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Friday At Groover
Songs like
Friday At Groover
by
Ed Harris
Based on a tempo of (+/- 10%) and a similar genre
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BiggFun
Vibe Gang Iphakathi
127 bpm • B min • 06:05 • -6.49db
0% Popularity • 80% Danceability • 98% Energy • 7% Liveness
89% Instrumentalness • 78% Positiveness
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BiggFunMusic
RoseBank Melodies
127 bpm • G# Maj • 06:08 • -7.01db
1% Popularity • 66% Danceability • 80% Energy • 9% Liveness
72% Instrumentalness • 56% Positiveness
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George Fenton
Phil Steals The Money
127 bpm • D min • 01:18 • -17.41db
10% Popularity • 69% Danceability • 7% Energy • 9% Liveness
0% Instrumentalness • 35% Positiveness
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Carter Burwell
A Lance Without Target
127 bpm • A Maj • 02:57 • -16.61db
11% Popularity • 21% Danceability • 13% Energy • 10% Liveness
76% Instrumentalness • 8% Positiveness
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Dave Grusin
The Fighting Fratellis, Sloth's Choice A...
127 bpm • F Maj • 03:23 • -10.84db
13% Popularity • 46% Danceability • 37% Energy • 5% Liveness
40% Instrumentalness • 10% Positiveness
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Alfred Newman
Overture / I’m Bound For The Promised ...
126 bpm • F Maj • 04:28 • -17.69db
14% Popularity • 34% Danceability • 23% Energy • 6% Liveness
3% Instrumentalness • 39% Positiveness
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Patrick Doyle
Bees And Cakes
126 bpm • G# Maj • 03:45 • -11db
14% Popularity • 41% Danceability • 35% Energy • 10% Liveness
93% Instrumentalness • 4% Positiveness
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Edward Shearmur
The World Of Tomorrow
126 bpm • F Maj • 01:07 • -10db
24% Popularity • 51% Danceability • 39% Energy • 25% Liveness
50% Instrumentalness • 13% Positiveness
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Master Dee
Blood in Blood Out
126 bpm • F min • 06:11 • -4.44db
4% Popularity • 75% Danceability • 96% Energy • 8% Liveness
84% Instrumentalness • 72% Positiveness
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BaTee
Swing
126 bpm • G# Maj • 05:04 • -7.18db
1% Popularity • 76% Danceability • 98% Energy • 6% Liveness
78% Instrumentalness • 40% Positiveness
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Ed Harris
Heaven
128 bpm • C# min • 05:52 • -11.2db
1% Popularity • 82% Danceability • 40% Energy • 18% Liveness
85% Instrumentalness • 88% Positiveness
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Ennio Morricone
Ramon
128 bpm • D min • 01:04 • -5.74db
11% Popularity • 44% Danceability • 43% Energy • 11% Liveness
91% Instrumentalness • 16% Positiveness
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Sdudla Somdantso
Madala Gufats
126 bpm • C# Maj • 06:07 • -8.21db
0% Popularity • 89% Danceability • 73% Energy • 10% Liveness
0% Instrumentalness • 30% Positiveness
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Bill Conti
Tango
128 bpm • F min • 02:20 • -11.87db
17% Popularity • 62% Danceability • 29% Energy • 11% Liveness
11% Instrumentalness • 44% Positiveness
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Hans Zimmer
This is Madness!
128 bpm • C# Maj • 03:48 • -17.67db
21% Popularity • 71% Danceability • 73% Energy • 8% Liveness
74% Instrumentalness • 24% Positiveness
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Czech Philharmonic
Red Dawn: End Title
128 bpm • F min • 02:59 • -12.57db
6% Popularity • 45% Danceability • 48% Energy • 34% Liveness
90% Instrumentalness • 21% Positiveness
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Ed Harris
Heaven - Radio Edit
128 bpm • C# min • 03:15 • -10.73db
0% Popularity • 82% Danceability • 49% Energy • 17% Liveness
84% Instrumentalness • 84% Positiveness
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John Powell
Into the Pie Machine
126 bpm • D min • 03:11 • -8.25db
18% Popularity • 36% Danceability • 57% Energy • 9% Liveness
88% Instrumentalness • 21% Positiveness
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David Carradine
The Legend Of Pai Mei
125 bpm • A Maj • 02:06 • -21.93db
24% Popularity • 57% Danceability • 33% Energy • 12% Liveness
0% Instrumentalness • 22% Positiveness
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Bob Crane
Theme From Hogan's Heroes
125 bpm • F Maj • 02:24 • -13db
11% Popularity • 87% Danceability • 42% Energy • 9% Liveness
7% Instrumentalness • 97% Positiveness
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Lennie Niehaus
Give It To Him
129 bpm • C# Maj • 01:12 • -25.67db
8% Popularity • 16% Danceability • 7% Energy • 11% Liveness
84% Instrumentalness • 30% Positiveness
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Marco Beltrami
The Hidden Fortress
125 bpm • E min • 05:02 • -16.15db
12% Popularity • 23% Danceability • 28% Energy • 12% Liveness
87% Instrumentalness • 4% Positiveness
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George Fenton
Limping Home
129 bpm • C min • 02:30 • -17.12db
17% Popularity • 17% Danceability • 7% Energy • 22% Liveness
56% Instrumentalness • 4% Positiveness
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John Powell
We Need A Miracle
129 bpm • C Maj • 02:03 • -15.83db
17% Popularity • 18% Danceability • 22% Energy • 19% Liveness
92% Instrumentalness • 10% Positiveness
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Hoyt Curtin
Super Friends
129 bpm • C Maj • 01:02 • -5.37db
17% Popularity • 53% Danceability • 71% Energy • 9% Liveness
0% Instrumentalness • 80% Positiveness
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Thomas Wander
See You In China
129 bpm • G# Maj • 03:33 • -19db
14% Popularity • 38% Danceability • 37% Energy • 7% Liveness
94% Instrumentalness • 5% Positiveness
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Bill Conti
The Right Stuff (Single) - Single Versio...
130 bpm • B min • 03:11 • -12.49db
17% Popularity • 68% Danceability • 59% Energy • 8% Liveness
88% Instrumentalness • 46% Positiveness
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Thomas Newman
Billy-Be-Frigged
125 bpm • C Maj • 02:08 • -18.5db
13% Popularity • 63% Danceability • 31% Energy • 14% Liveness
49% Instrumentalness • 15% Positiveness
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Joel McNeely
Missing Louise
124 bpm • C Maj • 02:08 • -22.73db
17% Popularity • 23% Danceability • 3% Energy • 10% Liveness
66% Instrumentalness • 7% Positiveness
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John Powell
Bab's Big Break
125 bpm • F min • 01:40 • -13.96db
13% Popularity • 46% Danceability • 27% Energy • 9% Liveness
86% Instrumentalness • 36% Positiveness
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Michael Giacchino
Charlie Hangs Around
124 bpm • A# Maj • 03:19 • -25.55db
15% Popularity • 21% Danceability • 11% Energy • 10% Liveness
83% Instrumentalness • 3% Positiveness
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Howard Shore
Wrath
124 bpm • G# Maj • 05:16 • -19.72db
16% Popularity • 18% Danceability • 6% Energy • 12% Liveness
86% Instrumentalness • 4% Positiveness
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Ed Harris
Hell - Radio Edit
130 bpm • E Maj • 03:28 • -11.34db
0% Popularity • 75% Danceability • 54% Energy • 12% Liveness
1% Instrumentalness • 22% Positiveness
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Blake Neely
Huff Duff
130 bpm • D Maj • 06:35 • -18.77db
14% Popularity • 37% Danceability • 33% Energy • 10% Liveness
85% Instrumentalness • 4% Positiveness
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Basil Poledouris
Chopper
124 bpm • F Maj • 02:53 • -21.42db
21% Popularity • 46% Danceability • 37% Energy • 10% Liveness
90% Instrumentalness • 20% Positiveness
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John Powell
Rocky and the Circus
125 bpm • A min • 03:52 • -15.62db
16% Popularity • 35% Danceability • 16% Energy • 11% Liveness
90% Instrumentalness • 7% Positiveness
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Mark Mancina
Twister
131 bpm • C Maj • 04:43 • -17db
23% Popularity • 16% Danceability • 20% Energy • 9% Liveness
93% Instrumentalness • 4% Positiveness
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The Meridian Studio Ensemble
STRIPES: March
123 bpm • A# Maj • 02:29 • -11db
13% Popularity • 68% Danceability • 56% Energy • 25% Liveness
95% Instrumentalness • 57% Positiveness
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Ed Harris
Hell
130 bpm • C# Maj • 05:08 • -11.28db
0% Popularity • 84% Danceability • 45% Energy • 11% Liveness
9% Instrumentalness • 44% Positiveness
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Phoenix Symphony
The Magnificent Seven: Main Titles And C...
123 bpm • C min • 04:01 • -17.51db
29% Popularity • 35% Danceability • 25% Energy • 7% Liveness
92% Instrumentalness • 53% Positiveness
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Trevor Rabin
Foot Chase
132 bpm • A Maj • 03:34 • -12.17db
23% Popularity • 33% Danceability • 79% Energy • 11% Liveness
82% Instrumentalness • 14% Positiveness
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Frankie Laine
Signature / Main Title - Instrumental; S...
132 bpm • G Maj • 02:40 • -15db
12% Popularity • 45% Danceability • 25% Energy • 25% Liveness
0% Instrumentalness • 34% Positiveness
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Marc Shaiman
Code Red / Semper Fidelis
133 bpm • A min • 02:12 • -15.11db
11% Popularity • 42% Danceability • 43% Energy • 9% Liveness
93% Instrumentalness • 10% Positiveness
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Leonard Rosenman
Home Again: End Credits
121 bpm • C Maj • 05:37 • -15db
18% Popularity • 23% Danceability • 32% Energy • 35% Liveness
93% Instrumentalness • 16% Positiveness
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Rob Simonsen
Research
134 bpm • G# min • 01:52 • -17.67db
16% Popularity • 16% Danceability • 19% Energy • 11% Liveness
78% Instrumentalness • 3% Positiveness
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Howard Shore
Chinatown
120 bpm • C Maj • 03:16 • -17.87db
9% Popularity • 50% Danceability • 36% Energy • 18% Liveness
75% Instrumentalness • 31% Positiveness
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Mark Isham
The Team - Score
120 bpm • D Maj • 07:16 • -17.69db
18% Popularity • 24% Danceability • 20% Energy • 10% Liveness
86% Instrumentalness • 5% Positiveness
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Hans Zimmer
Ambrose
120 bpm • G min • 02:36 • -15.88db
20% Popularity • 32% Danceability • 28% Energy • 14% Liveness
67% Instrumentalness • 6% Positiveness
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The Meridian Studio Ensemble
PATTON: Intermission
120 bpm • F Maj • 02:06 • -10.36db
19% Popularity • 58% Danceability • 66% Energy • 17% Liveness
84% Instrumentalness • 79% Positiveness
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Joel McNeely
End Title Suite
120 bpm • F Maj • 02:30 • -13.26db
12% Popularity • 28% Danceability • 32% Energy • 51% Liveness
79% Instrumentalness • 29% Positiveness
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Bill Conti
The Eyes Of Texas Are Upon You / The Yel...
120 bpm • F Maj • 02:50 • -7.63db
13% Popularity • 79% Danceability • 61% Energy • 5% Liveness
0% Instrumentalness • 81% Positiveness
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Sharon Isbin
Boston Common
120 bpm • C# min • 02:53 • -20.39db
10% Popularity • 49% Danceability • 4% Energy • 10% Liveness
91% Instrumentalness • 8% Positiveness
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John Powell
Escape to Paradise
120 bpm • G Maj • 04:59 • -10.1db
21% Popularity • 32% Danceability • 50% Energy • 48% Liveness
68% Instrumentalness • 24% Positiveness
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Michael Giacchino
World's Worst Beach Party
120 bpm • A Maj • 02:46 • -21.35db
17% Popularity • 48% Danceability • 44% Energy • 15% Liveness
91% Instrumentalness • 8% Positiveness
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Dave Grusin
They're Here And Skull Cave Chase
120 bpm • A# min • 03:03 • -12.03db
16% Popularity • 40% Danceability • 26% Energy • 13% Liveness
72% Instrumentalness • 15% Positiveness
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Marco Beltrami
This Is The Beginning
120 bpm • D min • 04:00 • -10.69db
8% Popularity • 49% Danceability • 62% Energy • 11% Liveness
91% Instrumentalness • 7% Positiveness
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Leonard Rosenman
The Whaler
120 bpm • C Maj • 02:00 • -14.93db
13% Popularity • 39% Danceability • 37% Energy • 16% Liveness
95% Instrumentalness • 32% Positiveness
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Larry Saltzman
Miss Thing
120 bpm • A min • 01:45 • -12db
12% Popularity • 59% Danceability • 22% Energy • 11% Liveness
91% Instrumentalness • 45% Positiveness
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Bruce Rowland
Searching for Jessica
135 bpm • G Maj • 04:01 • -20.46db
23% Popularity • 20% Danceability • 10% Energy • 11% Liveness
78% Instrumentalness • 8% Positiveness
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Various Artists
Parris Island
120 bpm • D# min • 04:28 • -19db
25% Popularity • 96% Danceability • 44% Energy • 9% Liveness
72% Instrumentalness • 29% Positiveness
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Patrick Doyle
Toad In The Teapot
120 bpm • C# min • 03:39 • -18.1db
8% Popularity • 52% Danceability • 7% Energy • 15% Liveness
11% Instrumentalness • 5% Positiveness
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Marco Beltrami
Le Mans 59
120 bpm • B min • 01:33 • -6.85db
20% Popularity • 66% Danceability • 80% Energy • 7% Liveness
64% Instrumentalness • 56% Positiveness
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Henry Jackman
Tequila
120 bpm • G Maj • 02:09 • -14.38db
20% Popularity • 23% Danceability • 25% Energy • 10% Liveness
82% Instrumentalness • 4% Positiveness
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Howard Shore
Command
120 bpm • A min • 03:15 • -14.25db
12% Popularity • 59% Danceability • 24% Energy • 12% Liveness
87% Instrumentalness • 39% Positiveness
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Michael Giacchino
Monkey See, Monkey Coup
120 bpm • C Maj • 05:12 • -14.95db
11% Popularity • 24% Danceability • 25% Energy • 13% Liveness
90% Instrumentalness • 9% Positiveness
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Hans Zimmer
Iwo Jima
135 bpm • D min • 04:08 • -23.46db
25% Popularity • 15% Danceability • 8% Energy • 10% Liveness
79% Instrumentalness • 3% Positiveness
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Trevor Rabin
Get Smart Theme
120 bpm • G Maj • 01:28 • -10.12db
26% Popularity • 49% Danceability • 54% Energy • 10% Liveness
86% Instrumentalness • 13% Positiveness
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Dave Grusin
Treasure, Data & Mouth And Walk The Plan...
120 bpm • C Maj • 03:18 • -10.4db
13% Popularity • 50% Danceability • 24% Energy • 23% Liveness
29% Instrumentalness • 22% Positiveness
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Mark Isham
The Games - Score
119 bpm • C# min • 04:42 • -16.78db
15% Popularity • 35% Danceability • 17% Energy • 12% Liveness
90% Instrumentalness • 4% Positiveness
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John Powell
Lift Off
135 bpm • A# Maj • 03:42 • -9.25db
20% Popularity • 19% Danceability • 49% Energy • 37% Liveness
92% Instrumentalness • 10% Positiveness
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Henry Jackman
Discovery
135 bpm • E min • 03:05 • -19.83db
9% Popularity • 19% Danceability • 25% Energy • 9% Liveness
88% Instrumentalness • 4% Positiveness
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Thomas Wander
This Is For The Pearl
136 bpm • A min • 02:11 • -13db
21% Popularity • 19% Danceability • 43% Energy • 10% Liveness
82% Instrumentalness • 3% Positiveness
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Trevor Rabin
Bunnies
119 bpm • E min • 02:02 • -13.78db
17% Popularity • 72% Danceability • 47% Energy • 9% Liveness
68% Instrumentalness • 73% Positiveness
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Rob Simonsen
Chess
136 bpm • G# min • 01:18 • -27db
18% Popularity • 20% Danceability • 5% Energy • 8% Liveness
78% Instrumentalness • 4% Positiveness
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KHJ
KHJ Batman Promotion
136 bpm • C Maj • 01:06 • -8.7db
29% Popularity • 51% Danceability • 81% Energy • 38% Liveness
0% Instrumentalness • 64% Positiveness
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John Powell
A Really Big Truck Arrives
136 bpm • F Maj • 05:58 • -11.93db
15% Popularity • 26% Danceability • 35% Energy • 38% Liveness
90% Instrumentalness • 7% Positiveness
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Ennio Morricone
La reazione
118 bpm • D Maj • 02:36 • -11.7db
10% Popularity • 38% Danceability • 53% Energy • 6% Liveness
76% Instrumentalness • 59% Positiveness
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Tyler Bates
Groot Expectations
136 bpm • G Maj • 01:57 • -23.13db
14% Popularity • 57% Danceability • 9% Energy • 12% Liveness
89% Instrumentalness • 8% Positiveness
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Dave Grusin
Water Slide And Galleon
137 bpm • F Maj • 01:38 • -10.71db
27% Popularity • 39% Danceability • 40% Energy • 13% Liveness
93% Instrumentalness • 7% Positiveness
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Shirley Walker
Sub-Main Title / Batwing / Bat Attack
137 bpm • C Maj • 01:51 • -18db
22% Popularity • 28% Danceability • 15% Energy • 9% Liveness
64% Instrumentalness • 11% Positiveness
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Jerry Goldsmith, Ron Jones
First Attack
137 bpm • G min • 05:04 • -19db
11% Popularity • 36% Danceability • 21% Energy • 15% Liveness
80% Instrumentalness • 10% Positiveness
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John Powell
Chickens Are Not Organized
118 bpm • G Maj • 01:01 • -15.13db
18% Popularity • 52% Danceability • 43% Energy • 28% Liveness
92% Instrumentalness • 11% Positiveness
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Joel McNeely
The Shooting Lesson
137 bpm • G Maj • 02:16 • -10.44db
16% Popularity • 54% Danceability • 37% Energy • 61% Liveness
81% Instrumentalness • 53% Positiveness
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Lalo Schifrin
Ballad of Cool Hand Luke
118 bpm • E min • 02:34 • -3.27db
13% Popularity • 44% Danceability • 73% Energy • 18% Liveness
0% Instrumentalness • 55% Positiveness
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George Tzipine Orchestra
Superman Main Title
137 bpm • D Maj • 00:59 • -12.8db
2% Popularity • 41% Danceability • 64% Energy • 27% Liveness
0% Instrumentalness • 51% Positiveness
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Jeff Russo
Molly Looks for Lester
117 bpm • G min • 02:03 • -25.1db
15% Popularity • 20% Danceability • 11% Energy • 34% Liveness
94% Instrumentalness • 8% Positiveness
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Ennio Morricone
Marcia Without Hope - Marcetta Senza Spe...
138 bpm • E min • 01:50 • -20.07db
22% Popularity • 19% Danceability • 23% Energy • 12% Liveness
98% Instrumentalness • 8% Positiveness
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Joe Kraemer
A Foggy Night in London
138 bpm • C Maj • 02:09 • -15.11db
27% Popularity • 43% Danceability • 37% Energy • 38% Liveness
93% Instrumentalness • 22% Positiveness
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Spencer Williams
Shim-Me-Sha-Wobble
117 bpm • A# min • 01:03 • -16.72db
9% Popularity • 65% Danceability • 29% Energy • 10% Liveness
95% Instrumentalness • 46% Positiveness
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Ed Harris
A New Dawn
117 bpm • G Maj • 02:20 • -25.66db
0% Popularity • 26% Danceability • 3% Energy • 11% Liveness
90% Instrumentalness • 10% Positiveness
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Henry Jackman
The Beach
117 bpm • C# Maj • 01:27 • -19.08db
15% Popularity • 50% Danceability • 51% Energy • 19% Liveness
82% Instrumentalness • 13% Positiveness
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Marc Shaiman
Honor
138 bpm • E Maj • 03:48 • -21.02db
13% Popularity • 15% Danceability • 6% Energy • 11% Liveness
94% Instrumentalness • 3% Positiveness
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Bill Conti
Training Hard / Russian Moon
117 bpm • E min • 02:17 • -13.15db
15% Popularity • 25% Danceability • 26% Energy • 13% Liveness
88% Instrumentalness • 8% Positiveness
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Hans Zimmer
Ride
138 bpm • A min • 04:17 • -12.78db
28% Popularity • 16% Danceability • 21% Energy • 34% Liveness
88% Instrumentalness • 4% Positiveness
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Rob Simonsen
Showdown
138 bpm • C Maj • 02:30 • -10.53db
20% Popularity • 18% Danceability • 39% Energy • 13% Liveness
96% Instrumentalness • 4% Positiveness
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Nathan Furst
Bonfire
138 bpm • D min • 01:51 • -14.64db
13% Popularity • 18% Danceability • 27% Energy • 11% Liveness
91% Instrumentalness • 5% Positiveness
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Dave Grusin
Sloth & Chunk
116 bpm • G# Maj • 01:57 • -9.85db
17% Popularity • 45% Danceability • 37% Energy • 13% Liveness
1% Instrumentalness • 39% Positiveness
► Preview
Joe Kraemer
Audience with the Prime Minister
116 bpm • F Maj • 04:23 • -23.02db
17% Popularity • 20% Danceability • 4% Energy • 25% Liveness
91% Instrumentalness • 4% Positiveness
► Preview
Bill Conti
Yeager And The F104
117 bpm • C Maj • 02:25 • -11.88db
20% Popularity • 26% Danceability • 37% Energy • 14% Liveness
96% Instrumentalness • 43% Positiveness
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Tim Roth
The Suggestive Oswaldo Mobray
116 bpm • C# Maj • 00:47 • -24.3db
9% Popularity • 68% Danceability • 32% Energy • 40% Liveness
0% Instrumentalness • 40% Positiveness
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Friday At Groover