 62% Danceability • 21% Energy • 12% Liveness
0% Instrumentalness • 37% Positiveness
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Kitty Wells
One By One - 1954 Single Version
145 bpm • D# Maj • 02:57 • -13db
30% Popularity • 51% Danceability • 23% Energy • 4% Liveness
0% Instrumentalness • 57% Positiveness
30% Popularity • 51% Danceability • 23% Energy • 4% Liveness
0% Instrumentalness • 57% Positiveness
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Carl Smith
Let Old Mother Nature Have Her Way
145 bpm • E Maj • 02:49 • -12.2db
15% Popularity • 63% Danceability • 35% Energy • 14% Liveness
0% Instrumentalness • 78% Positiveness
15% Popularity • 63% Danceability • 35% Energy • 14% Liveness
0% Instrumentalness • 78% Positiveness
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Linda Manning
Walking on a Cloud
142 bpm • A Maj • 01:40 • -13.83db
17% Popularity • 66% Danceability • 29% Energy • 7% Liveness
0% Instrumentalness • 73% Positiveness
17% Popularity • 66% Danceability • 29% Energy • 7% Liveness
0% Instrumentalness • 73% Positiveness
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Merle Travis
Divorce Me C.O.D.
194 bpm • F Maj • 02:15 • -12.8db
25% Popularity • 61% Danceability • 42% Energy • 7% Liveness
0% Instrumentalness • 88% Positiveness
25% Popularity • 61% Danceability • 42% Energy • 7% Liveness
0% Instrumentalness • 88% Positiveness
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Jimmie Rodgers
Away Out On the Mountain
143 bpm • D Maj • 03:17 • -9.79db
18% Popularity • 70% Danceability • 50% Energy • 16% Liveness
0% Instrumentalness • 67% Positiveness
18% Popularity • 70% Danceability • 50% Energy • 16% Liveness
0% Instrumentalness • 67% Positiveness
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Spade Cooley
Honey Song
142 bpm • A Maj • 02:55 • -14.36db
18% Popularity • 59% Danceability • 18% Energy • 8% Liveness
43% Instrumentalness • 83% Positiveness
18% Popularity • 59% Danceability • 18% Energy • 8% Liveness
43% Instrumentalness • 83% Positiveness
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Jimmy Wakely
Oklahoma Blues - Mono
197 bpm • A# Maj • 02:34 • -9.45db
11% Popularity • 53% Danceability • 33% Energy • 9% Liveness
15% Instrumentalness • 97% Positiveness
11% Popularity • 53% Danceability • 33% Energy • 9% Liveness
15% Instrumentalness • 97% Positiveness
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Ray Smith
Blonde Hair, Blue Eyes
197 bpm • C Maj • 02:13 • -4.65db
8% Popularity • 42% Danceability • 70% Energy • 14% Liveness
0% Instrumentalness • 93% Positiveness
8% Popularity • 42% Danceability • 70% Energy • 14% Liveness
0% Instrumentalness • 93% Positiveness
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Elton Britt
Patent Leather Boots
199 bpm • G# Maj • 02:58 • -11.21db
13% Popularity • 56% Danceability • 30% Energy • 12% Liveness
0% Instrumentalness • 74% Positiveness
13% Popularity • 56% Danceability • 30% Energy • 12% Liveness
0% Instrumentalness • 74% Positiveness
