Songs like Four Poems of Marina Tsvetaeva: No. 2, Two Trees by Mark Abel
Based on a tempo of (+/- 10%) and a similar genre
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John Sawoski
With Every Breath I Take from City of An...
76 bpm • G Maj • 04:29 • -18.84db
14% Popularity • 51% Danceability • 12% Energy • 12% Liveness
89% Instrumentalness • 11% Positiveness
14% Popularity • 51% Danceability • 12% Energy • 12% Liveness
89% Instrumentalness • 11% Positiveness
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Anatoly Lyadov
3 Morceaux, Op. 11: No. 1, Prelude in B ...
76 bpm • G Maj • 03:11 • -23.18db
20% Popularity • 12% Danceability • 4% Energy • 9% Liveness
42% Instrumentalness • 5% Positiveness
20% Popularity • 12% Danceability • 4% Energy • 9% Liveness
42% Instrumentalness • 5% Positiveness
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Luke Faulkner
Ode To Peace
76 bpm • G Maj • 02:43 • -30.22db
12% Popularity • 27% Danceability • 0% Energy • 8% Liveness
87% Instrumentalness • 18% Positiveness
12% Popularity • 27% Danceability • 0% Energy • 8% Liveness
87% Instrumentalness • 18% Positiveness
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Samuel Coleridge-Taylor
Suite for Violin and Piano, Op. 3: II. C...
76 bpm • D Maj • 03:26 • -20.58db
32% Popularity • 26% Danceability • 11% Energy • 9% Liveness
14% Instrumentalness • 15% Positiveness
32% Popularity • 26% Danceability • 11% Energy • 9% Liveness
14% Instrumentalness • 15% Positiveness
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Gabriel Fauré
Romance, Op. 69
76 bpm • C# min • 03:29 • -24.58db
8% Popularity • 20% Danceability • 5% Energy • 11% Liveness
91% Instrumentalness • 7% Positiveness
8% Popularity • 20% Danceability • 5% Energy • 11% Liveness
91% Instrumentalness • 7% Positiveness
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Mark Abel
Four Poems of Marina Tsvetaeva: No. 2, T...
76 bpm • C Maj • 02:57 • -18.59db
0% Popularity • 31% Danceability • 17% Energy • 9% Liveness
30% Instrumentalness • 7% Positiveness
0% Popularity • 31% Danceability • 17% Energy • 9% Liveness
30% Instrumentalness • 7% Positiveness
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Dario Carnovale
GERICO
76 bpm • C# min • 01:16 • -21.92db
18% Popularity • 18% Danceability • 10% Energy • 11% Liveness
86% Instrumentalness • 19% Positiveness
18% Popularity • 18% Danceability • 10% Energy • 11% Liveness
86% Instrumentalness • 19% Positiveness
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Frédéric Chopin
Impromptu, Op. 36
76 bpm • F# Maj • 05:54 • -29.1db
8% Popularity • 24% Danceability • 3% Energy • 10% Liveness
89% Instrumentalness • 4% Positiveness
8% Popularity • 24% Danceability • 3% Energy • 10% Liveness
89% Instrumentalness • 4% Positiveness
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Ludwig van Beethoven
Sonata No. 3 in A Major, Op. 69: III. Ad...
76 bpm • E Maj • 01:38 • -33.14db
17% Popularity • 10% Danceability • 1% Energy • 10% Liveness
82% Instrumentalness • 18% Positiveness
17% Popularity • 10% Danceability • 1% Energy • 10% Liveness
82% Instrumentalness • 18% Positiveness
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Gabriel de Paula Machado
Valsa Triste
75 bpm • G# min • 05:05 • -26.22db
20% Popularity • 31% Danceability • 5% Energy • 11% Liveness
92% Instrumentalness • 4% Positiveness
20% Popularity • 31% Danceability • 5% Energy • 11% Liveness
92% Instrumentalness • 4% Positiveness
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Unknown
Arirang
77 bpm • G Maj • 04:07 • -21.34db
18% Popularity • 8% Danceability • 9% Energy • 12% Liveness
73% Instrumentalness • 8% Positiveness
18% Popularity • 8% Danceability • 9% Energy • 12% Liveness
73% Instrumentalness • 8% Positiveness
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Astor Piazzolla
Mumuki (Arr. for Violin & String Orchest...
75 bpm • E min • 08:35 • -23.27db
5% Popularity • 25% Danceability • 8% Energy • 10% Liveness
91% Instrumentalness • 9% Positiveness
5% Popularity • 25% Danceability • 8% Energy • 10% Liveness
91% Instrumentalness • 9% Positiveness
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Mark Abel
Trois femmes du cinema: No. 2, Pina Pell...
77 bpm • G min • 06:07 • -16.55db
0% Popularity • 27% Danceability • 14% Energy • 13% Liveness
0% Instrumentalness • 5% Positiveness
0% Popularity • 27% Danceability • 14% Energy • 13% Liveness
0% Instrumentalness • 5% Positiveness
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Samuel Barber
Souvenirs, Op. 28: III. Pas de deux
75 bpm • C Maj • 03:35 • -29.58db
22% Popularity • 36% Danceability • 4% Energy • 11% Liveness
85% Instrumentalness • 5% Positiveness
22% Popularity • 36% Danceability • 4% Energy • 11% Liveness
85% Instrumentalness • 5% Positiveness
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Niño Tiro
Fantasy and Elegy for Violin and Piano: ...
75 bpm • F Maj • 03:23 • -14.74db
14% Popularity • 22% Danceability • 19% Energy • 13% Liveness
2% Instrumentalness • 13% Positiveness
14% Popularity • 22% Danceability • 19% Energy • 13% Liveness
2% Instrumentalness • 13% Positiveness
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Karen LeFrak
August
77 bpm • F# Maj • 01:33 • -14.72db
19% Popularity • 33% Danceability • 14% Energy • 46% Liveness
8% Instrumentalness • 32% Positiveness
19% Popularity • 33% Danceability • 14% Energy • 46% Liveness
8% Instrumentalness • 32% Positiveness
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Carrie Baynes
A Foggy Day
75 bpm • D# Maj • 03:05 • -16.22db
16% Popularity • 24% Danceability • 12% Energy • 10% Liveness
16% Instrumentalness • 14% Positiveness
16% Popularity • 24% Danceability • 12% Energy • 10% Liveness
16% Instrumentalness • 14% Positiveness
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Yoko Ara
Main Title
77 bpm • D min • 04:01 • -24.09db
4% Popularity • 10% Danceability • 6% Energy • 15% Liveness
91% Instrumentalness • 7% Positiveness
4% Popularity • 10% Danceability • 6% Energy • 15% Liveness
91% Instrumentalness • 7% Positiveness
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Paul Hindemith
Plöner Musiktag: Abendkonzert: II. Flö...
75 bpm • F min • 03:53 • -26.35db
5% Popularity • 13% Danceability • 4% Energy • 6% Liveness
88% Instrumentalness • 7% Positiveness
5% Popularity • 13% Danceability • 4% Energy • 6% Liveness
88% Instrumentalness • 7% Positiveness
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Johann Sebastian Bach
Sonata No. 3 in C Major, BWV 1005: II. F...
77 bpm • C Maj • 09:29 • -13.85db
11% Popularity • 56% Danceability • 14% Energy • 12% Liveness
93% Instrumentalness • 84% Positiveness
11% Popularity • 56% Danceability • 14% Energy • 12% Liveness
93% Instrumentalness • 84% Positiveness
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George Gershwin
Ten songs: Embraceable you
75 bpm • D# Maj • 02:20 • -32.12db
9% Popularity • 18% Danceability • 0% Energy • 8% Liveness
16% Instrumentalness • 12% Positiveness
9% Popularity • 18% Danceability • 0% Energy • 8% Liveness
16% Instrumentalness • 12% Positiveness
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Fung Lam
Monologue V for solo violin
77 bpm • G# Maj • 05:56 • -18.77db
11% Popularity • 21% Danceability • 13% Energy • 29% Liveness
43% Instrumentalness • 4% Positiveness
11% Popularity • 21% Danceability • 13% Energy • 29% Liveness
43% Instrumentalness • 4% Positiveness
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Mark Abel
Four Poems of Marina Tsvetaeva: No. 3, O...
77 bpm • D# min • 03:13 • -16.84db
0% Popularity • 28% Danceability • 18% Energy • 11% Liveness
6% Instrumentalness • 4% Positiveness
0% Popularity • 28% Danceability • 18% Energy • 11% Liveness
6% Instrumentalness • 4% Positiveness
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Yoko Ara
Ave Maria "Tanti anni prima"
77 bpm • C Maj • 05:32 • -22.02db
2% Popularity • 17% Danceability • 8% Energy • 10% Liveness
80% Instrumentalness • 4% Positiveness
2% Popularity • 17% Danceability • 8% Energy • 10% Liveness
80% Instrumentalness • 4% Positiveness
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Johannes Brahms
5 Lieder, Op. 49: No. 4, Wiegenlied (Arr...
75 bpm • G Maj • 01:48 • -34.14db
16% Popularity • 10% Danceability • 1% Energy • 10% Liveness
94% Instrumentalness • 14% Positiveness
16% Popularity • 10% Danceability • 1% Energy • 10% Liveness
94% Instrumentalness • 14% Positiveness
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Frédéric Chopin
Mazurkas, Op. 17, B. 77: No. 4 in A Mino...
77 bpm • A min • 04:24 • -24.46db
8% Popularity • 22% Danceability • 4% Energy • 11% Liveness
61% Instrumentalness • 5% Positiveness
8% Popularity • 22% Danceability • 4% Energy • 11% Liveness
61% Instrumentalness • 5% Positiveness
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Carrie Baynes
Seaside
74 bpm • A# Maj • 02:01 • -20.12db
16% Popularity • 15% Danceability • 12% Energy • 17% Liveness
76% Instrumentalness • 10% Positiveness
16% Popularity • 15% Danceability • 12% Energy • 17% Liveness
76% Instrumentalness • 10% Positiveness
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Licinio Refice
Cecilia: Molto vivo e con fuoco
74 bpm • C min • 02:25 • -16.18db
12% Popularity • 22% Danceability • 17% Energy • 26% Liveness
82% Instrumentalness • 4% Positiveness
12% Popularity • 22% Danceability • 17% Energy • 26% Liveness
82% Instrumentalness • 4% Positiveness
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Ralph Vaughan Williams
The Lark Ascending: II. Allegretto tranq...
74 bpm • A min • 03:04 • -19.92db
7% Popularity • 23% Danceability • 13% Energy • 18% Liveness
35% Instrumentalness • 12% Positiveness
7% Popularity • 23% Danceability • 13% Energy • 18% Liveness
35% Instrumentalness • 12% Positiveness
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Winfred Jeremiah
New York Autumn
78 bpm • D# min • 03:20 • -19.27db
28% Popularity • 17% Danceability • 18% Energy • 32% Liveness
35% Instrumentalness • 9% Positiveness
28% Popularity • 17% Danceability • 18% Energy • 32% Liveness
35% Instrumentalness • 9% Positiveness
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Edward Elgar
Chanson de nuit, Op. 15 No. 1 (Arr. for ...
77 bpm • G Maj • 03:22 • -24.81db
10% Popularity • 12% Danceability • 4% Energy • 18% Liveness
86% Instrumentalness • 4% Positiveness
10% Popularity • 12% Danceability • 4% Energy • 18% Liveness
86% Instrumentalness • 4% Positiveness
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Pattapio Silva
Oriental
74 bpm • A min • 04:49 • -15.33db
26% Popularity • 27% Danceability • 19% Energy • 12% Liveness
83% Instrumentalness • 9% Positiveness
26% Popularity • 27% Danceability • 19% Energy • 12% Liveness
83% Instrumentalness • 9% Positiveness
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Leonhard von Call
Serenade, Op. 84: IV. Adagio
78 bpm • G Maj • 01:47 • -18.07db
10% Popularity • 32% Danceability • 11% Energy • 10% Liveness
89% Instrumentalness • 36% Positiveness
10% Popularity • 32% Danceability • 11% Energy • 10% Liveness
89% Instrumentalness • 36% Positiveness
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Helena Maria Falk
Huldra's Dream
74 bpm • G min • 03:42 • -18.81db
16% Popularity • 10% Danceability • 9% Energy • 16% Liveness
59% Instrumentalness • 4% Positiveness
16% Popularity • 10% Danceability • 9% Energy • 16% Liveness
59% Instrumentalness • 4% Positiveness
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Luiz Costa
Canção De Maio
74 bpm • G Maj • 01:47 • -28db
14% Popularity • 18% Danceability • 3% Energy • 6% Liveness
65% Instrumentalness • 13% Positiveness
14% Popularity • 18% Danceability • 3% Energy • 6% Liveness
65% Instrumentalness • 13% Positiveness
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Christian Schittenhelm
Zebra Piano
74 bpm • G min • 03:54 • -19.68db
14% Popularity • 48% Danceability • 9% Energy • 11% Liveness
88% Instrumentalness • 5% Positiveness
14% Popularity • 48% Danceability • 9% Energy • 11% Liveness
88% Instrumentalness • 5% Positiveness
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Clara Schumann
Trois romances, Op. 22: I. Andante molto
74 bpm • C# Maj • 03:13 • -24.49db
14% Popularity • 16% Danceability • 5% Energy • 18% Liveness
53% Instrumentalness • 6% Positiveness
14% Popularity • 16% Danceability • 5% Energy • 18% Liveness
53% Instrumentalness • 6% Positiveness
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Anonymous
Serenade (arr. for cello and guitar)
74 bpm • A# Maj • 03:02 • -19.58db
13% Popularity • 18% Danceability • 12% Energy • 14% Liveness
89% Instrumentalness • 17% Positiveness
13% Popularity • 18% Danceability • 12% Energy • 14% Liveness
89% Instrumentalness • 17% Positiveness
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Jules Massenet
Elégie (Arr. for Cello & Piano)
78 bpm • E min • 02:13 • -26.74db
11% Popularity • 13% Danceability • 2% Energy • 11% Liveness
90% Instrumentalness • 10% Positiveness
11% Popularity • 13% Danceability • 2% Energy • 11% Liveness
90% Instrumentalness • 10% Positiveness
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Mark Abel
The Palm Trees Are Restless: No. 2. Los ...
78 bpm • G Maj • 06:04 • -14.47db
0% Popularity • 42% Danceability • 16% Energy • 8% Liveness
0% Instrumentalness • 5% Positiveness
0% Popularity • 42% Danceability • 16% Energy • 8% Liveness
0% Instrumentalness • 5% Positiveness
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Isaac Albéniz
Berceuse for Piano
78 bpm • A Maj • 02:28 • -28.84db
10% Popularity • 44% Danceability • 2% Energy • 7% Liveness
85% Instrumentalness • 5% Positiveness
10% Popularity • 44% Danceability • 2% Energy • 7% Liveness
85% Instrumentalness • 5% Positiveness
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Astor Piazzolla
Cuatro Estaciones Porteñas: II. Inviern...
78 bpm • C min • 07:00 • -20.96db
32% Popularity • 32% Danceability • 14% Energy • 8% Liveness
84% Instrumentalness • 14% Positiveness
32% Popularity • 32% Danceability • 14% Energy • 8% Liveness
84% Instrumentalness • 14% Positiveness
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Joseph Moog
2 Pieces for Violin and Piano: No. 1, No...
74 bpm • F Maj • 02:42 • -21.45db
3% Popularity • 21% Danceability • 2% Energy • 6% Liveness
90% Instrumentalness • 6% Positiveness
3% Popularity • 21% Danceability • 2% Energy • 6% Liveness
90% Instrumentalness • 6% Positiveness
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Arturo Cardelús
I'm Sorry
78 bpm • B min • 03:45 • -20.86db
8% Popularity • 19% Danceability • 13% Energy • 9% Liveness
88% Instrumentalness • 8% Positiveness
8% Popularity • 19% Danceability • 13% Energy • 9% Liveness
88% Instrumentalness • 8% Positiveness
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最好的時光三重奏
深情相吻
74 bpm • F min • 02:52 • -15.44db
13% Popularity • 29% Danceability • 17% Energy • 12% Liveness
34% Instrumentalness • 19% Positiveness
13% Popularity • 29% Danceability • 17% Energy • 12% Liveness
34% Instrumentalness • 19% Positiveness
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Mark Abel
1966: II. First Love
78 bpm • A Maj • 03:07 • -18.29db
0% Popularity • 28% Danceability • 15% Energy • 7% Liveness
0% Instrumentalness • 4% Positiveness
0% Popularity • 28% Danceability • 15% Energy • 7% Liveness
0% Instrumentalness • 4% Positiveness
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Johannes Brahms
Sapphische Ode
74 bpm • D Maj • 01:55 • -20.2db
20% Popularity • 25% Danceability • 6% Energy • 10% Liveness
81% Instrumentalness • 7% Positiveness
20% Popularity • 25% Danceability • 6% Energy • 10% Liveness
81% Instrumentalness • 7% Positiveness
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John Rutter
弦楽のための組曲: 第2楽章: I ...
74 bpm • F Maj • 02:44 • -26.1db
11% Popularity • 26% Danceability • 8% Energy • 17% Liveness
49% Instrumentalness • 30% Positiveness
11% Popularity • 26% Danceability • 8% Energy • 17% Liveness
49% Instrumentalness • 30% Positiveness
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Carrie Baynes
A Sentimental Mood
79 bpm • D# Maj • 02:58 • -19.83db
16% Popularity • 22% Danceability • 12% Energy • 11% Liveness
82% Instrumentalness • 6% Positiveness
16% Popularity • 22% Danceability • 12% Energy • 11% Liveness
82% Instrumentalness • 6% Positiveness
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Gabriel Fauré
Papillon, Op. 77
73 bpm • F# min • 02:46 • -24.13db
8% Popularity • 24% Danceability • 11% Energy • 10% Liveness
83% Instrumentalness • 38% Positiveness
8% Popularity • 24% Danceability • 11% Energy • 10% Liveness
83% Instrumentalness • 38% Positiveness
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Christian-Pierre La Marca
No Time to Die - Arr. for Solo Cello by ...
79 bpm • E min • 03:57 • -21.98db
8% Popularity • 15% Danceability • 9% Energy • 16% Liveness
85% Instrumentalness • 4% Positiveness
8% Popularity • 15% Danceability • 9% Energy • 16% Liveness
85% Instrumentalness • 4% Positiveness
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Mark Abel
The Dream Gallery: 7 California Portrait...
79 bpm • F# Maj • 09:22 • -10.48db
0% Popularity • 23% Danceability • 34% Energy • 13% Liveness
0% Instrumentalness • 16% Positiveness
0% Popularity • 23% Danceability • 34% Energy • 13% Liveness
0% Instrumentalness • 16% Positiveness
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Morten Lauridsen
O magnum mysterium (Version for Violin a...
79 bpm • D Maj • 05:46 • -19.16db
8% Popularity • 15% Danceability • 4% Energy • 9% Liveness
6% Instrumentalness • 7% Positiveness
8% Popularity • 15% Danceability • 4% Energy • 9% Liveness
6% Instrumentalness • 7% Positiveness
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Eduardo Piedra González
Día de niebla
73 bpm • A# min • 03:18 • -23.72db
24% Popularity • 14% Danceability • 6% Energy • 18% Liveness
94% Instrumentalness • 31% Positiveness
24% Popularity • 14% Danceability • 6% Energy • 18% Liveness
94% Instrumentalness • 31% Positiveness
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Ennio Morricone
Leone Suite, for cello and piano: No. 4,...
79 bpm • D Maj • 02:46 • -16.24db
8% Popularity • 19% Danceability • 14% Energy • 8% Liveness
94% Instrumentalness • 10% Positiveness
8% Popularity • 19% Danceability • 14% Energy • 8% Liveness
94% Instrumentalness • 10% Positiveness
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Sergei Rachmaninoff
Six Moments musicaux Op. 16: No. 5, Adag...
73 bpm • C# Maj • 04:06 • -34.31db
23% Popularity • 27% Danceability • 0% Energy • 14% Liveness
90% Instrumentalness • 4% Positiveness
23% Popularity • 27% Danceability • 0% Energy • 14% Liveness
90% Instrumentalness • 4% Positiveness
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Komitas
Kuzhn aṙa (Arr. V. Sargsyan for Piano)
79 bpm • D Maj • 01:34 • -27.86db
17% Popularity • 51% Danceability • 3% Energy • 8% Liveness
70% Instrumentalness • 7% Positiveness
17% Popularity • 51% Danceability • 3% Energy • 8% Liveness
70% Instrumentalness • 7% Positiveness
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Mark Abel
In the Rear View Mirror, Now: No. 1, The...
73 bpm • F Maj • 06:36 • -11.68db
0% Popularity • 34% Danceability • 21% Energy • 11% Liveness
3% Instrumentalness • 4% Positiveness
0% Popularity • 34% Danceability • 21% Energy • 11% Liveness
3% Instrumentalness • 4% Positiveness
► Preview
Takashi Yoshimatsu
4 Little Dream Songs: Winter: Lullaby
73 bpm • E Maj • 01:59 • -21.19db
10% Popularity • 23% Danceability • 5% Energy • 25% Liveness
21% Instrumentalness • 25% Positiveness
10% Popularity • 23% Danceability • 5% Energy • 25% Liveness
21% Instrumentalness • 25% Positiveness
► Preview
Claudio Constantini
Summertime Variations: Var. 7
73 bpm • E min • 01:45 • -27.7db
19% Popularity • 41% Danceability • 4% Energy • 10% Liveness
90% Instrumentalness • 4% Positiveness
19% Popularity • 41% Danceability • 4% Energy • 10% Liveness
90% Instrumentalness • 4% Positiveness
► Preview
Johannes Brahms
Fünf Lieder, Op. 105: No. 2, Immer leis...
73 bpm • C# min • 03:21 • -27.18db
8% Popularity • 11% Danceability • 2% Energy • 9% Liveness
42% Instrumentalness • 4% Positiveness
8% Popularity • 11% Danceability • 2% Energy • 9% Liveness
42% Instrumentalness • 4% Positiveness
► Preview
Sergei Rachmaninoff
Cello Sonata in G Minor, Op. 19: III. An...
73 bpm • D# Maj • 05:38 • -27.03db
12% Popularity • 14% Danceability • 2% Energy • 8% Liveness
91% Instrumentalness • 4% Positiveness
12% Popularity • 14% Danceability • 2% Energy • 8% Liveness
91% Instrumentalness • 4% Positiveness
► Preview
Elena Kats-Chernin
Fleeting Encounters
73 bpm • G min • 04:15 • -25.66db
8% Popularity • 50% Danceability • 4% Energy • 11% Liveness
95% Instrumentalness • 15% Positiveness
8% Popularity • 50% Danceability • 4% Energy • 11% Liveness
95% Instrumentalness • 15% Positiveness
► Preview
Mark Abel
The Palm Trees Are Restless: No. 4. Shur...
73 bpm • A Maj • 05:26 • -15.95db
0% Popularity • 30% Danceability • 14% Energy • 7% Liveness
0% Instrumentalness • 4% Positiveness
0% Popularity • 30% Danceability • 14% Energy • 7% Liveness
0% Instrumentalness • 4% Positiveness
► Preview
Soma Trio
This Is My Father’s World
79 bpm • E Maj • 04:29 • -15.88db
9% Popularity • 30% Danceability • 20% Energy • 11% Liveness
27% Instrumentalness • 13% Positiveness
9% Popularity • 30% Danceability • 20% Energy • 11% Liveness
27% Instrumentalness • 13% Positiveness
► Preview
Edvard Grieg
Norwegian Peasant Dances, Op. 72: No. 14...
80 bpm • G Maj • 02:14 • -27.04db
8% Popularity • 34% Danceability • 6% Energy • 6% Liveness
90% Instrumentalness • 13% Positiveness
8% Popularity • 34% Danceability • 6% Energy • 6% Liveness
90% Instrumentalness • 13% Positiveness
► Preview
Alexander Scriabin
3 Pieces, Op. 2: No. 1, Etude
72 bpm • C# min • 02:29 • -32.26db
17% Popularity • 44% Danceability • 2% Energy • 9% Liveness
85% Instrumentalness • 11% Positiveness
17% Popularity • 44% Danceability • 2% Energy • 9% Liveness
85% Instrumentalness • 11% Positiveness
► Preview
Ernst von Dohnányi
Sextet for Piano, Clarinet, Horn and Str...
72 bpm • C Maj • 11:41 • -16.61db
11% Popularity • 13% Danceability • 14% Energy • 9% Liveness
79% Instrumentalness • 3% Positiveness
11% Popularity • 13% Danceability • 14% Energy • 9% Liveness
79% Instrumentalness • 3% Positiveness
► Preview
Antonio Vivaldi
The New Four Seasons - Winter: II. Cozy ...
80 bpm • A# Maj • 01:52 • -25.05db
16% Popularity • 11% Danceability • 8% Energy • 11% Liveness
0% Instrumentalness • 40% Positiveness
16% Popularity • 11% Danceability • 8% Energy • 11% Liveness
0% Instrumentalness • 40% Positiveness
► Preview
Mark Abel
Home Is a Harbor, Act II: Act II Scene 1...
79 bpm • D Maj • 13:16 • -12.1db
0% Popularity • 28% Danceability • 33% Energy • 8% Liveness
0% Instrumentalness • 10% Positiveness
0% Popularity • 28% Danceability • 33% Energy • 8% Liveness
0% Instrumentalness • 10% Positiveness
► Preview
João Marcondes
Movimento I - Sobre Lobos e Pássaros
80 bpm • C Maj • 03:04 • -24.9db
8% Popularity • 12% Danceability • 1% Energy • 13% Liveness
95% Instrumentalness • 24% Positiveness
8% Popularity • 12% Danceability • 1% Energy • 13% Liveness
95% Instrumentalness • 24% Positiveness
► Preview
Pieter Schuermans
Seven
80 bpm • A min • 04:03 • -13.59db
7% Popularity • 38% Danceability • 24% Energy • 13% Liveness
97% Instrumentalness • 26% Positiveness
7% Popularity • 38% Danceability • 24% Energy • 13% Liveness
97% Instrumentalness • 26% Positiveness
► Preview
Heino Eller
In Moonlight: In Moonlight
80 bpm • E Maj • 05:34 • -18.35db
22% Popularity • 19% Danceability • 14% Energy • 10% Liveness
1% Instrumentalness • 4% Positiveness
22% Popularity • 19% Danceability • 14% Energy • 10% Liveness
1% Instrumentalness • 4% Positiveness
► Preview
Anna Scheps
Una mattina
72 bpm • A min • 03:50 • -40.27db
9% Popularity • 24% Danceability • 0% Energy • 10% Liveness
96% Instrumentalness • 14% Positiveness
9% Popularity • 24% Danceability • 0% Energy • 10% Liveness
96% Instrumentalness • 14% Positiveness
► Preview
Selena Ivanova
Ethereal Keys
72 bpm • C min • 02:13 • -37.24db
12% Popularity • 48% Danceability • 1% Energy • 11% Liveness
93% Instrumentalness • 18% Positiveness
12% Popularity • 48% Danceability • 1% Energy • 11% Liveness
93% Instrumentalness • 18% Positiveness
► Preview
Mark Abel
The Dark-Eyed Chameleon: Full Sail
79 bpm • C# Maj • 03:34 • -10.97db
0% Popularity • 26% Danceability • 22% Energy • 8% Liveness
0% Instrumentalness • 12% Positiveness
0% Popularity • 26% Danceability • 22% Energy • 8% Liveness
0% Instrumentalness • 12% Positiveness
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Dmitri Shostakovich
String Quartet No. 15 in E-Flat Minor, O...
80 bpm • F# Maj • 11:14 • -35.3db
9% Popularity • 8% Danceability • 1% Energy • 10% Liveness
81% Instrumentalness • 4% Positiveness
9% Popularity • 8% Danceability • 1% Energy • 10% Liveness
81% Instrumentalness • 4% Positiveness
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Claronando baixinho
Hino 61 a Minha Alma Deseja Ver Te - Aco...
80 bpm • D# Maj • 01:18 • -21db
13% Popularity • 18% Danceability • 1% Energy • 11% Liveness
81% Instrumentalness • 44% Positiveness
13% Popularity • 18% Danceability • 1% Energy • 11% Liveness
81% Instrumentalness • 44% Positiveness
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Sergei Rachmaninoff
Variations on a Theme of Chopin, Op. 22:...
72 bpm • C# Maj • 01:27 • -39.77db
25% Popularity • 22% Danceability • 0% Energy • 7% Liveness
86% Instrumentalness • 32% Positiveness
25% Popularity • 22% Danceability • 0% Energy • 7% Liveness
86% Instrumentalness • 32% Positiveness
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Yoko Ara
Libertango
80 bpm • A min • 04:11 • -18.99db
2% Popularity • 35% Danceability • 25% Energy • 10% Liveness
87% Instrumentalness • 44% Positiveness
2% Popularity • 35% Danceability • 25% Energy • 10% Liveness
87% Instrumentalness • 44% Positiveness
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Alfredo D'Ambrosio
Rêve (Version for String Quintet)
72 bpm • D# Maj • 05:29 • -21.02db
9% Popularity • 13% Danceability • 12% Energy • 9% Liveness
48% Instrumentalness • 9% Positiveness
9% Popularity • 13% Danceability • 12% Energy • 9% Liveness
48% Instrumentalness • 9% Positiveness
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Mark Abel
Home Is a Harbor, Act II: Act II Scene 4...
79 bpm • G Maj • 10:34 • -13.3db
0% Popularity • 20% Danceability • 18% Energy • 11% Liveness
0% Instrumentalness • 4% Positiveness
0% Popularity • 20% Danceability • 18% Energy • 11% Liveness
0% Instrumentalness • 4% Positiveness
► Preview
Marguerite Canal
Sonata for violin and piano (1925): I. A...
72 bpm • B min • 05:06 • -18.2db
8% Popularity • 14% Danceability • 15% Energy • 10% Liveness
24% Instrumentalness • 9% Positiveness
8% Popularity • 14% Danceability • 15% Energy • 10% Liveness
24% Instrumentalness • 9% Positiveness
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Charlie Chaplin
Falling Star From "The Great Dictator" (...
81 bpm • F Maj • 03:33 • -19.56db
12% Popularity • 26% Danceability • 12% Energy • 10% Liveness
8% Instrumentalness • 10% Positiveness
12% Popularity • 26% Danceability • 12% Energy • 10% Liveness
8% Instrumentalness • 10% Positiveness
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Romanos Melikian
Vard (Arr. for Piano by Villy Sargsyan)
81 bpm • C# min • 02:37 • -24.96db
17% Popularity • 41% Danceability • 6% Energy • 11% Liveness
91% Instrumentalness • 7% Positiveness
17% Popularity • 41% Danceability • 6% Energy • 11% Liveness
91% Instrumentalness • 7% Positiveness
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Criticalx47
Rozhaki Bad
81 bpm • A Maj • 01:28 • -30.67db
16% Popularity • 22% Danceability • 4% Energy • 11% Liveness
95% Instrumentalness • 24% Positiveness
16% Popularity • 22% Danceability • 4% Energy • 11% Liveness
95% Instrumentalness • 24% Positiveness
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Johannes Brahms
Clarinet Sonata in F Minor, Op. 120 No. ...
71 bpm • G# Maj • 05:02 • -28.34db
14% Popularity • 21% Danceability • 1% Energy • 12% Liveness
92% Instrumentalness • 8% Positiveness
14% Popularity • 21% Danceability • 1% Energy • 12% Liveness
92% Instrumentalness • 8% Positiveness
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Mark Abel
The Dream Gallery: 7 California Portrait...
73 bpm • F Maj • 10:18 • -12.3db
0% Popularity • 21% Danceability • 29% Energy • 12% Liveness
3% Instrumentalness • 9% Positiveness
0% Popularity • 21% Danceability • 29% Energy • 12% Liveness
3% Instrumentalness • 9% Positiveness
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Carrie Baynes
Nightingales Sing In Berkeley Square
81 bpm • C# Maj • 03:02 • -20.14db
17% Popularity • 16% Danceability • 12% Energy • 13% Liveness
43% Instrumentalness • 16% Positiveness
17% Popularity • 16% Danceability • 12% Energy • 13% Liveness
43% Instrumentalness • 16% Positiveness
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Felix Mendelssohn
6 Gesänge, Op. 34: No. 2, Auf Flügeln ...
81 bpm • G# Maj • 03:00 • -22.87db
18% Popularity • 23% Danceability • 6% Energy • 12% Liveness
72% Instrumentalness • 9% Positiveness
18% Popularity • 23% Danceability • 6% Energy • 12% Liveness
72% Instrumentalness • 9% Positiveness
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Max Bruch
Kol Nidrei, Op. 47
81 bpm • D Maj • 10:18 • -25.36db
9% Popularity • 18% Danceability • 4% Energy • 8% Liveness
82% Instrumentalness • 4% Positiveness
9% Popularity • 18% Danceability • 4% Energy • 8% Liveness
82% Instrumentalness • 4% Positiveness
► Preview
Ennio Morricone
Tornatore Suite: I. Playing love (The le...
82 bpm • D Maj • 02:04 • -19.46db
11% Popularity • 18% Danceability • 12% Energy • 10% Liveness
92% Instrumentalness • 5% Positiveness
11% Popularity • 18% Danceability • 12% Energy • 10% Liveness
92% Instrumentalness • 5% Positiveness
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Traditional
Deep River (Arr. J. Lenehan for Clarinet...
82 bpm • F Maj • 02:15 • -34.95db
8% Popularity • 12% Danceability • 0% Energy • 9% Liveness
97% Instrumentalness • 11% Positiveness
8% Popularity • 12% Danceability • 0% Energy • 9% Liveness
97% Instrumentalness • 11% Positiveness
► Preview
Mark Abel
Home Is a Harbor, Act I: Act I Scene 2: ...
80 bpm • G Maj • 10:59 • -10.9db
0% Popularity • 25% Danceability • 33% Energy • 9% Liveness
0% Instrumentalness • 7% Positiveness
0% Popularity • 25% Danceability • 33% Energy • 9% Liveness
0% Instrumentalness • 7% Positiveness
► Preview
Francis Poulenc
Hommage à Edith Piaf, FP 176 (Arr. Hagi...
71 bpm • C min • 03:36 • -22.22db
9% Popularity • 24% Danceability • 6% Energy • 15% Liveness
88% Instrumentalness • 9% Positiveness
9% Popularity • 24% Danceability • 6% Energy • 15% Liveness
88% Instrumentalness • 9% Positiveness
► Preview
Matthew Coleridge
And There Was Light
82 bpm • C Maj • 03:10 • -31.41db
13% Popularity • 8% Danceability • 2% Energy • 12% Liveness
88% Instrumentalness • 4% Positiveness
13% Popularity • 8% Danceability • 2% Energy • 12% Liveness
88% Instrumentalness • 4% Positiveness
► Preview
Robert Schumann
Märchenbilder, Op. 113: IV. Langsam
82 bpm • D Maj • 05:04 • -32.77db
11% Popularity • 8% Danceability • 1% Energy • 10% Liveness
91% Instrumentalness • 7% Positiveness
11% Popularity • 8% Danceability • 1% Energy • 10% Liveness
91% Instrumentalness • 7% Positiveness
► Preview
David Teie
Third Movement
82 bpm • E min • 05:53 • -17db
13% Popularity • 38% Danceability • 27% Energy • 15% Liveness
54% Instrumentalness • 11% Positiveness
13% Popularity • 38% Danceability • 27% Energy • 15% Liveness
54% Instrumentalness • 11% Positiveness
