Songs like From The Root by Harry Romero
Based on a tempo of (+/- 10%) and a similar genre
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Sean Miller
The Good Life - Joeski Remix
125 bpm • G Maj • 04:16 • -7db
34% Popularity • 82% Danceability • 86% Energy • 28% Liveness
58% Instrumentalness • 56% Positiveness
34% Popularity • 82% Danceability • 86% Energy • 28% Liveness
58% Instrumentalness • 56% Positiveness
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Harry Romero
The Get Down - Extended Mix
125 bpm • F min • 05:59 • -6.79db
6% Popularity • 70% Danceability • 95% Energy • 7% Liveness
88% Instrumentalness • 57% Positiveness
6% Popularity • 70% Danceability • 95% Energy • 7% Liveness
88% Instrumentalness • 57% Positiveness
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Andrew Meller
Godfather’s Dance - Original Mix
125 bpm • A# min • 06:41 • -6.23db
12% Popularity • 73% Danceability • 94% Energy • 10% Liveness
93% Instrumentalness • 25% Positiveness
12% Popularity • 73% Danceability • 94% Energy • 10% Liveness
93% Instrumentalness • 25% Positiveness
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Piem
Lowrider - Original Mix
125 bpm • F# Maj • 08:12 • -11db
9% Popularity • 80% Danceability • 63% Energy • 15% Liveness
88% Instrumentalness • 33% Positiveness
9% Popularity • 80% Danceability • 63% Energy • 15% Liveness
88% Instrumentalness • 33% Positiveness
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MATVEÏ
SUEÑO - Harry Romero Remix
125 bpm • G# Maj • 05:47 • -11db
8% Popularity • 80% Danceability • 87% Energy • 37% Liveness
93% Instrumentalness • 55% Positiveness
8% Popularity • 80% Danceability • 87% Energy • 37% Liveness
93% Instrumentalness • 55% Positiveness
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German Brigante
Sabrosura
125 bpm • A min • 05:45 • -10db
13% Popularity • 81% Danceability • 92% Energy • 8% Liveness
91% Instrumentalness • 80% Positiveness
13% Popularity • 81% Danceability • 92% Energy • 8% Liveness
91% Instrumentalness • 80% Positiveness
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Pablo Cahn
Soul Rain - Paco Osuna Remix
125 bpm • B min • 08:05 • -9.64db
21% Popularity • 89% Danceability • 44% Energy • 8% Liveness
90% Instrumentalness • 51% Positiveness
21% Popularity • 89% Danceability • 44% Energy • 8% Liveness
90% Instrumentalness • 51% Positiveness
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Harry Romero
From The Root
125 bpm • B Maj • 03:23 • -8.86db
26% Popularity • 78% Danceability • 77% Energy • 26% Liveness
82% Instrumentalness • 11% Positiveness
26% Popularity • 78% Danceability • 77% Energy • 26% Liveness
82% Instrumentalness • 11% Positiveness
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Paul Darey
The Number 1 - Harry Romero's Deep In Je...
125 bpm • E min • 06:00 • -6.39db
5% Popularity • 90% Danceability • 96% Energy • 50% Liveness
83% Instrumentalness • 64% Positiveness
5% Popularity • 90% Danceability • 96% Energy • 50% Liveness
83% Instrumentalness • 64% Positiveness
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Rafa Barrios
Daledalehey
125 bpm • C# Maj • 06:08 • -7.25db
30% Popularity • 84% Danceability • 83% Energy • 4% Liveness
69% Instrumentalness • 55% Positiveness
30% Popularity • 84% Danceability • 83% Energy • 4% Liveness
69% Instrumentalness • 55% Positiveness
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Dj Fronter
Haidaku
125 bpm • G# Maj • 06:31 • -6.27db
25% Popularity • 87% Danceability • 83% Energy • 7% Liveness
82% Instrumentalness • 26% Positiveness
25% Popularity • 87% Danceability • 83% Energy • 7% Liveness
82% Instrumentalness • 26% Positiveness
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Ray Okpara
Alibi - Radio Edit
125 bpm • F Maj • 03:40 • -8db
20% Popularity • 86% Danceability • 80% Energy • 5% Liveness
7% Instrumentalness • 66% Positiveness
20% Popularity • 86% Danceability • 80% Energy • 5% Liveness
7% Instrumentalness • 66% Positiveness
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Roland Clark
Take Some House - Riva Starr Edit
125 bpm • D min • 07:05 • -8.27db
12% Popularity • 75% Danceability • 84% Energy • 5% Liveness
38% Instrumentalness • 51% Positiveness
12% Popularity • 75% Danceability • 84% Energy • 5% Liveness
38% Instrumentalness • 51% Positiveness
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Harry Romero
She's A Freak (Mix Cut)
125 bpm • F# min • 06:08 • -6.95db
6% Popularity • 90% Danceability • 90% Energy • 8% Liveness
44% Instrumentalness • 46% Positiveness
6% Popularity • 90% Danceability • 90% Energy • 8% Liveness
44% Instrumentalness • 46% Positiveness
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Adrian Hour
Svojsice
125 bpm • C# Maj • 06:50 • -8db
8% Popularity • 84% Danceability • 76% Energy • 10% Liveness
88% Instrumentalness • 32% Positiveness
8% Popularity • 84% Danceability • 76% Energy • 10% Liveness
88% Instrumentalness • 32% Positiveness
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Jey Kurmis
Snoop - Radio Edit
125 bpm • D Maj • 02:32 • -9.39db
35% Popularity • 88% Danceability • 54% Energy • 11% Liveness
22% Instrumentalness • 66% Positiveness
35% Popularity • 88% Danceability • 54% Energy • 11% Liveness
22% Instrumentalness • 66% Positiveness
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Joeski
Vajra Lillia - Original Mix
125 bpm • C Maj • 07:03 • -7.7db
16% Popularity • 82% Danceability • 71% Energy • 6% Liveness
86% Instrumentalness • 36% Positiveness
16% Popularity • 82% Danceability • 71% Energy • 6% Liveness
86% Instrumentalness • 36% Positiveness
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Malóne
Time To Move
125 bpm • B min • 03:08 • -8db
45% Popularity • 74% Danceability • 92% Energy • 6% Liveness
93% Instrumentalness • 57% Positiveness
45% Popularity • 74% Danceability • 92% Energy • 6% Liveness
93% Instrumentalness • 57% Positiveness
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Archie Hamilton
Mind Blank
125 bpm • C# Maj • 08:43 • -12.54db
23% Popularity • 81% Danceability • 78% Energy • 8% Liveness
86% Instrumentalness • 57% Positiveness
23% Popularity • 81% Danceability • 78% Energy • 8% Liveness
86% Instrumentalness • 57% Positiveness
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Harry Romero
What What
125 bpm • B min • 08:27 • -12.72db
9% Popularity • 80% Danceability • 54% Energy • 5% Liveness
86% Instrumentalness • 23% Positiveness
9% Popularity • 80% Danceability • 54% Energy • 5% Liveness
86% Instrumentalness • 23% Positiveness
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Jason Herd
Head up High - Harry Romero Dub
125 bpm • A# Maj • 05:39 • -9.11db
4% Popularity • 75% Danceability • 86% Energy • 4% Liveness
66% Instrumentalness • 40% Positiveness
4% Popularity • 75% Danceability • 86% Energy • 4% Liveness
66% Instrumentalness • 40% Positiveness
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David Herrero
Children of Luanda - Original Mix
125 bpm • C# Maj • 05:37 • -5.99db
19% Popularity • 81% Danceability • 90% Energy • 9% Liveness
81% Instrumentalness • 56% Positiveness
19% Popularity • 81% Danceability • 90% Energy • 9% Liveness
81% Instrumentalness • 56% Positiveness
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Joeski
Un Congo
125 bpm • A# min • 03:25 • -7.26db
27% Popularity • 91% Danceability • 93% Energy • 4% Liveness
19% Instrumentalness • 17% Positiveness
27% Popularity • 91% Danceability • 93% Energy • 4% Liveness
19% Instrumentalness • 17% Positiveness
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Neverdogs
Sin Parar
125 bpm • D Maj • 03:42 • -8.49db
29% Popularity • 81% Danceability • 90% Energy • 11% Liveness
92% Instrumentalness • 29% Positiveness
29% Popularity • 81% Danceability • 90% Energy • 11% Liveness
92% Instrumentalness • 29% Positiveness
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Demian Muller
Old Job
125 bpm • F min • 07:48 • -9db
19% Popularity • 82% Danceability • 71% Energy • 8% Liveness
90% Instrumentalness • 68% Positiveness
19% Popularity • 82% Danceability • 71% Energy • 8% Liveness
90% Instrumentalness • 68% Positiveness
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Harry Romero
Night @ The Black - Phil Weeks Ghetto Du...
125 bpm • A# min • 03:35 • -7.51db
29% Popularity • 81% Danceability • 87% Energy • 7% Liveness
82% Instrumentalness • 73% Positiveness
29% Popularity • 81% Danceability • 87% Energy • 7% Liveness
82% Instrumentalness • 73% Positiveness
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Francisco Allendes
Esa Nena Quiere
125 bpm • E min • 07:18 • -11.08db
26% Popularity • 80% Danceability • 61% Energy • 9% Liveness
74% Instrumentalness • 19% Positiveness
26% Popularity • 80% Danceability • 61% Energy • 9% Liveness
74% Instrumentalness • 19% Positiveness
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Kidoo
Wan Sugar Lady
125 bpm • C# Maj • 05:53 • -9db
28% Popularity • 81% Danceability • 81% Energy • 7% Liveness
81% Instrumentalness • 44% Positiveness
28% Popularity • 81% Danceability • 81% Energy • 7% Liveness
81% Instrumentalness • 44% Positiveness
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Chus & Ceballos
Galera (Mixed)
125 bpm • G Maj • 02:33 • -6.25db
21% Popularity • 74% Danceability • 98% Energy • 10% Liveness
88% Instrumentalness • 21% Positiveness
21% Popularity • 74% Danceability • 98% Energy • 10% Liveness
88% Instrumentalness • 21% Positiveness
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Dj Fronter
Chitown
125 bpm • F min • 03:04 • -7.2db
39% Popularity • 74% Danceability • 97% Energy • 9% Liveness
82% Instrumentalness • 50% Positiveness
39% Popularity • 74% Danceability • 97% Energy • 9% Liveness
82% Instrumentalness • 50% Positiveness
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Demian Muller
Boogie Nights
125 bpm • G# Maj • 07:02 • -8.09db
13% Popularity • 81% Danceability • 65% Energy • 9% Liveness
90% Instrumentalness • 57% Positiveness
13% Popularity • 81% Danceability • 65% Energy • 9% Liveness
90% Instrumentalness • 57% Positiveness
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Jeremy Moore
Acuerdate
125 bpm • C# Maj • 06:41 • -10.01db
21% Popularity • 80% Danceability • 91% Energy • 8% Liveness
85% Instrumentalness • 12% Positiveness
21% Popularity • 80% Danceability • 91% Energy • 8% Liveness
85% Instrumentalness • 12% Positiveness
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PAAX (Tulum)
Sera El Sol - Harry Romero Remix
125 bpm • B Maj • 03:33 • -6.1db
30% Popularity • 70% Danceability • 99% Energy • 9% Liveness
90% Instrumentalness • 21% Positiveness
30% Popularity • 70% Danceability • 99% Energy • 9% Liveness
90% Instrumentalness • 21% Positiveness
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Harry Romero
Revolution - House Masters Extended Edit
125 bpm • A Maj • 05:13 • -6.91db
11% Popularity • 82% Danceability • 93% Energy • 11% Liveness
30% Instrumentalness • 62% Positiveness
11% Popularity • 82% Danceability • 93% Energy • 11% Liveness
30% Instrumentalness • 62% Positiveness
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Cevin Fisher
Love You Some More - Harry Romero Extend...
125 bpm • A# min • 06:35 • -5.88db
8% Popularity • 83% Danceability • 88% Energy • 7% Liveness
90% Instrumentalness • 34% Positiveness
8% Popularity • 83% Danceability • 88% Energy • 7% Liveness
90% Instrumentalness • 34% Positiveness
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Frank Nitty
La Noche - Harry Romero Extended Remix
125 bpm • C# Maj • 06:08 • -6.7db
3% Popularity • 73% Danceability • 96% Energy • 10% Liveness
85% Instrumentalness • 27% Positiveness
3% Popularity • 73% Danceability • 96% Energy • 10% Liveness
85% Instrumentalness • 27% Positiveness
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Ilario Alicante
Jamdishes
125 bpm • A Maj • 06:40 • -11db
18% Popularity • 78% Danceability • 72% Energy • 11% Liveness
55% Instrumentalness • 67% Positiveness
18% Popularity • 78% Danceability • 72% Energy • 11% Liveness
55% Instrumentalness • 67% Positiveness
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Sabb
Feel Love
125 bpm • E Maj • 03:21 • -9.48db
17% Popularity • 81% Danceability • 90% Energy • 12% Liveness
90% Instrumentalness • 45% Positiveness
17% Popularity • 81% Danceability • 90% Energy • 12% Liveness
90% Instrumentalness • 45% Positiveness
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Alexander Aurel
Go To Sleep
125 bpm • C Maj • 06:25 • -7.66db
19% Popularity • 82% Danceability • 69% Energy • 10% Liveness
76% Instrumentalness • 64% Positiveness
19% Popularity • 82% Danceability • 69% Energy • 10% Liveness
76% Instrumentalness • 64% Positiveness
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Honey Dijon
Personal Slave - Harry Romero House Mas...
125 bpm • A Maj • 06:16 • -6.91db
5% Popularity • 82% Danceability • 93% Energy • 11% Liveness
30% Instrumentalness • 62% Positiveness
5% Popularity • 82% Danceability • 93% Energy • 11% Liveness
30% Instrumentalness • 62% Positiveness
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Jey Kurmis
Snoop
125 bpm • B min • 06:39 • -9.46db
13% Popularity • 81% Danceability • 52% Energy • 12% Liveness
48% Instrumentalness • 48% Positiveness
13% Popularity • 81% Danceability • 52% Energy • 12% Liveness
48% Instrumentalness • 48% Positiveness
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Audiofly
Shazam - Leon Mix
125 bpm • B min • 07:15 • -7.64db
19% Popularity • 80% Danceability • 92% Energy • 3% Liveness
56% Instrumentalness • 49% Positiveness
19% Popularity • 80% Danceability • 92% Energy • 3% Liveness
56% Instrumentalness • 49% Positiveness
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Eli Brown
Sumatra
125 bpm • C# Maj • 03:44 • -5db
29% Popularity • 79% Danceability • 94% Energy • 61% Liveness
86% Instrumentalness • 28% Positiveness
29% Popularity • 79% Danceability • 94% Energy • 61% Liveness
86% Instrumentalness • 28% Positiveness
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Sean Miller
Nature Of Things
125 bpm • G Maj • 03:54 • -6db
17% Popularity • 77% Danceability • 83% Energy • 8% Liveness
95% Instrumentalness • 16% Positiveness
17% Popularity • 77% Danceability • 83% Energy • 8% Liveness
95% Instrumentalness • 16% Positiveness
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Christian Smith
Jungle Life
125 bpm • F Maj • 06:04 • -8.36db
4% Popularity • 79% Danceability • 95% Energy • 8% Liveness
83% Instrumentalness • 6% Positiveness
4% Popularity • 79% Danceability • 95% Energy • 8% Liveness
83% Instrumentalness • 6% Positiveness
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Honey Dijon
Personal Slave - Harry Romero Remix
125 bpm • A# min • 06:40 • -9.05db
7% Popularity • 89% Danceability • 66% Energy • 6% Liveness
55% Instrumentalness • 34% Positiveness
7% Popularity • 89% Danceability • 66% Energy • 6% Liveness
55% Instrumentalness • 34% Positiveness
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Harry Romero
Revolt
125 bpm • C# min • 03:26 • -5.86db
22% Popularity • 63% Danceability • 98% Energy • 7% Liveness
95% Instrumentalness • 78% Positiveness
22% Popularity • 63% Danceability • 98% Energy • 7% Liveness
95% Instrumentalness • 78% Positiveness
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Jako Diaz
Parallels (Mix Cut) - Harry Romero Remix
125 bpm • C# Maj • 04:51 • -8.44db
11% Popularity • 54% Danceability • 82% Energy • 14% Liveness
93% Instrumentalness • 48% Positiveness
11% Popularity • 54% Danceability • 82% Energy • 14% Liveness
93% Instrumentalness • 48% Positiveness
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Dj Fronter
Rising - Edit
125 bpm • G Maj • 04:05 • -9.41db
17% Popularity • 80% Danceability • 82% Energy • 9% Liveness
93% Instrumentalness • 38% Positiveness
17% Popularity • 80% Danceability • 82% Energy • 9% Liveness
93% Instrumentalness • 38% Positiveness
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Pirate Copy
You Need It - Harry Romero Remix
125 bpm • G Maj • 05:41 • -7.19db
4% Popularity • 80% Danceability • 89% Energy • 5% Liveness
76% Instrumentalness • 47% Positiveness
4% Popularity • 80% Danceability • 89% Energy • 5% Liveness
76% Instrumentalness • 47% Positiveness
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Marco Lys
The Story Continues
125 bpm • F# min • 04:50 • -6db
37% Popularity • 64% Danceability • 99% Energy • 97% Liveness
82% Instrumentalness • 47% Positiveness
37% Popularity • 64% Danceability • 99% Energy • 97% Liveness
82% Instrumentalness • 47% Positiveness
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Secondcity
History of Groove - Technasia Remix
125 bpm • F# Maj • 05:14 • -10.09db
25% Popularity • 81% Danceability • 66% Energy • 60% Liveness
78% Instrumentalness • 24% Positiveness
25% Popularity • 81% Danceability • 66% Energy • 60% Liveness
78% Instrumentalness • 24% Positiveness
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Alexander Aurel
Collapse
125 bpm • E min • 06:42 • -9.48db
14% Popularity • 81% Danceability • 69% Energy • 10% Liveness
90% Instrumentalness • 78% Positiveness
14% Popularity • 81% Danceability • 69% Energy • 10% Liveness
90% Instrumentalness • 78% Positiveness
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Mathias Kaden
Square
125 bpm • C# Maj • 03:05 • -9.28db
30% Popularity • 77% Danceability • 88% Energy • 8% Liveness
87% Instrumentalness • 24% Positiveness
30% Popularity • 77% Danceability • 88% Energy • 8% Liveness
87% Instrumentalness • 24% Positiveness
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Charles Ramirez
Insane - Stefano Noferini Re-Edit
125 bpm • C Maj • 06:31 • -6.64db
14% Popularity • 80% Danceability • 86% Energy • 5% Liveness
84% Instrumentalness • 39% Positiveness
14% Popularity • 80% Danceability • 86% Energy • 5% Liveness
84% Instrumentalness • 39% Positiveness
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CJ Jeff
The Morning After
125 bpm • C Maj • 03:06 • -5.77db
22% Popularity • 74% Danceability • 80% Energy • 8% Liveness
89% Instrumentalness • 47% Positiveness
22% Popularity • 74% Danceability • 80% Energy • 8% Liveness
89% Instrumentalness • 47% Positiveness
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Carlo Lio
El Cantante
125 bpm • G Maj • 08:00 • -5.71db
17% Popularity • 74% Danceability • 78% Energy • 12% Liveness
86% Instrumentalness • 28% Positiveness
17% Popularity • 74% Danceability • 78% Energy • 12% Liveness
86% Instrumentalness • 28% Positiveness
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Cevin Fisher
Love You Some More - Harry Romero Remix
125 bpm • A# min • 03:25 • -5.7db
15% Popularity • 82% Danceability • 92% Energy • 5% Liveness
91% Instrumentalness • 37% Positiveness
15% Popularity • 82% Danceability • 92% Energy • 5% Liveness
91% Instrumentalness • 37% Positiveness
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Chus & Ceballos
La Colombiana - David Herrero Remix
125 bpm • G Maj • 03:40 • -7.15db
31% Popularity • 80% Danceability • 96% Energy • 5% Liveness
90% Instrumentalness • 65% Positiveness
31% Popularity • 80% Danceability • 96% Energy • 5% Liveness
90% Instrumentalness • 65% Positiveness
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Rafa Barrios
Palabras
125 bpm • B Maj • 06:44 • -9.43db
34% Popularity • 82% Danceability • 88% Energy • 32% Liveness
88% Instrumentalness • 20% Positiveness
34% Popularity • 82% Danceability • 88% Energy • 32% Liveness
88% Instrumentalness • 20% Positiveness
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James Cole
Khumba
125 bpm • B Maj • 06:58 • -10.18db
24% Popularity • 61% Danceability • 79% Energy • 7% Liveness
94% Instrumentalness • 21% Positiveness
24% Popularity • 61% Danceability • 79% Energy • 7% Liveness
94% Instrumentalness • 21% Positiveness
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Pirate Copy
Slave To The Night
125 bpm • G Maj • 06:13 • -7.2db
17% Popularity • 79% Danceability • 88% Energy • 33% Liveness
48% Instrumentalness • 33% Positiveness
17% Popularity • 79% Danceability • 88% Energy • 33% Liveness
48% Instrumentalness • 33% Positiveness
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Paolo Martini
Eyecode
125 bpm • C Maj • 03:43 • -6.74db
24% Popularity • 80% Danceability • 98% Energy • 7% Liveness
88% Instrumentalness • 9% Positiveness
24% Popularity • 80% Danceability • 98% Energy • 7% Liveness
88% Instrumentalness • 9% Positiveness
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Paride Saraceni
Words
125 bpm • C# min • 06:47 • -8.2db
13% Popularity • 79% Danceability • 87% Energy • 11% Liveness
66% Instrumentalness • 60% Positiveness
13% Popularity • 79% Danceability • 87% Energy • 11% Liveness
66% Instrumentalness • 60% Positiveness
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Chus & Ceballos
Check Tech
125 bpm • G Maj • 07:02 • -8.47db
24% Popularity • 74% Danceability • 78% Energy • 8% Liveness
94% Instrumentalness • 5% Positiveness
24% Popularity • 74% Danceability • 78% Energy • 8% Liveness
94% Instrumentalness • 5% Positiveness
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Vega & Romero
El Ritmo
125 bpm • C# Maj • 06:39 • -7.32db
6% Popularity • 80% Danceability • 98% Energy • 9% Liveness
91% Instrumentalness • 4% Positiveness
6% Popularity • 80% Danceability • 98% Energy • 9% Liveness
91% Instrumentalness • 4% Positiveness
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Eli & Fur
Be Somebody (Mixed)
125 bpm • C Maj • 03:42 • -9.22db
8% Popularity • 76% Danceability • 97% Energy • 4% Liveness
87% Instrumentalness • 61% Positiveness
8% Popularity • 76% Danceability • 97% Energy • 4% Liveness
87% Instrumentalness • 61% Positiveness
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Harry Romero
I Love
125 bpm • G# Maj • 03:24 • -9.74db
11% Popularity • 82% Danceability • 91% Energy • 31% Liveness
94% Instrumentalness • 90% Positiveness
11% Popularity • 82% Danceability • 91% Energy • 31% Liveness
94% Instrumentalness • 90% Positiveness
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Gotta
Daddy Is Home (Mixed) - Harry Romero Rem...
125 bpm • F# min • 02:02 • -7.77db
3% Popularity • 60% Danceability • 88% Energy • 19% Liveness
91% Instrumentalness • 78% Positiveness
3% Popularity • 60% Danceability • 88% Energy • 19% Liveness
91% Instrumentalness • 78% Positiveness
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Cocodrills
Kicksville
125 bpm • B min • 06:43 • -7.01db
17% Popularity • 80% Danceability • 91% Energy • 8% Liveness
46% Instrumentalness • 37% Positiveness
17% Popularity • 80% Danceability • 91% Energy • 8% Liveness
46% Instrumentalness • 37% Positiveness
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Chus & Ceballos
Now or Never
125 bpm • E Maj • 08:23 • -7.17db
27% Popularity • 80% Danceability • 93% Energy • 7% Liveness
78% Instrumentalness • 23% Positiveness
27% Popularity • 80% Danceability • 93% Energy • 7% Liveness
78% Instrumentalness • 23% Positiveness
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Antranig
Afrotech
125 bpm • A min • 03:22 • -7.91db
22% Popularity • 61% Danceability • 97% Energy • 6% Liveness
86% Instrumentalness • 68% Positiveness
22% Popularity • 61% Danceability • 97% Energy • 6% Liveness
86% Instrumentalness • 68% Positiveness
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PAAX (Tulum)
Sera El Sol (Mixed) - Harry Romero Remix
125 bpm • B Maj • 04:19 • -8.12db
10% Popularity • 72% Danceability • 98% Energy • 4% Liveness
92% Instrumentalness • 18% Positiveness
10% Popularity • 72% Danceability • 98% Energy • 4% Liveness
92% Instrumentalness • 18% Positiveness
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Abbo
Drug Free - James Dexter Remix
125 bpm • G# Maj • 07:59 • -7.66db
8% Popularity • 81% Danceability • 94% Energy • 8% Liveness
86% Instrumentalness • 95% Positiveness
8% Popularity • 81% Danceability • 94% Energy • 8% Liveness
86% Instrumentalness • 95% Positiveness
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Rafa Barrios
Perfect Sunday - Original Mix
125 bpm • A# min • 06:58 • -8.07db
23% Popularity • 69% Danceability • 98% Energy • 23% Liveness
94% Instrumentalness • 38% Positiveness
23% Popularity • 69% Danceability • 98% Energy • 23% Liveness
94% Instrumentalness • 38% Positiveness
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Harry Romero
Tambores (Mixed) - Joeski Tambores In Af...
125 bpm • C# Maj • 03:19 • -5.5db
11% Popularity • 83% Danceability • 100% Energy • 7% Liveness
92% Instrumentalness • 30% Positiveness
11% Popularity • 83% Danceability • 100% Energy • 7% Liveness
92% Instrumentalness • 30% Positiveness
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John Roberts
Freaks - Harry Romero Remix
125 bpm • A# min • 05:49 • -6.95db
1% Popularity • 81% Danceability • 95% Energy • 3% Liveness
86% Instrumentalness • 41% Positiveness
1% Popularity • 81% Danceability • 95% Energy • 3% Liveness
86% Instrumentalness • 41% Positiveness
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Marco Lys
The Story Continues - Extended Mix
125 bpm • F# min • 07:40 • -7db
23% Popularity • 68% Danceability • 91% Energy • 7% Liveness
83% Instrumentalness • 72% Positiveness
23% Popularity • 68% Danceability • 91% Energy • 7% Liveness
83% Instrumentalness • 72% Positiveness
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Re.You
Very Very - Butch Remix
125 bpm • C# min • 08:29 • -9.85db
15% Popularity • 80% Danceability • 86% Energy • 6% Liveness
92% Instrumentalness • 66% Positiveness
15% Popularity • 80% Danceability • 86% Energy • 6% Liveness
92% Instrumentalness • 66% Positiveness
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Malandra Jr.
Dance Warriors - Riva Starr Remix
125 bpm • G# Maj • 08:50 • -7.6db
15% Popularity • 83% Danceability • 88% Energy • 5% Liveness
69% Instrumentalness • 33% Positiveness
15% Popularity • 83% Danceability • 88% Energy • 5% Liveness
69% Instrumentalness • 33% Positiveness
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Frank Nitty
La Noche - Harry Romero Remix
125 bpm • G# Maj • 03:23 • -6.44db
16% Popularity • 71% Danceability • 95% Energy • 11% Liveness
72% Instrumentalness • 30% Positiveness
16% Popularity • 71% Danceability • 95% Energy • 11% Liveness
72% Instrumentalness • 30% Positiveness
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Harry Romero
Scatter
125 bpm • A# min • 06:40 • -8.64db
15% Popularity • 79% Danceability • 91% Energy • 6% Liveness
91% Instrumentalness • 4% Positiveness
15% Popularity • 79% Danceability • 91% Energy • 6% Liveness
91% Instrumentalness • 4% Positiveness
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Joeski
Sax Hustler
125 bpm • A min • 07:27 • -6.37db
22% Popularity • 77% Danceability • 87% Energy • 6% Liveness
86% Instrumentalness • 78% Positiveness
22% Popularity • 77% Danceability • 87% Energy • 6% Liveness
86% Instrumentalness • 78% Positiveness
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Robot Needs Oil
Coco the Cat
125 bpm • C# Maj • 07:17 • -10.11db
12% Popularity • 70% Danceability • 83% Energy • 14% Liveness
78% Instrumentalness • 38% Positiveness
12% Popularity • 70% Danceability • 83% Energy • 14% Liveness
78% Instrumentalness • 38% Positiveness
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Kidoo
World Around
125 bpm • B min • 06:24 • -10.68db
20% Popularity • 80% Danceability • 78% Energy • 9% Liveness
52% Instrumentalness • 15% Positiveness
20% Popularity • 80% Danceability • 78% Energy • 9% Liveness
52% Instrumentalness • 15% Positiveness
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Alexander Aurel
Fall In Love
125 bpm • F Maj • 06:41 • -6.6db
11% Popularity • 81% Danceability • 79% Energy • 9% Liveness
72% Instrumentalness • 93% Positiveness
11% Popularity • 81% Danceability • 79% Energy • 9% Liveness
72% Instrumentalness • 93% Positiveness
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Alix Alvarez
Fayall - Argy Remix
125 bpm • A# min • 06:24 • -8.92db
16% Popularity • 75% Danceability • 96% Energy • 7% Liveness
90% Instrumentalness • 87% Positiveness
16% Popularity • 75% Danceability • 96% Energy • 7% Liveness
90% Instrumentalness • 87% Positiveness
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Harry Romero
El Ritmo
125 bpm • F# Maj • 03:35 • -6.64db
20% Popularity • 80% Danceability • 98% Energy • 8% Liveness
83% Instrumentalness • 7% Positiveness
20% Popularity • 80% Danceability • 98% Energy • 8% Liveness
83% Instrumentalness • 7% Positiveness
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PAWSA
Event Horizon - Original Mix
125 bpm • A Maj • 06:49 • -9.37db
21% Popularity • 80% Danceability • 71% Energy • 22% Liveness
95% Instrumentalness • 13% Positiveness
21% Popularity • 80% Danceability • 71% Energy • 22% Liveness
95% Instrumentalness • 13% Positiveness
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Marco Lys
Who Dares To Believe In Me - Extended Mi...
125 bpm • A min • 07:40 • -6.08db
19% Popularity • 67% Danceability • 94% Energy • 8% Liveness
90% Instrumentalness • 47% Positiveness
19% Popularity • 67% Danceability • 94% Energy • 8% Liveness
90% Instrumentalness • 47% Positiveness
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Chris Lake
La Tromba (Marco Lys Rework)
125 bpm • D Maj • 03:48 • -5.71db
36% Popularity • 57% Danceability • 97% Energy • 13% Liveness
91% Instrumentalness • 72% Positiveness
36% Popularity • 57% Danceability • 97% Energy • 13% Liveness
91% Instrumentalness • 72% Positiveness
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Andrea Oliva
Breakin'
125 bpm • D Maj • 02:50 • -8.05db
33% Popularity • 81% Danceability • 100% Energy • 5% Liveness
84% Instrumentalness • 39% Positiveness
33% Popularity • 81% Danceability • 100% Energy • 5% Liveness
84% Instrumentalness • 39% Positiveness
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Andre Butano
New Jack Swing
125 bpm • G Maj • 08:01 • -12.68db
25% Popularity • 82% Danceability • 51% Energy • 14% Liveness
80% Instrumentalness • 37% Positiveness
25% Popularity • 82% Danceability • 51% Energy • 14% Liveness
80% Instrumentalness • 37% Positiveness
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Harry Romero
Night @ The Black - Ki Creighton Remix
125 bpm • C# Maj • 03:23 • -7.74db
27% Popularity • 77% Danceability • 85% Energy • 7% Liveness
65% Instrumentalness • 80% Positiveness
27% Popularity • 77% Danceability • 85% Energy • 7% Liveness
65% Instrumentalness • 80% Positiveness
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Stefano Crabuzza
Shake Shake - Original Mix
125 bpm • C# min • 06:43 • -9.16db
4% Popularity • 81% Danceability • 54% Energy • 5% Liveness
64% Instrumentalness • 69% Positiveness
4% Popularity • 81% Danceability • 54% Energy • 5% Liveness
64% Instrumentalness • 69% Positiveness
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Cuartero
La Samba
125 bpm • C Maj • 07:02 • -8.71db
38% Popularity • 80% Danceability • 87% Energy • 6% Liveness
1% Instrumentalness • 58% Positiveness
38% Popularity • 80% Danceability • 87% Energy • 6% Liveness
1% Instrumentalness • 58% Positiveness
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Cocodrills
Battle Rap - Paco Osuna Remix
125 bpm • G min • 07:03 • -7.21db
8% Popularity • 80% Danceability • 90% Energy • 11% Liveness
92% Instrumentalness • 28% Positiveness
8% Popularity • 80% Danceability • 90% Energy • 11% Liveness
92% Instrumentalness • 28% Positiveness
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Dario Nunez
Asi Lo Grita (Mixed) - Harry Romero & Er...
125 bpm • B min • 02:48 • -5.28db
8% Popularity • 71% Danceability • 97% Energy • 11% Liveness
58% Instrumentalness • 41% Positiveness
8% Popularity • 71% Danceability • 97% Energy • 11% Liveness
58% Instrumentalness • 41% Positiveness
