Songs like Four French Folksong Arrangements: Quand j'étais chez mon père by Benjamin Britten
Based on a tempo of (+/- 10%) and a similar genre
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Edvard Grieg
Peer Gynt Suite No. 2, Op. 55: I. The Ab...
135 bpm • G min • 05:01 • -18.19db
25% Popularity • 15% Danceability • 7% Energy • 12% Liveness
88% Instrumentalness • 4% Positiveness
25% Popularity • 15% Danceability • 7% Energy • 12% Liveness
88% Instrumentalness • 4% Positiveness
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Modest Mussorgsky
Sorochinskaya yarmarka (Sorochintsi Fair...
135 bpm • G Maj • 01:42 • -22db
47% Popularity • 54% Danceability • 15% Energy • 25% Liveness
54% Instrumentalness • 40% Positiveness
47% Popularity • 54% Danceability • 15% Energy • 25% Liveness
54% Instrumentalness • 40% Positiveness
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Benjamin Britten
Rejoice in the Lamb, Op. 30: For the Mou...
135 bpm • D# min • 00:57 • -41.13db
11% Popularity • 23% Danceability • 1% Energy • 36% Liveness
0% Instrumentalness • 20% Positiveness
11% Popularity • 23% Danceability • 1% Energy • 36% Liveness
0% Instrumentalness • 20% Positiveness
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Francis Poulenc
Piano Concerto in C-Sharp Minor, FP 146:...
135 bpm • G# Maj • 09:40 • -22.85db
25% Popularity • 26% Danceability • 9% Energy • 12% Liveness
83% Instrumentalness • 6% Positiveness
25% Popularity • 26% Danceability • 9% Energy • 12% Liveness
83% Instrumentalness • 6% Positiveness
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Gustav Mahler
Das Lied von der Erde: Der Einsame im He...
134 bpm • A# Maj • 08:35 • -29.06db
15% Popularity • 20% Danceability • 3% Energy • 33% Liveness
11% Instrumentalness • 4% Positiveness
15% Popularity • 20% Danceability • 3% Energy • 33% Liveness
11% Instrumentalness • 4% Positiveness
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Felix Mendelssohn
A Midsummer Night's Dream, Incidental Mu...
134 bpm • G min • 04:17 • -28db
25% Popularity • 50% Danceability • 13% Energy • 20% Liveness
95% Instrumentalness • 58% Positiveness
25% Popularity • 50% Danceability • 13% Energy • 20% Liveness
95% Instrumentalness • 58% Positiveness
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Hector Berlioz
Berlioz: Les Nuits d'été, Op. 7, H 81b...
134 bpm • A Maj • 02:07 • -23.39db
24% Popularity • 44% Danceability • 7% Energy • 11% Liveness
3% Instrumentalness • 15% Positiveness
24% Popularity • 44% Danceability • 7% Energy • 11% Liveness
3% Instrumentalness • 15% Positiveness
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Modest Mussorgsky
Pictures At An Exhibition: The Old Castl...
136 bpm • G# Maj • 04:30 • -34.52db
28% Popularity • 15% Danceability • 1% Energy • 12% Liveness
80% Instrumentalness • 4% Positiveness
28% Popularity • 15% Danceability • 1% Energy • 12% Liveness
80% Instrumentalness • 4% Positiveness
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Ralph Vaughan Williams
Charterhouse Suite: Prelude
134 bpm • F Maj • 01:44 • -30.72db
41% Popularity • 46% Danceability • 3% Energy • 8% Liveness
87% Instrumentalness • 41% Positiveness
41% Popularity • 46% Danceability • 3% Energy • 8% Liveness
87% Instrumentalness • 41% Positiveness
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Peter Warlock
Capriol Suite: 1. Basse-danse
133 bpm • D min • 01:36 • -19db
34% Popularity • 60% Danceability • 19% Energy • 11% Liveness
96% Instrumentalness • 60% Positiveness
34% Popularity • 60% Danceability • 19% Energy • 11% Liveness
96% Instrumentalness • 60% Positiveness
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Sergei Prokofiev
Piano Concerto No. 3 in C, Op. 26: 1. An...
133 bpm • A min • 09:24 • -16db
44% Popularity • 35% Danceability • 25% Energy • 8% Liveness
86% Instrumentalness • 10% Positiveness
44% Popularity • 35% Danceability • 25% Energy • 8% Liveness
86% Instrumentalness • 10% Positiveness
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Felix Mendelssohn
The Hebrides, Op. 26 "Fingal's Cave"
137 bpm • D Maj • 09:59 • -18db
25% Popularity • 22% Danceability • 12% Energy • 10% Liveness
90% Instrumentalness • 11% Positiveness
25% Popularity • 22% Danceability • 12% Energy • 10% Liveness
90% Instrumentalness • 11% Positiveness
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Benjamin Britten
War Requiem, Op. 66: i. Requiem Aeternam...
133 bpm • F Maj • 03:36 • -31db
20% Popularity • 16% Danceability • 1% Energy • 16% Liveness
60% Instrumentalness • 4% Positiveness
20% Popularity • 16% Danceability • 1% Energy • 16% Liveness
60% Instrumentalness • 4% Positiveness
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Gustav Mahler
Mahler: Symphony No. 2 in C Minor "Resur...
137 bpm • C# Maj • 05:20 • -30.74db
22% Popularity • 18% Danceability • 3% Energy • 9% Liveness
1% Instrumentalness • 3% Positiveness
22% Popularity • 18% Danceability • 3% Energy • 9% Liveness
1% Instrumentalness • 3% Positiveness
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Gerald Finzi
5 Bagatelles, Op. 23a (Arr. L. Ashmore f...
137 bpm • F Maj • 02:11 • -18db
17% Popularity • 44% Danceability • 12% Energy • 9% Liveness
82% Instrumentalness • 55% Positiveness
17% Popularity • 44% Danceability • 12% Energy • 9% Liveness
82% Instrumentalness • 55% Positiveness
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Paul Hindemith
Kammermusik No. 1, Op.24 No.1: I. Sehr s...
137 bpm • B Maj • 01:06 • -19db
35% Popularity • 53% Danceability • 45% Energy • 34% Liveness
88% Instrumentalness • 83% Positiveness
35% Popularity • 53% Danceability • 45% Energy • 34% Liveness
88% Instrumentalness • 83% Positiveness
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Sergei Prokofiev
Romeo and Juliet, Op. 64 - Act 1: Romeo
132 bpm • C Maj • 01:23 • -27db
38% Popularity • 38% Danceability • 3% Energy • 47% Liveness
81% Instrumentalness • 11% Positiveness
38% Popularity • 38% Danceability • 3% Energy • 47% Liveness
81% Instrumentalness • 11% Positiveness
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Felix Mendelssohn
Overture to "A Midsummer Night's Dream",...
137 bpm • E Maj • 06:22 • -23.46db
27% Popularity • 28% Danceability • 8% Energy • 9% Liveness
73% Instrumentalness • 13% Positiveness
27% Popularity • 28% Danceability • 8% Energy • 9% Liveness
73% Instrumentalness • 13% Positiveness
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Benjamin Britten
Peter Grimes, Op. 33 / Act 1: "Now the G...
132 bpm • E min • 03:40 • -24.01db
13% Popularity • 30% Danceability • 10% Energy • 57% Liveness
0% Instrumentalness • 4% Positiveness
13% Popularity • 30% Danceability • 10% Energy • 57% Liveness
0% Instrumentalness • 4% Positiveness
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Anton Bruckner
Os justi
138 bpm • C Maj • 04:42 • -24db
29% Popularity • 16% Danceability • 4% Energy • 8% Liveness
53% Instrumentalness • 3% Positiveness
29% Popularity • 16% Danceability • 4% Energy • 8% Liveness
53% Instrumentalness • 3% Positiveness
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Gustav Mahler
Symphony No. 8 in E-Flat Major "Symphony...
132 bpm • G# Maj • 01:27 • -13.52db
25% Popularity • 20% Danceability • 49% Energy • 11% Liveness
12% Instrumentalness • 24% Positiveness
25% Popularity • 20% Danceability • 49% Energy • 11% Liveness
12% Instrumentalness • 24% Positiveness
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Béla Bartók
Bluebeard's Castle: VI. Fifth Door - Blu...
138 bpm • C Maj • 06:05 • -19db
29% Popularity • 30% Danceability • 15% Energy • 19% Liveness
14% Instrumentalness • 7% Positiveness
29% Popularity • 30% Danceability • 15% Energy • 19% Liveness
14% Instrumentalness • 7% Positiveness
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Lili Boulanger
Hymne au soleil
131 bpm • D Maj • 03:53 • -22.66db
18% Popularity • 27% Danceability • 8% Energy • 10% Liveness
18% Instrumentalness • 4% Positiveness
18% Popularity • 27% Danceability • 8% Energy • 10% Liveness
18% Instrumentalness • 4% Positiveness
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Olivier Messiaen
Quatuor pour la fin du Temps: III. Abîm...
131 bpm • G Maj • 08:09 • -22db
18% Popularity • 29% Danceability • 0% Energy • 9% Liveness
12% Instrumentalness • 20% Positiveness
18% Popularity • 29% Danceability • 0% Energy • 9% Liveness
12% Instrumentalness • 20% Positiveness
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Benjamin Britten
A Hymn to the Virgin
133 bpm • A min • 03:55 • -22.41db
28% Popularity • 16% Danceability • 5% Energy • 8% Liveness
2% Instrumentalness • 4% Positiveness
28% Popularity • 16% Danceability • 5% Energy • 8% Liveness
2% Instrumentalness • 4% Positiveness
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Franz Schubert
Nacht und Traume, D. 827
139 bpm • F# Maj • 03:39 • -29db
29% Popularity • 23% Danceability • 5% Energy • 9% Liveness
5% Instrumentalness • 4% Positiveness
29% Popularity • 23% Danceability • 5% Energy • 9% Liveness
5% Instrumentalness • 4% Positiveness
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Francis Poulenc
Gloria, FP 144: II. Laudamus te
139 bpm • F Maj • 02:50 • -21db
24% Popularity • 30% Danceability • 23% Energy • 11% Liveness
84% Instrumentalness • 33% Positiveness
24% Popularity • 30% Danceability • 23% Energy • 11% Liveness
84% Instrumentalness • 33% Positiveness
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Joseph Haydn
Haydn: Symphony No. 94 in G Major, Hob. ...
140 bpm • G Maj • 04:01 • -16.26db
33% Popularity • 44% Danceability • 24% Energy • 15% Liveness
94% Instrumentalness • 50% Positiveness
33% Popularity • 44% Danceability • 24% Energy • 15% Liveness
94% Instrumentalness • 50% Positiveness
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Jean-Philippe Rameau
Les Boréades, RCT 31, Acte IV, Scène I...
130 bpm • C# Maj • 07:01 • -19db
36% Popularity • 16% Danceability • 14% Energy • 16% Liveness
19% Instrumentalness • 4% Positiveness
36% Popularity • 16% Danceability • 14% Energy • 16% Liveness
19% Instrumentalness • 4% Positiveness
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Nikolai Rimsky-Korsakov
Scheherazade, Op. 35: I. Largo e maestos...
140 bpm • C Maj • 10:01 • -16.14db
13% Popularity • 17% Danceability • 14% Energy • 10% Liveness
74% Instrumentalness • 4% Positiveness
13% Popularity • 17% Danceability • 14% Energy • 10% Liveness
74% Instrumentalness • 4% Positiveness
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Benjamin Britten
Noye's Fludde, Op. 59: "Noye, Take Thy W...
130 bpm • A# Maj • 02:39 • -16db
9% Popularity • 29% Danceability • 24% Energy • 71% Liveness
2% Instrumentalness • 30% Positiveness
9% Popularity • 29% Danceability • 24% Energy • 71% Liveness
2% Instrumentalness • 30% Positiveness
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Felix Mendelssohn
Overture to "A Midsummer Night's Dream",...
140 bpm • E Maj • 05:54 • -23db
35% Popularity • 24% Danceability • 4% Energy • 7% Liveness
69% Instrumentalness • 5% Positiveness
35% Popularity • 24% Danceability • 4% Energy • 7% Liveness
69% Instrumentalness • 5% Positiveness
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Francis Poulenc
Gloria, FP 144: III. Domine Deus
130 bpm • G Maj • 04:35 • -24.74db
23% Popularity • 21% Danceability • 9% Energy • 12% Liveness
82% Instrumentalness • 4% Positiveness
23% Popularity • 21% Danceability • 9% Energy • 12% Liveness
82% Instrumentalness • 4% Positiveness
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Gustav Mahler
Symphony No. 8 in E-Flat Major, "Symphon...
141 bpm • E Maj • 03:50 • -27.29db
30% Popularity • 14% Danceability • 6% Energy • 11% Liveness
88% Instrumentalness • 4% Positiveness
30% Popularity • 14% Danceability • 6% Energy • 11% Liveness
88% Instrumentalness • 4% Positiveness
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Dag Wirén
Serenade for String Orchestra, Op. 11: I...
129 bpm • C Maj • 03:13 • -21.61db
13% Popularity • 44% Danceability • 13% Energy • 11% Liveness
77% Instrumentalness • 20% Positiveness
13% Popularity • 44% Danceability • 13% Energy • 11% Liveness
77% Instrumentalness • 20% Positiveness
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Michael Tippett
Concerto for Piano and Orchestra: II. Mo...
129 bpm • C# min • 09:03 • -30db
10% Popularity • 23% Danceability • 6% Energy • 7% Liveness
90% Instrumentalness • 4% Positiveness
10% Popularity • 23% Danceability • 6% Energy • 7% Liveness
90% Instrumentalness • 4% Positiveness
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Benjamin Britten
Britten: War Requiem, Op. 66: IV. Dies i...
140 bpm • G# Maj • 04:16 • -23.05db
5% Popularity • 34% Danceability • 4% Energy • 6% Liveness
53% Instrumentalness • 6% Positiveness
5% Popularity • 34% Danceability • 4% Energy • 6% Liveness
53% Instrumentalness • 6% Positiveness
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Aaron Copland
4 Dance Episodes from Rodeo: I. Buckaroo...
129 bpm • F Maj • 06:58 • -13.35db
25% Popularity • 40% Danceability • 41% Energy • 37% Liveness
87% Instrumentalness • 29% Positiveness
25% Popularity • 40% Danceability • 41% Energy • 37% Liveness
87% Instrumentalness • 29% Positiveness
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Edvard Grieg
Holberg Suite, Op. 40: V. Rigaudon (Alle...
129 bpm • G Maj • 04:01 • -27.06db
27% Popularity • 38% Danceability • 3% Energy • 8% Liveness
63% Instrumentalness • 25% Positiveness
27% Popularity • 38% Danceability • 3% Energy • 8% Liveness
63% Instrumentalness • 25% Positiveness
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George Butterworth
2 English Idylls: No. 1. English Idyll
141 bpm • F Maj • 04:26 • -23db
15% Popularity • 24% Danceability • 6% Energy • 10% Liveness
88% Instrumentalness • 14% Positiveness
15% Popularity • 24% Danceability • 6% Energy • 10% Liveness
88% Instrumentalness • 14% Positiveness
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Nikolai Rimsky-Korsakov
Capriccio espagnol, Op. 34: III. Alborad...
128 bpm • A# Maj • 01:11 • -15db
38% Popularity • 46% Danceability • 31% Energy • 21% Liveness
31% Instrumentalness • 67% Positiveness
38% Popularity • 46% Danceability • 31% Energy • 21% Liveness
31% Instrumentalness • 67% Positiveness
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Jean Sibelius
Sibelius: Symphony No. 5 in E-Flat Major...
142 bpm • G Maj • 09:01 • -29db
23% Popularity • 19% Danceability • 3% Energy • 8% Liveness
87% Instrumentalness • 4% Positiveness
23% Popularity • 19% Danceability • 3% Energy • 8% Liveness
87% Instrumentalness • 4% Positiveness
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Benjamin Britten
Rejoice in the Lamb, Op. 30: For I am un...
141 bpm • E min • 02:26 • -23.99db
12% Popularity • 15% Danceability • 2% Energy • 8% Liveness
1% Instrumentalness • 3% Positiveness
12% Popularity • 15% Danceability • 2% Energy • 8% Liveness
1% Instrumentalness • 3% Positiveness
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Emmanuel Chabrier
Habanera
128 bpm • A Maj • 04:07 • -27db
20% Popularity • 20% Danceability • 2% Energy • 10% Liveness
92% Instrumentalness • 10% Positiveness
20% Popularity • 20% Danceability • 2% Energy • 10% Liveness
92% Instrumentalness • 10% Positiveness
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Georges Bizet
L’arlésienne Suite No. 1, Op. 23bis, ...
143 bpm • E Maj • 04:20 • -23.9db
37% Popularity • 23% Danceability • 3% Energy • 14% Liveness
81% Instrumentalness • 16% Positiveness
37% Popularity • 23% Danceability • 3% Energy • 14% Liveness
81% Instrumentalness • 16% Positiveness
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Arthur Bliss
Adam Zero: Approach of Autumn
128 bpm • D min • 03:34 • -38db
20% Popularity • 17% Danceability • 1% Energy • 26% Liveness
76% Instrumentalness • 4% Positiveness
20% Popularity • 17% Danceability • 1% Energy • 26% Liveness
76% Instrumentalness • 4% Positiveness
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Ottorino Respighi
Suite No. 1, P. 109: I. Balletto Detto '...
127 bpm • D Maj • 02:59 • -22.83db
27% Popularity • 37% Danceability • 3% Energy • 5% Liveness
91% Instrumentalness • 26% Positiveness
27% Popularity • 37% Danceability • 3% Energy • 5% Liveness
91% Instrumentalness • 26% Positiveness
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Aaron Copland
Appalachian Spring: VI. Meno mosso
143 bpm • G# Maj • 01:14 • -34.13db
37% Popularity • 14% Danceability • 2% Energy • 11% Liveness
69% Instrumentalness • 3% Positiveness
37% Popularity • 14% Danceability • 2% Energy • 11% Liveness
69% Instrumentalness • 3% Positiveness
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Benjamin Britten
Britten: An American Overture, Op. 27
141 bpm • D min • 10:35 • -24db
2% Popularity • 25% Danceability • 5% Energy • 6% Liveness
51% Instrumentalness • 5% Positiveness
2% Popularity • 25% Danceability • 5% Energy • 6% Liveness
51% Instrumentalness • 5% Positiveness
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Olivier Messiaen
O sacrum convivium!
127 bpm • F# Maj • 04:31 • -30.76db
20% Popularity • 17% Danceability • 2% Energy • 18% Liveness
42% Instrumentalness • 3% Positiveness
20% Popularity • 17% Danceability • 2% Energy • 18% Liveness
42% Instrumentalness • 3% Positiveness
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Alexander Glazunov
The Seasons, Op.67: 1. Winter
127 bpm • F Maj • 09:45 • -22.49db
10% Popularity • 26% Danceability • 15% Energy • 20% Liveness
72% Instrumentalness • 8% Positiveness
10% Popularity • 26% Danceability • 15% Energy • 20% Liveness
72% Instrumentalness • 8% Positiveness
► Preview
Georg Philipp Telemann
Viola Concerto in G Major, TWV 51:G9: I....
144 bpm • G Maj • 03:44 • -21.35db
45% Popularity • 20% Danceability • 10% Energy • 40% Liveness
73% Instrumentalness • 11% Positiveness
45% Popularity • 20% Danceability • 10% Energy • 40% Liveness
73% Instrumentalness • 11% Positiveness
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Oliver Knussen
The Sword in the Stone Suite (Arr. O. Kn...
126 bpm • F min • 01:10 • -20.99db
17% Popularity • 68% Danceability • 25% Energy • 24% Liveness
96% Instrumentalness • 12% Positiveness
17% Popularity • 68% Danceability • 25% Energy • 24% Liveness
96% Instrumentalness • 12% Positiveness
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Aaron Copland
Appalachian Spring: IV. Quite Fast
127 bpm • E Maj • 03:34 • -15db
28% Popularity • 37% Danceability • 27% Energy • 24% Liveness
93% Instrumentalness • 26% Positiveness
28% Popularity • 37% Danceability • 27% Energy • 24% Liveness
93% Instrumentalness • 26% Positiveness
► Preview
Benjamin Britten
Violin Concerto in D Minor, Op. 15: I. M...
144 bpm • G min • 09:47 • -23db
7% Popularity • 26% Danceability • 10% Energy • 14% Liveness
61% Instrumentalness • 4% Positiveness
7% Popularity • 26% Danceability • 10% Energy • 14% Liveness
61% Instrumentalness • 4% Positiveness
► Preview
Sergei Prokofiev
Violin Concerto No. 1 In D Major, Op. 19...
145 bpm • A min • 03:52 • -24.68db
20% Popularity • 49% Danceability • 23% Energy • 6% Liveness
77% Instrumentalness • 52% Positiveness
20% Popularity • 49% Danceability • 23% Energy • 6% Liveness
77% Instrumentalness • 52% Positiveness
► Preview
Dmitri Shostakovich
Piano Concerto No. 2 in F Major, Op. 102...
146 bpm • A# Maj • 07:13 • -12.49db
8% Popularity • 48% Danceability • 40% Energy • 12% Liveness
90% Instrumentalness • 53% Positiveness
8% Popularity • 48% Danceability • 40% Energy • 12% Liveness
90% Instrumentalness • 53% Positiveness
► Preview
Arnold Schoenberg
Schoenberg: Verklärte Nacht, Op. 4: V. ...
125 bpm • E min • 04:53 • -23db
20% Popularity • 17% Danceability • 9% Energy • 16% Liveness
20% Instrumentalness • 4% Positiveness
20% Popularity • 17% Danceability • 9% Energy • 16% Liveness
20% Instrumentalness • 4% Positiveness
► Preview
Robert Schumann
5 Stücke im Volkston, Op. 102: 5. Stark...
124 bpm • D min • 03:11 • -21.87db
2% Popularity • 46% Danceability • 8% Energy • 9% Liveness
82% Instrumentalness • 64% Positiveness
2% Popularity • 46% Danceability • 8% Energy • 9% Liveness
82% Instrumentalness • 64% Positiveness
► Preview
Michael Tippett
Tippett: Little Music for String Orchest...
124 bpm • F Maj • 01:32 • -21.4db
18% Popularity • 25% Danceability • 12% Energy • 33% Liveness
83% Instrumentalness • 15% Positiveness
18% Popularity • 25% Danceability • 12% Energy • 33% Liveness
83% Instrumentalness • 15% Positiveness
► Preview
Benjamin Britten
War Requiem, Op. 66: viii. Dies Irae - "...
142 bpm • G Maj • 01:41 • -25db
9% Popularity • 46% Danceability • 20% Energy • 62% Liveness
0% Instrumentalness • 32% Positiveness
9% Popularity • 46% Danceability • 20% Energy • 62% Liveness
0% Instrumentalness • 32% Positiveness
► Preview
Joseph Haydn
Haydn: Cello Concerto No. 1 in C Major, ...
124 bpm • F Maj • 08:31 • -23.81db
30% Popularity • 21% Danceability • 8% Energy • 11% Liveness
89% Instrumentalness • 9% Positiveness
30% Popularity • 21% Danceability • 8% Energy • 11% Liveness
89% Instrumentalness • 9% Positiveness
► Preview
Modest Mussorgsky
Pictures at an Exhibition (Orch. Ravel):...
123 bpm • D# Maj • 01:18 • -18.76db
37% Popularity • 48% Danceability • 32% Energy • 65% Liveness
95% Instrumentalness • 54% Positiveness
37% Popularity • 48% Danceability • 32% Energy • 65% Liveness
95% Instrumentalness • 54% Positiveness
► Preview
Hector Berlioz
Symphonie fantastique, Op. 14: Marche au...
148 bpm • A# Maj • 07:11 • -17.76db
43% Popularity • 35% Danceability • 21% Energy • 8% Liveness
92% Instrumentalness • 33% Positiveness
43% Popularity • 35% Danceability • 21% Energy • 8% Liveness
92% Instrumentalness • 33% Positiveness
► Preview
Ottorino Respighi
Gli uccelli (The Birds), P. 154: II. La ...
123 bpm • F# min • 04:42 • -24.67db
21% Popularity • 20% Danceability • 5% Energy • 14% Liveness
84% Instrumentalness • 8% Positiveness
21% Popularity • 20% Danceability • 5% Energy • 14% Liveness
84% Instrumentalness • 8% Positiveness
► Preview
Jean Sibelius
Sibelius: Symphony No. 5 in E-Flat Major...
149 bpm • G# Maj • 09:53 • -24.78db
27% Popularity • 12% Danceability • 6% Energy • 15% Liveness
87% Instrumentalness • 6% Positiveness
27% Popularity • 12% Danceability • 6% Energy • 15% Liveness
87% Instrumentalness • 6% Positiveness
► Preview
Benjamin Britten
War Requiem, Op. 66: II. Dies irae: i. M...
128 bpm • F# Maj • 04:50 • -27.8db
5% Popularity • 25% Danceability • 3% Energy • 11% Liveness
0% Instrumentalness • 4% Positiveness
5% Popularity • 25% Danceability • 3% Energy • 11% Liveness
0% Instrumentalness • 4% Positiveness
► Preview
Maurice Ravel
Ravel: Ma mère l'Oye, M. 60: III. Laide...
122 bpm • G# min • 03:28 • -27db
25% Popularity • 24% Danceability • 4% Energy • 12% Liveness
97% Instrumentalness • 9% Positiveness
25% Popularity • 24% Danceability • 4% Energy • 12% Liveness
97% Instrumentalness • 9% Positiveness
► Preview
Johann Sebastian Bach
Brandenburg Concerto No. 6 in B flat, BW...
151 bpm • A# Maj • 06:59 • -23.17db
19% Popularity • 29% Danceability • 12% Energy • 16% Liveness
81% Instrumentalness • 48% Positiveness
19% Popularity • 29% Danceability • 12% Energy • 16% Liveness
81% Instrumentalness • 48% Positiveness
► Preview
Igor Stravinsky
Petrushka: Danse Russe
121 bpm • A min • 02:40 • -18.26db
38% Popularity • 52% Danceability • 29% Energy • 37% Liveness
89% Instrumentalness • 46% Positiveness
38% Popularity • 52% Danceability • 29% Energy • 37% Liveness
89% Instrumentalness • 46% Positiveness
► Preview
Lili Boulanger
D'un matin de printemps
151 bpm • C Maj • 04:49 • -24db
19% Popularity • 22% Danceability • 7% Energy • 7% Liveness
52% Instrumentalness • 14% Positiveness
19% Popularity • 22% Danceability • 7% Energy • 7% Liveness
52% Instrumentalness • 14% Positiveness
► Preview
Ralph Vaughan Williams
Charterhouse Suite: Quick Dance
120 bpm • E min • 02:17 • -28db
21% Popularity • 37% Danceability • 7% Energy • 16% Liveness
94% Instrumentalness • 44% Positiveness
21% Popularity • 37% Danceability • 7% Energy • 16% Liveness
94% Instrumentalness • 44% Positiveness
► Preview
Benjamin Britten
Winter Words, Op. 52: The Choirmaster's ...
128 bpm • C min • 03:58 • -25.56db
3% Popularity • 36% Danceability • 7% Energy • 9% Liveness
0% Instrumentalness • 7% Positiveness
3% Popularity • 36% Danceability • 7% Energy • 9% Liveness
0% Instrumentalness • 7% Positiveness
► Preview
Maurice Ravel
Alborada del gracioso, M. 43: Assez vif
121 bpm • D Maj • 07:30 • -24db
18% Popularity • 25% Danceability • 6% Energy • 49% Liveness
70% Instrumentalness • 13% Positiveness
18% Popularity • 25% Danceability • 6% Energy • 49% Liveness
70% Instrumentalness • 13% Positiveness
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Johann Sebastian Bach
Brandenburg Concerto No. 4 in G, BWV 104...
120 bpm • E min • 04:08 • -17.71db
20% Popularity • 24% Danceability • 15% Energy • 18% Liveness
60% Instrumentalness • 8% Positiveness
20% Popularity • 24% Danceability • 15% Energy • 18% Liveness
60% Instrumentalness • 8% Positiveness
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Krzysztof Penderecki
3 Pieces in Old Style: No. 3. Menuetto I...
119 bpm • D Maj • 02:08 • -19db
21% Popularity • 33% Danceability • 8% Energy • 11% Liveness
94% Instrumentalness • 28% Positiveness
21% Popularity • 33% Danceability • 8% Energy • 11% Liveness
94% Instrumentalness • 28% Positiveness
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Igor Stravinsky
Petrushka, Scene I: The Shrovetide Fair ...
119 bpm • D min • 10:18 • -20.81db
4% Popularity • 36% Danceability • 19% Energy • 12% Liveness
74% Instrumentalness • 9% Positiveness
4% Popularity • 36% Danceability • 19% Energy • 12% Liveness
74% Instrumentalness • 9% Positiveness
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Hector Berlioz
Symphonie fantastique, Op. 14, H 48: IV....
155 bpm • A# Maj • 07:01 • -25db
32% Popularity • 39% Danceability • 5% Energy • 11% Liveness
90% Instrumentalness • 29% Positiveness
32% Popularity • 39% Danceability • 5% Energy • 11% Liveness
90% Instrumentalness • 29% Positiveness
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Benjamin Britten
Rejoice in the Lamb, Op. 30: For the flo...
142 bpm • A Maj • 01:56 • -40db
12% Popularity • 14% Danceability • 0% Energy • 12% Liveness
36% Instrumentalness • 4% Positiveness
12% Popularity • 14% Danceability • 0% Energy • 12% Liveness
36% Instrumentalness • 4% Positiveness
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Camille Saint-Saëns
Symphony No. 3 In C Minor, Op. 78 "Organ...
118 bpm • G# Maj • 10:24 • -22db
31% Popularity • 20% Danceability • 9% Energy • 18% Liveness
83% Instrumentalness • 4% Positiveness
31% Popularity • 20% Danceability • 9% Energy • 18% Liveness
83% Instrumentalness • 4% Positiveness
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Claude Debussy
Debussy: Petite suite, CD 71, L. 65: IV....
117 bpm • D Maj • 02:49 • -17db
21% Popularity • 35% Danceability • 27% Energy • 11% Liveness
78% Instrumentalness • 45% Positiveness
21% Popularity • 35% Danceability • 27% Energy • 11% Liveness
78% Instrumentalness • 45% Positiveness
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Krzysztof Penderecki
3 Pieces in Old Style: No. 2. Menuetto I
155 bpm • A min • 01:40 • -24db
27% Popularity • 44% Danceability • 13% Energy • 9% Liveness
92% Instrumentalness • 64% Positiveness
27% Popularity • 44% Danceability • 13% Energy • 9% Liveness
92% Instrumentalness • 64% Positiveness
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Sergei Prokofiev
The Love For Three Oranges, Op. 33: Marc...
118 bpm • G# min • 01:34 • -14db
21% Popularity • 57% Danceability • 13% Energy • 12% Liveness
13% Instrumentalness • 20% Positiveness
21% Popularity • 57% Danceability • 13% Energy • 12% Liveness
13% Instrumentalness • 20% Positiveness
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Ottorino Respighi
Gli uccelli (The Birds), P. 154: V. Il c...
117 bpm • A Maj • 04:22 • -20.39db
42% Popularity • 26% Danceability • 7% Energy • 33% Liveness
44% Instrumentalness • 14% Positiveness
42% Popularity • 26% Danceability • 7% Energy • 33% Liveness
44% Instrumentalness • 14% Positiveness
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Benjamin Britten
The Prince of the Pagodas, Op. 57 - Act ...
126 bpm • G Maj • 05:55 • -21.64db
1% Popularity • 25% Danceability • 6% Energy • 28% Liveness
2% Instrumentalness • 8% Positiveness
1% Popularity • 25% Danceability • 6% Energy • 28% Liveness
2% Instrumentalness • 8% Positiveness
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Camille Saint-Saëns
Symphony No. 3 In C Minor, Op. 78 "Organ...
117 bpm • F min • 07:28 • -22db
30% Popularity • 31% Danceability • 17% Energy • 12% Liveness
90% Instrumentalness • 33% Positiveness
30% Popularity • 31% Danceability • 17% Energy • 12% Liveness
90% Instrumentalness • 33% Positiveness
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Igor Stravinsky
The Firebird: Scene 1: The Firebird's Lu...
117 bpm • B Maj • 02:46 • -33.6db
41% Popularity • 17% Danceability • 0% Energy • 10% Liveness
93% Instrumentalness • 7% Positiveness
41% Popularity • 17% Danceability • 0% Energy • 10% Liveness
93% Instrumentalness • 7% Positiveness
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Aram Khachaturian
Gayaneh, Ballet Suite: Gayaneh's Adagio
117 bpm • G# Maj • 04:00 • -32.62db
33% Popularity • 18% Danceability • 1% Energy • 8% Liveness
93% Instrumentalness • 4% Positiveness
33% Popularity • 18% Danceability • 1% Energy • 8% Liveness
93% Instrumentalness • 4% Positiveness
► Preview
Peter Warlock
Capriol Suite: 4. Bransles
156 bpm • G Maj • 01:59 • -19.75db
30% Popularity • 40% Danceability • 22% Energy • 24% Liveness
94% Instrumentalness • 89% Positiveness
30% Popularity • 40% Danceability • 22% Energy • 24% Liveness
94% Instrumentalness • 89% Positiveness
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Johann Sebastian Bach
Brandenburg Concerto No. 3 in G, BWV 104...
116 bpm • G Maj • 05:04 • -18.45db
22% Popularity • 59% Danceability • 43% Energy • 17% Liveness
30% Instrumentalness • 81% Positiveness
22% Popularity • 59% Danceability • 43% Energy • 17% Liveness
30% Instrumentalness • 81% Positiveness
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Benjamin Britten
Serenade for tenor, horn & strings, Op. ...
145 bpm • F# Maj • 03:37 • -22.28db
8% Popularity • 22% Danceability • 7% Energy • 7% Liveness
1% Instrumentalness • 10% Positiveness
8% Popularity • 22% Danceability • 7% Energy • 7% Liveness
1% Instrumentalness • 10% Positiveness
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Dmitri Shostakovich
Piano Concerto No. 2 in F Major, Op. 102...
160 bpm • A# Maj • 06:53 • -16db
28% Popularity • 42% Danceability • 30% Energy • 9% Liveness
90% Instrumentalness • 33% Positiveness
28% Popularity • 42% Danceability • 30% Energy • 9% Liveness
90% Instrumentalness • 33% Positiveness
► Preview
Maurice Ravel
Shéhérazade: No. 3. L'Indifférent
171 bpm • C# min • 03:59 • -28.67db
20% Popularity • 14% Danceability • 2% Energy • 10% Liveness
0% Instrumentalness • 4% Positiveness
20% Popularity • 14% Danceability • 2% Energy • 10% Liveness
0% Instrumentalness • 4% Positiveness
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Francis Poulenc
Concerto in G Minor for Organ, Strings a...
172 bpm • D min • 03:08 • -20.78db
9% Popularity • 8% Danceability • 3% Energy • 68% Liveness
89% Instrumentalness • 4% Positiveness
9% Popularity • 8% Danceability • 3% Energy • 68% Liveness
89% Instrumentalness • 4% Positiveness
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Paul Hindemith
6 Chansons: No. 6. Verger
173 bpm • G Maj • 01:10 • -23db
26% Popularity • 19% Danceability • 14% Energy • 11% Liveness
0% Instrumentalness • 28% Positiveness
26% Popularity • 19% Danceability • 14% Energy • 11% Liveness
0% Instrumentalness • 28% Positiveness
► Preview
Johann Sebastian Bach
Brandenburg Concerto No. 1 in F, BWV 104...
159 bpm • F Maj • 04:22 • -16.04db
24% Popularity • 43% Danceability • 28% Energy • 11% Liveness
81% Instrumentalness • 76% Positiveness
24% Popularity • 43% Danceability • 28% Energy • 11% Liveness
81% Instrumentalness • 76% Positiveness
► Preview
Benjamin Britten
Violin Concerto, Op. 15: II. Vivace – ...
164 bpm • A min • 08:24 • -21.15db
10% Popularity • 33% Danceability • 20% Energy • 27% Liveness
83% Instrumentalness • 9% Positiveness
10% Popularity • 33% Danceability • 20% Energy • 27% Liveness
83% Instrumentalness • 9% Positiveness
► Preview
Gustav Mahler
Symphony No. 2 in C Minor "Resurrection"...
174 bpm • C# Maj • 05:29 • -28db
21% Popularity • 11% Danceability • 4% Energy • 8% Liveness
15% Instrumentalness • 4% Positiveness
21% Popularity • 11% Danceability • 4% Energy • 8% Liveness
15% Instrumentalness • 4% Positiveness
