Songs like Frisco by Red 40
Based on a tempo of (+/- 10%) and a similar genre
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Kid Dynamite
Heart A Tact
148 bpm • A Maj • 01:31 • -5db
28% Popularity • 42% Danceability • 91% Energy • 39% Liveness
0% Instrumentalness • 83% Positiveness
28% Popularity • 42% Danceability • 91% Energy • 39% Liveness
0% Instrumentalness • 83% Positiveness
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X-Ray Youth
What Happened to You?
148 bpm • D# Maj • 01:44 • -8.59db
20% Popularity • 17% Danceability • 92% Energy • 18% Liveness
0% Instrumentalness • 50% Positiveness
20% Popularity • 17% Danceability • 92% Energy • 18% Liveness
0% Instrumentalness • 50% Positiveness
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Tiltwheel
Another Sappy Song About Hate
148 bpm • B min • 03:45 • -8db
10% Popularity • 21% Danceability • 95% Energy • 22% Liveness
0% Instrumentalness • 25% Positiveness
10% Popularity • 21% Danceability • 95% Energy • 22% Liveness
0% Instrumentalness • 25% Positiveness
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American Steel
Smile on Me
148 bpm • A# Maj • 02:21 • -9db
12% Popularity • 32% Danceability • 54% Energy • 11% Liveness
0% Instrumentalness • 39% Positiveness
12% Popularity • 32% Danceability • 54% Energy • 11% Liveness
0% Instrumentalness • 39% Positiveness
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Fifteen
Evolve
148 bpm • C Maj • 02:52 • -5db
14% Popularity • 34% Danceability • 93% Energy • 15% Liveness
0% Instrumentalness • 62% Positiveness
14% Popularity • 34% Danceability • 93% Energy • 15% Liveness
0% Instrumentalness • 62% Positiveness
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Red 40
Frisco
148 bpm • C Maj • 04:02 • -7.23db
4% Popularity • 17% Danceability • 92% Energy • 11% Liveness
90% Instrumentalness • 52% Positiveness
4% Popularity • 17% Danceability • 92% Energy • 11% Liveness
90% Instrumentalness • 52% Positiveness
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Chris Wollard & The Ship Thieves
How Much Shit Can You Take?
149 bpm • A Maj • 03:30 • -4.14db
12% Popularity • 27% Danceability • 98% Energy • 9% Liveness
10% Instrumentalness • 48% Positiveness
12% Popularity • 27% Danceability • 98% Energy • 9% Liveness
10% Instrumentalness • 48% Positiveness
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Youth Brigade
Where Are All the Old Man Bars
149 bpm • B min • 02:10 • -4.58db
16% Popularity • 30% Danceability • 94% Energy • 8% Liveness
1% Instrumentalness • 72% Positiveness
16% Popularity • 30% Danceability • 94% Energy • 8% Liveness
1% Instrumentalness • 72% Positiveness
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Donuts N' Glory
Rockstars Airplanes
149 bpm • C Maj • 02:14 • -8db
11% Popularity • 41% Danceability • 93% Energy • 45% Liveness
0% Instrumentalness • 41% Positiveness
11% Popularity • 41% Danceability • 93% Energy • 45% Liveness
0% Instrumentalness • 41% Positiveness
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Riverdales
Crash Of The Moons
147 bpm • E Maj • 03:15 • -4.54db
20% Popularity • 43% Danceability • 91% Energy • 12% Liveness
0% Instrumentalness • 64% Positiveness
20% Popularity • 43% Danceability • 91% Energy • 12% Liveness
0% Instrumentalness • 64% Positiveness
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Leatherface
Not a Day Goes By
149 bpm • C Maj • 02:38 • -10.95db
25% Popularity • 38% Danceability • 96% Energy • 29% Liveness
39% Instrumentalness • 38% Positiveness
25% Popularity • 38% Danceability • 96% Energy • 29% Liveness
39% Instrumentalness • 38% Positiveness
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American Steel
Every New Morning
147 bpm • D Maj • 03:04 • -5.21db
9% Popularity • 30% Danceability • 95% Energy • 32% Liveness
0% Instrumentalness • 57% Positiveness
9% Popularity • 30% Danceability • 95% Energy • 32% Liveness
0% Instrumentalness • 57% Positiveness
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Scared Of Chaka
All My Friends Are Ghosts
149 bpm • C Maj • 01:53 • 0db
18% Popularity • 15% Danceability • 100% Energy • 38% Liveness
70% Instrumentalness • 14% Positiveness
18% Popularity • 15% Danceability • 100% Energy • 38% Liveness
70% Instrumentalness • 14% Positiveness
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Avail
On The Nod
146 bpm • G Maj • 02:06 • -2.98db
21% Popularity • 28% Danceability • 96% Energy • 33% Liveness
1% Instrumentalness • 41% Positiveness
21% Popularity • 28% Danceability • 96% Energy • 33% Liveness
1% Instrumentalness • 41% Positiveness
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J Church
My Favorite Place
150 bpm • E Maj • 02:56 • -10.21db
13% Popularity • 44% Danceability • 68% Energy • 28% Liveness
0% Instrumentalness • 77% Positiveness
13% Popularity • 44% Danceability • 68% Energy • 28% Liveness
0% Instrumentalness • 77% Positiveness
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SNFU
Cockatoo Quill
150 bpm • B min • 02:46 • -2.8db
28% Popularity • 36% Danceability • 97% Energy • 28% Liveness
17% Instrumentalness • 50% Positiveness
28% Popularity • 36% Danceability • 97% Energy • 28% Liveness
17% Instrumentalness • 50% Positiveness
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Jawbreaker
Oyster
150 bpm • G Maj • 02:38 • -4.79db
33% Popularity • 45% Danceability • 96% Energy • 12% Liveness
0% Instrumentalness • 52% Positiveness
33% Popularity • 45% Danceability • 96% Energy • 12% Liveness
0% Instrumentalness • 52% Positiveness
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Wegrowbeards
Concentrating
146 bpm • C Maj • 02:02 • -2.5db
10% Popularity • 24% Danceability • 96% Energy • 27% Liveness
0% Instrumentalness • 70% Positiveness
10% Popularity • 24% Danceability • 96% Energy • 27% Liveness
0% Instrumentalness • 70% Positiveness
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Fifteen
My Congressman
145 bpm • A Maj • 04:29 • -4.86db
19% Popularity • 53% Danceability • 95% Energy • 22% Liveness
0% Instrumentalness • 65% Positiveness
19% Popularity • 53% Danceability • 95% Energy • 22% Liveness
0% Instrumentalness • 65% Positiveness
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Dillinger Four
Our Science Is Tight
145 bpm • E Maj • 01:54 • -2db
26% Popularity • 34% Danceability • 96% Energy • 17% Liveness
0% Instrumentalness • 80% Positiveness
26% Popularity • 34% Danceability • 96% Energy • 17% Liveness
0% Instrumentalness • 80% Positiveness
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Teen Idols
When I Hear Your Name
152 bpm • A Maj • 01:30 • -4.23db
23% Popularity • 42% Danceability • 97% Energy • 32% Liveness
0% Instrumentalness • 83% Positiveness
23% Popularity • 42% Danceability • 97% Energy • 32% Liveness
0% Instrumentalness • 83% Positiveness
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J Church
Tide of Fate
152 bpm • D Maj • 03:00 • -6.95db
8% Popularity • 22% Danceability • 88% Energy • 8% Liveness
8% Instrumentalness • 51% Positiveness
8% Popularity • 22% Danceability • 88% Energy • 8% Liveness
8% Instrumentalness • 51% Positiveness
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Smoking Popes
Writing A Letter
144 bpm • F# Maj • 01:49 • -4.13db
12% Popularity • 24% Danceability • 98% Energy • 24% Liveness
1% Instrumentalness • 43% Positiveness
12% Popularity • 24% Danceability • 98% Energy • 24% Liveness
1% Instrumentalness • 43% Positiveness
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Jawbreaker
Boxcar
152 bpm • G Maj • 01:55 • -8db
42% Popularity • 34% Danceability • 96% Energy • 14% Liveness
49% Instrumentalness • 91% Positiveness
42% Popularity • 34% Danceability • 96% Energy • 14% Liveness
49% Instrumentalness • 91% Positiveness
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Zoinks!
Astronaut
152 bpm • C# min • 02:03 • -7.91db
10% Popularity • 31% Danceability • 92% Energy • 38% Liveness
0% Instrumentalness • 96% Positiveness
10% Popularity • 31% Danceability • 92% Energy • 38% Liveness
0% Instrumentalness • 96% Positiveness
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Dillinger Four
The Great American Going Out Of Business...
144 bpm • A Maj • 03:40 • -5.76db
15% Popularity • 27% Danceability • 96% Energy • 9% Liveness
8% Instrumentalness • 17% Positiveness
15% Popularity • 27% Danceability • 96% Energy • 9% Liveness
8% Instrumentalness • 17% Positiveness
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Discount
Half Fiction
143 bpm • C Maj • 01:45 • -5db
12% Popularity • 45% Danceability • 99% Energy • 31% Liveness
2% Instrumentalness • 62% Positiveness
12% Popularity • 45% Danceability • 99% Energy • 31% Liveness
2% Instrumentalness • 62% Positiveness
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Kill Creek
Unsteady
153 bpm • A# Maj • 03:42 • -6.13db
8% Popularity • 48% Danceability • 91% Energy • 4% Liveness
0% Instrumentalness • 63% Positiveness
8% Popularity • 48% Danceability • 91% Energy • 4% Liveness
0% Instrumentalness • 63% Positiveness
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Scared Of Chaka
The Millionth Mile
153 bpm • A Maj • 02:46 • -3.02db
16% Popularity • 20% Danceability • 93% Energy • 34% Liveness
0% Instrumentalness • 79% Positiveness
16% Popularity • 20% Danceability • 93% Energy • 34% Liveness
0% Instrumentalness • 79% Positiveness
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Jawbreaker
Chemistry
153 bpm • B min • 03:54 • -5.66db
31% Popularity • 34% Danceability • 99% Energy • 30% Liveness
1% Instrumentalness • 44% Positiveness
31% Popularity • 34% Danceability • 99% Energy • 30% Liveness
1% Instrumentalness • 44% Positiveness
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Eterna Inocencia
Our Dreams
143 bpm • B min • 02:45 • -6.75db
8% Popularity • 42% Danceability • 88% Energy • 28% Liveness
0% Instrumentalness • 84% Positiveness
8% Popularity • 42% Danceability • 88% Energy • 28% Liveness
0% Instrumentalness • 84% Positiveness
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The Broadways
15 Minutes
142 bpm • A Maj • 03:12 • -5.81db
16% Popularity • 28% Danceability • 95% Energy • 20% Liveness
0% Instrumentalness • 27% Positiveness
16% Popularity • 28% Danceability • 95% Energy • 20% Liveness
0% Instrumentalness • 27% Positiveness
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Dag Nasty
Cold Heart
154 bpm • B min • 02:12 • -5.73db
11% Popularity • 18% Danceability • 86% Energy • 28% Liveness
0% Instrumentalness • 43% Positiveness
11% Popularity • 18% Danceability • 86% Energy • 28% Liveness
0% Instrumentalness • 43% Positiveness
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Lifetime
Daneurysm
143 bpm • G Maj • 01:12 • -7.51db
24% Popularity • 33% Danceability • 98% Energy • 9% Liveness
0% Instrumentalness • 29% Positiveness
24% Popularity • 33% Danceability • 98% Energy • 9% Liveness
0% Instrumentalness • 29% Positiveness
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The Ergs!
See Him Again
142 bpm • F# min • 03:07 • -5.06db
8% Popularity • 40% Danceability • 95% Energy • 11% Liveness
0% Instrumentalness • 59% Positiveness
8% Popularity • 40% Danceability • 95% Energy • 11% Liveness
0% Instrumentalness • 59% Positiveness
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Mondoshewan
Can't Fight the Light
142 bpm • D Maj • 03:19 • -3.34db
12% Popularity • 47% Danceability • 93% Energy • 4% Liveness
0% Instrumentalness • 62% Positiveness
12% Popularity • 47% Danceability • 93% Energy • 4% Liveness
0% Instrumentalness • 62% Positiveness
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Eterna Inocencia
Stop This War
154 bpm • B min • 02:41 • -7.45db
8% Popularity • 31% Danceability • 88% Energy • 11% Liveness
0% Instrumentalness • 14% Positiveness
8% Popularity • 31% Danceability • 88% Energy • 11% Liveness
0% Instrumentalness • 14% Positiveness
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F.Y.P
Toss My Cookies
142 bpm • G# Maj • 01:32 • -3.64db
9% Popularity • 24% Danceability • 100% Energy • 48% Liveness
1% Instrumentalness • 7% Positiveness
9% Popularity • 24% Danceability • 100% Energy • 48% Liveness
1% Instrumentalness • 7% Positiveness
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Antony Broad
Too Bad
142 bpm • B Maj • 02:17 • -12.85db
25% Popularity • 31% Danceability • 94% Energy • 38% Liveness
0% Instrumentalness • 38% Positiveness
25% Popularity • 31% Danceability • 94% Energy • 38% Liveness
0% Instrumentalness • 38% Positiveness
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Farside
I Hope You're Unhappy
142 bpm • G Maj • 03:40 • -4.4db
24% Popularity • 42% Danceability • 80% Energy • 10% Liveness
0% Instrumentalness • 56% Positiveness
24% Popularity • 42% Danceability • 80% Energy • 10% Liveness
0% Instrumentalness • 56% Positiveness
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Edging
Ghost
141 bpm • B Maj • 02:01 • -1.31db
9% Popularity • 39% Danceability • 92% Energy • 30% Liveness
0% Instrumentalness • 60% Positiveness
9% Popularity • 39% Danceability • 92% Energy • 30% Liveness
0% Instrumentalness • 60% Positiveness
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Commando Ballroom
What Do You Do?
155 bpm • C# Maj • 01:42 • -10.42db
20% Popularity • 56% Danceability • 72% Energy • 7% Liveness
0% Instrumentalness • 97% Positiveness
20% Popularity • 56% Danceability • 72% Energy • 7% Liveness
0% Instrumentalness • 97% Positiveness
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Smoking Popes
Not That Kind of Girlfriend
141 bpm • A min • 01:39 • -4.42db
18% Popularity • 35% Danceability • 97% Energy • 38% Liveness
54% Instrumentalness • 31% Positiveness
18% Popularity • 35% Danceability • 97% Energy • 38% Liveness
54% Instrumentalness • 31% Positiveness
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The Queers
Ursula Finally Has Tits
141 bpm • A Maj • 02:26 • -3db
29% Popularity • 40% Danceability • 95% Energy • 8% Liveness
0% Instrumentalness • 78% Positiveness
29% Popularity • 40% Danceability • 95% Energy • 8% Liveness
0% Instrumentalness • 78% Positiveness
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Forgetters
Too Small To Fail
141 bpm • A Maj • 03:44 • -8db
17% Popularity • 40% Danceability • 60% Energy • 11% Liveness
9% Instrumentalness • 29% Positiveness
17% Popularity • 40% Danceability • 60% Energy • 11% Liveness
9% Instrumentalness • 29% Positiveness
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Plants
Cartoon Characteristics
141 bpm • E min • 03:06 • -18.7db
11% Popularity • 36% Danceability • 29% Energy • 9% Liveness
0% Instrumentalness • 51% Positiveness
11% Popularity • 36% Danceability • 29% Energy • 9% Liveness
0% Instrumentalness • 51% Positiveness
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Against Me!
We Laugh at Danger (And Break All the Ru...
141 bpm • G Maj • 03:17 • -6.39db
34% Popularity • 45% Danceability • 80% Energy • 12% Liveness
0% Instrumentalness • 62% Positiveness
34% Popularity • 45% Danceability • 80% Energy • 12% Liveness
0% Instrumentalness • 62% Positiveness
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Jawbreaker
Boxcar
156 bpm • C Maj • 01:53 • -5.07db
18% Popularity • 46% Danceability • 98% Energy • 9% Liveness
0% Instrumentalness • 72% Positiveness
18% Popularity • 46% Danceability • 98% Energy • 9% Liveness
0% Instrumentalness • 72% Positiveness
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Fifteen
I Am A Man
140 bpm • B Maj • 02:22 • -4.32db
15% Popularity • 46% Danceability • 96% Energy • 33% Liveness
0% Instrumentalness • 73% Positiveness
15% Popularity • 46% Danceability • 96% Energy • 33% Liveness
0% Instrumentalness • 73% Positiveness
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The Queers
Fuck the World
140 bpm • C Maj • 02:31 • -4.38db
34% Popularity • 38% Danceability • 94% Energy • 33% Liveness
5% Instrumentalness • 47% Positiveness
34% Popularity • 38% Danceability • 94% Energy • 33% Liveness
5% Instrumentalness • 47% Positiveness
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Screeching Weasel
Kamala's Too Nice
157 bpm • B min • 01:21 • -3db
30% Popularity • 38% Danceability • 97% Energy • 18% Liveness
0% Instrumentalness • 72% Positiveness
30% Popularity • 38% Danceability • 97% Energy • 18% Liveness
0% Instrumentalness • 72% Positiveness
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Accustomed To Nothing
Twentyfivecentring
157 bpm • D Maj • 03:27 • -7.84db
8% Popularity • 26% Danceability • 88% Energy • 15% Liveness
0% Instrumentalness • 55% Positiveness
8% Popularity • 26% Danceability • 88% Energy • 15% Liveness
0% Instrumentalness • 55% Positiveness
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Funeral Oration
Do You Feel It?
139 bpm • G Maj • 01:36 • -2.98db
16% Popularity • 30% Danceability • 96% Energy • 5% Liveness
0% Instrumentalness • 49% Positiveness
16% Popularity • 30% Danceability • 96% Energy • 5% Liveness
0% Instrumentalness • 49% Positiveness
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Jawbreaker
Save Your Generation
157 bpm • B Maj • 03:44 • -6.57db
35% Popularity • 50% Danceability • 88% Energy • 10% Liveness
0% Instrumentalness • 56% Positiveness
35% Popularity • 50% Danceability • 88% Energy • 10% Liveness
0% Instrumentalness • 56% Positiveness
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J Church
Bomb
138 bpm • G Maj • 02:20 • -7db
14% Popularity • 43% Danceability • 93% Energy • 47% Liveness
0% Instrumentalness • 58% Positiveness
14% Popularity • 43% Danceability • 93% Energy • 47% Liveness
0% Instrumentalness • 58% Positiveness
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Avail
Deepwood
158 bpm • D Maj • 02:00 • -4.99db
29% Popularity • 18% Danceability • 94% Energy • 4% Liveness
0% Instrumentalness • 56% Positiveness
29% Popularity • 18% Danceability • 94% Energy • 4% Liveness
0% Instrumentalness • 56% Positiveness
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American Steel
Rainy Day
138 bpm • C Maj • 04:11 • -7.8db
7% Popularity • 27% Danceability • 57% Energy • 11% Liveness
0% Instrumentalness • 34% Positiveness
7% Popularity • 27% Danceability • 57% Energy • 11% Liveness
0% Instrumentalness • 34% Positiveness
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Boris the Sprinkler
(Do You Wanna) Grilled Cheese
160 bpm • E Maj • 02:28 • -8.13db
27% Popularity • 42% Danceability • 95% Energy • 12% Liveness
0% Instrumentalness • 76% Positiveness
27% Popularity • 42% Danceability • 95% Energy • 12% Liveness
0% Instrumentalness • 76% Positiveness
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Teen Idols
Come Dance with Me
160 bpm • D Maj • 01:19 • -3.81db
26% Popularity • 38% Danceability • 99% Energy • 31% Liveness
0% Instrumentalness • 58% Positiveness
26% Popularity • 38% Danceability • 99% Energy • 31% Liveness
0% Instrumentalness • 58% Positiveness
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Jawbreaker
Kiss The Bottle
158 bpm • G Maj • 04:35 • -4.6db
32% Popularity • 23% Danceability • 97% Energy • 26% Liveness
17% Instrumentalness • 22% Positiveness
32% Popularity • 23% Danceability • 97% Energy • 26% Liveness
17% Instrumentalness • 22% Positiveness
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Sicko
Closer To Fine
137 bpm • F# Maj • 03:11 • -10.18db
11% Popularity • 34% Danceability • 92% Energy • 19% Liveness
3% Instrumentalness • 67% Positiveness
11% Popularity • 34% Danceability • 92% Energy • 19% Liveness
3% Instrumentalness • 67% Positiveness
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Sinkhole
Donut
160 bpm • F# min • 02:12 • -8.74db
9% Popularity • 44% Danceability • 82% Energy • 32% Liveness
3% Instrumentalness • 91% Positiveness
9% Popularity • 44% Danceability • 82% Energy • 32% Liveness
3% Instrumentalness • 91% Positiveness
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Dillinger Four
A Jingle for the Product
160 bpm • B Maj • 03:47 • -4.45db
23% Popularity • 52% Danceability • 97% Energy • 34% Liveness
0% Instrumentalness • 54% Positiveness
23% Popularity • 52% Danceability • 97% Energy • 34% Liveness
0% Instrumentalness • 54% Positiveness
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The Broadways
The Kitchen Floor
137 bpm • C Maj • 01:25 • -4db
14% Popularity • 23% Danceability • 97% Energy • 51% Liveness
0% Instrumentalness • 38% Positiveness
14% Popularity • 23% Danceability • 97% Energy • 51% Liveness
0% Instrumentalness • 38% Positiveness
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The Promise Ring
The Deep South
160 bpm • E Maj • 03:42 • -5.63db
21% Popularity • 42% Danceability • 95% Energy • 9% Liveness
0% Instrumentalness • 80% Positiveness
21% Popularity • 42% Danceability • 95% Energy • 9% Liveness
0% Instrumentalness • 80% Positiveness
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Jawbreaker
Unlisted Track
138 bpm • A Maj • 02:24 • -14db
25% Popularity • 73% Danceability • 27% Energy • 17% Liveness
0% Instrumentalness • 60% Positiveness
25% Popularity • 73% Danceability • 27% Energy • 17% Liveness
0% Instrumentalness • 60% Positiveness
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Brendan Kelly
The March Of The Elephants
136 bpm • G# Maj • 01:43 • -6.73db
12% Popularity • 70% Danceability • 69% Energy • 14% Liveness
0% Instrumentalness • 80% Positiveness
12% Popularity • 70% Danceability • 69% Energy • 14% Liveness
0% Instrumentalness • 80% Positiveness
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Wegrowbeards
Peterloo
136 bpm • C Maj • 02:00 • -3.29db
10% Popularity • 41% Danceability • 95% Energy • 31% Liveness
0% Instrumentalness • 83% Positiveness
10% Popularity • 41% Danceability • 95% Energy • 31% Liveness
0% Instrumentalness • 83% Positiveness
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Dillinger Four
It's A Fine LIne Between The Monkey And ...
136 bpm • A Maj • 02:15 • -3.4db
27% Popularity • 34% Danceability • 99% Energy • 42% Liveness
84% Instrumentalness • 79% Positiveness
27% Popularity • 34% Danceability • 99% Energy • 42% Liveness
84% Instrumentalness • 79% Positiveness
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Knucklehead
Shelters
136 bpm • G Maj • 02:24 • -6.5db
14% Popularity • 41% Danceability • 96% Energy • 31% Liveness
0% Instrumentalness • 38% Positiveness
14% Popularity • 41% Danceability • 96% Energy • 31% Liveness
0% Instrumentalness • 38% Positiveness
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The Broadways
Ben Moves To California
160 bpm • D Maj • 02:10 • -6.16db
8% Popularity • 38% Danceability • 75% Energy • 13% Liveness
0% Instrumentalness • 80% Positiveness
8% Popularity • 38% Danceability • 75% Energy • 13% Liveness
0% Instrumentalness • 80% Positiveness
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Tape Slam
Wasted Weekends
161 bpm • C Maj • 04:04 • -5.3db
23% Popularity • 46% Danceability • 95% Energy • 18% Liveness
0% Instrumentalness • 46% Positiveness
23% Popularity • 46% Danceability • 95% Energy • 18% Liveness
0% Instrumentalness • 46% Positiveness
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The Ergs!
Stinking of Whiskey Blues
135 bpm • E Maj • 03:38 • -7.38db
8% Popularity • 61% Danceability • 74% Energy • 25% Liveness
0% Instrumentalness • 73% Positiveness
8% Popularity • 61% Danceability • 74% Energy • 25% Liveness
0% Instrumentalness • 73% Positiveness
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The Holy Mess
Captain, We're Drinking!
135 bpm • B min • 01:15 • -5db
23% Popularity • 31% Danceability • 95% Energy • 33% Liveness
64% Instrumentalness • 78% Positiveness
23% Popularity • 31% Danceability • 95% Energy • 33% Liveness
64% Instrumentalness • 78% Positiveness
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Sicko
Where I Live
162 bpm • B Maj • 01:46 • -9.5db
13% Popularity • 37% Danceability • 93% Energy • 15% Liveness
0% Instrumentalness • 86% Positiveness
13% Popularity • 37% Danceability • 93% Energy • 15% Liveness
0% Instrumentalness • 86% Positiveness
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Dag Nasty
Ghosts
162 bpm • A Maj • 02:49 • -6.53db
18% Popularity • 22% Danceability • 82% Energy • 32% Liveness
22% Instrumentalness • 47% Positiveness
18% Popularity • 22% Danceability • 82% Energy • 32% Liveness
22% Instrumentalness • 47% Positiveness
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The Whatleys
Straight Edge Is Fun (Until You're 21)
135 bpm • G Maj • 02:09 • -4.01db
15% Popularity • 34% Danceability • 95% Energy • 27% Liveness
0% Instrumentalness • 29% Positiveness
15% Popularity • 34% Danceability • 95% Energy • 27% Liveness
0% Instrumentalness • 29% Positiveness
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Pink Lincolns
I've Got My Tie On
135 bpm • B min • 01:59 • -3.72db
15% Popularity • 29% Danceability • 94% Energy • 12% Liveness
0% Instrumentalness • 47% Positiveness
15% Popularity • 29% Danceability • 94% Energy • 12% Liveness
0% Instrumentalness • 47% Positiveness
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Forgetters
The Night Accelerates
163 bpm • C Maj • 03:21 • -6.64db
14% Popularity • 19% Danceability • 83% Energy • 7% Liveness
9% Instrumentalness • 40% Positiveness
14% Popularity • 19% Danceability • 83% Energy • 7% Liveness
9% Instrumentalness • 40% Positiveness
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Fifteen
Petroleum Distillation
164 bpm • A Maj • 05:15 • -3.48db
18% Popularity • 32% Danceability • 98% Energy • 7% Liveness
0% Instrumentalness • 72% Positiveness
18% Popularity • 32% Danceability • 98% Energy • 7% Liveness
0% Instrumentalness • 72% Positiveness
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Sicko
Your Wake
162 bpm • G# Maj • 01:43 • -10.06db
8% Popularity • 22% Danceability • 95% Energy • 22% Liveness
77% Instrumentalness • 57% Positiveness
8% Popularity • 22% Danceability • 95% Energy • 22% Liveness
77% Instrumentalness • 57% Positiveness
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Greyson Callahan
Chaos
134 bpm • C# Maj • 03:10 • -6.45db
29% Popularity • 37% Danceability • 94% Energy • 13% Liveness
0% Instrumentalness • 45% Positiveness
29% Popularity • 37% Danceability • 94% Energy • 13% Liveness
0% Instrumentalness • 45% Positiveness
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The Whatleys
Separate
133 bpm • C# Maj • 02:27 • -4.8db
15% Popularity • 34% Danceability • 90% Energy • 38% Liveness
0% Instrumentalness • 42% Positiveness
15% Popularity • 34% Danceability • 90% Energy • 38% Liveness
0% Instrumentalness • 42% Positiveness
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The Vindictives
Glad to Be (2013 Remaster)
165 bpm • D Maj • 01:59 • -4.32db
10% Popularity • 38% Danceability • 98% Energy • 52% Liveness
0% Instrumentalness • 81% Positiveness
10% Popularity • 38% Danceability • 98% Energy • 52% Liveness
0% Instrumentalness • 81% Positiveness
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The Creeps
Cancer
165 bpm • C# Maj • 03:24 • -8.78db
10% Popularity • 56% Danceability • 84% Energy • 8% Liveness
0% Instrumentalness • 74% Positiveness
10% Popularity • 56% Danceability • 84% Energy • 8% Liveness
0% Instrumentalness • 74% Positiveness
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Fifteen
Definition - Remastered
133 bpm • A Maj • 04:25 • -5.39db
7% Popularity • 47% Danceability • 84% Energy • 12% Liveness
0% Instrumentalness • 67% Positiveness
7% Popularity • 47% Danceability • 84% Energy • 12% Liveness
0% Instrumentalness • 67% Positiveness
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Sicko
On The Clock
163 bpm • A Maj • 01:46 • -10.13db
12% Popularity • 37% Danceability • 90% Energy • 9% Liveness
80% Instrumentalness • 89% Positiveness
12% Popularity • 37% Danceability • 90% Energy • 9% Liveness
80% Instrumentalness • 89% Positiveness
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Hammered Hulls
Self Inflicted
165 bpm • C min • 01:20 • -5.33db
16% Popularity • 24% Danceability • 91% Energy • 30% Liveness
2% Instrumentalness • 51% Positiveness
16% Popularity • 24% Danceability • 91% Energy • 30% Liveness
2% Instrumentalness • 51% Positiveness
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Jawbreaker
Fireman
165 bpm • A# Maj • 04:06 • -7db
37% Popularity • 39% Danceability • 89% Energy • 12% Liveness
8% Instrumentalness • 66% Positiveness
37% Popularity • 39% Danceability • 89% Energy • 12% Liveness
8% Instrumentalness • 66% Positiveness
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Propagandhi
Showdown (G.E./P.)
132 bpm • G Maj • 03:47 • -5db
33% Popularity • 35% Danceability • 94% Energy • 33% Liveness
0% Instrumentalness • 81% Positiveness
33% Popularity • 35% Danceability • 94% Energy • 33% Liveness
0% Instrumentalness • 81% Positiveness
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All
Long Distance
165 bpm • G# Maj • 03:05 • -6.6db
22% Popularity • 51% Danceability • 90% Energy • 26% Liveness
0% Instrumentalness • 67% Positiveness
22% Popularity • 51% Danceability • 90% Energy • 26% Liveness
0% Instrumentalness • 67% Positiveness
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Pitchfork
Burn Pigs Burn
166 bpm • A Maj • 03:33 • -7.1db
13% Popularity • 36% Danceability • 75% Energy • 8% Liveness
0% Instrumentalness • 48% Positiveness
13% Popularity • 36% Danceability • 75% Energy • 8% Liveness
0% Instrumentalness • 48% Positiveness
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Kid Icarus
I Like Mustard
166 bpm • F Maj • 01:03 • -5.61db
12% Popularity • 28% Danceability • 98% Energy • 14% Liveness
0% Instrumentalness • 46% Positiveness
12% Popularity • 28% Danceability • 98% Energy • 14% Liveness
0% Instrumentalness • 46% Positiveness
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Wayne Resnick's Trigger Finger
Dreams of Celebrities
132 bpm • D Maj • 01:55 • -3.07db
13% Popularity • 66% Danceability • 85% Energy • 10% Liveness
6% Instrumentalness • 96% Positiveness
13% Popularity • 66% Danceability • 85% Energy • 10% Liveness
6% Instrumentalness • 96% Positiveness
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The Arrivals
New Gold Standard
166 bpm • D Maj • 02:36 • -7.63db
8% Popularity • 38% Danceability • 87% Energy • 47% Liveness
1% Instrumentalness • 51% Positiveness
8% Popularity • 38% Danceability • 87% Energy • 47% Liveness
1% Instrumentalness • 51% Positiveness
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Riverdales
Back to You
132 bpm • A Maj • 03:34 • -4.28db
21% Popularity • 37% Danceability • 78% Energy • 13% Liveness
0% Instrumentalness • 59% Positiveness
21% Popularity • 37% Danceability • 78% Energy • 13% Liveness
0% Instrumentalness • 59% Positiveness
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Toys That Kill
Stye
167 bpm • C Maj • 02:15 • -4.13db
11% Popularity • 13% Danceability • 95% Energy • 35% Liveness
33% Instrumentalness • 46% Positiveness
11% Popularity • 13% Danceability • 95% Energy • 35% Liveness
33% Instrumentalness • 46% Positiveness
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The Whatleys
Rules We Live By
131 bpm • C Maj • 03:07 • -12.74db
12% Popularity • 27% Danceability • 75% Energy • 19% Liveness
0% Instrumentalness • 14% Positiveness
12% Popularity • 27% Danceability • 75% Energy • 19% Liveness
0% Instrumentalness • 14% Positiveness
