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Songs like
Friend
by
Gracie Abrams
Based on a tempo of (+/- 10%) and a similar genre
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Gracie Abrams
Mess It Up
133 bpm • C Maj • 02:51 • -4.53db
75% Popularity • 76% Danceability • 58% Energy • 15% Liveness
0% Instrumentalness • 36% Positiveness
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Luke Hemmings
Comedown
133 bpm • G Maj • 04:38 • -10.19db
47% Popularity • 46% Danceability • 30% Energy • 35% Liveness
0% Instrumentalness • 15% Positiveness
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Sabrina Carpenter
Fast Times
132 bpm • C# min • 02:54 • -5db
64% Popularity • 72% Danceability • 67% Energy • 4% Liveness
0% Instrumentalness • 74% Positiveness
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Hayd
Airplane Mode
133 bpm • G Maj • 03:23 • -16db
47% Popularity • 68% Danceability • 22% Energy • 12% Liveness
0% Instrumentalness • 26% Positiveness
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Kate Stephenson
Exless
134 bpm • G# Maj • 03:25 • -12.5db
35% Popularity • 51% Danceability • 24% Energy • 13% Liveness
0% Instrumentalness • 16% Positiveness
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Luz
permanent +1
132 bpm • B Maj • 03:32 • -12.29db
36% Popularity • 61% Danceability • 31% Energy • 9% Liveness
0% Instrumentalness • 28% Positiveness
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Gracie Abrams
Friend
133 bpm • E Maj • 02:56 • -4.91db
61% Popularity • 70% Danceability • 49% Energy • 30% Liveness
0% Instrumentalness • 23% Positiveness
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Daniel Seavey
I Tried
132 bpm • E Maj • 02:16 • -11db
50% Popularity • 59% Danceability • 39% Energy • 16% Liveness
0% Instrumentalness • 30% Positiveness
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Claire Rosinkranz
Hotel
134 bpm • F Maj • 02:14 • -6.48db
57% Popularity • 86% Danceability • 66% Energy • 56% Liveness
0% Instrumentalness • 95% Positiveness
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BLÜ EYES
supposed to
134 bpm • D Maj • 02:54 • -6.33db
41% Popularity • 80% Danceability • 57% Energy • 9% Liveness
0% Instrumentalness • 66% Positiveness
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Cian Ducrot
Know Me Again
134 bpm • E Maj • 04:15 • -10.36db
36% Popularity • 55% Danceability • 40% Energy • 11% Liveness
0% Instrumentalness • 48% Positiveness
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Mokita
Inside Out
132 bpm • C# Maj • 02:56 • -11.64db
49% Popularity • 69% Danceability • 17% Energy • 10% Liveness
0% Instrumentalness • 44% Positiveness
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Gracie Abrams
Cedar
134 bpm • G Maj • 04:12 • -8.65db
61% Popularity • 53% Danceability • 40% Energy • 10% Liveness
0% Instrumentalness • 14% Positiveness
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JP Saxe
Same Room
134 bpm • G Maj • 03:53 • -10.88db
44% Popularity • 46% Danceability • 39% Energy • 10% Liveness
0% Instrumentalness • 42% Positiveness
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Alec Benjamin
The Way You Felt
132 bpm • C Maj • 03:03 • -6.93db
60% Popularity • 87% Danceability • 52% Energy • 10% Liveness
0% Instrumentalness • 74% Positiveness
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Lizzy McAlpine
doomsday
135 bpm • C# Maj • 04:28 • -10db
67% Popularity • 40% Danceability • 27% Energy • 10% Liveness
0% Instrumentalness • 12% Positiveness
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Chance Peña
Up, Up & Away
132 bpm • A min • 02:00 • -12.33db
57% Popularity • 66% Danceability • 9% Energy • 12% Liveness
0% Instrumentalness • 58% Positiveness
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Suriel Hess
Still Something
135 bpm • B Maj • 03:08 • -7.58db
52% Popularity • 70% Danceability • 40% Energy • 9% Liveness
0% Instrumentalness • 29% Positiveness
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FINNEAS
Lost My Mind
135 bpm • G min • 02:49 • -11.04db
49% Popularity • 66% Danceability • 28% Energy • 23% Liveness
0% Instrumentalness • 7% Positiveness
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ROSIE
All my favorite songs
135 bpm • C# Maj • 02:56 • -10db
32% Popularity • 55% Danceability • 38% Energy • 8% Liveness
0% Instrumentalness • 55% Positiveness
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Lexi Jayde
gentle
135 bpm • F Maj • 03:18 • -7db
40% Popularity • 58% Danceability • 69% Energy • 9% Liveness
0% Instrumentalness • 28% Positiveness
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Maude Latour
One More Weekend
131 bpm • D# Maj • 02:22 • -6.92db
54% Popularity • 63% Danceability • 56% Energy • 21% Liveness
0% Instrumentalness • 51% Positiveness
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Nessa Barrett
sincerely
131 bpm • E Maj • 01:08 • -11db
54% Popularity • 41% Danceability • 32% Energy • 28% Liveness
0% Instrumentalness • 7% Positiveness
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Cate
Groupie
131 bpm • E Maj • 03:08 • -5.49db
47% Popularity • 64% Danceability • 70% Energy • 11% Liveness
0% Instrumentalness • 35% Positiveness
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Luke Hemmings
Bloodline
131 bpm • A# Maj • 02:04 • -16.49db
49% Popularity • 50% Danceability • 6% Energy • 12% Liveness
0% Instrumentalness • 43% Positiveness
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Anson Seabra
Hurricane
135 bpm • G Maj • 03:21 • -13.24db
45% Popularity • 69% Danceability • 20% Energy • 12% Liveness
0% Instrumentalness • 24% Positiveness
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Haley Joelle
Hope You're Well
136 bpm • G Maj • 03:28 • -12db
33% Popularity • 40% Danceability • 13% Energy • 8% Liveness
0% Instrumentalness • 13% Positiveness
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Conan Gray
Yours
130 bpm • D Maj • 03:24 • -8.87db
64% Popularity • 52% Danceability • 30% Energy • 13% Liveness
0% Instrumentalness • 17% Positiveness
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Taylor Swift
this is me trying
136 bpm • A Maj • 03:15 • -9.84db
77% Popularity • 52% Danceability • 48% Energy • 17% Liveness
0% Instrumentalness • 41% Positiveness
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Griff
Earl Grey Tea
130 bpm • C# min • 02:47 • -6.53db
46% Popularity • 65% Danceability • 50% Energy • 20% Liveness
0% Instrumentalness • 27% Positiveness
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FINNEAS
Angel
130 bpm • F Maj • 05:11 • -12.53db
54% Popularity • 54% Danceability • 24% Energy • 30% Liveness
0% Instrumentalness • 23% Positiveness
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Lexi Jayde
self sabotage
136 bpm • D Maj • 03:40 • -7.01db
44% Popularity • 58% Danceability • 51% Energy • 14% Liveness
0% Instrumentalness • 24% Positiveness
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Anson Seabra
Last Time
136 bpm • D# Maj • 03:46 • -14db
46% Popularity • 55% Danceability • 14% Energy • 10% Liveness
0% Instrumentalness • 53% Positiveness
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Sabrina Carpenter
Vicious
130 bpm • C Maj • 02:29 • -6.92db
70% Popularity • 72% Danceability • 46% Energy • 26% Liveness
0% Instrumentalness • 63% Positiveness
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mehro
perfume
130 bpm • D Maj • 02:29 • -7.09db
56% Popularity • 68% Danceability • 46% Energy • 10% Liveness
1% Instrumentalness • 70% Positiveness
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Conan Gray
The Cut That Always Bleeds
136 bpm • C Maj • 03:51 • -6.5db
74% Popularity • 49% Danceability • 41% Energy • 6% Liveness
0% Instrumentalness • 25% Positiveness
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Gracie Abrams
Full machine
130 bpm • G Maj • 04:15 • -8db
56% Popularity • 59% Danceability • 48% Energy • 8% Liveness
0% Instrumentalness • 60% Positiveness
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Lexi Jayde
what's the matter with you
136 bpm • C Maj • 03:16 • -6.59db
37% Popularity • 69% Danceability • 71% Energy • 10% Liveness
0% Instrumentalness • 41% Positiveness
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Taylor Swift
my tears ricochet
130 bpm • C Maj • 04:15 • -10.63db
79% Popularity • 46% Danceability • 26% Energy • 7% Liveness
0% Instrumentalness • 11% Positiveness
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Natalie Madigan
Remember Why You Fell in Love
130 bpm • B Maj • 04:25 • -10.76db
37% Popularity • 55% Danceability • 31% Energy • 9% Liveness
0% Instrumentalness • 11% Positiveness
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Phoebe Bridgers
Waiting Room
130 bpm • D Maj • 06:33 • -10.07db
74% Popularity • 53% Danceability • 29% Energy • 13% Liveness
0% Instrumentalness • 12% Positiveness
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Lizzy McAlpine
called you again
129 bpm • G Maj • 03:12 • -10.36db
54% Popularity • 48% Danceability • 31% Energy • 12% Liveness
0% Instrumentalness • 48% Positiveness
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Anson Seabra
That's Us
129 bpm • A# Maj • 04:30 • -15.4db
58% Popularity • 62% Danceability • 11% Energy • 14% Liveness
0% Instrumentalness • 20% Positiveness
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Katherine Li
I Don't Care
137 bpm • B Maj • 03:03 • -8db
39% Popularity • 62% Danceability • 51% Energy • 9% Liveness
0% Instrumentalness • 32% Positiveness
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FINNEAS
The Kids Are All Dying
138 bpm • G Maj • 02:47 • -8.2db
51% Popularity • 73% Danceability • 36% Energy • 15% Liveness
0% Instrumentalness • 42% Positiveness
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Gracie Abrams
Brush Fire
129 bpm • D Maj • 03:10 • -9.23db
53% Popularity • 53% Danceability • 37% Energy • 8% Liveness
0% Instrumentalness • 29% Positiveness
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Lyn Lapid
I Guess That Was Goodbye
138 bpm • D Maj • 03:10 • -10.68db
44% Popularity • 49% Danceability • 23% Energy • 11% Liveness
0% Instrumentalness • 23% Positiveness
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Lizzy McAlpine
hate to be lame
137 bpm • A# min • 02:36 • -12.63db
67% Popularity • 52% Danceability • 25% Energy • 8% Liveness
0% Instrumentalness • 30% Positiveness
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BLÜ EYES
somebody
138 bpm • D Maj • 02:56 • -8.1db
29% Popularity • 58% Danceability • 52% Energy • 10% Liveness
0% Instrumentalness • 29% Positiveness
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Daya
Montana
138 bpm • D Maj • 03:23 • -7db
42% Popularity • 60% Danceability • 40% Energy • 13% Liveness
0% Instrumentalness • 32% Positiveness
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Taylor Swift
right where you left me - bonus track
138 bpm • A# Maj • 04:05 • -6.52db
79% Popularity • 58% Danceability • 62% Energy • 12% Liveness
0% Instrumentalness • 64% Positiveness
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Gracie Abrams
I should hate you
138 bpm • F Maj • 04:18 • -8.07db
62% Popularity • 50% Danceability • 50% Energy • 10% Liveness
0% Instrumentalness • 40% Positiveness
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shy martin
Break With Me
138 bpm • F Maj • 02:35 • -10.31db
39% Popularity • 61% Danceability • 20% Energy • 12% Liveness
0% Instrumentalness • 17% Positiveness
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Zeph
my fault
138 bpm • G Maj • 01:00 • -14db
63% Popularity • 59% Danceability • 31% Energy • 14% Liveness
0% Instrumentalness • 44% Positiveness
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benny blanco
Unlearn
138 bpm • A# min • 02:34 • -12.27db
51% Popularity • 50% Danceability • 22% Energy • 11% Liveness
0% Instrumentalness • 21% Positiveness
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Munn
I Lost Myself
128 bpm • D Maj • 03:11 • -6.23db
54% Popularity • 65% Danceability • 38% Energy • 11% Liveness
0% Instrumentalness • 13% Positiveness
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Olivia Rodrigo
the grudge
128 bpm • A# Maj • 03:09 • -9.21db
79% Popularity • 55% Danceability • 31% Energy • 8% Liveness
0% Instrumentalness • 32% Positiveness
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Gracie Abrams
Older
128 bpm • E Maj • 03:07 • -14.43db
52% Popularity • 57% Danceability • 6% Energy • 10% Liveness
0% Instrumentalness • 28% Positiveness
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FINNEAS
Let's Fall in Love for the Night
128 bpm • F Maj • 03:10 • -7.94db
69% Popularity • 74% Danceability • 41% Energy • 17% Liveness
0% Instrumentalness • 37% Positiveness
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loyalties
Second Place
128 bpm • F# min • 02:08 • -16.49db
45% Popularity • 65% Danceability • 22% Energy • 11% Liveness
0% Instrumentalness • 22% Positiveness
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Tate McRae
i still say goodnight
139 bpm • F Maj • 03:08 • -10.48db
51% Popularity • 38% Danceability • 18% Energy • 12% Liveness
0% Instrumentalness • 25% Positiveness
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Blake Rose
Gone
139 bpm • B min • 03:25 • -6db
58% Popularity • 32% Danceability • 55% Energy • 12% Liveness
0% Instrumentalness • 14% Positiveness
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shy martin
Are you happy?
139 bpm • A min • 02:37 • -7.66db
57% Popularity • 63% Danceability • 58% Energy • 42% Liveness
0% Instrumentalness • 30% Positiveness
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Gracie Abrams
Block me out
128 bpm • A# Maj • 04:09 • -7.47db
57% Popularity • 63% Danceability • 52% Energy • 12% Liveness
0% Instrumentalness • 23% Positiveness
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FINNEAS
A Concert Six Months From Now
139 bpm • G Maj • 03:25 • -10.27db
52% Popularity • 54% Danceability • 23% Energy • 13% Liveness
0% Instrumentalness • 27% Positiveness
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Sam Fischer
This City - Acoustic
140 bpm • A# Maj • 03:26 • -10.58db
53% Popularity • 62% Danceability • 22% Energy • 9% Liveness
0% Instrumentalness • 70% Positiveness
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Tate McRae
bad ones
139 bpm • F# Maj • 03:03 • -11.88db
56% Popularity • 69% Danceability • 43% Energy • 13% Liveness
0% Instrumentalness • 33% Positiveness
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Taylor Swift
the 1
140 bpm • C Maj • 03:30 • -6.94db
79% Popularity • 78% Danceability • 36% Energy • 11% Liveness
0% Instrumentalness • 17% Positiveness
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Katherine Li
We Didn't Even Date
140 bpm • C# Maj • 02:57 • -10db
47% Popularity • 60% Danceability • 25% Energy • 12% Liveness
0% Instrumentalness • 15% Positiveness
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ROSIE
100 Headaches
140 bpm • C# Maj • 02:51 • -9.29db
27% Popularity • 47% Danceability • 35% Energy • 14% Liveness
0% Instrumentalness • 38% Positiveness
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shy martin
can I call you back?
126 bpm • A Maj • 02:33 • -9.99db
48% Popularity • 65% Danceability • 32% Energy • 13% Liveness
0% Instrumentalness • 27% Positiveness
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Gracie Abrams
Camden
126 bpm • A# Maj • 04:06 • -12.57db
59% Popularity • 65% Danceability • 26% Energy • 16% Liveness
0% Instrumentalness • 42% Positiveness
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Tate McRae
r u ok
140 bpm • D Maj • 03:07 • -5.89db
59% Popularity • 66% Danceability • 60% Energy • 34% Liveness
0% Instrumentalness • 34% Positiveness
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Stephen Sanchez
I Want You
126 bpm • F Maj • 03:30 • -9.69db
56% Popularity • 50% Danceability • 31% Energy • 10% Liveness
0% Instrumentalness • 23% Positiveness
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ROLE MODEL
notice me
126 bpm • G# min • 03:11 • -6.52db
52% Popularity • 72% Danceability • 48% Energy • 30% Liveness
0% Instrumentalness • 25% Positiveness
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Zevia
till death frees me
140 bpm • A# Maj • 02:46 • -11db
48% Popularity • 60% Danceability • 12% Energy • 11% Liveness
0% Instrumentalness • 14% Positiveness
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Sody
Bedroom Ceiling
126 bpm • F# Maj • 03:00 • -7.7db
40% Popularity • 49% Danceability • 42% Energy • 7% Liveness
0% Instrumentalness • 24% Positiveness
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Gracie Abrams
Rockland
126 bpm • F Maj • 03:37 • -11.34db
62% Popularity • 57% Danceability • 40% Energy • 10% Liveness
0% Instrumentalness • 40% Positiveness
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Conan Gray
People Watching
126 bpm • F Maj • 02:38 • -7.28db
77% Popularity • 53% Danceability • 59% Energy • 29% Liveness
0% Instrumentalness • 54% Positiveness
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Katherine Li
Like Me, Like Me
141 bpm • B Maj • 02:25 • -7.36db
41% Popularity • 53% Danceability • 48% Energy • 16% Liveness
0% Instrumentalness • 40% Positiveness
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ROLE MODEL
hello!
126 bpm • A# Maj • 03:08 • -4.02db
53% Popularity • 79% Danceability • 46% Energy • 10% Liveness
0% Instrumentalness • 56% Positiveness
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Harry Styles
Little Freak
142 bpm • D# Maj • 03:22 • -7.72db
75% Popularity • 56% Danceability • 54% Energy • 10% Liveness
0% Instrumentalness • 40% Positiveness
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Surf Mesa
Carried Away (Love To Love)
142 bpm • C# Maj • 03:02 • -5.3db
57% Popularity • 52% Danceability • 68% Energy • 31% Liveness
0% Instrumentalness • 30% Positiveness
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Gracie Abrams
Will you cry?
126 bpm • C# min • 03:50 • -10.38db
57% Popularity • 40% Danceability • 49% Energy • 32% Liveness
0% Instrumentalness • 24% Positiveness
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Hayd
What Did I Do?
142 bpm • F# Maj • 03:35 • -11.87db
48% Popularity • 59% Danceability • 28% Energy • 11% Liveness
0% Instrumentalness • 20% Positiveness
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shy martin
Slow
142 bpm • D Maj • 02:43 • -9.51db
55% Popularity • 64% Danceability • 24% Energy • 11% Liveness
0% Instrumentalness • 24% Positiveness
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Lizzy McAlpine
Pancakes for Dinner
142 bpm • B Maj • 03:55 • -11.45db
63% Popularity • 75% Danceability • 27% Energy • 11% Liveness
0% Instrumentalness • 32% Positiveness
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Jess Benko
A Soulmate Who Wasn’t Meant to Be
124 bpm • A min • 05:16 • -20.27db
65% Popularity • 57% Danceability • 3% Energy • 32% Liveness
0% Instrumentalness • 9% Positiveness
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Conan Gray
Fight or Flight
143 bpm • C Maj • 02:51 • -5.41db
66% Popularity • 40% Danceability • 55% Energy • 8% Liveness
0% Instrumentalness • 57% Positiveness
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Gracie Abrams
405
142 bpm • C Maj • 03:01 • -12.64db
56% Popularity • 57% Danceability • 32% Energy • 10% Liveness
0% Instrumentalness • 27% Positiveness
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JP Saxe
Explain You
124 bpm • B Maj • 03:18 • -11.55db
41% Popularity • 37% Danceability • 44% Energy • 14% Liveness
0% Instrumentalness • 14% Positiveness
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ROLE MODEL
notice me - acoustic
124 bpm • G# min • 03:14 • -5.74db
47% Popularity • 64% Danceability • 44% Energy • 17% Liveness
0% Instrumentalness • 19% Positiveness
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Tate McRae
you broke me first
124 bpm • E Maj • 02:50 • -9.36db
85% Popularity • 66% Danceability • 38% Energy • 9% Liveness
0% Instrumentalness • 8% Positiveness
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Gatlin
never been in love
124 bpm • F# min • 03:06 • -9db
48% Popularity • 64% Danceability • 71% Energy • 14% Liveness
0% Instrumentalness • 52% Positiveness
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Hayd
Closure
124 bpm • D Maj • 03:16 • -16.18db
58% Popularity • 69% Danceability • 11% Energy • 30% Liveness
0% Instrumentalness • 38% Positiveness
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Gracie Abrams
The blue
142 bpm • C Maj • 05:00 • -7.73db
56% Popularity • 50% Danceability • 46% Energy • 13% Liveness
0% Instrumentalness • 21% Positiveness
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The Aces
Going Home
124 bpm • A Maj • 03:55 • -8db
39% Popularity • 66% Danceability • 55% Energy • 33% Liveness
0% Instrumentalness • 54% Positiveness
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Alec Benjamin
Demons
143 bpm • F min • 02:43 • -7.5db
58% Popularity • 71% Danceability • 49% Energy • 34% Liveness
0% Instrumentalness • 76% Positiveness
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Sody
What We Had
124 bpm • G Maj • 03:02 • -7.44db
47% Popularity • 62% Danceability • 45% Energy • 11% Liveness
0% Instrumentalness • 26% Positiveness
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Regard
You - Acoustic
123 bpm • C Maj • 03:34 • -8.26db
41% Popularity • 40% Danceability • 53% Energy • 32% Liveness
0% Instrumentalness • 27% Positiveness
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Friend