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Four Seasons In One Day
Songs like
Four Seasons In One Day
by
Paul Kelly
Based on a tempo of (+/- 10%) and a similar genre
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Paul Kelly
Four Seasons In One Day
83 bpm • D# min • 04:18 • -9.83db
40% Popularity • 48% Danceability • 36% Energy • 9% Liveness
0% Instrumentalness • 46% Positiveness
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Angus Stone
End of The World
82 bpm • A Maj • 05:12 • -9.13db
17% Popularity • 53% Danceability • 57% Energy • 10% Liveness
2% Instrumentalness • 39% Positiveness
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Thelma Plum
Around Here
83 bpm • C# Maj • 03:04 • -7db
28% Popularity • 61% Danceability • 65% Energy • 11% Liveness
0% Instrumentalness • 48% Positiveness
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The Whitlams
Blow Up The Pokies
82 bpm • A min • 03:27 • -8db
47% Popularity • 25% Danceability • 65% Energy • 17% Liveness
0% Instrumentalness • 38% Positiveness
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Powderfinger
These Days
84 bpm • A Maj • 04:58 • -7.64db
55% Popularity • 15% Danceability • 45% Energy • 16% Liveness
2% Instrumentalness • 10% Positiveness
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Alex Lloyd
Bus Ride
84 bpm • G Maj • 04:31 • -10.85db
20% Popularity • 54% Danceability • 45% Energy • 11% Liveness
0% Instrumentalness • 18% Positiveness
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Paul Kelly
Seagulls Of Seattle
84 bpm • C Maj • 03:00 • -9.35db
12% Popularity • 58% Danceability • 43% Energy • 12% Liveness
0% Instrumentalness • 32% Positiveness
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Mia Dyson
Choose
82 bpm • D# Maj • 04:53 • -10.87db
24% Popularity • 61% Danceability • 21% Energy • 11% Liveness
0% Instrumentalness • 31% Positiveness
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Paul Dempsey
Idiot Oracle
82 bpm • D# Maj • 04:05 • -10db
32% Popularity • 64% Danceability • 56% Energy • 13% Liveness
2% Instrumentalness • 79% Positiveness
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Didirri
Jude
82 bpm • C Maj • 03:44 • -11.92db
29% Popularity • 41% Danceability • 20% Energy • 14% Liveness
0% Instrumentalness • 24% Positiveness
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Powderfinger
Nobody Sees
82 bpm • F Maj • 04:14 • -9.84db
30% Popularity • 48% Danceability • 36% Energy • 8% Liveness
58% Instrumentalness • 7% Positiveness
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The Whitlams
Melbourne
82 bpm • C Maj • 04:50 • -9db
32% Popularity • 59% Danceability • 52% Energy • 10% Liveness
0% Instrumentalness • 39% Positiveness
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Angus Stone
River Love
84 bpm • G Maj • 04:55 • -9.54db
27% Popularity • 38% Danceability • 38% Energy • 16% Liveness
0% Instrumentalness • 18% Positiveness
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Nick Mulvey
House Of Saint Give Me
82 bpm • F Maj • 04:12 • -10.87db
28% Popularity • 53% Danceability • 43% Energy • 13% Liveness
2% Instrumentalness • 16% Positiveness
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Paul Dempsey
The Great Optimist
82 bpm • D Maj • 03:09 • -5.81db
22% Popularity • 63% Danceability • 56% Energy • 10% Liveness
0% Instrumentalness • 61% Positiveness
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Holly Throsby
Mountain
82 bpm • E Maj • 04:00 • -10.43db
14% Popularity • 22% Danceability • 36% Energy • 8% Liveness
1% Instrumentalness • 11% Positiveness
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Powderfinger
My Happiness - Acoustic
85 bpm • C Maj • 05:00 • -6.67db
32% Popularity • 49% Danceability • 66% Energy • 18% Liveness
0% Instrumentalness • 47% Positiveness
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Paul Kelly
Your Lovin' Is On My Mind
85 bpm • G Maj • 03:38 • -9.68db
28% Popularity • 51% Danceability • 46% Energy • 7% Liveness
3% Instrumentalness • 50% Positiveness
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Breaks Co-Op
A Place for You
85 bpm • F Maj • 03:44 • -8.7db
18% Popularity • 23% Danceability • 45% Energy • 57% Liveness
0% Instrumentalness • 15% Positiveness
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Colin Hay
Waiting For My Real Life To Begin
85 bpm • B Maj • 05:46 • -13db
47% Popularity • 45% Danceability • 29% Energy • 9% Liveness
2% Instrumentalness • 24% Positiveness
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Alex Lloyd
Chasing The Sun
81 bpm • G Maj • 02:55 • -4.47db
12% Popularity • 21% Danceability • 65% Energy • 14% Liveness
0% Instrumentalness • 33% Positiveness
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Smog
Sweet Treat
85 bpm • G Maj • 04:56 • -6.53db
19% Popularity • 72% Danceability • 64% Energy • 42% Liveness
0% Instrumentalness • 56% Positiveness
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Weddings Parties Anything
Wide Open Road
81 bpm • G Maj • 04:16 • -5db
22% Popularity • 21% Danceability • 76% Energy • 93% Liveness
0% Instrumentalness • 62% Positiveness
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Lior
Building Ships
81 bpm • F# Maj • 04:46 • -10.25db
14% Popularity • 58% Danceability • 26% Energy • 12% Liveness
0% Instrumentalness • 16% Positiveness
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Neil Finn
Into Temptation - Live
81 bpm • E min • 05:03 • -8.57db
23% Popularity • 42% Danceability • 47% Energy • 70% Liveness
0% Instrumentalness • 10% Positiveness
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Lisa Mitchell
Coin Laundry
85 bpm • C Maj • 03:11 • -7db
6% Popularity • 76% Danceability • 41% Energy • 40% Liveness
3% Instrumentalness • 67% Positiveness
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Paul Kelly
None Of Your Business Now
85 bpm • A Maj • 03:05 • -8.92db
8% Popularity • 58% Danceability • 31% Energy • 11% Liveness
0% Instrumentalness • 41% Positiveness
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Angus Stone
Monsters
81 bpm • F# Maj • 05:20 • -9db
32% Popularity • 37% Danceability • 74% Energy • 12% Liveness
79% Instrumentalness • 45% Positiveness
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Clare Bowditch
You Make Me Happy
80 bpm • E Maj • 02:59 • -7.23db
27% Popularity • 46% Danceability • 58% Energy • 24% Liveness
0% Instrumentalness • 33% Positiveness
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Angie McMahon
Helpless
80 bpm • F Maj • 04:14 • -10.65db
33% Popularity • 56% Danceability • 3% Energy • 11% Liveness
0% Instrumentalness • 21% Positiveness
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Powderfinger
My Happiness
86 bpm • C Maj • 04:36 • -5.42db
62% Popularity • 44% Danceability • 82% Energy • 43% Liveness
0% Instrumentalness • 49% Positiveness
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Tim Rogers & The Twin Set
Under the Flight Path
80 bpm • E Maj • 03:09 • -7.96db
11% Popularity • 42% Danceability • 50% Energy • 11% Liveness
0% Instrumentalness • 24% Positiveness
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The Finn Brothers
Edible Flowers
86 bpm • C min • 04:51 • -9.83db
19% Popularity • 54% Danceability • 43% Energy • 10% Liveness
0% Instrumentalness • 14% Positiveness
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Leonardo's Bride
Even When I'm Sleeping
80 bpm • F Maj • 03:54 • -7.14db
42% Popularity • 65% Danceability • 34% Energy • 9% Liveness
0% Instrumentalness • 42% Positiveness
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Machine Gun Fellatio
Unsent Letter
80 bpm • G# Maj • 05:12 • -9.74db
35% Popularity • 63% Danceability • 38% Energy • 15% Liveness
1% Instrumentalness • 41% Positiveness
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Holly Throsby
Now I Love Someone
80 bpm • D Maj • 03:56 • -15.67db
6% Popularity • 24% Danceability • 19% Energy • 11% Liveness
78% Instrumentalness • 14% Positiveness
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Alex Lloyd
Green
80 bpm • G min • 04:02 • -6db
30% Popularity • 40% Danceability • 65% Energy • 13% Liveness
0% Instrumentalness • 36% Positiveness
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Tim Rogers & The Twin Set
Last Nite I Left My Heart All Over the P...
80 bpm • D# Maj • 04:10 • -6.72db
21% Popularity • 46% Danceability • 67% Energy • 13% Liveness
0% Instrumentalness • 68% Positiveness
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Ben Howard
She Treats Me Well
80 bpm • C min • 05:17 • -12.6db
54% Popularity • 62% Danceability • 49% Energy • 7% Liveness
31% Instrumentalness • 60% Positiveness
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Gurrumul
Gurrumul History
87 bpm • C Maj • 05:52 • -11.21db
33% Popularity • 53% Danceability • 21% Energy • 11% Liveness
0% Instrumentalness • 19% Positiveness
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Boy & Bear
Fall At Your Feet
87 bpm • C min • 04:31 • -6.6db
54% Popularity • 41% Danceability • 47% Energy • 10% Liveness
0% Instrumentalness • 22% Positiveness
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The Middle East
Blood
79 bpm • B Maj • 05:26 • -8.59db
44% Popularity • 47% Danceability • 48% Energy • 12% Liveness
7% Instrumentalness • 12% Positiveness
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Mia Dyson
Roll Me Out
79 bpm • E Maj • 04:31 • -6db
24% Popularity • 57% Danceability • 59% Energy • 9% Liveness
0% Instrumentalness • 62% Positiveness
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Tim Rogers & The Twin Set
You've Been So Good To Me So Far
79 bpm • E Maj • 04:39 • -6.83db
19% Popularity • 47% Danceability • 66% Energy • 11% Liveness
0% Instrumentalness • 54% Positiveness
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Neil Finn
Four Seasons In One Day - Live
87 bpm • G Maj • 03:47 • -9.78db
26% Popularity • 49% Danceability • 41% Energy • 32% Liveness
0% Instrumentalness • 18% Positiveness
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Meg Mac
Roll Up Your Sleeves
79 bpm • G Maj • 03:04 • -6.83db
46% Popularity • 59% Danceability • 53% Energy • 12% Liveness
3% Instrumentalness • 39% Positiveness
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Dan Kelly
I've Been Moved
87 bpm • B Maj • 03:39 • -8.76db
8% Popularity • 46% Danceability • 41% Energy • 34% Liveness
0% Instrumentalness • 30% Positiveness
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Machine Translations
Need A Miracle
79 bpm • G Maj • 03:28 • -7.55db
10% Popularity • 51% Danceability • 61% Energy • 11% Liveness
3% Instrumentalness • 53% Positiveness
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Kate Miller-Heidke
Share Your Air
78 bpm • A Maj • 03:33 • -8db
29% Popularity • 56% Danceability • 51% Energy • 12% Liveness
0% Instrumentalness • 35% Positiveness
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Clare Bowditch
The Big Happy
87 bpm • G Maj • 03:12 • -9db
16% Popularity • 47% Danceability • 46% Energy • 9% Liveness
0% Instrumentalness • 25% Positiveness
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Augie March
There Is No Such Place
78 bpm • A Maj • 03:17 • -13db
30% Popularity • 46% Danceability • 27% Energy • 12% Liveness
0% Instrumentalness • 61% Positiveness
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Paddy Casey
Sweet Suburban Sky
78 bpm • A# Maj • 03:59 • -15.48db
30% Popularity • 57% Danceability • 2% Energy • 11% Liveness
0% Instrumentalness • 36% Positiveness
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Matt Corby
What The Devil Has Made
78 bpm • G Maj • 04:47 • -8.5db
26% Popularity • 52% Danceability • 51% Energy • 15% Liveness
0% Instrumentalness • 16% Positiveness
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Lisa Mitchell
California
77 bpm • F# Maj • 02:47 • -11.97db
36% Popularity • 53% Danceability • 26% Energy • 12% Liveness
0% Instrumentalness • 24% Positiveness
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Dustin Tebbutt
Bones
77 bpm • D Maj • 04:25 • -8.84db
32% Popularity • 56% Danceability • 66% Energy • 11% Liveness
30% Instrumentalness • 18% Positiveness
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Don McGlashan
I Will Not Let You Down
77 bpm • A min • 04:06 • -10.84db
23% Popularity • 52% Danceability • 40% Energy • 12% Liveness
0% Instrumentalness • 24% Positiveness
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Clare Bowditch
Little Black Cave
77 bpm • G Maj • 03:19 • -7.39db
8% Popularity • 53% Danceability • 56% Energy • 11% Liveness
0% Instrumentalness • 38% Positiveness
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Julia Deans
We Light Fire
90 bpm • G Maj • 03:30 • -12.58db
22% Popularity • 60% Danceability • 26% Energy • 11% Liveness
1% Instrumentalness • 24% Positiveness
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Colin Hay
Beautiful World - Alternate Mix
90 bpm • G Maj • 03:39 • -8.85db
29% Popularity • 48% Danceability • 58% Energy • 7% Liveness
6% Instrumentalness • 25% Positiveness
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Ryan Adams
When The Stars Go Blue
90 bpm • A# Maj • 03:31 • -13.25db
53% Popularity • 59% Danceability • 21% Energy • 12% Liveness
0% Instrumentalness • 29% Positiveness
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Paul Kelly
Sonnet 18
90 bpm • B min • 03:17 • -8.68db
10% Popularity • 49% Danceability • 38% Energy • 18% Liveness
0% Instrumentalness • 60% Positiveness
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Angus Stone
The Blowers Daughter
76 bpm • D Maj • 06:08 • -9.16db
28% Popularity • 57% Danceability • 48% Energy • 9% Liveness
15% Instrumentalness • 61% Positiveness
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The Whitlams
Tangled Up In Blue
91 bpm • G Maj • 05:39 • -7db
30% Popularity • 57% Danceability • 70% Energy • 10% Liveness
0% Instrumentalness • 44% Positiveness
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Basement Birds
Bus Stop
91 bpm • B Maj • 02:47 • -7db
15% Popularity • 72% Danceability • 67% Energy • 13% Liveness
0% Instrumentalness • 92% Positiveness
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Jordie Lane
Swing
76 bpm • E min • 06:01 • -9.8db
12% Popularity • 47% Danceability • 29% Energy • 9% Liveness
0% Instrumentalness • 22% Positiveness
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Archie Roach
Cannot Buy My Soul
75 bpm • D Maj • 02:48 • -11db
22% Popularity • 28% Danceability • 29% Energy • 10% Liveness
0% Instrumentalness • 47% Positiveness
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Kate Miller-Heidke
Space They Cannot Touch
92 bpm • C# Maj • 04:08 • -7.55db
24% Popularity • 46% Danceability • 37% Energy • 12% Liveness
0% Instrumentalness • 23% Positiveness
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Paul Kelly
I Wasted Time
92 bpm • G Maj • 02:47 • -8.81db
7% Popularity • 54% Danceability • 56% Energy • 31% Liveness
0% Instrumentalness • 55% Positiveness
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Matt Corby
Take All of Me
92 bpm • D Maj • 04:36 • -7.62db
14% Popularity • 54% Danceability • 42% Energy • 11% Liveness
6% Instrumentalness • 16% Positiveness
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Epicure
Armies Against Me
75 bpm • C Maj • 05:11 • -5.31db
25% Popularity • 49% Danceability • 75% Energy • 30% Liveness
0% Instrumentalness • 37% Positiveness
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Alex Lloyd
Everybody's Laughing
92 bpm • D Maj • 03:50 • -6.07db
20% Popularity • 65% Danceability • 69% Energy • 7% Liveness
0% Instrumentalness • 81% Positiveness
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Lior
I'll Forget You
92 bpm • C# Maj • 03:20 • -8.03db
29% Popularity • 46% Danceability • 52% Energy • 17% Liveness
0% Instrumentalness • 33% Positiveness
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Clare Bowditch
The One
75 bpm • G Maj • 04:19 • -7db
21% Popularity • 40% Danceability • 48% Energy • 11% Liveness
0% Instrumentalness • 18% Positiveness
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Paul Kelly
Mushrooms
91 bpm • C Maj • 02:56 • -14db
9% Popularity • 62% Danceability • 28% Energy • 10% Liveness
2% Instrumentalness • 26% Positiveness
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Paul Dempsey
Bats
92 bpm • D# Maj • 03:52 • -4.77db
20% Popularity • 21% Danceability • 61% Energy • 14% Liveness
0% Instrumentalness • 30% Positiveness
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The Preatures
Two Tone Melody
74 bpm • C Maj • 04:26 • -11.52db
24% Popularity • 63% Danceability • 37% Energy • 10% Liveness
0% Instrumentalness • 24% Positiveness
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Paul Weller
Brand New Start
93 bpm • G Maj • 04:06 • -9.38db
42% Popularity • 61% Danceability • 49% Energy • 23% Liveness
0% Instrumentalness • 39% Positiveness
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The Jezabels
Mace Spray
93 bpm • C Maj • 05:07 • -7.69db
38% Popularity • 46% Danceability • 71% Energy • 11% Liveness
71% Instrumentalness • 22% Positiveness
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Bob Evans
Darlin', Won't You Come?
93 bpm • D Maj • 03:31 • -9.42db
24% Popularity • 35% Danceability • 33% Energy • 18% Liveness
0% Instrumentalness • 44% Positiveness
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Paul Kelly
Feelings Of Grief
92 bpm • C Maj • 05:55 • -10.19db
9% Popularity • 49% Danceability • 47% Energy • 13% Liveness
66% Instrumentalness • 18% Positiveness
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The Whitlams
There's No-one
74 bpm • A Maj • 05:04 • -8.87db
15% Popularity • 41% Danceability • 51% Energy • 14% Liveness
0% Instrumentalness • 35% Positiveness
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Darren Hanlon
Falling Aeroplanes
94 bpm • D Maj • 03:32 • -10.24db
19% Popularity • 57% Danceability • 33% Energy • 7% Liveness
0% Instrumentalness • 24% Positiveness
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The Finn Brothers
Gentle Hum
74 bpm • C Maj • 04:36 • -12.48db
15% Popularity • 35% Danceability • 25% Energy • 8% Liveness
0% Instrumentalness • 19% Positiveness
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Goldenhorse
I'll Never Know
94 bpm • E Maj • 03:04 • -7.23db
23% Popularity • 53% Danceability • 54% Energy • 26% Liveness
0% Instrumentalness • 53% Positiveness
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Bob Evans
Flame
93 bpm • D# min • 03:15 • -13.69db
11% Popularity • 51% Danceability • 25% Energy • 11% Liveness
0% Instrumentalness • 27% Positiveness
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Lior
Daniel
94 bpm • G Maj • 03:50 • -9.58db
33% Popularity • 72% Danceability • 43% Energy • 10% Liveness
0% Instrumentalness • 66% Positiveness
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Tinpan Orange
Love is a Dog
94 bpm • D Maj • 03:18 • -13.49db
7% Popularity • 42% Danceability • 17% Energy • 10% Liveness
0% Instrumentalness • 21% Positiveness
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Bell X1
Light Catches Your Face (the Ark, Ann Ar...
73 bpm • C Maj • 05:36 • -16.4db
18% Popularity • 47% Danceability • 19% Energy • 69% Liveness
0% Instrumentalness • 25% Positiveness
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Tex Perkins
What I Done To Her
95 bpm • G Maj • 04:22 • -12db
14% Popularity • 39% Danceability • 34% Energy • 23% Liveness
0% Instrumentalness • 22% Positiveness
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Angie McMahon
Slow Mover
95 bpm • D# Maj • 03:10 • -7.1db
51% Popularity • 57% Danceability • 48% Energy • 8% Liveness
0% Instrumentalness • 42% Positiveness
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Angus Stone
Clouds Above
95 bpm • F# Maj • 02:51 • -12.73db
23% Popularity • 50% Danceability • 34% Energy • 11% Liveness
17% Instrumentalness • 6% Positiveness
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TnT - Tim Rogers & Tex Perkins
Half Of Nothing
72 bpm • D Maj • 04:45 • -12db
8% Popularity • 43% Danceability • 30% Energy • 36% Liveness
0% Instrumentalness • 25% Positiveness
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Darren Hanlon
Butterfly Bones
95 bpm • D# Maj • 02:26 • -15.18db
15% Popularity • 66% Danceability • 34% Energy • 11% Liveness
5% Instrumentalness • 54% Positiveness
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Daniel Champagne
Heart Like This
96 bpm • C min • 04:58 • -9db
15% Popularity • 58% Danceability • 38% Energy • 4% Liveness
0% Instrumentalness • 47% Positiveness
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Clare Bowditch
Amazing Life
96 bpm • G Maj • 03:16 • -12.2db
15% Popularity • 52% Danceability • 15% Energy • 11% Liveness
0% Instrumentalness • 23% Positiveness
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Angie McMahon
Knowing Me, Knowing You - triple j Like ...
96 bpm • A Maj • 04:02 • -13.17db
43% Popularity • 64% Danceability • 29% Energy • 12% Liveness
51% Instrumentalness • 50% Positiveness
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Paul Dempsey
Out The Airlock
96 bpm • C# Maj • 03:35 • -10.82db
30% Popularity • 55% Danceability • 28% Energy • 8% Liveness
0% Instrumentalness • 35% Positiveness
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Paul Kelly
Little Kings
96 bpm • C Maj • 05:18 • -6.71db
8% Popularity • 41% Danceability • 63% Energy • 7% Liveness
4% Instrumentalness • 52% Positiveness
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Holly Throsby
Aeroplane
96 bpm • D Maj • 03:51 • -11.92db
19% Popularity • 41% Danceability • 27% Energy • 11% Liveness
44% Instrumentalness • 31% Positiveness
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Jordie Lane
Out of State
96 bpm • G min • 02:59 • -7.69db
24% Popularity • 56% Danceability • 67% Energy • 12% Liveness
0% Instrumentalness • 11% Positiveness
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Four Seasons In One Day