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Freakin' Weekend
Songs like
Freakin' Weekend
by
Adam Brand
Based on a tempo of (+/- 10%) and a similar genre
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McAlister Kemp
Hell Yeah
170 bpm • D Maj • 03:45 • -3.26db
24% Popularity • 42% Danceability • 94% Energy • 36% Liveness
0% Instrumentalness • 60% Positiveness
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Chris Janson
Everybody's Going Through Something
170 bpm • C Maj • 02:47 • -2.24db
19% Popularity • 47% Danceability • 93% Energy • 10% Liveness
0% Instrumentalness • 63% Positiveness
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Hurricane Fall
Everything
170 bpm • G Maj • 03:05 • -4.2db
16% Popularity • 22% Danceability • 89% Energy • 8% Liveness
0% Instrumentalness • 50% Positiveness
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Tom Curtain
Livin' in the Bush
170 bpm • G Maj • 03:16 • -6.78db
28% Popularity • 63% Danceability • 63% Energy • 23% Liveness
0% Instrumentalness • 66% Positiveness
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William Michael Morgan
Workin'
170 bpm • F Maj • 03:51 • -4.37db
18% Popularity • 53% Danceability • 86% Energy • 4% Liveness
0% Instrumentalness • 88% Positiveness
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Drake White
Eat, Drink & Dream
170 bpm • G Maj • 03:01 • -5.89db
31% Popularity • 49% Danceability • 75% Energy • 13% Liveness
0% Instrumentalness • 58% Positiveness
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James McKay
Santa
170 bpm • G Maj • 02:33 • -5.52db
26% Popularity • 70% Danceability • 60% Energy • 5% Liveness
0% Instrumentalness • 76% Positiveness
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Hayley Jensen
Summertime Soundtrack
170 bpm • F# Maj • 03:23 • -3.99db
14% Popularity • 46% Danceability • 86% Energy • 33% Liveness
0% Instrumentalness • 66% Positiveness
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Adam Brand
Freakin' Weekend
170 bpm • D Maj • 03:16 • -4.6db
20% Popularity • 60% Danceability • 89% Energy • 9% Liveness
0% Instrumentalness • 86% Positiveness
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Troy Cassar-Daley
V8 Town
171 bpm • G Maj • 03:21 • -6.2db
27% Popularity • 48% Danceability • 82% Energy • 19% Liveness
0% Instrumentalness • 75% Positiveness
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The McClymonts
Backfired
170 bpm • C min • 03:14 • -4db
9% Popularity • 47% Danceability • 72% Energy • 9% Liveness
0% Instrumentalness • 80% Positiveness
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Ali S
Girls, Beer, Utes & Rodeo
168 bpm • E Maj • 03:07 • -4.8db
24% Popularity • 57% Danceability • 82% Energy • 10% Liveness
0% Instrumentalness • 91% Positiveness
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James McKay
Holden V8
170 bpm • G# Maj • 02:00 • -5.15db
36% Popularity • 73% Danceability • 72% Energy • 7% Liveness
0% Instrumentalness • 78% Positiveness
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Troy Kemp
Before Summer Starts To Fall
168 bpm • F# Maj • 03:32 • -4.94db
15% Popularity • 46% Danceability • 86% Energy • 9% Liveness
0% Instrumentalness • 89% Positiveness
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Travis Sinclair
Sons of the Road
173 bpm • E Maj • 03:28 • -10.15db
20% Popularity • 43% Danceability • 63% Energy • 36% Liveness
0% Instrumentalness • 48% Positiveness
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Adam Harvey
The House That Jack Built
167 bpm • B Maj • 02:50 • -7.36db
29% Popularity • 53% Danceability • 76% Energy • 26% Liveness
0% Instrumentalness • 87% Positiveness
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Davisson Brothers Band
PO' Boyz
167 bpm • G# Maj • 03:27 • -5.06db
24% Popularity • 57% Danceability • 63% Energy • 20% Liveness
0% Instrumentalness • 20% Positiveness
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Troy Cassar-Daley
Mama's Don't Let Your Babies Grow up to ...
173 bpm • A Maj • 04:03 • -6.11db
35% Popularity • 37% Danceability • 50% Energy • 14% Liveness
0% Instrumentalness • 35% Positiveness
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Christie Lamb
Flamethrower
174 bpm • G Maj • 02:57 • -4.34db
17% Popularity • 48% Danceability • 79% Energy • 15% Liveness
0% Instrumentalness • 40% Positiveness
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Kaleb Lee
Nothin' on You
166 bpm • D Maj • 03:15 • -3.53db
20% Popularity • 47% Danceability • 85% Energy • 20% Liveness
0% Instrumentalness • 47% Positiveness
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Travis Sinclair
50 Tons on Your Back
173 bpm • D Maj • 03:42 • -10.99db
24% Popularity • 52% Danceability • 75% Energy • 20% Liveness
0% Instrumentalness • 88% Positiveness
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Eric Paslay
Nice Guy
166 bpm • C Maj • 02:50 • -4.8db
11% Popularity • 60% Danceability • 84% Energy • 5% Liveness
0% Instrumentalness • 89% Positiveness
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Charles Esten
A Road and a Radio
174 bpm • A Maj • 03:15 • -3.12db
23% Popularity • 37% Danceability • 87% Energy • 10% Liveness
0% Instrumentalness • 66% Positiveness
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Davisson Brothers Band
Get Down South
174 bpm • G Maj • 03:14 • -4.32db
17% Popularity • 61% Danceability • 79% Energy • 26% Liveness
0% Instrumentalness • 61% Positiveness
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Kip Moore
Mary Was The Marrying Kind
174 bpm • D Maj • 03:34 • -5db
36% Popularity • 47% Danceability • 78% Energy • 16% Liveness
0% Instrumentalness • 24% Positiveness
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Adam Brand
Life's Been Good To Me
174 bpm • F Maj • 02:56 • -5db
14% Popularity • 51% Danceability • 72% Energy • 28% Liveness
0% Instrumentalness • 64% Positiveness
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Hinterland
Loud
174 bpm • G Maj • 03:36 • -4.52db
22% Popularity • 52% Danceability • 79% Energy • 10% Liveness
0% Instrumentalness • 63% Positiveness
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Morgan Evans
Best I Never Had
166 bpm • A Maj • 03:25 • -3db
25% Popularity • 32% Danceability • 96% Energy • 26% Liveness
0% Instrumentalness • 48% Positiveness
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Drew McAlister
Black Sky
166 bpm • G Maj • 03:11 • -3db
12% Popularity • 49% Danceability • 92% Energy • 11% Liveness
0% Instrumentalness • 35% Positiveness
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TANIA KERNAGHAN
Nine Mile Run
166 bpm • A Maj • 02:45 • -6.95db
29% Popularity • 57% Danceability • 72% Energy • 3% Liveness
0% Instrumentalness • 81% Positiveness
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The McClymonts
Baby's Gone Home
175 bpm • D Maj • 03:04 • -2.88db
22% Popularity • 44% Danceability • 94% Energy • 46% Liveness
0% Instrumentalness • 85% Positiveness
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James McKay
Roo Chasing Pig Dog
175 bpm • G Maj • 02:32 • -5.2db
35% Popularity • 52% Danceability • 73% Energy • 15% Liveness
0% Instrumentalness • 78% Positiveness
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Hinterland
Treating Me Good
166 bpm • F# min • 02:54 • -2.41db
34% Popularity • 55% Danceability • 89% Energy • 15% Liveness
0% Instrumentalness • 85% Positiveness
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Hot Country Knights
Pick Her Up - Radio Edit
165 bpm • G Maj • 02:48 • -3.28db
21% Popularity • 47% Danceability • 94% Energy • 31% Liveness
0% Instrumentalness • 74% Positiveness
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Jayne Denham
Black Coffee and White Lines
176 bpm • D Maj • 02:55 • -7.7db
17% Popularity • 42% Danceability • 78% Energy • 11% Liveness
0% Instrumentalness • 42% Positiveness
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Kip Moore
Come Home With You
176 bpm • D Maj • 03:24 • -8.07db
35% Popularity • 51% Danceability • 72% Energy • 15% Liveness
0% Instrumentalness • 44% Positiveness
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Dustin Lynch
Workin' On You
176 bpm • C Maj • 03:07 • -3.95db
32% Popularity • 50% Danceability • 88% Energy • 14% Liveness
0% Instrumentalness • 68% Positiveness
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James McKay
Born Again Pigger
175 bpm • G Maj • 02:12 • -5.4db
37% Popularity • 61% Danceability • 75% Energy • 20% Liveness
0% Instrumentalness • 94% Positiveness
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Travis Denning
Where That Beer's Been
164 bpm • G# Maj • 02:50 • -5.06db
25% Popularity • 48% Danceability • 84% Energy • 30% Liveness
0% Instrumentalness • 44% Positiveness
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Chris Janson
Little Bit of Both
164 bpm • D Maj • 03:12 • -4.17db
34% Popularity • 56% Danceability • 85% Energy • 7% Liveness
0% Instrumentalness • 65% Positiveness
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LOCASH
Beers to Catch Up On
164 bpm • F# Maj • 03:00 • -3.47db
34% Popularity • 45% Danceability • 78% Energy • 8% Liveness
0% Instrumentalness • 42% Positiveness
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Jason McGregor
That's Why We're Here
163 bpm • D# Maj • 02:58 • -6.29db
1% Popularity • 38% Danceability • 52% Energy • 15% Liveness
0% Instrumentalness • 28% Positiveness
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Tyler Reeve
Bud-Wiser
164 bpm • C# Maj • 03:12 • -3.93db
23% Popularity • 52% Danceability • 85% Energy • 38% Liveness
0% Instrumentalness • 77% Positiveness
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Chad Brownlee
The Way You Roll
163 bpm • C Maj • 02:55 • -5db
37% Popularity • 55% Danceability • 79% Energy • 35% Liveness
0% Instrumentalness • 81% Positiveness
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Christie Lamb
Old Country Soul
178 bpm • C Maj • 03:07 • -8.51db
27% Popularity • 55% Danceability • 47% Energy • 17% Liveness
0% Instrumentalness • 69% Positiveness
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Andrew Swift
Right on Down
162 bpm • G Maj • 02:43 • -7.02db
17% Popularity • 52% Danceability • 80% Energy • 10% Liveness
0% Instrumentalness • 63% Positiveness
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Chris Janson
Beer Me
162 bpm • G# Maj • 02:40 • -4.03db
31% Popularity • 54% Danceability • 77% Energy • 9% Liveness
0% Instrumentalness • 82% Positiveness
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Clay Walker
Rock the Radio
162 bpm • G# Maj • 03:30 • -5.79db
15% Popularity • 53% Danceability • 87% Energy • 7% Liveness
0% Instrumentalness • 67% Positiveness
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Travis Sinclair
Midnight Run
162 bpm • C# Maj • 03:32 • -7db
33% Popularity • 54% Danceability • 79% Energy • 10% Liveness
0% Instrumentalness • 61% Positiveness
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Hurricane Fall
Hell Of A Ride
162 bpm • D Maj • 03:24 • -3.69db
19% Popularity • 45% Danceability • 89% Energy • 3% Liveness
0% Instrumentalness • 64% Positiveness
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Tom Curtain
Campdrafting
162 bpm • F Maj • 03:35 • -7db
22% Popularity • 65% Danceability • 81% Energy • 12% Liveness
0% Instrumentalness • 96% Positiveness
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Slim Dusty
Ringer From The Top End
162 bpm • C# Maj • 02:33 • -9db
42% Popularity • 46% Danceability • 69% Energy • 5% Liveness
0% Instrumentalness • 90% Positiveness
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Steve Forde
Guns & Guitars
180 bpm • G Maj • 03:17 • -7db
25% Popularity • 47% Danceability • 63% Energy • 9% Liveness
0% Instrumentalness • 68% Positiveness
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Jake Mathews
Just Like a Country Song
160 bpm • E Maj • 03:15 • -2.96db
13% Popularity • 54% Danceability • 90% Energy • 29% Liveness
0% Instrumentalness • 56% Positiveness
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McAlister Kemp
Paid for Drinking Beer
160 bpm • A Maj • 03:12 • -4.35db
7% Popularity • 47% Danceability • 93% Energy • 62% Liveness
0% Instrumentalness • 44% Positiveness
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Cort Carpenter
Dollar Store
160 bpm • G Maj • 02:40 • -4.31db
7% Popularity • 62% Danceability • 74% Energy • 11% Liveness
0% Instrumentalness • 65% Positiveness
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Kane Brown
BFE
160 bpm • A# Maj • 03:00 • -3.45db
33% Popularity • 48% Danceability • 97% Energy • 33% Liveness
0% Instrumentalness • 69% Positiveness
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Jake Davey
The Way She Does
160 bpm • A# Maj • 02:58 • -4.7db
14% Popularity • 58% Danceability • 91% Energy • 12% Liveness
0% Instrumentalness • 76% Positiveness
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Blackjack Billy
God's Country
160 bpm • A Maj • 03:17 • -4.47db
8% Popularity • 62% Danceability • 85% Energy • 11% Liveness
0% Instrumentalness • 88% Positiveness
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The Viper Creek Band
Just Press Play
160 bpm • G Maj • 03:22 • -7db
24% Popularity • 56% Danceability • 68% Energy • 19% Liveness
0% Instrumentalness • 67% Positiveness
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Brooke McClymont & Adam Eckersley
Train Wreck
160 bpm • C# Maj • 03:43 • -3.83db
25% Popularity • 38% Danceability • 81% Energy • 9% Liveness
0% Instrumentalness • 55% Positiveness
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Chris Janson
Check
160 bpm • D Maj • 02:43 • -2.45db
27% Popularity • 52% Danceability • 96% Energy • 25% Liveness
0% Instrumentalness • 78% Positiveness
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Morgan Evans
Everything Changes
160 bpm • C# Maj • 03:17 • -6.25db
31% Popularity • 50% Danceability • 84% Energy • 10% Liveness
0% Instrumentalness • 49% Positiveness
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Southbound xo
Drink
160 bpm • C# Maj • 03:02 • -3db
35% Popularity • 45% Danceability • 87% Energy • 8% Liveness
0% Instrumentalness • 68% Positiveness
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Troy Kemp
Takin' Me Back
160 bpm • E min • 03:01 • -5.65db
16% Popularity • 47% Danceability • 82% Energy • 42% Liveness
0% Instrumentalness • 40% Positiveness
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Catherine Britt
Fav'Rit Song
160 bpm • C Maj • 03:33 • -5db
22% Popularity • 45% Danceability • 73% Energy • 29% Liveness
0% Instrumentalness • 57% Positiveness
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Trace Adkins
Better Off
182 bpm • D Maj • 03:09 • -4.7db
35% Popularity • 50% Danceability • 84% Energy • 10% Liveness
0% Instrumentalness • 68% Positiveness
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Chris Janson
Normal People
182 bpm • C Maj • 02:56 • -3.78db
22% Popularity • 50% Danceability • 82% Energy • 7% Liveness
0% Instrumentalness • 79% Positiveness
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Travis Sinclair
Still Riding That Line
158 bpm • A# Maj • 03:45 • -10.13db
23% Popularity • 35% Danceability • 59% Energy • 9% Liveness
0% Instrumentalness • 71% Positiveness
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Kaylens Rain
Lost in the Moonshine
158 bpm • D Maj • 03:09 • -3.7db
27% Popularity • 53% Danceability • 88% Energy • 7% Liveness
0% Instrumentalness • 81% Positiveness
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Troy Kemp
A Little More Country
182 bpm • G Maj • 03:44 • -3.08db
25% Popularity • 35% Danceability • 90% Energy • 21% Liveness
0% Instrumentalness • 78% Positiveness
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Steve Forde
Another Man
158 bpm • G Maj • 02:53 • -5.35db
21% Popularity • 49% Danceability • 78% Energy • 33% Liveness
0% Instrumentalness • 58% Positiveness
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James McKay
Western Dream
158 bpm • E Maj • 03:41 • -6db
26% Popularity • 62% Danceability • 53% Energy • 10% Liveness
0% Instrumentalness • 71% Positiveness
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The Band Steele
Waitin' on Sunshine
158 bpm • G# Maj • 03:46 • -5db
23% Popularity • 45% Danceability • 73% Energy • 11% Liveness
0% Instrumentalness • 47% Positiveness
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Hurricane Fall
Another One More Time
158 bpm • C Maj • 03:16 • -3db
25% Popularity • 48% Danceability • 89% Energy • 19% Liveness
0% Instrumentalness • 63% Positiveness
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Justin Moore
Small Town Street Cred
158 bpm • F# Maj • 03:52 • -4.29db
27% Popularity • 50% Danceability • 88% Energy • 26% Liveness
0% Instrumentalness • 68% Positiveness
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Eli Young Band
Break It In
158 bpm • D Maj • 03:13 • -6.74db
20% Popularity • 49% Danceability • 74% Energy • 11% Liveness
0% Instrumentalness • 60% Positiveness
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Josh Arnold
Taste the Country Life
184 bpm • G Maj • 03:07 • -3.64db
14% Popularity • 43% Danceability • 88% Energy • 27% Liveness
0% Instrumentalness • 67% Positiveness
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Adam Brand
Good Year For The Outlaw
184 bpm • C Maj • 03:34 • -4.23db
17% Popularity • 42% Danceability • 93% Energy • 27% Liveness
0% Instrumentalness • 74% Positiveness
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Steve Forde
The Letter
157 bpm • E Maj • 04:19 • -5.52db
14% Popularity • 42% Danceability • 65% Energy • 6% Liveness
0% Instrumentalness • 18% Positiveness
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Brett Kissel
Started with a Song
184 bpm • D Maj • 04:18 • -5.98db
29% Popularity • 40% Danceability • 88% Energy • 8% Liveness
0% Instrumentalness • 57% Positiveness
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Kip Moore
More Than Enough
157 bpm • D# Maj • 03:20 • -6.83db
33% Popularity • 62% Danceability • 72% Energy • 8% Liveness
0% Instrumentalness • 70% Positiveness
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Jojo Mason
As If We Won't
184 bpm • G# Maj • 03:38 • -6.81db
23% Popularity • 50% Danceability • 85% Energy • 12% Liveness
0% Instrumentalness • 54% Positiveness
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Darlinghurst
Gotta Go Rodeo
185 bpm • E Maj • 03:05 • -4.27db
29% Popularity • 41% Danceability • 87% Energy • 14% Liveness
0% Instrumentalness • 61% Positiveness
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Route 33
Showing Off
156 bpm • G# Maj • 03:32 • -4db
23% Popularity • 51% Danceability • 76% Energy • 10% Liveness
0% Instrumentalness • 72% Positiveness
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Missy Lancaster
Heatwave
156 bpm • E Maj • 03:16 • -4db
23% Popularity • 50% Danceability • 95% Energy • 7% Liveness
0% Instrumentalness • 53% Positiveness
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Lee Brice
Welcome To The Weekend
156 bpm • C Maj • 03:31 • -4.29db
29% Popularity • 43% Danceability • 84% Energy • 26% Liveness
0% Instrumentalness • 63% Positiveness
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Kip Moore
Grow On You
156 bpm • A Maj • 03:07 • -5.23db
30% Popularity • 70% Danceability • 85% Energy • 32% Liveness
0% Instrumentalness • 84% Positiveness
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Adam Brand
All Or Nothing
156 bpm • E Maj • 03:27 • -4.44db
15% Popularity • 55% Danceability • 87% Energy • 16% Liveness
0% Instrumentalness • 78% Positiveness
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Troy Kemp
Small Town Girl
186 bpm • A Maj • 03:21 • -4.16db
13% Popularity • 46% Danceability • 92% Energy • 18% Liveness
0% Instrumentalness • 75% Positiveness
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Petric
Single Problem
186 bpm • A Maj • 02:55 • -4db
10% Popularity • 47% Danceability • 84% Energy • 12% Liveness
0% Instrumentalness • 65% Positiveness
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Waterloo Revival
Slice of Heaven
154 bpm • G# Maj • 02:51 • -5.26db
23% Popularity • 59% Danceability • 78% Energy • 4% Liveness
0% Instrumentalness • 95% Positiveness
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A Thousand Horses
Drinking Song
155 bpm • C Maj • 03:39 • -4.61db
29% Popularity • 34% Danceability • 89% Energy • 21% Liveness
0% Instrumentalness • 52% Positiveness
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Kip Moore
Fast Women
156 bpm • D Maj • 03:38 • -5.72db
35% Popularity • 51% Danceability • 83% Energy • 26% Liveness
0% Instrumentalness • 49% Positiveness
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Tim Dugger
Signs Of A Good Time
154 bpm • A Maj • 02:57 • -5.57db
14% Popularity • 56% Danceability • 81% Energy • 34% Liveness
0% Instrumentalness • 85% Positiveness
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Steven Lee Olsen
Hello Country
154 bpm • D# Maj • 02:53 • -3.46db
31% Popularity • 58% Danceability • 87% Energy • 31% Liveness
0% Instrumentalness • 73% Positiveness
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Hurricane Fall
Ride Cowboy Ride
188 bpm • G Maj • 03:17 • -2.72db
22% Popularity • 36% Danceability • 88% Energy • 21% Liveness
0% Instrumentalness • 33% Positiveness
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Kaylee Bell
Wasted On You
188 bpm • F min • 03:06 • -4.46db
35% Popularity • 42% Danceability • 71% Energy • 9% Liveness
0% Instrumentalness • 37% Positiveness
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The Buckleys
Money
153 bpm • A Maj • 03:02 • -6db
21% Popularity • 50% Danceability • 89% Energy • 34% Liveness
0% Instrumentalness • 66% Positiveness
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Adam Brand
Working Class Man
153 bpm • G Maj • 03:06 • -6.2db
12% Popularity • 50% Danceability • 70% Energy • 13% Liveness
0% Instrumentalness • 66% Positiveness
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Freakin' Weekend