Songs like Franklin Avenue by Brad Mehldau
Based on a tempo of (+/- 10%) and a similar genre
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Brad Mehldau
Mignon's Song
95 bpm • B Maj • 06:35 • -20.03db
23% Popularity • 40% Danceability • 21% Energy • 13% Liveness
88% Instrumentalness • 43% Positiveness
23% Popularity • 40% Danceability • 21% Energy • 13% Liveness
88% Instrumentalness • 43% Positiveness
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Pat Metheny
Say the Brother's Name
95 bpm • C min • 07:10 • -14.8db
16% Popularity • 53% Danceability • 46% Energy • 13% Liveness
93% Instrumentalness • 54% Positiveness
16% Popularity • 53% Danceability • 46% Energy • 13% Liveness
93% Instrumentalness • 54% Positiveness
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Eric Legnini Trio
Amarone
95 bpm • E min • 02:20 • -19.23db
42% Popularity • 41% Danceability • 10% Energy • 12% Liveness
93% Instrumentalness • 13% Positiveness
42% Popularity • 41% Danceability • 10% Energy • 12% Liveness
93% Instrumentalness • 13% Positiveness
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Immanuel Wilkins
The Dreamer
95 bpm • D# Maj • 03:37 • -18.13db
46% Popularity • 43% Danceability • 14% Energy • 9% Liveness
17% Instrumentalness • 27% Positiveness
46% Popularity • 43% Danceability • 14% Energy • 9% Liveness
17% Instrumentalness • 27% Positiveness
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Carla Bley
Life Goes On: On
95 bpm • C Maj • 04:46 • -22.65db
15% Popularity • 50% Danceability • 3% Energy • 11% Liveness
92% Instrumentalness • 9% Positiveness
15% Popularity • 50% Danceability • 3% Energy • 11% Liveness
92% Instrumentalness • 9% Positiveness
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Joshua Redman Quartet
The Oneness of Two - In Three
95 bpm • G min • 05:12 • -15.14db
16% Popularity • 56% Danceability • 32% Energy • 10% Liveness
45% Instrumentalness • 38% Positiveness
16% Popularity • 56% Danceability • 32% Energy • 10% Liveness
45% Instrumentalness • 38% Positiveness
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Brad Mehldau
West Hartford
95 bpm • G# Maj • 05:39 • -18.31db
8% Popularity • 55% Danceability • 27% Energy • 9% Liveness
74% Instrumentalness • 42% Positiveness
8% Popularity • 55% Danceability • 27% Energy • 9% Liveness
74% Instrumentalness • 42% Positiveness
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Dave Douglas
A Single Sky
95 bpm • D Maj • 02:05 • -10.54db
14% Popularity • 50% Danceability • 43% Energy • 11% Liveness
87% Instrumentalness • 18% Positiveness
14% Popularity • 50% Danceability • 43% Energy • 11% Liveness
87% Instrumentalness • 18% Positiveness
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Aldo Romano
Rosario
95 bpm • C min • 03:19 • -17db
44% Popularity • 42% Danceability • 27% Energy • 7% Liveness
26% Instrumentalness • 37% Positiveness
44% Popularity • 42% Danceability • 27% Energy • 7% Liveness
26% Instrumentalness • 37% Positiveness
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The Chick Corea New Trio
Dignity
95 bpm • F Maj • 05:39 • -22db
12% Popularity • 47% Danceability • 27% Energy • 12% Liveness
85% Instrumentalness • 42% Positiveness
12% Popularity • 47% Danceability • 27% Energy • 12% Liveness
85% Instrumentalness • 42% Positiveness
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Brian Blade Fellowship
Trembling
96 bpm • G Maj • 02:17 • -25.82db
12% Popularity • 41% Danceability • 3% Energy • 14% Liveness
98% Instrumentalness • 4% Positiveness
12% Popularity • 41% Danceability • 3% Energy • 14% Liveness
98% Instrumentalness • 4% Positiveness
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Joshua Redman Quartet
Remember - Live
95 bpm • G# Maj • 09:55 • -18.95db
14% Popularity • 60% Danceability • 21% Energy • 71% Liveness
8% Instrumentalness • 55% Positiveness
14% Popularity • 60% Danceability • 21% Energy • 71% Liveness
8% Instrumentalness • 55% Positiveness
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Brad Mehldau
Time Has Told Me
96 bpm • C Maj • 08:30 • -16.45db
13% Popularity • 43% Danceability • 26% Energy • 10% Liveness
85% Instrumentalness • 31% Positiveness
13% Popularity • 43% Danceability • 26% Energy • 10% Liveness
85% Instrumentalness • 31% Positiveness
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Mark Turner
Jacky's Place
94 bpm • C# min • 06:02 • -12.76db
11% Popularity • 41% Danceability • 48% Energy • 6% Liveness
62% Instrumentalness • 70% Positiveness
11% Popularity • 41% Danceability • 48% Energy • 6% Liveness
62% Instrumentalness • 70% Positiveness
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Paul Chambers Quintet
Minor Run-Down - Rudy Van Gelder Edition...
94 bpm • A# min • 07:40 • -9db
22% Popularity • 44% Danceability • 46% Energy • 12% Liveness
0% Instrumentalness • 62% Positiveness
22% Popularity • 44% Danceability • 46% Energy • 12% Liveness
0% Instrumentalness • 62% Positiveness
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Manu Katché
Take Off And Land
94 bpm • C# Maj • 03:59 • -14db
33% Popularity • 77% Danceability • 44% Energy • 10% Liveness
91% Instrumentalness • 87% Positiveness
33% Popularity • 77% Danceability • 44% Energy • 10% Liveness
91% Instrumentalness • 87% Positiveness
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Lee Konitz
Cherokee
96 bpm • D# Maj • 10:59 • -20.94db
10% Popularity • 48% Danceability • 7% Energy • 15% Liveness
44% Instrumentalness • 16% Positiveness
10% Popularity • 48% Danceability • 7% Energy • 15% Liveness
44% Instrumentalness • 16% Positiveness
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The Chick Corea New Trio
Fingerprints
96 bpm • C# Maj • 05:18 • -18db
34% Popularity • 34% Danceability • 47% Energy • 9% Liveness
90% Instrumentalness • 76% Positiveness
34% Popularity • 34% Danceability • 47% Energy • 9% Liveness
90% Instrumentalness • 76% Positiveness
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Brad Mehldau
Franklin Avenue
95 bpm • F Maj • 03:42 • -14.45db
16% Popularity • 43% Danceability • 38% Energy • 19% Liveness
18% Instrumentalness • 22% Positiveness
16% Popularity • 43% Danceability • 38% Energy • 19% Liveness
18% Instrumentalness • 22% Positiveness
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Helge Lien Trio
Jazzkoral
94 bpm • F Maj • 04:13 • -20.45db
12% Popularity • 45% Danceability • 24% Energy • 32% Liveness
51% Instrumentalness • 5% Positiveness
12% Popularity • 45% Danceability • 24% Energy • 32% Liveness
51% Instrumentalness • 5% Positiveness
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Pat Coil
How Deep Is The Ocean?
94 bpm • F min • 04:40 • -18.39db
28% Popularity • 39% Danceability • 29% Energy • 11% Liveness
89% Instrumentalness • 24% Positiveness
28% Popularity • 39% Danceability • 29% Energy • 11% Liveness
89% Instrumentalness • 24% Positiveness
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Tord Gustavsen Trio
Draw Near
96 bpm • F Maj • 03:51 • -30db
41% Popularity • 48% Danceability • 1% Energy • 7% Liveness
75% Instrumentalness • 12% Positiveness
41% Popularity • 48% Danceability • 1% Energy • 7% Liveness
75% Instrumentalness • 12% Positiveness
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Pat Metheny
Ahmid-6
93 bpm • A min • 06:32 • -17.93db
17% Popularity • 52% Danceability • 24% Energy • 9% Liveness
94% Instrumentalness • 51% Positiveness
17% Popularity • 52% Danceability • 24% Energy • 9% Liveness
94% Instrumentalness • 51% Positiveness
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Michael Wollny
Nacht
94 bpm • D Maj • 03:35 • -16.34db
34% Popularity • 49% Danceability • 35% Energy • 8% Liveness
90% Instrumentalness • 6% Positiveness
34% Popularity • 49% Danceability • 35% Energy • 8% Liveness
90% Instrumentalness • 6% Positiveness
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Brad Mehldau
At the Tollbooth
94 bpm • D# Maj • 01:07 • -28.41db
28% Popularity • 38% Danceability • 1% Energy • 13% Liveness
87% Instrumentalness • 24% Positiveness
28% Popularity • 38% Danceability • 1% Energy • 13% Liveness
87% Instrumentalness • 24% Positiveness
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Lee Morgan
Most Like Lee
93 bpm • C min • 06:49 • -12.66db
22% Popularity • 53% Danceability • 50% Energy • 21% Liveness
0% Instrumentalness • 75% Positiveness
22% Popularity • 53% Danceability • 50% Energy • 21% Liveness
0% Instrumentalness • 75% Positiveness
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Brad Mehldau Trio
Seymour Reads the Constitution
93 bpm • F# min • 08:03 • -15db
36% Popularity • 59% Danceability • 28% Energy • 10% Liveness
78% Instrumentalness • 39% Positiveness
36% Popularity • 59% Danceability • 28% Energy • 10% Liveness
78% Instrumentalness • 39% Positiveness
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Peter Erskine
Push/Pull
93 bpm • C Maj • 05:57 • -16.96db
11% Popularity • 53% Danceability • 34% Energy • 12% Liveness
80% Instrumentalness • 40% Positiveness
11% Popularity • 53% Danceability • 34% Energy • 12% Liveness
80% Instrumentalness • 40% Positiveness
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Pat Metheny
Secret Beach
93 bpm • C Maj • 09:07 • -14.9db
14% Popularity • 55% Danceability • 31% Energy • 11% Liveness
90% Instrumentalness • 32% Positiveness
14% Popularity • 55% Danceability • 31% Energy • 11% Liveness
90% Instrumentalness • 32% Positiveness
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Jason Moran
Blue Blocks
93 bpm • A# min • 04:35 • -13.44db
21% Popularity • 39% Danceability • 51% Energy • 13% Liveness
91% Instrumentalness • 47% Positiveness
21% Popularity • 39% Danceability • 51% Energy • 13% Liveness
91% Instrumentalness • 47% Positiveness
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Brad Mehldau
Ron's Place
96 bpm • A Maj • 06:30 • -22.31db
33% Popularity • 49% Danceability • 10% Energy • 11% Liveness
88% Instrumentalness • 36% Positiveness
33% Popularity • 49% Danceability • 10% Energy • 11% Liveness
88% Instrumentalness • 36% Positiveness
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The Bad Plus
Variation d'Apollon
97 bpm • C Maj • 04:35 • -12.9db
27% Popularity • 54% Danceability • 36% Energy • 9% Liveness
92% Instrumentalness • 19% Positiveness
27% Popularity • 54% Danceability • 36% Energy • 9% Liveness
92% Instrumentalness • 19% Positiveness
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Immanuel Wilkins
Grace And Mercy
98 bpm • G Maj • 06:49 • -11db
22% Popularity • 36% Danceability • 50% Energy • 9% Liveness
46% Instrumentalness • 28% Positiveness
22% Popularity • 36% Danceability • 50% Energy • 9% Liveness
46% Instrumentalness • 28% Positiveness
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Marian McPartland
Our Love Is Here To Stay
98 bpm • F Maj • 05:28 • -15.02db
26% Popularity • 48% Danceability • 17% Energy • 11% Liveness
92% Instrumentalness • 34% Positiveness
26% Popularity • 48% Danceability • 17% Energy • 11% Liveness
92% Instrumentalness • 34% Positiveness
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Ferenc Snétberger
Cou Cou
92 bpm • G Maj • 02:55 • -22db
30% Popularity • 56% Danceability • 31% Energy • 15% Liveness
92% Instrumentalness • 16% Positiveness
30% Popularity • 56% Danceability • 31% Energy • 15% Liveness
92% Instrumentalness • 16% Positiveness
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Brad Mehldau Trio
I Concentrate on You
92 bpm • F min • 07:20 • -14db
26% Popularity • 49% Danceability • 30% Energy • 10% Liveness
91% Instrumentalness • 29% Positiveness
26% Popularity • 49% Danceability • 30% Energy • 10% Liveness
91% Instrumentalness • 29% Positiveness
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Brad Mehldau
I Didn't Know What Time It Was
97 bpm • C Maj • 06:31 • -17.56db
32% Popularity • 46% Danceability • 33% Energy • 12% Liveness
90% Instrumentalness • 54% Positiveness
32% Popularity • 46% Danceability • 33% Energy • 12% Liveness
90% Instrumentalness • 54% Positiveness
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Vijay Iyer Trio
Diptych
98 bpm • C# Maj • 06:47 • -19.89db
9% Popularity • 52% Danceability • 29% Energy • 9% Liveness
92% Instrumentalness • 33% Positiveness
9% Popularity • 52% Danceability • 29% Energy • 9% Liveness
92% Instrumentalness • 33% Positiveness
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Tord Gustavsen Trio
Stream
92 bpm • G# Maj • 07:03 • -34db
35% Popularity • 45% Danceability • 2% Energy • 10% Liveness
91% Instrumentalness • 11% Positiveness
35% Popularity • 45% Danceability • 2% Energy • 10% Liveness
91% Instrumentalness • 11% Positiveness
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Joel Lyssarides
Down and Out
92 bpm • F# min • 03:10 • -26.34db
43% Popularity • 29% Danceability • 4% Energy • 11% Liveness
82% Instrumentalness • 8% Positiveness
43% Popularity • 29% Danceability • 4% Energy • 11% Liveness
82% Instrumentalness • 8% Positiveness
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Joshua Redman
Silly Little Love Song
92 bpm • C# Maj • 07:01 • -10.9db
23% Popularity • 69% Danceability • 44% Energy • 12% Liveness
89% Instrumentalness • 40% Positiveness
23% Popularity • 69% Danceability • 44% Energy • 12% Liveness
89% Instrumentalness • 40% Positiveness
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Brad Mehldau Trio
Where Do You Start
98 bpm • C# Maj • 04:06 • -23db
46% Popularity • 41% Danceability • 4% Energy • 6% Liveness
92% Instrumentalness • 8% Positiveness
46% Popularity • 41% Danceability • 4% Energy • 6% Liveness
92% Instrumentalness • 8% Positiveness
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Joshua Redman Quartet
Rejoice
92 bpm • F min • 11:12 • -15db
15% Popularity • 43% Danceability • 34% Energy • 10% Liveness
8% Instrumentalness • 56% Positiveness
15% Popularity • 43% Danceability • 34% Energy • 10% Liveness
8% Instrumentalness • 56% Positiveness
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Brad Mehldau
Angst
98 bpm • A min • 06:11 • -18.93db
12% Popularity • 50% Danceability • 25% Energy • 10% Liveness
92% Instrumentalness • 18% Positiveness
12% Popularity • 50% Danceability • 25% Energy • 10% Liveness
92% Instrumentalness • 18% Positiveness
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Abdullah Ibrahim
Dreamtime
99 bpm • A# min • 04:05 • -19.5db
33% Popularity • 49% Danceability • 15% Energy • 22% Liveness
93% Instrumentalness • 7% Positiveness
33% Popularity • 49% Danceability • 15% Energy • 22% Liveness
93% Instrumentalness • 7% Positiveness
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Kevin Hays
All Things Are
92 bpm • C Maj • 09:35 • -14db
12% Popularity • 38% Danceability • 34% Energy • 7% Liveness
26% Instrumentalness • 42% Positiveness
12% Popularity • 38% Danceability • 34% Energy • 7% Liveness
26% Instrumentalness • 42% Positiveness
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Tord Gustavsen Quartet
Circling
99 bpm • D min • 04:39 • -23.84db
29% Popularity • 53% Danceability • 4% Energy • 17% Liveness
86% Instrumentalness • 14% Positiveness
29% Popularity • 53% Danceability • 4% Energy • 17% Liveness
86% Instrumentalness • 14% Positiveness
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Steven Feifke
Stablemates
99 bpm • F# min • 03:52 • -13.14db
6% Popularity • 46% Danceability • 41% Energy • 12% Liveness
31% Instrumentalness • 62% Positiveness
6% Popularity • 46% Danceability • 41% Energy • 12% Liveness
31% Instrumentalness • 62% Positiveness
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Paolo Fresu
Palfium
91 bpm • F min • 03:15 • -16db
35% Popularity • 65% Danceability • 28% Energy • 11% Liveness
85% Instrumentalness • 76% Positiveness
35% Popularity • 65% Danceability • 28% Energy • 11% Liveness
85% Instrumentalness • 76% Positiveness
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Brad Mehldau
Old West
92 bpm • C# min • 08:28 • -19.51db
10% Popularity • 34% Danceability • 10% Energy • 11% Liveness
85% Instrumentalness • 20% Positiveness
10% Popularity • 34% Danceability • 10% Energy • 11% Liveness
85% Instrumentalness • 20% Positiveness
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Tord Gustavsen Trio
Vicar Street
91 bpm • A min • 03:42 • -21.57db
34% Popularity • 31% Danceability • 24% Energy • 5% Liveness
77% Instrumentalness • 7% Positiveness
34% Popularity • 31% Danceability • 24% Energy • 5% Liveness
77% Instrumentalness • 7% Positiveness
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Sullivan Fortner
Pep Talk
91 bpm • A Maj • 04:24 • -13.52db
16% Popularity • 61% Danceability • 29% Energy • 10% Liveness
76% Instrumentalness • 55% Positiveness
16% Popularity • 61% Danceability • 29% Energy • 10% Liveness
76% Instrumentalness • 55% Positiveness
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Peter Erskine
On The Lake
99 bpm • D# Maj • 05:03 • -25.28db
21% Popularity • 50% Danceability • 8% Energy • 10% Liveness
87% Instrumentalness • 16% Positiveness
21% Popularity • 50% Danceability • 8% Energy • 10% Liveness
87% Instrumentalness • 16% Positiveness
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Abdullah Ibrahim
In The Evening
99 bpm • G min • 01:33 • -21.61db
30% Popularity • 48% Danceability • 5% Energy • 12% Liveness
88% Instrumentalness • 20% Positiveness
30% Popularity • 48% Danceability • 5% Energy • 12% Liveness
88% Instrumentalness • 20% Positiveness
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Chris Thile
Independence Day
91 bpm • F Maj • 03:10 • -14.73db
28% Popularity • 55% Danceability • 23% Energy • 11% Liveness
88% Instrumentalness • 39% Positiveness
28% Popularity • 55% Danceability • 23% Energy • 11% Liveness
88% Instrumentalness • 39% Positiveness
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Brad Mehldau
B-Flat Waltz
99 bpm • A# min • 09:10 • -16.68db
11% Popularity • 48% Danceability • 42% Energy • 66% Liveness
93% Instrumentalness • 48% Positiveness
11% Popularity • 48% Danceability • 42% Energy • 66% Liveness
93% Instrumentalness • 48% Positiveness
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Bobo Stenson Trio
East Print
99 bpm • E Maj • 02:38 • -25.67db
27% Popularity • 50% Danceability • 21% Energy • 8% Liveness
86% Instrumentalness • 44% Positiveness
27% Popularity • 50% Danceability • 21% Energy • 8% Liveness
86% Instrumentalness • 44% Positiveness
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Michael Wollny
Zweidrei
100 bpm • E min • 02:17 • -13.99db
16% Popularity • 52% Danceability • 49% Energy • 8% Liveness
83% Instrumentalness • 33% Positiveness
16% Popularity • 52% Danceability • 49% Energy • 8% Liveness
83% Instrumentalness • 33% Positiveness
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Vijay Iyer Trio
Optimism
91 bpm • B min • 07:23 • -15db
9% Popularity • 41% Danceability • 33% Energy • 13% Liveness
92% Instrumentalness • 18% Positiveness
9% Popularity • 41% Danceability • 33% Energy • 13% Liveness
92% Instrumentalness • 18% Positiveness
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Brian Blade & The Fellowship Band
Season of Changes
91 bpm • G# min • 12:00 • -13.18db
16% Popularity • 32% Danceability • 39% Energy • 11% Liveness
94% Instrumentalness • 14% Positiveness
16% Popularity • 32% Danceability • 39% Energy • 11% Liveness
94% Instrumentalness • 14% Positiveness
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David Tixier Trio
Nutra
91 bpm • A# min • 06:00 • -11.72db
16% Popularity • 47% Danceability • 61% Energy • 10% Liveness
88% Instrumentalness • 56% Positiveness
16% Popularity • 47% Danceability • 61% Energy • 10% Liveness
88% Instrumentalness • 56% Positiveness
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Brad Mehldau Trio
Jam
100 bpm • A Maj • 05:26 • -13.52db
20% Popularity • 54% Danceability • 59% Energy • 10% Liveness
88% Instrumentalness • 65% Positiveness
20% Popularity • 54% Danceability • 59% Energy • 10% Liveness
88% Instrumentalness • 65% Positiveness
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The Bad Plus
Avail
100 bpm • C Maj • 03:15 • -8db
21% Popularity • 45% Danceability • 76% Energy • 12% Liveness
89% Instrumentalness • 56% Positiveness
21% Popularity • 45% Danceability • 76% Energy • 12% Liveness
89% Instrumentalness • 56% Positiveness
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Tord Gustavsen Quartet
The Well
100 bpm • F Maj • 05:48 • -19db
14% Popularity • 40% Danceability • 16% Energy • 9% Liveness
89% Instrumentalness • 10% Positiveness
14% Popularity • 40% Danceability • 16% Energy • 9% Liveness
89% Instrumentalness • 10% Positiveness
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Vijay Iyer Trio
Work
90 bpm • D Maj • 06:14 • -22db
16% Popularity • 43% Danceability • 21% Energy • 12% Liveness
80% Instrumentalness • 37% Positiveness
16% Popularity • 43% Danceability • 21% Energy • 12% Liveness
80% Instrumentalness • 37% Positiveness
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Brian Blade & The Fellowship Band
Omni
100 bpm • C Maj • 06:10 • -10.77db
11% Popularity • 33% Danceability • 36% Energy • 10% Liveness
80% Instrumentalness • 16% Positiveness
11% Popularity • 33% Danceability • 36% Energy • 10% Liveness
80% Instrumentalness • 16% Positiveness
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Oded Tzur
The Dream
100 bpm • C# Maj • 05:25 • -18.8db
16% Popularity • 40% Danceability • 36% Energy • 10% Liveness
95% Instrumentalness • 83% Positiveness
16% Popularity • 40% Danceability • 36% Energy • 10% Liveness
95% Instrumentalness • 83% Positiveness
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Cedar Walton
Off Minor
100 bpm • D Maj • 09:01 • -19.33db
25% Popularity • 44% Danceability • 38% Energy • 34% Liveness
64% Instrumentalness • 61% Positiveness
25% Popularity • 44% Danceability • 38% Energy • 34% Liveness
64% Instrumentalness • 61% Positiveness
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Brad Mehldau
Unrequited
90 bpm • G Maj • 06:09 • -19.6db
23% Popularity • 42% Danceability • 24% Energy • 11% Liveness
95% Instrumentalness • 24% Positiveness
23% Popularity • 42% Danceability • 24% Energy • 11% Liveness
95% Instrumentalness • 24% Positiveness
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Jan Garbarek
Lamenting
90 bpm • C Maj • 06:03 • -20.26db
21% Popularity • 33% Danceability • 9% Energy • 12% Liveness
78% Instrumentalness • 9% Positiveness
21% Popularity • 33% Danceability • 9% Energy • 12% Liveness
78% Instrumentalness • 9% Positiveness
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Tord Gustavsen Trio
Curves
101 bpm • A Maj • 06:19 • -28.95db
47% Popularity • 52% Danceability • 3% Energy • 9% Liveness
93% Instrumentalness • 9% Positiveness
47% Popularity • 52% Danceability • 3% Energy • 9% Liveness
93% Instrumentalness • 9% Positiveness
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Joey Alexander
Promise of Spring
101 bpm • G# min • 04:29 • -19.01db
30% Popularity • 37% Danceability • 17% Energy • 8% Liveness
89% Instrumentalness • 16% Positiveness
30% Popularity • 37% Danceability • 17% Energy • 8% Liveness
89% Instrumentalness • 16% Positiveness
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Gil Evans
Concorde
101 bpm • G# Maj • 07:39 • -14.54db
12% Popularity • 51% Danceability • 44% Energy • 20% Liveness
4% Instrumentalness • 34% Positiveness
12% Popularity • 51% Danceability • 44% Energy • 20% Liveness
4% Instrumentalness • 34% Positiveness
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Red Garland Trio
Little Girl Blue - Instrumental
89 bpm • D# Maj • 05:04 • -19.08db
28% Popularity • 55% Danceability • 5% Energy • 9% Liveness
91% Instrumentalness • 15% Positiveness
28% Popularity • 55% Danceability • 5% Energy • 9% Liveness
91% Instrumentalness • 15% Positiveness
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Brad Mehldau
Brownie Speaks
89 bpm • F Maj • 08:13 • -15.55db
15% Popularity • 58% Danceability • 36% Energy • 12% Liveness
93% Instrumentalness • 61% Positiveness
15% Popularity • 58% Danceability • 36% Energy • 12% Liveness
93% Instrumentalness • 61% Positiveness
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Eric Legnini Trio
Trastevere
101 bpm • C Maj • 02:27 • -16.47db
44% Popularity • 46% Danceability • 14% Energy • 11% Liveness
94% Instrumentalness • 34% Positiveness
44% Popularity • 46% Danceability • 14% Energy • 11% Liveness
94% Instrumentalness • 34% Positiveness
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Tord Gustavsen Trio
Deep As Love
101 bpm • A min • 05:54 • -26.23db
39% Popularity • 57% Danceability • 3% Energy • 16% Liveness
79% Instrumentalness • 11% Positiveness
39% Popularity • 57% Danceability • 3% Energy • 16% Liveness
79% Instrumentalness • 11% Positiveness
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Jason Moran
Body And Soul
101 bpm • C# Maj • 03:46 • -22.15db
34% Popularity • 43% Danceability • 5% Energy • 10% Liveness
94% Instrumentalness • 21% Positiveness
34% Popularity • 43% Danceability • 5% Energy • 10% Liveness
94% Instrumentalness • 21% Positiveness
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Alvin Queen Trio
Have You Met Miss Jones?
89 bpm • D min • 03:44 • -19.35db
13% Popularity • 49% Danceability • 15% Energy • 11% Liveness
8% Instrumentalness • 39% Positiveness
13% Popularity • 49% Danceability • 15% Energy • 11% Liveness
8% Instrumentalness • 39% Positiveness
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Brad Mehldau Trio
And I Love Her
89 bpm • G Maj • 09:25 • -14.42db
37% Popularity • 37% Danceability • 34% Energy • 9% Liveness
87% Instrumentalness • 36% Positiveness
37% Popularity • 37% Danceability • 34% Energy • 9% Liveness
87% Instrumentalness • 36% Positiveness
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Brad Mehldau
Convalescent
101 bpm • G Maj • 05:57 • -19.56db
18% Popularity • 45% Danceability • 24% Energy • 11% Liveness
77% Instrumentalness • 24% Positiveness
18% Popularity • 45% Danceability • 24% Energy • 11% Liveness
77% Instrumentalness • 24% Positiveness
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Manu Katché
Springtime Dancing
102 bpm • D min • 04:10 • -13.81db
26% Popularity • 44% Danceability • 25% Energy • 5% Liveness
14% Instrumentalness • 15% Positiveness
26% Popularity • 44% Danceability • 25% Energy • 5% Liveness
14% Instrumentalness • 15% Positiveness
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Branford Marsalis Quartet
The Lonely Swan
89 bpm • E min • 09:05 • -16.25db
24% Popularity • 54% Danceability • 23% Energy • 9% Liveness
87% Instrumentalness • 21% Positiveness
24% Popularity • 54% Danceability • 23% Energy • 9% Liveness
87% Instrumentalness • 21% Positiveness
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Carl Bagge
Runmarö
89 bpm • G# Maj • 05:41 • -14.07db
9% Popularity • 39% Danceability • 32% Energy • 11% Liveness
12% Instrumentalness • 36% Positiveness
9% Popularity • 39% Danceability • 32% Energy • 11% Liveness
12% Instrumentalness • 36% Positiveness
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Bill Charlap
Liza
89 bpm • A# min • 02:16 • -22db
26% Popularity • 53% Danceability • 25% Energy • 10% Liveness
91% Instrumentalness • 96% Positiveness
26% Popularity • 53% Danceability • 25% Energy • 10% Liveness
91% Instrumentalness • 96% Positiveness
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Horace Silver
The St. Vitus Dance - Remastered 1999/Ru...
102 bpm • A# min • 04:09 • -13.05db
24% Popularity • 41% Danceability • 43% Energy • 9% Liveness
22% Instrumentalness • 69% Positiveness
24% Popularity • 41% Danceability • 43% Energy • 9% Liveness
22% Instrumentalness • 69% Positiveness
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Brad Mehldau
At a Loss
89 bpm • C# Maj • 06:20 • -20.26db
19% Popularity • 35% Danceability • 18% Energy • 10% Liveness
83% Instrumentalness • 26% Positiveness
19% Popularity • 35% Danceability • 18% Energy • 10% Liveness
83% Instrumentalness • 26% Positiveness
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Manu Katché
So Groovy
89 bpm • A# min • 05:50 • -15.26db
14% Popularity • 46% Danceability • 43% Energy • 23% Liveness
79% Instrumentalness • 38% Positiveness
14% Popularity • 46% Danceability • 43% Energy • 23% Liveness
79% Instrumentalness • 38% Positiveness
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Bobo Stenson Trio
Wedding Song From Poniky
102 bpm • A# Maj • 07:26 • -25.95db
17% Popularity • 43% Danceability • 5% Energy • 12% Liveness
88% Instrumentalness • 9% Positiveness
17% Popularity • 43% Danceability • 5% Energy • 12% Liveness
88% Instrumentalness • 9% Positiveness
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Marcin Wasilewski
Sister's Song
88 bpm • C# Maj • 05:57 • -17db
13% Popularity • 46% Danceability • 26% Energy • 8% Liveness
70% Instrumentalness • 23% Positiveness
13% Popularity • 46% Danceability • 26% Energy • 8% Liveness
70% Instrumentalness • 23% Positiveness
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Anat Fort Trio
Meditation For A New Year
88 bpm • G Maj • 04:47 • -24db
29% Popularity • 46% Danceability • 14% Energy • 10% Liveness
92% Instrumentalness • 30% Positiveness
29% Popularity • 46% Danceability • 14% Energy • 10% Liveness
92% Instrumentalness • 30% Positiveness
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Tommy Flanagan Trio
Dalarna
102 bpm • D Maj • 04:39 • -11.08db
33% Popularity • 43% Danceability • 44% Energy • 9% Liveness
88% Instrumentalness • 32% Positiveness
33% Popularity • 43% Danceability • 44% Energy • 9% Liveness
88% Instrumentalness • 32% Positiveness
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Brad Mehldau
Trailer Park Ghost
102 bpm • D# Maj • 09:19 • -19.79db
8% Popularity • 31% Danceability • 24% Energy • 10% Liveness
91% Instrumentalness • 32% Positiveness
8% Popularity • 31% Danceability • 24% Energy • 10% Liveness
91% Instrumentalness • 32% Positiveness
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Tord Gustavsen Trio
The Circle
103 bpm • C Maj • 03:56 • -28.12db
36% Popularity • 53% Danceability • 6% Energy • 7% Liveness
85% Instrumentalness • 18% Positiveness
36% Popularity • 53% Danceability • 6% Energy • 7% Liveness
85% Instrumentalness • 18% Positiveness
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Ambrose Akinmusire
Marie Christie
88 bpm • A min • 03:15 • -18.3db
28% Popularity • 46% Danceability • 14% Energy • 9% Liveness
87% Instrumentalness • 36% Positiveness
28% Popularity • 46% Danceability • 14% Energy • 9% Liveness
87% Instrumentalness • 36% Positiveness
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Helge Lien Trio
Krystall Revisited
103 bpm • C# Maj • 06:27 • -18db
8% Popularity • 37% Danceability • 35% Energy • 10% Liveness
90% Instrumentalness • 12% Positiveness
8% Popularity • 37% Danceability • 35% Energy • 10% Liveness
90% Instrumentalness • 12% Positiveness
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Anat Fort Trio
It's Your Song
88 bpm • A Maj • 04:16 • -22.4db
31% Popularity • 42% Danceability • 24% Energy • 9% Liveness
95% Instrumentalness • 50% Positiveness
31% Popularity • 42% Danceability • 24% Energy • 9% Liveness
95% Instrumentalness • 50% Positiveness
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Oded Tzur
Child's Dance
104 bpm • G# min • 01:22 • -20db
39% Popularity • 57% Danceability • 25% Energy • 9% Liveness
94% Instrumentalness • 68% Positiveness
39% Popularity • 57% Danceability • 25% Energy • 9% Liveness
94% Instrumentalness • 68% Positiveness