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Four Saints in Three Acts: Act I: Tableau I "A Gar...
Songs like
Four Saints in Three Acts: Act I: Tableau I "A Garden at Avila"
by
Virgil Thomson
Based on a tempo of (+/- 10%) and a similar genre
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Virgil Thomson
Four Saints in Three Acts: Act I: Tablea...
115 bpm • D# Maj • 05:58 • -21.53db
0% Popularity • 42% Danceability • 18% Energy • 66% Liveness
0% Instrumentalness • 19% Positiveness
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Craig Hella Johnson
Considering Matthew Shepard, Passion: No...
114 bpm • E min • 04:12 • -23db
12% Popularity • 25% Danceability • 7% Energy • 10% Liveness
90% Instrumentalness • 6% Positiveness
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Charles-Marie Widor
Symphony No. 5, Op. 42, No. 1: V. Toccat...
115 bpm • F Maj • 05:39 • -18db
10% Popularity • 19% Danceability • 29% Energy • 10% Liveness
96% Instrumentalness • 19% Positiveness
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LeoRoads
Serenade of the Celestials
117 bpm • E Maj • 02:17 • -17.26db
8% Popularity • 25% Danceability • 14% Energy • 12% Liveness
88% Instrumentalness • 7% Positiveness
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John Ireland
Communion Service in C Major: Kyrie
113 bpm • C Maj • 01:04 • -32db
36% Popularity • 17% Danceability • 3% Energy • 10% Liveness
0% Instrumentalness • 8% Positiveness
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Hubert Parry
Jerusalem (Arr. for Cello & Piano)
112 bpm • B min • 02:21 • -22.98db
9% Popularity • 23% Danceability • 8% Energy • 8% Liveness
90% Instrumentalness • 18% Positiveness
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Virgil Thomson
Four Saints in Three Acts: Act I: Tablea...
113 bpm • G Maj • 03:17 • -20db
0% Popularity • 38% Danceability • 15% Energy • 19% Liveness
0% Instrumentalness • 12% Positiveness
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Dale Warland Singers
Wayfarin' Stranger
111 bpm • C Maj • 04:06 • -27db
9% Popularity • 23% Danceability • 2% Energy • 11% Liveness
14% Instrumentalness • 6% Positiveness
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Percy Fletcher
Festival Toccata
111 bpm • C Maj • 06:34 • -22db
15% Popularity • 17% Danceability • 9% Energy • 10% Liveness
78% Instrumentalness • 4% Positiveness
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Giovanni Battista Pergolesi
God of Mercy and Compassion
111 bpm • F min • 03:26 • -18.86db
41% Popularity • 24% Danceability • 13% Energy • 14% Liveness
10% Instrumentalness • 11% Positiveness
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John Ireland
Sea Fever
112 bpm • E min • 02:29 • -23.27db
20% Popularity • 46% Danceability • 6% Energy • 9% Liveness
0% Instrumentalness • 10% Positiveness
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Yuri Alexandrovich Falik
Stranger
111 bpm • A min • 01:53 • -24.38db
15% Popularity • 31% Danceability • 6% Energy • 16% Liveness
0% Instrumentalness • 10% Positiveness
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Virgil Thomson
8 Portraits for Violin Alone: No. 5. Cli...
117 bpm • F Maj • 02:24 • -26.75db
0% Popularity • 39% Danceability • 1% Energy • 9% Liveness
1% Instrumentalness • 38% Positiveness
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Charles-Marie Widor
Widor: Toccata
119 bpm • F Maj • 05:36 • -21db
19% Popularity • 22% Danceability • 22% Energy • 10% Liveness
95% Instrumentalness • 10% Positiveness
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Southwestern Seminary Oratorio Chorus
Awake The Harp
110 bpm • D Maj • 02:10 • -16.07db
17% Popularity • 47% Danceability • 38% Energy • 28% Liveness
66% Instrumentalness • 70% Positiveness
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Smooth Moment
Maria jumping mountains
120 bpm • C Maj • 03:26 • -19.47db
11% Popularity • 20% Danceability • 18% Energy • 17% Liveness
88% Instrumentalness • 8% Positiveness
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Gioachino Rossini
Petite messe solennelle: Kyrie I
110 bpm • C Maj • 02:48 • -21db
8% Popularity • 24% Danceability • 14% Energy • 13% Liveness
92% Instrumentalness • 7% Positiveness
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Craig Hella Johnson
Considering Matthew Shepard, Prologue: N...
121 bpm • C Maj • 07:13 • -21.18db
17% Popularity • 27% Danceability • 6% Energy • 8% Liveness
68% Instrumentalness • 4% Positiveness
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Virgil Thomson
Sonata da Chiesa: I. Chorale
111 bpm • D Maj • 06:13 • -19.95db
0% Popularity • 27% Danceability • 3% Energy • 5% Liveness
82% Instrumentalness • 4% Positiveness
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Samuel Dushkin
3 Portraits (arr. S. Dushkin): No. 3. In...
110 bpm • F min • 02:05 • -25.86db
1% Popularity • 39% Danceability • 4% Energy • 34% Liveness
25% Instrumentalness • 18% Positiveness
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Antonio Vivaldi
Gloria: Cum Sancto Spiritu
121 bpm • C# Maj • 02:47 • -15.06db
28% Popularity • 33% Danceability • 26% Energy • 6% Liveness
53% Instrumentalness • 28% Positiveness
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John Farmer
Fair Phyllis I saw sitting all alone - 1...
121 bpm • F Maj • 01:18 • -25.11db
12% Popularity • 53% Danceability • 10% Energy • 11% Liveness
0% Instrumentalness • 54% Positiveness
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Antonio Lotti
Miserere
109 bpm • G# min • 01:30 • -19db
37% Popularity • 18% Danceability • 17% Energy • 11% Liveness
34% Instrumentalness • 4% Positiveness
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John Alexander
Earth Song
122 bpm • F Maj • 03:49 • -24.63db
31% Popularity • 20% Danceability • 11% Energy • 12% Liveness
65% Instrumentalness • 3% Positiveness
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Virgil Thomson
Louisiana Story - Suite: Choral : The de...
120 bpm • C Maj • 02:58 • -19.62db
0% Popularity • 29% Danceability • 5% Energy • 10% Liveness
77% Instrumentalness • 11% Positiveness
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Nathan Jones
I Would Live in Your Love
121 bpm • A# Maj • 04:55 • -31db
25% Popularity • 17% Danceability • 2% Energy • 11% Liveness
6% Instrumentalness • 3% Positiveness
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Huddersfield Choral Society
Eternal Father, Strong to Save
108 bpm • G Maj • 02:45 • -23.57db
22% Popularity • 16% Danceability • 13% Energy • 13% Liveness
46% Instrumentalness • 18% Positiveness
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Johann Sebastian Bach
Magnificat in D Major, BWV 243: I. Magni...
108 bpm • C# Maj • 02:37 • -20.93db
14% Popularity • 53% Danceability • 31% Energy • 20% Liveness
88% Instrumentalness • 61% Positiveness
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William Billings
I am the Rose of Sharon
108 bpm • C# min • 04:04 • -21.76db
7% Popularity • 35% Danceability • 13% Energy • 55% Liveness
0% Instrumentalness • 27% Positiveness
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Théodore Dubois
Adoramus te, Christe
108 bpm • C Maj • 01:40 • -30db
28% Popularity • 19% Danceability • 1% Energy • 6% Liveness
85% Instrumentalness • 4% Positiveness
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Virgil Thomson
Four Saints in Three Acts: Act I: Tablea...
120 bpm • D# Maj • 01:59 • -20.64db
0% Popularity • 45% Danceability • 11% Energy • 18% Liveness
0% Instrumentalness • 23% Positiveness
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Daniel Elder
The Heart's Reflection
123 bpm • D Maj • 05:15 • -24.07db
16% Popularity • 18% Danceability • 7% Energy • 11% Liveness
86% Instrumentalness • 3% Positiveness
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Chant Mode III
Pange Lingua Gloriosi: Chant Mode III
123 bpm • C min • 04:33 • -25db
33% Popularity • 31% Danceability • 4% Energy • 7% Liveness
0% Instrumentalness • 8% Positiveness
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Robert Lucas Pearsall
Sing we and chaunt it
107 bpm • C# min • 01:56 • -25db
33% Popularity • 26% Danceability • 19% Energy • 12% Liveness
18% Instrumentalness • 22% Positiveness
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George Lloyd
A Litany for soprano, baritone, chorus &...
107 bpm • G# Maj • 06:03 • -28.28db
9% Popularity • 16% Danceability • 6% Energy • 13% Liveness
10% Instrumentalness • 4% Positiveness
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Dale Warland Singers
Mass - Frank Martin: III. Credo
106 bpm • A min • 05:45 • -29db
8% Popularity • 17% Danceability • 5% Energy • 30% Liveness
21% Instrumentalness • 4% Positiveness
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Virgil Thomson
Four Saints in Three Acts: Act I: Tablea...
121 bpm • F Maj • 02:44 • -20.45db
0% Popularity • 38% Danceability • 24% Energy • 39% Liveness
0% Instrumentalness • 12% Positiveness
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William Croft
Burial Sentences: VI. Thou Knowest, Lord
124 bpm • A# Maj • 02:14 • -26db
15% Popularity • 21% Danceability • 6% Energy • 12% Liveness
92% Instrumentalness • 4% Positiveness
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The Choir Of Waltham Abbey
Brahms: How Lovely are Thy Dwellings
125 bpm • D# Maj • 05:19 • -24db
9% Popularity • 21% Danceability • 9% Energy • 10% Liveness
97% Instrumentalness • 4% Positiveness
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Charles Harris
O Valiant Hearts
106 bpm • D# Maj • 03:21 • -24.06db
11% Popularity • 20% Danceability • 14% Energy • 14% Liveness
2% Instrumentalness • 10% Positiveness
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Bertalan Hock
Organ Symphony No. 5 in F minor, Op. 42,...
106 bpm • F Maj • 06:10 • -16db
13% Popularity • 21% Danceability • 24% Energy • 18% Liveness
96% Instrumentalness • 6% Positiveness
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Nordic Chamber Choir - Nicol Matt
La Rose Complete
125 bpm • C# Maj • 04:10 • -33.25db
13% Popularity • 17% Danceability • 2% Energy • 10% Liveness
0% Instrumentalness • 4% Positiveness
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Virgil Thomson
5 Ladies: II. Anne Miracle
107 bpm • D min • 01:12 • -28.58db
2% Popularity • 36% Danceability • 2% Energy • 20% Liveness
45% Instrumentalness • 40% Positiveness
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Alfred Schnittke
Three Sacred Hymns: II. Herr Jesus, Sohn...
125 bpm • C min • 01:34 • -17.89db
11% Popularity • 20% Danceability • 18% Energy • 7% Liveness
15% Instrumentalness • 3% Positiveness
► Preview
Thomas Morley
April is in my mistress' face
105 bpm • G min • 01:13 • -19.98db
19% Popularity • 31% Danceability • 16% Energy • 10% Liveness
0% Instrumentalness • 7% Positiveness
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Thomas Tallis
If Ye Love Me
127 bpm • F Maj • 02:41 • -17.35db
26% Popularity • 17% Danceability • 13% Energy • 37% Liveness
0% Instrumentalness • 8% Positiveness
► Preview
Ugis Praulins
Missa rigensis (2002): Kyrie eleison
127 bpm • G min • 03:28 • -22db
8% Popularity • 17% Danceability • 5% Energy • 31% Liveness
16% Instrumentalness • 4% Positiveness
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Herbert Howells
Requiem: Requiem aeternam I
126 bpm • E min • 03:47 • -35db
21% Popularity • 17% Danceability • 1% Energy • 10% Liveness
88% Instrumentalness • 3% Positiveness
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Virgil Thomson
5 Ladies: I. Cynthia Kemper, A Fanfare
107 bpm • D Maj • 01:01 • -21.99db
2% Popularity • 26% Danceability • 6% Energy • 6% Liveness
5% Instrumentalness • 26% Positiveness
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Karl Jenkins
The Armed Man (Ensemble Version): XIII. ...
127 bpm • G Maj • 09:26 • -19.29db
11% Popularity • 35% Danceability • 21% Energy • 14% Liveness
0% Instrumentalness • 12% Positiveness
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Thomas Dorsey
Precious Lord (Arr. for Choir by Arnold ...
104 bpm • A# Maj • 03:31 • -20.61db
26% Popularity • 17% Danceability • 10% Energy • 17% Liveness
6% Instrumentalness • 4% Positiveness
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Harry Hagan OSB
Pange Lingua Gloriosi, Sing of Glory
127 bpm • C Maj • 02:53 • -25.68db
42% Popularity • 22% Danceability • 7% Energy • 14% Liveness
0% Instrumentalness • 6% Positiveness
► Preview
Giacomo Carissimi
Jephte: Plorate, filii Israel
127 bpm • F# Maj • 05:00 • -24db
26% Popularity • 21% Danceability • 8% Energy • 10% Liveness
87% Instrumentalness • 4% Positiveness
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Joseph Haydn
Te Deum, Hob. XXIIIc:2
104 bpm • C Maj • 08:21 • -19.64db
18% Popularity • 35% Danceability • 23% Energy • 9% Liveness
1% Instrumentalness • 14% Positiveness
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Virgil Thomson
Four Saints in Three Acts: Act II: Game
106 bpm • A# Maj • 01:06 • -23.3db
0% Popularity • 50% Danceability • 21% Energy • 17% Liveness
0% Instrumentalness • 55% Positiveness
► Preview
Samuel Dushkin
3 Portraits (arr. S. Dushkin): No. 1. Ba...
126 bpm • D# Maj • 01:47 • -24.27db
1% Popularity • 53% Danceability • 2% Energy • 6% Liveness
0% Instrumentalness • 12% Positiveness
► Preview
Johannes Brahms
The St. Anthony Chorale
127 bpm • A# Maj • 01:17 • -29.22db
20% Popularity • 21% Danceability • 1% Energy • 11% Liveness
97% Instrumentalness • 30% Positiveness
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Jonathan Dove
The Passing of the Year: No. 5. Ah, Sun-...
104 bpm • F# Maj • 02:13 • -24db
21% Popularity • 16% Danceability • 6% Energy • 8% Liveness
63% Instrumentalness • 4% Positiveness
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Anton Bruckner
Os justi, WAB 30
127 bpm • C Maj • 04:41 • -27.01db
14% Popularity • 17% Danceability • 4% Energy • 7% Liveness
0% Instrumentalness • 3% Positiveness
► Preview
Portland State Chamber Choir
The Heaven's Flock
127 bpm • D# Maj • 04:28 • -20.71db
13% Popularity • 19% Danceability • 18% Energy • 20% Liveness
98% Instrumentalness • 4% Positiveness
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Virgil Thomson
Autumn (Concertina For Harp, Strings & P...
125 bpm • C Maj • 01:55 • -17.19db
1% Popularity • 53% Danceability • 32% Energy • 24% Liveness
6% Instrumentalness • 61% Positiveness
► Preview
Nikolay Kedrov
Otche Nash (Our Father)
127 bpm • C Maj • 03:04 • -37db
14% Popularity • 17% Danceability • 3% Energy • 8% Liveness
35% Instrumentalness • 4% Positiveness
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James Whitbourn
Eternal Rest
127 bpm • G Maj • 03:47 • -23db
25% Popularity • 18% Danceability • 13% Energy • 11% Liveness
96% Instrumentalness • 3% Positiveness
► Preview
John Bennet
Weep, O mine eyes
127 bpm • G# min • 02:44 • -25.16db
22% Popularity • 17% Danceability • 4% Energy • 10% Liveness
2% Instrumentalness • 4% Positiveness
► Preview
Anton Bruckner
Kronstorfer Messe in D Minor, WAB 146: I...
127 bpm • F Maj • 01:35 • -29.29db
33% Popularity • 17% Danceability • 2% Energy • 10% Liveness
22% Instrumentalness • 4% Positiveness
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USSR Ministry of Culture Chamber Choir
Lord, have mercy
127 bpm • B Maj • 03:02 • -23db
15% Popularity • 17% Danceability • 9% Energy • 30% Liveness
60% Instrumentalness • 3% Positiveness
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Virgil Thomson
Hymns from the Old South: My Shepherd Wi...
125 bpm • B min • 03:50 • -28.93db
0% Popularity • 17% Danceability • 3% Energy • 7% Liveness
67% Instrumentalness • 5% Positiveness
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Johann Sebastian Bach
St. Matthew Passion, BWV 244 / Part Two:...
104 bpm • C# Maj • 01:24 • -33.67db
27% Popularity • 22% Danceability • 2% Energy • 10% Liveness
0% Instrumentalness • 4% Positiveness
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William Billings
Easter Anthem "The Lord is ris'n indeed"
103 bpm • A Maj • 03:19 • -21.02db
9% Popularity • 37% Danceability • 12% Energy • 25% Liveness
0% Instrumentalness • 56% Positiveness
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Valentin Silvestrov
Liturgical Chants: 4 Spiritual Songs: Al...
128 bpm • G Maj • 02:47 • -34.73db
18% Popularity • 17% Danceability • 1% Energy • 12% Liveness
84% Instrumentalness • 4% Positiveness
► Preview
OCP Session Choir
Asperges Me - Chant Mass
103 bpm • D Maj • 01:48 • -23.76db
39% Popularity • 20% Danceability • 12% Energy • 22% Liveness
22% Instrumentalness • 4% Positiveness
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John Tavener
Mother of God, Here I Stand
129 bpm • G Maj • 03:15 • -33.14db
9% Popularity • 17% Danceability • 3% Energy • 9% Liveness
1% Instrumentalness • 4% Positiveness
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Virgil Thomson
Louisiana Story - Acadian Songs & Dances...
126 bpm • C Maj • 01:33 • -20.31db
1% Popularity • 46% Danceability • 7% Energy • 10% Liveness
63% Instrumentalness • 54% Positiveness
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Pavel Chesnokov
Salvation Is Created, Op. 25 No. 5
129 bpm • D Maj • 04:17 • -29.94db
33% Popularity • 16% Danceability • 2% Energy • 7% Liveness
51% Instrumentalness • 3% Positiveness
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Thomas Morley
A lieta vita (Sing and we chant it)
103 bpm • F# Maj • 01:31 • -22db
23% Popularity • 48% Danceability • 12% Energy • 34% Liveness
0% Instrumentalness • 46% Positiveness
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Benedictines of Mary, Queen of Apostles
Let All Mortal Flesh Keep Silence
129 bpm • D min • 02:58 • -20.56db
32% Popularity • 26% Danceability • 9% Energy • 12% Liveness
44% Instrumentalness • 9% Positiveness
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Susan LaBarr
Grace Before Sleep
129 bpm • C# Maj • 03:45 • -23db
21% Popularity • 20% Danceability • 12% Energy • 13% Liveness
85% Instrumentalness • 4% Positiveness
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Joshua Shank
David's Lamentation
129 bpm • E Maj • 04:12 • -22.04db
12% Popularity • 16% Danceability • 5% Energy • 9% Liveness
50% Instrumentalness • 3% Positiveness
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Virgil Thomson
Three Antiphonal Psalms: Psalm 123
127 bpm • G min • 01:16 • -32db
6% Popularity • 26% Danceability • 1% Energy • 10% Liveness
2% Instrumentalness • 6% Positiveness
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Robert Lucas Pearsall
Lay a garland on her hearse
129 bpm • C min • 03:01 • -25db
21% Popularity • 17% Danceability • 10% Energy • 10% Liveness
3% Instrumentalness • 4% Positiveness
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Eleanor Daley
The Lake Isle of Innisfree
102 bpm • C# Maj • 04:00 • -28db
8% Popularity • 21% Danceability • 8% Energy • 73% Liveness
0% Instrumentalness • 11% Positiveness
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LeoRoads
Harmony of Angels
130 bpm • E min • 02:19 • -16.85db
8% Popularity • 48% Danceability • 18% Energy • 14% Liveness
95% Instrumentalness • 4% Positiveness
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Negrasálmur
Go down Moses
102 bpm • B min • 01:52 • -20.1db
13% Popularity • 26% Danceability • 12% Energy • 9% Liveness
91% Instrumentalness • 22% Positiveness
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Herbert Howells
Requiem: Salvator Mundi
130 bpm • G Maj • 02:19 • -30.35db
23% Popularity • 17% Danceability • 2% Energy • 10% Liveness
86% Instrumentalness • 4% Positiveness
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Virgil Thomson
String Quartet No. 1: I. Allegro Moderat...
103 bpm • E min • 03:50 • -20.87db
0% Popularity • 25% Danceability • 8% Energy • 8% Liveness
75% Instrumentalness • 8% Positiveness
► Preview
Phoenix Chamber Choir
Ballade to the Moon
130 bpm • E Maj • 05:25 • -30.67db
16% Popularity • 22% Danceability • 2% Energy • 5% Liveness
15% Instrumentalness • 6% Positiveness
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Johann Sebastian Bach
Now Thank We All Our God, BWV 657
131 bpm • C Maj • 03:39 • -13.42db
8% Popularity • 16% Danceability • 25% Energy • 13% Liveness
90% Instrumentalness • 22% Positiveness
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Montgomery Highschool Choir
Ta Na Solbici
101 bpm • G# Maj • 02:34 • -21.83db
13% Popularity • 28% Danceability • 34% Energy • 45% Liveness
0% Instrumentalness • 27% Positiveness
► Preview
Erich Kunzel
Morning Hymn
131 bpm • B min • 00:56 • -37.4db
24% Popularity • 16% Danceability • 1% Energy • 12% Liveness
94% Instrumentalness • 6% Positiveness
► Preview
Stacey V. Gibbs
Hold On!
131 bpm • F# min • 03:37 • -13.51db
10% Popularity • 20% Danceability • 47% Energy • 9% Liveness
0% Instrumentalness • 22% Positiveness
► Preview
Virgil Thomson
The Plow That Broke The Plains - Suite: ...
128 bpm • D# Maj • 02:26 • -20.82db
0% Popularity • 41% Danceability • 7% Energy • 10% Liveness
12% Instrumentalness • 11% Positiveness
► Preview
Heidi en BerlÃn
Premium Sunsets.
131 bpm • D Maj • 03:55 • -19.4db
7% Popularity • 24% Danceability • 8% Energy • 9% Liveness
74% Instrumentalness • 6% Positiveness
► Preview
Isaac Albéniz
Salmo VI del Oficio de difuntos
132 bpm • F min • 05:29 • -25db
9% Popularity • 16% Danceability • 8% Energy • 10% Liveness
1% Instrumentalness • 3% Positiveness
► Preview
Benjamin Britten
Advance Democracy
132 bpm • D# Maj • 03:25 • -23.39db
10% Popularity • 29% Danceability • 4% Energy • 11% Liveness
0% Instrumentalness • 9% Positiveness
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Thomas Weelkes
Hosanna to the Son of David
132 bpm • A# min • 02:00 • -24.11db
17% Popularity • 19% Danceability • 15% Energy • 6% Liveness
7% Instrumentalness • 14% Positiveness
► Preview
Jean Berger
The Eyes of All Wait Upon Thee
132 bpm • E min • 02:36 • -22db
24% Popularity • 20% Danceability • 13% Energy • 12% Liveness
0% Instrumentalness • 5% Positiveness
► Preview
Virgil Thomson
8 Portraits for Violin Alone: No. 3. Geo...
103 bpm • C Maj • 01:27 • -26.53db
0% Popularity • 39% Danceability • 1% Energy • 7% Liveness
0% Instrumentalness • 9% Positiveness
► Preview
Octarium
Fa Una Canzona
132 bpm • A# Maj • 01:12 • -25.85db
10% Popularity • 29% Danceability • 7% Energy • 21% Liveness
0% Instrumentalness • 27% Positiveness
► Preview
Jason Max Ferdinand Singers
A Prayer
133 bpm • G Maj • 05:15 • -22.88db
19% Popularity • 17% Danceability • 14% Energy • 11% Liveness
71% Instrumentalness • 4% Positiveness
► Preview
Aaron Copland
Simple Gifts
133 bpm • G# Maj • 01:32 • -18.08db
19% Popularity • 21% Danceability • 14% Energy • 22% Liveness
75% Instrumentalness • 16% Positiveness
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Four Saints in Three Acts: Act I: Tableau I "A Gar...