Songs like Free Jazz - Pts. 1 & 2 by Ornette Coleman
Based on a tempo of (+/- 10%) and a similar genre
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Albert Ayler
Love Cry
93 bpm • F# Maj • 03:55 • -12.74db
17% Popularity • 28% Danceability • 50% Energy • 21% Liveness
38% Instrumentalness • 47% Positiveness
17% Popularity • 28% Danceability • 50% Energy • 21% Liveness
38% Instrumentalness • 47% Positiveness
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Giuseppi Logan Quartet
Dance of Satan
93 bpm • G Maj • 06:20 • -18.74db
10% Popularity • 43% Danceability • 32% Energy • 7% Liveness
0% Instrumentalness • 47% Positiveness
10% Popularity • 43% Danceability • 32% Energy • 7% Liveness
0% Instrumentalness • 47% Positiveness
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Roscoe Mitchell
And Then There Was Peace
93 bpm • F min • 04:51 • -30.44db
8% Popularity • 18% Danceability • 1% Energy • 12% Liveness
10% Instrumentalness • 4% Positiveness
8% Popularity • 18% Danceability • 1% Energy • 12% Liveness
10% Instrumentalness • 4% Positiveness
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Ornette Coleman
Eventually
93 bpm • B Maj • 04:23 • -13db
30% Popularity • 54% Danceability • 39% Energy • 26% Liveness
2% Instrumentalness • 49% Positiveness
30% Popularity • 54% Danceability • 39% Energy • 26% Liveness
2% Instrumentalness • 49% Positiveness
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Gil Evans
Remember
93 bpm • G min • 04:30 • -20db
26% Popularity • 42% Danceability • 7% Energy • 13% Liveness
87% Instrumentalness • 10% Positiveness
26% Popularity • 42% Danceability • 7% Energy • 13% Liveness
87% Instrumentalness • 10% Positiveness
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The Tony Williams Lifetime
Circa 45
93 bpm • D Maj • 06:27 • -9db
10% Popularity • 49% Danceability • 53% Energy • 11% Liveness
0% Instrumentalness • 34% Positiveness
10% Popularity • 49% Danceability • 53% Energy • 11% Liveness
0% Instrumentalness • 34% Positiveness
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Dejan Terzic
Prometheus
93 bpm • D min • 05:34 • -14.61db
9% Popularity • 46% Danceability • 43% Energy • 9% Liveness
70% Instrumentalness • 54% Positiveness
9% Popularity • 46% Danceability • 43% Energy • 9% Liveness
70% Instrumentalness • 54% Positiveness
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The Lounge Lizards
Uncle Jerry
93 bpm • D# min • 04:19 • -16.27db
17% Popularity • 58% Danceability • 26% Energy • 9% Liveness
54% Instrumentalness • 76% Positiveness
17% Popularity • 58% Danceability • 26% Energy • 9% Liveness
54% Instrumentalness • 76% Positiveness
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Jackie McLean
Cancellation - Digital Remaster/2006
93 bpm • F# min • 07:43 • -5.25db
14% Popularity • 44% Danceability • 76% Energy • 6% Liveness
0% Instrumentalness • 66% Positiveness
14% Popularity • 44% Danceability • 76% Energy • 6% Liveness
0% Instrumentalness • 66% Positiveness
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Ornette Coleman
Free Jazz - Pts. 1 & 2
93 bpm • D Maj • 37:03 • -18.75db
22% Popularity • 44% Danceability • 38% Energy • 38% Liveness
0% Instrumentalness • 42% Positiveness
22% Popularity • 44% Danceability • 38% Energy • 38% Liveness
0% Instrumentalness • 42% Positiveness
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Howard Shore
Intersong (Take 2)
94 bpm • A Maj • 03:09 • -13.01db
4% Popularity • 51% Danceability • 6% Energy • 11% Liveness
1% Instrumentalness • 15% Positiveness
4% Popularity • 51% Danceability • 6% Energy • 11% Liveness
1% Instrumentalness • 15% Positiveness
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Bill Laswell
Improvised Music #1
92 bpm • A# min • 01:21 • -11db
21% Popularity • 33% Danceability • 79% Energy • 18% Liveness
60% Instrumentalness • 32% Positiveness
21% Popularity • 33% Danceability • 79% Energy • 18% Liveness
60% Instrumentalness • 32% Positiveness
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Andrew Hill
Black Fire
94 bpm • G# Maj • 06:56 • -15db
10% Popularity • 43% Danceability • 33% Energy • 33% Liveness
0% Instrumentalness • 58% Positiveness
10% Popularity • 43% Danceability • 33% Energy • 33% Liveness
0% Instrumentalness • 58% Positiveness
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Henry Threadgill
Black Hands Bejewelled
94 bpm • D Maj • 07:04 • -12.65db
11% Popularity • 54% Danceability • 49% Energy • 13% Liveness
81% Instrumentalness • 67% Positiveness
11% Popularity • 54% Danceability • 49% Energy • 13% Liveness
81% Instrumentalness • 67% Positiveness
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Peter Brötzmann
Whatthefuckdoyouwant 1
92 bpm • F Maj • 03:31 • -7.9db
9% Popularity • 32% Danceability • 51% Energy • 27% Liveness
71% Instrumentalness • 39% Positiveness
9% Popularity • 32% Danceability • 51% Energy • 27% Liveness
71% Instrumentalness • 39% Positiveness
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Ornette Coleman
When Will The Blues Leave?
92 bpm • A min • 05:00 • -14.76db
32% Popularity • 63% Danceability • 28% Energy • 23% Liveness
1% Instrumentalness • 56% Positiveness
32% Popularity • 63% Danceability • 28% Energy • 23% Liveness
1% Instrumentalness • 56% Positiveness
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Randy Weston
Waltz For Sweet Cakes
92 bpm • C# Maj • 03:09 • -11db
35% Popularity • 55% Danceability • 82% Energy • 29% Liveness
86% Instrumentalness • 87% Positiveness
35% Popularity • 55% Danceability • 82% Energy • 29% Liveness
86% Instrumentalness • 87% Positiveness
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Anthony Williams
Extras - Remastered 2009/Rudy Van Gelder...
92 bpm • F Maj • 08:09 • -10.84db
10% Popularity • 43% Danceability • 39% Energy • 10% Liveness
46% Instrumentalness • 50% Positiveness
10% Popularity • 43% Danceability • 39% Energy • 10% Liveness
46% Instrumentalness • 50% Positiveness
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Paul Chambers Quintet
Minor Run-Down - Rudy Van Gelder Edition...
94 bpm • A# min • 07:40 • -9db
22% Popularity • 44% Danceability • 46% Energy • 12% Liveness
0% Instrumentalness • 62% Positiveness
22% Popularity • 44% Danceability • 46% Energy • 12% Liveness
0% Instrumentalness • 62% Positiveness
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London Symphony Orchestra
Dancers
92 bpm • E min • 01:17 • -11.53db
5% Popularity • 22% Danceability • 58% Energy • 93% Liveness
79% Instrumentalness • 72% Positiveness
5% Popularity • 22% Danceability • 58% Energy • 93% Liveness
79% Instrumentalness • 72% Positiveness
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John McLaughlin
Extrapolation
92 bpm • C Maj • 03:52 • -16db
18% Popularity • 38% Danceability • 51% Energy • 21% Liveness
13% Instrumentalness • 48% Positiveness
18% Popularity • 38% Danceability • 51% Energy • 21% Liveness
13% Instrumentalness • 48% Positiveness
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Jackie McLean
Saturday And Sunday - Rudy Van Gelder 24...
95 bpm • C min • 10:31 • -10.33db
8% Popularity • 41% Danceability • 56% Energy • 11% Liveness
3% Instrumentalness • 37% Positiveness
8% Popularity • 41% Danceability • 56% Energy • 11% Liveness
3% Instrumentalness • 37% Positiveness
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Alice Coltrane
Gospel Trane
95 bpm • D Maj • 06:48 • -13.6db
17% Popularity • 39% Danceability • 66% Energy • 22% Liveness
3% Instrumentalness • 63% Positiveness
17% Popularity • 39% Danceability • 66% Energy • 22% Liveness
3% Instrumentalness • 63% Positiveness
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Henry Threadgill
I Can't Wait Till I Get Home
95 bpm • B min • 04:07 • -15.04db
17% Popularity • 56% Danceability • 44% Energy • 12% Liveness
74% Instrumentalness • 32% Positiveness
17% Popularity • 56% Danceability • 44% Energy • 12% Liveness
74% Instrumentalness • 32% Positiveness
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Jaco Pastorius
Chromatic Fantasy
91 bpm • G Maj • 03:01 • -20.12db
22% Popularity • 41% Danceability • 32% Energy • 14% Liveness
18% Instrumentalness • 26% Positiveness
22% Popularity • 41% Danceability • 32% Energy • 14% Liveness
18% Instrumentalness • 26% Positiveness
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Anthony Braxton
MDD-3/63D (Opus 23C)
95 bpm • F Maj • 03:12 • -14.87db
14% Popularity • 73% Danceability • 37% Energy • 14% Liveness
1% Instrumentalness • 93% Positiveness
14% Popularity • 73% Danceability • 37% Energy • 14% Liveness
1% Instrumentalness • 93% Positiveness
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Carla Bley
This Is Here...
91 bpm • D Maj • 05:56 • -14.53db
9% Popularity • 14% Danceability • 42% Energy • 6% Liveness
95% Instrumentalness • 3% Positiveness
9% Popularity • 14% Danceability • 42% Energy • 6% Liveness
95% Instrumentalness • 3% Positiveness
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The Bad Plus
Maps - Instrumental
91 bpm • C# Maj • 04:21 • -11db
10% Popularity • 33% Danceability • 59% Energy • 12% Liveness
93% Instrumentalness • 34% Positiveness
10% Popularity • 33% Danceability • 59% Energy • 12% Liveness
93% Instrumentalness • 34% Positiveness
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Alice Coltrane
The Sun
95 bpm • E Maj • 04:04 • -17.92db
25% Popularity • 29% Danceability • 29% Energy • 23% Liveness
0% Instrumentalness • 30% Positiveness
25% Popularity • 29% Danceability • 29% Energy • 23% Liveness
0% Instrumentalness • 30% Positiveness
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Ornette Coleman
Jayne
95 bpm • G Maj • 07:22 • -16.93db
17% Popularity • 52% Danceability • 27% Energy • 6% Liveness
0% Instrumentalness • 61% Positiveness
17% Popularity • 52% Danceability • 27% Energy • 6% Liveness
0% Instrumentalness • 61% Positiveness
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Ahmad Jamal Trio
Wave
91 bpm • G min • 04:25 • -15db
37% Popularity • 50% Danceability • 30% Energy • 11% Liveness
94% Instrumentalness • 36% Positiveness
37% Popularity • 50% Danceability • 30% Energy • 11% Liveness
94% Instrumentalness • 36% Positiveness
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Andrew Hill
Land Of Nod
91 bpm • C# Maj • 05:46 • -16db
6% Popularity • 48% Danceability • 33% Energy • 11% Liveness
3% Instrumentalness • 53% Positiveness
6% Popularity • 48% Danceability • 33% Energy • 11% Liveness
3% Instrumentalness • 53% Positiveness
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Howard Shore
Interzone Suite
90 bpm • F# min • 05:13 • -16.39db
7% Popularity • 30% Danceability • 40% Energy • 36% Liveness
54% Instrumentalness • 28% Positiveness
7% Popularity • 30% Danceability • 40% Energy • 36% Liveness
54% Instrumentalness • 28% Positiveness
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Albert Ayler
Music Is The Healing Force Of The Univer...
90 bpm • E Maj • 08:41 • -7db
10% Popularity • 31% Danceability • 72% Energy • 36% Liveness
0% Instrumentalness • 42% Positiveness
10% Popularity • 31% Danceability • 72% Energy • 36% Liveness
0% Instrumentalness • 42% Positiveness
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Grant Green
No. 1 Green Street - Remastered 2002/Rud...
90 bpm • G# Maj • 07:20 • -13.65db
30% Popularity • 55% Danceability • 35% Energy • 13% Liveness
9% Instrumentalness • 51% Positiveness
30% Popularity • 55% Danceability • 35% Energy • 13% Liveness
9% Instrumentalness • 51% Positiveness
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Ornette Coleman
Broad Way Blues
96 bpm • D# Maj • 08:43 • -18db
31% Popularity • 51% Danceability • 25% Energy • 12% Liveness
25% Instrumentalness • 58% Positiveness
31% Popularity • 51% Danceability • 25% Energy • 12% Liveness
25% Instrumentalness • 58% Positiveness
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Charlie Parker Quartet
Chi Chi
96 bpm • G# Maj • 03:02 • -10db
46% Popularity • 48% Danceability • 46% Energy • 8% Liveness
0% Instrumentalness • 72% Positiveness
46% Popularity • 48% Danceability • 46% Energy • 8% Liveness
0% Instrumentalness • 72% Positiveness
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Horace Silver Quintet
The African Queen - Rudy Van Gelder Edit...
96 bpm • A# Maj • 09:36 • -12.27db
19% Popularity • 54% Danceability • 44% Energy • 11% Liveness
71% Instrumentalness • 55% Positiveness
19% Popularity • 54% Danceability • 44% Energy • 11% Liveness
71% Instrumentalness • 55% Positiveness
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Gil Evans
Las Vegas Tango
96 bpm • A min • 06:35 • -14db
29% Popularity • 30% Danceability • 46% Energy • 12% Liveness
2% Instrumentalness • 29% Positiveness
29% Popularity • 30% Danceability • 46% Energy • 12% Liveness
2% Instrumentalness • 29% Positiveness
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Jimmy Giuffre
Gotta Dance
90 bpm • G# min • 02:35 • -21db
35% Popularity • 68% Danceability • 4% Energy • 11% Liveness
89% Instrumentalness • 71% Positiveness
35% Popularity • 68% Danceability • 4% Energy • 11% Liveness
89% Instrumentalness • 71% Positiveness
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Ran Blake
Symphony in Green
96 bpm • A min • 04:44 • -19db
8% Popularity • 52% Danceability • 16% Energy • 11% Liveness
75% Instrumentalness • 5% Positiveness
8% Popularity • 52% Danceability • 16% Energy • 11% Liveness
75% Instrumentalness • 5% Positiveness
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Ornette Coleman
The Face of the Bass
96 bpm • C Maj • 06:57 • -19.16db
11% Popularity • 53% Danceability • 17% Energy • 8% Liveness
47% Instrumentalness • 30% Positiveness
11% Popularity • 53% Danceability • 17% Energy • 8% Liveness
47% Instrumentalness • 30% Positiveness
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Horace Silver
Sister Sadie
96 bpm • G Maj • 06:19 • -7.43db
34% Popularity • 54% Danceability • 54% Energy • 16% Liveness
6% Instrumentalness • 50% Positiveness
34% Popularity • 54% Danceability • 54% Energy • 16% Liveness
6% Instrumentalness • 50% Positiveness
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Kenny Dorham
Lotus Flower - Rudy Van Gelder Edition/2...
90 bpm • D# Maj • 04:16 • -9.3db
31% Popularity • 44% Danceability • 30% Energy • 12% Liveness
90% Instrumentalness • 30% Positiveness
31% Popularity • 44% Danceability • 30% Energy • 12% Liveness
90% Instrumentalness • 30% Positiveness
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London Symphony Orchestra
The Men Who Live In The White House
97 bpm • C# Maj • 02:48 • -14.32db
2% Popularity • 60% Danceability • 27% Energy • 22% Liveness
55% Instrumentalness • 91% Positiveness
2% Popularity • 60% Danceability • 27% Energy • 22% Liveness
55% Instrumentalness • 91% Positiveness
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Steve Lacy
Reflections
97 bpm • F min • 04:07 • -15db
12% Popularity • 50% Danceability • 21% Energy • 24% Liveness
71% Instrumentalness • 39% Positiveness
12% Popularity • 50% Danceability • 21% Energy • 24% Liveness
71% Instrumentalness • 39% Positiveness
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Gil Evans
The Barbara Song
89 bpm • F min • 09:59 • -24.23db
18% Popularity • 21% Danceability • 7% Energy • 13% Liveness
95% Instrumentalness • 8% Positiveness
18% Popularity • 21% Danceability • 7% Energy • 13% Liveness
95% Instrumentalness • 8% Positiveness
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Ornette Coleman
Round Trip
96 bpm • F min • 06:18 • -18db
12% Popularity • 40% Danceability • 39% Energy • 7% Liveness
0% Instrumentalness • 55% Positiveness
12% Popularity • 40% Danceability • 39% Energy • 7% Liveness
0% Instrumentalness • 55% Positiveness
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Jaco Pastorius
Opus Pocus
89 bpm • A Maj • 05:29 • -9.63db
33% Popularity • 56% Danceability • 66% Energy • 6% Liveness
57% Instrumentalness • 64% Positiveness
33% Popularity • 56% Danceability • 66% Energy • 6% Liveness
57% Instrumentalness • 64% Positiveness
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Harold Land
The Fox - Instrumental
89 bpm • C min • 05:33 • -17db
14% Popularity • 53% Danceability • 36% Energy • 12% Liveness
4% Instrumentalness • 75% Positiveness
14% Popularity • 53% Danceability • 36% Energy • 12% Liveness
4% Instrumentalness • 75% Positiveness
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Cecil Taylor
This Nearly Was Mine - Remastered
97 bpm • D# Maj • 10:53 • -22db
11% Popularity • 49% Danceability • 10% Energy • 10% Liveness
51% Instrumentalness • 12% Positiveness
11% Popularity • 49% Danceability • 10% Energy • 10% Liveness
51% Instrumentalness • 12% Positiveness
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Paul Bley Trio
Cartoon
89 bpm • F# min • 02:14 • -23db
28% Popularity • 50% Danceability • 32% Energy • 9% Liveness
6% Instrumentalness • 62% Positiveness
28% Popularity • 50% Danceability • 32% Energy • 9% Liveness
6% Instrumentalness • 62% Positiveness
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Albert Ayler
Omega
89 bpm • G# Maj • 03:19 • -9.59db
11% Popularity • 31% Danceability • 72% Energy • 14% Liveness
90% Instrumentalness • 73% Positiveness
11% Popularity • 31% Danceability • 72% Energy • 14% Liveness
90% Instrumentalness • 73% Positiveness
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Ornette Coleman
Rock the Clock
96 bpm • G Maj • 03:15 • -8.06db
16% Popularity • 22% Danceability • 86% Energy • 71% Liveness
2% Instrumentalness • 72% Positiveness
16% Popularity • 22% Danceability • 86% Energy • 71% Liveness
2% Instrumentalness • 72% Positiveness
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Howard Shore
Centipede
97 bpm • D Maj • 02:04 • -18.68db
12% Popularity • 37% Danceability • 11% Energy • 15% Liveness
82% Instrumentalness • 36% Positiveness
12% Popularity • 37% Danceability • 11% Energy • 15% Liveness
82% Instrumentalness • 36% Positiveness
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Gary Burton Quartet
Sea Journey
89 bpm • A min • 09:14 • -18.76db
20% Popularity • 36% Danceability • 30% Energy • 11% Liveness
49% Instrumentalness • 49% Positiveness
20% Popularity • 36% Danceability • 30% Energy • 11% Liveness
49% Instrumentalness • 49% Positiveness
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Mary Lou Williams
Taurus
98 bpm • F Maj • 02:35 • -20.75db
15% Popularity • 64% Danceability • 12% Energy • 11% Liveness
91% Instrumentalness • 13% Positiveness
15% Popularity • 64% Danceability • 12% Energy • 11% Liveness
91% Instrumentalness • 13% Positiveness
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Gil Evans
El Toreador
88 bpm • D min • 03:26 • -20.36db
25% Popularity • 30% Danceability • 13% Energy • 11% Liveness
90% Instrumentalness • 8% Positiveness
25% Popularity • 30% Danceability • 13% Energy • 11% Liveness
90% Instrumentalness • 8% Positiveness
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Jaco Pastorius
Forgotten Love
88 bpm • C Maj • 02:14 • -13.39db
26% Popularity • 21% Danceability • 26% Energy • 13% Liveness
84% Instrumentalness • 4% Positiveness
26% Popularity • 21% Danceability • 26% Energy • 13% Liveness
84% Instrumentalness • 4% Positiveness
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Ornette Coleman
Change of the Century
96 bpm • A min • 04:44 • -16.84db
9% Popularity • 49% Danceability • 30% Energy • 36% Liveness
3% Instrumentalness • 48% Positiveness
9% Popularity • 49% Danceability • 30% Energy • 36% Liveness
3% Instrumentalness • 48% Positiveness
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Miles Davis Quartet
Old Devil Moon
88 bpm • F min • 03:22 • -13.6db
25% Popularity • 47% Danceability • 36% Energy • 7% Liveness
0% Instrumentalness • 70% Positiveness
25% Popularity • 47% Danceability • 36% Energy • 7% Liveness
0% Instrumentalness • 70% Positiveness
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Gary Burton Quartet
Ballet
98 bpm • G# Maj • 04:57 • -13.52db
9% Popularity • 35% Danceability • 37% Energy • 33% Liveness
2% Instrumentalness • 28% Positiveness
9% Popularity • 35% Danceability • 37% Energy • 33% Liveness
2% Instrumentalness • 28% Positiveness
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Booker Ervin
A Lunar Tune
88 bpm • C# Maj • 07:45 • -9.65db
7% Popularity • 53% Danceability • 68% Energy • 10% Liveness
0% Instrumentalness • 83% Positiveness
7% Popularity • 53% Danceability • 68% Energy • 10% Liveness
0% Instrumentalness • 83% Positiveness
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Thelonious Monk Septet
Well You Needn't - Opening
88 bpm • F min • 01:26 • -20db
53% Popularity • 50% Danceability • 19% Energy • 7% Liveness
0% Instrumentalness • 40% Positiveness
53% Popularity • 50% Danceability • 19% Energy • 7% Liveness
0% Instrumentalness • 40% Positiveness
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Albert Ayler
Holy Family
99 bpm • F Maj • 02:12 • -18.42db
26% Popularity • 32% Danceability • 31% Energy • 29% Liveness
1% Instrumentalness • 63% Positiveness
26% Popularity • 32% Danceability • 31% Energy • 29% Liveness
1% Instrumentalness • 63% Positiveness
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Ornette Coleman
The Jungle Is a Skyscraper
97 bpm • E min • 05:25 • -9.67db
15% Popularity • 42% Danceability • 55% Energy • 43% Liveness
41% Instrumentalness • 49% Positiveness
15% Popularity • 42% Danceability • 55% Energy • 43% Liveness
41% Instrumentalness • 49% Positiveness
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Mal Waldron
Left Alone
99 bpm • D min • 06:07 • -17.89db
23% Popularity • 48% Danceability • 3% Energy • 10% Liveness
0% Instrumentalness • 24% Positiveness
23% Popularity • 48% Danceability • 3% Energy • 10% Liveness
0% Instrumentalness • 24% Positiveness
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Anthony Williams
From Before - Remastered 2009/Rudy Van G...
87 bpm • F Maj • 06:52 • -16db
10% Popularity • 32% Danceability • 32% Energy • 12% Liveness
3% Instrumentalness • 5% Positiveness
10% Popularity • 32% Danceability • 32% Energy • 12% Liveness
3% Instrumentalness • 5% Positiveness
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Paul Bley Trio
Sideways In Mexico
99 bpm • D Maj • 02:57 • -22.52db
19% Popularity • 49% Danceability • 14% Energy • 9% Liveness
0% Instrumentalness • 50% Positiveness
19% Popularity • 49% Danceability • 14% Energy • 9% Liveness
0% Instrumentalness • 50% Positiveness
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Lou Reed
Guilty - Limited Edition
100 bpm • G# Maj • 02:45 • -13.76db
4% Popularity • 62% Danceability • 49% Energy • 9% Liveness
0% Instrumentalness • 72% Positiveness
4% Popularity • 62% Danceability • 49% Energy • 9% Liveness
0% Instrumentalness • 72% Positiveness
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![Ghosts: First Variation cover art]()
Albert Ayler
Ghosts: First Variation
87 bpm • F Maj • 05:14 • -14db
20% Popularity • 36% Danceability • 40% Energy • 12% Liveness
0% Instrumentalness • 50% Positiveness
20% Popularity • 36% Danceability • 40% Energy • 12% Liveness
0% Instrumentalness • 50% Positiveness
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Ornette Coleman
Ramblin'
99 bpm • D Maj • 06:36 • -16db
23% Popularity • 52% Danceability • 19% Energy • 26% Liveness
80% Instrumentalness • 26% Positiveness
23% Popularity • 52% Danceability • 19% Energy • 26% Liveness
80% Instrumentalness • 26% Positiveness
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Charlie Parker Quartet
Now's The Time
100 bpm • F Maj • 03:01 • -10db
52% Popularity • 48% Danceability • 53% Energy • 19% Liveness
0% Instrumentalness • 67% Positiveness
52% Popularity • 48% Danceability • 53% Energy • 19% Liveness
0% Instrumentalness • 67% Positiveness
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Tony Williams
Touch Me
100 bpm • F Maj • 01:23 • -23.63db
34% Popularity • 56% Danceability • 33% Energy • 11% Liveness
86% Instrumentalness • 83% Positiveness
34% Popularity • 56% Danceability • 33% Energy • 11% Liveness
86% Instrumentalness • 83% Positiveness
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Art Ensemble Of Chicago
Walking In The Moonlight
100 bpm • F Maj • 04:07 • -18.88db
10% Popularity • 51% Danceability • 6% Energy • 15% Liveness
27% Instrumentalness • 22% Positiveness
10% Popularity • 51% Danceability • 6% Energy • 15% Liveness
27% Instrumentalness • 22% Positiveness
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Jackie McLean
Esoteric
86 bpm • B min • 09:03 • -13.63db
11% Popularity • 57% Danceability • 16% Energy • 9% Liveness
0% Instrumentalness • 29% Positiveness
11% Popularity • 57% Danceability • 16% Energy • 9% Liveness
0% Instrumentalness • 29% Positiveness
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Albert Ayler
Ghosts
87 bpm • A# Maj • 02:49 • -10.46db
19% Popularity • 34% Danceability • 71% Energy • 36% Liveness
75% Instrumentalness • 74% Positiveness
19% Popularity • 34% Danceability • 71% Energy • 36% Liveness
75% Instrumentalness • 74% Positiveness
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Ornette Coleman
Virgin Beauty
86 bpm • A Maj • 03:33 • -17.29db
11% Popularity • 40% Danceability • 21% Energy • 17% Liveness
47% Instrumentalness • 24% Positiveness
11% Popularity • 40% Danceability • 21% Energy • 17% Liveness
47% Instrumentalness • 24% Positiveness
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Anthony Braxton
You Stepped Out of a Dream
101 bpm • C Maj • 07:11 • -13.94db
11% Popularity • 64% Danceability • 31% Energy • 12% Liveness
89% Instrumentalness • 62% Positiveness
11% Popularity • 64% Danceability • 31% Energy • 12% Liveness
89% Instrumentalness • 62% Positiveness
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Howard Shore
Dual Typewriters
86 bpm • D Maj • 03:31 • -21.48db
4% Popularity • 19% Danceability • 6% Energy • 13% Liveness
89% Instrumentalness • 3% Positiveness
4% Popularity • 19% Danceability • 6% Energy • 13% Liveness
89% Instrumentalness • 3% Positiveness
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Art Ensemble Of Chicago
Variations sur un thème de Monteverdi (...
86 bpm • F Maj • 04:47 • -10.61db
11% Popularity • 19% Danceability • 26% Energy • 12% Liveness
78% Instrumentalness • 4% Positiveness
11% Popularity • 19% Danceability • 26% Energy • 12% Liveness
78% Instrumentalness • 4% Positiveness
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Art Blakey
Des Femmes Disparaissent - BOF "Des Femm...
101 bpm • F min • 01:01 • -7.21db
38% Popularity • 45% Danceability • 16% Energy • 28% Liveness
1% Instrumentalness • 44% Positiveness
38% Popularity • 45% Danceability • 16% Energy • 28% Liveness
1% Instrumentalness • 44% Positiveness
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Gil Evans
Concorde
101 bpm • G# Maj • 07:39 • -14.54db
12% Popularity • 51% Danceability • 44% Energy • 20% Liveness
4% Instrumentalness • 34% Positiveness
12% Popularity • 51% Danceability • 44% Energy • 20% Liveness
4% Instrumentalness • 34% Positiveness
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Ornette Coleman
Science Fiction
89 bpm • B Maj • 05:00 • -11db
17% Popularity • 19% Danceability • 84% Energy • 76% Liveness
83% Instrumentalness • 14% Positiveness
17% Popularity • 19% Danceability • 84% Energy • 76% Liveness
83% Instrumentalness • 14% Positiveness
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Eberhard Weber
More Colours
86 bpm • D Maj • 06:41 • -21db
24% Popularity • 16% Danceability • 8% Energy • 12% Liveness
88% Instrumentalness • 4% Positiveness
24% Popularity • 16% Danceability • 8% Energy • 12% Liveness
88% Instrumentalness • 4% Positiveness
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Paul Bley Trio
Crossroads
85 bpm • F min • 02:32 • -24.99db
18% Popularity • 47% Danceability • 10% Energy • 22% Liveness
36% Instrumentalness • 51% Positiveness
18% Popularity • 47% Danceability • 10% Energy • 22% Liveness
36% Instrumentalness • 51% Positiveness
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Art Ensemble Of Chicago
Funky AECO
101 bpm • C# Maj • 07:39 • -15db
16% Popularity • 65% Danceability • 44% Energy • 7% Liveness
7% Instrumentalness • 66% Positiveness
16% Popularity • 65% Danceability • 44% Energy • 7% Liveness
7% Instrumentalness • 66% Positiveness
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Eric Dolphy
Straight Up And Down - Remastered 1998/R...
101 bpm • C Maj • 08:19 • -5.97db
21% Popularity • 48% Danceability • 66% Energy • 38% Liveness
0% Instrumentalness • 34% Positiveness
21% Popularity • 48% Danceability • 66% Energy • 38% Liveness
0% Instrumentalness • 34% Positiveness
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Howard Shore
Ballad / Joan
85 bpm • B min • 02:40 • -12.06db
5% Popularity • 22% Danceability • 13% Energy • 13% Liveness
15% Instrumentalness • 8% Positiveness
5% Popularity • 22% Danceability • 13% Energy • 13% Liveness
15% Instrumentalness • 8% Positiveness
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Ornette Coleman
Giggin' - Instrumental
97 bpm • G# Maj • 03:20 • -20.01db
12% Popularity • 67% Danceability • 17% Energy • 23% Liveness
14% Instrumentalness • 81% Positiveness
12% Popularity • 67% Danceability • 17% Energy • 23% Liveness
14% Instrumentalness • 81% Positiveness
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Anthony Braxton
To Pianist Cecil Taylor
85 bpm • D# Maj • 05:18 • -11db
8% Popularity • 48% Danceability • 27% Energy • 33% Liveness
53% Instrumentalness • 91% Positiveness
8% Popularity • 48% Danceability • 27% Energy • 33% Liveness
53% Instrumentalness • 91% Positiveness
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Sonny Sharrock
Bialero
85 bpm • G min • 04:51 • -15db
14% Popularity • 23% Danceability • 52% Energy • 17% Liveness
27% Instrumentalness • 50% Positiveness
14% Popularity • 23% Danceability • 52% Energy • 17% Liveness
27% Instrumentalness • 50% Positiveness
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The Gil Evans Orchestra
Sunken Treasure
102 bpm • C# Maj • 04:17 • -16.03db
15% Popularity • 46% Danceability • 15% Energy • 10% Liveness
85% Instrumentalness • 15% Positiveness
15% Popularity • 46% Danceability • 15% Energy • 10% Liveness
85% Instrumentalness • 15% Positiveness
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Andrew Hill
Passing Ships
102 bpm • C Maj • 07:08 • -15db
9% Popularity • 48% Danceability • 26% Energy • 6% Liveness
4% Instrumentalness • 18% Positiveness
9% Popularity • 48% Danceability • 26% Energy • 6% Liveness
4% Instrumentalness • 18% Positiveness
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Sam Rivers
Tranquility
84 bpm • A# min • 08:57 • -13db
9% Popularity • 45% Danceability • 55% Energy • 10% Liveness
1% Instrumentalness • 39% Positiveness
9% Popularity • 45% Danceability • 55% Energy • 10% Liveness
1% Instrumentalness • 39% Positiveness
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Ornette Coleman
Mind And Time - Instrumental
85 bpm • G# Maj • 03:09 • -19.16db
12% Popularity • 48% Danceability • 20% Energy • 30% Liveness
0% Instrumentalness • 84% Positiveness
12% Popularity • 48% Danceability • 20% Energy • 30% Liveness
0% Instrumentalness • 84% Positiveness
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Chad Taylor
Box Step
103 bpm • A min • 05:59 • -17db
9% Popularity • 42% Danceability • 32% Energy • 9% Liveness
53% Instrumentalness • 36% Positiveness
9% Popularity • 42% Danceability • 32% Energy • 9% Liveness
53% Instrumentalness • 36% Positiveness
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Ralph Towner
Nimbus
84 bpm • G min • 06:25 • -15.26db
29% Popularity • 23% Danceability • 50% Energy • 12% Liveness
52% Instrumentalness • 22% Positiveness
29% Popularity • 23% Danceability • 50% Energy • 12% Liveness
52% Instrumentalness • 22% Positiveness
