Songs like French Suite No. 2 in C Minor, BWV 813: III. Sarabande by Johann Sebastian Bach
Based on a tempo of (+/- 10%) and a similar genre
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Max Bruch
Violin Concerto No. 1 in G minor, Op. 26...
170 bpm • D# Maj • 07:53 • -21db
41% Popularity • 17% Danceability • 10% Energy • 9% Liveness
63% Instrumentalness • 5% Positiveness
41% Popularity • 17% Danceability • 10% Energy • 9% Liveness
63% Instrumentalness • 5% Positiveness
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Johann Sebastian Bach
Bach, JS: Brandenburg Concerto No. 1 in ...
172 bpm • E Maj • 04:04 • -14db
40% Popularity • 39% Danceability • 36% Energy • 11% Liveness
70% Instrumentalness • 73% Positiveness
40% Popularity • 39% Danceability • 36% Energy • 11% Liveness
70% Instrumentalness • 73% Positiveness
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Tomaso Albinoni
Concerto a cinque No. 2, Op. 9: I. Alleg...
169 bpm • C# min • 03:54 • -14db
41% Popularity • 33% Danceability • 26% Energy • 5% Liveness
77% Instrumentalness • 51% Positiveness
41% Popularity • 33% Danceability • 26% Energy • 5% Liveness
77% Instrumentalness • 51% Positiveness
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Arcangelo Corelli
Concerto Grosso In D Major, Op. 6, No. 1...
169 bpm • D Maj • 01:54 • -15.5db
46% Popularity • 26% Danceability • 30% Energy • 15% Liveness
8% Instrumentalness • 52% Positiveness
46% Popularity • 26% Danceability • 30% Energy • 15% Liveness
8% Instrumentalness • 52% Positiveness
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Lang Lang
Lieder ohne Worte, Op. 67: No. 4 in C Ma...
173 bpm • C Maj • 01:49 • -20db
50% Popularity • 26% Danceability • 37% Energy • 11% Liveness
92% Instrumentalness • 48% Positiveness
50% Popularity • 26% Danceability • 37% Energy • 11% Liveness
92% Instrumentalness • 48% Positiveness
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Robert Schumann
Schumann: 6 Studien in kanonischer Form,...
173 bpm • C Maj • 02:05 • -37db
49% Popularity • 8% Danceability • 4% Energy • 7% Liveness
94% Instrumentalness • 26% Positiveness
49% Popularity • 8% Danceability • 4% Energy • 7% Liveness
94% Instrumentalness • 26% Positiveness
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Felix Mendelssohn
Lieder ohne Worte, Op. 19: No. 6 in G Mi...
168 bpm • G min • 01:58 • -37db
55% Popularity • 30% Danceability • 1% Energy • 9% Liveness
91% Instrumentalness • 19% Positiveness
55% Popularity • 30% Danceability • 1% Energy • 9% Liveness
91% Instrumentalness • 19% Positiveness
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Johann Sebastian Bach
Cello Suite No. 5 in C Minor, BWV 1011: ...
169 bpm • C min • 05:22 • -23.81db
38% Popularity • 12% Danceability • 6% Energy • 9% Liveness
90% Instrumentalness • 24% Positiveness
38% Popularity • 12% Danceability • 6% Energy • 9% Liveness
90% Instrumentalness • 24% Positiveness
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Georg Philipp Telemann
Ouverture in D Major, "Darmstadt": Harle...
174 bpm • C# Maj • 01:59 • -16.95db
46% Popularity • 12% Danceability • 14% Energy • 8% Liveness
61% Instrumentalness • 7% Positiveness
46% Popularity • 12% Danceability • 14% Energy • 8% Liveness
61% Instrumentalness • 7% Positiveness
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![Notebook for Anna Magdalena Bach (1725) [Excerpts]: No. 18, Marche in G Major, H. 1 No. 3 [Attrib. J.S. Bach's BWV Anh. 124] cover art](https://i.scdn.co/image/ab67616d00001e02b03d3ef34d5769b0e3f94feb)
Carl Philipp Emanuel Bach
Notebook for Anna Magdalena Bach (1725) ...
166 bpm • G Maj • 01:04 • -25db
45% Popularity • 33% Danceability • 25% Energy • 15% Liveness
87% Instrumentalness • 95% Positiveness
45% Popularity • 33% Danceability • 25% Energy • 15% Liveness
87% Instrumentalness • 95% Positiveness
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Lang Lang
Sonatina No. 1 in C Major, Op. 36: II. A...
176 bpm • F Maj • 01:31 • -27.33db
54% Popularity • 23% Danceability • 5% Energy • 9% Liveness
91% Instrumentalness • 28% Positiveness
54% Popularity • 23% Danceability • 5% Energy • 9% Liveness
91% Instrumentalness • 28% Positiveness
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Cologne Chamber Orchestra
Concerto For 2 Keyboards In C Minor, BWV...
176 bpm • C min • 05:22 • -29db
32% Popularity • 28% Danceability • 16% Energy • 22% Liveness
0% Instrumentalness • 46% Positiveness
32% Popularity • 28% Danceability • 16% Energy • 22% Liveness
0% Instrumentalness • 46% Positiveness
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Christoph Willibald Gluck
Orfeo ed Euridice (Orphée et Eurydice) ...
165 bpm • D min • 03:03 • -25.22db
31% Popularity • 35% Danceability • 3% Energy • 9% Liveness
90% Instrumentalness • 9% Positiveness
31% Popularity • 35% Danceability • 3% Energy • 9% Liveness
90% Instrumentalness • 9% Positiveness
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Johann Sebastian Bach
Concerto for 2 Harpsichords in C Minor, ...
175 bpm • C min • 05:10 • -25.69db
16% Popularity • 36% Danceability • 28% Energy • 21% Liveness
34% Instrumentalness • 84% Positiveness
16% Popularity • 36% Danceability • 28% Energy • 21% Liveness
34% Instrumentalness • 84% Positiveness
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Tomaso Albinoni
Oboe Concerto in F Major, Op. 7, No. 9: ...
164 bpm • F Maj • 02:33 • -22db
38% Popularity • 9% Danceability • 13% Energy • 12% Liveness
78% Instrumentalness • 4% Positiveness
38% Popularity • 9% Danceability • 13% Energy • 12% Liveness
78% Instrumentalness • 4% Positiveness
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Ludwig van Beethoven
Piano Sonata No. 8 In C Minor, Op. 13 -"...
181 bpm • G# Maj • 05:14 • -34.73db
46% Popularity • 26% Danceability • 1% Energy • 10% Liveness
96% Instrumentalness • 6% Positiveness
46% Popularity • 26% Danceability • 1% Energy • 10% Liveness
96% Instrumentalness • 6% Positiveness
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William Boyce
Symphony No. 2 in A Major, Op. 2, "Birth...
181 bpm • G# Maj • 01:31 • -23db
45% Popularity • 30% Danceability • 12% Energy • 10% Liveness
92% Instrumentalness • 44% Positiveness
45% Popularity • 30% Danceability • 12% Energy • 10% Liveness
92% Instrumentalness • 44% Positiveness
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John Lewis
Prelude No. 3 "Nina's Convention"
182 bpm • C# Maj • 03:01 • -30.24db
32% Popularity • 20% Danceability • 6% Energy • 10% Liveness
92% Instrumentalness • 38% Positiveness
32% Popularity • 20% Danceability • 6% Energy • 10% Liveness
92% Instrumentalness • 38% Positiveness
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Arthur Grumiaux
Violin Concerto in E Major, BWV 1042: I....
183 bpm • E Maj • 08:04 • -17.76db
22% Popularity • 30% Danceability • 23% Energy • 26% Liveness
4% Instrumentalness • 67% Positiveness
22% Popularity • 30% Danceability • 23% Energy • 26% Liveness
4% Instrumentalness • 67% Positiveness
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Johann Sebastian Bach
Prelude, Fugue and Allegro in E-Flat Maj...
165 bpm • B min • 03:47 • -20.95db
20% Popularity • 25% Danceability • 33% Energy • 10% Liveness
93% Instrumentalness • 82% Positiveness
20% Popularity • 25% Danceability • 33% Energy • 10% Liveness
93% Instrumentalness • 82% Positiveness
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Karoly Botvay
Sinfonia in E major, RV 132: III. Allegr...
187 bpm • E Maj • 02:37 • -21.89db
50% Popularity • 38% Danceability • 7% Energy • 10% Liveness
87% Instrumentalness • 78% Positiveness
50% Popularity • 38% Danceability • 7% Energy • 10% Liveness
87% Instrumentalness • 78% Positiveness
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Joseph Haydn
Symphony No. 45 in F-Sharp Minor, Hob.I:...
156 bpm • F# min • 05:40 • -17.03db
42% Popularity • 34% Danceability • 15% Energy • 10% Liveness
78% Instrumentalness • 13% Positiveness
42% Popularity • 34% Danceability • 15% Energy • 10% Liveness
78% Instrumentalness • 13% Positiveness
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William Boyce
Symphony No. 2 in A Major, Op. 2, "Birth...
187 bpm • G# Maj • 01:04 • -28db
49% Popularity • 37% Danceability • 13% Energy • 14% Liveness
1% Instrumentalness • 46% Positiveness
49% Popularity • 37% Danceability • 13% Energy • 14% Liveness
1% Instrumentalness • 46% Positiveness
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Ottorino Respighi
Antiche Danze Ed Arie Per Liuto (Ancient...
197 bpm • B min • 02:47 • -35.32db
55% Popularity • 30% Danceability • 2% Energy • 7% Liveness
90% Instrumentalness • 34% Positiveness
55% Popularity • 30% Danceability • 2% Energy • 7% Liveness
90% Instrumentalness • 34% Positiveness
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Tomaso Albinoni
Sonata a 5 in G Minor, Op. 2, No. 6: I. ...
147 bpm • C min • 01:15 • -18db
55% Popularity • 28% Danceability • 8% Energy • 27% Liveness
5% Instrumentalness • 20% Positiveness
55% Popularity • 28% Danceability • 8% Energy • 27% Liveness
5% Instrumentalness • 20% Positiveness
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Johann Sebastian Bach
Bach, JS: Concerto for Two Violins in D ...
179 bpm • D min • 04:03 • -16db
34% Popularity • 41% Danceability • 33% Energy • 18% Liveness
10% Instrumentalness • 81% Positiveness
34% Popularity • 41% Danceability • 33% Energy • 18% Liveness
10% Instrumentalness • 81% Positiveness
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Ludwig van Beethoven
Violin Sonata No. 5 in F Major, Op. 24 "...
147 bpm • F Maj • 09:40 • -21db
38% Popularity • 36% Danceability • 6% Energy • 6% Liveness
19% Instrumentalness • 20% Positiveness
38% Popularity • 36% Danceability • 6% Energy • 6% Liveness
19% Instrumentalness • 20% Positiveness
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Domenico Scarlatti
Sonata in B Minor, K. 87: Andante
147 bpm • B min • 06:21 • -35.22db
30% Popularity • 41% Danceability • 1% Energy • 8% Liveness
89% Instrumentalness • 32% Positiveness
30% Popularity • 41% Danceability • 1% Energy • 8% Liveness
89% Instrumentalness • 32% Positiveness
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Arcangelo Corelli
Concerto grosso No. 1 in D Major, Op. 6:...
146 bpm • C# Maj • 02:24 • -14db
50% Popularity • 29% Danceability • 19% Energy • 10% Liveness
21% Instrumentalness • 25% Positiveness
50% Popularity • 29% Danceability • 19% Energy • 10% Liveness
21% Instrumentalness • 25% Positiveness
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Cologne Chamber Orchestra
Overture (Suite) In G Minor, TWV 55: G4:...
146 bpm • G min • 01:31 • -15db
52% Popularity • 51% Danceability • 42% Energy • 27% Liveness
91% Instrumentalness • 97% Positiveness
52% Popularity • 51% Danceability • 42% Energy • 27% Liveness
91% Instrumentalness • 97% Positiveness
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Tomaso Albinoni
Oboe Concerto in D Minor, Op. 9, No. 2: ...
145 bpm • D min • 04:33 • -17db
36% Popularity • 41% Danceability • 16% Energy • 12% Liveness
82% Instrumentalness • 43% Positiveness
36% Popularity • 41% Danceability • 16% Energy • 12% Liveness
82% Instrumentalness • 43% Positiveness
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Johann Sebastian Bach
Bach, JS: Concerto for Three Pianos in C...
161 bpm • C Maj • 07:10 • -19.92db
10% Popularity • 32% Danceability • 27% Energy • 13% Liveness
90% Instrumentalness • 71% Positiveness
10% Popularity • 32% Danceability • 27% Energy • 13% Liveness
90% Instrumentalness • 71% Positiveness
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Johann Sebastian Bach
Bach, JS: Concerto for Three Pianos in D...
149 bpm • D min • 05:58 • -19.17db
12% Popularity • 44% Danceability • 21% Energy • 11% Liveness
88% Instrumentalness • 40% Positiveness
12% Popularity • 44% Danceability • 21% Energy • 11% Liveness
88% Instrumentalness • 40% Positiveness
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Johann Sebastian Bach
3-Part Inventions (Sinfonias), BWV 787�...
149 bpm • C# min • 01:48 • -29.94db
46% Popularity • 31% Danceability • 4% Energy • 14% Liveness
90% Instrumentalness • 63% Positiveness
46% Popularity • 31% Danceability • 4% Energy • 14% Liveness
90% Instrumentalness • 63% Positiveness
