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Freedom - Early Version
Songs like
Freedom - Early Version
by
Conor Ryan
Based on a tempo of (+/- 10%) and a similar genre
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Gaby Alter
Big Shot
105 bpm • G Maj • 02:43 • -7.88db
9% Popularity • 83% Danceability • 52% Energy • 9% Liveness
0% Instrumentalness • 65% Positiveness
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Carolee Carmello
Anytime (I Am There)
105 bpm • F Maj • 04:47 • -10.49db
9% Popularity • 42% Danceability • 20% Energy • 11% Liveness
0% Instrumentalness • 13% Positiveness
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Kate Baldwin
Hold Down the Fort
105 bpm • G Maj • 02:50 • -9.34db
2% Popularity • 41% Danceability • 23% Energy • 12% Liveness
0% Instrumentalness • 23% Positiveness
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Fra Fee
The Turning Of The Key
105 bpm • A Maj • 04:12 • -9.85db
17% Popularity • 40% Danceability • 54% Energy • 16% Liveness
0% Instrumentalness • 37% Positiveness
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Janet Metz
Something Funny's Going On
105 bpm • C Maj • 01:46 • -9db
14% Popularity • 80% Danceability • 51% Energy • 39% Liveness
0% Instrumentalness • 82% Positiveness
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Ryan Scott Oliver
A Ball of Gold in a Blood Sky
105 bpm • F Maj • 03:09 • -11.57db
11% Popularity • 55% Danceability • 32% Energy • 11% Liveness
0% Instrumentalness • 25% Positiveness
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Denée Benton
You Chose Me
104 bpm • D Maj • 03:15 • -10.04db
7% Popularity • 52% Danceability • 41% Energy • 12% Liveness
0% Instrumentalness • 39% Positiveness
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Mo Willems
Ode to Toy
105 bpm • E Maj • 01:25 • -7.61db
12% Popularity • 65% Danceability • 30% Energy • 14% Liveness
0% Instrumentalness • 47% Positiveness
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Daniella Bowen
Look to the Sky
106 bpm • A min • 02:58 • -7.25db
8% Popularity • 72% Danceability • 55% Energy • 16% Liveness
0% Instrumentalness • 33% Positiveness
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Up Here - Cast
Please Like Me
106 bpm • G# Maj • 02:37 • -9.87db
10% Popularity • 68% Danceability • 48% Energy • 7% Liveness
0% Instrumentalness • 56% Positiveness
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Kyle Mcarthur
My Dad, The Superhero
104 bpm • C Maj • 03:10 • -9db
7% Popularity • 47% Danceability • 31% Energy • 20% Liveness
0% Instrumentalness • 37% Positiveness
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Matt Dahan
Enlightenment
103 bpm • D Maj • 03:21 • -8.24db
25% Popularity • 38% Danceability • 27% Energy • 12% Liveness
0% Instrumentalness • 31% Positiveness
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J. Elaine Marcos
Without the Guy
103 bpm • G Maj • 04:59 • -6db
8% Popularity • 60% Danceability • 40% Energy • 10% Liveness
0% Instrumentalness • 33% Positiveness
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Adam Makké
Rose Stopnick Can Cook
107 bpm • C Maj • 01:16 • -10.61db
9% Popularity • 67% Danceability • 22% Energy • 16% Liveness
0% Instrumentalness • 65% Positiveness
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Will Reynolds
A Special Word
107 bpm • G# Maj • 03:25 • -10.77db
13% Popularity • 49% Danceability • 39% Energy • 35% Liveness
0% Instrumentalness • 51% Positiveness
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Sydney Farley
Revolution Song
103 bpm • C Maj • 04:17 • -6db
11% Popularity • 52% Danceability • 78% Energy • 19% Liveness
0% Instrumentalness • 29% Positiveness
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Lynne Shankel
A Million Miles from Heaven
107 bpm • G min • 03:12 • -4.71db
13% Popularity • 56% Danceability • 81% Energy • 17% Liveness
0% Instrumentalness • 50% Positiveness
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Aron Accurso
You Are Enough
103 bpm • C Maj • 02:55 • -6.69db
11% Popularity • 40% Danceability • 56% Energy • 12% Liveness
0% Instrumentalness • 31% Positiveness
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Gaby Alter
One Look at You
103 bpm • G# Maj • 02:53 • -5.22db
16% Popularity • 77% Danceability • 70% Energy • 5% Liveness
0% Instrumentalness • 86% Positiveness
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Paul Williams
What I Dreamed Last Night (Reprise)
103 bpm • C# Maj • 02:08 • -6.36db
9% Popularity • 65% Danceability • 46% Energy • 41% Liveness
0% Instrumentalness • 63% Positiveness
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Will Reynolds
I Know How It Ends
107 bpm • D Maj • 03:16 • -11db
18% Popularity • 60% Danceability • 38% Energy • 5% Liveness
0% Instrumentalness • 67% Positiveness
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Tally Sessions
Dance While You Can (Reprise)
102 bpm • C Maj • 03:00 • -12.49db
7% Popularity • 65% Danceability • 32% Energy • 32% Liveness
0% Instrumentalness • 48% Positiveness
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Working: A Musical (Original London Cast)
All the Livelong Day
102 bpm • B Maj • 03:37 • -11.21db
15% Popularity • 46% Danceability • 49% Energy • 18% Liveness
0% Instrumentalness • 62% Positiveness
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Lili Thomas
Quinze Minutes
102 bpm • F min • 04:25 • -5.9db
12% Popularity • 55% Danceability • 50% Energy • 38% Liveness
0% Instrumentalness • 52% Positiveness
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Emma Lively
Awake at Midnight
108 bpm • F Maj • 02:56 • -7db
18% Popularity • 67% Danceability • 52% Energy • 30% Liveness
0% Instrumentalness • 40% Positiveness
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Patrick Clancy, Josh Wilmott, Ensemble
Hang Him Til He's Dead
108 bpm • A Maj • 01:49 • -9.56db
10% Popularity • 63% Danceability • 41% Energy • 80% Liveness
0% Instrumentalness • 82% Positiveness
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Christopher M. Allport
I've Lived a Thousand Lifetimes
108 bpm • C Maj • 01:35 • -7.92db
11% Popularity • 56% Danceability • 49% Energy • 12% Liveness
0% Instrumentalness • 28% Positiveness
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Kooman & Dimond
Lost in the Waves
108 bpm • A# Maj • 04:36 • -12.26db
11% Popularity • 39% Danceability • 15% Energy • 9% Liveness
0% Instrumentalness • 16% Positiveness
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Paul Williams
Guys Like Us
102 bpm • E Maj • 01:58 • -6.44db
7% Popularity • 70% Danceability • 62% Energy • 35% Liveness
0% Instrumentalness • 59% Positiveness
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Cathryn Wake
Je M'en Fiche
102 bpm • E Maj • 03:41 • -5.86db
14% Popularity • 64% Danceability • 55% Energy • 19% Liveness
0% Instrumentalness • 60% Positiveness
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KIN
What I Am Made Of
101 bpm • B min • 02:28 • -6.33db
14% Popularity • 52% Danceability • 67% Energy • 20% Liveness
0% Instrumentalness • 57% Positiveness
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Michelle Knight
Big Tits
109 bpm • D Maj • 04:21 • -3.67db
9% Popularity • 63% Danceability • 73% Energy • 16% Liveness
0% Instrumentalness • 58% Positiveness
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Pulp Musicals
Questions
102 bpm • F min • 02:32 • -13.14db
9% Popularity • 38% Danceability • 25% Energy • 17% Liveness
0% Instrumentalness • 28% Positiveness
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Keith Carradine
Keep Your Hands on It
109 bpm • D Maj • 05:17 • -8.52db
8% Popularity • 62% Danceability • 49% Energy • 12% Liveness
0% Instrumentalness • 46% Positiveness
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John Barrowman
Marry Me a Little/ Being Alive
109 bpm • D# Maj • 04:51 • -9.68db
7% Popularity • 32% Danceability • 29% Energy • 10% Liveness
0% Instrumentalness • 20% Positiveness
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Ellie Fishman
Answer the Call
102 bpm • B Maj • 04:16 • -6db
15% Popularity • 49% Danceability • 57% Energy • 9% Liveness
0% Instrumentalness • 32% Positiveness
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Rubén J. Carbajal
Bad Things
101 bpm • D Maj • 03:39 • -8.99db
9% Popularity • 35% Danceability • 52% Energy • 15% Liveness
0% Instrumentalness • 39% Positiveness
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Becky Gulsvig
All I Wanna Do Is Eat
101 bpm • C Maj • 05:41 • -5.11db
10% Popularity • 48% Danceability • 49% Energy • 16% Liveness
0% Instrumentalness • 51% Positiveness
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Matt Doyle
Goodbye Jasper
110 bpm • D Maj • 06:07 • -7.8db
11% Popularity • 57% Danceability • 53% Energy • 8% Liveness
0% Instrumentalness • 38% Positiveness
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Beat by Beat Press
Space Pirates
110 bpm • C min • 02:54 • -11.8db
8% Popularity • 81% Danceability • 21% Energy • 15% Liveness
0% Instrumentalness • 49% Positiveness
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"Dreamland" Studio Cast
Area 51
100 bpm • G min • 02:32 • -6.52db
9% Popularity • 68% Danceability • 61% Energy • 26% Liveness
0% Instrumentalness • 73% Positiveness
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Stephanie J. Block
Something Beautiful
110 bpm • F# min • 03:58 • -13.67db
9% Popularity • 34% Danceability • 17% Energy • 8% Liveness
0% Instrumentalness • 11% Positiveness
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Ellie Fishman
Connected (Pt. 1)
110 bpm • A Maj • 03:17 • -6.27db
13% Popularity • 48% Danceability • 46% Energy • 33% Liveness
0% Instrumentalness • 41% Positiveness
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Krysta Rodriguez
Dinner For Three (Part 1)
100 bpm • C Maj • 01:59 • -9.37db
10% Popularity • 80% Danceability • 36% Energy • 18% Liveness
0% Instrumentalness • 73% Positiveness
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KIN
We Are Awake
100 bpm • E min • 02:16 • -7.45db
12% Popularity • 80% Danceability • 56% Energy • 31% Liveness
0% Instrumentalness • 71% Positiveness
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Ben Fankhauser
Conflict of Interest
111 bpm • G Maj • 02:52 • -7.33db
9% Popularity • 55% Danceability • 67% Energy • 12% Liveness
0% Instrumentalness • 79% Positiveness
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Don Stephenson
Sit Down You're Rocking the Boat
111 bpm • F Maj • 02:34 • -12.09db
9% Popularity • 52% Danceability • 48% Energy • 55% Liveness
0% Instrumentalness • 38% Positiveness
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Caroline Bowman
Falling for the Boy (Reprise)
111 bpm • C Maj • 01:19 • -14.25db
7% Popularity • 57% Danceability • 7% Energy • 21% Liveness
0% Instrumentalness • 46% Positiveness
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Marla Mindelle
My Simple Request
111 bpm • D Maj • 03:30 • -4.8db
9% Popularity • 42% Danceability • 56% Energy • 11% Liveness
0% Instrumentalness • 65% Positiveness
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David Langham
I Am Not yet Dead / Playoff
99 bpm • G Maj • 02:27 • -6.38db
8% Popularity • 71% Danceability • 78% Energy • 66% Liveness
0% Instrumentalness • 78% Positiveness
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Beat by Beat Press
Thurwednesday
99 bpm • A min • 02:10 • -6.81db
8% Popularity • 62% Danceability • 37% Energy • 30% Liveness
0% Instrumentalness • 36% Positiveness
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Daniella Bowen
It's a Myth
99 bpm • D Maj • 03:26 • -6.95db
9% Popularity • 79% Danceability • 74% Energy • 28% Liveness
0% Instrumentalness • 56% Positiveness
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Christian Borle
Better Than a "Boo!"
99 bpm • F min • 02:39 • -11db
9% Popularity • 68% Danceability • 44% Energy • 14% Liveness
0% Instrumentalness • 92% Positiveness
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Elena Tal
The Girl in 14G
112 bpm • C Maj • 04:02 • -9.47db
14% Popularity • 51% Danceability • 31% Energy • 23% Liveness
0% Instrumentalness • 34% Positiveness
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Conor Ryan
It's Good to Be Alive
112 bpm • G Maj • 02:35 • -7.1db
4% Popularity • 33% Danceability • 35% Energy • 19% Liveness
0% Instrumentalness • 34% Positiveness
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Caroline Huerta
Crazy
99 bpm • F min • 05:01 • -5.56db
11% Popularity • 53% Danceability • 51% Energy • 41% Liveness
0% Instrumentalness • 55% Positiveness
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Kate Baldwin
Run & Hide
112 bpm • D Maj • 06:09 • -8.81db
3% Popularity • 40% Danceability • 32% Energy • 13% Liveness
0% Instrumentalness • 20% Positiveness
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Tom Fletcher
The Creaker Way
112 bpm • B Maj • 02:14 • -8.38db
12% Popularity • 70% Danceability • 38% Energy • 20% Liveness
0% Instrumentalness • 54% Positiveness
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Randy Rainbow
You Gotta Get a Gimmick
99 bpm • F Maj • 05:03 • -5.98db
7% Popularity • 52% Danceability • 40% Energy • 33% Liveness
0% Instrumentalness • 59% Positiveness
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Elena Tal
Wind Beneath My Wings
99 bpm • A# Maj • 03:54 • -11.12db
13% Popularity • 28% Danceability • 21% Energy • 11% Liveness
0% Instrumentalness • 15% Positiveness
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Isaac Joshua Brown
Take a Breath
99 bpm • D Maj • 02:59 • -9.1db
12% Popularity • 64% Danceability • 41% Energy • 10% Liveness
0% Instrumentalness • 33% Positiveness
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Faith Prince
The Burden of Life
112 bpm • A Maj • 02:49 • -13.95db
9% Popularity • 63% Danceability • 19% Energy • 7% Liveness
0% Instrumentalness • 53% Positiveness
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Ryan Scott Oliver
Girl in Camouflage
112 bpm • G Maj • 04:08 • -8.4db
9% Popularity • 69% Danceability • 61% Energy • 9% Liveness
0% Instrumentalness • 56% Positiveness
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Farah Alvin
All I Have to Do Is Dream/Dream Lover
112 bpm • D# Maj • 03:42 • -7.32db
8% Popularity • 47% Danceability • 44% Energy • 10% Liveness
0% Instrumentalness • 39% Positiveness
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Krystina Alabado
Babbling Brooke
112 bpm • G# Maj • 04:45 • -9.44db
27% Popularity • 78% Danceability • 61% Energy • 8% Liveness
0% Instrumentalness • 82% Positiveness
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Keith Ferguson & Bruce Greer
That's George Bailey
112 bpm • A# Maj • 02:43 • -6.4db
8% Popularity • 32% Danceability • 65% Energy • 25% Liveness
0% Instrumentalness • 70% Positiveness
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Will Reynolds
As Fast As I Can
112 bpm • G# Maj • 02:32 • -9.98db
13% Popularity • 44% Danceability • 43% Energy • 34% Liveness
0% Instrumentalness • 37% Positiveness
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Kyle Mcarthur
The Adventures of the Amazing Sea-Marine...
98 bpm • G Maj • 01:06 • -5.8db
11% Popularity • 44% Danceability • 61% Energy • 36% Liveness
0% Instrumentalness • 31% Positiveness
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Ryan Scott Oliver
My Life With R. H. Macy
112 bpm • A min • 04:12 • -6.3db
9% Popularity • 64% Danceability • 54% Energy • 15% Liveness
0% Instrumentalness • 36% Positiveness
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Kate Baldwin
Trouble with Men
113 bpm • G Maj • 02:10 • -6.74db
2% Popularity • 64% Danceability • 47% Energy • 4% Liveness
0% Instrumentalness • 65% Positiveness
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Sashika Dias
Southside
113 bpm • D Maj • 02:58 • -11.09db
11% Popularity • 53% Danceability • 58% Energy • 73% Liveness
0% Instrumentalness • 70% Positiveness
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Andy Mientus
When You're Near
113 bpm • G Maj • 03:02 • -7.87db
9% Popularity • 43% Danceability • 31% Energy • 23% Liveness
0% Instrumentalness • 34% Positiveness
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Benjamin Lewis
Now That I'm With You
97 bpm • C# Maj • 03:38 • -11.36db
7% Popularity • 36% Danceability • 37% Energy • 8% Liveness
0% Instrumentalness • 27% Positiveness
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Kathy & Stella Solve A Murder!
Kathy and Stella's Murder Podcast
113 bpm • A Maj • 03:54 • -6.9db
20% Popularity • 71% Danceability • 55% Energy • 7% Liveness
0% Instrumentalness • 72% Positiveness
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'Twelfth Night' Company
Eyes Of Another
113 bpm • F min • 02:58 • -5db
16% Popularity • 63% Danceability • 77% Energy • 5% Liveness
0% Instrumentalness • 85% Positiveness
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Conor Ryan
The Ballad of Johnny Blood
113 bpm • A min • 02:27 • -6.29db
3% Popularity • 55% Danceability • 60% Energy • 15% Liveness
0% Instrumentalness • 55% Positiveness
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Brad Alexander & Adam Mathias
Rock City
114 bpm • D Maj • 02:54 • -9db
10% Popularity • 70% Danceability • 25% Energy • 6% Liveness
0% Instrumentalness • 37% Positiveness
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Gaby Alter
Lost in the Brass
114 bpm • C min • 03:49 • -7.45db
25% Popularity • 53% Danceability • 52% Energy • 7% Liveness
0% Instrumentalness • 68% Positiveness
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The Dear Edwina Singers
Periwinkle
97 bpm • A# Maj • 00:57 • -11.01db
10% Popularity • 55% Danceability • 12% Energy • 12% Liveness
0% Instrumentalness • 24% Positiveness
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Liv Andrusier
The Wager
114 bpm • E min • 03:18 • -8.81db
18% Popularity • 79% Danceability • 59% Energy • 8% Liveness
0% Instrumentalness • 76% Positiveness
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Ellie Fishman
The Duration
96 bpm • G Maj • 04:28 • -5db
13% Popularity • 41% Danceability • 76% Energy • 16% Liveness
0% Instrumentalness • 47% Positiveness
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Liam Pearce
Under Control
96 bpm • A# Maj • 03:48 • -10.49db
24% Popularity • 34% Danceability • 32% Energy • 12% Liveness
0% Instrumentalness • 32% Positiveness
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Mo Willems
We've Been Lucky
96 bpm • D Maj • 02:14 • -5.71db
10% Popularity • 78% Danceability • 49% Energy • 42% Liveness
0% Instrumentalness • 88% Positiveness
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David Joseph Rofrano
Keep Me Right
96 bpm • D# Maj • 03:56 • -9.38db
15% Popularity • 66% Danceability • 65% Energy • 9% Liveness
0% Instrumentalness • 31% Positiveness
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Stuart Zagnit
The Phone Call
115 bpm • A Maj • 02:39 • -12db
11% Popularity • 71% Danceability • 19% Energy • 36% Liveness
0% Instrumentalness • 51% Positiveness
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Sarah Charles Lewis
Follow The Stars
96 bpm • C min • 03:09 • -7db
14% Popularity • 63% Danceability • 50% Energy • 17% Liveness
0% Instrumentalness • 66% Positiveness
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Dana Al Fardan
Rumi's Letter
96 bpm • F# Maj • 03:19 • -10.8db
8% Popularity • 33% Danceability • 29% Energy • 14% Liveness
0% Instrumentalness • 28% Positiveness
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Jeff Blumenkrantz
Protocol Says
115 bpm • D Maj • 04:04 • -13.98db
8% Popularity • 73% Danceability • 26% Energy • 7% Liveness
0% Instrumentalness • 57% Positiveness
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Mo Willems
Lucky to See You
96 bpm • G Maj • 02:43 • -7.16db
16% Popularity • 83% Danceability • 48% Energy • 5% Liveness
0% Instrumentalness • 85% Positiveness
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Gaby Alter
If I Had a Stage
115 bpm • G Maj • 03:29 • -9.53db
11% Popularity • 41% Danceability • 29% Energy • 14% Liveness
0% Instrumentalness • 22% Positiveness
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Barbara Rosenblat
Welcome Back, Mr. Witherspoon
115 bpm • G min • 03:07 • -8.27db
9% Popularity • 59% Danceability • 42% Energy • 7% Liveness
0% Instrumentalness • 45% Positiveness
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Aryan Simhadri
Everything Is Weird
116 bpm • C# Maj • 02:31 • -8.77db
8% Popularity • 67% Danceability • 37% Energy • 17% Liveness
0% Instrumentalness • 68% Positiveness
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Andrew Gerle
Miss Byrd
116 bpm • C# min • 04:49 • -12.73db
7% Popularity • 76% Danceability • 19% Energy • 9% Liveness
0% Instrumentalness • 63% Positiveness
► Preview
Pulp Musicals
Is It True? (Reprise)
95 bpm • F# min • 02:44 • -10.61db
9% Popularity • 54% Danceability • 35% Energy • 23% Liveness
0% Instrumentalness • 55% Positiveness
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Paul Williams
Happy Days
95 bpm • F Maj • 01:43 • -5.69db
12% Popularity • 56% Danceability • 75% Energy • 36% Liveness
0% Instrumentalness • 23% Positiveness
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Ryan Scott Oliver
Bleed You Dry
116 bpm • B Maj • 03:22 • -7.83db
13% Popularity • 70% Danceability • 54% Energy • 9% Liveness
0% Instrumentalness • 58% Positiveness
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Gus Plus Us
Clean Up
116 bpm • G Maj • 02:40 • -8db
20% Popularity • 78% Danceability • 55% Energy • 13% Liveness
0% Instrumentalness • 69% Positiveness
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Sean Doherty
Everybody Else
116 bpm • A Maj • 05:59 • -9.64db
9% Popularity • 56% Danceability • 38% Energy • 28% Liveness
0% Instrumentalness • 25% Positiveness
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Up Here - Cast
Falling in Love
116 bpm • A Maj • 02:14 • -11.44db
13% Popularity • 61% Danceability • 55% Energy • 31% Liveness
0% Instrumentalness • 47% Positiveness
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Michelle Knight
A Happy Tune?
116 bpm • G Maj • 02:47 • -6.04db
8% Popularity • 57% Danceability • 44% Energy • 15% Liveness
0% Instrumentalness • 32% Positiveness
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Freedom - Early Version