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Freaky Feedback Blues
Songs like
Freaky Feedback Blues
by
Benji Hughes
Based on a tempo of (+/- 10%) and a similar genre
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Benji Hughes
Freaky Feedback Blues
103 bpm • E Maj • 03:44 • -10db
50% Popularity • 92% Danceability • 36% Energy • 8% Liveness
0% Instrumentalness • 84% Positiveness
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Equal
Lost in the Evening
103 bpm • E min • 04:34 • -7db
30% Popularity • 63% Danceability • 73% Energy • 10% Liveness
0% Instrumentalness • 41% Positiveness
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The Allergies
Get Down on You
103 bpm • A Maj • 03:35 • -6.34db
39% Popularity • 76% Danceability • 54% Energy • 5% Liveness
30% Instrumentalness • 92% Positiveness
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The Echocentrics
Staring at the Ceiling
103 bpm • F Maj • 03:35 • -5.69db
36% Popularity • 61% Danceability • 78% Energy • 4% Liveness
0% Instrumentalness • 71% Positiveness
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Greyboy
Love
103 bpm • B min • 03:36 • -8.52db
43% Popularity • 85% Danceability • 41% Energy • 11% Liveness
0% Instrumentalness • 58% Positiveness
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The Milk
Deliver Me
103 bpm • C# min • 04:28 • -6.46db
33% Popularity • 63% Danceability • 47% Energy • 10% Liveness
0% Instrumentalness • 38% Positiveness
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Breakestra
Hiding
103 bpm • D Maj • 04:31 • -4db
38% Popularity • 68% Danceability • 86% Energy • 7% Liveness
0% Instrumentalness • 86% Positiveness
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Lee Fields & The Expressions
Just Can't Win
103 bpm • C Maj • 04:03 • -8.93db
30% Popularity • 61% Danceability • 48% Energy • 14% Liveness
0% Instrumentalness • 61% Positiveness
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Shuggie Otis
Aht Uh Mi Hed
103 bpm • F# min • 04:17 • -8.14db
45% Popularity • 82% Danceability • 62% Energy • 10% Liveness
15% Instrumentalness • 82% Positiveness
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Theo Lawrence and The Hearts
Good for Nothing
103 bpm • B min • 04:36 • -5.08db
17% Popularity • 59% Danceability • 77% Energy • 9% Liveness
1% Instrumentalness • 66% Positiveness
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Neal Francis
Changes, Pt. 1
103 bpm • B min • 04:38 • -7.19db
37% Popularity • 55% Danceability • 88% Energy • 4% Liveness
23% Instrumentalness • 63% Positiveness
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John Milk
Never Give It Up
103 bpm • A# min • 03:24 • -7.61db
32% Popularity • 78% Danceability • 70% Energy • 9% Liveness
0% Instrumentalness • 82% Positiveness
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Michael Kiwanuka
Black Man In A White World
103 bpm • G Maj • 04:18 • -7.86db
49% Popularity • 62% Danceability • 85% Energy • 8% Liveness
0% Instrumentalness • 72% Positiveness
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Monophonics
Sound of Sinning
104 bpm • A min • 03:45 • -5.31db
28% Popularity • 60% Danceability • 86% Energy • 11% Liveness
0% Instrumentalness • 93% Positiveness
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Gene Lawrence
Feel Like Making Love
102 bpm • D min • 03:30 • -10db
47% Popularity • 74% Danceability • 66% Energy • 11% Liveness
22% Instrumentalness • 56% Positiveness
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Cookin' On 3 Burners
This Girl
102 bpm • D# Maj • 03:44 • -4db
49% Popularity • 62% Danceability • 77% Energy • 16% Liveness
0% Instrumentalness • 62% Positiveness
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Neal Francis
Changes, Pts. 1 & 2
103 bpm • B min • 06:30 • -7.25db
50% Popularity • 58% Danceability • 77% Energy • 7% Liveness
40% Instrumentalness • 84% Positiveness
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Sharon Jones & The Dap-Kings
How Long Do I Have to Wait for You?
104 bpm • A# min • 04:03 • -3.37db
65% Popularity • 67% Danceability • 91% Energy • 10% Liveness
1% Instrumentalness • 97% Positiveness
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Radio Citizen
Everything
104 bpm • E min • 04:03 • -7db
37% Popularity • 47% Danceability • 85% Energy • 12% Liveness
49% Instrumentalness • 41% Positiveness
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Devendra Banhart
Baby
102 bpm • C# min • 03:05 • -10.09db
53% Popularity • 83% Danceability • 32% Energy • 15% Liveness
7% Instrumentalness • 86% Positiveness
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The Bamboos
Hard Up
104 bpm • B min • 04:15 • -4.03db
45% Popularity • 78% Danceability • 92% Energy • 7% Liveness
1% Instrumentalness • 76% Positiveness
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Kalabrese
Purple Rose
104 bpm • D# min • 06:37 • -8.32db
45% Popularity • 85% Danceability • 54% Energy • 5% Liveness
57% Instrumentalness • 58% Positiveness
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Paqua
We Came Far
102 bpm • G min • 05:05 • -8.39db
30% Popularity • 67% Danceability • 61% Energy • 13% Liveness
1% Instrumentalness • 63% Positiveness
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Benji Hughes
Waiting for an Invitation
102 bpm • B min • 04:15 • -11.76db
28% Popularity • 66% Danceability • 45% Energy • 56% Liveness
29% Instrumentalness • 42% Positiveness
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Belleruche
The Duck
105 bpm • G Maj • 03:10 • -8.88db
50% Popularity • 91% Danceability • 52% Energy • 9% Liveness
50% Instrumentalness • 52% Positiveness
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Mayer Hawthorne
Maybe So, Maybe No
101 bpm • A# min • 02:59 • -8.12db
40% Popularity • 72% Danceability • 58% Energy • 11% Liveness
2% Instrumentalness • 72% Positiveness
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Camille Yarbrough
Take Yo' Praise
101 bpm • C# Maj • 04:13 • -14.49db
60% Popularity • 80% Danceability • 53% Energy • 14% Liveness
1% Instrumentalness • 53% Positiveness
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Charles Bradley
No Time for Dreaming
101 bpm • C Maj • 02:52 • -7.77db
59% Popularity • 72% Danceability • 76% Energy • 10% Liveness
2% Instrumentalness • 61% Positiveness
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Anna Ash
Righteously
105 bpm • A# Maj • 03:18 • -9db
54% Popularity • 83% Danceability • 57% Energy • 8% Liveness
9% Instrumentalness • 76% Positiveness
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Benji Hughes
Neighbor Down the Hall
102 bpm • C# min • 02:35 • -8.01db
18% Popularity • 71% Danceability • 71% Energy • 15% Liveness
6% Instrumentalness • 60% Positiveness
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Parcels
Anotherclock
105 bpm • B min • 04:00 • -11.64db
48% Popularity • 92% Danceability • 38% Energy • 8% Liveness
3% Instrumentalness • 33% Positiveness
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Octave Lissner
Silver Rain
105 bpm • G# Maj • 03:48 • -8db
49% Popularity • 72% Danceability • 70% Energy • 10% Liveness
1% Instrumentalness • 27% Positiveness
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Gil Scott-Heron
Gun
105 bpm • D# Maj • 03:59 • -11db
49% Popularity • 82% Danceability • 49% Energy • 29% Liveness
1% Instrumentalness • 96% Positiveness
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Papooz
Ann Wants to Dance
101 bpm • F Maj • 03:29 • -10.93db
48% Popularity • 74% Danceability • 45% Energy • 16% Liveness
4% Instrumentalness • 70% Positiveness
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Mayer Hawthorne
Out of Pocket
105 bpm • G# Maj • 03:22 • -6.79db
7% Popularity • 89% Danceability • 55% Energy • 4% Liveness
0% Instrumentalness • 82% Positiveness
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Bacao Rhythm & Steel Band
Bacao Suave
101 bpm • C Maj • 03:29 • -6db
43% Popularity • 55% Danceability • 66% Energy • 6% Liveness
93% Instrumentalness • 91% Positiveness
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Har Mar Superstar
Late Night Morning Light
105 bpm • G Maj • 02:05 • -6.11db
43% Popularity • 65% Danceability • 74% Energy • 59% Liveness
7% Instrumentalness • 81% Positiveness
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Diplomats of Solid Sound
Come In My Kitchen
101 bpm • C# min • 03:24 • -5.49db
31% Popularity • 57% Danceability • 83% Energy • 21% Liveness
0% Instrumentalness • 93% Positiveness
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Cotton Jones
Gotta Cheer Up
105 bpm • D min • 03:12 • -7.5db
43% Popularity • 52% Danceability • 63% Energy • 12% Liveness
0% Instrumentalness • 71% Positiveness
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Benji Hughes
Ladies on Parade
106 bpm • C Maj • 03:02 • -4.82db
4% Popularity • 65% Danceability • 75% Energy • 59% Liveness
1% Instrumentalness • 73% Positiveness
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Dan Auerbach
Malibu Man
106 bpm • A Maj • 03:36 • -4.68db
46% Popularity • 62% Danceability • 78% Energy • 8% Liveness
0% Instrumentalness • 90% Positiveness
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Darondo
Luscious Lady
100 bpm • A# min • 03:15 • -7db
46% Popularity • 70% Danceability • 67% Energy • 10% Liveness
1% Instrumentalness • 86% Positiveness
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Har Mar Superstar
Prisoner
106 bpm • A min • 03:23 • -5.58db
38% Popularity • 60% Danceability • 87% Energy • 18% Liveness
37% Instrumentalness • 60% Positiveness
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Stee Downes
Asunder
106 bpm • D min • 05:49 • -7.68db
47% Popularity • 94% Danceability • 42% Energy • 10% Liveness
0% Instrumentalness • 66% Positiveness
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Jacques Renault
Piano’s On The Beach
100 bpm • E min • 04:43 • -8.2db
43% Popularity • 54% Danceability • 73% Energy • 93% Liveness
76% Instrumentalness • 92% Positiveness
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Kevin Morby
Beautiful Strangers
100 bpm • E Maj • 06:15 • -11.13db
57% Popularity • 83% Danceability • 42% Energy • 10% Liveness
7% Instrumentalness • 89% Positiveness
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Mo' Horizons
Cowboy Bossa Yanez
100 bpm • F# min • 04:37 • -8.33db
47% Popularity • 79% Danceability • 58% Energy • 10% Liveness
0% Instrumentalness • 71% Positiveness
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Kinny
Queen of Boredness
100 bpm • G# min • 03:25 • -8.72db
33% Popularity • 93% Danceability • 27% Energy • 10% Liveness
15% Instrumentalness • 30% Positiveness
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Benji Hughes
Zebra
100 bpm • D Maj • 04:06 • -9.12db
12% Popularity • 78% Danceability • 65% Energy • 30% Liveness
91% Instrumentalness • 96% Positiveness
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Camel Power Club
Laika
100 bpm • C# Maj • 03:32 • -10.1db
44% Popularity • 88% Danceability • 42% Energy • 32% Liveness
8% Instrumentalness • 55% Positiveness
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Marlena Shaw
Woman of the Ghetto - Akshin Alizadeh Re...
100 bpm • G min • 05:01 • -11.75db
42% Popularity • 71% Danceability • 45% Energy • 12% Liveness
76% Instrumentalness • 13% Positiveness
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The Echocentrics
O Sol
100 bpm • F Maj • 03:05 • -7db
31% Popularity • 81% Danceability • 64% Energy • 7% Liveness
14% Instrumentalness • 98% Positiveness
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Greyboy
Unwind Your Mind
100 bpm • G Maj • 06:08 • -7db
38% Popularity • 80% Danceability • 67% Energy • 35% Liveness
70% Instrumentalness • 62% Positiveness
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Greyhounds
What's on Your Mind
106 bpm • G min • 04:00 • -5.68db
47% Popularity • 76% Danceability • 55% Energy • 12% Liveness
1% Instrumentalness • 48% Positiveness
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Son Little
Lay Down
107 bpm • F Maj • 03:48 • -10db
50% Popularity • 47% Danceability • 26% Energy • 12% Liveness
0% Instrumentalness • 26% Positiveness
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JúnÃus Meyvant
Beat Silent Need
106 bpm • E min • 03:41 • -8.68db
26% Popularity • 78% Danceability • 64% Energy • 7% Liveness
77% Instrumentalness • 78% Positiveness
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Crash Richard
Motion Animal
107 bpm • A Maj • 03:41 • -7.82db
20% Popularity • 76% Danceability • 42% Energy • 14% Liveness
0% Instrumentalness • 64% Positiveness
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Charles Pasi
All The Way
107 bpm • C# Maj • 02:45 • -11db
41% Popularity • 91% Danceability • 32% Energy • 8% Liveness
0% Instrumentalness • 33% Positiveness
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Charles Bradley
Why Is It So Hard
107 bpm • D# Maj • 04:09 • -8db
45% Popularity • 45% Danceability • 52% Energy • 34% Liveness
5% Instrumentalness • 61% Positiveness
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Bibi Tanga & The Selenites
My Heart is Jumping
99 bpm • C min • 03:48 • -9db
48% Popularity • 83% Danceability • 57% Energy • 13% Liveness
0% Instrumentalness • 92% Positiveness
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Troublemakers
Lemon
99 bpm • B min • 04:37 • -8.53db
31% Popularity • 64% Danceability • 60% Energy • 39% Liveness
0% Instrumentalness • 73% Positiveness
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Anthony Hamilton
Cornbread, Fish & Collard Greens
99 bpm • F Maj • 04:33 • -6.38db
46% Popularity • 85% Danceability • 52% Energy • 24% Liveness
0% Instrumentalness • 75% Positiveness
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The James Hunter Six
This Is Where We Come In
108 bpm • B min • 04:31 • -9db
35% Popularity • 82% Danceability • 55% Energy • 8% Liveness
0% Instrumentalness • 80% Positiveness
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White Denim
Take It Easy (Ever After Lasting Love)
99 bpm • E Maj • 03:27 • -11.88db
43% Popularity • 59% Danceability • 45% Energy • 14% Liveness
2% Instrumentalness • 42% Positiveness
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John Milk
Just a Feeling
108 bpm • C min • 03:43 • -15.29db
22% Popularity • 85% Danceability • 26% Energy • 8% Liveness
4% Instrumentalness • 92% Positiveness
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St. Paul & The Broken Bones
Like a Mighty River
98 bpm • C min • 03:22 • -4.92db
48% Popularity • 57% Danceability • 90% Energy • 31% Liveness
11% Instrumentalness • 79% Positiveness
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Michael Kiwanuka
One More Night
108 bpm • F# min • 03:53 • -5.34db
63% Popularity • 68% Danceability • 76% Energy • 14% Liveness
0% Instrumentalness • 94% Positiveness
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Twinset
Sunny
108 bpm • F min • 05:34 • -9.87db
45% Popularity • 88% Danceability • 55% Energy • 9% Liveness
0% Instrumentalness • 56% Positiveness
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Monophonics
Foolish Love
108 bpm • C# Maj • 07:45 • -6.22db
32% Popularity • 47% Danceability • 66% Energy • 6% Liveness
0% Instrumentalness • 23% Positiveness
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The Tibbs
Cleaned Out
98 bpm • A min • 03:07 • -6.32db
53% Popularity • 79% Danceability • 47% Energy • 10% Liveness
4% Instrumentalness • 68% Positiveness
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Benji Hughes
Love on a Budget
108 bpm • D Maj • 02:59 • -12.45db
4% Popularity • 47% Danceability • 15% Energy • 9% Liveness
4% Instrumentalness • 40% Positiveness
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HNNY
Cheer Up, My Brother
108 bpm • C min • 05:05 • -14.76db
56% Popularity • 76% Danceability • 26% Energy • 10% Liveness
24% Instrumentalness • 32% Positiveness
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Lee Fields & The Expressions
You're the Kind of Girl (Instrumental)
98 bpm • C# min • 04:00 • -9db
36% Popularity • 72% Danceability • 80% Energy • 13% Liveness
70% Instrumentalness • 37% Positiveness
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Pete Josef
Colour
108 bpm • F Maj • 05:39 • -10db
42% Popularity • 74% Danceability • 48% Energy • 8% Liveness
8% Instrumentalness • 60% Positiveness
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M.I.L.K.
If We Want To
108 bpm • C Maj • 04:08 • -13db
44% Popularity • 78% Danceability • 50% Energy • 26% Liveness
0% Instrumentalness • 49% Positiveness
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Tim Maia
Do Leme Ao Pontal
98 bpm • D min • 03:12 • -9.94db
39% Popularity • 78% Danceability • 61% Energy • 18% Liveness
0% Instrumentalness • 90% Positiveness
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Scoundrels
Sexy Weekend
98 bpm • F Maj • 04:11 • -7.77db
53% Popularity • 75% Danceability • 45% Energy • 11% Liveness
0% Instrumentalness • 58% Positiveness
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Dr Rubberfunk
Northern Comfort
98 bpm • B min • 02:48 • -5.74db
47% Popularity • 71% Danceability • 58% Energy • 6% Liveness
0% Instrumentalness • 65% Positiveness
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Liam Bailey
Please Love Me
98 bpm • G min • 02:57 • -7.2db
34% Popularity • 72% Danceability • 57% Energy • 21% Liveness
0% Instrumentalness • 63% Positiveness
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Flo Morrissey
Grease
98 bpm • E min • 04:21 • -8db
43% Popularity • 84% Danceability • 61% Energy • 12% Liveness
0% Instrumentalness • 70% Positiveness
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Ferry Ultra
Why Did You Do It
98 bpm • E min • 05:58 • -7.83db
35% Popularity • 79% Danceability • 71% Energy • 17% Liveness
0% Instrumentalness • 90% Positiveness
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Devendra Banhart
Fig in Leather
98 bpm • A min • 03:13 • -8db
42% Popularity • 80% Danceability • 47% Energy • 15% Liveness
0% Instrumentalness • 91% Positiveness
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PillowTalk
Slim's Night Out
98 bpm • F Maj • 02:46 • -9.89db
46% Popularity • 76% Danceability • 48% Energy • 38% Liveness
65% Instrumentalness • 57% Positiveness
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Wesley Bright
You Don’t Want Me
98 bpm • C# Maj • 04:25 • -6db
50% Popularity • 76% Danceability • 62% Energy • 32% Liveness
1% Instrumentalness • 78% Positiveness
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Michael Kiwanuka
Tell Me A Tale
98 bpm • G Maj • 04:09 • -8.78db
44% Popularity • 35% Danceability • 58% Energy • 10% Liveness
0% Instrumentalness • 69% Positiveness
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Guts
Peaceful Life
109 bpm • G min • 04:06 • -7.78db
60% Popularity • 85% Danceability • 68% Energy • 28% Liveness
4% Instrumentalness • 96% Positiveness
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Lord Echo
Low to the Street
98 bpm • G Maj • 05:08 • -6.91db
39% Popularity • 78% Danceability • 61% Energy • 16% Liveness
77% Instrumentalness • 73% Positiveness
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JC Brooks & The Uptown Sound
Rouse Yourself
98 bpm • F Maj • 04:08 • -8.34db
36% Popularity • 69% Danceability • 49% Energy • 10% Liveness
0% Instrumentalness • 39% Positiveness
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Alternative Champs
Drop the Ball
109 bpm • D min • 04:32 • -5.34db
1% Popularity • 78% Danceability • 79% Energy • 32% Liveness
0% Instrumentalness • 74% Positiveness
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Sharon Jones & The Dap-Kings
Better Things
97 bpm • F# Maj • 03:39 • -8db
56% Popularity • 82% Danceability • 55% Energy • 10% Liveness
0% Instrumentalness • 94% Positiveness
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Diplomats of Solid Sound
Soul Connection
109 bpm • D Maj • 02:29 • -6.14db
44% Popularity • 65% Danceability • 63% Energy • 14% Liveness
0% Instrumentalness • 82% Positiveness
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Khruangbin
People Everywhere (Still Alive)
109 bpm • G Maj • 02:39 • -13.09db
71% Popularity • 55% Danceability • 65% Energy • 41% Liveness
66% Instrumentalness • 81% Positiveness
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Lord Echo
Thinking Of You
97 bpm • A# Maj • 07:00 • -9.38db
54% Popularity • 72% Danceability • 75% Energy • 39% Liveness
0% Instrumentalness • 59% Positiveness
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Sola Rosa
Turn Around
97 bpm • D Maj • 04:01 • -5.67db
40% Popularity • 76% Danceability • 70% Energy • 13% Liveness
0% Instrumentalness • 60% Positiveness
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Kinny
Lost Baggage
97 bpm • B min • 03:44 • -7db
46% Popularity • 75% Danceability • 56% Energy • 8% Liveness
0% Instrumentalness • 72% Positiveness
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James Hunter
People Gonna Talk
109 bpm • G Maj • 03:15 • -9.6db
39% Popularity • 92% Danceability • 36% Energy • 9% Liveness
0% Instrumentalness • 88% Positiveness
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The Meltdown
Sweet Water
97 bpm • D# min • 03:51 • -7db
59% Popularity • 71% Danceability • 56% Energy • 9% Liveness
0% Instrumentalness • 75% Positiveness
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Easy Giant
My Salty Jente
110 bpm • D Maj • 05:07 • -12.18db
43% Popularity • 77% Danceability • 43% Energy • 32% Liveness
6% Instrumentalness • 48% Positiveness
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Willis Earl Beal
Coming Through
97 bpm • C Maj • 03:55 • -10.1db
25% Popularity • 74% Danceability • 55% Energy • 12% Liveness
0% Instrumentalness • 70% Positiveness
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Camel Power Club
Fisher
110 bpm • E Maj • 05:24 • -8.37db
52% Popularity • 84% Danceability • 50% Energy • 14% Liveness
0% Instrumentalness • 78% Positiveness
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Freaky Feedback Blues