Songs like From Here to the Moon and Back (feat. Dolly Parton) by Willie Nelson
Based on a tempo of (+/- 10%) and a similar genre
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Dan Seals
Everything That Glitters (Is Not Gold)
112 bpm • E Maj • 04:52 • -16.73db
51% Popularity • 65% Danceability • 26% Energy • 5% Liveness
0% Instrumentalness • 47% Positiveness
51% Popularity • 65% Danceability • 26% Energy • 5% Liveness
0% Instrumentalness • 47% Positiveness
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Ray Benson
Leave That Cowboy
112 bpm • C min • 02:43 • -9.61db
12% Popularity • 70% Danceability • 51% Energy • 9% Liveness
0% Instrumentalness • 95% Positiveness
12% Popularity • 70% Danceability • 51% Energy • 9% Liveness
0% Instrumentalness • 95% Positiveness
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Willie Nelson
From Here to the Moon and Back
112 bpm • D Maj • 04:01 • -11.45db
38% Popularity • 61% Danceability • 28% Energy • 11% Liveness
0% Instrumentalness • 23% Positiveness
38% Popularity • 61% Danceability • 28% Energy • 11% Liveness
0% Instrumentalness • 23% Positiveness
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Patsy Cline
I Fall To Pieces - Single Version
112 bpm • A# Maj • 02:51 • -20.51db
63% Popularity • 54% Danceability • 6% Energy • 12% Liveness
0% Instrumentalness • 51% Positiveness
63% Popularity • 54% Danceability • 6% Energy • 12% Liveness
0% Instrumentalness • 51% Positiveness
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The Oak Ridge Boys
I Guess It Never Hurts To Hurt Sometimes
112 bpm • A# Maj • 04:00 • -15.39db
34% Popularity • 71% Danceability • 37% Energy • 14% Liveness
0% Instrumentalness • 60% Positiveness
34% Popularity • 71% Danceability • 37% Energy • 14% Liveness
0% Instrumentalness • 60% Positiveness
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The Bellamy Brothers
When I'm Away From You
112 bpm • G# Maj • 03:50 • -6.23db
38% Popularity • 69% Danceability • 84% Energy • 7% Liveness
0% Instrumentalness • 88% Positiveness
38% Popularity • 69% Danceability • 84% Energy • 7% Liveness
0% Instrumentalness • 88% Positiveness
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Porter Wagoner
Please Don't Stop Loving Me
112 bpm • D Maj • 02:47 • -13.16db
30% Popularity • 80% Danceability • 48% Energy • 11% Liveness
0% Instrumentalness • 93% Positiveness
30% Popularity • 80% Danceability • 48% Energy • 11% Liveness
0% Instrumentalness • 93% Positiveness
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![On the Road Again (ACM Lifting Lives Edition) [feat. Ingrid Andress, Gabby Barrett, Jordan Davis, Russell Dickerson, Lindsay Ell, Riley Green, Caylee Hammack, Cody Johnson, Tenille Townes, Morgan Wallen] cover art](https://i.scdn.co/image/ab67616d00001e020408d21757e8d272e79d0f12)
ACM Awards New Artist Nominees
On the Road Again (ACM Lifting Lives Edi...
111 bpm • G Maj • 02:40 • -4.82db
42% Popularity • 67% Danceability • 91% Energy • 27% Liveness
0% Instrumentalness • 93% Positiveness
42% Popularity • 67% Danceability • 91% Energy • 27% Liveness
0% Instrumentalness • 93% Positiveness
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Willie Nelson
She Was No Good for Me
112 bpm • A Maj • 03:47 • -11.16db
29% Popularity • 58% Danceability • 26% Energy • 12% Liveness
0% Instrumentalness • 33% Positiveness
29% Popularity • 58% Danceability • 26% Energy • 12% Liveness
0% Instrumentalness • 33% Positiveness
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Keith Whitley
Brotherly Love
113 bpm • E Maj • 03:19 • -11db
43% Popularity • 68% Danceability • 44% Energy • 32% Liveness
1% Instrumentalness • 45% Positiveness
43% Popularity • 68% Danceability • 44% Energy • 32% Liveness
1% Instrumentalness • 45% Positiveness
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Norah Jones
Creepin' In
113 bpm • A# Maj • 03:03 • -9db
58% Popularity • 70% Danceability • 49% Energy • 15% Liveness
0% Instrumentalness • 71% Positiveness
58% Popularity • 70% Danceability • 49% Energy • 15% Liveness
0% Instrumentalness • 71% Positiveness
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Gene Watson
Love In The Hot Afternoon
113 bpm • E Maj • 03:19 • -8.27db
45% Popularity • 58% Danceability • 48% Energy • 19% Liveness
0% Instrumentalness • 27% Positiveness
45% Popularity • 58% Danceability • 48% Energy • 19% Liveness
0% Instrumentalness • 27% Positiveness
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Larry Gatlin & The Gatlin Brothers
All the Gold In California
113 bpm • D Maj • 02:37 • -12.06db
48% Popularity • 47% Danceability • 44% Energy • 16% Liveness
0% Instrumentalness • 45% Positiveness
48% Popularity • 47% Danceability • 44% Energy • 16% Liveness
0% Instrumentalness • 45% Positiveness
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Bobby Bare
That's How I Got to Memphis
114 bpm • D Maj • 02:31 • -15.8db
28% Popularity • 66% Danceability • 38% Energy • 18% Liveness
0% Instrumentalness • 80% Positiveness
28% Popularity • 66% Danceability • 38% Energy • 18% Liveness
0% Instrumentalness • 80% Positiveness
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Alabama
Old Flame
111 bpm • F Maj • 03:11 • -8.29db
44% Popularity • 70% Danceability • 44% Energy • 7% Liveness
0% Instrumentalness • 61% Positiveness
44% Popularity • 70% Danceability • 44% Energy • 7% Liveness
0% Instrumentalness • 61% Positiveness
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Willie Nelson
Family Bible
114 bpm • A Maj • 03:12 • -12.16db
22% Popularity • 66% Danceability • 26% Energy • 21% Liveness
1% Instrumentalness • 46% Positiveness
22% Popularity • 66% Danceability • 26% Energy • 21% Liveness
1% Instrumentalness • 46% Positiveness
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Lorrie Morgan
Best Woman Wins
114 bpm • C# Maj • 03:18 • -12.13db
19% Popularity • 87% Danceability • 50% Energy • 10% Liveness
0% Instrumentalness • 93% Positiveness
19% Popularity • 87% Danceability • 50% Energy • 10% Liveness
0% Instrumentalness • 93% Positiveness
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Pentatonix
Jolene
114 bpm • C min • 02:11 • -6.8db
52% Popularity • 65% Danceability • 56% Energy • 31% Liveness
0% Instrumentalness • 81% Positiveness
52% Popularity • 65% Danceability • 56% Energy • 31% Liveness
0% Instrumentalness • 81% Positiveness
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Ian Tyson
Four Strong Winds
110 bpm • G Maj • 03:55 • -14db
10% Popularity • 67% Danceability • 36% Energy • 34% Liveness
0% Instrumentalness • 56% Positiveness
10% Popularity • 67% Danceability • 36% Energy • 34% Liveness
0% Instrumentalness • 56% Positiveness
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Charlie Rich
I Take It On Home
114 bpm • F Maj • 02:50 • -14.89db
30% Popularity • 48% Danceability • 21% Energy • 17% Liveness
46% Instrumentalness • 42% Positiveness
30% Popularity • 48% Danceability • 21% Energy • 17% Liveness
46% Instrumentalness • 42% Positiveness
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Alabama
The Closer You Get
114 bpm • G Maj • 04:31 • -14.94db
49% Popularity • 76% Danceability • 42% Energy • 12% Liveness
0% Instrumentalness • 83% Positiveness
49% Popularity • 76% Danceability • 42% Energy • 12% Liveness
0% Instrumentalness • 83% Positiveness
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Sturgill Simpson
Juanita
110 bpm • C Maj • 03:40 • -10.82db
49% Popularity • 70% Danceability • 29% Energy • 15% Liveness
5% Instrumentalness • 54% Positiveness
49% Popularity • 70% Danceability • 29% Energy • 15% Liveness
5% Instrumentalness • 54% Positiveness
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Tom T. Hall
Old Dogs, Children And Watermelon Wine
110 bpm • F Maj • 04:11 • -15.99db
49% Popularity • 53% Danceability • 30% Energy • 28% Liveness
0% Instrumentalness • 64% Positiveness
49% Popularity • 53% Danceability • 30% Energy • 28% Liveness
0% Instrumentalness • 64% Positiveness
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Gordon Lightfoot
Rainy Day People
110 bpm • B Maj • 02:48 • -12db
50% Popularity • 67% Danceability • 42% Energy • 14% Liveness
0% Instrumentalness • 53% Positiveness
50% Popularity • 67% Danceability • 42% Energy • 14% Liveness
0% Instrumentalness • 53% Positiveness
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Dan Seals
God Must Be A Cowboy
115 bpm • G# Maj • 03:05 • -11db
49% Popularity • 65% Danceability • 34% Energy • 11% Liveness
0% Instrumentalness • 52% Positiveness
49% Popularity • 65% Danceability • 34% Energy • 11% Liveness
0% Instrumentalness • 52% Positiveness
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Tony Bennett
On The Sunny Side Of The Street
109 bpm • E min • 02:55 • -9db
36% Popularity • 57% Danceability • 46% Energy • 10% Liveness
0% Instrumentalness • 50% Positiveness
36% Popularity • 57% Danceability • 46% Energy • 10% Liveness
0% Instrumentalness • 50% Positiveness
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Barbara Mandrell
Tonight My Baby's Coming Home
109 bpm • B Maj • 02:03 • -8db
28% Popularity • 55% Danceability • 76% Energy • 23% Liveness
0% Instrumentalness • 84% Positiveness
28% Popularity • 55% Danceability • 76% Energy • 23% Liveness
0% Instrumentalness • 84% Positiveness
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Brothers of the Heart
You’re Only Lonely
109 bpm • A Maj • 03:54 • -5.87db
29% Popularity • 65% Danceability • 44% Energy • 12% Liveness
0% Instrumentalness • 57% Positiveness
29% Popularity • 65% Danceability • 44% Energy • 12% Liveness
0% Instrumentalness • 57% Positiveness
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Tom T. Hall
The Old Side of Town
109 bpm • A Maj • 03:04 • -9.62db
35% Popularity • 58% Danceability • 54% Energy • 7% Liveness
0% Instrumentalness • 69% Positiveness
35% Popularity • 58% Danceability • 54% Energy • 7% Liveness
0% Instrumentalness • 69% Positiveness
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The Statler Brothers
Elizabeth
109 bpm • D Maj • 03:24 • -14.2db
36% Popularity • 57% Danceability • 32% Energy • 12% Liveness
0% Instrumentalness • 53% Positiveness
36% Popularity • 57% Danceability • 32% Energy • 12% Liveness
0% Instrumentalness • 53% Positiveness
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Bobby Bare
500 Miles Away from Home
109 bpm • G Maj • 02:42 • -10.8db
47% Popularity • 50% Danceability • 43% Energy • 54% Liveness
0% Instrumentalness • 55% Positiveness
47% Popularity • 50% Danceability • 43% Energy • 54% Liveness
0% Instrumentalness • 55% Positiveness
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Steve Wariner
Holes In The Floor Of Heaven
109 bpm • C# Maj • 04:48 • -10.11db
49% Popularity • 66% Danceability • 34% Energy • 8% Liveness
0% Instrumentalness • 38% Positiveness
49% Popularity • 66% Danceability • 34% Energy • 8% Liveness
0% Instrumentalness • 38% Positiveness
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Willie Nelson
I'll Be Seeing You
115 bpm • C min • 01:28 • -11.27db
26% Popularity • 79% Danceability • 27% Energy • 10% Liveness
0% Instrumentalness • 44% Positiveness
26% Popularity • 79% Danceability • 27% Energy • 10% Liveness
0% Instrumentalness • 44% Positiveness
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Ian Tyson
Four Strong Winds
109 bpm • G Maj • 03:38 • -12db
26% Popularity • 62% Danceability • 22% Energy • 13% Liveness
0% Instrumentalness • 38% Positiveness
26% Popularity • 62% Danceability • 22% Energy • 13% Liveness
0% Instrumentalness • 38% Positiveness
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The Oak Ridge Boys
I'm Settin' Fancy Free - Single Version
115 bpm • D Maj • 03:45 • -19db
40% Popularity • 63% Danceability • 28% Energy • 9% Liveness
0% Instrumentalness • 66% Positiveness
40% Popularity • 63% Danceability • 28% Energy • 9% Liveness
0% Instrumentalness • 66% Positiveness
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Conway Twitty
Linda on My Mind
108 bpm • A Maj • 02:36 • -8.66db
35% Popularity • 67% Danceability • 39% Energy • 6% Liveness
0% Instrumentalness • 58% Positiveness
35% Popularity • 67% Danceability • 39% Energy • 6% Liveness
0% Instrumentalness • 58% Positiveness
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Dolly Parton
Romeo
116 bpm • G Maj • 03:34 • -11.74db
38% Popularity • 68% Danceability • 66% Energy • 7% Liveness
0% Instrumentalness • 74% Positiveness
38% Popularity • 68% Danceability • 66% Energy • 7% Liveness
0% Instrumentalness • 74% Positiveness
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The Highwaymen
Everyone Gets Crazy
116 bpm • A Maj • 02:54 • -12.61db
31% Popularity • 50% Danceability • 30% Energy • 12% Liveness
0% Instrumentalness • 26% Positiveness
31% Popularity • 50% Danceability • 30% Energy • 12% Liveness
0% Instrumentalness • 26% Positiveness
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Willie Nelson
Wind Beneath My Wings
116 bpm • C Maj • 03:47 • -16.31db
18% Popularity • 58% Danceability • 20% Energy • 14% Liveness
0% Instrumentalness • 16% Positiveness
18% Popularity • 58% Danceability • 20% Energy • 14% Liveness
0% Instrumentalness • 16% Positiveness
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Bobby Bare
The Streets of Baltimore
116 bpm • E Maj • 02:37 • -14db
43% Popularity • 58% Danceability • 45% Energy • 19% Liveness
0% Instrumentalness • 81% Positiveness
43% Popularity • 58% Danceability • 45% Energy • 19% Liveness
0% Instrumentalness • 81% Positiveness
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Kitty Wells
How Far Is Heaven
116 bpm • F# Maj • 03:08 • -11db
28% Popularity • 62% Danceability • 26% Energy • 19% Liveness
0% Instrumentalness • 55% Positiveness
28% Popularity • 62% Danceability • 26% Energy • 19% Liveness
0% Instrumentalness • 55% Positiveness
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Patsy Cline
South Of The Border (Down Mexico Way)
116 bpm • G# Maj • 02:27 • -17db
37% Popularity • 40% Danceability • 13% Energy • 35% Liveness
0% Instrumentalness • 54% Positiveness
37% Popularity • 40% Danceability • 13% Energy • 35% Liveness
0% Instrumentalness • 54% Positiveness
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Miley Cyrus
Rainbowland
108 bpm • F# Maj • 04:25 • -6.67db
43% Popularity • 57% Danceability • 59% Energy • 7% Liveness
0% Instrumentalness • 65% Positiveness
43% Popularity • 57% Danceability • 59% Energy • 7% Liveness
0% Instrumentalness • 65% Positiveness
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Gary Fjellgaard
Somewhere on the Island
116 bpm • C Maj • 05:09 • -16.6db
10% Popularity • 63% Danceability • 39% Energy • 15% Liveness
0% Instrumentalness • 57% Positiveness
10% Popularity • 63% Danceability • 39% Energy • 15% Liveness
0% Instrumentalness • 57% Positiveness
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Dan Seals
(You Bring Out) The Wild Side Of Me
116 bpm • G Maj • 03:21 • -19db
38% Popularity • 75% Danceability • 21% Energy • 12% Liveness
0% Instrumentalness • 61% Positiveness
38% Popularity • 75% Danceability • 21% Energy • 12% Liveness
0% Instrumentalness • 61% Positiveness
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The Bellamy Brothers
If I Said You Had A Beautiful Body Would...
117 bpm • E Maj • 03:14 • -15.7db
55% Popularity • 74% Danceability • 51% Energy • 12% Liveness
0% Instrumentalness • 87% Positiveness
55% Popularity • 74% Danceability • 51% Energy • 12% Liveness
0% Instrumentalness • 87% Positiveness
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Porter Wagoner
Making Plans
107 bpm • C# Maj • 02:12 • -13.92db
25% Popularity • 72% Danceability • 20% Energy • 10% Liveness
0% Instrumentalness • 39% Positiveness
25% Popularity • 72% Danceability • 20% Energy • 10% Liveness
0% Instrumentalness • 39% Positiveness
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Patsy Cline
Crazy - Single Version
108 bpm • A# Maj • 02:44 • -24.39db
68% Popularity • 47% Danceability • 2% Energy • 10% Liveness
0% Instrumentalness • 36% Positiveness
68% Popularity • 47% Danceability • 2% Energy • 10% Liveness
0% Instrumentalness • 36% Positiveness
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Willie Nelson
My Heroes Have Always Been Cowboys
117 bpm • D Maj • 03:03 • -15db
31% Popularity • 41% Danceability • 34% Energy • 16% Liveness
5% Instrumentalness • 27% Positiveness
31% Popularity • 41% Danceability • 34% Energy • 16% Liveness
5% Instrumentalness • 27% Positiveness
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Barbara Mandrell
Darlin'
117 bpm • B Maj • 03:18 • -12.87db
35% Popularity • 69% Danceability • 40% Energy • 65% Liveness
0% Instrumentalness • 65% Positiveness
35% Popularity • 69% Danceability • 40% Energy • 65% Liveness
0% Instrumentalness • 65% Positiveness
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Bobby Bare
Four Strong Winds
117 bpm • G Maj • 02:45 • -12.82db
26% Popularity • 57% Danceability • 38% Energy • 22% Liveness
0% Instrumentalness • 63% Positiveness
26% Popularity • 57% Danceability • 38% Energy • 22% Liveness
0% Instrumentalness • 63% Positiveness
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Lorrie Morgan
Five Minutes
117 bpm • G Maj • 03:32 • -14db
38% Popularity • 75% Danceability • 38% Energy • 12% Liveness
0% Instrumentalness • 70% Positiveness
38% Popularity • 75% Danceability • 38% Energy • 12% Liveness
0% Instrumentalness • 70% Positiveness
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The Bellamy Brothers
No Country Music for Old Men
117 bpm • G Maj • 04:20 • -8db
36% Popularity • 75% Danceability • 75% Energy • 17% Liveness
0% Instrumentalness • 79% Positiveness
36% Popularity • 75% Danceability • 75% Energy • 17% Liveness
0% Instrumentalness • 79% Positiveness
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Kathy Mattea
Love Chooses You
117 bpm • A Maj • 04:17 • -13.49db
12% Popularity • 52% Danceability • 23% Energy • 33% Liveness
0% Instrumentalness • 30% Positiveness
12% Popularity • 52% Danceability • 23% Energy • 33% Liveness
0% Instrumentalness • 30% Positiveness
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Willie Nelson
Blue Eyes Crying In the Rain
117 bpm • E Maj • 02:18 • -19.99db
60% Popularity • 63% Danceability • 4% Energy • 11% Liveness
0% Instrumentalness • 42% Positiveness
60% Popularity • 63% Danceability • 4% Energy • 11% Liveness
0% Instrumentalness • 42% Positiveness
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Johnny Duncan
Stranger
118 bpm • F Maj • 03:09 • -9db
47% Popularity • 57% Danceability • 56% Energy • 30% Liveness
0% Instrumentalness • 90% Positiveness
47% Popularity • 57% Danceability • 56% Energy • 30% Liveness
0% Instrumentalness • 90% Positiveness
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Earl Thomas Conley
What I'd Say
118 bpm • F# Maj • 03:52 • -13db
44% Popularity • 67% Danceability • 26% Energy • 10% Liveness
0% Instrumentalness • 26% Positiveness
44% Popularity • 67% Danceability • 26% Energy • 10% Liveness
0% Instrumentalness • 26% Positiveness
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Little Big Town
Life In A Northern Town - Live
118 bpm • C Maj • 04:16 • -6db
44% Popularity • 56% Danceability • 65% Energy • 93% Liveness
0% Instrumentalness • 22% Positiveness
44% Popularity • 56% Danceability • 65% Energy • 93% Liveness
0% Instrumentalness • 22% Positiveness
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Johnny Horton
Whispering Pines
106 bpm • D Maj • 02:56 • -17db
33% Popularity • 56% Danceability • 16% Energy • 10% Liveness
0% Instrumentalness • 45% Positiveness
33% Popularity • 56% Danceability • 16% Energy • 10% Liveness
0% Instrumentalness • 45% Positiveness
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Cody Johnson
Sad Songs and Waltzes
106 bpm • B Maj • 03:32 • -8.48db
41% Popularity • 60% Danceability • 35% Energy • 10% Liveness
0% Instrumentalness • 28% Positiveness
41% Popularity • 60% Danceability • 35% Energy • 10% Liveness
0% Instrumentalness • 28% Positiveness
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Willie Nelson
After the Fire Is Gone
118 bpm • D Maj • 02:43 • -7.44db
29% Popularity • 70% Danceability • 45% Energy • 12% Liveness
0% Instrumentalness • 43% Positiveness
29% Popularity • 70% Danceability • 45% Energy • 12% Liveness
0% Instrumentalness • 43% Positiveness
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Wynonna
All Of That Love From Here
106 bpm • A Maj • 03:26 • -11.36db
20% Popularity • 70% Danceability • 26% Energy • 12% Liveness
0% Instrumentalness • 28% Positiveness
20% Popularity • 70% Danceability • 26% Energy • 12% Liveness
0% Instrumentalness • 28% Positiveness
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Dan Seals
Everything That Glitters is Not Gold
106 bpm • E Maj • 05:25 • -16db
31% Popularity • 64% Danceability • 23% Energy • 10% Liveness
0% Instrumentalness • 33% Positiveness
31% Popularity • 64% Danceability • 23% Energy • 10% Liveness
0% Instrumentalness • 33% Positiveness
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The Bellamy Brothers
You Ain't Just Whistlin' Dixie
118 bpm • A Maj • 04:24 • -16db
38% Popularity • 54% Danceability • 27% Energy • 13% Liveness
0% Instrumentalness • 43% Positiveness
38% Popularity • 54% Danceability • 27% Energy • 13% Liveness
0% Instrumentalness • 43% Positiveness
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Travis Tritt
Drift Off to Dream
118 bpm • G Maj • 05:15 • -11.4db
44% Popularity • 54% Danceability • 27% Energy • 6% Liveness
0% Instrumentalness • 17% Positiveness
44% Popularity • 54% Danceability • 27% Energy • 6% Liveness
0% Instrumentalness • 17% Positiveness
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The Highwaymen
Live Forever
106 bpm • G Maj • 02:47 • -11.25db
56% Popularity • 65% Danceability • 50% Energy • 17% Liveness
0% Instrumentalness • 75% Positiveness
56% Popularity • 65% Danceability • 50% Energy • 17% Liveness
0% Instrumentalness • 75% Positiveness
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Porter Wagoner
The Last Thing On My Mind
106 bpm • B Maj • 02:36 • -13db
48% Popularity • 61% Danceability • 41% Energy • 24% Liveness
0% Instrumentalness • 71% Positiveness
48% Popularity • 61% Danceability • 41% Energy • 24% Liveness
0% Instrumentalness • 71% Positiveness
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Toby Keith
Beer For My Horses
119 bpm • A# Maj • 03:24 • -5.33db
72% Popularity • 72% Danceability • 85% Energy • 5% Liveness
0% Instrumentalness • 80% Positiveness
72% Popularity • 72% Danceability • 85% Energy • 5% Liveness
0% Instrumentalness • 80% Positiveness
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Eddie Rabbitt
Hearts on Fire - 2008 Version
106 bpm • D Maj • 02:35 • -10db
37% Popularity • 66% Danceability • 44% Energy • 17% Liveness
0% Instrumentalness • 71% Positiveness
37% Popularity • 66% Danceability • 44% Energy • 17% Liveness
0% Instrumentalness • 71% Positiveness
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Mary Chapin Carpenter
Rhythm Of The Blues
105 bpm • F Maj • 03:46 • -11.41db
26% Popularity • 67% Danceability • 27% Energy • 33% Liveness
0% Instrumentalness • 29% Positiveness
26% Popularity • 67% Danceability • 27% Energy • 33% Liveness
0% Instrumentalness • 29% Positiveness
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Emmylou Harris w/ Roy Orbison
That Lovin' You Feelin' Again
105 bpm • D Maj • 04:12 • -10.49db
20% Popularity • 56% Danceability • 49% Energy • 18% Liveness
0% Instrumentalness • 53% Positiveness
20% Popularity • 56% Danceability • 49% Energy • 18% Liveness
0% Instrumentalness • 53% Positiveness
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The Bellamy Brothers
Lovers Live Longer
105 bpm • A Maj • 03:19 • -15.59db
37% Popularity • 66% Danceability • 39% Energy • 18% Liveness
0% Instrumentalness • 72% Positiveness
37% Popularity • 66% Danceability • 39% Energy • 18% Liveness
0% Instrumentalness • 72% Positiveness
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Dan Seals
I'd Really Love to See You Tonight
105 bpm • D# Maj • 02:58 • -14db
40% Popularity • 72% Danceability • 22% Energy • 13% Liveness
0% Instrumentalness • 47% Positiveness
40% Popularity • 72% Danceability • 22% Energy • 13% Liveness
0% Instrumentalness • 47% Positiveness
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K.T. Oslin
You Call Everybody Darling
105 bpm • F Maj • 03:45 • -13.27db
11% Popularity • 67% Danceability • 22% Energy • 16% Liveness
0% Instrumentalness • 43% Positiveness
11% Popularity • 67% Danceability • 22% Energy • 16% Liveness
0% Instrumentalness • 43% Positiveness
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Eddie Rabbitt
Do You Right Tonight - 2008 Remaster
105 bpm • G Maj • 02:32 • -14db
32% Popularity • 67% Danceability • 53% Energy • 20% Liveness
0% Instrumentalness • 96% Positiveness
32% Popularity • 67% Danceability • 53% Energy • 20% Liveness
0% Instrumentalness • 96% Positiveness
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Mary Chapin Carpenter
Shut Up and Kiss Me
120 bpm • A Maj • 03:41 • -5db
41% Popularity • 78% Danceability • 75% Energy • 9% Liveness
0% Instrumentalness • 96% Positiveness
41% Popularity • 78% Danceability • 75% Energy • 9% Liveness
0% Instrumentalness • 96% Positiveness
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Porter Wagoner
Just Between You and Me
104 bpm • F# Maj • 02:19 • -12db
24% Popularity • 45% Danceability • 32% Energy • 12% Liveness
0% Instrumentalness • 56% Positiveness
24% Popularity • 45% Danceability • 32% Energy • 12% Liveness
0% Instrumentalness • 56% Positiveness
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Patsy Cline
Leavin' On Your Mind - Single Version
104 bpm • G Maj • 02:27 • -19db
51% Popularity • 49% Danceability • 7% Energy • 61% Liveness
0% Instrumentalness • 38% Positiveness
51% Popularity • 49% Danceability • 7% Energy • 61% Liveness
0% Instrumentalness • 38% Positiveness
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The Bellamy Brothers
Old Hippie
104 bpm • B Maj • 04:05 • -13.25db
48% Popularity • 69% Danceability • 50% Energy • 9% Liveness
0% Instrumentalness • 70% Positiveness
48% Popularity • 69% Danceability • 50% Energy • 9% Liveness
0% Instrumentalness • 70% Positiveness
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Lorrie Morgan
'Til a Tear Becomes a Rose
104 bpm • F Maj • 03:32 • -12db
41% Popularity • 65% Danceability • 33% Energy • 24% Liveness
0% Instrumentalness • 55% Positiveness
41% Popularity • 65% Danceability • 33% Energy • 24% Liveness
0% Instrumentalness • 55% Positiveness
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Charlie Rich
There Won't Be Anymore
104 bpm • F Maj • 02:24 • -11.45db
38% Popularity • 54% Danceability • 33% Energy • 10% Liveness
0% Instrumentalness • 63% Positiveness
38% Popularity • 54% Danceability • 33% Energy • 10% Liveness
0% Instrumentalness • 63% Positiveness
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Mary Chapin Carpenter
I Feel Lucky
120 bpm • F# min • 04:26 • -9.22db
27% Popularity • 78% Danceability • 72% Energy • 12% Liveness
0% Instrumentalness • 90% Positiveness
27% Popularity • 78% Danceability • 72% Energy • 12% Liveness
0% Instrumentalness • 90% Positiveness
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Porter Wagoner
Daddy Was an Old Time Preacher Man
104 bpm • C Maj • 03:03 • -13.16db
24% Popularity • 68% Danceability • 46% Energy • 43% Liveness
0% Instrumentalness • 85% Positiveness
24% Popularity • 68% Danceability • 46% Energy • 43% Liveness
0% Instrumentalness • 85% Positiveness
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Kimmie Rhodes
Wild Roses
103 bpm • D Maj • 03:06 • -11.25db
16% Popularity • 51% Danceability • 14% Energy • 11% Liveness
0% Instrumentalness • 19% Positiveness
16% Popularity • 51% Danceability • 14% Energy • 11% Liveness
0% Instrumentalness • 19% Positiveness
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Steve Wariner
Two Teardrops
121 bpm • F Maj • 04:29 • -9db
36% Popularity • 75% Danceability • 37% Energy • 13% Liveness
0% Instrumentalness • 49% Positiveness
36% Popularity • 75% Danceability • 37% Energy • 13% Liveness
0% Instrumentalness • 49% Positiveness
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Kathy Mattea
Walk The Way The Wind Blows
122 bpm • E Maj • 03:47 • -13.52db
33% Popularity • 70% Danceability • 38% Energy • 15% Liveness
0% Instrumentalness • 80% Positiveness
33% Popularity • 70% Danceability • 38% Energy • 15% Liveness
0% Instrumentalness • 80% Positiveness
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Charlie Rich
The Most Beautiful Girl
103 bpm • G Maj • 02:41 • -14db
60% Popularity • 58% Danceability • 32% Energy • 17% Liveness
0% Instrumentalness • 41% Positiveness
60% Popularity • 58% Danceability • 32% Energy • 17% Liveness
0% Instrumentalness • 41% Positiveness
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Willie Nelson
The Border
103 bpm • A min • 05:09 • -12.12db
55% Popularity • 70% Danceability • 42% Energy • 11% Liveness
0% Instrumentalness • 37% Positiveness
55% Popularity • 70% Danceability • 42% Energy • 11% Liveness
0% Instrumentalness • 37% Positiveness
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Mary Chapin Carpenter
I Feel Lucky
120 bpm • F# min • 03:31 • -5db
38% Popularity • 83% Danceability • 83% Energy • 11% Liveness
0% Instrumentalness • 91% Positiveness
38% Popularity • 83% Danceability • 83% Energy • 11% Liveness
0% Instrumentalness • 91% Positiveness
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Marty Stuart
Till I Found You
122 bpm • E Maj • 02:26 • -13.64db
39% Popularity • 66% Danceability • 34% Energy • 11% Liveness
0% Instrumentalness • 34% Positiveness
39% Popularity • 66% Danceability • 34% Energy • 11% Liveness
0% Instrumentalness • 34% Positiveness
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Patsy Cline
Walkin' After Midnight
103 bpm • C Maj • 02:01 • -18db
47% Popularity • 56% Danceability • 13% Energy • 11% Liveness
0% Instrumentalness • 68% Positiveness
47% Popularity • 56% Danceability • 13% Energy • 11% Liveness
0% Instrumentalness • 68% Positiveness
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Charley Crockett
That's What Makes The World Go Around
122 bpm • E Maj • 03:17 • -7.08db
49% Popularity • 66% Danceability • 56% Energy • 11% Liveness
4% Instrumentalness • 71% Positiveness
49% Popularity • 66% Danceability • 56% Energy • 11% Liveness
4% Instrumentalness • 71% Positiveness
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Kimmie Rhodes
Picture In a Frame
122 bpm • A Maj • 04:01 • -16.69db
14% Popularity • 61% Danceability • 11% Energy • 12% Liveness
0% Instrumentalness • 22% Positiveness
14% Popularity • 61% Danceability • 11% Energy • 12% Liveness
0% Instrumentalness • 22% Positiveness
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Vicentico
Sólo un Momento
122 bpm • F Maj • 04:20 • -5.6db
35% Popularity • 61% Danceability • 64% Energy • 7% Liveness
2% Instrumentalness • 42% Positiveness
35% Popularity • 61% Danceability • 64% Energy • 7% Liveness
2% Instrumentalness • 42% Positiveness
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Clint Black
When I Said I Do
103 bpm • A# Maj • 04:28 • -8.27db
34% Popularity • 33% Danceability • 41% Energy • 11% Liveness
0% Instrumentalness • 19% Positiveness
34% Popularity • 33% Danceability • 41% Energy • 11% Liveness
0% Instrumentalness • 19% Positiveness
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Kenny Chesney
That Lucky Old Sun (Just Rolls Around He...
122 bpm • C Maj • 04:14 • -12.87db
34% Popularity • 76% Danceability • 16% Energy • 9% Liveness
0% Instrumentalness • 21% Positiveness
34% Popularity • 76% Danceability • 16% Energy • 9% Liveness
0% Instrumentalness • 21% Positiveness
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Marty Robbins
My Woman, My Woman, My Wife
103 bpm • C Maj • 03:35 • -11.43db
29% Popularity • 47% Danceability • 28% Energy • 10% Liveness
0% Instrumentalness • 30% Positiveness
29% Popularity • 47% Danceability • 28% Energy • 10% Liveness
0% Instrumentalness • 30% Positiveness
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Lorrie Morgan
Out Of Your Shoes
102 bpm • F Maj • 03:14 • -15db
29% Popularity • 67% Danceability • 20% Energy • 14% Liveness
0% Instrumentalness • 38% Positiveness
29% Popularity • 67% Danceability • 20% Energy • 14% Liveness
0% Instrumentalness • 38% Positiveness
