Songs like Four Saints in Three Acts: Act I: Tableau VI "St. Teresa II in Ecstasy" by Virgil Thomson
Based on a tempo of (+/- 10%) and a similar genre
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Valentin Silvestrov
Liturgical Chants: Ave Maria
82 bpm • B min • 03:20 • -36db
34% Popularity • 10% Danceability • 1% Energy • 10% Liveness
92% Instrumentalness • 3% Positiveness
34% Popularity • 10% Danceability • 1% Energy • 10% Liveness
92% Instrumentalness • 3% Positiveness
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Dmitry Bortniansky
Cherubic Hymn No. 7
82 bpm • D Maj • 05:30 • -31db
16% Popularity • 12% Danceability • 3% Energy • 11% Liveness
70% Instrumentalness • 4% Positiveness
16% Popularity • 12% Danceability • 3% Energy • 11% Liveness
70% Instrumentalness • 4% Positiveness
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Virgil Thomson
Death of General Washington
82 bpm • E min • 02:51 • -17.44db
0% Popularity • 28% Danceability • 17% Energy • 9% Liveness
91% Instrumentalness • 27% Positiveness
0% Popularity • 28% Danceability • 17% Energy • 9% Liveness
91% Instrumentalness • 27% Positiveness
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Daniel Elder
Twinkle, Twinkle, Little Star
82 bpm • D Maj • 03:16 • -29db
13% Popularity • 17% Danceability • 4% Energy • 8% Liveness
87% Instrumentalness • 4% Positiveness
13% Popularity • 17% Danceability • 4% Energy • 8% Liveness
87% Instrumentalness • 4% Positiveness
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Robert Schumann
Romanzen und Balladen, Book 2, Op. 75: N...
82 bpm • G min • 03:22 • -35.35db
13% Popularity • 19% Danceability • 2% Energy • 7% Liveness
88% Instrumentalness • 3% Positiveness
13% Popularity • 19% Danceability • 2% Energy • 7% Liveness
88% Instrumentalness • 3% Positiveness
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Rafael Krux
Royal Hunting French Horns Fanfare
82 bpm • G Maj • 01:43 • -15.86db
9% Popularity • 25% Danceability • 19% Energy • 5% Liveness
98% Instrumentalness • 18% Positiveness
9% Popularity • 25% Danceability • 19% Energy • 5% Liveness
98% Instrumentalness • 18% Positiveness
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Girl Choristers
アヴェマリア(エルガー) 作品2...
82 bpm • A# Maj • 02:41 • -29db
9% Popularity • 22% Danceability • 5% Energy • 12% Liveness
89% Instrumentalness • 4% Positiveness
9% Popularity • 22% Danceability • 5% Energy • 12% Liveness
89% Instrumentalness • 4% Positiveness
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KNOXVILLETRACKZ
HFTEPB
82 bpm • D min • 01:04 • -43.12db
13% Popularity • 21% Danceability • 0% Energy • 11% Liveness
96% Instrumentalness • 16% Positiveness
13% Popularity • 21% Danceability • 0% Energy • 11% Liveness
96% Instrumentalness • 16% Positiveness
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Virgil Thomson
Four Saints in Three Acts: Act I: Tablea...
82 bpm • A# Maj • 03:09 • -23.3db
0% Popularity • 33% Danceability • 14% Energy • 15% Liveness
0% Instrumentalness • 4% Positiveness
0% Popularity • 33% Danceability • 14% Energy • 15% Liveness
0% Instrumentalness • 4% Positiveness
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The Graduate Choir, nz
Ain't That Good News!
82 bpm • F# Maj • 02:04 • -18.76db
18% Popularity • 27% Danceability • 18% Energy • 12% Liveness
36% Instrumentalness • 13% Positiveness
18% Popularity • 27% Danceability • 18% Energy • 12% Liveness
36% Instrumentalness • 13% Positiveness
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Valentin Silvestrov
Alleluia: I. Evening
82 bpm • C Maj • 02:18 • -35db
34% Popularity • 13% Danceability • 1% Energy • 14% Liveness
78% Instrumentalness • 3% Positiveness
34% Popularity • 13% Danceability • 1% Energy • 14% Liveness
78% Instrumentalness • 3% Positiveness
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Pyotr Ilyich Tchaikovsky
Kheruvimskaya pesnya (Cherubic Hymn)
82 bpm • E min • 04:58 • -27.07db
18% Popularity • 8% Danceability • 2% Energy • 6% Liveness
1% Instrumentalness • 3% Positiveness
18% Popularity • 8% Danceability • 2% Energy • 6% Liveness
1% Instrumentalness • 3% Positiveness
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Eliza Gilkyson
Requiem (Arr. Johnson)
83 bpm • A# Maj • 04:11 • -30.04db
25% Popularity • 12% Danceability • 1% Energy • 10% Liveness
66% Instrumentalness • 6% Positiveness
25% Popularity • 12% Danceability • 1% Energy • 10% Liveness
66% Instrumentalness • 6% Positiveness
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Cyrillus Kreek
Bless the Lord, My Soul
83 bpm • G Maj • 02:25 • -28.38db
22% Popularity • 15% Danceability • 3% Energy • 18% Liveness
13% Instrumentalness • 3% Positiveness
22% Popularity • 15% Danceability • 3% Energy • 18% Liveness
13% Instrumentalness • 3% Positiveness
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Nordic Chamber Choir - Nicol Matt
Contre Qui, Rose
81 bpm • A# min • 04:10 • -35db
17% Popularity • 8% Danceability • 1% Energy • 11% Liveness
0% Instrumentalness • 3% Positiveness
17% Popularity • 8% Danceability • 1% Energy • 11% Liveness
0% Instrumentalness • 3% Positiveness
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Georgy Sviridov
Pesnopeniya i molitvi (Canticles and Pra...
81 bpm • F# min • 01:08 • -31.52db
32% Popularity • 16% Danceability • 3% Energy • 9% Liveness
96% Instrumentalness • 3% Positiveness
32% Popularity • 16% Danceability • 3% Energy • 9% Liveness
96% Instrumentalness • 3% Positiveness
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Valentin Silvestrov
The Lord's Prayer
83 bpm • C Maj • 05:40 • -29.82db
24% Popularity • 16% Danceability • 4% Energy • 19% Liveness
90% Instrumentalness • 3% Positiveness
24% Popularity • 16% Danceability • 4% Energy • 19% Liveness
90% Instrumentalness • 3% Positiveness
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Sergei Rachmaninoff
Liturgy of St. John Chrysostom for Choru...
83 bpm • D# Maj • 02:58 • -35.07db
27% Popularity • 16% Danceability • 2% Energy • 10% Liveness
91% Instrumentalness • 4% Positiveness
27% Popularity • 16% Danceability • 2% Energy • 10% Liveness
91% Instrumentalness • 4% Positiveness
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Johann Sebastian Bach
Sheep May Safely Graze
83 bpm • A# Maj • 06:33 • -23.3db
7% Popularity • 10% Danceability • 13% Energy • 11% Liveness
96% Instrumentalness • 5% Positiveness
7% Popularity • 10% Danceability • 13% Energy • 11% Liveness
96% Instrumentalness • 5% Positiveness
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Daniel Elder
3 Nocturnes: No. 2. Star Sonnet
83 bpm • B min • 04:52 • -31db
14% Popularity • 8% Danceability • 2% Energy • 11% Liveness
12% Instrumentalness • 4% Positiveness
14% Popularity • 8% Danceability • 2% Energy • 11% Liveness
12% Instrumentalness • 4% Positiveness
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Elizabeth Poston
Jesus Christ the Apple Tree
83 bpm • C Maj • 03:44 • -28.29db
15% Popularity • 21% Danceability • 5% Energy • 10% Liveness
60% Instrumentalness • 4% Positiveness
15% Popularity • 21% Danceability • 5% Energy • 10% Liveness
60% Instrumentalness • 4% Positiveness
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Heinrich Isaac
Missa Presulem ephebeatum: I. Kyrie
83 bpm • D min • 01:09 • -17.68db
37% Popularity • 18% Danceability • 15% Energy • 9% Liveness
1% Instrumentalness • 9% Positiveness
37% Popularity • 18% Danceability • 15% Energy • 9% Liveness
1% Instrumentalness • 9% Positiveness
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Otto Nicolai
Herr, auf dich traue ich (Psalm 31)
81 bpm • D# Maj • 09:32 • -25.69db
13% Popularity • 11% Danceability • 7% Energy • 13% Liveness
0% Instrumentalness • 4% Positiveness
13% Popularity • 11% Danceability • 7% Energy • 13% Liveness
0% Instrumentalness • 4% Positiveness
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Sergei Rachmaninoff
All-night Vigil, Op. 37, "Vespers": Begi...
81 bpm • C Maj • 02:32 • -21db
21% Popularity • 10% Danceability • 9% Energy • 12% Liveness
47% Instrumentalness • 4% Positiveness
21% Popularity • 10% Danceability • 9% Energy • 12% Liveness
47% Instrumentalness • 4% Positiveness
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John Alexander
There Will Be Rest
81 bpm • D# Maj • 06:23 • -25db
23% Popularity • 10% Danceability • 7% Energy • 10% Liveness
46% Instrumentalness • 4% Positiveness
23% Popularity • 10% Danceability • 7% Energy • 10% Liveness
46% Instrumentalness • 4% Positiveness
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Tarik O'Regan
Threshold of Night
81 bpm • A# Maj • 06:19 • -31db
8% Popularity • 8% Danceability • 1% Energy • 9% Liveness
14% Instrumentalness • 3% Positiveness
8% Popularity • 8% Danceability • 1% Energy • 9% Liveness
14% Instrumentalness • 3% Positiveness
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Amy Beach
Peace I Leave with You
81 bpm • D# Maj • 01:39 • -27db
29% Popularity • 24% Danceability • 6% Energy • 10% Liveness
97% Instrumentalness • 4% Positiveness
29% Popularity • 24% Danceability • 6% Energy • 10% Liveness
97% Instrumentalness • 4% Positiveness
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Kevin Siegfried
Shaker Songs: I. Peace
81 bpm • G Maj • 03:19 • -31.47db
17% Popularity • 15% Danceability • 1% Energy • 8% Liveness
0% Instrumentalness • 6% Positiveness
17% Popularity • 15% Danceability • 1% Energy • 8% Liveness
0% Instrumentalness • 6% Positiveness
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Ludwig van Beethoven
Piano Sonata No. 8 in C Minor, Op. 13 "P...
83 bpm • D Maj • 01:44 • -39.68db
39% Popularity • 18% Danceability • 1% Energy • 9% Liveness
97% Instrumentalness • 4% Positiveness
39% Popularity • 18% Danceability • 1% Energy • 9% Liveness
97% Instrumentalness • 4% Positiveness
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Kristina Arakelyan
You Know Me
83 bpm • A# Maj • 04:04 • -25.32db
27% Popularity • 16% Danceability • 5% Energy • 8% Liveness
90% Instrumentalness • 6% Positiveness
27% Popularity • 16% Danceability • 5% Energy • 8% Liveness
90% Instrumentalness • 6% Positiveness
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The Tallis Scholars
Palestrina: Missa Papae Marcelli - 1a. K...
81 bpm • B Maj • 01:36 • -25.57db
41% Popularity • 8% Danceability • 12% Energy • 12% Liveness
88% Instrumentalness • 4% Positiveness
41% Popularity • 8% Danceability • 12% Energy • 12% Liveness
88% Instrumentalness • 4% Positiveness
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Johannes Brahms
Schaffe in mir, Gott, ein rein Herz, Op....
83 bpm • G Maj • 06:22 • -23.95db
9% Popularity • 21% Danceability • 11% Energy • 13% Liveness
2% Instrumentalness • 6% Positiveness
9% Popularity • 21% Danceability • 11% Energy • 13% Liveness
2% Instrumentalness • 6% Positiveness
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Amy Beach
With Prayer and Supplicaton
81 bpm • C min • 01:20 • -32db
21% Popularity • 21% Danceability • 5% Energy • 12% Liveness
39% Instrumentalness • 4% Positiveness
21% Popularity • 21% Danceability • 5% Energy • 12% Liveness
39% Instrumentalness • 4% Positiveness
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Virgil Thomson
4 Songs to Poems of Thomas Campion (arr....
83 bpm • D min • 02:12 • -26.59db
0% Popularity • 33% Danceability • 4% Energy • 9% Liveness
4% Instrumentalness • 8% Positiveness
0% Popularity • 33% Danceability • 4% Energy • 9% Liveness
4% Instrumentalness • 8% Positiveness
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Sergei Rachmaninoff
All-night Vigil, Op. 37, "Vespers": Psal...
81 bpm • C Maj • 06:25 • -32.03db
20% Popularity • 10% Danceability • 3% Energy • 6% Liveness
1% Instrumentalness • 4% Positiveness
20% Popularity • 10% Danceability • 3% Energy • 6% Liveness
1% Instrumentalness • 4% Positiveness
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William Henry Harris
O hearken Thou, "Psalm 5"
81 bpm • G Maj • 02:31 • -25.85db
16% Popularity • 15% Danceability • 2% Energy • 26% Liveness
95% Instrumentalness • 3% Positiveness
16% Popularity • 15% Danceability • 2% Energy • 26% Liveness
95% Instrumentalness • 3% Positiveness
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Yevhen Savchuk
Vespers, Op. 37: Bless The Lord, O My So...
83 bpm • C# Maj • 04:51 • -23db
5% Popularity • 20% Danceability • 15% Energy • 9% Liveness
28% Instrumentalness • 6% Positiveness
5% Popularity • 20% Danceability • 15% Energy • 9% Liveness
28% Instrumentalness • 6% Positiveness
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Thomas Tallis
O nata lux de lumine
81 bpm • G min • 01:35 • -15db
19% Popularity • 22% Danceability • 23% Energy • 23% Liveness
0% Instrumentalness • 6% Positiveness
19% Popularity • 22% Danceability • 23% Energy • 23% Liveness
0% Instrumentalness • 6% Positiveness
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Chorus Angelicus
Drop, Drop Slow Tears
80 bpm • G Maj • 01:28 • -30db
21% Popularity • 20% Danceability • 1% Energy • 15% Liveness
88% Instrumentalness • 7% Positiveness
21% Popularity • 20% Danceability • 1% Energy • 15% Liveness
88% Instrumentalness • 7% Positiveness
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Virgil Thomson
String Quartet No. 2: IV. Allegretto
84 bpm • G min • 07:26 • -22.33db
0% Popularity • 17% Danceability • 6% Energy • 14% Liveness
78% Instrumentalness • 12% Positiveness
0% Popularity • 17% Danceability • 6% Energy • 14% Liveness
78% Instrumentalness • 12% Positiveness
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Thomas Campion
Never Weather-beaten Sail
80 bpm • G Maj • 02:38 • -24db
19% Popularity • 23% Danceability • 11% Energy • 13% Liveness
0% Instrumentalness • 24% Positiveness
19% Popularity • 23% Danceability • 11% Energy • 13% Liveness
0% Instrumentalness • 24% Positiveness
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Millikin University Choir
See Dat Babe
80 bpm • C Maj • 02:24 • -19db
15% Popularity • 30% Danceability • 15% Energy • 13% Liveness
0% Instrumentalness • 13% Positiveness
15% Popularity • 30% Danceability • 15% Energy • 13% Liveness
0% Instrumentalness • 13% Positiveness
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University of King's College Chapel Choir
Alma Redemptoris
84 bpm • D# Maj • 04:05 • -21db
10% Popularity • 9% Danceability • 12% Energy • 10% Liveness
24% Instrumentalness • 4% Positiveness
10% Popularity • 9% Danceability • 12% Energy • 10% Liveness
24% Instrumentalness • 4% Positiveness
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Thomas Tallis
If Ye Love Me
81 bpm • F Maj • 02:12 • -25db
13% Popularity • 18% Danceability • 10% Energy • 10% Liveness
21% Instrumentalness • 11% Positiveness
13% Popularity • 18% Danceability • 10% Energy • 10% Liveness
21% Instrumentalness • 11% Positiveness
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Music For child Relax
Dormir Profundamente
80 bpm • G# Maj • 02:23 • -20.19db
10% Popularity • 17% Danceability • 9% Energy • 13% Liveness
97% Instrumentalness • 13% Positiveness
10% Popularity • 17% Danceability • 9% Energy • 13% Liveness
97% Instrumentalness • 13% Positiveness
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Virgil Thomson
Four Saints in Three Acts: Act II: Visio...
80 bpm • E Maj • 03:15 • -20.99db
0% Popularity • 53% Danceability • 14% Energy • 30% Liveness
0% Instrumentalness • 34% Positiveness
0% Popularity • 53% Danceability • 14% Energy • 30% Liveness
0% Instrumentalness • 34% Positiveness
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Dmitry Bortniansky
Kol' slaven nash (How great is our Lord ...
80 bpm • D# Maj • 04:16 • -26.4db
12% Popularity • 12% Danceability • 6% Energy • 12% Liveness
1% Instrumentalness • 4% Positiveness
12% Popularity • 12% Danceability • 6% Energy • 12% Liveness
1% Instrumentalness • 4% Positiveness
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John Taverner
Mother of God Here I Stand
84 bpm • F# Maj • 03:10 • -41db
17% Popularity • 8% Danceability • 1% Energy • 11% Liveness
63% Instrumentalness • 4% Positiveness
17% Popularity • 8% Danceability • 1% Energy • 11% Liveness
63% Instrumentalness • 4% Positiveness
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The Leningrad Glinka State Academic Choir
Hymn of the Cherubim (Excerpt 2)
80 bpm • D Maj • 04:02 • -22.79db
22% Popularity • 16% Danceability • 17% Energy • 10% Liveness
98% Instrumentalness • 4% Positiveness
22% Popularity • 16% Danceability • 17% Energy • 10% Liveness
98% Instrumentalness • 4% Positiveness
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Thomas Tallis
If Ye Love Me
80 bpm • B Maj • 02:11 • -21.78db
14% Popularity • 22% Danceability • 18% Energy • 10% Liveness
0% Instrumentalness • 8% Positiveness
14% Popularity • 22% Danceability • 18% Energy • 10% Liveness
0% Instrumentalness • 8% Positiveness
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Frank Martin
Mass for Double Choir: I. Kyrie
80 bpm • E min • 05:16 • -23db
15% Popularity • 13% Danceability • 7% Energy • 6% Liveness
18% Instrumentalness • 4% Positiveness
15% Popularity • 13% Danceability • 7% Energy • 6% Liveness
18% Instrumentalness • 4% Positiveness
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Virgil Thomson
When Gabriel’s Awful Trump Shall Sound
84 bpm • F min • 01:45 • -15.92db
0% Popularity • 28% Danceability • 19% Energy • 9% Liveness
92% Instrumentalness • 29% Positiveness
0% Popularity • 28% Danceability • 19% Energy • 9% Liveness
92% Instrumentalness • 29% Positiveness
► Preview
The Tallis Scholars
Palestrina: Missa Papae Marcelli - 1c. K...
84 bpm • B Maj • 01:15 • -18.5db
37% Popularity • 21% Danceability • 30% Energy • 7% Liveness
91% Instrumentalness • 25% Positiveness
37% Popularity • 21% Danceability • 30% Energy • 7% Liveness
91% Instrumentalness • 25% Positiveness
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St. Petersburg Optina Pustyn Male Choir
3 Choruses from Tsar Fyodor Ioannovich: ...
84 bpm • C min • 03:44 • -24db
29% Popularity • 9% Danceability • 4% Energy • 10% Liveness
13% Instrumentalness • 3% Positiveness
29% Popularity • 9% Danceability • 4% Energy • 10% Liveness
13% Instrumentalness • 3% Positiveness
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Lumen Valo
Ralph Vaughan Williams: Rest
80 bpm • D# Maj • 04:03 • -22.98db
14% Popularity • 9% Danceability • 5% Energy • 15% Liveness
0% Instrumentalness • 3% Positiveness
14% Popularity • 9% Danceability • 5% Energy • 15% Liveness
0% Instrumentalness • 3% Positiveness
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William Billings
When Jesus Wept
84 bpm • D min • 01:40 • -17.09db
19% Popularity • 18% Danceability • 16% Energy • 9% Liveness
0% Instrumentalness • 15% Positiveness
19% Popularity • 18% Danceability • 16% Energy • 9% Liveness
0% Instrumentalness • 15% Positiveness
► Preview
J. Ryan Garber
Holy, Holy, Holy
80 bpm • D Maj • 04:12 • -16db
14% Popularity • 11% Danceability • 7% Energy • 8% Liveness
84% Instrumentalness • 12% Positiveness
14% Popularity • 11% Danceability • 7% Energy • 8% Liveness
84% Instrumentalness • 12% Positiveness
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Virgil Thomson
The River: Logging
84 bpm • C Maj • 02:00 • -18.87db
0% Popularity • 53% Danceability • 27% Energy • 11% Liveness
86% Instrumentalness • 14% Positiveness
0% Popularity • 53% Danceability • 27% Energy • 11% Liveness
86% Instrumentalness • 14% Positiveness
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Hubert Parry
I was glad when they said unto me
84 bpm • A# Maj • 06:48 • -15.83db
8% Popularity • 10% Danceability • 34% Energy • 9% Liveness
91% Instrumentalness • 6% Positiveness
8% Popularity • 10% Danceability • 34% Energy • 9% Liveness
91% Instrumentalness • 6% Positiveness
► Preview
Eric William Barnum
Dawn
84 bpm • F Maj • 04:18 • -29db
11% Popularity • 9% Danceability • 3% Energy • 8% Liveness
83% Instrumentalness • 4% Positiveness
11% Popularity • 9% Danceability • 3% Energy • 8% Liveness
83% Instrumentalness • 4% Positiveness
► Preview
Michael Tippett
Five Spirituals from "A Child of Our Tim...
84 bpm • G Maj • 02:31 • -22db
10% Popularity • 14% Danceability • 17% Energy • 10% Liveness
0% Instrumentalness • 10% Positiveness
10% Popularity • 14% Danceability • 17% Energy • 10% Liveness
0% Instrumentalness • 10% Positiveness
► Preview
Sven-David Sandström
4 Songs of Love: No. 1, Let Him Kiss Me
80 bpm • D# Maj • 02:10 • -28.49db
27% Popularity • 19% Danceability • 1% Energy • 11% Liveness
57% Instrumentalness • 3% Positiveness
27% Popularity • 19% Danceability • 1% Energy • 11% Liveness
57% Instrumentalness • 3% Positiveness
► Preview
Nicolas Fayolle
Best Room
85 bpm • A# Maj • 02:48 • -22.92db
25% Popularity • 18% Danceability • 6% Energy • 9% Liveness
23% Instrumentalness • 5% Positiveness
25% Popularity • 18% Danceability • 6% Energy • 9% Liveness
23% Instrumentalness • 5% Positiveness
► Preview
Virgil Thomson
The River Suite: Industrial Expansion in...
80 bpm • D Maj • 04:48 • -18.11db
1% Popularity • 41% Danceability • 20% Energy • 34% Liveness
2% Instrumentalness • 26% Positiveness
1% Popularity • 41% Danceability • 20% Energy • 34% Liveness
2% Instrumentalness • 26% Positiveness
► Preview
Henry Purcell
Rejoice in the Lord alway, Z. 49
79 bpm • B Maj • 08:10 • -24.72db
19% Popularity • 18% Danceability • 4% Energy • 28% Liveness
4% Instrumentalness • 16% Positiveness
19% Popularity • 18% Danceability • 4% Energy • 28% Liveness
4% Instrumentalness • 16% Positiveness
► Preview
Francis Poulenc
Dialogues des Carmélites, FP 159: Ave M...
85 bpm • B min • 01:55 • -31.7db
23% Popularity • 16% Danceability • 4% Energy • 8% Liveness
76% Instrumentalness • 3% Positiveness
23% Popularity • 16% Danceability • 4% Energy • 8% Liveness
76% Instrumentalness • 3% Positiveness
► Preview
Johann Sebastian Bach
Jesu, meine Freude
79 bpm • D# min • 01:02 • -21db
29% Popularity • 23% Danceability • 11% Energy • 12% Liveness
0% Instrumentalness • 26% Positiveness
29% Popularity • 23% Danceability • 11% Energy • 12% Liveness
0% Instrumentalness • 26% Positiveness
► Preview
Pavel Chesnokov
Cherubic Hymn, Op. 7, No. 1
79 bpm • B min • 04:34 • -23.19db
25% Popularity • 7% Danceability • 7% Energy • 22% Liveness
32% Instrumentalness • 4% Positiveness
25% Popularity • 7% Danceability • 7% Energy • 22% Liveness
32% Instrumentalness • 4% Positiveness
► Preview
Knut Nystedt
Cry Out and Shout
85 bpm • D min • 01:30 • -16db
22% Popularity • 28% Danceability • 28% Energy • 29% Liveness
0% Instrumentalness • 5% Positiveness
22% Popularity • 28% Danceability • 28% Energy • 29% Liveness
0% Instrumentalness • 5% Positiveness
► Preview
Virgil Thomson
How Bright Is the Day!
85 bpm • G Maj • 02:05 • -19db
0% Popularity • 26% Danceability • 20% Energy • 22% Liveness
92% Instrumentalness • 75% Positiveness
0% Popularity • 26% Danceability • 20% Energy • 22% Liveness
92% Instrumentalness • 75% Positiveness
► Preview
Sergei Rachmaninoff
All-night Vigil, Op. 37, "Vespers": Song...
85 bpm • F# Maj • 03:21 • -29db
22% Popularity • 20% Danceability • 4% Energy • 6% Liveness
85% Instrumentalness • 4% Positiveness
22% Popularity • 20% Danceability • 4% Energy • 6% Liveness
85% Instrumentalness • 4% Positiveness
► Preview
Charles Villiers Stanford
Magnificat | Magnificat in C
79 bpm • C Maj • 05:04 • -23.78db
7% Popularity • 9% Danceability • 12% Energy • 15% Liveness
99% Instrumentalness • 4% Positiveness
7% Popularity • 9% Danceability • 12% Energy • 15% Liveness
99% Instrumentalness • 4% Positiveness
► Preview
Akademiska Damkören Lyran
Sügismaastikud: V. Tuul kõnnumaa kohal
79 bpm • D min • 01:14 • -23db
22% Popularity • 25% Danceability • 8% Energy • 9% Liveness
89% Instrumentalness • 9% Positiveness
22% Popularity • 25% Danceability • 8% Energy • 9% Liveness
89% Instrumentalness • 9% Positiveness
► Preview
Reena Esmail
Tuttarana (Version for SATB Choir)
85 bpm • D Maj • 03:01 • -24.28db
11% Popularity • 25% Danceability • 12% Energy • 6% Liveness
3% Instrumentalness • 21% Positiveness
11% Popularity • 25% Danceability • 12% Energy • 6% Liveness
3% Instrumentalness • 21% Positiveness
► Preview
Rob Gardner, London Symphony Orchestra, Spire Chorus
Thou Hope and Deliverer
85 bpm • E Maj • 02:04 • -23.71db
38% Popularity • 13% Danceability • 3% Energy • 8% Liveness
4% Instrumentalness • 6% Positiveness
38% Popularity • 13% Danceability • 3% Energy • 8% Liveness
4% Instrumentalness • 6% Positiveness
► Preview
Salt Lake Vocal Artists
Entreat Me Not To Leave You
79 bpm • A# min • 06:48 • -18db
24% Popularity • 11% Danceability • 18% Energy • 9% Liveness
72% Instrumentalness • 4% Positiveness
24% Popularity • 11% Danceability • 18% Energy • 9% Liveness
72% Instrumentalness • 4% Positiveness
► Preview
Sergei Rachmaninoff
Vespers, Op. 37: Blessed Be the Man
79 bpm • D# min • 05:37 • -25.91db
9% Popularity • 8% Danceability • 5% Energy • 9% Liveness
12% Instrumentalness • 4% Positiveness
9% Popularity • 8% Danceability • 5% Energy • 9% Liveness
12% Instrumentalness • 4% Positiveness
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Josef Rheinberger
Abendlied
79 bpm • F Maj • 02:54 • -20.72db
12% Popularity • 13% Danceability • 18% Energy • 7% Liveness
98% Instrumentalness • 3% Positiveness
12% Popularity • 13% Danceability • 18% Energy • 7% Liveness
98% Instrumentalness • 3% Positiveness
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McFarland High School A Cappella Choir
The Blessing of Aaron
85 bpm • C# Maj • 01:33 • -25.35db
27% Popularity • 22% Danceability • 8% Energy • 9% Liveness
54% Instrumentalness • 11% Positiveness
27% Popularity • 22% Danceability • 8% Energy • 9% Liveness
54% Instrumentalness • 11% Positiveness
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Virgil Thomson
Stabat Mater for Soprano and String Quar...
85 bpm • D# Maj • 06:38 • -18.67db
0% Popularity • 17% Danceability • 10% Energy • 7% Liveness
0% Instrumentalness • 3% Positiveness
0% Popularity • 17% Danceability • 10% Energy • 7% Liveness
0% Instrumentalness • 3% Positiveness
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Kevin Puts
If I Were A Swan
85 bpm • C# Maj • 06:22 • -24db
7% Popularity • 16% Danceability • 13% Energy • 9% Liveness
82% Instrumentalness • 3% Positiveness
7% Popularity • 16% Danceability • 13% Energy • 9% Liveness
82% Instrumentalness • 3% Positiveness
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Orlando Gibbons
The Silver Swan
79 bpm • C Maj • 02:07 • -25.05db
17% Popularity • 18% Danceability • 8% Energy • 12% Liveness
81% Instrumentalness • 4% Positiveness
17% Popularity • 18% Danceability • 8% Energy • 12% Liveness
81% Instrumentalness • 4% Positiveness
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Pyotr Ilyich Tchaikovsky
Liturgy of St. John Chrysostom, Op. 41: ...
85 bpm • E min • 07:50 • -23.81db
32% Popularity • 16% Danceability • 2% Energy • 5% Liveness
79% Instrumentalness • 3% Positiveness
32% Popularity • 16% Danceability • 2% Energy • 5% Liveness
79% Instrumentalness • 3% Positiveness
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Pavel Chesnokov
Spaseniye sodelal, Op. 25 No. 5: Spaseni...
85 bpm • D Maj • 03:46 • -24.32db
14% Popularity • 9% Danceability • 4% Energy • 9% Liveness
11% Instrumentalness • 4% Positiveness
14% Popularity • 9% Danceability • 4% Energy • 9% Liveness
11% Instrumentalness • 4% Positiveness
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Thomas Tallis
If Ye Love Me
79 bpm • F Maj • 02:28 • -34.11db
30% Popularity • 16% Danceability • 6% Energy • 11% Liveness
5% Instrumentalness • 6% Positiveness
30% Popularity • 16% Danceability • 6% Energy • 11% Liveness
5% Instrumentalness • 6% Positiveness
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Virgil Thomson
Four Saints in Three Acts: Act III: Sain...
79 bpm • G Maj • 06:11 • -20.94db
0% Popularity • 24% Danceability • 16% Energy • 39% Liveness
0% Instrumentalness • 15% Positiveness
0% Popularity • 24% Danceability • 16% Energy • 39% Liveness
0% Instrumentalness • 15% Positiveness
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Josquin des Prez
Mille regretz
86 bpm • F# min • 02:14 • -28.85db
28% Popularity • 17% Danceability • 6% Energy • 11% Liveness
4% Instrumentalness • 4% Positiveness
28% Popularity • 17% Danceability • 6% Energy • 11% Liveness
4% Instrumentalness • 4% Positiveness
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Samuel Scheidt
Surrexit Christus hodie
79 bpm • G min • 01:18 • -19db
32% Popularity • 32% Danceability • 11% Energy • 31% Liveness
0% Instrumentalness • 38% Positiveness
32% Popularity • 32% Danceability • 11% Energy • 31% Liveness
0% Instrumentalness • 38% Positiveness
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Théodore Dubois
Seven Last Words - Fifth Word - Theodore...
79 bpm • G min • 05:46 • -23.96db
7% Popularity • 27% Danceability • 2% Energy • 10% Liveness
0% Instrumentalness • 4% Positiveness
7% Popularity • 27% Danceability • 2% Energy • 10% Liveness
0% Instrumentalness • 4% Positiveness
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John Tavener
Mother of God
86 bpm • F Maj • 03:01 • -28.8db
11% Popularity • 22% Danceability • 5% Energy • 8% Liveness
91% Instrumentalness • 4% Positiveness
11% Popularity • 22% Danceability • 5% Energy • 8% Liveness
91% Instrumentalness • 4% Positiveness
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Sergei Rachmaninoff
All-Night Vigil, Op. 37: Psalm 103 (104)...
86 bpm • B Maj • 05:26 • -31db
11% Popularity • 10% Danceability • 5% Energy • 11% Liveness
78% Instrumentalness • 4% Positiveness
11% Popularity • 10% Danceability • 5% Energy • 11% Liveness
78% Instrumentalness • 4% Positiveness
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Virgil Thomson
Four Saints in Three Acts: Act III: Visi...
85 bpm • D# Maj • 07:12 • -21db
0% Popularity • 30% Danceability • 19% Energy • 34% Liveness
0% Instrumentalness • 28% Positiveness
0% Popularity • 30% Danceability • 19% Energy • 34% Liveness
0% Instrumentalness • 28% Positiveness
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Millikin University Choir
Stetit Angelus
86 bpm • A min • 04:38 • -24db
28% Popularity • 12% Danceability • 8% Energy • 8% Liveness
92% Instrumentalness • 3% Positiveness
28% Popularity • 12% Danceability • 8% Energy • 8% Liveness
92% Instrumentalness • 3% Positiveness
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William Inglott
The Leaves Bee Greene
86 bpm • G Maj • 03:55 • -28db
11% Popularity • 10% Danceability • 1% Energy • 11% Liveness
87% Instrumentalness • 18% Positiveness
11% Popularity • 10% Danceability • 1% Energy • 11% Liveness
87% Instrumentalness • 18% Positiveness
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Alfred Schnittke
3 Sacred Hymns: No. 2. Gospodi, Gospodi ...
86 bpm • C min • 01:50 • -25.43db
28% Popularity • 12% Danceability • 7% Energy • 6% Liveness
0% Instrumentalness • 3% Positiveness
28% Popularity • 12% Danceability • 7% Energy • 6% Liveness
0% Instrumentalness • 3% Positiveness
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The New York Madrigal Singers, Erik-Peter Mortensen & David Schofield
Exultate Justi in Domino
78 bpm • F# Maj • 02:06 • -21.03db
13% Popularity • 28% Danceability • 14% Energy • 12% Liveness
0% Instrumentalness • 31% Positiveness
13% Popularity • 28% Danceability • 14% Energy • 12% Liveness
0% Instrumentalness • 31% Positiveness
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The Tallis Scholars
Tallis: Spem in Alium - 2. in Tribulatio...
78 bpm • B min • 02:24 • -18.01db
25% Popularity • 17% Danceability • 22% Energy • 17% Liveness
0% Instrumentalness • 6% Positiveness
25% Popularity • 17% Danceability • 22% Energy • 17% Liveness
0% Instrumentalness • 6% Positiveness
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Virgil Thomson
The River: Coal
78 bpm • D Maj • 02:37 • -15.78db
0% Popularity • 61% Danceability • 25% Energy • 11% Liveness
85% Instrumentalness • 47% Positiveness
0% Popularity • 61% Danceability • 25% Energy • 11% Liveness
85% Instrumentalness • 47% Positiveness
