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Freak Flag
Songs like
Freak Flag
by
John Tartaglia
Based on a tempo of (+/- 10%) and a similar genre
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Roger Bart
Together Again
145 bpm • G Maj • 03:50 • -8.55db
28% Popularity • 65% Danceability • 54% Energy • 4% Liveness
0% Instrumentalness • 64% Positiveness
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The Original Broadway Cast Of School Of Rock
You're in the Band
145 bpm • G Maj • 04:54 • -3.69db
36% Popularity • 65% Danceability • 82% Energy • 26% Liveness
0% Instrumentalness • 73% Positiveness
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Lynn Ahrens
Oh, The Thinks You Can Think - Original ...
145 bpm • C Maj • 03:51 • -9.81db
38% Popularity • 69% Danceability • 57% Energy • 29% Liveness
0% Instrumentalness • 86% Positiveness
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John Tartaglia
Freak Flag
145 bpm • A Maj • 03:51 • -7.09db
42% Popularity • 60% Danceability • 53% Energy • 40% Liveness
0% Instrumentalness • 58% Positiveness
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Aladdin Original Broadway Cast
Finale Ultimo
146 bpm • C min • 02:46 • -5.64db
29% Popularity • 48% Danceability • 44% Energy • 4% Liveness
0% Instrumentalness • 69% Positiveness
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Matthew James Thomas
Extraordinary
146 bpm • D min • 02:38 • -7.39db
34% Popularity • 53% Danceability • 56% Energy • 9% Liveness
0% Instrumentalness • 83% Positiveness
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Sophia Anne Caruso
Home
146 bpm • D Maj • 03:47 • -6.51db
50% Popularity • 41% Danceability • 62% Energy • 28% Liveness
0% Instrumentalness • 19% Positiveness
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Keala Settle
The Negative
144 bpm • C# Maj • 02:27 • -7.25db
48% Popularity • 58% Danceability • 60% Energy • 29% Liveness
0% Instrumentalness • 63% Positiveness
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Erika Henningsen
I See Stars
146 bpm • A Maj • 03:48 • -4db
48% Popularity • 36% Danceability • 76% Energy • 12% Liveness
0% Instrumentalness • 24% Positiveness
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John Tartaglia
Mr. Right
144 bpm • E Maj • 01:37 • -11db
3% Popularity • 47% Danceability • 26% Energy • 12% Liveness
0% Instrumentalness • 22% Positiveness
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Gary Beach
Be Our Guest
146 bpm • G Maj • 06:55 • -15db
37% Popularity • 47% Danceability • 34% Energy • 18% Liveness
0% Instrumentalness • 50% Positiveness
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Stanley Wayne Mathis
Beethoven Day
144 bpm • C Maj • 03:07 • -12db
30% Popularity • 61% Danceability • 43% Energy • 15% Liveness
0% Instrumentalness • 77% Positiveness
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Rob McClure
Ready Set, Not Yet
146 bpm • G Maj • 03:42 • -7.05db
50% Popularity • 66% Danceability • 65% Energy • 18% Liveness
0% Instrumentalness • 69% Positiveness
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Brian Gonzales
High Adventure
143 bpm • C Maj • 05:31 • -7db
36% Popularity • 50% Danceability • 56% Energy • 12% Liveness
0% Instrumentalness • 44% Positiveness
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Grey Henson
Where Do You Belong?
144 bpm • A# Maj • 04:53 • -5.41db
52% Popularity • 46% Danceability • 72% Energy • 15% Liveness
0% Instrumentalness • 48% Positiveness
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Billy Hartung
The Girl Gets Around
147 bpm • A Maj • 02:21 • -8.42db
33% Popularity • 60% Danceability • 55% Energy • 47% Liveness
0% Instrumentalness • 80% Positiveness
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Sophia Gennusa
Naughty
143 bpm • F Maj • 03:14 • -10db
40% Popularity • 75% Danceability • 35% Energy • 7% Liveness
0% Instrumentalness • 75% Positiveness
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Lewis Cleale
Making Things up Again
147 bpm • G# Maj • 04:16 • -11.25db
42% Popularity • 67% Danceability • 38% Energy • 14% Liveness
0% Instrumentalness • 59% Positiveness
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Lynn Ahrens
Alone In The Universe - Original Broadwa...
143 bpm • C Maj • 04:49 • -12.83db
35% Popularity • 35% Danceability • 27% Energy • 26% Liveness
0% Instrumentalness • 24% Positiveness
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Kevin Csolak
Gee, Officer Krupke
143 bpm • C# Maj • 04:20 • -13.07db
42% Popularity • 66% Danceability • 33% Energy • 14% Liveness
0% Instrumentalness • 53% Positiveness
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Burke Moses
The Mob Song
143 bpm • A min • 03:02 • -17.03db
33% Popularity • 50% Danceability • 39% Energy • 67% Liveness
0% Instrumentalness • 64% Positiveness
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Avenue Q Ensemble
The Avenue Q Theme
142 bpm • F Maj • 01:02 • -11db
16% Popularity • 71% Danceability • 28% Energy • 38% Liveness
0% Instrumentalness • 80% Positiveness
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Original Broadway Cast Of Matilda The Musical
When I Grow Up / Naughty (Reprise)
147 bpm • F Maj • 02:10 • -7db
37% Popularity • 41% Danceability • 62% Energy • 16% Liveness
0% Instrumentalness • 90% Positiveness
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Patina Miller
Take Me to Heaven
148 bpm • G# Maj • 03:00 • -4.73db
37% Popularity • 40% Danceability • 86% Energy • 5% Liveness
0% Instrumentalness • 69% Positiveness
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Peter Gallagher
Luck Be a Lady
148 bpm • G# Maj • 03:02 • -17.27db
35% Popularity • 54% Danceability • 26% Energy • 6% Liveness
0% Instrumentalness • 82% Positiveness
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Aaron Tveit
Goodbye
148 bpm • G# Maj • 03:34 • -7.06db
39% Popularity • 56% Danceability • 59% Energy • 14% Liveness
0% Instrumentalness • 41% Positiveness
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Nathan Lane
We Can Do It
142 bpm • D# Maj • 03:35 • -12.35db
27% Popularity • 50% Danceability • 47% Energy • 35% Liveness
0% Instrumentalness • 55% Positiveness
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Natalie Venetia Belcon
You Can Be as Loud as the Hell You Want ...
148 bpm • F min • 02:41 • -6.79db
8% Popularity • 57% Danceability • 61% Energy • 31% Liveness
0% Instrumentalness • 83% Positiveness
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Beth Leavel
Changing Lives
142 bpm • F# Maj • 03:10 • -6db
32% Popularity • 54% Danceability • 83% Energy • 5% Liveness
0% Instrumentalness • 70% Positiveness
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Josh Gad
Man Up
142 bpm • D Maj • 04:03 • -8.37db
44% Popularity • 49% Danceability • 66% Energy • 8% Liveness
0% Instrumentalness • 46% Positiveness
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Megan Hilty, Stephanie J. Block, Allison Janney and Ensemble
Shine Like The Sun
142 bpm • E Maj • 04:15 • -6.44db
32% Popularity • 60% Danceability • 60% Energy • 10% Liveness
0% Instrumentalness • 70% Positiveness
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Danny Skinner
Super Sea Star Savior
142 bpm • A# Maj • 04:43 • -5.98db
36% Popularity • 61% Danceability • 88% Energy • 29% Liveness
0% Instrumentalness • 40% Positiveness
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James Monroe Iglehart
Somebody's Got Your Back
148 bpm • C Maj • 03:24 • -7.21db
30% Popularity • 59% Danceability • 43% Energy • 24% Liveness
0% Instrumentalness • 60% Positiveness
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Jordan Gelber
There Is Life Outside Your Apartment
142 bpm • D Maj • 03:08 • -9.33db
7% Popularity • 71% Danceability • 41% Energy • 13% Liveness
0% Instrumentalness • 68% Positiveness
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Richard H. Blake
All About the Green
142 bpm • C Maj • 04:36 • -5.97db
10% Popularity • 60% Danceability • 56% Energy • 6% Liveness
0% Instrumentalness • 89% Positiveness
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Scott Barnhardt
Turn It Off
142 bpm • F Maj • 05:03 • -10.55db
50% Popularity • 55% Danceability • 41% Energy • 56% Liveness
0% Instrumentalness • 63% Positiveness
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Charlotte D'Amboise
Spread a Little Sunshine
148 bpm • C min • 03:03 • -9.43db
33% Popularity • 36% Danceability • 34% Energy • 62% Liveness
0% Instrumentalness • 48% Positiveness
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Linda Hart
(The Legend of) Miss Baltimore Crabs
142 bpm • C# Maj • 02:53 • -8.16db
28% Popularity • 70% Danceability • 57% Energy • 9% Liveness
0% Instrumentalness • 70% Positiveness
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Jodie Steele
Candy Store
141 bpm • C# Maj • 02:56 • -5.53db
48% Popularity • 56% Danceability • 59% Energy • 16% Liveness
0% Instrumentalness • 61% Positiveness
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Natalie Venetia Belcon
Schadenfreude
149 bpm • A Maj • 03:04 • -6.14db
15% Popularity • 58% Danceability • 49% Energy • 11% Liveness
0% Instrumentalness • 54% Positiveness
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Nikki Blonsky
Mama, I'm A Big Girl Now
141 bpm • B Maj • 03:18 • -5db
44% Popularity • 65% Danceability • 71% Energy • 62% Liveness
0% Instrumentalness • 59% Positiveness
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Ilana Levine
Little Known Facts
141 bpm • D# min • 02:22 • -11.94db
25% Popularity • 68% Danceability • 41% Energy • 28% Liveness
0% Instrumentalness • 71% Positiveness
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Patina Miller
Raise Your Voice
141 bpm • C Maj • 06:23 • -5.3db
36% Popularity • 63% Danceability • 76% Energy • 12% Liveness
0% Instrumentalness • 70% Positiveness
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Marissa Jaret Winokur
Mama, I'm a Big Girl Now
141 bpm • F Maj • 03:18 • -4.62db
36% Popularity • 78% Danceability • 79% Energy • 3% Liveness
0% Instrumentalness • 71% Positiveness
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A Chorus Line Ensemble (2006)
Opening: I Hope I Get It
141 bpm • A Maj • 06:57 • -9.75db
38% Popularity • 56% Danceability • 36% Energy • 4% Liveness
0% Instrumentalness • 31% Positiveness
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Aaron Tveit
Someone Else's Skin
141 bpm • F Maj • 04:14 • -7.32db
31% Popularity • 44% Danceability • 55% Energy • 13% Liveness
0% Instrumentalness • 57% Positiveness
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Kerry Butler
Barbara 2.0
149 bpm • G# Maj • 03:25 • -5.54db
47% Popularity • 56% Danceability • 65% Energy • 6% Liveness
0% Instrumentalness • 68% Positiveness
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The Original Broadway Cast Of School Of Rock
Where Did the Rock Go
141 bpm • A# Maj • 04:14 • -7.58db
35% Popularity • 36% Danceability • 48% Energy • 10% Liveness
0% Instrumentalness • 21% Positiveness
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Stephanie J. Block
I'm Breaking Down
141 bpm • A Maj • 04:48 • -7.7db
45% Popularity • 61% Danceability • 43% Energy • 40% Liveness
0% Instrumentalness • 56% Positiveness
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Jeremy Jordan
Carrying The Banner
149 bpm • D Maj • 05:08 • -8.71db
50% Popularity • 49% Danceability • 49% Energy • 9% Liveness
0% Instrumentalness • 51% Positiveness
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Mersisters - The Little Mermaid Original Broadway Cast
Daughters of Triton
140 bpm • C Maj • 01:19 • -18db
35% Popularity • 59% Danceability • 19% Energy • 17% Liveness
0% Instrumentalness • 90% Positiveness
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Carlos López
Daddy Knows Best
140 bpm • G Maj • 02:52 • -5db
38% Popularity • 51% Danceability • 66% Energy • 33% Liveness
0% Instrumentalness • 72% Positiveness
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Stephen Flaherty
It's Possible (McElligot's Pool) - Origi...
150 bpm • D Maj • 02:37 • -10.73db
33% Popularity • 49% Danceability • 42% Energy • 23% Liveness
0% Instrumentalness • 70% Positiveness
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Dana Steingold
Girl Scout
150 bpm • G Maj • 02:26 • -6.96db
51% Popularity • 69% Danceability • 57% Energy • 55% Liveness
0% Instrumentalness • 60% Positiveness
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Ethan Slater
(Just a) Simple Sponge
150 bpm • C Maj • 03:56 • -5.64db
34% Popularity • 50% Danceability • 85% Energy • 41% Liveness
0% Instrumentalness • 56% Positiveness
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Elijah Kelley
Run And Tell That
150 bpm • D Maj • 03:51 • -5db
49% Popularity • 61% Danceability • 88% Energy • 44% Liveness
0% Instrumentalness • 72% Positiveness
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Jenn Colella
38 Planes (Reprise) / Somewhere In The M...
140 bpm • D Maj • 04:22 • -6.03db
43% Popularity • 73% Danceability • 63% Energy • 20% Liveness
0% Instrumentalness • 46% Positiveness
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Sarah Jessica Parker
Shy
140 bpm • A# Maj • 04:20 • -11.44db
27% Popularity • 52% Danceability • 24% Energy • 10% Liveness
0% Instrumentalness • 53% Positiveness
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Barrett Wilbert Weed
I'd Rather Be Me
140 bpm • E Maj • 02:50 • -3.33db
55% Popularity • 67% Danceability • 79% Energy • 20% Liveness
0% Instrumentalness • 81% Positiveness
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Adam Pascal
Fortune Favors The Brave
150 bpm • F Maj • 02:20 • -5db
35% Popularity • 46% Danceability • 85% Energy • 32% Liveness
0% Instrumentalness • 48% Positiveness
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A Chorus Line Ensemble (2006)
One (Reprise) / Finale
140 bpm • G min • 04:56 • -7.91db
34% Popularity • 61% Danceability • 46% Energy • 10% Liveness
0% Instrumentalness • 73% Positiveness
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'Legally Blonde' Ensemble
Blood in the Water
140 bpm • C# Maj • 04:49 • -12.59db
45% Popularity • 58% Danceability • 29% Energy • 33% Liveness
0% Instrumentalness • 51% Positiveness
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Gavin Creel
Agony
139 bpm • E Maj • 02:26 • -11db
39% Popularity • 41% Danceability • 31% Energy • 10% Liveness
0% Instrumentalness • 34% Positiveness
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Stephen Schwartz
The Wizard And I
139 bpm • C Maj • 05:09 • -8.23db
44% Popularity • 38% Danceability • 39% Energy • 36% Liveness
0% Instrumentalness • 30% Positiveness
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Caissie Levy
Dangerous to Dream
139 bpm • A Maj • 05:03 • -8.44db
43% Popularity • 31% Danceability • 28% Energy • 5% Liveness
0% Instrumentalness • 22% Positiveness
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Emily Blunt
Moments in the Woods
140 bpm • D Maj • 03:07 • -17.64db
37% Popularity • 57% Danceability • 17% Energy • 28% Liveness
0% Instrumentalness • 31% Positiveness
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Jeremy Jordan
Finale
151 bpm • C Maj • 02:34 • -10.36db
40% Popularity • 39% Danceability • 37% Energy • 5% Liveness
0% Instrumentalness • 38% Positiveness
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You're a Good Man, Charlie Brown Ensemble (1999)
Opening / You're a Good Man, Charlie Bro...
152 bpm • D Maj • 05:01 • -10.13db
30% Popularity • 49% Danceability • 50% Energy • 71% Liveness
0% Instrumentalness • 73% Positiveness
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Carla J. Hargrove
Skid Row (Downtown)
139 bpm • A# Maj • 04:06 • -8.5db
43% Popularity • 54% Danceability • 45% Energy • 13% Liveness
0% Instrumentalness • 62% Positiveness
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Stark Sands
Step One
138 bpm • C# Maj • 02:48 • -5db
33% Popularity • 60% Danceability • 86% Energy • 16% Liveness
0% Instrumentalness • 77% Positiveness
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Sara Bareilles
It Takes Two
139 bpm • A# Maj • 02:49 • -10.59db
37% Popularity • 48% Danceability • 33% Energy • 15% Liveness
0% Instrumentalness • 45% Positiveness
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Jeanine Tesori
Ring of Keys
138 bpm • A Maj • 03:07 • -12db
38% Popularity • 45% Danceability • 27% Energy • 9% Liveness
0% Instrumentalness • 33% Positiveness
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Newsies Original Broadway Cast
Brooklyn's Here
139 bpm • G Maj • 01:53 • -8.07db
46% Popularity • 64% Danceability • 52% Energy • 10% Liveness
0% Instrumentalness • 65% Positiveness
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Original Cast of Billy Elliot
Expressing Yourself
152 bpm • D Maj • 05:13 • -9.67db
32% Popularity • 51% Danceability • 61% Energy • 7% Liveness
0% Instrumentalness • 50% Positiveness
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B. D'Addario as Flounder
She's In Love
138 bpm • C min • 03:39 • -16.89db
49% Popularity • 60% Danceability • 26% Energy • 59% Liveness
0% Instrumentalness • 78% Positiveness
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Matilda Children Cast
Bruce
138 bpm • C min • 04:05 • -10db
34% Popularity • 54% Danceability • 48% Energy • 60% Liveness
0% Instrumentalness • 42% Positiveness
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David Hyde Pierce
Take A Leap
138 bpm • D Maj • 01:47 • -10.14db
8% Popularity • 68% Danceability • 40% Energy • 5% Liveness
0% Instrumentalness • 45% Positiveness
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Company of The Prom: A New Musical
It's Time to Dance
153 bpm • C# Maj • 05:33 • -4.87db
36% Popularity • 41% Danceability • 79% Energy • 17% Liveness
0% Instrumentalness • 53% Positiveness
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John Dossett
The Bottom Line
138 bpm • G Maj • 02:16 • -11.94db
42% Popularity • 59% Danceability • 30% Energy • 15% Liveness
0% Instrumentalness • 72% Positiveness
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John Tartaglia
Fantasies Come True
138 bpm • F# min • 04:18 • -11.73db
8% Popularity • 52% Danceability • 29% Energy • 17% Liveness
0% Instrumentalness • 35% Positiveness
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Sierra Boggess as Ariel
Part of Your World
137 bpm • G Maj • 03:24 • -20.02db
42% Popularity • 42% Danceability • 8% Energy • 6% Liveness
0% Instrumentalness • 31% Positiveness
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Stephen Flaherty
Finale / Oh, The Thinks You Can Think - ...
137 bpm • D Maj • 03:50 • -12.66db
28% Popularity • 42% Danceability • 29% Energy • 10% Liveness
0% Instrumentalness • 35% Positiveness
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'Come From Away' Company
In The Bar / Heave Away
137 bpm • D Maj • 01:22 • -5db
42% Popularity • 58% Danceability • 85% Energy • 51% Liveness
0% Instrumentalness • 82% Positiveness
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Caissie Levy
Let It Go
137 bpm • G Maj • 03:46 • -5.36db
43% Popularity • 58% Danceability • 43% Energy • 14% Liveness
0% Instrumentalness • 12% Positiveness
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Michael Berresse
Cell Block Tango
137 bpm • F Maj • 06:14 • -12.75db
41% Popularity • 64% Danceability • 30% Energy • 32% Liveness
0% Instrumentalness • 72% Positiveness
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Kate Shindle
Legally Blonde - Remix
154 bpm • A Maj • 04:59 • -9.84db
46% Popularity • 49% Danceability • 58% Energy • 4% Liveness
0% Instrumentalness • 46% Positiveness
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Caroline O'Connor
The Press Conference
137 bpm • C Maj • 02:05 • -9db
37% Popularity • 74% Danceability • 53% Energy • 26% Liveness
0% Instrumentalness • 89% Positiveness
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Patina Miller
Fabulous, Baby!
154 bpm • A# Maj • 03:37 • -4.74db
37% Popularity • 58% Danceability • 82% Energy • 16% Liveness
0% Instrumentalness • 71% Positiveness
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John Tartaglia
Purpose
137 bpm • G Maj • 02:28 • -8db
14% Popularity • 49% Danceability • 51% Energy • 5% Liveness
0% Instrumentalness • 59% Positiveness
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Company of SpongeBob SquarePants, The New Musical
Bikini Bottom Day
137 bpm • A Maj • 06:12 • -7.25db
41% Popularity • 56% Danceability • 71% Energy • 11% Liveness
0% Instrumentalness • 62% Positiveness
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Mike Faist
Disappear
137 bpm • G# Maj • 04:35 • -6.65db
51% Popularity • 45% Danceability • 63% Energy • 23% Liveness
0% Instrumentalness • 30% Positiveness
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The Original Broadway Cast Of School Of Rock
When I Climb to the Top of Mount Rock
154 bpm • D Maj • 03:27 • -3.24db
40% Popularity • 48% Danceability • 94% Energy • 9% Liveness
0% Instrumentalness • 58% Positiveness
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Hunter Parrish
All for the Best
136 bpm • G Maj • 03:16 • -10.76db
38% Popularity • 61% Danceability • 42% Energy • 19% Liveness
0% Instrumentalness • 72% Positiveness
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Christine Baranski
We Both Reached For The Gun
136 bpm • B Maj • 03:58 • -7.43db
39% Popularity • 63% Danceability • 60% Energy • 10% Liveness
0% Instrumentalness • 73% Positiveness
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Jenn Colella
Me And The Sky
136 bpm • C# Maj • 04:36 • -7.15db
49% Popularity • 67% Danceability • 63% Energy • 12% Liveness
0% Instrumentalness • 49% Positiveness
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Kate Wetherhead
Don't Wanna Be Here
136 bpm • C Maj • 02:40 • -11.01db
30% Popularity • 70% Danceability • 26% Energy • 13% Liveness
0% Instrumentalness • 90% Positiveness
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John Tartaglia
America
136 bpm • D Maj • 04:08 • -11.66db
0% Popularity • 30% Danceability • 34% Energy • 14% Liveness
68% Instrumentalness • 22% Positiveness
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Rick Lyon
The Money Song
135 bpm • G Maj • 05:01 • -9db
7% Popularity • 64% Danceability • 40% Energy • 6% Liveness
0% Instrumentalness • 59% Positiveness
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Nick Blaemire
We Beseech Thee
136 bpm • G Maj • 03:23 • -8.29db
32% Popularity • 75% Danceability • 64% Energy • 6% Liveness
0% Instrumentalness • 74% Positiveness
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Lesli Margherita
Miracle: Pt. 3
155 bpm • G min • 02:40 • -9.13db
32% Popularity • 47% Danceability • 51% Energy • 27% Liveness
0% Instrumentalness • 33% Positiveness
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Freak Flag