Songs like Förr mitt hjärta var sorgset by Einar Ekberg
Based on a tempo of (+/- 10%) and a similar genre
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N.B. Vandall
Min synd försvann
91 bpm • F Maj • 03:03 • -12.84db
0% Popularity • 50% Danceability • 17% Energy • 5% Liveness
3% Instrumentalness • 35% Positiveness
0% Popularity • 50% Danceability • 17% Energy • 5% Liveness
3% Instrumentalness • 35% Positiveness
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Lewi Pethrus
En underbar tillflykt
91 bpm • F# Maj • 03:22 • -12db
0% Popularity • 27% Danceability • 20% Energy • 12% Liveness
73% Instrumentalness • 22% Positiveness
0% Popularity • 27% Danceability • 20% Energy • 12% Liveness
73% Instrumentalness • 22% Positiveness
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Allan Törnberg
En jubelton vid Golgata bröt fram
91 bpm • A Maj • 02:56 • -10.18db
0% Popularity • 40% Danceability • 14% Energy • 7% Liveness
0% Instrumentalness • 36% Positiveness
0% Popularity • 40% Danceability • 14% Energy • 7% Liveness
0% Instrumentalness • 36% Positiveness
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Jan Sparring
O hur saligt att få vandra
91 bpm • C Maj • 01:48 • -4.6db
14% Popularity • 40% Danceability • 69% Energy • 48% Liveness
0% Instrumentalness • 74% Positiveness
14% Popularity • 40% Danceability • 69% Energy • 48% Liveness
0% Instrumentalness • 74% Positiveness
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Johann Steuerlein
All varlden nu sig glader
91 bpm • A Maj • 01:12 • -23db
14% Popularity • 35% Danceability • 19% Energy • 14% Liveness
0% Instrumentalness • 23% Positiveness
14% Popularity • 35% Danceability • 19% Energy • 14% Liveness
0% Instrumentalness • 23% Positiveness
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Artur Erikson
På en avlägsen höjd
91 bpm • A# Maj • 02:32 • -9db
15% Popularity • 24% Danceability • 33% Energy • 34% Liveness
0% Instrumentalness • 27% Positiveness
15% Popularity • 24% Danceability • 33% Energy • 34% Liveness
0% Instrumentalness • 27% Positiveness
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Povel Ramel
Hemma hos Povel, del 2: När en spanjor ...
90 bpm • C Maj • 02:16 • -10.59db
8% Popularity • 58% Danceability • 20% Energy • 10% Liveness
0% Instrumentalness • 46% Positiveness
8% Popularity • 58% Danceability • 20% Energy • 10% Liveness
0% Instrumentalness • 46% Positiveness
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Einar Ekberg
När min vandring på jorden är slut
92 bpm • D Maj • 04:43 • -13.74db
0% Popularity • 21% Danceability • 19% Energy • 11% Liveness
48% Instrumentalness • 22% Positiveness
0% Popularity • 21% Danceability • 19% Energy • 11% Liveness
48% Instrumentalness • 22% Positiveness
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Mikael Järlestrand
Om det inte är sant
90 bpm • A Maj • 04:39 • -8.69db
13% Popularity • 43% Danceability • 45% Energy • 10% Liveness
0% Instrumentalness • 36% Positiveness
13% Popularity • 43% Danceability • 45% Energy • 10% Liveness
0% Instrumentalness • 36% Positiveness
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Jan Sparring
Ovan där
91 bpm • F Maj • 02:52 • -5.55db
8% Popularity • 64% Danceability • 85% Energy • 12% Liveness
0% Instrumentalness • 59% Positiveness
8% Popularity • 64% Danceability • 85% Energy • 12% Liveness
0% Instrumentalness • 59% Positiveness
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Caroline Ericson-Welin
Hur ljuvt det är att komma
90 bpm • D Maj • 03:02 • -13.21db
8% Popularity • 21% Danceability • 35% Energy • 10% Liveness
0% Instrumentalness • 4% Positiveness
8% Popularity • 21% Danceability • 35% Energy • 10% Liveness
0% Instrumentalness • 4% Positiveness
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Ola Bremnes
De små
90 bpm • G Maj • 02:59 • -14db
8% Popularity • 52% Danceability • 13% Energy • 7% Liveness
0% Instrumentalness • 45% Positiveness
8% Popularity • 52% Danceability • 13% Energy • 7% Liveness
0% Instrumentalness • 45% Positiveness
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Margit Borgstrom
Han ar min sang och min gladje (There Go...
92 bpm • G Maj • 02:44 • -11.01db
13% Popularity • 31% Danceability • 29% Energy • 12% Liveness
28% Instrumentalness • 48% Positiveness
13% Popularity • 31% Danceability • 29% Energy • 12% Liveness
28% Instrumentalness • 48% Positiveness
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Einar Ekberg
I'm Gonna Walk on Gold
90 bpm • C# Maj • 03:18 • -11.82db
1% Popularity • 40% Danceability • 13% Energy • 7% Liveness
3% Instrumentalness • 37% Positiveness
1% Popularity • 40% Danceability • 13% Energy • 7% Liveness
3% Instrumentalness • 37% Positiveness
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Frederick Martin Lehman
The Love of God
90 bpm • C Maj • 02:58 • -13.04db
0% Popularity • 35% Danceability • 12% Energy • 13% Liveness
0% Instrumentalness • 24% Positiveness
0% Popularity • 35% Danceability • 12% Energy • 13% Liveness
0% Instrumentalness • 24% Positiveness
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Mikael Järlestrand
Låt mig få höra om Jesus
90 bpm • G# Maj • 04:39 • -11.53db
11% Popularity • 54% Danceability • 38% Energy • 7% Liveness
0% Instrumentalness • 76% Positiveness
11% Popularity • 54% Danceability • 38% Energy • 7% Liveness
0% Instrumentalness • 76% Positiveness
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Arnold Børud
Värdig är du
90 bpm • C Maj • 03:06 • -15db
22% Popularity • 24% Danceability • 12% Energy • 15% Liveness
0% Instrumentalness • 31% Positiveness
22% Popularity • 24% Danceability • 12% Energy • 15% Liveness
0% Instrumentalness • 31% Positiveness
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Maria Gustin Bergström
Sjung I All Evighet
92 bpm • F Maj • 04:31 • -10.4db
8% Popularity • 46% Danceability • 34% Energy • 7% Liveness
0% Instrumentalness • 19% Positiveness
8% Popularity • 46% Danceability • 34% Energy • 7% Liveness
0% Instrumentalness • 19% Positiveness
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Staffan Percy
Under lyktorna
90 bpm • D Maj • 02:40 • -13.83db
10% Popularity • 42% Danceability • 26% Energy • 16% Liveness
0% Instrumentalness • 50% Positiveness
10% Popularity • 42% Danceability • 26% Energy • 16% Liveness
0% Instrumentalness • 50% Positiveness
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Einar Ekberg
Hos Gud är idel glädje
90 bpm • E Maj • 05:01 • -8.1db
0% Popularity • 20% Danceability • 30% Energy • 10% Liveness
8% Instrumentalness • 12% Positiveness
0% Popularity • 20% Danceability • 30% Energy • 10% Liveness
8% Instrumentalness • 12% Positiveness
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Stuart Hamblen
Det är ingen hemlighet att Gud hör bö...
92 bpm • B Maj • 02:39 • -13.71db
0% Popularity • 48% Danceability • 15% Energy • 19% Liveness
19% Instrumentalness • 36% Positiveness
0% Popularity • 48% Danceability • 15% Energy • 19% Liveness
19% Instrumentalness • 36% Positiveness
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Mikael Järlestrand
Han ger mera nåd
90 bpm • D Maj • 03:45 • -12.96db
11% Popularity • 41% Danceability • 12% Energy • 12% Liveness
0% Instrumentalness • 33% Positiveness
11% Popularity • 41% Danceability • 12% Energy • 12% Liveness
0% Instrumentalness • 33% Positiveness
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Jan Sparring
Ovan Där
92 bpm • F Maj • 02:52 • -10.48db
17% Popularity • 73% Danceability • 59% Energy • 9% Liveness
0% Instrumentalness • 61% Positiveness
17% Popularity • 73% Danceability • 59% Energy • 9% Liveness
0% Instrumentalness • 61% Positiveness
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Västermalms församlings körer
Lilla liv - Svps 901
90 bpm • D# Maj • 01:56 • -22db
10% Popularity • 24% Danceability • 12% Energy • 11% Liveness
62% Instrumentalness • 19% Positiveness
10% Popularity • 24% Danceability • 12% Energy • 11% Liveness
62% Instrumentalness • 19% Positiveness
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Akademiska Sångföreningen
Modersmålets sång
89 bpm • F Maj • 02:06 • -21.29db
9% Popularity • 30% Danceability • 10% Energy • 15% Liveness
0% Instrumentalness • 18% Positiveness
9% Popularity • 30% Danceability • 10% Energy • 15% Liveness
0% Instrumentalness • 18% Positiveness
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Einar Ekberg
Tag min hand
90 bpm • D# Maj • 03:11 • -12.84db
0% Popularity • 31% Danceability • 18% Energy • 14% Liveness
0% Instrumentalness • 24% Positiveness
0% Popularity • 31% Danceability • 18% Energy • 14% Liveness
0% Instrumentalness • 24% Positiveness
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Thorstein Bergman
Nasarevalsen
89 bpm • D min • 02:08 • -10.25db
8% Popularity • 43% Danceability • 34% Energy • 35% Liveness
0% Instrumentalness • 45% Positiveness
8% Popularity • 43% Danceability • 34% Energy • 35% Liveness
0% Instrumentalness • 45% Positiveness
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William L. Thompson
Ljuvligt och kärleksfullt
93 bpm • F Maj • 02:06 • -17.76db
0% Popularity • 33% Danceability • 11% Energy • 16% Liveness
1% Instrumentalness • 18% Positiveness
0% Popularity • 33% Danceability • 11% Energy • 16% Liveness
1% Instrumentalness • 18% Positiveness
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Jan Sparring
Jag har hört om en Stad
93 bpm • F Maj • 03:21 • -11.36db
10% Popularity • 42% Danceability • 34% Energy • 11% Liveness
5% Instrumentalness • 31% Positiveness
10% Popularity • 42% Danceability • 34% Energy • 11% Liveness
5% Instrumentalness • 31% Positiveness
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Lapp-Lisa
Himlens Gylne Bro
93 bpm • F Maj • 02:59 • -12.83db
7% Popularity • 53% Danceability • 14% Energy • 59% Liveness
1% Instrumentalness • 49% Positiveness
7% Popularity • 53% Danceability • 14% Energy • 59% Liveness
1% Instrumentalness • 49% Positiveness
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Aage Samuelsen
En trofast venn for hele livet - 2010 Re...
93 bpm • C Maj • 03:55 • -6.85db
11% Popularity • 44% Danceability • 41% Energy • 10% Liveness
0% Instrumentalness • 29% Positiveness
11% Popularity • 44% Danceability • 41% Energy • 10% Liveness
0% Instrumentalness • 29% Positiveness
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Artur Erikson
Till det härliga land ovan skyn
93 bpm • F Maj • 02:14 • -12.45db
10% Popularity • 42% Danceability • 24% Energy • 11% Liveness
0% Instrumentalness • 47% Positiveness
10% Popularity • 42% Danceability • 24% Energy • 11% Liveness
0% Instrumentalness • 47% Positiveness
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Thorstein Bergman
Till min längtan
89 bpm • D Maj • 04:41 • -17db
14% Popularity • 32% Danceability • 14% Energy • 11% Liveness
0% Instrumentalness • 15% Positiveness
14% Popularity • 32% Danceability • 14% Energy • 11% Liveness
0% Instrumentalness • 15% Positiveness
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Einar Ekberg
Sådan är han än idag
92 bpm • F# Maj • 03:35 • -14.16db
0% Popularity • 38% Danceability • 13% Energy • 12% Liveness
0% Instrumentalness • 34% Positiveness
0% Popularity • 38% Danceability • 13% Energy • 12% Liveness
0% Instrumentalness • 34% Positiveness
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Arnold Børud
Mester Og Herre
94 bpm • G Maj • 03:58 • -8db
11% Popularity • 44% Danceability • 37% Energy • 36% Liveness
0% Instrumentalness • 29% Positiveness
11% Popularity • 44% Danceability • 37% Energy • 36% Liveness
0% Instrumentalness • 29% Positiveness
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Jan Sparring
Han Är Min Sång Och Min Glädje
94 bpm • D Maj • 03:04 • -9.97db
13% Popularity • 44% Danceability • 45% Energy • 5% Liveness
0% Instrumentalness • 50% Positiveness
13% Popularity • 44% Danceability • 45% Energy • 5% Liveness
0% Instrumentalness • 50% Positiveness
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Robert Harkness
Löftet till mor
88 bpm • D# Maj • 03:36 • -13.91db
0% Popularity • 43% Danceability • 22% Energy • 18% Liveness
78% Instrumentalness • 28% Positiveness
0% Popularity • 43% Danceability • 22% Energy • 18% Liveness
78% Instrumentalness • 28% Positiveness
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Människan Och Skaplesen
Hör Mina Ord 3.24
88 bpm • A# Maj • 03:25 • -10db
10% Popularity • 44% Danceability • 20% Energy • 9% Liveness
0% Instrumentalness • 17% Positiveness
10% Popularity • 44% Danceability • 20% Energy • 9% Liveness
0% Instrumentalness • 17% Positiveness
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Oscar Ahnfelt
Blott en dag, "Psalm 249"
88 bpm • D# Maj • 02:21 • -13.69db
3% Popularity • 30% Danceability • 12% Energy • 31% Liveness
0% Instrumentalness • 31% Positiveness
3% Popularity • 30% Danceability • 12% Energy • 31% Liveness
0% Instrumentalness • 31% Positiveness
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Einar Ekberg
Vi skall talas vid
89 bpm • D# Maj • 03:25 • -11.89db
0% Popularity • 32% Danceability • 17% Energy • 12% Liveness
0% Instrumentalness • 33% Positiveness
0% Popularity • 32% Danceability • 17% Energy • 12% Liveness
0% Instrumentalness • 33% Positiveness
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Werner Skibstedt
Finns väl en plats som Golgata
88 bpm • C# Maj • 03:21 • -10.05db
0% Popularity • 24% Danceability • 25% Energy • 9% Liveness
57% Instrumentalness • 29% Positiveness
0% Popularity • 24% Danceability • 25% Energy • 9% Liveness
57% Instrumentalness • 29% Positiveness
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Göte Strandsjö
Mötas och skiljas
88 bpm • A Maj • 02:23 • -17db
13% Popularity • 34% Danceability • 15% Energy • 9% Liveness
0% Instrumentalness • 18% Positiveness
13% Popularity • 34% Danceability • 15% Energy • 9% Liveness
0% Instrumentalness • 18% Positiveness
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Mikael Järlestrand
Jag har hört om en stad
88 bpm • G Maj • 04:03 • -12.99db
10% Popularity • 45% Danceability • 16% Energy • 11% Liveness
0% Instrumentalness • 40% Positiveness
10% Popularity • 45% Danceability • 16% Energy • 11% Liveness
0% Instrumentalness • 40% Positiveness
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Harry Brandelius
Vind I Seglen
94 bpm • A Maj • 02:41 • -11.77db
12% Popularity • 80% Danceability • 26% Energy • 13% Liveness
0% Instrumentalness • 77% Positiveness
12% Popularity • 80% Danceability • 26% Energy • 13% Liveness
0% Instrumentalness • 77% Positiveness
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August Melcher Myrberg
Serenad, "Slumra hulda vid min sang"
87 bpm • G# Maj • 01:44 • -31.8db
9% Popularity • 16% Danceability • 3% Energy • 9% Liveness
6% Instrumentalness • 4% Positiveness
9% Popularity • 16% Danceability • 3% Energy • 9% Liveness
6% Instrumentalness • 4% Positiveness
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Einar Ekberg
Hälsa till pojkarna därute
94 bpm • A Maj • 02:30 • -13.28db
2% Popularity • 44% Danceability • 18% Energy • 11% Liveness
48% Instrumentalness • 50% Positiveness
2% Popularity • 44% Danceability • 18% Energy • 11% Liveness
48% Instrumentalness • 50% Positiveness
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Scotty Wiseman
Tenderly He Watches Over Me (arr. E. Mat...
95 bpm • F# Maj • 03:16 • -14.03db
0% Popularity • 36% Danceability • 13% Energy • 8% Liveness
6% Instrumentalness • 24% Positiveness
0% Popularity • 36% Danceability • 13% Energy • 8% Liveness
6% Instrumentalness • 24% Positiveness
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Torkel Selin
Gomorron Gud
95 bpm • A Maj • 02:19 • -11.48db
10% Popularity • 65% Danceability • 47% Energy • 12% Liveness
0% Instrumentalness • 50% Positiveness
10% Popularity • 65% Danceability • 47% Energy • 12% Liveness
0% Instrumentalness • 50% Positiveness
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Henning Sommerro
Breimostjernå
87 bpm • F Maj • 02:49 • -18db
8% Popularity • 30% Danceability • 5% Energy • 37% Liveness
0% Instrumentalness • 28% Positiveness
8% Popularity • 30% Danceability • 5% Energy • 37% Liveness
0% Instrumentalness • 28% Positiveness
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Ny-David
Snaran har gått sönder
87 bpm • D Maj • 03:45 • -9db
22% Popularity • 56% Danceability • 71% Energy • 69% Liveness
0% Instrumentalness • 59% Positiveness
22% Popularity • 56% Danceability • 71% Energy • 69% Liveness
0% Instrumentalness • 59% Positiveness
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Robert Harkness
Moder kär, idag jag mindes dig
96 bpm • F Maj • 02:58 • -14.45db
0% Popularity • 49% Danceability • 6% Energy • 10% Liveness
0% Instrumentalness • 32% Positiveness
0% Popularity • 49% Danceability • 6% Energy • 10% Liveness
0% Instrumentalness • 32% Positiveness
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Einar Ekberg
Tenderly He Watches
88 bpm • F# Maj • 03:21 • -13.23db
0% Popularity • 32% Danceability • 18% Energy • 11% Liveness
12% Instrumentalness • 23% Positiveness
0% Popularity • 32% Danceability • 18% Energy • 11% Liveness
12% Instrumentalness • 23% Positiveness
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John Bieri
Det är Gud som styr
87 bpm • F# Maj • 04:11 • -17.22db
0% Popularity • 33% Danceability • 6% Energy • 9% Liveness
0% Instrumentalness • 19% Positiveness
0% Popularity • 33% Danceability • 6% Energy • 9% Liveness
0% Instrumentalness • 19% Positiveness
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Torkel Selin
Pärleporten
87 bpm • A Maj • 02:35 • -15.59db
11% Popularity • 58% Danceability • 21% Energy • 11% Liveness
0% Instrumentalness • 41% Positiveness
11% Popularity • 58% Danceability • 21% Energy • 11% Liveness
0% Instrumentalness • 41% Positiveness
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Viktor Klimenko
Jag har hört om en stad
96 bpm • E Maj • 03:30 • -13.26db
16% Popularity • 20% Danceability • 20% Energy • 16% Liveness
0% Instrumentalness • 13% Positiveness
16% Popularity • 20% Danceability • 20% Energy • 16% Liveness
0% Instrumentalness • 13% Positiveness
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Jan Sparring
För sent
86 bpm • C# Maj • 03:48 • -17db
8% Popularity • 28% Danceability • 23% Energy • 10% Liveness
0% Instrumentalness • 18% Positiveness
8% Popularity • 28% Danceability • 23% Energy • 10% Liveness
0% Instrumentalness • 18% Positiveness
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Artur Erikson
O, hur saligt att få vandra
96 bpm • D# Maj • 03:14 • -7.03db
15% Popularity • 42% Danceability • 36% Energy • 10% Liveness
0% Instrumentalness • 29% Positiveness
15% Popularity • 42% Danceability • 36% Energy • 10% Liveness
0% Instrumentalness • 29% Positiveness
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Einar Ekberg
Den bräckliga skutan
87 bpm • F# Maj • 03:40 • -8.45db
2% Popularity • 40% Danceability • 25% Energy • 13% Liveness
10% Instrumentalness • 34% Positiveness
2% Popularity • 40% Danceability • 25% Energy • 13% Liveness
10% Instrumentalness • 34% Positiveness
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Harry Dixon Loes
Vår Gud är densamme
96 bpm • D# Maj • 02:35 • -14.31db
0% Popularity • 43% Danceability • 18% Energy • 11% Liveness
2% Instrumentalness • 43% Positiveness
0% Popularity • 43% Danceability • 18% Energy • 11% Liveness
2% Instrumentalness • 43% Positiveness
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Werner Skibstedt
Jesu vänskap
86 bpm • G Maj • 02:16 • -10.27db
3% Popularity • 53% Danceability • 16% Energy • 8% Liveness
0% Instrumentalness • 67% Positiveness
3% Popularity • 53% Danceability • 16% Energy • 8% Liveness
0% Instrumentalness • 67% Positiveness
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Artur Eriksson
Han har öppnat pärleporten
86 bpm • G# Maj • 02:55 • -10.3db
12% Popularity • 42% Danceability • 29% Energy • 22% Liveness
0% Instrumentalness • 33% Positiveness
12% Popularity • 42% Danceability • 29% Energy • 22% Liveness
0% Instrumentalness • 33% Positiveness
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Alla tiders sånger
SÃ¥ngen han ger dig
96 bpm • G Maj • 04:07 • -10.16db
13% Popularity • 66% Danceability • 67% Energy • 22% Liveness
0% Instrumentalness • 43% Positiveness
13% Popularity • 66% Danceability • 67% Energy • 22% Liveness
0% Instrumentalness • 43% Positiveness
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Evangelicum
I min Gud har jag funnit styrka
96 bpm • F# Maj • 01:52 • -16.44db
13% Popularity • 26% Danceability • 16% Energy • 12% Liveness
0% Instrumentalness • 36% Positiveness
13% Popularity • 26% Danceability • 16% Energy • 12% Liveness
0% Instrumentalness • 36% Positiveness
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Einar Ekberg
Hjärta som lider
96 bpm • F Maj • 03:05 • -11.28db
2% Popularity • 26% Danceability • 28% Energy • 13% Liveness
45% Instrumentalness • 11% Positiveness
2% Popularity • 26% Danceability • 28% Energy • 13% Liveness
45% Instrumentalness • 11% Positiveness
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Oscar C. Eliason
Var ej försagd - Räkna med Gud
86 bpm • F# Maj • 02:38 • -14.38db
5% Popularity • 43% Danceability • 13% Energy • 12% Liveness
1% Instrumentalness • 31% Positiveness
5% Popularity • 43% Danceability • 13% Energy • 12% Liveness
1% Instrumentalness • 31% Positiveness
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Egon Zandelin
Gud vet vad som sker
87 bpm • C# Maj • 03:15 • -16.01db
0% Popularity • 29% Danceability • 12% Energy • 11% Liveness
4% Instrumentalness • 31% Positiveness
0% Popularity • 29% Danceability • 12% Energy • 11% Liveness
4% Instrumentalness • 31% Positiveness
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Ulla Billquist
Det Går Över, Beredskapsvals
96 bpm • G Maj • 03:13 • -10.82db
13% Popularity • 90% Danceability • 28% Energy • 8% Liveness
0% Instrumentalness • 85% Positiveness
13% Popularity • 90% Danceability • 28% Energy • 8% Liveness
0% Instrumentalness • 85% Positiveness
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Örebro-sångara
Jag har beslutat
96 bpm • F# Maj • 02:18 • -18db
15% Popularity • 19% Danceability • 19% Energy • 13% Liveness
0% Instrumentalness • 9% Positiveness
15% Popularity • 19% Danceability • 19% Energy • 13% Liveness
0% Instrumentalness • 9% Positiveness
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Lars Mörlid
Jag älskar dig, Guds son, min Kung
86 bpm • G# Maj • 01:57 • -17.4db
14% Popularity • 26% Danceability • 10% Energy • 10% Liveness
0% Instrumentalness • 16% Positiveness
14% Popularity • 26% Danceability • 10% Energy • 10% Liveness
0% Instrumentalness • 16% Positiveness
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Einar Ekberg
Himmelens änglar kallar mig hem
86 bpm • D Maj • 02:48 • -9.8db
0% Popularity • 25% Danceability • 24% Energy • 20% Liveness
1% Instrumentalness • 28% Positiveness
0% Popularity • 25% Danceability • 24% Energy • 20% Liveness
1% Instrumentalness • 28% Positiveness
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Nils Frykman
O, sällhet stor
96 bpm • A Maj • 03:23 • -9.89db
0% Popularity • 55% Danceability • 13% Energy • 10% Liveness
3% Instrumentalness • 36% Positiveness
0% Popularity • 55% Danceability • 13% Energy • 10% Liveness
3% Instrumentalness • 36% Positiveness
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Margit Borgstrom
Jag vet att Jesus lever
97 bpm • D Maj • 00:46 • -11.65db
23% Popularity • 35% Danceability • 32% Energy • 27% Liveness
0% Instrumentalness • 51% Positiveness
23% Popularity • 35% Danceability • 32% Energy • 27% Liveness
0% Instrumentalness • 51% Positiveness
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Geoffrey O'Hara
I Walked Today Where Jesus Walked
86 bpm • G Maj • 04:47 • -17.05db
0% Popularity • 25% Danceability • 6% Energy • 10% Liveness
1% Instrumentalness • 6% Positiveness
0% Popularity • 25% Danceability • 6% Energy • 10% Liveness
1% Instrumentalness • 6% Positiveness
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Vidar Sandbeck
Blådansen
97 bpm • A# Maj • 02:37 • -9.95db
10% Popularity • 44% Danceability • 26% Energy • 13% Liveness
0% Instrumentalness • 70% Positiveness
10% Popularity • 44% Danceability • 26% Energy • 13% Liveness
0% Instrumentalness • 70% Positiveness
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Cecilie Nerfont
Ett år
97 bpm • C min • 02:19 • -10.8db
7% Popularity • 48% Danceability • 20% Energy • 14% Liveness
0% Instrumentalness • 23% Positiveness
7% Popularity • 48% Danceability • 20% Energy • 14% Liveness
0% Instrumentalness • 23% Positiveness
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Lars Mörlid
Namnet Jesus
97 bpm • F Maj • 04:13 • -12.28db
17% Popularity • 47% Danceability • 33% Energy • 16% Liveness
0% Instrumentalness • 38% Positiveness
17% Popularity • 47% Danceability • 33% Energy • 16% Liveness
0% Instrumentalness • 38% Positiveness
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Ingemar Olsson
Himmelrik
97 bpm • A Maj • 02:27 • -12db
22% Popularity • 76% Danceability • 64% Energy • 15% Liveness
0% Instrumentalness • 86% Positiveness
22% Popularity • 76% Danceability • 64% Energy • 15% Liveness
0% Instrumentalness • 86% Positiveness
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Einar Ekberg
Tag lots
85 bpm • G# Maj • 03:44 • -11.67db
0% Popularity • 37% Danceability • 26% Energy • 20% Liveness
0% Instrumentalness • 35% Positiveness
0% Popularity • 37% Danceability • 26% Energy • 20% Liveness
0% Instrumentalness • 35% Positiveness
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Haldor Lillenas
Jag är med alla dar
86 bpm • D Maj • 03:07 • -14.24db
0% Popularity • 20% Danceability • 23% Energy • 13% Liveness
78% Instrumentalness • 28% Positiveness
0% Popularity • 20% Danceability • 23% Energy • 13% Liveness
78% Instrumentalness • 28% Positiveness
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Artur Erikson
Han har öppnat pärleporten
85 bpm • G# Maj • 02:55 • -8.98db
14% Popularity • 44% Danceability • 33% Energy • 15% Liveness
0% Instrumentalness • 35% Positiveness
14% Popularity • 44% Danceability • 33% Energy • 15% Liveness
0% Instrumentalness • 35% Positiveness
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Towa Carson
Edelweiss
97 bpm • A# Maj • 02:44 • -9.16db
11% Popularity • 36% Danceability • 34% Energy • 12% Liveness
0% Instrumentalness • 27% Positiveness
11% Popularity • 36% Danceability • 34% Energy • 12% Liveness
0% Instrumentalness • 27% Positiveness
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Jan Sparring
Gyllne morgon
98 bpm • A# Maj • 02:17 • -3.25db
10% Popularity • 45% Danceability • 64% Energy • 19% Liveness
0% Instrumentalness • 81% Positiveness
10% Popularity • 45% Danceability • 64% Energy • 19% Liveness
0% Instrumentalness • 81% Positiveness
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Zelma Stanphill
Vid korset finns rum för dig
85 bpm • F# Maj • 03:29 • -10.42db
1% Popularity • 31% Danceability • 17% Energy • 12% Liveness
0% Instrumentalness • 19% Positiveness
1% Popularity • 31% Danceability • 17% Energy • 12% Liveness
0% Instrumentalness • 19% Positiveness
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Einar Ekberg
Hela vägen går han med mig
97 bpm • G Maj • 03:14 • -9db
9% Popularity • 26% Danceability • 35% Energy • 25% Liveness
23% Instrumentalness • 47% Positiveness
9% Popularity • 26% Danceability • 35% Energy • 25% Liveness
23% Instrumentalness • 47% Positiveness
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Lewi Pethrus
Löftena kunna ej svika
98 bpm • G Maj • 03:03 • -12.7db
0% Popularity • 43% Danceability • 14% Energy • 13% Liveness
0% Instrumentalness • 32% Positiveness
0% Popularity • 43% Danceability • 14% Energy • 13% Liveness
0% Instrumentalness • 32% Positiveness
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Pernilla Warberg
Till stjärnornas land
85 bpm • F Maj • 04:04 • -15.43db
27% Popularity • 42% Danceability • 20% Energy • 12% Liveness
0% Instrumentalness • 37% Positiveness
27% Popularity • 42% Danceability • 20% Energy • 12% Liveness
0% Instrumentalness • 37% Positiveness
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Bröderna Lindqvist
Farfar Westmans snoa
98 bpm • C Maj • 02:02 • -7.49db
12% Popularity • 57% Danceability • 59% Energy • 37% Liveness
0% Instrumentalness • 94% Positiveness
12% Popularity • 57% Danceability • 59% Energy • 37% Liveness
0% Instrumentalness • 94% Positiveness
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Tre Barytoner
Som en härlig gudomskälla (Pärleporte...
98 bpm • F Maj • 02:36 • -8db
21% Popularity • 59% Danceability • 57% Energy • 18% Liveness
0% Instrumentalness • 81% Positiveness
21% Popularity • 59% Danceability • 57% Energy • 18% Liveness
0% Instrumentalness • 81% Positiveness
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Sigvald Tveit
Visst Skal VÃ¥ren Komme
99 bpm • F Maj • 02:04 • -7.26db
12% Popularity • 61% Danceability • 53% Energy • 8% Liveness
0% Instrumentalness • 90% Positiveness
12% Popularity • 61% Danceability • 53% Energy • 8% Liveness
0% Instrumentalness • 90% Positiveness
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Einar Ekberg
Tag Herre mina händer
85 bpm • C min • 03:49 • -13.03db
3% Popularity • 18% Danceability • 26% Energy • 10% Liveness
75% Instrumentalness • 22% Positiveness
3% Popularity • 18% Danceability • 26% Energy • 10% Liveness
75% Instrumentalness • 22% Positiveness
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Peter Hallström
Var ej försagd
99 bpm • A Maj • 03:34 • -8db
12% Popularity • 60% Danceability • 45% Energy • 14% Liveness
0% Instrumentalness • 62% Positiveness
12% Popularity • 60% Danceability • 45% Energy • 14% Liveness
0% Instrumentalness • 62% Positiveness
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Alf Lax
Som en bro över mörka vatten
84 bpm • C Maj • 04:49 • -13.19db
15% Popularity • 48% Danceability • 38% Energy • 76% Liveness
0% Instrumentalness • 27% Positiveness
15% Popularity • 48% Danceability • 38% Energy • 76% Liveness
0% Instrumentalness • 27% Positiveness
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Py Bäckman
Min plats på jorden - Live
83 bpm • G# Maj • 04:34 • -10.44db
13% Popularity • 31% Danceability • 34% Energy • 68% Liveness
0% Instrumentalness • 17% Positiveness
13% Popularity • 31% Danceability • 34% Energy • 68% Liveness
0% Instrumentalness • 17% Positiveness
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Edmund Simon Lorenz
Jag är främling, jag är en pilgrim
83 bpm • E Maj • 03:25 • -11db
14% Popularity • 23% Danceability • 39% Energy • 35% Liveness
42% Instrumentalness • 19% Positiveness
14% Popularity • 23% Danceability • 39% Energy • 35% Liveness
42% Instrumentalness • 19% Positiveness
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Artur Erikson
Jag har hört om en stad
83 bpm • G Maj • 04:26 • -8.86db
10% Popularity • 25% Danceability • 34% Energy • 10% Liveness
1% Instrumentalness • 16% Positiveness
10% Popularity • 25% Danceability • 34% Energy • 10% Liveness
1% Instrumentalness • 16% Positiveness
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Einar Ekberg
Ögonblicket och evigheten
84 bpm • A# Maj • 03:09 • -11.08db
3% Popularity • 23% Danceability • 22% Energy • 7% Liveness
62% Instrumentalness • 21% Positiveness
3% Popularity • 23% Danceability • 22% Energy • 7% Liveness
62% Instrumentalness • 21% Positiveness
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William Ogden
Se och lev
83 bpm • B Maj • 02:42 • -9.58db
0% Popularity • 41% Danceability • 21% Energy • 26% Liveness
0% Instrumentalness • 47% Positiveness
0% Popularity • 41% Danceability • 21% Energy • 26% Liveness
0% Instrumentalness • 47% Positiveness
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Flick Flock
Verbotener gesang
83 bpm • D# min • 03:26 • -10.46db
8% Popularity • 26% Danceability • 32% Energy • 40% Liveness
0% Instrumentalness • 15% Positiveness
8% Popularity • 26% Danceability • 32% Energy • 40% Liveness
0% Instrumentalness • 15% Positiveness
