Songs like Friends by Michael W. Smith
Based on a tempo of (+/- 10%) and a similar genre
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Michael W. Smith
Friends 2003
136 bpm • G Maj • 04:56 • -7.75db
21% Popularity • 30% Danceability • 58% Energy • 15% Liveness
0% Instrumentalness • 24% Positiveness
21% Popularity • 30% Danceability • 58% Energy • 15% Liveness
0% Instrumentalness • 24% Positiveness
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Big Daddy Weave
Every Time I Breathe
136 bpm • D Maj • 03:52 • -13.56db
36% Popularity • 57% Danceability • 44% Energy • 9% Liveness
0% Instrumentalness • 75% Positiveness
36% Popularity • 57% Danceability • 44% Energy • 9% Liveness
0% Instrumentalness • 75% Positiveness
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Audrey Assad
Restless
136 bpm • B Maj • 04:55 • -9db
40% Popularity • 42% Danceability • 38% Energy • 11% Liveness
0% Instrumentalness • 20% Positiveness
40% Popularity • 42% Danceability • 38% Energy • 11% Liveness
0% Instrumentalness • 20% Positiveness
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FFH
Ready To Fly
136 bpm • A min • 04:04 • -3.35db
22% Popularity • 42% Danceability • 77% Energy • 12% Liveness
0% Instrumentalness • 19% Positiveness
22% Popularity • 42% Danceability • 77% Energy • 12% Liveness
0% Instrumentalness • 19% Positiveness
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Scott Krippayne
May I Have This Dance - Autobiography Al...
136 bpm • A Maj • 04:37 • -10.46db
11% Popularity • 27% Danceability • 30% Energy • 9% Liveness
0% Instrumentalness • 15% Positiveness
11% Popularity • 27% Danceability • 30% Energy • 9% Liveness
0% Instrumentalness • 15% Positiveness
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The Kry
He Won't Let You Go
136 bpm • G# Maj • 04:12 • -13.24db
15% Popularity • 57% Danceability • 19% Energy • 12% Liveness
0% Instrumentalness • 24% Positiveness
15% Popularity • 57% Danceability • 19% Energy • 12% Liveness
0% Instrumentalness • 24% Positiveness
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Michael W. Smith
Friends
136 bpm • G Maj • 04:43 • -10.89db
39% Popularity • 59% Danceability • 51% Energy • 27% Liveness
0% Instrumentalness • 41% Positiveness
39% Popularity • 59% Danceability • 51% Energy • 27% Liveness
0% Instrumentalness • 41% Positiveness
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Francesca Battistelli
Angel By Your Side
136 bpm • A# Maj • 03:29 • -5.32db
32% Popularity • 53% Danceability • 42% Energy • 10% Liveness
0% Instrumentalness • 32% Positiveness
32% Popularity • 53% Danceability • 42% Energy • 10% Liveness
0% Instrumentalness • 32% Positiveness
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The Imperials
I Just Came to Praise the Lord
136 bpm • D Maj • 01:58 • -20.2db
30% Popularity • 41% Danceability • 14% Energy • 27% Liveness
0% Instrumentalness • 47% Positiveness
30% Popularity • 41% Danceability • 14% Energy • 27% Liveness
0% Instrumentalness • 47% Positiveness
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Cheri Keaggy
In Remembrance Of Me
135 bpm • B Maj • 03:53 • -10.39db
33% Popularity • 35% Danceability • 23% Energy • 11% Liveness
0% Instrumentalness • 12% Positiveness
33% Popularity • 35% Danceability • 23% Energy • 11% Liveness
0% Instrumentalness • 12% Positiveness
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Crowder
Come As You Are
135 bpm • C Maj • 04:49 • -8.84db
64% Popularity • 46% Danceability • 36% Energy • 10% Liveness
0% Instrumentalness • 15% Positiveness
64% Popularity • 46% Danceability • 36% Energy • 10% Liveness
0% Instrumentalness • 15% Positiveness
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John Michael Talbot
On Eagles Wings
137 bpm • D Maj • 03:36 • -13db
41% Popularity • 24% Danceability • 24% Energy • 15% Liveness
0% Instrumentalness • 25% Positiveness
41% Popularity • 24% Danceability • 24% Energy • 15% Liveness
0% Instrumentalness • 25% Positiveness
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Michael W. Smith
Kentucky Rose
136 bpm • G# Maj • 05:26 • -9.88db
24% Popularity • 54% Danceability • 45% Energy • 10% Liveness
0% Instrumentalness • 41% Positiveness
24% Popularity • 54% Danceability • 45% Energy • 10% Liveness
0% Instrumentalness • 41% Positiveness
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Petra
Beyond Belief
137 bpm • E Maj • 05:06 • -9.7db
39% Popularity • 66% Danceability • 80% Energy • 31% Liveness
0% Instrumentalness • 86% Positiveness
39% Popularity • 66% Danceability • 80% Energy • 31% Liveness
0% Instrumentalness • 86% Positiveness
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Sheila Walsh
God Is Faithful
135 bpm • F Maj • 04:48 • -15.04db
11% Popularity • 39% Danceability • 15% Energy • 10% Liveness
0% Instrumentalness • 29% Positiveness
11% Popularity • 39% Danceability • 15% Energy • 10% Liveness
0% Instrumentalness • 29% Positiveness
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Nicole C. Mullen
Because He Lives
134 bpm • D Maj • 02:13 • -15.04db
57% Popularity • 45% Danceability • 7% Energy • 34% Liveness
0% Instrumentalness • 31% Positiveness
57% Popularity • 45% Danceability • 7% Energy • 34% Liveness
0% Instrumentalness • 31% Positiveness
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Steve Camp
He's All You Need
138 bpm • E Maj • 05:03 • -17.01db
28% Popularity • 30% Danceability • 9% Energy • 11% Liveness
0% Instrumentalness • 7% Positiveness
28% Popularity • 30% Danceability • 9% Energy • 11% Liveness
0% Instrumentalness • 7% Positiveness
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My Utmost For His Highest
Through All the Years
134 bpm • D Maj • 04:10 • -8.34db
9% Popularity • 50% Danceability • 42% Energy • 27% Liveness
0% Instrumentalness • 20% Positiveness
9% Popularity • 50% Danceability • 42% Energy • 27% Liveness
0% Instrumentalness • 20% Positiveness
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Michael W. Smith
Straight To The Heart
136 bpm • G# Maj • 02:47 • -16.12db
25% Popularity • 53% Danceability • 17% Energy • 10% Liveness
0% Instrumentalness • 18% Positiveness
25% Popularity • 53% Danceability • 17% Energy • 10% Liveness
0% Instrumentalness • 18% Positiveness
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The Imperials
I'd Rather Believe In You
138 bpm • B Maj • 03:33 • -16.32db
19% Popularity • 46% Danceability • 32% Energy • 5% Liveness
0% Instrumentalness • 23% Positiveness
19% Popularity • 46% Danceability • 32% Energy • 5% Liveness
0% Instrumentalness • 23% Positiveness
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Brian Doerksen
The River
138 bpm • C Maj • 03:58 • -7.44db
34% Popularity • 51% Danceability • 56% Energy • 32% Liveness
0% Instrumentalness • 33% Positiveness
34% Popularity • 51% Danceability • 56% Energy • 32% Liveness
0% Instrumentalness • 33% Positiveness
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Kutless
What Faith Can Do
138 bpm • D Maj • 03:53 • -7.35db
51% Popularity • 49% Danceability • 59% Energy • 7% Liveness
0% Instrumentalness • 36% Positiveness
51% Popularity • 49% Danceability • 59% Energy • 7% Liveness
0% Instrumentalness • 36% Positiveness
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Annie Herring
There's A Stirring
138 bpm • C Maj • 03:50 • -15.75db
11% Popularity • 25% Danceability • 22% Energy • 13% Liveness
0% Instrumentalness • 9% Positiveness
11% Popularity • 25% Danceability • 22% Energy • 13% Liveness
0% Instrumentalness • 9% Positiveness
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Jenn Johnson
Goodness of God (Radio Version)
138 bpm • G# Maj • 03:56 • -5.93db
58% Popularity • 52% Danceability • 54% Energy • 10% Liveness
0% Instrumentalness • 41% Positiveness
58% Popularity • 52% Danceability • 54% Energy • 10% Liveness
0% Instrumentalness • 41% Positiveness
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Michael W. Smith
I Know Your Name
136 bpm • D# Maj • 04:00 • -9.61db
18% Popularity • 56% Danceability • 60% Energy • 10% Liveness
0% Instrumentalness • 42% Positiveness
18% Popularity • 56% Danceability • 60% Energy • 10% Liveness
0% Instrumentalness • 42% Positiveness
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Keith & Kristyn Getty
In Christ Alone
138 bpm • G Maj • 04:39 • -8db
53% Popularity • 51% Danceability • 54% Energy • 26% Liveness
0% Instrumentalness • 41% Positiveness
53% Popularity • 51% Danceability • 54% Energy • 26% Liveness
0% Instrumentalness • 41% Positiveness
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Matt Redman
Never Once
138 bpm • G# min • 04:00 • -6db
44% Popularity • 48% Danceability • 64% Energy • 17% Liveness
0% Instrumentalness • 41% Positiveness
44% Popularity • 48% Danceability • 64% Energy • 17% Liveness
0% Instrumentalness • 41% Positiveness
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Danny Gokey
Tell Your Heart To Beat Again
134 bpm • F Maj • 03:53 • -7.17db
59% Popularity • 51% Danceability • 40% Energy • 10% Liveness
0% Instrumentalness • 20% Positiveness
59% Popularity • 51% Danceability • 40% Energy • 10% Liveness
0% Instrumentalness • 20% Positiveness
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Jonathan Pierce
Healing Hands
134 bpm • D# Maj • 04:23 • -10.06db
10% Popularity • 46% Danceability • 38% Energy • 12% Liveness
0% Instrumentalness • 22% Positiveness
10% Popularity • 46% Danceability • 38% Energy • 12% Liveness
0% Instrumentalness • 22% Positiveness
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Nicole C. Mullen
Come Unto Me
134 bpm • B min • 04:08 • -8.21db
23% Popularity • 61% Danceability • 36% Energy • 18% Liveness
0% Instrumentalness • 38% Positiveness
23% Popularity • 61% Danceability • 36% Energy • 18% Liveness
0% Instrumentalness • 38% Positiveness
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Michael W. Smith
Trilogy: Breathe In Me
134 bpm • C# Maj • 03:55 • -11.54db
20% Popularity • 28% Danceability • 23% Energy • 17% Liveness
0% Instrumentalness • 12% Positiveness
20% Popularity • 28% Danceability • 23% Energy • 17% Liveness
0% Instrumentalness • 12% Positiveness
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Carolyn Arends
Seize The Day
134 bpm • G Maj • 05:22 • -10.02db
21% Popularity • 53% Danceability • 45% Energy • 15% Liveness
0% Instrumentalness • 51% Positiveness
21% Popularity • 53% Danceability • 45% Energy • 15% Liveness
0% Instrumentalness • 51% Positiveness
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Josh Bates
Never Give Up On Me
139 bpm • B Maj • 03:48 • -12.23db
29% Popularity • 46% Danceability • 44% Energy • 14% Liveness
0% Instrumentalness • 43% Positiveness
29% Popularity • 46% Danceability • 44% Energy • 14% Liveness
0% Instrumentalness • 43% Positiveness
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Steven Curtis Chapman
The Great Adventure
139 bpm • D Maj • 04:37 • -12.11db
42% Popularity • 61% Danceability • 80% Energy • 26% Liveness
0% Instrumentalness • 80% Positiveness
42% Popularity • 61% Danceability • 80% Energy • 26% Liveness
0% Instrumentalness • 80% Positiveness
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![[Amazing Love] You Are My King cover art](https://i.scdn.co/image/ab67616d00001e020e851546a66c2d7121fe9d8e)
Rachel Robinson
[Amazing Love] You Are My King
139 bpm • D Maj • 05:09 • -6.48db
39% Popularity • 47% Danceability • 43% Energy • 10% Liveness
0% Instrumentalness • 22% Positiveness
39% Popularity • 47% Danceability • 43% Energy • 10% Liveness
0% Instrumentalness • 22% Positiveness
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Steve Camp
Stranger To Holiness
133 bpm • A# Maj • 04:22 • -15.53db
26% Popularity • 57% Danceability • 43% Energy • 19% Liveness
0% Instrumentalness • 40% Positiveness
26% Popularity • 57% Danceability • 43% Energy • 19% Liveness
0% Instrumentalness • 40% Positiveness
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Michael W. Smith
In My Arms Again
138 bpm • A# Maj • 06:11 • -8.84db
17% Popularity • 44% Danceability • 43% Energy • 62% Liveness
0% Instrumentalness • 4% Positiveness
17% Popularity • 44% Danceability • 43% Energy • 62% Liveness
0% Instrumentalness • 4% Positiveness
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Gaither Vocal Band
When I Cry
133 bpm • A# Maj • 04:29 • -10.11db
40% Popularity • 36% Danceability • 28% Energy • 10% Liveness
0% Instrumentalness • 18% Positiveness
40% Popularity • 36% Danceability • 28% Energy • 10% Liveness
0% Instrumentalness • 18% Positiveness
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First Call
Evidence of Love
140 bpm • F Maj • 04:35 • -8.59db
9% Popularity • 42% Danceability • 53% Energy • 22% Liveness
0% Instrumentalness • 27% Positiveness
9% Popularity • 42% Danceability • 53% Energy • 22% Liveness
0% Instrumentalness • 27% Positiveness
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Brandon Heath
Love Never Fails
139 bpm • G# Maj • 03:06 • -10db
42% Popularity • 36% Danceability • 23% Energy • 11% Liveness
0% Instrumentalness • 29% Positiveness
42% Popularity • 36% Danceability • 23% Energy • 11% Liveness
0% Instrumentalness • 29% Positiveness
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Rich Mullins
The Love Of God
132 bpm • D# Maj • 02:14 • -14.24db
33% Popularity • 40% Danceability • 27% Energy • 12% Liveness
0% Instrumentalness • 35% Positiveness
33% Popularity • 40% Danceability • 27% Energy • 12% Liveness
0% Instrumentalness • 35% Positiveness
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Love Song
A Love Song
140 bpm • A Maj • 01:46 • -12.75db
18% Popularity • 48% Danceability • 30% Energy • 20% Liveness
0% Instrumentalness • 64% Positiveness
18% Popularity • 48% Danceability • 30% Energy • 20% Liveness
0% Instrumentalness • 64% Positiveness
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Michael W. Smith
Trilogy: The Other Side Of Me
138 bpm • E Maj • 04:23 • -13.03db
19% Popularity • 28% Danceability • 19% Energy • 16% Liveness
0% Instrumentalness • 16% Positiveness
19% Popularity • 28% Danceability • 19% Energy • 16% Liveness
0% Instrumentalness • 16% Positiveness
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Hilary Weeks
If I Only Had Today
140 bpm • D# Maj • 05:01 • -7db
18% Popularity • 34% Danceability • 46% Energy • 30% Liveness
0% Instrumentalness • 27% Positiveness
18% Popularity • 34% Danceability • 46% Energy • 30% Liveness
0% Instrumentalness • 27% Positiveness
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The Imperials
Come Into My Life
132 bpm • D# Maj • 04:37 • -13.09db
19% Popularity • 48% Danceability • 41% Energy • 9% Liveness
0% Instrumentalness • 13% Positiveness
19% Popularity • 48% Danceability • 41% Energy • 9% Liveness
0% Instrumentalness • 13% Positiveness
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Chuck Girard
Sometimes Alleluia
132 bpm • E Maj • 05:34 • -11.39db
26% Popularity • 30% Danceability • 41% Energy • 19% Liveness
0% Instrumentalness • 30% Positiveness
26% Popularity • 30% Danceability • 41% Energy • 19% Liveness
0% Instrumentalness • 30% Positiveness
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Phil Baggaley
The Golden City
140 bpm • F# min • 03:55 • -9.93db
11% Popularity • 67% Danceability • 52% Energy • 35% Liveness
0% Instrumentalness • 52% Positiveness
11% Popularity • 67% Danceability • 52% Energy • 35% Liveness
0% Instrumentalness • 52% Positiveness
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Big Daddy Weave
My Story
140 bpm • C Maj • 04:38 • -6.79db
53% Popularity • 57% Danceability • 71% Energy • 10% Liveness
0% Instrumentalness • 26% Positiveness
53% Popularity • 57% Danceability • 71% Energy • 10% Liveness
0% Instrumentalness • 26% Positiveness
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Michael W. Smith
Friends
134 bpm • G Maj • 02:24 • -13.36db
30% Popularity • 66% Danceability • 22% Energy • 12% Liveness
0% Instrumentalness • 5% Positiveness
30% Popularity • 66% Danceability • 22% Energy • 12% Liveness
0% Instrumentalness • 5% Positiveness
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Jars Of Clay
They'll Know We Are Christians By Our Lo...
132 bpm • D min • 03:02 • -10.26db
34% Popularity • 53% Danceability • 42% Energy • 8% Liveness
0% Instrumentalness • 47% Positiveness
34% Popularity • 53% Danceability • 42% Energy • 8% Liveness
0% Instrumentalness • 47% Positiveness
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Petra
More Power To Ya - More Power To Ya Albu...
132 bpm • E Maj • 03:39 • -5.17db
37% Popularity • 52% Danceability • 54% Energy • 12% Liveness
0% Instrumentalness • 52% Positiveness
37% Popularity • 52% Danceability • 54% Energy • 12% Liveness
0% Instrumentalness • 52% Positiveness
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FFH
Lord Move, Or Move Me
132 bpm • A# Maj • 04:59 • -8.1db
26% Popularity • 57% Danceability • 46% Energy • 11% Liveness
0% Instrumentalness • 36% Positiveness
26% Popularity • 57% Danceability • 46% Energy • 11% Liveness
0% Instrumentalness • 36% Positiveness
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Point Of Grace
The Great Divide
132 bpm • A Maj • 04:18 • -5db
29% Popularity • 55% Danceability • 48% Energy • 20% Liveness
0% Instrumentalness • 14% Positiveness
29% Popularity • 55% Danceability • 48% Energy • 20% Liveness
0% Instrumentalness • 14% Positiveness
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Big Daddy Weave
Hold Me Jesus
132 bpm • G Maj • 03:54 • -9db
33% Popularity • 61% Danceability • 50% Energy • 22% Liveness
0% Instrumentalness • 57% Positiveness
33% Popularity • 61% Danceability • 50% Energy • 22% Liveness
0% Instrumentalness • 57% Positiveness
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Michael W. Smith
Healing Rain
140 bpm • C# Maj • 04:59 • -6.83db
37% Popularity • 42% Danceability • 60% Energy • 10% Liveness
0% Instrumentalness • 10% Positiveness
37% Popularity • 42% Danceability • 60% Energy • 10% Liveness
0% Instrumentalness • 10% Positiveness
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Francesca Battistelli
Beautiful, Beautiful
132 bpm • E min • 03:16 • -4.82db
47% Popularity • 49% Danceability • 51% Energy • 16% Liveness
0% Instrumentalness • 17% Positiveness
47% Popularity • 49% Danceability • 51% Energy • 16% Liveness
0% Instrumentalness • 17% Positiveness
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Petra
Take Me In
140 bpm • E min • 04:14 • -11.04db
33% Popularity • 39% Danceability • 44% Energy • 23% Liveness
0% Instrumentalness • 23% Positiveness
33% Popularity • 39% Danceability • 44% Energy • 23% Liveness
0% Instrumentalness • 23% Positiveness
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Steve & Annie Chapman
Circle Of Two
140 bpm • D# Maj • 04:13 • -15.56db
9% Popularity • 59% Danceability • 38% Energy • 12% Liveness
0% Instrumentalness • 56% Positiveness
9% Popularity • 59% Danceability • 38% Energy • 12% Liveness
0% Instrumentalness • 56% Positiveness
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Third Day
When The Rain Comes
132 bpm • G# Maj • 02:55 • -9.71db
33% Popularity • 46% Danceability • 28% Energy • 12% Liveness
0% Instrumentalness • 21% Positiveness
33% Popularity • 46% Danceability • 28% Energy • 12% Liveness
0% Instrumentalness • 21% Positiveness
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Sidewalk Prophets
You Love Me Anyway
141 bpm • E Maj • 04:20 • -5db
52% Popularity • 40% Danceability • 55% Energy • 10% Liveness
0% Instrumentalness • 19% Positiveness
52% Popularity • 40% Danceability • 55% Energy • 10% Liveness
0% Instrumentalness • 19% Positiveness
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Michael W. Smith
Emily
133 bpm • G Maj • 04:17 • -12.8db
22% Popularity • 38% Danceability • 29% Energy • 18% Liveness
0% Instrumentalness • 22% Positiveness
22% Popularity • 38% Danceability • 29% Energy • 18% Liveness
0% Instrumentalness • 22% Positiveness
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The Imperials
Praise the Lord
141 bpm • A Maj • 03:35 • -7db
34% Popularity • 43% Danceability • 59% Energy • 8% Liveness
0% Instrumentalness • 22% Positiveness
34% Popularity • 43% Danceability • 59% Energy • 8% Liveness
0% Instrumentalness • 22% Positiveness
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Mallary Hope
It Is Well With My Soul (Acapella)
141 bpm • D# Maj • 05:20 • -13.72db
23% Popularity • 30% Danceability • 24% Energy • 12% Liveness
0% Instrumentalness • 14% Positiveness
23% Popularity • 30% Danceability • 24% Energy • 12% Liveness
0% Instrumentalness • 14% Positiveness
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Robin Mark
All To Jesus I Surrender
131 bpm • D Maj • 03:58 • -6.75db
31% Popularity • 30% Danceability • 43% Energy • 11% Liveness
0% Instrumentalness • 25% Positiveness
31% Popularity • 30% Danceability • 43% Energy • 11% Liveness
0% Instrumentalness • 25% Positiveness
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Scott Wesley Brown
Yeshua Ha Mashiach
141 bpm • D# Maj • 04:28 • -11.42db
29% Popularity • 60% Danceability • 64% Energy • 22% Liveness
0% Instrumentalness • 48% Positiveness
29% Popularity • 60% Danceability • 64% Energy • 22% Liveness
0% Instrumentalness • 48% Positiveness
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Amy Grant
That's What Love Is For
142 bpm • A Maj • 04:17 • -4db
46% Popularity • 54% Danceability • 70% Energy • 14% Liveness
0% Instrumentalness • 29% Positiveness
46% Popularity • 54% Danceability • 70% Energy • 14% Liveness
0% Instrumentalness • 29% Positiveness
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Michael W. Smith
Trilogy: Angels Unaware
132 bpm • C# Maj • 04:56 • -11.11db
19% Popularity • 39% Danceability • 32% Energy • 8% Liveness
0% Instrumentalness • 14% Positiveness
19% Popularity • 39% Danceability • 32% Energy • 8% Liveness
0% Instrumentalness • 14% Positiveness
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The Imperials
Be Still My Soul
131 bpm • E min • 03:52 • -23.42db
24% Popularity • 49% Danceability • 11% Energy • 7% Liveness
0% Instrumentalness • 34% Positiveness
24% Popularity • 49% Danceability • 11% Energy • 7% Liveness
0% Instrumentalness • 34% Positiveness
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Don Francisco
I Could Never Promise You
130 bpm • E Maj • 02:52 • -15.74db
25% Popularity • 49% Danceability • 27% Energy • 8% Liveness
0% Instrumentalness • 50% Positiveness
25% Popularity • 49% Danceability • 27% Energy • 8% Liveness
0% Instrumentalness • 50% Positiveness
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John Elefante
That's Why God Made the Moon
142 bpm • D# Maj • 05:56 • -8.65db
19% Popularity • 38% Danceability • 42% Energy • 11% Liveness
0% Instrumentalness • 8% Positiveness
19% Popularity • 38% Danceability • 42% Energy • 11% Liveness
0% Instrumentalness • 8% Positiveness
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Mack Brock
Greater Things
142 bpm • B Maj • 04:40 • -7.93db
47% Popularity • 48% Danceability • 60% Energy • 7% Liveness
0% Instrumentalness • 25% Positiveness
47% Popularity • 48% Danceability • 60% Energy • 7% Liveness
0% Instrumentalness • 25% Positiveness
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Nicole C. Mullen
Forgive Me
142 bpm • F# Maj • 04:41 • -7.19db
35% Popularity • 35% Danceability • 43% Energy • 9% Liveness
0% Instrumentalness • 33% Positiveness
35% Popularity • 35% Danceability • 43% Energy • 9% Liveness
0% Instrumentalness • 33% Positiveness
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Michael W. Smith
Go West Young Man
141 bpm • E Maj • 04:01 • -9.33db
29% Popularity • 55% Danceability • 89% Energy • 34% Liveness
0% Instrumentalness • 41% Positiveness
29% Popularity • 55% Danceability • 89% Energy • 34% Liveness
0% Instrumentalness • 41% Positiveness
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Annie Herring
All That I Am
130 bpm • A# Maj • 03:23 • -14.12db
10% Popularity • 52% Danceability • 36% Energy • 34% Liveness
0% Instrumentalness • 17% Positiveness
10% Popularity • 52% Danceability • 36% Energy • 34% Liveness
0% Instrumentalness • 17% Positiveness
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Allen Asbury
Somebody's Praying Me Through - (Militar...
130 bpm • C Maj • 04:03 • -10db
14% Popularity • 50% Danceability • 46% Energy • 10% Liveness
0% Instrumentalness • 31% Positiveness
14% Popularity • 50% Danceability • 46% Energy • 10% Liveness
0% Instrumentalness • 31% Positiveness
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Third Day
Morning Has Broken
142 bpm • G Maj • 03:25 • -7.92db
30% Popularity • 45% Danceability • 66% Energy • 8% Liveness
0% Instrumentalness • 44% Positiveness
30% Popularity • 45% Danceability • 66% Energy • 8% Liveness
0% Instrumentalness • 44% Positiveness
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Carman
The River
142 bpm • D Maj • 03:45 • -9.2db
27% Popularity • 58% Danceability • 40% Energy • 12% Liveness
0% Instrumentalness • 21% Positiveness
27% Popularity • 58% Danceability • 40% Energy • 12% Liveness
0% Instrumentalness • 21% Positiveness
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Russ Taff
Praise the Lord
142 bpm • A Maj • 03:28 • -8.87db
21% Popularity • 44% Danceability • 53% Energy • 8% Liveness
0% Instrumentalness • 22% Positiveness
21% Popularity • 44% Danceability • 53% Energy • 8% Liveness
0% Instrumentalness • 22% Positiveness
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Michael W. Smith
Pray For Me
142 bpm • G Maj • 03:56 • -18.84db
22% Popularity • 47% Danceability • 28% Energy • 7% Liveness
0% Instrumentalness • 29% Positiveness
22% Popularity • 47% Danceability • 28% Energy • 7% Liveness
0% Instrumentalness • 29% Positiveness
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Dana
We Are One Body
130 bpm • G Maj • 06:42 • -11.46db
14% Popularity • 37% Danceability • 43% Energy • 10% Liveness
0% Instrumentalness • 18% Positiveness
14% Popularity • 37% Danceability • 43% Energy • 10% Liveness
0% Instrumentalness • 18% Positiveness
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Scott Wesley Brown
Kingdom Of Love
143 bpm • A# Maj • 03:25 • -10.25db
19% Popularity • 64% Danceability • 63% Energy • 12% Liveness
0% Instrumentalness • 78% Positiveness
19% Popularity • 64% Danceability • 63% Energy • 12% Liveness
0% Instrumentalness • 78% Positiveness
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Angelina
Prayer of St. Frances
129 bpm • B Maj • 03:41 • -11db
28% Popularity • 44% Danceability • 27% Energy • 22% Liveness
0% Instrumentalness • 17% Positiveness
28% Popularity • 44% Danceability • 27% Energy • 22% Liveness
0% Instrumentalness • 17% Positiveness
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Shannon Adducci
I Have a Song
129 bpm • F Maj • 05:49 • -6.41db
7% Popularity • 52% Danceability • 56% Energy • 9% Liveness
0% Instrumentalness • 35% Positiveness
7% Popularity • 52% Danceability • 56% Energy • 9% Liveness
0% Instrumentalness • 35% Positiveness
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Christy Nockels
Keep the Light On
129 bpm • B Maj • 04:29 • -12.62db
40% Popularity • 53% Danceability • 26% Energy • 7% Liveness
0% Instrumentalness • 20% Positiveness
40% Popularity • 53% Danceability • 26% Energy • 7% Liveness
0% Instrumentalness • 20% Positiveness
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Michael W. Smith
Friends
129 bpm • G Maj • 04:21 • -18.16db
27% Popularity • 47% Danceability • 10% Energy • 12% Liveness
0% Instrumentalness • 12% Positiveness
27% Popularity • 47% Danceability • 10% Energy • 12% Liveness
0% Instrumentalness • 12% Positiveness
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Lenny LeBlanc
Treat Her Right
129 bpm • G# Maj • 04:00 • -9.51db
28% Popularity • 60% Danceability • 43% Energy • 13% Liveness
0% Instrumentalness • 26% Positiveness
28% Popularity • 60% Danceability • 43% Energy • 13% Liveness
0% Instrumentalness • 26% Positiveness
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John Michael Talbot
Be Not Afraid
143 bpm • G Maj • 04:28 • -12.8db
45% Popularity • 22% Danceability • 26% Energy • 10% Liveness
12% Instrumentalness • 19% Positiveness
45% Popularity • 22% Danceability • 26% Energy • 10% Liveness
12% Instrumentalness • 19% Positiveness
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Kari Jobe
I Am Not Alone - Radio Version
144 bpm • E Maj • 03:57 • -7.2db
51% Popularity • 42% Danceability • 40% Energy • 11% Liveness
0% Instrumentalness • 13% Positiveness
51% Popularity • 42% Danceability • 40% Energy • 11% Liveness
0% Instrumentalness • 13% Positiveness
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DC Talk
I Wish We'd All Been Ready - Live
129 bpm • F Maj • 03:37 • -8.17db
20% Popularity • 54% Danceability • 33% Energy • 93% Liveness
0% Instrumentalness • 15% Positiveness
20% Popularity • 54% Danceability • 33% Energy • 93% Liveness
0% Instrumentalness • 15% Positiveness
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The Katinas
Still in Love
144 bpm • F Maj • 03:40 • -8.98db
18% Popularity • 36% Danceability • 42% Energy • 13% Liveness
0% Instrumentalness • 25% Positiveness
18% Popularity • 36% Danceability • 42% Energy • 13% Liveness
0% Instrumentalness • 25% Positiveness
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Michael W. Smith
Old Enough To Know
144 bpm • G# Maj • 04:47 • -10.8db
18% Popularity • 61% Danceability • 78% Energy • 8% Liveness
0% Instrumentalness • 92% Positiveness
18% Popularity • 61% Danceability • 78% Energy • 8% Liveness
0% Instrumentalness • 92% Positiveness
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Lenny LeBlanc
Father Knows Best
144 bpm • E Maj • 03:53 • -12.11db
21% Popularity • 57% Danceability • 34% Energy • 16% Liveness
0% Instrumentalness • 17% Positiveness
21% Popularity • 57% Danceability • 34% Energy • 16% Liveness
0% Instrumentalness • 17% Positiveness
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Adrienne Liesching
Be In Your Blessing - Prayer Of Jabez Al...
144 bpm • D Maj • 04:28 • -9db
16% Popularity • 59% Danceability • 56% Energy • 11% Liveness
0% Instrumentalness • 55% Positiveness
16% Popularity • 59% Danceability • 56% Energy • 11% Liveness
0% Instrumentalness • 55% Positiveness
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Francesca Battistelli
Lead Me To the Cross
144 bpm • D Maj • 04:31 • -6.23db
39% Popularity • 38% Danceability • 47% Energy • 11% Liveness
0% Instrumentalness • 18% Positiveness
39% Popularity • 38% Danceability • 47% Energy • 11% Liveness
0% Instrumentalness • 18% Positiveness
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Sidewalk Prophets
To Live Is Christ
144 bpm • B Maj • 03:48 • -7db
43% Popularity • 55% Danceability • 48% Energy • 11% Liveness
0% Instrumentalness • 19% Positiveness
43% Popularity • 55% Danceability • 48% Energy • 11% Liveness
0% Instrumentalness • 19% Positiveness
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Carman
America Again
144 bpm • C Maj • 05:53 • -10.98db
25% Popularity • 43% Danceability • 62% Energy • 6% Liveness
0% Instrumentalness • 39% Positiveness
25% Popularity • 43% Danceability • 62% Energy • 6% Liveness
0% Instrumentalness • 39% Positiveness
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Michael W. Smith
I Will Be Here For You
144 bpm • A Maj • 04:33 • -9.71db
53% Popularity • 42% Danceability • 52% Energy • 10% Liveness
0% Instrumentalness • 21% Positiveness
53% Popularity • 42% Danceability • 52% Energy • 10% Liveness
0% Instrumentalness • 21% Positiveness
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Rich Mullins
Elijah
144 bpm • G Maj • 05:17 • -11.55db
29% Popularity • 63% Danceability • 43% Energy • 9% Liveness
0% Instrumentalness • 45% Positiveness
29% Popularity • 63% Danceability • 43% Energy • 9% Liveness
0% Instrumentalness • 45% Positiveness
