Songs like Forkladd gud, Op. 24: Vem spelar pa en pipa en lat av gryningsluft (Who breathes an air in season upon his pipe at dawn) (Chorus) by Martin Lidstams Vokalensemble
Based on a tempo of (+/- 10%) and a similar genre
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Wilhelm Stenhammar
Sverige
101 bpm • F# Maj • 02:17 • -18.87db
18% Popularity • 25% Danceability • 7% Energy • 10% Liveness
6% Instrumentalness • 6% Positiveness
18% Popularity • 25% Danceability • 7% Energy • 10% Liveness
6% Instrumentalness • 6% Positiveness
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Jacques Offenbach
Les Contes d'Hoffmann (1989 Digital Rema...
101 bpm • C Maj • 01:12 • -31.8db
38% Popularity • 43% Danceability • 4% Energy • 9% Liveness
56% Instrumentalness • 44% Positiveness
38% Popularity • 43% Danceability • 4% Energy • 9% Liveness
56% Instrumentalness • 44% Positiveness
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Bedřich Smetana
The Bartered Bride: ACT II, Scene 1. Sbo...
101 bpm • F Maj • 05:08 • -14.94db
8% Popularity • 28% Danceability • 29% Energy • 11% Liveness
3% Instrumentalness • 25% Positiveness
8% Popularity • 28% Danceability • 29% Energy • 11% Liveness
3% Instrumentalness • 25% Positiveness
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Hugo Alfvén
Swedish Rhapsody No. 1, Op. 19 'Midsumme...
101 bpm • D Maj • 04:40 • -18.17db
9% Popularity • 45% Danceability • 17% Energy • 8% Liveness
94% Instrumentalness • 43% Positiveness
9% Popularity • 45% Danceability • 17% Energy • 8% Liveness
94% Instrumentalness • 43% Positiveness
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Richard Strauss
Ariadne auf Naxos: "Lieben, Hassen, Hoff...
101 bpm • F Maj • 02:03 • -26.35db
8% Popularity • 29% Danceability • 6% Energy • 62% Liveness
1% Instrumentalness • 12% Positiveness
8% Popularity • 29% Danceability • 6% Energy • 62% Liveness
1% Instrumentalness • 12% Positiveness
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Arthur Sullivan
H.M.S. Pinafore / Act 1: Sir Joseph's ba...
101 bpm • A Maj • 02:02 • -17.15db
12% Popularity • 53% Danceability • 33% Energy • 11% Liveness
0% Instrumentalness • 48% Positiveness
12% Popularity • 53% Danceability • 33% Energy • 11% Liveness
0% Instrumentalness • 48% Positiveness
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Felix Mendelssohn
6 Zweistimmige Lieder, Op. 63: No. 4. He...
101 bpm • B min • 02:00 • -23db
17% Popularity • 40% Danceability • 14% Energy • 11% Liveness
0% Instrumentalness • 53% Positiveness
17% Popularity • 40% Danceability • 14% Energy • 11% Liveness
0% Instrumentalness • 53% Positiveness
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Johannes Brahms
4 Gesänge, Op. 43: I. Von ewiger Liebe
101 bpm • B Maj • 04:25 • -16db
10% Popularity • 36% Danceability • 13% Energy • 9% Liveness
0% Instrumentalness • 10% Positiveness
10% Popularity • 36% Danceability • 13% Energy • 9% Liveness
0% Instrumentalness • 10% Positiveness
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Vincenzo Bellini
Vaga luna che inargenti
101 bpm • G# Maj • 04:00 • -26db
23% Popularity • 34% Danceability • 1% Energy • 12% Liveness
0% Instrumentalness • 8% Positiveness
23% Popularity • 34% Danceability • 1% Energy • 12% Liveness
0% Instrumentalness • 8% Positiveness
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Hugo Alfvén
Den förlorade sonen Suite: Polka from "...
101 bpm • C Maj • 02:13 • -32.71db
23% Popularity • 32% Danceability • 2% Energy • 5% Liveness
76% Instrumentalness • 24% Positiveness
23% Popularity • 32% Danceability • 2% Energy • 5% Liveness
76% Instrumentalness • 24% Positiveness
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Pauline Viardot
Hai luli
100 bpm • G min • 03:37 • -21.11db
11% Popularity • 28% Danceability • 7% Energy • 8% Liveness
1% Instrumentalness • 5% Positiveness
11% Popularity • 28% Danceability • 7% Energy • 8% Liveness
1% Instrumentalness • 5% Positiveness
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Hans Christian Lumbye
Copenhagen Steam Railway Galop for Orche...
102 bpm • D Maj • 03:35 • -20.89db
5% Popularity • 23% Danceability • 29% Energy • 6% Liveness
83% Instrumentalness • 4% Positiveness
5% Popularity • 23% Danceability • 29% Energy • 6% Liveness
83% Instrumentalness • 4% Positiveness
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Traditional
Och jungfrun hon går i ringen (Arr. H. ...
102 bpm • C Maj • 01:13 • -25.35db
9% Popularity • 46% Danceability • 14% Energy • 12% Liveness
0% Instrumentalness • 43% Positiveness
9% Popularity • 46% Danceability • 14% Energy • 12% Liveness
0% Instrumentalness • 43% Positiveness
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Wolfgang Amadeus Mozart
Don Giovanni, K. 527, Act II: Aria: Il m...
100 bpm • F Maj • 04:25 • -22.42db
11% Popularity • 28% Danceability • 8% Energy • 17% Liveness
0% Instrumentalness • 30% Positiveness
11% Popularity • 28% Danceability • 8% Energy • 17% Liveness
0% Instrumentalness • 30% Positiveness
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Johann Strauss II
Die Fledermaus, Act III: No. 14, Couplet...
102 bpm • G Maj • 04:12 • -17db
19% Popularity • 45% Danceability • 12% Energy • 65% Liveness
0% Instrumentalness • 31% Positiveness
19% Popularity • 45% Danceability • 12% Energy • 65% Liveness
0% Instrumentalness • 31% Positiveness
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Franz Schubert
Rosamunde, D. 797: Chorus of Spirits. In...
103 bpm • D Maj • 03:02 • -30.05db
8% Popularity • 14% Danceability • 1% Energy • 8% Liveness
21% Instrumentalness • 4% Positiveness
8% Popularity • 14% Danceability • 1% Energy • 8% Liveness
21% Instrumentalness • 4% Positiveness
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Dame Joan Sutherland
Samson
103 bpm • D Maj • 05:52 • -13.37db
6% Popularity • 35% Danceability • 22% Energy • 37% Liveness
7% Instrumentalness • 21% Positiveness
6% Popularity • 35% Danceability • 22% Energy • 37% Liveness
7% Instrumentalness • 21% Positiveness
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Lars-Erik Larsson
Forkladd gud, Op. 24: Vem spelar pa en p...
103 bpm • G Maj • 03:31 • -18.2db
12% Popularity • 23% Danceability • 12% Energy • 14% Liveness
37% Instrumentalness • 21% Positiveness
12% Popularity • 23% Danceability • 12% Energy • 14% Liveness
37% Instrumentalness • 21% Positiveness
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Gabriel Fauré
Requiem, Op. 48: 3. Sanctus
103 bpm • D# Maj • 03:37 • -21.66db
5% Popularity • 14% Danceability • 8% Energy • 11% Liveness
84% Instrumentalness • 4% Positiveness
5% Popularity • 14% Danceability • 8% Energy • 11% Liveness
84% Instrumentalness • 4% Positiveness
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Ralph Vaughan Williams
Vaughan Williams: Linden Lea
99 bpm • G Maj • 02:26 • -24db
8% Popularity • 39% Danceability • 2% Energy • 10% Liveness
0% Instrumentalness • 28% Positiveness
8% Popularity • 39% Danceability • 2% Energy • 10% Liveness
0% Instrumentalness • 28% Positiveness
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Giovanni Battista Pergolesi
Tre giorni son che Nina
99 bpm • G min • 01:43 • -19db
25% Popularity • 31% Danceability • 4% Energy • 16% Liveness
0% Instrumentalness • 19% Positiveness
25% Popularity • 31% Danceability • 4% Energy • 16% Liveness
0% Instrumentalness • 19% Positiveness
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Leoš Janáček
The Cunning Little Vixen (Prihody Lisky ...
99 bpm • C# min • 03:18 • -24.57db
10% Popularity • 24% Danceability • 8% Energy • 37% Liveness
82% Instrumentalness • 15% Positiveness
10% Popularity • 24% Danceability • 8% Energy • 37% Liveness
82% Instrumentalness • 15% Positiveness
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Carl Orff
Orff: Carmina Burana, Pt. 4, Blanziflor ...
99 bpm • E min • 01:50 • -15db
15% Popularity • 19% Danceability • 22% Energy • 70% Liveness
45% Instrumentalness • 8% Positiveness
15% Popularity • 19% Danceability • 22% Energy • 70% Liveness
45% Instrumentalness • 8% Positiveness
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Johan Svendsen
Fest-Polonaise - Polonaise
98 bpm • E Maj • 08:20 • -17db
2% Popularity • 28% Danceability • 17% Energy • 20% Liveness
88% Instrumentalness • 12% Positiveness
2% Popularity • 28% Danceability • 17% Energy • 20% Liveness
88% Instrumentalness • 12% Positiveness
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Jacques Offenbach
Les Contes d'Hoffmann (1989 Digital Rema...
98 bpm • A Maj • 01:41 • -13.33db
9% Popularity • 46% Danceability • 30% Energy • 45% Liveness
0% Instrumentalness • 56% Positiveness
9% Popularity • 46% Danceability • 30% Energy • 45% Liveness
0% Instrumentalness • 56% Positiveness
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Gérard Souzay
Chausson: Le Charme
98 bpm • D# Maj • 02:07 • -20db
8% Popularity • 25% Danceability • 10% Energy • 14% Liveness
33% Instrumentalness • 7% Positiveness
8% Popularity • 25% Danceability • 10% Energy • 14% Liveness
33% Instrumentalness • 7% Positiveness
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Edward Elgar
Sea Pictures, Op. 37: No. 5, The Swimmer
98 bpm • E min • 05:51 • -18.21db
8% Popularity • 31% Danceability • 16% Energy • 8% Liveness
0% Instrumentalness • 11% Positiveness
8% Popularity • 31% Danceability • 16% Energy • 8% Liveness
0% Instrumentalness • 11% Positiveness
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MartÍn Palmeri
Misatango, Misa a Buenos Aires: II. Chri...
98 bpm • C min • 05:09 • -15.5db
10% Popularity • 31% Danceability • 21% Energy • 16% Liveness
66% Instrumentalness • 9% Positiveness
10% Popularity • 31% Danceability • 21% Energy • 16% Liveness
66% Instrumentalness • 9% Positiveness
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Antonín Dvořák
Te Deum, Op. 103, B. 176: 4. Dignare Dom...
98 bpm • D Maj • 05:58 • -14.87db
7% Popularity • 20% Danceability • 29% Energy • 12% Liveness
0% Instrumentalness • 4% Positiveness
7% Popularity • 20% Danceability • 29% Energy • 12% Liveness
0% Instrumentalness • 4% Positiveness
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George Butterworth
6 Songs from A Shropshire Lad: No. 1. Lo...
98 bpm • E Maj • 02:32 • -24db
13% Popularity • 33% Danceability • 3% Energy • 7% Liveness
0% Instrumentalness • 9% Positiveness
13% Popularity • 33% Danceability • 3% Energy • 7% Liveness
0% Instrumentalness • 9% Positiveness
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Johannes Brahms
Schicksalslied, Op. 54: Orchestral Postl...
98 bpm • C Maj • 02:43 • -32.63db
19% Popularity • 13% Danceability • 2% Energy • 9% Liveness
59% Instrumentalness • 3% Positiveness
19% Popularity • 13% Danceability • 2% Energy • 9% Liveness
59% Instrumentalness • 3% Positiveness
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Max Reger
Waldeinsamkeit
104 bpm • G Maj • 01:28 • -19db
22% Popularity • 40% Danceability • 7% Energy • 10% Liveness
0% Instrumentalness • 34% Positiveness
22% Popularity • 40% Danceability • 7% Energy • 10% Liveness
0% Instrumentalness • 34% Positiveness
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Felix Mendelssohn
"Lobgesang" in B Flat Major, Op. 52, MWV...
98 bpm • D Maj • 04:40 • -14.6db
11% Popularity • 25% Danceability • 28% Energy • 12% Liveness
67% Instrumentalness • 18% Positiveness
11% Popularity • 25% Danceability • 28% Energy • 12% Liveness
67% Instrumentalness • 18% Positiveness
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César Franck
Die sieben Worte Christi am Kreuz für S...
105 bpm • D# Maj • 06:55 • -22.99db
10% Popularity • 18% Danceability • 12% Energy • 8% Liveness
46% Instrumentalness • 5% Positiveness
10% Popularity • 18% Danceability • 12% Energy • 8% Liveness
46% Instrumentalness • 5% Positiveness
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Jacques Offenbach
Un mari à la porte: Valse Tyrolienne
105 bpm • G Maj • 03:47 • -13db
8% Popularity • 44% Danceability • 20% Energy • 18% Liveness
0% Instrumentalness • 38% Positiveness
8% Popularity • 44% Danceability • 20% Energy • 18% Liveness
0% Instrumentalness • 38% Positiveness
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Franz Lehár
Die lustige Witwe / Act 2: Vilja-Lied
97 bpm • G Maj • 05:57 • -22.68db
13% Popularity • 30% Danceability • 10% Energy • 18% Liveness
1% Instrumentalness • 6% Positiveness
13% Popularity • 30% Danceability • 10% Energy • 18% Liveness
1% Instrumentalness • 6% Positiveness
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Gustav Mahler
Kindertotenlieder: No. 1, Nun will die S...
105 bpm • D min • 04:52 • -17.88db
9% Popularity • 21% Danceability • 14% Energy • 12% Liveness
4% Instrumentalness • 6% Positiveness
9% Popularity • 21% Danceability • 14% Energy • 12% Liveness
4% Instrumentalness • 6% Positiveness
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Helsingborg Symphony Orchestra
Pastoralsvit, Op. 19: Romanze
97 bpm • D# Maj • 04:27 • -28db
15% Popularity • 16% Danceability • 3% Energy • 9% Liveness
72% Instrumentalness • 4% Positiveness
15% Popularity • 16% Danceability • 3% Energy • 9% Liveness
72% Instrumentalness • 4% Positiveness
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Felix Mendelssohn
Elijah, Op. 70: "Yet Doth the Lord See I...
105 bpm • C Maj • 04:14 • -15.57db
9% Popularity • 22% Danceability • 31% Energy • 24% Liveness
87% Instrumentalness • 14% Positiveness
9% Popularity • 22% Danceability • 31% Energy • 24% Liveness
87% Instrumentalness • 14% Positiveness
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Wolfgang Amadeus Mozart
Le nozze di Figaro, K.492 / Act 4: "Deh ...
97 bpm • F Maj • 03:40 • -32.72db
26% Popularity • 23% Danceability • 2% Energy • 29% Liveness
0% Instrumentalness • 4% Positiveness
26% Popularity • 23% Danceability • 2% Energy • 29% Liveness
0% Instrumentalness • 4% Positiveness
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Camille Saint-Saëns
Symphony No. 3 In C Minor, Op. 78 "Organ...
106 bpm • C Maj • 08:00 • -17db
34% Popularity • 24% Danceability • 27% Energy • 8% Liveness
92% Instrumentalness • 18% Positiveness
34% Popularity • 24% Danceability • 27% Energy • 8% Liveness
92% Instrumentalness • 18% Positiveness
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Franz Schubert
Winterreise, Op. 89, D. 911: No. 1, Gute...
96 bpm • C min • 05:37 • -20.44db
11% Popularity • 35% Danceability • 6% Energy • 10% Liveness
0% Instrumentalness • 9% Positiveness
11% Popularity • 35% Danceability • 6% Energy • 10% Liveness
0% Instrumentalness • 9% Positiveness
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Carl Philipp Emanuel Bach
Bach, CPE: Magnificat in D Minor, Wq. 21...
106 bpm • G Maj • 07:03 • -20.78db
8% Popularity • 20% Danceability • 14% Energy • 17% Liveness
95% Instrumentalness • 3% Positiveness
8% Popularity • 20% Danceability • 14% Energy • 17% Liveness
95% Instrumentalness • 3% Positiveness
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Giuseppe Sarti
Lungi dal caro bene
96 bpm • G# Maj • 03:23 • -17db
14% Popularity • 24% Danceability • 13% Energy • 9% Liveness
19% Instrumentalness • 9% Positiveness
14% Popularity • 24% Danceability • 13% Energy • 9% Liveness
19% Instrumentalness • 9% Positiveness
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Nikolai Rimsky-Korsakov
Sadko: Song of the Indian Guest
107 bpm • C Maj • 03:34 • -32.35db
8% Popularity • 21% Danceability • 1% Energy • 6% Liveness
1% Instrumentalness • 4% Positiveness
8% Popularity • 21% Danceability • 1% Energy • 6% Liveness
1% Instrumentalness • 4% Positiveness
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Wolfgang Amadeus Mozart
Le nozze di Figaro K. 492: III. Voi che ...
106 bpm • A# Maj • 02:49 • -21.59db
8% Popularity • 36% Danceability • 8% Energy • 13% Liveness
9% Instrumentalness • 13% Positiveness
8% Popularity • 36% Danceability • 8% Energy • 13% Liveness
9% Instrumentalness • 13% Positiveness
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Pyotr Ilyich Tchaikovsky
The Queen of Spades, Op. 68, Act II: Ya ...
96 bpm • D# Maj • 04:01 • -22db
12% Popularity • 21% Danceability • 10% Energy • 30% Liveness
0% Instrumentalness • 12% Positiveness
12% Popularity • 21% Danceability • 10% Energy • 30% Liveness
0% Instrumentalness • 12% Positiveness
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Marilyn Hill Smith
The Pirates of Penzance: Finale Act One
107 bpm • G Maj • 08:13 • -21.92db
8% Popularity • 38% Danceability • 14% Energy • 30% Liveness
0% Instrumentalness • 21% Positiveness
8% Popularity • 38% Danceability • 14% Energy • 30% Liveness
0% Instrumentalness • 21% Positiveness
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South Jutland Symphony Orchestra
Moderen (The Mother), Op. 41, FS 94: Taa...
107 bpm • C Maj • 03:45 • -24db
19% Popularity • 26% Danceability • 7% Energy • 7% Liveness
86% Instrumentalness • 12% Positiveness
19% Popularity • 26% Danceability • 7% Energy • 7% Liveness
86% Instrumentalness • 12% Positiveness
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Henri Duparc
Chanson triste
107 bpm • C Maj • 02:52 • -18.29db
15% Popularity • 28% Danceability • 14% Energy • 10% Liveness
1% Instrumentalness • 10% Positiveness
15% Popularity • 28% Danceability • 14% Energy • 10% Liveness
1% Instrumentalness • 10% Positiveness
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Georges Bizet
Bizet: Carmen, WD 31, Act 1: "Sur la pla...
107 bpm • A# Maj • 01:54 • -25db
25% Popularity • 39% Danceability • 8% Energy • 16% Liveness
11% Instrumentalness • 40% Positiveness
25% Popularity • 39% Danceability • 8% Energy • 16% Liveness
11% Instrumentalness • 40% Positiveness
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Wolfgang Amadeus Mozart
Le nozze di Figaro, K. 492 / Act 2: "Voi...
95 bpm • A# Maj • 03:53 • -26.82db
24% Popularity • 32% Danceability • 3% Energy • 7% Liveness
0% Instrumentalness • 12% Positiveness
24% Popularity • 32% Danceability • 3% Energy • 7% Liveness
0% Instrumentalness • 12% Positiveness
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Gaetano Donizetti
Lucrezia Borgia / Act 2: Il segreto per ...
107 bpm • C Maj • 01:47 • -17.25db
18% Popularity • 39% Danceability • 24% Energy • 20% Liveness
0% Instrumentalness • 27% Positiveness
18% Popularity • 39% Danceability • 24% Energy • 20% Liveness
0% Instrumentalness • 27% Positiveness
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Xavier Benguerel
Requiem: Mors stupebit
95 bpm • C# Maj • 01:00 • -21.22db
8% Popularity • 41% Danceability • 11% Energy • 13% Liveness
0% Instrumentalness • 8% Positiveness
8% Popularity • 41% Danceability • 11% Energy • 13% Liveness
0% Instrumentalness • 8% Positiveness
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Lars-Erik Larsson
Forkladd gud, Op. 24: Ej for de starka i...
107 bpm • G Maj • 01:21 • -27db
8% Popularity • 72% Danceability • 4% Energy • 14% Liveness
0% Instrumentalness • 15% Positiveness
8% Popularity • 72% Danceability • 4% Energy • 14% Liveness
0% Instrumentalness • 15% Positiveness
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George Butterworth
6 Songs from A Shropshire Lad: No. 4. Th...
109 bpm • G# min • 01:15 • -16.68db
11% Popularity • 60% Danceability • 19% Energy • 10% Liveness
0% Instrumentalness • 59% Positiveness
11% Popularity • 60% Danceability • 19% Energy • 10% Liveness
0% Instrumentalness • 59% Positiveness
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Alexander Dargomyzhsky
Yunosha i deva (The Youth and the Maiden...
94 bpm • G min • 01:12 • -20db
13% Popularity • 29% Danceability • 14% Energy • 20% Liveness
16% Instrumentalness • 14% Positiveness
13% Popularity • 29% Danceability • 14% Energy • 20% Liveness
16% Instrumentalness • 14% Positiveness
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Théodore Dubois
3 extraits de la Messe des Morts: Agnus ...
109 bpm • F min • 03:53 • -30.02db
13% Popularity • 17% Danceability • 2% Energy • 13% Liveness
27% Instrumentalness • 6% Positiveness
13% Popularity • 17% Danceability • 2% Energy • 13% Liveness
27% Instrumentalness • 6% Positiveness
► Preview
Luigi Cherubini
Cherubini: Medea: Sinfonia
94 bpm • F min • 06:57 • -16.59db
12% Popularity • 32% Danceability • 16% Energy • 14% Liveness
69% Instrumentalness • 18% Positiveness
12% Popularity • 32% Danceability • 16% Energy • 14% Liveness
69% Instrumentalness • 18% Positiveness
► Preview
Richard Wagner
Lohengrin, WWV 75, Act II Scene 4: Geseg...
94 bpm • D# Maj • 05:32 • -21.54db
9% Popularity • 15% Danceability • 8% Energy • 42% Liveness
93% Instrumentalness • 4% Positiveness
9% Popularity • 15% Danceability • 8% Energy • 42% Liveness
93% Instrumentalness • 4% Positiveness
► Preview
Gaetano Donizetti
L'elisir d'amore: Act II: Una furtiva la...
93 bpm • A# min • 04:59 • -21.41db
17% Popularity • 19% Danceability • 7% Energy • 10% Liveness
1% Instrumentalness • 4% Positiveness
17% Popularity • 19% Danceability • 7% Energy • 10% Liveness
1% Instrumentalness • 4% Positiveness
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Karl Jenkins
Hidden Faces
93 bpm • C# Maj • 01:19 • -23.39db
10% Popularity • 33% Danceability • 16% Energy • 17% Liveness
0% Instrumentalness • 10% Positiveness
10% Popularity • 33% Danceability • 16% Energy • 17% Liveness
0% Instrumentalness • 10% Positiveness
► Preview
George Frideric Handel
Rinaldo / Act 2: "Lascia ch'io pianga"
92 bpm • E Maj • 04:24 • -16.95db
17% Popularity • 27% Danceability • 19% Energy • 21% Liveness
12% Instrumentalness • 7% Positiveness
17% Popularity • 27% Danceability • 19% Energy • 21% Liveness
12% Instrumentalness • 7% Positiveness
► Preview
Engelbert Humperdinck
Humperdinck : Hänsel und Gretel : Act 1...
92 bpm • F Maj • 03:53 • -23.52db
14% Popularity • 52% Danceability • 8% Energy • 36% Liveness
0% Instrumentalness • 46% Positiveness
14% Popularity • 52% Danceability • 8% Energy • 36% Liveness
0% Instrumentalness • 46% Positiveness
► Preview
Lars-Erik Larsson
Forkladd gud, Op. 24: Valsignelse foljer...
110 bpm • G Maj • 04:17 • -14.89db
8% Popularity • 33% Danceability • 24% Energy • 11% Liveness
85% Instrumentalness • 7% Positiveness
8% Popularity • 33% Danceability • 24% Energy • 11% Liveness
85% Instrumentalness • 7% Positiveness
► Preview
Richard Wagner
Der fliegende Holländer, WWV 63: Overtu...
93 bpm • A min • 10:37 • -20.98db
20% Popularity • 14% Danceability • 15% Energy • 10% Liveness
89% Instrumentalness • 4% Positiveness
20% Popularity • 14% Danceability • 15% Energy • 10% Liveness
89% Instrumentalness • 4% Positiveness
► Preview
Pyotr Ilyich Tchaikovsky
Eugene Onegin, Op. 24, Act I: Aria: Vi m...
111 bpm • A# Maj • 05:05 • -23.39db
10% Popularity • 31% Danceability • 6% Energy • 6% Liveness
0% Instrumentalness • 12% Positiveness
10% Popularity • 31% Danceability • 6% Energy • 6% Liveness
0% Instrumentalness • 12% Positiveness
► Preview
Francesco Cavalli
Delizie contente
92 bpm • F min • 03:02 • -24db
19% Popularity • 36% Danceability • 5% Energy • 9% Liveness
3% Instrumentalness • 27% Positiveness
19% Popularity • 36% Danceability • 5% Energy • 9% Liveness
3% Instrumentalness • 27% Positiveness
► Preview
MartÍn Palmeri
Misatango, Misa a Buenos Aires: VIII. Cr...
92 bpm • C min • 01:11 • -15.91db
13% Popularity • 16% Danceability • 19% Energy • 13% Liveness
82% Instrumentalness • 17% Positiveness
13% Popularity • 16% Danceability • 19% Energy • 13% Liveness
82% Instrumentalness • 17% Positiveness
► Preview
Engelbert Humperdinck
Humperdinck : Hänsel und Gretel : Overt...
92 bpm • C Maj • 07:56 • -28db
19% Popularity • 12% Danceability • 4% Energy • 8% Liveness
92% Instrumentalness • 5% Positiveness
19% Popularity • 12% Danceability • 4% Energy • 8% Liveness
92% Instrumentalness • 5% Positiveness
► Preview
Lars-Erik Larsson
Pastoralsvit, Op. 19: II. Romance
111 bpm • D# Maj • 04:16 • -17.43db
10% Popularity • 20% Danceability • 16% Energy • 17% Liveness
80% Instrumentalness • 5% Positiveness
10% Popularity • 20% Danceability • 16% Energy • 17% Liveness
80% Instrumentalness • 5% Positiveness
► Preview
Karl Jenkins
The Golden Age Begins Anew: I. Renewal
92 bpm • G Maj • 03:03 • -15.94db
10% Popularity • 22% Danceability • 25% Energy • 11% Liveness
85% Instrumentalness • 4% Positiveness
10% Popularity • 22% Danceability • 25% Energy • 11% Liveness
85% Instrumentalness • 4% Positiveness
► Preview
Johannes Brahms
Ein deutsches Requiem, Op. 45: 5. Solo (...
92 bpm • G Maj • 07:36 • -29db
28% Popularity • 14% Danceability • 3% Energy • 10% Liveness
8% Instrumentalness • 4% Positiveness
28% Popularity • 14% Danceability • 3% Energy • 10% Liveness
8% Instrumentalness • 4% Positiveness
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Gabriel Fauré
Requiem, Op. 48: 7. In paradisum
111 bpm • D Maj • 03:31 • -33db
9% Popularity • 21% Danceability • 2% Energy • 8% Liveness
98% Instrumentalness • 3% Positiveness
9% Popularity • 21% Danceability • 2% Energy • 8% Liveness
98% Instrumentalness • 3% Positiveness
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Helsingborg Symphony Orchestra
En vintersaga, Op. 18: Epilog aus "Ein W...
92 bpm • D min • 03:35 • -24.9db
19% Popularity • 11% Danceability • 5% Energy • 9% Liveness
87% Instrumentalness • 3% Positiveness
19% Popularity • 11% Danceability • 5% Energy • 9% Liveness
87% Instrumentalness • 3% Positiveness
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Engelbert Humperdinck
Humperdinck : Hänsel und Gretel : Act 3...
92 bpm • D Maj • 01:20 • -22db
10% Popularity • 38% Danceability • 7% Energy • 56% Liveness
0% Instrumentalness • 21% Positiveness
10% Popularity • 38% Danceability • 7% Energy • 56% Liveness
0% Instrumentalness • 21% Positiveness
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Reynaldo Hahn
Si mes vers avaient des ailes
92 bpm • E Maj • 02:19 • -27db
21% Popularity • 24% Danceability • 5% Energy • 8% Liveness
21% Instrumentalness • 5% Positiveness
21% Popularity • 24% Danceability • 5% Energy • 8% Liveness
21% Instrumentalness • 5% Positiveness
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Giacomo Carissimi
Vittoria, mio core!
91 bpm • C Maj • 02:32 • -20db
20% Popularity • 41% Danceability • 7% Energy • 11% Liveness
0% Instrumentalness • 47% Positiveness
20% Popularity • 41% Danceability • 7% Energy • 11% Liveness
0% Instrumentalness • 47% Positiveness
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Robert Schumann
Myrthen, Op. 25: No. 7. Die Lotosblume
91 bpm • C Maj • 01:47 • -26db
28% Popularity • 24% Danceability • 2% Energy • 8% Liveness
8% Instrumentalness • 5% Positiveness
28% Popularity • 24% Danceability • 2% Energy • 8% Liveness
8% Instrumentalness • 5% Positiveness
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Lars-Erik Larsson
Forkladd gud, Op. 24: Husbonden ma vi pr...
112 bpm • G# Maj • 01:02 • -23.45db
6% Popularity • 68% Danceability • 6% Energy • 33% Liveness
0% Instrumentalness • 47% Positiveness
6% Popularity • 68% Danceability • 6% Energy • 33% Liveness
0% Instrumentalness • 47% Positiveness
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George Frideric Handel
Handel: Theodora, HWV 68, Pt. 1 Scene 1:...
112 bpm • C# Maj • 02:03 • -11.03db
8% Popularity • 50% Danceability • 47% Energy • 53% Liveness
27% Instrumentalness • 78% Positiveness
8% Popularity • 50% Danceability • 47% Energy • 53% Liveness
27% Instrumentalness • 78% Positiveness
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Johan Helmich Roman
Bilagers musiquen (Royal wedding music),...
112 bpm • C# Maj • 02:16 • -14.94db
14% Popularity • 50% Danceability • 22% Energy • 14% Liveness
59% Instrumentalness • 56% Positiveness
14% Popularity • 50% Danceability • 22% Energy • 14% Liveness
59% Instrumentalness • 56% Positiveness
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Wilhelm Peterson-Berger
Frosoblomster (Froso-Flowers), Book 1, O...
112 bpm • F Maj • 02:22 • -30db
28% Popularity • 48% Danceability • 5% Energy • 7% Liveness
86% Instrumentalness • 22% Positiveness
28% Popularity • 48% Danceability • 5% Energy • 7% Liveness
86% Instrumentalness • 22% Positiveness
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Edward Elgar
Sea Pictures, Op. 37: No. 4, Where Coral...
91 bpm • B min • 04:00 • -27db
10% Popularity • 21% Danceability • 3% Energy • 13% Liveness
0% Instrumentalness • 4% Positiveness
10% Popularity • 21% Danceability • 3% Energy • 13% Liveness
0% Instrumentalness • 4% Positiveness
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True LUFS Project
Carmina
90 bpm • C Maj • 01:51 • -15.95db
9% Popularity • 15% Danceability • 18% Energy • 20% Liveness
81% Instrumentalness • 7% Positiveness
9% Popularity • 15% Danceability • 18% Energy • 20% Liveness
81% Instrumentalness • 7% Positiveness
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Ole Bull
Saeterjentens Sondag, "The Herd-girls' S...
90 bpm • D Maj • 02:28 • -24db
16% Popularity • 11% Danceability • 6% Energy • 9% Liveness
44% Instrumentalness • 4% Positiveness
16% Popularity • 11% Danceability • 6% Energy • 9% Liveness
44% Instrumentalness • 4% Positiveness
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Georges Bizet
Te Deum laudamus
113 bpm • E Maj • 05:15 • -17.7db
10% Popularity • 30% Danceability • 15% Energy • 16% Liveness
51% Instrumentalness • 7% Positiveness
10% Popularity • 30% Danceability • 15% Energy • 16% Liveness
51% Instrumentalness • 7% Positiveness
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Marc-Antoine Charpentier
Charpentier: Te Deum, H. 146: VIII. Te e...
90 bpm • D Maj • 02:15 • -30.38db
10% Popularity • 26% Danceability • 1% Energy • 10% Liveness
1% Instrumentalness • 10% Positiveness
10% Popularity • 26% Danceability • 1% Energy • 10% Liveness
1% Instrumentalness • 10% Positiveness
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Richard Strauss
Elektra, Op. 58, TrV 223: "Allein! Weh, ...
90 bpm • F min • 09:28 • -16db
9% Popularity • 24% Danceability • 24% Energy • 53% Liveness
0% Instrumentalness • 4% Positiveness
9% Popularity • 24% Danceability • 24% Energy • 53% Liveness
0% Instrumentalness • 4% Positiveness
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Johann Strauss II
Die Fledermaus: Act II: Finale: Bruderle...
113 bpm • F Maj • 04:03 • -20db
11% Popularity • 27% Danceability • 9% Energy • 19% Liveness
0% Instrumentalness • 8% Positiveness
11% Popularity • 27% Danceability • 9% Energy • 19% Liveness
0% Instrumentalness • 8% Positiveness
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André-Ernest-Modeste Grétry
La Caravane du Caire, Acte I: XIII. "La ...
90 bpm • C min • 01:19 • -15.35db
11% Popularity • 46% Danceability • 28% Energy • 33% Liveness
0% Instrumentalness • 33% Positiveness
11% Popularity • 46% Danceability • 28% Energy • 33% Liveness
0% Instrumentalness • 33% Positiveness
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Jacques Offenbach
Gaîté parisienne: Allegro brillante
113 bpm • G Maj • 01:15 • -17.64db
19% Popularity • 66% Danceability • 36% Energy • 6% Liveness
62% Instrumentalness • 96% Positiveness
19% Popularity • 66% Danceability • 36% Energy • 6% Liveness
62% Instrumentalness • 96% Positiveness
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Carl Orff
Orff: Carmina Burana, Pt. 1, Primo vere:...
90 bpm • A min • 03:53 • -40db
17% Popularity • 10% Danceability • 0% Energy • 14% Liveness
1% Instrumentalness • 20% Positiveness
17% Popularity • 10% Danceability • 0% Energy • 14% Liveness
1% Instrumentalness • 20% Positiveness
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Johannes Brahms
In stiller Nacht
90 bpm • D Maj • 02:06 • -31db
16% Popularity • 19% Danceability • 1% Energy • 11% Liveness
0% Instrumentalness • 10% Positiveness
16% Popularity • 19% Danceability • 1% Energy • 11% Liveness
0% Instrumentalness • 10% Positiveness
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Angela Gheorghiu
Don Pasquale: Tornami a dir che m'ami
90 bpm • A Maj • 03:25 • -27.33db
29% Popularity • 22% Danceability • 5% Energy • 8% Liveness
1% Instrumentalness • 4% Positiveness
29% Popularity • 22% Danceability • 5% Energy • 8% Liveness
1% Instrumentalness • 4% Positiveness
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Richard Wagner
Tristan und Isolde / Act 3: "Mild und le...
90 bpm • B Maj • 07:26 • -16.89db
29% Popularity • 14% Danceability • 17% Energy • 12% Liveness
1% Instrumentalness • 3% Positiveness
29% Popularity • 14% Danceability • 17% Energy • 12% Liveness
1% Instrumentalness • 3% Positiveness
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Gustav Mahler
Symphony No. 8 in E-Flat Major "Symphony...
114 bpm • F min • 06:43 • -15.17db
21% Popularity • 17% Danceability • 25% Energy • 31% Liveness
21% Instrumentalness • 3% Positiveness
21% Popularity • 17% Danceability • 25% Energy • 31% Liveness
21% Instrumentalness • 3% Positiveness
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Jacques Offenbach
Les Contes d'Hoffmann / Act 1: "Glou, gl...
114 bpm • F Maj • 01:19 • -27db
28% Popularity • 45% Danceability • 12% Energy • 13% Liveness
71% Instrumentalness • 22% Positiveness
28% Popularity • 45% Danceability • 12% Energy • 13% Liveness
71% Instrumentalness • 22% Positiveness