Songs like Four Stone Walls by Capercaillie
Based on a tempo of (+/- 10%) and a similar genre
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Capercaillie
Four Stone Walls
92 bpm • C Maj • 03:17 • -10db
22% Popularity • 57% Danceability • 73% Energy • 34% Liveness
0% Instrumentalness • 70% Positiveness
22% Popularity • 57% Danceability • 73% Energy • 34% Liveness
0% Instrumentalness • 70% Positiveness
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Kathleen MacInnes
A Mhic Iain 'ic Sheumais
92 bpm • A min • 02:37 • -10.95db
16% Popularity • 48% Danceability • 25% Energy • 11% Liveness
0% Instrumentalness • 80% Positiveness
16% Popularity • 48% Danceability • 25% Energy • 11% Liveness
0% Instrumentalness • 80% Positiveness
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Hò-rò
Raven's Wing
93 bpm • D# Maj • 05:30 • -7.43db
13% Popularity • 26% Danceability • 47% Energy • 12% Liveness
0% Instrumentalness • 23% Positiveness
13% Popularity • 26% Danceability • 47% Energy • 12% Liveness
0% Instrumentalness • 23% Positiveness
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KÃla
Oh to Kiss Katie
92 bpm • D Maj • 04:11 • -6.75db
15% Popularity • 44% Danceability • 79% Energy • 13% Liveness
0% Instrumentalness • 63% Positiveness
15% Popularity • 44% Danceability • 79% Energy • 13% Liveness
0% Instrumentalness • 63% Positiveness
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Moving Hearts
Mcbrides
91 bpm • A Maj • 08:21 • -11.71db
12% Popularity • 38% Danceability • 48% Energy • 70% Liveness
16% Instrumentalness • 77% Positiveness
12% Popularity • 38% Danceability • 48% Energy • 70% Liveness
16% Instrumentalness • 77% Positiveness
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The Tannahill Weavers
A Night Visitor's Song
93 bpm • G Maj • 03:38 • -10.98db
9% Popularity • 41% Danceability • 39% Energy • 26% Liveness
0% Instrumentalness • 75% Positiveness
9% Popularity • 41% Danceability • 39% Energy • 26% Liveness
0% Instrumentalness • 75% Positiveness
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Andy Irvine
My Heart's Tonight in Ireland/ West Clar...
93 bpm • G Maj • 04:34 • -12db
24% Popularity • 43% Danceability • 43% Energy • 12% Liveness
0% Instrumentalness • 68% Positiveness
24% Popularity • 43% Danceability • 43% Energy • 12% Liveness
0% Instrumentalness • 68% Positiveness
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Kathleen MacInnes
Thugainn a Bhlà rag
91 bpm • A Maj • 03:31 • -13.34db
24% Popularity • 64% Danceability • 22% Energy • 13% Liveness
0% Instrumentalness • 39% Positiveness
24% Popularity • 64% Danceability • 22% Energy • 13% Liveness
0% Instrumentalness • 39% Positiveness
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Session A9
The Sleeping Tune
93 bpm • D Maj • 04:13 • -10.83db
14% Popularity • 23% Danceability • 30% Energy • 12% Liveness
2% Instrumentalness • 20% Positiveness
14% Popularity • 23% Danceability • 30% Energy • 12% Liveness
2% Instrumentalness • 20% Positiveness
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Cathie Ryan
So Here's To You
93 bpm • A Maj • 05:36 • -11db
17% Popularity • 30% Danceability • 11% Energy • 16% Liveness
0% Instrumentalness • 24% Positiveness
17% Popularity • 30% Danceability • 11% Energy • 16% Liveness
0% Instrumentalness • 24% Positiveness
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Dick Gaughan
The Lads O' The Fair/leith Docks
94 bpm • A Maj • 03:32 • -13.72db
12% Popularity • 57% Danceability • 45% Energy • 16% Liveness
0% Instrumentalness • 78% Positiveness
12% Popularity • 57% Danceability • 45% Energy • 16% Liveness
0% Instrumentalness • 78% Positiveness
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Aoife Ni Fhearraigh
CaitlÃn Triall
90 bpm • D Maj • 03:25 • -13.27db
17% Popularity • 58% Danceability • 47% Energy • 41% Liveness
0% Instrumentalness • 66% Positiveness
17% Popularity • 58% Danceability • 47% Energy • 41% Liveness
0% Instrumentalness • 66% Positiveness
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Kris Drever
The Call and the Answer - 2014 Remaster
94 bpm • E Maj • 03:57 • -5.82db
3% Popularity • 53% Danceability • 47% Energy • 19% Liveness
0% Instrumentalness • 43% Positiveness
3% Popularity • 53% Danceability • 47% Energy • 19% Liveness
0% Instrumentalness • 43% Positiveness
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Andy M. Stewart and Manus Lunny
The Haughs Of Cromdale
94 bpm • D min • 03:42 • -14db
12% Popularity • 50% Danceability • 48% Energy • 9% Liveness
0% Instrumentalness • 11% Positiveness
12% Popularity • 50% Danceability • 48% Energy • 9% Liveness
0% Instrumentalness • 11% Positiveness
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Battlefield Band
Shepherd Lad
90 bpm • D# Maj • 03:53 • -13.54db
29% Popularity • 36% Danceability • 26% Energy • 22% Liveness
0% Instrumentalness • 54% Positiveness
29% Popularity • 36% Danceability • 26% Energy • 22% Liveness
0% Instrumentalness • 54% Positiveness
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Cathie Ryan
Carrick-a-rede
94 bpm • G Maj • 04:03 • -7.48db
16% Popularity • 49% Danceability • 39% Energy • 19% Liveness
0% Instrumentalness • 40% Positiveness
16% Popularity • 49% Danceability • 39% Energy • 19% Liveness
0% Instrumentalness • 40% Positiveness
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Peatbog Faeries
Faerie Stories
94 bpm • D Maj • 06:18 • -10.32db
10% Popularity • 50% Danceability • 53% Energy • 59% Liveness
16% Instrumentalness • 23% Positiveness
10% Popularity • 50% Danceability • 53% Energy • 59% Liveness
16% Instrumentalness • 23% Positiveness
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Capercaillie
Oh Mo Dhuthaich
94 bpm • E min • 01:35 • -12.89db
34% Popularity • 22% Danceability • 16% Energy • 11% Liveness
13% Instrumentalness • 29% Positiveness
34% Popularity • 22% Danceability • 16% Energy • 11% Liveness
13% Instrumentalness • 29% Positiveness
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Sean Tyrrell
Mattie
90 bpm • A Maj • 03:26 • -7db
15% Popularity • 53% Danceability • 71% Energy • 32% Liveness
0% Instrumentalness • 81% Positiveness
15% Popularity • 53% Danceability • 71% Energy • 32% Liveness
0% Instrumentalness • 81% Positiveness
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Muireann Nic Amhlaoibh
The Parting Glass
89 bpm • C# Maj • 04:09 • -10.71db
16% Popularity • 34% Danceability • 6% Energy • 10% Liveness
0% Instrumentalness • 28% Positiveness
16% Popularity • 34% Danceability • 6% Energy • 10% Liveness
0% Instrumentalness • 28% Positiveness
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Battlefield Band
Jenny O' The Braes
94 bpm • D Maj • 03:23 • -13.82db
11% Popularity • 62% Danceability • 19% Energy • 9% Liveness
0% Instrumentalness • 79% Positiveness
11% Popularity • 62% Danceability • 19% Energy • 9% Liveness
0% Instrumentalness • 79% Positiveness
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Sam Kelly
Jolly Waggoners
89 bpm • E Maj • 03:19 • -5.54db
14% Popularity • 44% Danceability • 55% Energy • 63% Liveness
0% Instrumentalness • 87% Positiveness
14% Popularity • 44% Danceability • 55% Energy • 63% Liveness
0% Instrumentalness • 87% Positiveness
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Rita Connolly
Ripples In The Rockpools
95 bpm • A Maj • 03:28 • -14db
13% Popularity • 67% Danceability • 60% Energy • 10% Liveness
0% Instrumentalness • 58% Positiveness
13% Popularity • 67% Danceability • 60% Energy • 10% Liveness
0% Instrumentalness • 58% Positiveness
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Patrick Street
William Taylor
94 bpm • G# Maj • 03:09 • -14db
12% Popularity • 67% Danceability • 48% Energy • 18% Liveness
0% Instrumentalness • 61% Positiveness
12% Popularity • 67% Danceability • 48% Energy • 18% Liveness
0% Instrumentalness • 61% Positiveness
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Dick Gaughan
The Last Trip Home
95 bpm • A# Maj • 06:19 • -9db
21% Popularity • 58% Danceability • 23% Energy • 11% Liveness
0% Instrumentalness • 27% Positiveness
21% Popularity • 58% Danceability • 23% Energy • 11% Liveness
0% Instrumentalness • 27% Positiveness
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Kathleen MacInnes
Oran Dhomhnaill Phadraig lagain
95 bpm • G# min • 05:03 • -14db
11% Popularity • 42% Danceability • 9% Energy • 9% Liveness
0% Instrumentalness • 49% Positiveness
11% Popularity • 42% Danceability • 9% Energy • 9% Liveness
0% Instrumentalness • 49% Positiveness
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Iain Morrison
A Lewis Summer
89 bpm • G# Maj • 03:26 • -10.45db
10% Popularity • 48% Danceability • 63% Energy • 8% Liveness
0% Instrumentalness • 68% Positiveness
10% Popularity • 48% Danceability • 63% Energy • 8% Liveness
0% Instrumentalness • 68% Positiveness
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Battlefield Band
The Yew Tree
95 bpm • E min • 04:04 • -11db
19% Popularity • 36% Danceability • 36% Energy • 14% Liveness
0% Instrumentalness • 39% Positiveness
19% Popularity • 36% Danceability • 36% Energy • 14% Liveness
0% Instrumentalness • 39% Positiveness
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Old Blind Dogs
Bennachie
89 bpm • E Maj • 02:54 • -12.46db
25% Popularity • 66% Danceability • 56% Energy • 7% Liveness
0% Instrumentalness • 57% Positiveness
25% Popularity • 66% Danceability • 56% Energy • 7% Liveness
0% Instrumentalness • 57% Positiveness
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Cathie Ryan
Ta Se Na La
95 bpm • B min • 02:53 • -11.47db
25% Popularity • 50% Danceability • 36% Energy • 9% Liveness
0% Instrumentalness • 31% Positiveness
25% Popularity • 50% Danceability • 36% Energy • 9% Liveness
0% Instrumentalness • 31% Positiveness
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Stockton's Wing
The Golden Stud
95 bpm • B min • 06:27 • -11.34db
10% Popularity • 48% Danceability • 51% Energy • 16% Liveness
16% Instrumentalness • 45% Positiveness
10% Popularity • 48% Danceability • 51% Energy • 16% Liveness
16% Instrumentalness • 45% Positiveness
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Mary Jane Lamond
E Horo
89 bpm • D# Maj • 05:28 • -13.65db
11% Popularity • 22% Danceability • 21% Energy • 8% Liveness
0% Instrumentalness • 16% Positiveness
11% Popularity • 22% Danceability • 21% Energy • 8% Liveness
0% Instrumentalness • 16% Positiveness
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Capercaillie
Waiting For The Wheel To Turn
89 bpm • A# min • 04:37 • -12.72db
10% Popularity • 68% Danceability • 56% Energy • 6% Liveness
1% Instrumentalness • 75% Positiveness
10% Popularity • 68% Danceability • 56% Energy • 6% Liveness
1% Instrumentalness • 75% Positiveness
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Reeltime
The Bantry Girl's Lament
89 bpm • A Maj • 04:25 • -14.92db
8% Popularity • 41% Danceability • 9% Energy • 10% Liveness
0% Instrumentalness • 39% Positiveness
8% Popularity • 41% Danceability • 9% Energy • 10% Liveness
0% Instrumentalness • 39% Positiveness
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Andy Irvine
O'Donoghue's
96 bpm • F Maj • 05:20 • -8.43db
16% Popularity • 61% Danceability • 48% Energy • 71% Liveness
0% Instrumentalness • 90% Positiveness
16% Popularity • 61% Danceability • 48% Energy • 71% Liveness
0% Instrumentalness • 90% Positiveness
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The Full English
Stand by Your Guns
96 bpm • G# Maj • 03:32 • -13db
14% Popularity • 52% Danceability • 44% Energy • 11% Liveness
10% Instrumentalness • 56% Positiveness
14% Popularity • 52% Danceability • 44% Energy • 11% Liveness
10% Instrumentalness • 56% Positiveness
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Old Blind Dogs
Bedlam Boys / The Rights Of Man
96 bpm • D Maj • 04:29 • -17db
18% Popularity • 71% Danceability • 46% Energy • 10% Liveness
59% Instrumentalness • 76% Positiveness
18% Popularity • 71% Danceability • 46% Energy • 10% Liveness
59% Instrumentalness • 76% Positiveness
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Breabach
The Rolling Hills
96 bpm • G Maj • 04:21 • -10.58db
32% Popularity • 56% Danceability • 21% Energy • 10% Liveness
0% Instrumentalness • 28% Positiveness
32% Popularity • 56% Danceability • 21% Energy • 10% Liveness
0% Instrumentalness • 28% Positiveness
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MÃ nran
Glaodh An Iar
88 bpm • G Maj • 03:51 • -5.84db
25% Popularity • 41% Danceability • 55% Energy • 23% Liveness
0% Instrumentalness • 35% Positiveness
25% Popularity • 41% Danceability • 55% Energy • 23% Liveness
0% Instrumentalness • 35% Positiveness
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Kathleen MacInnes
A’ Ghrian
88 bpm • C Maj • 03:45 • -13.56db
10% Popularity • 14% Danceability • 9% Energy • 12% Liveness
0% Instrumentalness • 9% Positiveness
10% Popularity • 14% Danceability • 9% Energy • 12% Liveness
0% Instrumentalness • 9% Positiveness
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Michael McGoldrick
Goodbye Grant
88 bpm • G Maj • 03:48 • -8.55db
9% Popularity • 50% Danceability • 71% Energy • 37% Liveness
0% Instrumentalness • 80% Positiveness
9% Popularity • 50% Danceability • 71% Energy • 37% Liveness
0% Instrumentalness • 80% Positiveness
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Stockton's Wing
Walk Away
87 bpm • C Maj • 03:36 • -9db
29% Popularity • 74% Danceability • 65% Energy • 19% Liveness
0% Instrumentalness • 66% Positiveness
29% Popularity • 74% Danceability • 65% Energy • 19% Liveness
0% Instrumentalness • 66% Positiveness
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Old Blind Dogs
The Barnyards O' Delgaty
96 bpm • E Maj • 04:09 • -15db
12% Popularity • 65% Danceability • 47% Energy • 11% Liveness
0% Instrumentalness • 82% Positiveness
12% Popularity • 65% Danceability • 47% Energy • 11% Liveness
0% Instrumentalness • 82% Positiveness
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Breabach
Lochaber No More
87 bpm • C Maj • 04:21 • -11.8db
26% Popularity • 46% Danceability • 7% Energy • 11% Liveness
0% Instrumentalness • 30% Positiveness
26% Popularity • 46% Danceability • 7% Energy • 11% Liveness
0% Instrumentalness • 30% Positiveness
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Capercaillie
The Prince of Fire
87 bpm • A# Maj • 04:07 • -20.08db
13% Popularity • 36% Danceability • 12% Energy • 8% Liveness
0% Instrumentalness • 30% Positiveness
13% Popularity • 36% Danceability • 12% Energy • 8% Liveness
0% Instrumentalness • 30% Positiveness
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Kathleen MacInnes
Fhir an Leadain Thlà ith
87 bpm • F Maj • 03:17 • -13.32db
14% Popularity • 34% Danceability • 6% Energy • 12% Liveness
0% Instrumentalness • 38% Positiveness
14% Popularity • 34% Danceability • 6% Energy • 12% Liveness
0% Instrumentalness • 38% Positiveness
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Danú
Bridget Donaghue
98 bpm • F Maj • 03:24 • -15.38db
17% Popularity • 39% Danceability • 21% Energy • 9% Liveness
0% Instrumentalness • 50% Positiveness
17% Popularity • 39% Danceability • 21% Energy • 9% Liveness
0% Instrumentalness • 50% Positiveness
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Claire Hastings
The Bothy Lads
97 bpm • A Maj • 03:50 • -8.95db
19% Popularity • 63% Danceability • 43% Energy • 16% Liveness
0% Instrumentalness • 41% Positiveness
19% Popularity • 63% Danceability • 43% Energy • 16% Liveness
0% Instrumentalness • 41% Positiveness
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MÃ nran
Schottische
98 bpm • F min • 05:04 • -6.07db
13% Popularity • 32% Danceability • 87% Energy • 19% Liveness
0% Instrumentalness • 57% Positiveness
13% Popularity • 32% Danceability • 87% Energy • 19% Liveness
0% Instrumentalness • 57% Positiveness
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Peatbog Faeries
The Dragons Apprentice
98 bpm • A# min • 04:35 • -9.87db
15% Popularity • 56% Danceability • 63% Energy • 15% Liveness
79% Instrumentalness • 21% Positiveness
15% Popularity • 56% Danceability • 63% Energy • 15% Liveness
79% Instrumentalness • 21% Positiveness
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Capercaillie
You
97 bpm • C# min • 04:28 • -13.47db
8% Popularity • 63% Danceability • 48% Energy • 25% Liveness
2% Instrumentalness • 20% Positiveness
8% Popularity • 63% Danceability • 48% Energy • 25% Liveness
2% Instrumentalness • 20% Positiveness
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Andy M. Stewart
The Land O' The Leal
86 bpm • E min • 04:07 • -15.23db
9% Popularity • 35% Danceability • 18% Energy • 10% Liveness
0% Instrumentalness • 27% Positiveness
9% Popularity • 35% Danceability • 18% Energy • 10% Liveness
0% Instrumentalness • 27% Positiveness
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Cathie Ryan
Ned Of The Hill
86 bpm • A# Maj • 03:39 • -7.3db
11% Popularity • 24% Danceability • 28% Energy • 22% Liveness
0% Instrumentalness • 36% Positiveness
11% Popularity • 24% Danceability • 28% Energy • 22% Liveness
0% Instrumentalness • 36% Positiveness
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Julie Fowlis
Bothan Àirigh Am Brà igh Raithneach
98 bpm • D Maj • 04:59 • -11.99db
28% Popularity • 33% Danceability • 17% Energy • 18% Liveness
0% Instrumentalness • 50% Positiveness
28% Popularity • 33% Danceability • 17% Energy • 18% Liveness
0% Instrumentalness • 50% Positiveness
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Arcady
The Boys Of Bluehill, The Stack Of Barle...
98 bpm • D Maj • 02:42 • -12db
12% Popularity • 70% Danceability • 43% Energy • 12% Liveness
0% Instrumentalness • 97% Positiveness
12% Popularity • 70% Danceability • 43% Energy • 12% Liveness
0% Instrumentalness • 97% Positiveness
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Danú
The Buck From The Mountain / Paddy Killo...
98 bpm • D# Maj • 03:25 • -11.64db
12% Popularity • 42% Danceability • 48% Energy • 8% Liveness
1% Instrumentalness • 96% Positiveness
12% Popularity • 42% Danceability • 48% Energy • 8% Liveness
1% Instrumentalness • 96% Positiveness
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Capercaillie
Beautiful Wasteland
98 bpm • E min • 04:31 • -12.4db
13% Popularity • 62% Danceability • 55% Energy • 33% Liveness
0% Instrumentalness • 53% Positiveness
13% Popularity • 62% Danceability • 55% Energy • 33% Liveness
0% Instrumentalness • 53% Positiveness
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Caladh Nua
Song: The Cruel Lowland Maid
98 bpm • F Maj • 03:36 • -12.64db
25% Popularity • 60% Danceability • 44% Energy • 6% Liveness
3% Instrumentalness • 72% Positiveness
25% Popularity • 60% Danceability • 44% Energy • 6% Liveness
3% Instrumentalness • 72% Positiveness
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Damien Dempsey
James Connolly
86 bpm • E min • 05:06 • -9.58db
6% Popularity • 21% Danceability • 32% Energy • 20% Liveness
0% Instrumentalness • 19% Positiveness
6% Popularity • 21% Danceability • 32% Energy • 20% Liveness
0% Instrumentalness • 19% Positiveness
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Julie Fowlis
A Ghaoil, Leig Dhachaigh Gum Mhà thair M...
86 bpm • C# Maj • 03:58 • -12db
35% Popularity • 27% Danceability • 16% Energy • 10% Liveness
0% Instrumentalness • 27% Positiveness
35% Popularity • 27% Danceability • 16% Energy • 10% Liveness
0% Instrumentalness • 27% Positiveness
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Kathleen MacInnes
Teanga Binn mo Mhà thair
99 bpm • A Maj • 04:03 • -11.56db
14% Popularity • 49% Danceability • 22% Energy • 11% Liveness
0% Instrumentalness • 39% Positiveness
14% Popularity • 49% Danceability • 22% Energy • 11% Liveness
0% Instrumentalness • 39% Positiveness
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Danú
Ten Thousand Miles
86 bpm • C# Maj • 03:30 • -8.01db
31% Popularity • 32% Danceability • 25% Energy • 8% Liveness
0% Instrumentalness • 45% Positiveness
31% Popularity • 32% Danceability • 25% Energy • 8% Liveness
0% Instrumentalness • 45% Positiveness
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The Paul McKenna Band
Again For Greenland
99 bpm • F Maj • 04:17 • -9.32db
25% Popularity • 37% Danceability • 56% Energy • 19% Liveness
0% Instrumentalness • 57% Positiveness
25% Popularity • 37% Danceability • 56% Energy • 19% Liveness
0% Instrumentalness • 57% Positiveness
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Capercaillie
You Will Rise Again
86 bpm • C Maj • 03:31 • -14.75db
14% Popularity • 53% Danceability • 23% Energy • 11% Liveness
0% Instrumentalness • 6% Positiveness
14% Popularity • 53% Danceability • 23% Energy • 11% Liveness
0% Instrumentalness • 6% Positiveness
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Calum Stewart
Sueno's Stone
85 bpm • F# min • 02:29 • -7.2db
31% Popularity • 38% Danceability • 65% Energy • 33% Liveness
0% Instrumentalness • 54% Positiveness
31% Popularity • 38% Danceability • 65% Energy • 33% Liveness
0% Instrumentalness • 54% Positiveness
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Julie Fowlis
Siud Thu 'Ille Ruaidh Ghallain
86 bpm • A Maj • 03:27 • -9db
14% Popularity • 50% Danceability • 44% Energy • 9% Liveness
0% Instrumentalness • 52% Positiveness
14% Popularity • 50% Danceability • 44% Energy • 9% Liveness
0% Instrumentalness • 52% Positiveness
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Maighread NÃ Dhomhnaill
Amhrán Pheadar Breathnach
85 bpm • C Maj • 04:16 • -12db
10% Popularity • 68% Danceability • 34% Energy • 8% Liveness
0% Instrumentalness • 50% Positiveness
10% Popularity • 68% Danceability • 34% Energy • 8% Liveness
0% Instrumentalness • 50% Positiveness
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Malinky
Thaney
85 bpm • A min • 04:02 • -11.38db
15% Popularity • 50% Danceability • 38% Energy • 9% Liveness
0% Instrumentalness • 95% Positiveness
15% Popularity • 50% Danceability • 38% Energy • 9% Liveness
0% Instrumentalness • 95% Positiveness
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Aly Bain
The Pearl
85 bpm • D Maj • 03:16 • -16db
13% Popularity • 19% Danceability • 39% Energy • 97% Liveness
6% Instrumentalness • 50% Positiveness
13% Popularity • 19% Danceability • 39% Energy • 97% Liveness
6% Instrumentalness • 50% Positiveness
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Capercaillie
Dr. MacPhail's Reel
85 bpm • A Maj • 02:49 • -16.32db
24% Popularity • 60% Danceability • 36% Energy • 9% Liveness
0% Instrumentalness • 37% Positiveness
24% Popularity • 60% Danceability • 36% Energy • 9% Liveness
0% Instrumentalness • 37% Positiveness
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Session A9
One for the Road
100 bpm • A# Maj • 04:14 • -7.47db
13% Popularity • 41% Danceability • 47% Energy • 8% Liveness
0% Instrumentalness • 55% Positiveness
13% Popularity • 41% Danceability • 47% Energy • 8% Liveness
0% Instrumentalness • 55% Positiveness
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Susan McKeown
In London so Fair
100 bpm • F# min • 05:16 • -12.86db
10% Popularity • 72% Danceability • 47% Energy • 9% Liveness
2% Instrumentalness • 56% Positiveness
10% Popularity • 72% Danceability • 47% Energy • 9% Liveness
2% Instrumentalness • 56% Positiveness
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Karine Polwart
What Are You Waiting for?
100 bpm • A# Maj • 02:47 • -10.94db
25% Popularity • 64% Danceability • 59% Energy • 10% Liveness
2% Instrumentalness • 82% Positiveness
25% Popularity • 64% Danceability • 59% Energy • 10% Liveness
2% Instrumentalness • 82% Positiveness
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Luka Bloom
City of Chicago
84 bpm • E min • 03:28 • -19db
32% Popularity • 52% Danceability • 12% Energy • 12% Liveness
0% Instrumentalness • 34% Positiveness
32% Popularity • 52% Danceability • 12% Energy • 12% Liveness
0% Instrumentalness • 34% Positiveness
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Dick Gaughan
The Creggan White Hare
101 bpm • E Maj • 04:42 • -12.64db
14% Popularity • 44% Danceability • 40% Energy • 15% Liveness
0% Instrumentalness • 69% Positiveness
14% Popularity • 44% Danceability • 40% Energy • 15% Liveness
0% Instrumentalness • 69% Positiveness
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Capercaillie
Dean Saor an Spiorad
85 bpm • B min • 04:24 • -13.93db
9% Popularity • 32% Danceability • 41% Energy • 8% Liveness
0% Instrumentalness • 35% Positiveness
9% Popularity • 32% Danceability • 41% Energy • 8% Liveness
0% Instrumentalness • 35% Positiveness
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Cathie Ryan
The 12th Of July (Lament For The Childre...
101 bpm • D# Maj • 03:17 • -9.75db
9% Popularity • 46% Danceability • 21% Energy • 18% Liveness
0% Instrumentalness • 34% Positiveness
9% Popularity • 46% Danceability • 21% Energy • 18% Liveness
0% Instrumentalness • 34% Positiveness
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The Elizabethan Session
The Shores of Hispaniola
101 bpm • D min • 04:13 • -11.16db
15% Popularity • 59% Danceability • 44% Energy • 11% Liveness
0% Instrumentalness • 54% Positiveness
15% Popularity • 59% Danceability • 44% Energy • 11% Liveness
0% Instrumentalness • 54% Positiveness
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Peatbog Faeries
Jakes on a Plane
101 bpm • F# min • 05:30 • -11.04db
21% Popularity • 50% Danceability • 74% Energy • 9% Liveness
63% Instrumentalness • 48% Positiveness
21% Popularity • 50% Danceability • 74% Energy • 9% Liveness
63% Instrumentalness • 48% Positiveness
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Maire Brennan
Cé Leis
101 bpm • D min • 04:03 • -20.66db
32% Popularity • 58% Danceability • 22% Energy • 11% Liveness
2% Instrumentalness • 18% Positiveness
32% Popularity • 58% Danceability • 22% Energy • 11% Liveness
2% Instrumentalness • 18% Positiveness
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Siobhan Miller
Queen of Argyll
101 bpm • C# Maj • 03:14 • -8.79db
36% Popularity • 66% Danceability • 63% Energy • 9% Liveness
0% Instrumentalness • 80% Positiveness
36% Popularity • 66% Danceability • 63% Energy • 9% Liveness
0% Instrumentalness • 80% Positiveness
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Capercaillie
Aodann Srath Bhain
100 bpm • E Maj • 04:05 • -15.45db
10% Popularity • 51% Danceability • 30% Energy • 10% Liveness
0% Instrumentalness • 21% Positiveness
10% Popularity • 51% Danceability • 30% Energy • 10% Liveness
0% Instrumentalness • 21% Positiveness
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Cathie Ryan
Grace O'Malley
101 bpm • B min • 03:13 • -7.72db
11% Popularity • 72% Danceability • 54% Energy • 13% Liveness
0% Instrumentalness • 88% Positiveness
11% Popularity • 72% Danceability • 54% Energy • 13% Liveness
0% Instrumentalness • 88% Positiveness
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DÃ imh
'S Trusaidh mi na Coilleagan
101 bpm • C Maj • 04:18 • -9.55db
13% Popularity • 36% Danceability • 43% Energy • 9% Liveness
0% Instrumentalness • 76% Positiveness
13% Popularity • 36% Danceability • 43% Energy • 9% Liveness
0% Instrumentalness • 76% Positiveness
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The Poozies
Dheanainn Sugradh
101 bpm • D Maj • 06:40 • -14.72db
9% Popularity • 40% Danceability • 29% Energy • 12% Liveness
0% Instrumentalness • 57% Positiveness
9% Popularity • 40% Danceability • 29% Energy • 12% Liveness
0% Instrumentalness • 57% Positiveness
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Michael McGoldrick
Watermans
102 bpm • E min • 04:23 • -12.16db
15% Popularity • 65% Danceability • 47% Energy • 12% Liveness
88% Instrumentalness • 55% Positiveness
15% Popularity • 65% Danceability • 47% Energy • 12% Liveness
88% Instrumentalness • 55% Positiveness
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Arcady
After the Ball
83 bpm • D Maj • 05:32 • -16.57db
25% Popularity • 50% Danceability • 15% Energy • 10% Liveness
0% Instrumentalness • 52% Positiveness
25% Popularity • 50% Danceability • 15% Energy • 10% Liveness
0% Instrumentalness • 52% Positiveness
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Capercaillie
Michael's Matches
100 bpm • B min • 04:17 • -8.53db
13% Popularity • 67% Danceability • 73% Energy • 6% Liveness
0% Instrumentalness • 87% Positiveness
13% Popularity • 67% Danceability • 73% Energy • 6% Liveness
0% Instrumentalness • 87% Positiveness
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Hò-rò
Tom Paine’s Bones
102 bpm • D# Maj • 04:44 • -9db
22% Popularity • 62% Danceability • 45% Energy • 9% Liveness
0% Instrumentalness • 69% Positiveness
22% Popularity • 62% Danceability • 45% Energy • 9% Liveness
0% Instrumentalness • 69% Positiveness
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Aoife Ni Fhearraigh
Ansacht Na nAnsacht
102 bpm • A# Maj • 04:01 • -11.86db
24% Popularity • 53% Danceability • 33% Energy • 14% Liveness
0% Instrumentalness • 28% Positiveness
24% Popularity • 53% Danceability • 33% Energy • 14% Liveness
0% Instrumentalness • 28% Positiveness
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Davy Spillane
Forever Frozen
82 bpm • F Maj • 04:27 • -11.64db
14% Popularity • 46% Danceability • 42% Energy • 17% Liveness
87% Instrumentalness • 26% Positiveness
14% Popularity • 46% Danceability • 42% Energy • 17% Liveness
87% Instrumentalness • 26% Positiveness
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Paul Brady
Mary and the Soldier
83 bpm • G# Maj • 04:06 • -14db
20% Popularity • 46% Danceability • 37% Energy • 70% Liveness
0% Instrumentalness • 58% Positiveness
20% Popularity • 46% Danceability • 37% Energy • 70% Liveness
0% Instrumentalness • 58% Positiveness
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Arcady
The Rocks Of Bawn
83 bpm • B Maj • 03:47 • -16.83db
14% Popularity • 31% Danceability • 10% Energy • 10% Liveness
0% Instrumentalness • 15% Positiveness
14% Popularity • 31% Danceability • 10% Energy • 10% Liveness
0% Instrumentalness • 15% Positiveness
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Siobhan Miller
Banks of Newfoundland
103 bpm • D Maj • 03:59 • -10db
35% Popularity • 41% Danceability • 47% Energy • 14% Liveness
0% Instrumentalness • 70% Positiveness
35% Popularity • 41% Danceability • 47% Energy • 14% Liveness
0% Instrumentalness • 70% Positiveness
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Capercaillie
To the Moon
83 bpm • F Maj • 05:51 • -13.18db
11% Popularity • 54% Danceability • 46% Energy • 14% Liveness
2% Instrumentalness • 16% Positiveness
11% Popularity • 54% Danceability • 46% Energy • 14% Liveness
2% Instrumentalness • 16% Positiveness
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Julie Fowlis
Òganaich Uir a Rinn M' Fhà gail
103 bpm • B Maj • 02:40 • -8.32db
38% Popularity • 59% Danceability • 42% Energy • 11% Liveness
0% Instrumentalness • 84% Positiveness
38% Popularity • 59% Danceability • 42% Energy • 11% Liveness
0% Instrumentalness • 84% Positiveness
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Cathie Ryan
Cailin Deas Cruite Na Mbo
103 bpm • A# min • 05:27 • -12.56db
15% Popularity • 41% Danceability • 16% Energy • 12% Liveness
0% Instrumentalness • 15% Positiveness
15% Popularity • 41% Danceability • 16% Energy • 12% Liveness
0% Instrumentalness • 15% Positiveness
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Aoife Ni Fhearraigh
A Neansaà 'Mhile Grá
82 bpm • A Maj • 06:27 • -16.31db
10% Popularity • 45% Danceability • 12% Energy • 19% Liveness
0% Instrumentalness • 29% Positiveness
10% Popularity • 45% Danceability • 12% Energy • 19% Liveness
0% Instrumentalness • 29% Positiveness
