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Freeze Sailor
Songs like
Freeze Sailor
by
Daniel Hart
Based on a tempo of (+/- 10%) and a similar genre
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Steven Price
Evolution Undone
82 bpm • G min • 05:06 • -16.45db
13% Popularity • 32% Danceability • 25% Energy • 11% Liveness
90% Instrumentalness • 16% Positiveness
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Daniel Hart
The Secret In The Wall
82 bpm • C Maj • 04:11 • -14.29db
33% Popularity • 18% Danceability • 6% Energy • 9% Liveness
95% Instrumentalness • 4% Positiveness
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Colin Stetson
Nature is Timeless
82 bpm • C Maj • 02:42 • -12db
24% Popularity • 15% Danceability • 36% Energy • 9% Liveness
88% Instrumentalness • 7% Positiveness
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Jeff Beal
Next In Line
82 bpm • D min • 01:46 • -18db
44% Popularity • 26% Danceability • 27% Energy • 12% Liveness
98% Instrumentalness • 6% Positiveness
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Adam Taylor
River Walk
82 bpm • C# Maj • 01:51 • -27.89db
13% Popularity • 14% Danceability • 5% Energy • 11% Liveness
82% Instrumentalness • 4% Positiveness
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Alexandra Harwood
The Typewriter Theme
82 bpm • E min • 01:25 • -11.22db
17% Popularity • 53% Danceability • 34% Energy • 10% Liveness
60% Instrumentalness • 11% Positiveness
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Mark Korven
What Went We
82 bpm • G min • 01:58 • -23db
37% Popularity • 15% Danceability • 2% Energy • 9% Liveness
96% Instrumentalness • 6% Positiveness
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Daniel Hart
Shaped By Your Hands
82 bpm • D# Maj • 02:01 • -14.28db
20% Popularity • 39% Danceability • 22% Energy • 7% Liveness
81% Instrumentalness • 4% Positiveness
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Daniel L.K. Caldwell
Prospect
81 bpm • D# Maj • 04:10 • -22.49db
27% Popularity • 16% Danceability • 11% Energy • 13% Liveness
76% Instrumentalness • 7% Positiveness
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Nathan Johnson
Copa Spook Show
81 bpm • B min • 02:06 • -13.9db
8% Popularity • 22% Danceability • 14% Energy • 18% Liveness
90% Instrumentalness • 4% Positiveness
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Adam Taylor
Ofglen and Offred
81 bpm • F# min • 01:31 • -29.47db
16% Popularity • 20% Danceability • 3% Energy • 9% Liveness
73% Instrumentalness • 3% Positiveness
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Dan Romer
To Grow Up is a Great Adventure
81 bpm • E Maj • 01:36 • -25.04db
16% Popularity • 17% Danceability • 4% Energy • 6% Liveness
96% Instrumentalness • 9% Positiveness
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Isabella Summers
Lovers
81 bpm • A# Maj • 01:48 • -16.43db
28% Popularity • 25% Danceability • 8% Energy • 9% Liveness
92% Instrumentalness • 12% Positiveness
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Daniel Hart
The Drum Was My Heart
82 bpm • A Maj • 02:40 • -14.28db
21% Popularity • 24% Danceability • 12% Energy • 17% Liveness
93% Instrumentalness • 9% Positiveness
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조영욱과 THE SOUNDTRACKINGS
Five Books That I Used to Cherish
83 bpm • C min • 02:16 • -13.09db
11% Popularity • 25% Danceability • 23% Energy • 12% Liveness
95% Instrumentalness • 3% Positiveness
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Nathan Johnson
The Thrombey Estate
81 bpm • G min • 01:37 • -22.46db
36% Popularity • 22% Danceability • 6% Energy • 8% Liveness
43% Instrumentalness • 4% Positiveness
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Thomas Newman
Banquet Hall of Eternity
81 bpm • G min • 02:18 • -36.01db
22% Popularity • 9% Danceability • 1% Energy • 7% Liveness
95% Instrumentalness • 5% Positiveness
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Francois Tetaz
Wolf Creek: Main Title
81 bpm • A# min • 03:27 • -15.69db
17% Popularity • 8% Danceability • 33% Energy • 11% Liveness
73% Instrumentalness • 6% Positiveness
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Selma Mutal
The Vanished Elephant - Main Theme
81 bpm • C min • 02:39 • -12.78db
24% Popularity • 8% Danceability • 19% Energy • 10% Liveness
95% Instrumentalness • 4% Positiveness
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Daniel Hart
Christ Is Born Indeed
82 bpm • G Maj • 01:28 • -17.4db
20% Popularity • 55% Danceability • 22% Energy • 11% Liveness
28% Instrumentalness • 22% Positiveness
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Geoff Zanelli
Evelyn Goes It Alone
83 bpm • F# min • 02:33 • -25.17db
42% Popularity • 21% Danceability • 5% Energy • 15% Liveness
88% Instrumentalness • 11% Positiveness
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Rachel Portman
Ruth's Betrayal
83 bpm • E min • 02:49 • -29.68db
16% Popularity • 8% Danceability • 4% Energy • 29% Liveness
80% Instrumentalness • 4% Positiveness
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Jonny Greenwood
The Tailor of Fitzrovia
83 bpm • D# Maj • 02:30 • -20.68db
30% Popularity • 8% Danceability • 12% Energy • 27% Liveness
96% Instrumentalness • 5% Positiveness
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Nathan Johnson
Storm's a Comin'
81 bpm • D Maj • 02:28 • -13.13db
9% Popularity • 9% Danceability • 15% Energy • 35% Liveness
87% Instrumentalness • 4% Positiveness
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Thomas Newman
Lexington Hotel, Room 1432
81 bpm • A Maj • 01:44 • -12.46db
20% Popularity • 8% Danceability • 33% Energy • 12% Liveness
97% Instrumentalness • 7% Positiveness
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Daniel Hart
Now I'm Ready, I'm Ready Now
83 bpm • F Maj • 04:01 • -15.26db
30% Popularity • 16% Danceability • 27% Energy • 10% Liveness
56% Instrumentalness • 3% Positiveness
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Marco Beltrami
Leaving the Farm
83 bpm • E Maj • 01:34 • -21.34db
34% Popularity • 9% Danceability • 12% Energy • 9% Liveness
83% Instrumentalness • 4% Positiveness
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West Dylan Thordson
Origin Story
80 bpm • G min • 09:48 • -15db
24% Popularity • 34% Danceability • 54% Energy • 7% Liveness
82% Instrumentalness • 21% Positiveness
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Marc Streitenfeld
You Are Gonna Die
84 bpm • D# Maj • 03:14 • -20.04db
25% Popularity • 8% Danceability • 14% Energy • 9% Liveness
93% Instrumentalness • 3% Positiveness
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Federico Jusid
Cornelia And Eli
80 bpm • D Maj • 02:22 • -26.53db
21% Popularity • 7% Danceability • 6% Energy • 11% Liveness
71% Instrumentalness • 3% Positiveness
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Rachel Portman
Kathy and Tommy
80 bpm • B min • 02:04 • -23.86db
26% Popularity • 8% Danceability • 7% Energy • 29% Liveness
90% Instrumentalness • 5% Positiveness
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Daniel Hart
Rest Them Bones My Brave Little Knight
81 bpm • C min • 03:33 • -14.4db
18% Popularity • 27% Danceability • 26% Energy • 8% Liveness
79% Instrumentalness • 7% Positiveness
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Junkie XL
As a Consequence of Zefir
84 bpm • D min • 08:11 • -21.47db
15% Popularity • 10% Danceability • 13% Energy • 55% Liveness
86% Instrumentalness • 3% Positiveness
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West Dylan Thordson
Checkmate
80 bpm • D Maj • 02:08 • -24db
38% Popularity • 42% Danceability • 24% Energy • 11% Liveness
84% Instrumentalness • 3% Positiveness
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James Newton Howard
The Bad Color - Score
84 bpm • D# Maj • 03:57 • -27.03db
26% Popularity • 17% Danceability • 9% Energy • 14% Liveness
96% Instrumentalness • 3% Positiveness
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Clint Mansell
At Eternity's Gate
84 bpm • A min • 03:40 • -19.19db
29% Popularity • 15% Danceability • 12% Energy • 11% Liveness
93% Instrumentalness • 3% Positiveness
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Anthony Willis
Hymn For Nina
80 bpm • C min • 02:26 • -23.65db
17% Popularity • 15% Danceability • 4% Energy • 7% Liveness
95% Instrumentalness • 3% Positiveness
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Daniel Hart
Viventes Enim
80 bpm • G min • 03:29 • -12.99db
16% Popularity • 10% Danceability • 22% Energy • 11% Liveness
21% Instrumentalness • 8% Positiveness
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Christian Henson
Maria's Sacrifice
80 bpm • G Maj • 02:06 • -19db
40% Popularity • 18% Danceability • 28% Energy • 10% Liveness
96% Instrumentalness • 3% Positiveness
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West Dylan Thordson
David & Elijah
80 bpm • C Maj • 01:45 • -25.69db
47% Popularity • 61% Danceability • 14% Energy • 11% Liveness
90% Instrumentalness • 49% Positiveness
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Max Richter
The Hilltop
80 bpm • D Maj • 01:55 • -12.57db
21% Popularity • 32% Danceability • 50% Energy • 12% Liveness
91% Instrumentalness • 30% Positiveness
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Clint Mansell
The Painter On His Way To Work On The Ro...
80 bpm • C# Maj • 03:48 • -22.53db
21% Popularity • 33% Danceability • 3% Energy • 6% Liveness
85% Instrumentalness • 4% Positiveness
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Atli Örvarsson
The Hug
84 bpm • G Maj • 02:11 • -26db
25% Popularity • 14% Danceability • 4% Energy • 7% Liveness
83% Instrumentalness • 4% Positiveness
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Daniel Hart
Light Of My Life Theme
84 bpm • F Maj • 02:40 • -14.16db
9% Popularity • 9% Danceability • 21% Energy • 11% Liveness
94% Instrumentalness • 5% Positiveness
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Thomas Newman
Victoria & Abdul
80 bpm • B min • 01:58 • -19db
51% Popularity • 14% Danceability • 15% Energy • 26% Liveness
81% Instrumentalness • 4% Positiveness
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West Dylan Thordson
Casey Tells the Truth
80 bpm • C# Maj • 01:40 • -38db
40% Popularity • 27% Danceability • 0% Energy • 12% Liveness
92% Instrumentalness • 5% Positiveness
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Alexis Grapsas
Salted Baguette
80 bpm • A Maj • 01:51 • -23db
16% Popularity • 53% Danceability • 3% Energy • 11% Liveness
90% Instrumentalness • 18% Positiveness
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Bobby Krlic
The Blessing
84 bpm • C# Maj • 03:04 • -9db
27% Popularity • 18% Danceability • 25% Energy • 10% Liveness
1% Instrumentalness • 2% Positiveness
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Amie Doherty
Midnight Research
80 bpm • F# Maj • 01:07 • -23db
22% Popularity • 35% Danceability • 15% Energy • 12% Liveness
77% Instrumentalness • 3% Positiveness
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Daniel Hart
Little Notes
80 bpm • C Maj • 05:23 • -16.7db
22% Popularity • 8% Danceability • 16% Energy • 8% Liveness
86% Instrumentalness • 3% Positiveness
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Thomas Newman
Mentions in Dispatches
79 bpm • A# Maj • 03:44 • -37db
28% Popularity • 7% Danceability • 3% Energy • 10% Liveness
83% Instrumentalness • 4% Positiveness
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Clint Mansell
The Sower With Setting Sun
85 bpm • G Maj • 04:47 • -17.24db
21% Popularity • 9% Danceability • 20% Energy • 11% Liveness
95% Instrumentalness • 4% Positiveness
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Marco Beltrami
Kids Bonfire
79 bpm • D min • 01:36 • -16.36db
19% Popularity • 19% Danceability • 21% Energy • 12% Liveness
90% Instrumentalness • 6% Positiveness
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Bobby Krlic
Hårga, Collapsing
84 bpm • A Maj • 02:40 • -11db
19% Popularity • 15% Danceability • 67% Energy • 54% Liveness
84% Instrumentalness • 4% Positiveness
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Christian Henson
Sea Horses
85 bpm • E min • 02:27 • -20.02db
31% Popularity • 32% Danceability • 14% Energy • 9% Liveness
92% Instrumentalness • 11% Positiveness
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Daniel Hart
The World is a Savage Garden
85 bpm • F Maj • 01:32 • -28.35db
19% Popularity • 18% Danceability • 1% Energy • 8% Liveness
88% Instrumentalness • 7% Positiveness
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Thomas Newman
Gehenna
85 bpm • A Maj • 03:34 • -30.02db
34% Popularity • 21% Danceability • 3% Energy • 12% Liveness
90% Instrumentalness • 4% Positiveness
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The Prestige
The Prestige
79 bpm • A Maj • 01:40 • -14.59db
33% Popularity • 19% Danceability • 20% Energy • 12% Liveness
94% Instrumentalness • 3% Positiveness
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Clinton Shorter
Milowda
79 bpm • A# min • 06:25 • -19.39db
24% Popularity • 7% Danceability • 15% Energy • 10% Liveness
85% Instrumentalness • 3% Positiveness
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Rachel Portman
We All Complete
85 bpm • D min • 05:06 • -19.93db
33% Popularity • 12% Danceability • 8% Energy • 5% Liveness
81% Instrumentalness • 4% Positiveness
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Jonny Greenwood
Phantom Thread I
79 bpm • E min • 03:35 • -18.66db
30% Popularity • 10% Danceability • 16% Energy • 9% Liveness
90% Instrumentalness • 3% Positiveness
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James Newton Howard
25 Dollars Worth
79 bpm • A# Maj • 06:26 • -26.37db
16% Popularity • 15% Danceability • 7% Energy • 7% Liveness
95% Instrumentalness • 5% Positiveness
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Anthony Willis
Cassie
79 bpm • F min • 01:48 • -19.36db
25% Popularity • 12% Danceability • 13% Energy • 10% Liveness
94% Instrumentalness • 3% Positiveness
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Bobby Krlic
Gassed
79 bpm • A Maj • 04:28 • -10db
30% Popularity • 7% Danceability • 41% Energy • 14% Liveness
96% Instrumentalness • 3% Positiveness
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Dominik Scherrer
The Weight of One Man's Heart
79 bpm • G min • 04:42 • -20.44db
14% Popularity • 13% Danceability • 14% Energy • 11% Liveness
65% Instrumentalness • 4% Positiveness
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Rachel Portman
The Pier
85 bpm • E min • 02:04 • -20.94db
31% Popularity • 9% Danceability • 9% Energy • 5% Liveness
90% Instrumentalness • 4% Positiveness
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Nico Muhly
The Egg
86 bpm • G min • 01:06 • -35.49db
33% Popularity • 34% Danceability • 3% Energy • 19% Liveness
98% Instrumentalness • 15% Positiveness
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John Ottman
I Have Faith in You - Goodbyes
79 bpm • F Maj • 03:19 • -29db
32% Popularity • 7% Danceability • 2% Energy • 8% Liveness
91% Instrumentalness • 3% Positiveness
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David Julyan
"Let Me Sleep"
86 bpm • B min • 02:43 • -17db
27% Popularity • 9% Danceability • 8% Energy • 10% Liveness
88% Instrumentalness • 3% Positiveness
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Mathias Rehfeldt
Epilogue
78 bpm • F Maj • 05:52 • -15.79db
22% Popularity • 12% Danceability • 12% Energy • 10% Liveness
95% Instrumentalness • 4% Positiveness
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James Newton Howard
Leaving Wichita
86 bpm • F# Maj • 01:27 • -30.36db
16% Popularity • 15% Danceability • 7% Energy • 17% Liveness
86% Instrumentalness • 7% Positiveness
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Christopher Spelman
The Argument
78 bpm • E Maj • 02:25 • -18db
9% Popularity • 8% Danceability • 19% Energy • 11% Liveness
77% Instrumentalness • 4% Positiveness
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Bear McCreary
Roslin and Adama
86 bpm • G# Maj • 02:46 • -17.46db
26% Popularity • 9% Danceability • 23% Energy • 19% Liveness
85% Instrumentalness • 4% Positiveness
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Adam Taylor
It's Happening
86 bpm • C Maj • 01:33 • -22.01db
11% Popularity • 16% Danceability • 5% Energy • 10% Liveness
78% Instrumentalness • 2% Positiveness
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David Buckley
Fortune Go with You
78 bpm • E Maj • 02:10 • -20db
24% Popularity • 15% Danceability • 9% Energy • 9% Liveness
97% Instrumentalness • 3% Positiveness
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Daniel Hart
Whatever Hour You Woke
78 bpm • A min • 02:25 • -12.99db
23% Popularity • 12% Danceability • 23% Energy • 15% Liveness
88% Instrumentalness • 6% Positiveness
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Pinar Toprak
Dreams
86 bpm • A min • 01:03 • -18db
57% Popularity • 23% Danceability • 18% Energy • 9% Liveness
96% Instrumentalness • 3% Positiveness
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David Arnold
The Fear
86 bpm • D min • 04:17 • -19db
20% Popularity • 10% Danceability • 12% Energy • 13% Liveness
92% Instrumentalness • 3% Positiveness
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Andy Hull and Robert McDowell
Don't Tell Sarah
86 bpm • G# min • 04:12 • -20.7db
23% Popularity • 12% Danceability • 9% Energy • 9% Liveness
94% Instrumentalness • 3% Positiveness
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Bobby Krlic
The House that Hårga Built
78 bpm • F# Maj • 03:33 • -14.49db
33% Popularity • 8% Danceability • 22% Energy • 8% Liveness
86% Instrumentalness • 3% Positiveness
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Stuart Earl
Journeys
87 bpm • C min • 02:02 • -15.7db
11% Popularity • 14% Danceability • 22% Energy • 9% Liveness
78% Instrumentalness • 4% Positiveness
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Daniel Hart
Hey Sis You Don't Need Me
86 bpm • D Maj • 02:05 • -22.95db
18% Popularity • 9% Danceability • 7% Energy • 7% Liveness
83% Instrumentalness • 10% Positiveness
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Ryuichi Sakamoto
Church Dream
87 bpm • E min • 02:38 • -20.11db
33% Popularity • 20% Danceability • 26% Energy • 6% Liveness
88% Instrumentalness • 3% Positiveness
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Jonny Greenwood
Partita In Five For Two Organs
78 bpm • E min • 01:57 • -27.07db
32% Popularity • 36% Danceability • 6% Energy • 11% Liveness
75% Instrumentalness • 5% Positiveness
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The Album Leaf
Brianna
77 bpm • F# min • 01:38 • -29.78db
29% Popularity • 27% Danceability • 1% Energy • 8% Liveness
79% Instrumentalness • 4% Positiveness
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Arthur Sharpe
Electricity
87 bpm • F# Maj • 02:38 • -16db
20% Popularity • 14% Danceability • 18% Energy • 7% Liveness
97% Instrumentalness • 4% Positiveness
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Robin Carolan
Strike, Brother
77 bpm • D# Maj • 02:51 • -16db
30% Popularity • 19% Danceability • 9% Energy • 11% Liveness
87% Instrumentalness • 4% Positiveness
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Ilan Eshkeri
Souls Rising
77 bpm • C Maj • 01:25 • -25.53db
52% Popularity • 32% Danceability • 0% Energy • 9% Liveness
98% Instrumentalness • 7% Positiveness
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Christopher Spelman
Homecoming
87 bpm • C# min • 01:48 • -15.54db
10% Popularity • 15% Danceability • 20% Energy • 12% Liveness
93% Instrumentalness • 4% Positiveness
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Jonny Greenwood
Open Spaces
87 bpm • A Maj • 03:55 • -18.54db
36% Popularity • 9% Danceability • 16% Energy • 11% Liveness
92% Instrumentalness • 3% Positiveness
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Alex Weston
Hotel Best
87 bpm • D min • 01:42 • -15.36db
12% Popularity • 10% Danceability • 16% Energy • 20% Liveness
82% Instrumentalness • 4% Positiveness
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Colin Stetson
The Purifying Flame
87 bpm • E Maj • 05:22 • -13.71db
24% Popularity • 9% Danceability • 30% Energy • 8% Liveness
94% Instrumentalness • 3% Positiveness
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Mark Korven
Arrival
77 bpm • C Maj • 01:49 • -17db
31% Popularity • 16% Danceability • 27% Energy • 10% Liveness
97% Instrumentalness • 4% Positiveness
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Johan Söderqvist
Oscar in Love
76 bpm • D min • 02:11 • -29.62db
17% Popularity • 14% Danceability • 7% Energy • 14% Liveness
20% Instrumentalness • 6% Positiveness
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Daniel Hart
I Promise You Will Not Come To Harm
88 bpm • D Maj • 03:14 • -17.08db
24% Popularity • 37% Danceability • 17% Energy • 14% Liveness
94% Instrumentalness • 4% Positiveness
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Nathan Johnson
On the Eve of Harlan's Demise
88 bpm • D Maj • 03:58 • -26.78db
26% Popularity • 16% Danceability • 5% Energy • 10% Liveness
70% Instrumentalness • 4% Positiveness
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Isabella Summers
The Rain
76 bpm • F Maj • 01:56 • -17db
24% Popularity • 17% Danceability • 18% Energy • 12% Liveness
82% Instrumentalness • 3% Positiveness
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Danny Bensi and Saunder Jurriaans
Make History
88 bpm • C Maj • 01:13 • -33.41db
41% Popularity • 20% Danceability • 1% Energy • 7% Liveness
89% Instrumentalness • 4% Positiveness
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Steven Price
The Whole of Humanity
88 bpm • F min • 02:27 • -23.1db
21% Popularity • 17% Danceability • 12% Energy • 9% Liveness
97% Instrumentalness • 3% Positiveness
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Jason Hill
Main Titles - Mindhunter
76 bpm • F# Maj • 03:14 • -29db
30% Popularity • 20% Danceability • 5% Energy • 9% Liveness
88% Instrumentalness • 4% Positiveness
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Freeze Sailor