Songs like Forty-Two by Peeter Vähi
Based on a tempo of (+/- 10%) and a similar genre
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Gregorian Chants
Kyrie
60 bpm • G# min • 04:35 • -26.94db
13% Popularity • 19% Danceability • 9% Energy • 15% Liveness
0% Instrumentalness • 4% Positiveness
13% Popularity • 19% Danceability • 9% Energy • 15% Liveness
0% Instrumentalness • 4% Positiveness
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Gene Back
The Letter
62 bpm • G Maj • 04:28 • -15.32db
14% Popularity • 10% Danceability • 11% Energy • 22% Liveness
86% Instrumentalness • 3% Positiveness
14% Popularity • 10% Danceability • 11% Energy • 22% Liveness
86% Instrumentalness • 3% Positiveness
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![27 Pieces for Bass Viol, WK 186-212: IX. [Prelude] in D Major, WKO 194 cover art](https://i.scdn.co/image/ab67616d00001e02d4fc7de1fe685005893ebcaa)
Carl Friedrich Abel
27 Pieces for Bass Viol, WK 186-212: IX....
62 bpm • D Maj • 01:56 • -28db
13% Popularity • 27% Danceability • 5% Energy • 11% Liveness
95% Instrumentalness • 4% Positiveness
13% Popularity • 27% Danceability • 5% Energy • 11% Liveness
95% Instrumentalness • 4% Positiveness
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Östergötlands Sinfonietta
För att du inte tog det gudomliga
62 bpm • E min • 00:59 • -19.61db
14% Popularity • 34% Danceability • 5% Energy • 21% Liveness
48% Instrumentalness • 76% Positiveness
14% Popularity • 34% Danceability • 5% Energy • 21% Liveness
48% Instrumentalness • 76% Positiveness
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Peeter Vähi
Legend Zero
62 bpm • G Maj • 03:56 • -25.55db
0% Popularity • 32% Danceability • 2% Energy • 11% Liveness
36% Instrumentalness • 12% Positiveness
0% Popularity • 32% Danceability • 2% Energy • 11% Liveness
36% Instrumentalness • 12% Positiveness
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Anonymous
Vardani mor voghbe (Arr. for Tarhu, Teno...
59 bpm • C min • 03:37 • -30.92db
8% Popularity • 6% Danceability • 1% Energy • 7% Liveness
97% Instrumentalness • 3% Positiveness
8% Popularity • 6% Danceability • 1% Energy • 7% Liveness
97% Instrumentalness • 3% Positiveness
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ABSRDST
Five
64 bpm • B min • 01:36 • -23.74db
8% Popularity • 34% Danceability • 9% Energy • 15% Liveness
97% Instrumentalness • 24% Positiveness
8% Popularity • 34% Danceability • 9% Energy • 15% Liveness
97% Instrumentalness • 24% Positiveness
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Siiri Sisask
Grandmaster
64 bpm • C# Maj • 04:02 • -23.15db
0% Popularity • 60% Danceability • 5% Energy • 9% Liveness
21% Instrumentalness • 29% Positiveness
0% Popularity • 60% Danceability • 5% Energy • 9% Liveness
21% Instrumentalness • 29% Positiveness
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Uli Doenitz
Welltempered Clarinet
65 bpm • A# Maj • 03:31 • -27.3db
12% Popularity • 10% Danceability • 5% Energy • 14% Liveness
97% Instrumentalness • 18% Positiveness
12% Popularity • 10% Danceability • 5% Energy • 14% Liveness
97% Instrumentalness • 18% Positiveness
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Francesco Lecce
Sonate e Partite: No. 4, Allegro (Recomp...
65 bpm • G Maj • 00:56 • -11.34db
19% Popularity • 53% Danceability • 24% Energy • 10% Liveness
91% Instrumentalness • 98% Positiveness
19% Popularity • 53% Danceability • 24% Energy • 10% Liveness
91% Instrumentalness • 98% Positiveness
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Peeter Vähi
Peeter Vähi : Pastoral of Computerized ...
63 bpm • F min • 02:27 • -22.75db
0% Popularity • 47% Danceability • 22% Energy • 10% Liveness
53% Instrumentalness • 40% Positiveness
0% Popularity • 47% Danceability • 22% Energy • 10% Liveness
53% Instrumentalness • 40% Positiveness
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Nicola Porpora
Alto Giove - Polifemo, Act III - C
65 bpm • E min • 04:39 • -9.54db
10% Popularity • 37% Danceability • 24% Energy • 12% Liveness
1% Instrumentalness • 6% Positiveness
10% Popularity • 37% Danceability • 24% Energy • 12% Liveness
1% Instrumentalness • 6% Positiveness
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Petros Tabouris Ensemble
Epitaph of Seikilos
65 bpm • F# min • 01:07 • -21db
20% Popularity • 72% Danceability • 7% Energy • 6% Liveness
94% Instrumentalness • 51% Positiveness
20% Popularity • 72% Danceability • 7% Energy • 6% Liveness
94% Instrumentalness • 51% Positiveness
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John Dowland
The Earl of Essex Galiard
57 bpm • G min • 01:54 • -22.23db
10% Popularity • 31% Danceability • 3% Energy • 9% Liveness
77% Instrumentalness • 34% Positiveness
10% Popularity • 31% Danceability • 3% Energy • 9% Liveness
77% Instrumentalness • 34% Positiveness
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Monks Choir of Kyiv Pechersk Monastery
O, Gladsome Radiance
65 bpm • B Maj • 02:01 • -12.41db
15% Popularity • 21% Danceability • 24% Energy • 12% Liveness
2% Instrumentalness • 4% Positiveness
15% Popularity • 21% Danceability • 24% Energy • 12% Liveness
2% Instrumentalness • 4% Positiveness
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Béla Bartók
Bartók: 7 Romanian Folk Dances, Sz. 68:...
66 bpm • B min • 01:13 • -25.9db
8% Popularity • 21% Danceability • 1% Energy • 13% Liveness
96% Instrumentalness • 50% Positiveness
8% Popularity • 21% Danceability • 1% Energy • 13% Liveness
96% Instrumentalness • 50% Positiveness
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Peeter Vähi
Mary Magdalene Gospel: Do not weep and d...
65 bpm • F min • 13:33 • -24.64db
0% Popularity • 19% Danceability • 5% Energy • 4% Liveness
0% Instrumentalness • 5% Positiveness
0% Popularity • 19% Danceability • 5% Energy • 4% Liveness
0% Instrumentalness • 5% Positiveness
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Giuseppe Sammartini
Sonata No. 6 in D Minor: II. Allegro
66 bpm • D min • 01:41 • -11.88db
27% Popularity • 42% Danceability • 33% Energy • 10% Liveness
94% Instrumentalness • 61% Positiveness
27% Popularity • 42% Danceability • 33% Energy • 10% Liveness
94% Instrumentalness • 61% Positiveness
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Genrid Martinez
Alilouis
66 bpm • G# Maj • 01:51 • -15.54db
28% Popularity • 10% Danceability • 12% Energy • 11% Liveness
30% Instrumentalness • 4% Positiveness
28% Popularity • 10% Danceability • 12% Energy • 11% Liveness
30% Instrumentalness • 4% Positiveness
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Rakesh Chaurasia
On the Wing
66 bpm • E Maj • 02:01 • -19.95db
11% Popularity • 31% Danceability • 5% Energy • 17% Liveness
94% Instrumentalness • 11% Positiveness
11% Popularity • 31% Danceability • 5% Energy • 17% Liveness
94% Instrumentalness • 11% Positiveness
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Mitar Popescu
Phrygian Firelight
66 bpm • E min • 01:08 • -24.83db
22% Popularity • 14% Danceability • 3% Energy • 18% Liveness
90% Instrumentalness • 12% Positiveness
22% Popularity • 14% Danceability • 3% Energy • 18% Liveness
90% Instrumentalness • 12% Positiveness
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Sophia Jani
Six Pieces for Solo Violin: III. Triads
66 bpm • G Maj • 06:12 • -21.17db
13% Popularity • 22% Danceability • 8% Energy • 9% Liveness
3% Instrumentalness • 6% Positiveness
13% Popularity • 22% Danceability • 8% Energy • 9% Liveness
3% Instrumentalness • 6% Positiveness
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Peeter Vähi
Mary Magdalene Gospel: Say what you wish...
65 bpm • C Maj • 06:12 • -26.35db
0% Popularity • 20% Danceability • 4% Energy • 6% Liveness
0% Instrumentalness • 6% Positiveness
0% Popularity • 20% Danceability • 4% Energy • 6% Liveness
0% Instrumentalness • 6% Positiveness
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Vadalà
Canto primordiale
67 bpm • C# Maj • 02:20 • -21.39db
16% Popularity • 21% Danceability • 5% Energy • 11% Liveness
16% Instrumentalness • 12% Positiveness
16% Popularity • 21% Danceability • 5% Energy • 11% Liveness
16% Instrumentalness • 12% Positiveness
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KNOXVILLETRACKZ
HFTEPI
67 bpm • D min • 01:04 • -43.19db
13% Popularity • 24% Danceability • 0% Energy • 11% Liveness
98% Instrumentalness • 18% Positiveness
13% Popularity • 24% Danceability • 0% Energy • 11% Liveness
98% Instrumentalness • 18% Positiveness
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Francesco Lecce
Sonate e Partite: No. 1, Allegro (Recomp...
67 bpm • F Maj • 01:27 • -11.36db
23% Popularity • 52% Danceability • 23% Energy • 7% Liveness
88% Instrumentalness • 98% Positiveness
23% Popularity • 52% Danceability • 23% Energy • 7% Liveness
88% Instrumentalness • 98% Positiveness
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陳勝田
晚霞
67 bpm • F# min • 02:37 • -24.34db
7% Popularity • 33% Danceability • 3% Energy • 7% Liveness
46% Instrumentalness • 43% Positiveness
7% Popularity • 33% Danceability • 3% Energy • 7% Liveness
46% Instrumentalness • 43% Positiveness
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Miljan Minic
Falling in
67 bpm • A min • 02:06 • -28.17db
19% Popularity • 15% Danceability • 2% Energy • 8% Liveness
87% Instrumentalness • 11% Positiveness
19% Popularity • 15% Danceability • 2% Energy • 8% Liveness
87% Instrumentalness • 11% Positiveness
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Peeter Vähi
Legend Three
66 bpm • G# Maj • 03:44 • -21.73db
0% Popularity • 17% Danceability • 6% Energy • 9% Liveness
0% Instrumentalness • 50% Positiveness
0% Popularity • 17% Danceability • 6% Energy • 9% Liveness
0% Instrumentalness • 50% Positiveness
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Maurice Duruflé
Requiem, Op. 9: V. Pie Jesu
67 bpm • G# Maj • 03:38 • -19.87db
10% Popularity • 16% Danceability • 7% Energy • 12% Liveness
52% Instrumentalness • 3% Positiveness
10% Popularity • 16% Danceability • 7% Energy • 12% Liveness
52% Instrumentalness • 3% Positiveness
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Kerry Ball
Ippolito Villano
67 bpm • G# min • 01:16 • -35.17db
10% Popularity • 43% Danceability • 1% Energy • 25% Liveness
94% Instrumentalness • 22% Positiveness
10% Popularity • 43% Danceability • 1% Energy • 25% Liveness
94% Instrumentalness • 22% Positiveness
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Francesco Lecce
Sonate e Partite: No. 14, Allegro modera...
67 bpm • A# Maj • 02:16 • -12.81db
19% Popularity • 54% Danceability • 19% Energy • 8% Liveness
89% Instrumentalness • 97% Positiveness
19% Popularity • 54% Danceability • 19% Energy • 8% Liveness
89% Instrumentalness • 97% Positiveness
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Laestadian Lutheran Church
The Day Is Setting (Nyt päivä laskee S...
67 bpm • G min • 02:50 • -17.53db
13% Popularity • 25% Danceability • 10% Energy • 14% Liveness
95% Instrumentalness • 5% Positiveness
13% Popularity • 25% Danceability • 10% Energy • 14% Liveness
95% Instrumentalness • 5% Positiveness
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Músicas Relaxantes Originais
Som para Ler e Manter o Foco
67 bpm • G# min • 01:21 • -33.8db
9% Popularity • 24% Danceability • 3% Energy • 12% Liveness
64% Instrumentalness • 7% Positiveness
9% Popularity • 24% Danceability • 3% Energy • 12% Liveness
64% Instrumentalness • 7% Positiveness
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Serby Laur
Kontomdo
68 bpm • A# Maj • 02:28 • -17.79db
9% Popularity • 49% Danceability • 20% Energy • 20% Liveness
57% Instrumentalness • 93% Positiveness
9% Popularity • 49% Danceability • 20% Energy • 20% Liveness
57% Instrumentalness • 93% Positiveness
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Anónimo
De qual engano prendemos
68 bpm • G Maj • 04:13 • -21.87db
11% Popularity • 50% Danceability • 19% Energy • 9% Liveness
20% Instrumentalness • 34% Positiveness
11% Popularity • 50% Danceability • 19% Energy • 9% Liveness
20% Instrumentalness • 34% Positiveness
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陳勝田
痴痴地等
68 bpm • B min • 03:20 • -23.77db
7% Popularity • 35% Danceability • 4% Energy • 7% Liveness
34% Instrumentalness • 42% Positiveness
7% Popularity • 35% Danceability • 4% Energy • 7% Liveness
34% Instrumentalness • 42% Positiveness
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Anonymous
The Cupid's Dance
68 bpm • C min • 01:29 • -27.89db
14% Popularity • 24% Danceability • 2% Energy • 22% Liveness
88% Instrumentalness • 26% Positiveness
14% Popularity • 24% Danceability • 2% Energy • 22% Liveness
88% Instrumentalness • 26% Positiveness
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Giuseppe Tartini
Variations on Gavotte from Corelli's in ...
68 bpm • A# Maj • 01:09 • -15.52db
17% Popularity • 51% Danceability • 14% Energy • 17% Liveness
92% Instrumentalness • 97% Positiveness
17% Popularity • 51% Danceability • 14% Energy • 17% Liveness
92% Instrumentalness • 97% Positiveness
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Donnacha Dennehy
Donnacha Dennehy: The Hunger - Keening
69 bpm • F# min • 03:11 • -20.38db
8% Popularity • 13% Danceability • 4% Energy • 15% Liveness
8% Instrumentalness • 7% Positiveness
8% Popularity • 13% Danceability • 4% Energy • 15% Liveness
8% Instrumentalness • 7% Positiveness
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Eugen Doga
Black Arrow
69 bpm • F Maj • 00:48 • -29.55db
8% Popularity • 25% Danceability • 0% Energy • 8% Liveness
87% Instrumentalness • 22% Positiveness
8% Popularity • 25% Danceability • 0% Energy • 8% Liveness
87% Instrumentalness • 22% Positiveness
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Ann Margaret Hogan
Reversing Into Tomorrow, part 1
69 bpm • B min • 06:59 • -27.7db
13% Popularity • 20% Danceability • 3% Energy • 34% Liveness
86% Instrumentalness • 25% Positiveness
13% Popularity • 20% Danceability • 3% Energy • 34% Liveness
86% Instrumentalness • 25% Positiveness
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陳勝田
初戀女
69 bpm • A Maj • 02:58 • -21db
8% Popularity • 33% Danceability • 5% Energy • 9% Liveness
44% Instrumentalness • 48% Positiveness
8% Popularity • 33% Danceability • 5% Energy • 9% Liveness
44% Instrumentalness • 48% Positiveness
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Kim André Arnesen
TUVAYHUN: I. The Poor in Spirit
69 bpm • D Maj • 01:58 • -35.2db
8% Popularity • 28% Danceability • 0% Energy • 11% Liveness
0% Instrumentalness • 25% Positiveness
8% Popularity • 28% Danceability • 0% Energy • 11% Liveness
0% Instrumentalness • 25% Positiveness
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Peeter Vähi
In the Mystical Land of Kaydara: IV. Gol...
69 bpm • D# Maj • 07:05 • -18.41db
0% Popularity • 21% Danceability • 23% Energy • 7% Liveness
0% Instrumentalness • 12% Positiveness
0% Popularity • 21% Danceability • 23% Energy • 7% Liveness
0% Instrumentalness • 12% Positiveness
► Preview
Giuseppe Sammartini
Sonata No. 5 in F Major: I. Allegro
69 bpm • F Maj • 01:04 • -11.92db
27% Popularity • 40% Danceability • 36% Energy • 14% Liveness
95% Instrumentalness • 69% Positiveness
27% Popularity • 40% Danceability • 36% Energy • 14% Liveness
95% Instrumentalness • 69% Positiveness
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Anonymous
Gran poder a de mantar, CSM 33: Gran pod...
70 bpm • C min • 02:40 • -19.67db
4% Popularity • 38% Danceability • 16% Energy • 10% Liveness
0% Instrumentalness • 14% Positiveness
4% Popularity • 38% Danceability • 16% Energy • 10% Liveness
0% Instrumentalness • 14% Positiveness
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Leonardo Vinci
Grande Sonata in D Major: II. Allegro (R...
70 bpm • F Maj • 03:22 • -11.35db
15% Popularity • 45% Danceability • 23% Energy • 8% Liveness
89% Instrumentalness • 97% Positiveness
15% Popularity • 45% Danceability • 23% Energy • 8% Liveness
89% Instrumentalness • 97% Positiveness
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Ørjan Matre
Four Pieces from a Distance: No. 4, Chil...
70 bpm • C Maj • 03:33 • -36.56db
13% Popularity • 7% Danceability • 0% Energy • 10% Liveness
4% Instrumentalness • 9% Positiveness
13% Popularity • 7% Danceability • 0% Energy • 10% Liveness
4% Instrumentalness • 9% Positiveness
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Giuseppe Tartini
Variations on Gavotte from Corelli's in ...
70 bpm • A# Maj • 01:25 • -12.96db
11% Popularity • 61% Danceability • 27% Energy • 10% Liveness
89% Instrumentalness • 98% Positiveness
11% Popularity • 61% Danceability • 27% Energy • 10% Liveness
89% Instrumentalness • 98% Positiveness
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Francesco Lecce
Sonate e Partite: No. 11, Presto (Recomp...
70 bpm • A# Maj • 02:16 • -11.77db
19% Popularity • 47% Danceability • 26% Energy • 11% Liveness
92% Instrumentalness • 93% Positiveness
19% Popularity • 47% Danceability • 26% Energy • 11% Liveness
92% Instrumentalness • 93% Positiveness
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Music For child Relax
Duerme Rapido
70 bpm • G# Maj • 02:16 • -16.48db
8% Popularity • 41% Danceability • 12% Energy • 10% Liveness
54% Instrumentalness • 8% Positiveness
8% Popularity • 41% Danceability • 12% Energy • 10% Liveness
54% Instrumentalness • 8% Positiveness
► Preview
Marcel Barsotti
Hjerte
71 bpm • D min • 01:36 • -20.39db
13% Popularity • 21% Danceability • 5% Energy • 9% Liveness
96% Instrumentalness • 3% Positiveness
13% Popularity • 21% Danceability • 5% Energy • 9% Liveness
96% Instrumentalness • 3% Positiveness
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陳勝田
魂縈舊夢
71 bpm • C# min • 02:47 • -27.42db
8% Popularity • 30% Danceability • 2% Energy • 8% Liveness
93% Instrumentalness • 42% Positiveness
8% Popularity • 30% Danceability • 2% Energy • 8% Liveness
93% Instrumentalness • 42% Positiveness
► Preview
Honoré d’Ambruis
Le doux silence de nos bois
70 bpm • G Maj • 05:57 • -21.17db
29% Popularity • 27% Danceability • 3% Energy • 9% Liveness
0% Instrumentalness • 25% Positiveness
29% Popularity • 27% Danceability • 3% Energy • 9% Liveness
0% Instrumentalness • 25% Positiveness
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Bo Wiget
Can Vei La Lauzetta Mover (Das Lerchenli...
71 bpm • D min • 03:12 • -20.18db
24% Popularity • 38% Danceability • 7% Energy • 10% Liveness
80% Instrumentalness • 38% Positiveness
24% Popularity • 38% Danceability • 7% Energy • 10% Liveness
80% Instrumentalness • 38% Positiveness
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Michael Nyman
No Time in Eternity: VI. The Watch
71 bpm • E min • 01:57 • -23.17db
8% Popularity • 28% Danceability • 4% Energy • 26% Liveness
24% Instrumentalness • 15% Positiveness
8% Popularity • 28% Danceability • 4% Energy • 26% Liveness
24% Instrumentalness • 15% Positiveness
► Preview
![Forty-Two (Arr. for Oboe and Chamber Orchestra) [Live] cover art](https://i.scdn.co/image/ab67616d00001e02f246862eb1970c23a7541a38)
Peeter Vähi
Forty-Two (Arr. for Oboe and Chamber Orc...
71 bpm • E min • 04:52 • -17.87db
0% Popularity • 10% Danceability • 29% Energy • 67% Liveness
86% Instrumentalness • 10% Positiveness
0% Popularity • 10% Danceability • 29% Energy • 67% Liveness
86% Instrumentalness • 10% Positiveness
► Preview
Gaspard Fritz
Grande Sonata in D Major, Op. 2: VII. Va...
71 bpm • C Maj • 02:01 • -12.17db
15% Popularity • 44% Danceability • 18% Energy • 7% Liveness
87% Instrumentalness • 99% Positiveness
15% Popularity • 44% Danceability • 18% Energy • 7% Liveness
87% Instrumentalness • 99% Positiveness
► Preview
Henry Mancini
Tu Sei Italiano?
71 bpm • E min • 01:26 • -25.67db
12% Popularity • 15% Danceability • 0% Energy • 27% Liveness
23% Instrumentalness • 8% Positiveness
12% Popularity • 15% Danceability • 0% Energy • 27% Liveness
23% Instrumentalness • 8% Positiveness
► Preview
Sanseti Sabaru
Shanti Svara Sonata
72 bpm • C Maj • 01:49 • -30.76db
14% Popularity • 22% Danceability • 3% Energy • 8% Liveness
64% Instrumentalness • 6% Positiveness
14% Popularity • 22% Danceability • 3% Energy • 8% Liveness
64% Instrumentalness • 6% Positiveness
► Preview
Françoise Atlan
A la una yo naci
72 bpm • A min • 02:30 • -22.95db
15% Popularity • 48% Danceability • 4% Energy • 10% Liveness
0% Instrumentalness • 36% Positiveness
15% Popularity • 48% Danceability • 4% Energy • 10% Liveness
0% Instrumentalness • 36% Positiveness
► Preview
Mira Solvato
Vivace Variations
72 bpm • G# Maj • 02:20 • -22.46db
10% Popularity • 22% Danceability • 8% Energy • 21% Liveness
16% Instrumentalness • 15% Positiveness
10% Popularity • 22% Danceability • 8% Energy • 21% Liveness
16% Instrumentalness • 15% Positiveness
► Preview
Jean Dollbell
Into the Summer Evenings
72 bpm • G# Maj • 01:56 • -20.8db
18% Popularity • 17% Danceability • 12% Energy • 11% Liveness
88% Instrumentalness • 4% Positiveness
18% Popularity • 17% Danceability • 12% Energy • 11% Liveness
88% Instrumentalness • 4% Positiveness
► Preview
Mediative Flute
Candlelit
73 bpm • E min • 01:46 • -33.57db
19% Popularity • 16% Danceability • 2% Energy • 9% Liveness
91% Instrumentalness • 6% Positiveness
19% Popularity • 16% Danceability • 2% Energy • 9% Liveness
91% Instrumentalness • 6% Positiveness
► Preview
Riccardo Rossini
Le Radici di Marte
73 bpm • A min • 02:52 • -19.25db
11% Popularity • 16% Danceability • 9% Energy • 12% Liveness
2% Instrumentalness • 3% Positiveness
11% Popularity • 16% Danceability • 9% Energy • 12% Liveness
2% Instrumentalness • 3% Positiveness
► Preview
Paolo MIllon
Welcome to Pleasures
73 bpm • D# min • 02:16 • -19.95db
12% Popularity • 17% Danceability • 8% Energy • 11% Liveness
64% Instrumentalness • 4% Positiveness
12% Popularity • 17% Danceability • 8% Energy • 11% Liveness
64% Instrumentalness • 4% Positiveness
► Preview
Miljan Minic
Moon language
73 bpm • E min • 02:28 • -26.49db
9% Popularity • 17% Danceability • 5% Energy • 8% Liveness
91% Instrumentalness • 11% Positiveness
9% Popularity • 17% Danceability • 5% Energy • 8% Liveness
91% Instrumentalness • 11% Positiveness
► Preview
Daniel Caleb Matthee
Kings and Paupers
73 bpm • G Maj • 08:28 • -23.41db
3% Popularity • 12% Danceability • 8% Energy • 10% Liveness
85% Instrumentalness • 4% Positiveness
3% Popularity • 12% Danceability • 8% Energy • 10% Liveness
85% Instrumentalness • 4% Positiveness
► Preview
Giuseppe Sammartini
Sonata No. 6 in D Minor: IV. Allegro
73 bpm • F Maj • 02:06 • -11.71db
27% Popularity • 48% Danceability • 37% Energy • 14% Liveness
94% Instrumentalness • 49% Positiveness
27% Popularity • 48% Danceability • 37% Energy • 14% Liveness
94% Instrumentalness • 49% Positiveness
► Preview
Peeter Vähi
In the Mystical Land of Kaydara: V. The ...
73 bpm • A min • 13:25 • -19.68db
0% Popularity • 28% Danceability • 13% Energy • 35% Liveness
0% Instrumentalness • 9% Positiveness
0% Popularity • 28% Danceability • 13% Energy • 35% Liveness
0% Instrumentalness • 9% Positiveness
► Preview
陳勝田
明月千里寄相思
73 bpm • E min • 05:52 • -23.41db
8% Popularity • 38% Danceability • 6% Energy • 9% Liveness
85% Instrumentalness • 28% Positiveness
8% Popularity • 38% Danceability • 6% Energy • 9% Liveness
85% Instrumentalness • 28% Positiveness
► Preview
Mira Solvato
Con Fuoco Fantasy
73 bpm • C min • 02:01 • -23.56db
11% Popularity • 15% Danceability • 10% Energy • 35% Liveness
3% Instrumentalness • 19% Positiveness
11% Popularity • 15% Danceability • 10% Energy • 35% Liveness
3% Instrumentalness • 19% Positiveness
► Preview
Heitor Villa-Lobos
Bachianas No. 5: I. Aria (Cantilena)
74 bpm • D min • 06:02 • -13.78db
26% Popularity • 29% Danceability • 20% Energy • 10% Liveness
88% Instrumentalness • 9% Positiveness
26% Popularity • 29% Danceability • 20% Energy • 10% Liveness
88% Instrumentalness • 9% Positiveness
► Preview
Nino Rota
5 Pezzi facili per flauto e pianoforte (...
74 bpm • G min • 02:14 • -19db
7% Popularity • 38% Danceability • 3% Energy • 10% Liveness
87% Instrumentalness • 22% Positiveness
7% Popularity • 38% Danceability • 3% Energy • 10% Liveness
87% Instrumentalness • 22% Positiveness
► Preview
Akkordeonorchester Maisach
Irische Suite
74 bpm • E min • 09:45 • -22.14db
8% Popularity • 32% Danceability • 16% Energy • 21% Liveness
46% Instrumentalness • 18% Positiveness
8% Popularity • 32% Danceability • 16% Energy • 21% Liveness
46% Instrumentalness • 18% Positiveness
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İzmir Barok
Marche pour la Ceremonie des Turcs Le Bo...
74 bpm • A Maj • 02:15 • -12.7db
10% Popularity • 54% Danceability • 25% Energy • 12% Liveness
3% Instrumentalness • 20% Positiveness
10% Popularity • 54% Danceability • 25% Energy • 12% Liveness
3% Instrumentalness • 20% Positiveness
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Bernat Vivancos
Vocal Ice: II. Calme, tendre
74 bpm • C# Maj • 05:51 • -21.88db
10% Popularity • 7% Danceability • 9% Energy • 9% Liveness
45% Instrumentalness • 4% Positiveness
10% Popularity • 7% Danceability • 9% Energy • 9% Liveness
45% Instrumentalness • 4% Positiveness
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Mira Solvato
Adagio Adoration
73 bpm • G min • 02:06 • -21.63db
9% Popularity • 16% Danceability • 7% Energy • 11% Liveness
80% Instrumentalness • 21% Positiveness
9% Popularity • 16% Danceability • 7% Energy • 11% Liveness
80% Instrumentalness • 21% Positiveness
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Alexandre Desplat
Let Him Go
74 bpm • F min • 01:28 • -19.03db
18% Popularity • 15% Danceability • 35% Energy • 10% Liveness
96% Instrumentalness • 34% Positiveness
18% Popularity • 15% Danceability • 35% Energy • 10% Liveness
96% Instrumentalness • 34% Positiveness
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Fred Westra
Refrain from Judgement
74 bpm • D Maj • 03:12 • -22.24db
10% Popularity • 9% Danceability • 18% Energy • 13% Liveness
74% Instrumentalness • 3% Positiveness
10% Popularity • 9% Danceability • 18% Energy • 13% Liveness
74% Instrumentalness • 3% Positiveness
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Roselyne Minassian
Si loin, si près
74 bpm • B min • 04:14 • -21.99db
10% Popularity • 10% Danceability • 9% Energy • 11% Liveness
88% Instrumentalness • 4% Positiveness
10% Popularity • 10% Danceability • 9% Energy • 11% Liveness
88% Instrumentalness • 4% Positiveness
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Helena Maria Falk
Huldra's Dream
74 bpm • G min • 03:42 • -18.81db
16% Popularity • 10% Danceability • 9% Energy • 16% Liveness
59% Instrumentalness • 4% Positiveness
16% Popularity • 10% Danceability • 9% Energy • 16% Liveness
59% Instrumentalness • 4% Positiveness
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Alessandro Simonetto
Danza russa
74 bpm • D Maj • 03:21 • -12.2db
10% Popularity • 37% Danceability • 38% Energy • 11% Liveness
1% Instrumentalness • 44% Positiveness
10% Popularity • 37% Danceability • 38% Energy • 11% Liveness
1% Instrumentalness • 44% Positiveness
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Tom Kenyon
Hymn to the Earth
75 bpm • C Maj • 06:11 • -18.2db
8% Popularity • 17% Danceability • 18% Energy • 8% Liveness
46% Instrumentalness • 4% Positiveness
8% Popularity • 17% Danceability • 18% Energy • 8% Liveness
46% Instrumentalness • 4% Positiveness
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Peeter Vähi
In the Mystical Land of Kaydara: II. Jou...
75 bpm • G min • 09:49 • -16.29db
1% Popularity • 35% Danceability • 23% Energy • 6% Liveness
1% Instrumentalness • 17% Positiveness
1% Popularity • 35% Danceability • 23% Energy • 6% Liveness
1% Instrumentalness • 17% Positiveness
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Marin Marais
Les Folies d'Espane: Variazione No. 25 (...
75 bpm • G Maj • 00:59 • -14.63db
13% Popularity • 44% Danceability • 13% Energy • 11% Liveness
86% Instrumentalness • 94% Positiveness
13% Popularity • 44% Danceability • 13% Energy • 11% Liveness
86% Instrumentalness • 94% Positiveness
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Terry Oldfield
Tilseth
76 bpm • F# Maj • 01:17 • -15.56db
8% Popularity • 20% Danceability • 24% Energy • 45% Liveness
30% Instrumentalness • 30% Positiveness
8% Popularity • 20% Danceability • 24% Energy • 45% Liveness
30% Instrumentalness • 30% Positiveness
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Benedetto Marcello
B. Marcello Cello Sonata No. 3 in a mino...
76 bpm • G Maj • 01:08 • -15db
10% Popularity • 26% Danceability • 14% Energy • 11% Liveness
99% Instrumentalness • 16% Positiveness
10% Popularity • 26% Danceability • 14% Energy • 11% Liveness
99% Instrumentalness • 16% Positiveness
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Green Nature
Deep Sleep, No. 2
76 bpm • A# Maj • 03:38 • -28db
8% Popularity • 23% Danceability • 5% Energy • 8% Liveness
0% Instrumentalness • 4% Positiveness
8% Popularity • 23% Danceability • 5% Energy • 8% Liveness
0% Instrumentalness • 4% Positiveness
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TimeTunes
Under Water
76 bpm • G Maj • 02:38 • -21.02db
14% Popularity • 60% Danceability • 13% Energy • 13% Liveness
92% Instrumentalness • 59% Positiveness
14% Popularity • 60% Danceability • 13% Energy • 13% Liveness
92% Instrumentalness • 59% Positiveness
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Peeter Vähi
Mary Magdalene Gospel
76 bpm • G Maj • 08:28 • -19.19db
0% Popularity • 13% Danceability • 17% Energy • 10% Liveness
74% Instrumentalness • 4% Positiveness
0% Popularity • 13% Danceability • 17% Energy • 10% Liveness
74% Instrumentalness • 4% Positiveness
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Maya Badian
Timpani Quartum: III. Moto perpetuo (Sol...
76 bpm • B min • 02:16 • -27db
7% Popularity • 46% Danceability • 6% Energy • 11% Liveness
97% Instrumentalness • 10% Positiveness
7% Popularity • 46% Danceability • 6% Energy • 11% Liveness
97% Instrumentalness • 10% Positiveness
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The Gurdjieff Ensemble
Duduki
76 bpm • D min • 03:33 • -27.8db
8% Popularity • 23% Danceability • 1% Energy • 10% Liveness
82% Instrumentalness • 4% Positiveness
8% Popularity • 23% Danceability • 1% Energy • 10% Liveness
82% Instrumentalness • 4% Positiveness
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Darryl Forson
Unaccompanied Cello Suite No. 1
76 bpm • G min • 02:29 • -29.03db
7% Popularity • 42% Danceability • 0% Energy • 11% Liveness
88% Instrumentalness • 10% Positiveness
7% Popularity • 42% Danceability • 0% Energy • 11% Liveness
88% Instrumentalness • 10% Positiveness
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Melitza Torres
Der Erlkönig
76 bpm • G min • 04:05 • -12.6db
7% Popularity • 21% Danceability • 33% Energy • 26% Liveness
8% Instrumentalness • 23% Positiveness
7% Popularity • 21% Danceability • 33% Energy • 26% Liveness
8% Instrumentalness • 23% Positiveness
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Jozef De Beenhouwer
3 Nocturnes (arr. A. Lessing, J. de Been...
76 bpm • A min • 03:35 • -25.27db
7% Popularity • 14% Danceability • 5% Energy • 11% Liveness
1% Instrumentalness • 34% Positiveness
7% Popularity • 14% Danceability • 5% Energy • 11% Liveness
1% Instrumentalness • 34% Positiveness
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Peeter Vähi
In the Mystical Land of Kaydara: I. Afte...
76 bpm • A Maj • 07:59 • -20.26db
2% Popularity • 21% Danceability • 18% Energy • 41% Liveness
1% Instrumentalness • 15% Positiveness
2% Popularity • 21% Danceability • 18% Energy • 41% Liveness
1% Instrumentalness • 15% Positiveness
