Songs like forget about us by Clinton Kane
Based on a tempo of (+/- 10%) and a similar genre
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Clinton Kane
forget about us
109 bpm • E Maj • 03:04 • -7.09db
48% Popularity • 53% Danceability • 43% Energy • 10% Liveness
0% Instrumentalness • 55% Positiveness
48% Popularity • 53% Danceability • 43% Energy • 10% Liveness
0% Instrumentalness • 55% Positiveness
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Luz
i'm lonely
109 bpm • F Maj • 03:01 • -11db
41% Popularity • 50% Danceability • 21% Energy • 11% Liveness
0% Instrumentalness • 25% Positiveness
41% Popularity • 50% Danceability • 21% Energy • 11% Liveness
0% Instrumentalness • 25% Positiveness
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Avery Lynch
The Closest to That
109 bpm • B Maj • 03:37 • -12db
27% Popularity • 58% Danceability • 11% Energy • 10% Liveness
0% Instrumentalness • 43% Positiveness
27% Popularity • 58% Danceability • 11% Energy • 10% Liveness
0% Instrumentalness • 43% Positiveness
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AJ Mitchell
I Don't Want You Back
110 bpm • F Maj • 03:44 • -6.49db
53% Popularity • 61% Danceability • 35% Energy • 10% Liveness
0% Instrumentalness • 25% Positiveness
53% Popularity • 61% Danceability • 35% Energy • 10% Liveness
0% Instrumentalness • 25% Positiveness
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ROSIE
Social Stamina
110 bpm • D# Maj • 02:34 • -9db
41% Popularity • 70% Danceability • 20% Energy • 8% Liveness
0% Instrumentalness • 32% Positiveness
41% Popularity • 70% Danceability • 20% Energy • 8% Liveness
0% Instrumentalness • 32% Positiveness
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elijah woods
fingers crossed
110 bpm • F Maj • 02:43 • -7.45db
66% Popularity • 66% Danceability • 48% Energy • 15% Liveness
0% Instrumentalness • 20% Positiveness
66% Popularity • 66% Danceability • 48% Energy • 15% Liveness
0% Instrumentalness • 20% Positiveness
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Clinton Kane
hopeless
108 bpm • G Maj • 03:19 • -6.11db
47% Popularity • 46% Danceability • 58% Energy • 13% Liveness
0% Instrumentalness • 35% Positiveness
47% Popularity • 46% Danceability • 58% Energy • 13% Liveness
0% Instrumentalness • 35% Positiveness
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Munn
Come Home
110 bpm • A# Maj • 02:48 • -12.1db
35% Popularity • 57% Danceability • 35% Energy • 35% Liveness
0% Instrumentalness • 29% Positiveness
35% Popularity • 57% Danceability • 35% Energy • 35% Liveness
0% Instrumentalness • 29% Positiveness
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Zevia
toxicity
110 bpm • C Maj • 03:13 • -11db
34% Popularity • 65% Danceability • 40% Energy • 11% Liveness
0% Instrumentalness • 23% Positiveness
34% Popularity • 65% Danceability • 40% Energy • 11% Liveness
0% Instrumentalness • 23% Positiveness
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Sody
Reason To Stay
110 bpm • C Maj • 03:08 • -7.31db
40% Popularity • 49% Danceability • 35% Energy • 12% Liveness
0% Instrumentalness • 28% Positiveness
40% Popularity • 49% Danceability • 35% Energy • 12% Liveness
0% Instrumentalness • 28% Positiveness
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Jonah Kagen
Moon
110 bpm • C# min • 03:40 • -8.81db
52% Popularity • 59% Danceability • 52% Energy • 49% Liveness
0% Instrumentalness • 38% Positiveness
52% Popularity • 59% Danceability • 52% Energy • 49% Liveness
0% Instrumentalness • 38% Positiveness
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ehren
Jennifer Street
110 bpm • B Maj • 04:13 • -11.96db
34% Popularity • 40% Danceability • 31% Energy • 13% Liveness
0% Instrumentalness • 22% Positiveness
34% Popularity • 40% Danceability • 31% Energy • 13% Liveness
0% Instrumentalness • 22% Positiveness
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Etham
I Wish It Was Me - Stripped
110 bpm • F# min • 03:33 • -8.48db
33% Popularity • 76% Danceability • 30% Energy • 10% Liveness
0% Instrumentalness • 64% Positiveness
33% Popularity • 76% Danceability • 30% Energy • 10% Liveness
0% Instrumentalness • 64% Positiveness
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Zach Hood
Isabelle
110 bpm • A# Maj • 02:15 • -4.4db
60% Popularity • 68% Danceability • 72% Energy • 10% Liveness
0% Instrumentalness • 63% Positiveness
60% Popularity • 68% Danceability • 72% Energy • 10% Liveness
0% Instrumentalness • 63% Positiveness
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Brynn Cartelli
Love You in My Mind
110 bpm • E Maj • 03:44 • -7.35db
39% Popularity • 49% Danceability • 35% Energy • 9% Liveness
0% Instrumentalness • 12% Positiveness
39% Popularity • 49% Danceability • 35% Energy • 9% Liveness
0% Instrumentalness • 12% Positiveness
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Harry Styles
Falling
110 bpm • E Maj • 04:00 • -6.5db
83% Popularity • 57% Danceability • 27% Energy • 9% Liveness
0% Instrumentalness • 6% Positiveness
83% Popularity • 57% Danceability • 27% Energy • 9% Liveness
0% Instrumentalness • 6% Positiveness
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Suriel Hess
Feel Love
110 bpm • G Maj • 02:36 • -8db
44% Popularity • 75% Danceability • 45% Energy • 15% Liveness
0% Instrumentalness • 52% Positiveness
44% Popularity • 75% Danceability • 45% Energy • 15% Liveness
0% Instrumentalness • 52% Positiveness
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Benson Boone
Cry
108 bpm • A# Maj • 03:06 • -5.25db
68% Popularity • 71% Danceability • 48% Energy • 9% Liveness
0% Instrumentalness • 35% Positiveness
68% Popularity • 71% Danceability • 48% Energy • 9% Liveness
0% Instrumentalness • 35% Positiveness
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Etham
I Wish It Was Me
110 bpm • F# min • 03:31 • -8.4db
45% Popularity • 57% Danceability • 54% Energy • 9% Liveness
0% Instrumentalness • 75% Positiveness
45% Popularity • 57% Danceability • 54% Energy • 9% Liveness
0% Instrumentalness • 75% Positiveness
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Andi
Made Up Story
108 bpm • G# Maj • 03:08 • -7.29db
51% Popularity • 77% Danceability • 49% Energy • 12% Liveness
0% Instrumentalness • 53% Positiveness
51% Popularity • 77% Danceability • 49% Energy • 12% Liveness
0% Instrumentalness • 53% Positiveness
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Alex Warren
Screaming Underwater
107 bpm • E min • 02:26 • -6.29db
51% Popularity • 55% Danceability • 62% Energy • 41% Liveness
1% Instrumentalness • 71% Positiveness
51% Popularity • 55% Danceability • 62% Energy • 41% Liveness
1% Instrumentalness • 71% Positiveness
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Jamie Miller
Last Call
107 bpm • D Maj • 02:31 • -3.86db
49% Popularity • 64% Danceability • 53% Energy • 33% Liveness
0% Instrumentalness • 27% Positiveness
49% Popularity • 64% Danceability • 53% Energy • 33% Liveness
0% Instrumentalness • 27% Positiveness
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Suriel Hess
Mr. Nice Guy
108 bpm • A Maj • 02:44 • -8.25db
48% Popularity • 68% Danceability • 42% Energy • 6% Liveness
0% Instrumentalness • 37% Positiveness
48% Popularity • 68% Danceability • 42% Energy • 6% Liveness
0% Instrumentalness • 37% Positiveness
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elijah woods
matthew
107 bpm • A Maj • 03:13 • -12.13db
52% Popularity • 50% Danceability • 25% Energy • 9% Liveness
0% Instrumentalness • 12% Positiveness
52% Popularity • 50% Danceability • 25% Energy • 9% Liveness
0% Instrumentalness • 12% Positiveness
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Lillian Hepler
Easy
107 bpm • C min • 03:11 • -7.55db
45% Popularity • 74% Danceability • 47% Energy • 35% Liveness
0% Instrumentalness • 59% Positiveness
45% Popularity • 74% Danceability • 47% Energy • 35% Liveness
0% Instrumentalness • 59% Positiveness
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Lewis Capaldi
Hold Me While You Wait
107 bpm • B Maj • 03:25 • -5.51db
78% Popularity • 69% Danceability • 53% Energy • 10% Liveness
0% Instrumentalness • 16% Positiveness
78% Popularity • 69% Danceability • 53% Energy • 10% Liveness
0% Instrumentalness • 16% Positiveness
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Maddie Zahm
Fat Funny Friend (sadder)
106 bpm • C Maj • 03:22 • -9db
53% Popularity • 55% Danceability • 22% Energy • 10% Liveness
0% Instrumentalness • 53% Positiveness
53% Popularity • 55% Danceability • 22% Energy • 10% Liveness
0% Instrumentalness • 53% Positiveness
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Francis Karel
Like All My Friends
106 bpm • G Maj • 03:07 • -8db
45% Popularity • 53% Danceability • 40% Energy • 9% Liveness
0% Instrumentalness • 21% Positiveness
45% Popularity • 53% Danceability • 40% Energy • 9% Liveness
0% Instrumentalness • 21% Positiveness
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Suriel Hess
Don't Wanna Know
106 bpm • G Maj • 02:58 • -8db
44% Popularity • 67% Danceability • 44% Energy • 28% Liveness
0% Instrumentalness • 61% Positiveness
44% Popularity • 67% Danceability • 44% Energy • 28% Liveness
0% Instrumentalness • 61% Positiveness
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Jenna Raine
2%
106 bpm • D Maj • 03:27 • -5.34db
47% Popularity • 65% Danceability • 54% Energy • 7% Liveness
0% Instrumentalness • 36% Positiveness
47% Popularity • 65% Danceability • 54% Energy • 7% Liveness
0% Instrumentalness • 36% Positiveness
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Lillian Hepler
Hold Me While You Wait
107 bpm • B Maj • 03:24 • -8.13db
39% Popularity • 62% Danceability • 28% Energy • 16% Liveness
0% Instrumentalness • 8% Positiveness
39% Popularity • 62% Danceability • 28% Energy • 16% Liveness
0% Instrumentalness • 8% Positiveness
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Mike Waters
I'm Doing Fine
112 bpm • C Maj • 03:25 • -5.81db
42% Popularity • 43% Danceability • 69% Energy • 10% Liveness
0% Instrumentalness • 35% Positiveness
42% Popularity • 43% Danceability • 69% Energy • 10% Liveness
0% Instrumentalness • 35% Positiveness
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Jamie Grey
If I Never Said Goodbye
112 bpm • A Maj • 03:22 • -8db
35% Popularity • 54% Danceability • 35% Energy • 11% Liveness
0% Instrumentalness • 18% Positiveness
35% Popularity • 54% Danceability • 35% Energy • 11% Liveness
0% Instrumentalness • 18% Positiveness
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Francis Karel
Fall
112 bpm • G Maj • 03:09 • -6db
32% Popularity • 60% Danceability • 61% Energy • 18% Liveness
0% Instrumentalness • 39% Positiveness
32% Popularity • 60% Danceability • 61% Energy • 18% Liveness
0% Instrumentalness • 39% Positiveness
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Sara Kays
Smaller Than This
106 bpm • C# Maj • 03:28 • -9.18db
51% Popularity • 57% Danceability • 37% Energy • 11% Liveness
0% Instrumentalness • 20% Positiveness
51% Popularity • 57% Danceability • 37% Energy • 11% Liveness
0% Instrumentalness • 20% Positiveness
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Rachel Grae
Bad Timing
105 bpm • D Maj • 02:45 • -9.57db
55% Popularity • 54% Danceability • 28% Energy • 10% Liveness
0% Instrumentalness • 34% Positiveness
55% Popularity • 54% Danceability • 28% Energy • 10% Liveness
0% Instrumentalness • 34% Positiveness
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yaeow
The Way I Love You
113 bpm • F# Maj • 02:42 • -18.04db
51% Popularity • 54% Danceability • 21% Energy • 38% Liveness
45% Instrumentalness • 13% Positiveness
51% Popularity • 54% Danceability • 21% Energy • 38% Liveness
45% Instrumentalness • 13% Positiveness
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Hanniou
heartbeats
113 bpm • A min • 02:31 • -11db
57% Popularity • 41% Danceability • 39% Energy • 11% Liveness
0% Instrumentalness • 24% Positiveness
57% Popularity • 41% Danceability • 39% Energy • 11% Liveness
0% Instrumentalness • 24% Positiveness
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James Smith
Little Love - Acoustic
105 bpm • A min • 03:29 • -11.49db
39% Popularity • 69% Danceability • 19% Energy • 26% Liveness
0% Instrumentalness • 38% Positiveness
39% Popularity • 69% Danceability • 19% Energy • 26% Liveness
0% Instrumentalness • 38% Positiveness
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Lauren Spencer Smith
Narcissist
113 bpm • D# Maj • 02:52 • -6.63db
63% Popularity • 40% Danceability • 48% Energy • 9% Liveness
0% Instrumentalness • 14% Positiveness
63% Popularity • 40% Danceability • 48% Energy • 9% Liveness
0% Instrumentalness • 14% Positiveness
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Marco Tamimi
Different Eyes
113 bpm • D Maj • 03:54 • -11.78db
44% Popularity • 44% Danceability • 25% Energy • 7% Liveness
0% Instrumentalness • 20% Positiveness
44% Popularity • 44% Danceability • 25% Energy • 7% Liveness
0% Instrumentalness • 20% Positiveness
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Dylan Conrique
birthday cake
113 bpm • D# Maj • 03:25 • -8.62db
70% Popularity • 44% Danceability • 26% Energy • 11% Liveness
0% Instrumentalness • 15% Positiveness
70% Popularity • 44% Danceability • 26% Energy • 11% Liveness
0% Instrumentalness • 15% Positiveness
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Rachel Grae
Outsider
105 bpm • G# Maj • 02:56 • -6.9db
62% Popularity • 43% Danceability • 24% Energy • 25% Liveness
0% Instrumentalness • 16% Positiveness
62% Popularity • 43% Danceability • 24% Energy • 25% Liveness
0% Instrumentalness • 16% Positiveness
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Haley Joelle
Two Places at Once
105 bpm • D Maj • 03:19 • -9.96db
53% Popularity • 50% Danceability • 28% Energy • 31% Liveness
0% Instrumentalness • 24% Positiveness
53% Popularity • 50% Danceability • 28% Energy • 31% Liveness
0% Instrumentalness • 24% Positiveness
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clide
can't give back your love
105 bpm • B Maj • 02:44 • -10.07db
39% Popularity • 58% Danceability • 32% Energy • 12% Liveness
0% Instrumentalness • 12% Positiveness
39% Popularity • 58% Danceability • 32% Energy • 12% Liveness
0% Instrumentalness • 12% Positiveness
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Jenna Raine
us
105 bpm • A# Maj • 03:16 • -8db
30% Popularity • 48% Danceability • 66% Energy • 14% Liveness
0% Instrumentalness • 41% Positiveness
30% Popularity • 48% Danceability • 66% Energy • 14% Liveness
0% Instrumentalness • 41% Positiveness
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Benson Boone
Let Me Go
105 bpm • G Maj • 02:39 • -6db
66% Popularity • 50% Danceability • 32% Energy • 11% Liveness
0% Instrumentalness • 19% Positiveness
66% Popularity • 50% Danceability • 32% Energy • 11% Liveness
0% Instrumentalness • 19% Positiveness
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Clinton Kane
14
105 bpm • D Maj • 02:20 • -6db
50% Popularity • 61% Danceability • 63% Energy • 12% Liveness
0% Instrumentalness • 70% Positiveness
50% Popularity • 61% Danceability • 63% Energy • 12% Liveness
0% Instrumentalness • 70% Positiveness
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Thomas Day
Wildflower
114 bpm • C Maj • 02:41 • -5db
42% Popularity • 61% Danceability • 56% Energy • 12% Liveness
0% Instrumentalness • 25% Positiveness
42% Popularity • 61% Danceability • 56% Energy • 12% Liveness
0% Instrumentalness • 25% Positiveness
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Sara Kays
Backseat Rider
104 bpm • D Maj • 03:28 • -9db
45% Popularity • 57% Danceability • 54% Energy • 23% Liveness
0% Instrumentalness • 55% Positiveness
45% Popularity • 57% Danceability • 54% Energy • 23% Liveness
0% Instrumentalness • 55% Positiveness
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gavn!
hit the dirt
104 bpm • D Maj • 02:18 • -10.21db
60% Popularity • 44% Danceability • 37% Energy • 14% Liveness
0% Instrumentalness • 53% Positiveness
60% Popularity • 44% Danceability • 37% Energy • 14% Liveness
0% Instrumentalness • 53% Positiveness
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James TW
Hopeless Romantics
114 bpm • A min • 02:59 • -6.86db
56% Popularity • 61% Danceability • 40% Energy • 11% Liveness
0% Instrumentalness • 45% Positiveness
56% Popularity • 61% Danceability • 40% Energy • 11% Liveness
0% Instrumentalness • 45% Positiveness
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Chris James
Don't Forget About Me
104 bpm • C# min • 03:26 • -11.85db
38% Popularity • 47% Danceability • 30% Energy • 25% Liveness
0% Instrumentalness • 10% Positiveness
38% Popularity • 47% Danceability • 30% Energy • 25% Liveness
0% Instrumentalness • 10% Positiveness
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ROSIE
Something I Hate
103 bpm • A# Maj • 02:51 • -10db
41% Popularity • 50% Danceability • 33% Energy • 11% Liveness
0% Instrumentalness • 20% Positiveness
41% Popularity • 50% Danceability • 33% Energy • 11% Liveness
0% Instrumentalness • 20% Positiveness
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Brent Morgan
The Fixer
115 bpm • F# Maj • 03:08 • -11.55db
48% Popularity • 71% Danceability • 28% Energy • 10% Liveness
0% Instrumentalness • 18% Positiveness
48% Popularity • 71% Danceability • 28% Energy • 10% Liveness
0% Instrumentalness • 18% Positiveness
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Suriel Hess
Love Like That (Words from Her)
103 bpm • G Maj • 02:54 • -10.86db
53% Popularity • 47% Danceability • 29% Energy • 35% Liveness
0% Instrumentalness • 28% Positiveness
53% Popularity • 47% Danceability • 29% Energy • 35% Liveness
0% Instrumentalness • 28% Positiveness
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Chord Overstreet
Stone Man
115 bpm • C Maj • 02:36 • -13.71db
42% Popularity • 69% Danceability • 30% Energy • 14% Liveness
0% Instrumentalness • 23% Positiveness
42% Popularity • 69% Danceability • 30% Energy • 14% Liveness
0% Instrumentalness • 23% Positiveness
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FINNEAS
Die Alone
103 bpm • C Maj • 04:21 • -11.83db
52% Popularity • 44% Danceability • 9% Energy • 10% Liveness
0% Instrumentalness • 13% Positiveness
52% Popularity • 44% Danceability • 9% Energy • 10% Liveness
0% Instrumentalness • 13% Positiveness
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Benson Boone
GHOST TOWN - campfire version
115 bpm • C Maj • 03:01 • -7.44db
47% Popularity • 56% Danceability • 48% Energy • 16% Liveness
0% Instrumentalness • 25% Positiveness
47% Popularity • 56% Danceability • 48% Energy • 16% Liveness
0% Instrumentalness • 25% Positiveness
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Alec Benjamin
The Book of You & I
103 bpm • A# Maj • 03:27 • -6.24db
57% Popularity • 51% Danceability • 39% Energy • 11% Liveness
0% Instrumentalness • 48% Positiveness
57% Popularity • 51% Danceability • 39% Energy • 11% Liveness
0% Instrumentalness • 48% Positiveness
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Camylio
sometimes
103 bpm • C# Maj • 02:36 • -8.73db
53% Popularity • 55% Danceability • 45% Energy • 12% Liveness
0% Instrumentalness • 32% Positiveness
53% Popularity • 55% Danceability • 45% Energy • 12% Liveness
0% Instrumentalness • 32% Positiveness
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Haley Joelle
idk
102 bpm • E Maj • 03:30 • -7.83db
39% Popularity • 53% Danceability • 27% Energy • 11% Liveness
0% Instrumentalness • 26% Positiveness
39% Popularity • 53% Danceability • 27% Energy • 11% Liveness
0% Instrumentalness • 26% Positiveness
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Clara Mae
Overused
116 bpm • C Maj • 02:41 • -7.79db
37% Popularity • 50% Danceability • 52% Energy • 10% Liveness
0% Instrumentalness • 68% Positiveness
37% Popularity • 50% Danceability • 52% Energy • 10% Liveness
0% Instrumentalness • 68% Positiveness
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Matthew Nolan
Maybe
102 bpm • C Maj • 03:06 • -15db
51% Popularity • 70% Danceability • 20% Energy • 10% Liveness
0% Instrumentalness • 22% Positiveness
51% Popularity • 70% Danceability • 20% Energy • 10% Liveness
0% Instrumentalness • 22% Positiveness
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Lauren Spencer Smith
Back to Friends
117 bpm • D Maj • 03:35 • -9.95db
59% Popularity • 75% Danceability • 32% Energy • 10% Liveness
0% Instrumentalness • 22% Positiveness
59% Popularity • 75% Danceability • 32% Energy • 10% Liveness
0% Instrumentalness • 22% Positiveness
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Jamie Grey
Arms Around You
102 bpm • B Maj • 03:11 • -9.85db
43% Popularity • 53% Danceability • 27% Energy • 10% Liveness
0% Instrumentalness • 39% Positiveness
43% Popularity • 53% Danceability • 27% Energy • 10% Liveness
0% Instrumentalness • 39% Positiveness
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vaultboy
aftermath
117 bpm • A Maj • 02:46 • -9.28db
58% Popularity • 62% Danceability • 38% Energy • 11% Liveness
0% Instrumentalness • 19% Positiveness
58% Popularity • 62% Danceability • 38% Energy • 11% Liveness
0% Instrumentalness • 19% Positiveness
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Alexander 23
Come Here and Leave Me Alone
117 bpm • C# min • 03:06 • -12.4db
40% Popularity • 69% Danceability • 39% Energy • 10% Liveness
0% Instrumentalness • 30% Positiveness
40% Popularity • 69% Danceability • 39% Energy • 10% Liveness
0% Instrumentalness • 30% Positiveness
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Lennon Stella
Older Than I Am
117 bpm • A Maj • 03:01 • -8.95db
50% Popularity • 44% Danceability • 31% Energy • 10% Liveness
0% Instrumentalness • 20% Positiveness
50% Popularity • 44% Danceability • 31% Energy • 10% Liveness
0% Instrumentalness • 20% Positiveness
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Elina
Mirage
117 bpm • F# min • 02:44 • -12db
43% Popularity • 52% Danceability • 25% Energy • 14% Liveness
0% Instrumentalness • 22% Positiveness
43% Popularity • 52% Danceability • 25% Energy • 14% Liveness
0% Instrumentalness • 22% Positiveness
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Rosie Darling
Too Hot For You To Hold
101 bpm • A# Maj • 01:57 • -10db
56% Popularity • 55% Danceability • 22% Energy • 11% Liveness
0% Instrumentalness • 42% Positiveness
56% Popularity • 55% Danceability • 22% Energy • 11% Liveness
0% Instrumentalness • 42% Positiveness
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Suriel Hess
About Love
118 bpm • C# Maj • 02:36 • -5.34db
48% Popularity • 66% Danceability • 37% Energy • 13% Liveness
0% Instrumentalness • 39% Positiveness
48% Popularity • 66% Danceability • 37% Energy • 13% Liveness
0% Instrumentalness • 39% Positiveness
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James Smith
My Oh My
101 bpm • A# min • 02:39 • -7db
54% Popularity • 52% Danceability • 49% Energy • 11% Liveness
0% Instrumentalness • 35% Positiveness
54% Popularity • 52% Danceability • 49% Energy • 11% Liveness
0% Instrumentalness • 35% Positiveness
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Mimi Webb
I'll Break My Heart Again
118 bpm • G# Maj • 03:35 • -8.53db
44% Popularity • 58% Danceability • 48% Energy • 8% Liveness
0% Instrumentalness • 18% Positiveness
44% Popularity • 58% Danceability • 48% Energy • 8% Liveness
0% Instrumentalness • 18% Positiveness
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Dylan Brady
Still Into You
118 bpm • A Maj • 04:20 • -6.52db
44% Popularity • 63% Danceability • 50% Energy • 11% Liveness
0% Instrumentalness • 46% Positiveness
44% Popularity • 63% Danceability • 50% Energy • 11% Liveness
0% Instrumentalness • 46% Positiveness
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Sara Kays
Watching TV
118 bpm • A Maj • 02:40 • -7db
38% Popularity • 58% Danceability • 57% Energy • 14% Liveness
0% Instrumentalness • 46% Positiveness
38% Popularity • 58% Danceability • 57% Energy • 14% Liveness
0% Instrumentalness • 46% Positiveness
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Zach Hood
daphne
118 bpm • B Maj • 02:24 • -7.06db
34% Popularity • 74% Danceability • 47% Energy • 18% Liveness
0% Instrumentalness • 37% Positiveness
34% Popularity • 74% Danceability • 47% Energy • 18% Liveness
0% Instrumentalness • 37% Positiveness
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Chord Overstreet
What's Left of You
118 bpm • C Maj • 02:58 • -6db
63% Popularity • 73% Danceability • 51% Energy • 9% Liveness
0% Instrumentalness • 26% Positiveness
63% Popularity • 73% Danceability • 51% Energy • 9% Liveness
0% Instrumentalness • 26% Positiveness
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Lewis Capaldi
One
118 bpm • A Maj • 02:59 • -7.09db
64% Popularity • 71% Danceability • 34% Energy • 13% Liveness
0% Instrumentalness • 51% Positiveness
64% Popularity • 71% Danceability • 34% Energy • 13% Liveness
0% Instrumentalness • 51% Positiveness
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Alexander 23
Cry Over Boys
118 bpm • G Maj • 02:50 • -13.55db
53% Popularity • 86% Danceability • 25% Energy • 53% Liveness
0% Instrumentalness • 38% Positiveness
53% Popularity • 86% Danceability • 25% Energy • 53% Liveness
0% Instrumentalness • 38% Positiveness
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AJ Mitchell
Used to Be
118 bpm • F Maj • 02:54 • -6.55db
52% Popularity • 47% Danceability • 46% Energy • 11% Liveness
0% Instrumentalness • 21% Positiveness
52% Popularity • 47% Danceability • 46% Energy • 11% Liveness
0% Instrumentalness • 21% Positiveness
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Reagan Beem
Kid In My 20s
118 bpm • D Maj • 02:46 • -6.67db
43% Popularity • 56% Danceability • 26% Energy • 11% Liveness
0% Instrumentalness • 14% Positiveness
43% Popularity • 56% Danceability • 26% Energy • 11% Liveness
0% Instrumentalness • 14% Positiveness
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gavn!
Someone u don't know
100 bpm • G Maj • 02:17 • -10.35db
45% Popularity • 49% Danceability • 37% Energy • 10% Liveness
0% Instrumentalness • 19% Positiveness
45% Popularity • 49% Danceability • 37% Energy • 10% Liveness
0% Instrumentalness • 19% Positiveness
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Suriel Hess
Good Thing
100 bpm • D Maj • 02:39 • -6.75db
52% Popularity • 77% Danceability • 69% Energy • 15% Liveness
0% Instrumentalness • 84% Positiveness
52% Popularity • 77% Danceability • 69% Energy • 15% Liveness
0% Instrumentalness • 84% Positiveness
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Zach Hood
neon skies
100 bpm • E min • 02:31 • -7.62db
46% Popularity • 64% Danceability • 54% Energy • 13% Liveness
0% Instrumentalness • 11% Positiveness
46% Popularity • 64% Danceability • 54% Energy • 13% Liveness
0% Instrumentalness • 11% Positiveness
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Clinton Kane
CHICKEN TENDIES
100 bpm • G Maj • 03:16 • -6db
60% Popularity • 57% Danceability • 70% Energy • 8% Liveness
0% Instrumentalness • 55% Positiveness
60% Popularity • 57% Danceability • 70% Energy • 8% Liveness
0% Instrumentalness • 55% Positiveness
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Ruel
MUST BE NICE
100 bpm • D Maj • 02:55 • -8.61db
50% Popularity • 55% Danceability • 33% Energy • 11% Liveness
0% Instrumentalness • 25% Positiveness
50% Popularity • 55% Danceability • 33% Energy • 11% Liveness
0% Instrumentalness • 25% Positiveness
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Elina
Champion
120 bpm • F# Maj • 02:53 • -9.01db
50% Popularity • 65% Danceability • 17% Energy • 13% Liveness
0% Instrumentalness • 28% Positiveness
50% Popularity • 65% Danceability • 17% Energy • 13% Liveness
0% Instrumentalness • 28% Positiveness
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Rosie Darling
Witness - Rajiv Dhall
120 bpm • D Maj • 03:33 • -10.46db
42% Popularity • 46% Danceability • 26% Energy • 10% Liveness
0% Instrumentalness • 10% Positiveness
42% Popularity • 46% Danceability • 26% Energy • 10% Liveness
0% Instrumentalness • 10% Positiveness
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Nessa Barrett
Pain
120 bpm • C Maj • 03:39 • -14.77db
48% Popularity • 47% Danceability • 11% Energy • 10% Liveness
0% Instrumentalness • 10% Positiveness
48% Popularity • 47% Danceability • 11% Energy • 10% Liveness
0% Instrumentalness • 10% Positiveness
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Zach Hood
Flashbacks
100 bpm • B Maj • 03:03 • -7.38db
59% Popularity • 55% Danceability • 45% Energy • 7% Liveness
0% Instrumentalness • 49% Positiveness
59% Popularity • 55% Danceability • 45% Energy • 7% Liveness
0% Instrumentalness • 49% Positiveness
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Hayd
October Snow
120 bpm • E Maj • 03:38 • -20.38db
41% Popularity • 74% Danceability • 10% Energy • 34% Liveness
0% Instrumentalness • 8% Positiveness
41% Popularity • 74% Danceability • 10% Energy • 34% Liveness
0% Instrumentalness • 8% Positiveness
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Zevia
if depression gets the best of me
120 bpm • C Maj • 03:00 • -15db
56% Popularity • 54% Danceability • 19% Energy • 11% Liveness
0% Instrumentalness • 20% Positiveness
56% Popularity • 54% Danceability • 19% Energy • 11% Liveness
0% Instrumentalness • 20% Positiveness
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Ruth B.
If By Chance
120 bpm • A# Maj • 05:03 • -8.1db
64% Popularity • 40% Danceability • 28% Energy • 9% Liveness
0% Instrumentalness • 26% Positiveness
64% Popularity • 40% Danceability • 28% Energy • 9% Liveness
0% Instrumentalness • 26% Positiveness
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Jillian Rossi
Fever Dream
120 bpm • D Maj • 02:51 • -8.47db
50% Popularity • 56% Danceability • 52% Energy • 16% Liveness
0% Instrumentalness • 20% Positiveness
50% Popularity • 56% Danceability • 52% Energy • 16% Liveness
0% Instrumentalness • 20% Positiveness
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Ruel
Say
120 bpm • D# Maj • 03:47 • -8db
53% Popularity • 62% Danceability • 32% Energy • 8% Liveness
0% Instrumentalness • 45% Positiveness
53% Popularity • 62% Danceability • 32% Energy • 8% Liveness
0% Instrumentalness • 45% Positiveness
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Mokita
London
120 bpm • B Maj • 02:40 • -8.72db
57% Popularity • 68% Danceability • 51% Energy • 10% Liveness
0% Instrumentalness • 47% Positiveness
57% Popularity • 68% Danceability • 51% Energy • 10% Liveness
0% Instrumentalness • 47% Positiveness
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Hayd
Superhero
120 bpm • A Maj • 04:01 • -19db
51% Popularity • 64% Danceability • 12% Energy • 35% Liveness
0% Instrumentalness • 14% Positiveness
51% Popularity • 64% Danceability • 12% Energy • 35% Liveness
0% Instrumentalness • 14% Positiveness
