Songs like From These Heights by Jelani Aryeh
Based on a tempo of (+/- 10%) and a similar genre
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Sarah and the Sundays
Moving On
125 bpm • A Maj • 02:39 • -5.81db
55% Popularity • 73% Danceability • 70% Energy • 34% Liveness
0% Instrumentalness • 79% Positiveness
55% Popularity • 73% Danceability • 70% Energy • 34% Liveness
0% Instrumentalness • 79% Positiveness
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Jelani Aryeh
Stella Brown
125 bpm • D Maj • 03:06 • -7.55db
60% Popularity • 73% Danceability • 48% Energy • 29% Liveness
7% Instrumentalness • 55% Positiveness
60% Popularity • 73% Danceability • 48% Energy • 29% Liveness
7% Instrumentalness • 55% Positiveness
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WILLIS
Bad Kids
125 bpm • C# Maj • 03:01 • -7.94db
30% Popularity • 80% Danceability • 68% Energy • 34% Liveness
29% Instrumentalness • 90% Positiveness
30% Popularity • 80% Danceability • 68% Energy • 34% Liveness
29% Instrumentalness • 90% Positiveness
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No Vacation
Really Truly
125 bpm • F# min • 03:29 • -7.83db
47% Popularity • 72% Danceability • 64% Energy • 8% Liveness
0% Instrumentalness • 88% Positiveness
47% Popularity • 72% Danceability • 64% Energy • 8% Liveness
0% Instrumentalness • 88% Positiveness
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Wallice
Dramamine
124 bpm • B Maj • 02:55 • -5.58db
27% Popularity • 61% Danceability • 75% Energy • 23% Liveness
0% Instrumentalness • 58% Positiveness
27% Popularity • 61% Danceability • 75% Energy • 23% Liveness
0% Instrumentalness • 58% Positiveness
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Rebounder
Lovers
124 bpm • A min • 03:34 • -7.96db
36% Popularity • 69% Danceability • 46% Energy • 6% Liveness
0% Instrumentalness • 33% Positiveness
36% Popularity • 69% Danceability • 46% Energy • 6% Liveness
0% Instrumentalness • 33% Positiveness
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ROLE MODEL
hello!
126 bpm • A# Maj • 03:08 • -4.02db
54% Popularity • 79% Danceability • 46% Energy • 10% Liveness
0% Instrumentalness • 56% Positiveness
54% Popularity • 79% Danceability • 46% Energy • 10% Liveness
0% Instrumentalness • 56% Positiveness
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Jelani Aryeh
From These Heights
125 bpm • E Maj • 03:26 • -4.11db
45% Popularity • 76% Danceability • 90% Energy • 64% Liveness
0% Instrumentalness • 77% Positiveness
45% Popularity • 76% Danceability • 90% Energy • 64% Liveness
0% Instrumentalness • 77% Positiveness
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Sarah and the Sundays
Don't Make Me Cry Anymore
126 bpm • A# Maj • 02:39 • -6.93db
32% Popularity • 67% Danceability • 65% Energy • 10% Liveness
0% Instrumentalness • 92% Positiveness
32% Popularity • 67% Danceability • 65% Energy • 10% Liveness
0% Instrumentalness • 92% Positiveness
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Arlie
crashing down
124 bpm • A# Maj • 02:19 • -3.04db
33% Popularity • 58% Danceability • 89% Energy • 32% Liveness
0% Instrumentalness • 83% Positiveness
33% Popularity • 58% Danceability • 89% Energy • 32% Liveness
0% Instrumentalness • 83% Positiveness
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Wallows
Marvelous
124 bpm • A Maj • 02:22 • -3.27db
56% Popularity • 64% Danceability • 92% Energy • 8% Liveness
0% Instrumentalness • 67% Positiveness
56% Popularity • 64% Danceability • 92% Energy • 8% Liveness
0% Instrumentalness • 67% Positiveness
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Peach Pit
Black Licorice
124 bpm • A Maj • 03:39 • -9.13db
53% Popularity • 69% Danceability • 54% Energy • 12% Liveness
0% Instrumentalness • 43% Positiveness
53% Popularity • 69% Danceability • 54% Energy • 12% Liveness
0% Instrumentalness • 43% Positiveness
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The Hails
Exonerate
124 bpm • D Maj • 03:09 • -5.39db
28% Popularity • 79% Danceability • 72% Energy • 12% Liveness
0% Instrumentalness • 90% Positiveness
28% Popularity • 79% Danceability • 72% Energy • 12% Liveness
0% Instrumentalness • 90% Positiveness
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Jelani Aryeh
Earl Grey
126 bpm • F# min • 02:51 • -7db
25% Popularity • 68% Danceability • 57% Energy • 17% Liveness
0% Instrumentalness • 39% Positiveness
25% Popularity • 68% Danceability • 57% Energy • 17% Liveness
0% Instrumentalness • 39% Positiveness
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Claud
Guard Down
126 bpm • C Maj • 03:26 • -6.48db
30% Popularity • 82% Danceability • 62% Energy • 9% Liveness
0% Instrumentalness • 86% Positiveness
30% Popularity • 82% Danceability • 62% Energy • 9% Liveness
0% Instrumentalness • 86% Positiveness
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MICHELLE
LOVE UR NAME
124 bpm • C Maj • 02:34 • -6.88db
31% Popularity • 72% Danceability • 75% Energy • 15% Liveness
0% Instrumentalness • 87% Positiveness
31% Popularity • 72% Danceability • 75% Energy • 15% Liveness
0% Instrumentalness • 87% Positiveness
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The Backseat Lovers
Davy Crochet
124 bpm • C Maj • 02:56 • -10.78db
58% Popularity • 74% Danceability • 44% Energy • 11% Liveness
0% Instrumentalness • 62% Positiveness
58% Popularity • 74% Danceability • 44% Energy • 11% Liveness
0% Instrumentalness • 62% Positiveness
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WILLIS
Now & Then
124 bpm • B Maj • 03:27 • -7.49db
36% Popularity • 59% Danceability • 45% Energy • 27% Liveness
0% Instrumentalness • 42% Positiveness
36% Popularity • 59% Danceability • 45% Energy • 27% Liveness
0% Instrumentalness • 42% Positiveness
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TOLEDO
Some Samurai
126 bpm • F# Maj • 04:54 • -7.55db
38% Popularity • 47% Danceability • 68% Energy • 7% Liveness
0% Instrumentalness • 50% Positiveness
38% Popularity • 47% Danceability • 68% Energy • 7% Liveness
0% Instrumentalness • 50% Positiveness
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Jelani Aryeh
A Piece Of Your Mind
126 bpm • A Maj • 02:50 • -6.13db
26% Popularity • 62% Danceability • 65% Energy • 17% Liveness
0% Instrumentalness • 49% Positiveness
26% Popularity • 62% Danceability • 65% Energy • 17% Liveness
0% Instrumentalness • 49% Positiveness
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Tommy Newport
Violet Days
127 bpm • C# min • 03:23 • -7db
32% Popularity • 67% Danceability • 75% Energy • 13% Liveness
1% Instrumentalness • 33% Positiveness
32% Popularity • 67% Danceability • 75% Energy • 13% Liveness
1% Instrumentalness • 33% Positiveness
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Quarters of Change
Dead
123 bpm • B min • 03:39 • -4.73db
44% Popularity • 66% Danceability • 79% Energy • 38% Liveness
0% Instrumentalness • 48% Positiveness
44% Popularity • 66% Danceability • 79% Energy • 38% Liveness
0% Instrumentalness • 48% Positiveness
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The Backseat Lovers
Pictures
126 bpm • F Maj • 03:16 • -12db
52% Popularity • 66% Danceability • 47% Energy • 32% Liveness
0% Instrumentalness • 42% Positiveness
52% Popularity • 66% Danceability • 47% Energy • 32% Liveness
0% Instrumentalness • 42% Positiveness
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flipturn
Sad Disco
123 bpm • A Maj • 03:47 • -8.27db
58% Popularity • 72% Danceability • 42% Energy • 13% Liveness
76% Instrumentalness • 13% Positiveness
58% Popularity • 72% Danceability • 42% Energy • 13% Liveness
76% Instrumentalness • 13% Positiveness
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COIN
Take The Stairs
127 bpm • C Maj • 02:22 • -4.64db
43% Popularity • 64% Danceability • 68% Energy • 34% Liveness
0% Instrumentalness • 56% Positiveness
43% Popularity • 64% Danceability • 68% Energy • 34% Liveness
0% Instrumentalness • 56% Positiveness
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dad sports
out 4 a breather
127 bpm • F Maj • 03:21 • -7.14db
45% Popularity • 68% Danceability • 53% Energy • 14% Liveness
1% Instrumentalness • 69% Positiveness
45% Popularity • 68% Danceability • 53% Energy • 14% Liveness
1% Instrumentalness • 69% Positiveness
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Gus Dapperton
Steady
127 bpm • B min • 03:52 • -5.84db
25% Popularity • 61% Danceability • 86% Energy • 40% Liveness
1% Instrumentalness • 77% Positiveness
25% Popularity • 61% Danceability • 86% Energy • 40% Liveness
1% Instrumentalness • 77% Positiveness
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The Hails
Stay
127 bpm • A Maj • 02:39 • -4.09db
58% Popularity • 66% Danceability • 72% Energy • 12% Liveness
0% Instrumentalness • 66% Positiveness
58% Popularity • 66% Danceability • 72% Energy • 12% Liveness
0% Instrumentalness • 66% Positiveness
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Dreamer Boy
ARE YOU LETTING GO?
127 bpm • D# min • 03:25 • -6.49db
36% Popularity • 56% Danceability • 74% Energy • 16% Liveness
0% Instrumentalness • 14% Positiveness
36% Popularity • 56% Danceability • 74% Energy • 16% Liveness
0% Instrumentalness • 14% Positiveness
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Bakar
1st Time
123 bpm • D Maj • 03:01 • -7.36db
61% Popularity • 80% Danceability • 72% Energy • 19% Liveness
3% Instrumentalness • 76% Positiveness
61% Popularity • 80% Danceability • 72% Energy • 19% Liveness
3% Instrumentalness • 76% Positiveness
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flipturn
Glistening
127 bpm • D# Maj • 04:07 • -5.52db
55% Popularity • 66% Danceability • 83% Energy • 11% Liveness
0% Instrumentalness • 34% Positiveness
55% Popularity • 66% Danceability • 83% Energy • 11% Liveness
0% Instrumentalness • 34% Positiveness
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Ritt Momney
Show Runner 99
127 bpm • F# Maj • 03:26 • -10.14db
31% Popularity • 26% Danceability • 46% Energy • 33% Liveness
0% Instrumentalness • 32% Positiveness
31% Popularity • 26% Danceability • 46% Energy • 33% Liveness
0% Instrumentalness • 32% Positiveness
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Christian Leave
10 Steps
123 bpm • G Maj • 03:29 • -6.53db
40% Popularity • 25% Danceability • 84% Energy • 34% Liveness
0% Instrumentalness • 66% Positiveness
40% Popularity • 25% Danceability • 84% Energy • 34% Liveness
0% Instrumentalness • 66% Positiveness
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Jelani Aryeh
Exchange
122 bpm • G# Maj • 01:21 • -8.84db
25% Popularity • 77% Danceability • 54% Energy • 11% Liveness
0% Instrumentalness • 46% Positiveness
25% Popularity • 77% Danceability • 54% Energy • 11% Liveness
0% Instrumentalness • 46% Positiveness
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Arlie
big fat mouth
128 bpm • D Maj • 03:38 • -5.15db
52% Popularity • 60% Danceability • 83% Energy • 18% Liveness
0% Instrumentalness • 86% Positiveness
52% Popularity • 60% Danceability • 83% Energy • 18% Liveness
0% Instrumentalness • 86% Positiveness
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Claud
Gold
122 bpm • C Maj • 03:19 • -8db
32% Popularity • 90% Danceability • 58% Energy • 10% Liveness
0% Instrumentalness • 94% Positiveness
32% Popularity • 90% Danceability • 58% Energy • 10% Liveness
0% Instrumentalness • 94% Positiveness
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Hot Flash Heat Wave
Grudge
128 bpm • A Maj • 04:03 • -4db
27% Popularity • 65% Danceability • 88% Energy • 14% Liveness
1% Instrumentalness • 83% Positiveness
27% Popularity • 65% Danceability • 88% Energy • 14% Liveness
1% Instrumentalness • 83% Positiveness
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Blu DeTiger
Vintage
122 bpm • A# min • 02:35 • -5.74db
40% Popularity • 90% Danceability • 67% Energy • 17% Liveness
0% Instrumentalness • 96% Positiveness
40% Popularity • 90% Danceability • 67% Energy • 17% Liveness
0% Instrumentalness • 96% Positiveness
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COIN
Dream House
122 bpm • C Maj • 03:04 • -6db
37% Popularity • 82% Danceability • 66% Energy • 21% Liveness
1% Instrumentalness • 61% Positiveness
37% Popularity • 82% Danceability • 66% Energy • 21% Liveness
1% Instrumentalness • 61% Positiveness
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Del Water Gap
Laid Down My Arms
128 bpm • G# Maj • 04:29 • -5db
43% Popularity • 56% Danceability • 82% Energy • 11% Liveness
0% Instrumentalness • 38% Positiveness
43% Popularity • 56% Danceability • 82% Energy • 11% Liveness
0% Instrumentalness • 38% Positiveness
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SEB
Coney Island
122 bpm • C# min • 02:49 • -8.45db
49% Popularity • 69% Danceability • 70% Energy • 11% Liveness
0% Instrumentalness • 65% Positiveness
49% Popularity • 69% Danceability • 70% Energy • 11% Liveness
0% Instrumentalness • 65% Positiveness
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Jasper Typical
RIDE AGAIN
122 bpm • E min • 03:13 • -8db
17% Popularity • 79% Danceability • 59% Energy • 35% Liveness
0% Instrumentalness • 48% Positiveness
17% Popularity • 79% Danceability • 59% Energy • 35% Liveness
0% Instrumentalness • 48% Positiveness
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M.A.G.S.
Golden
122 bpm • D# Maj • 04:01 • -7.3db
23% Popularity • 46% Danceability • 75% Energy • 24% Liveness
0% Instrumentalness • 21% Positiveness
23% Popularity • 46% Danceability • 75% Energy • 24% Liveness
0% Instrumentalness • 21% Positiveness
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The Moss
Willie's Song
128 bpm • E min • 04:31 • -7.1db
51% Popularity • 75% Danceability • 47% Energy • 17% Liveness
0% Instrumentalness • 56% Positiveness
51% Popularity • 75% Danceability • 47% Energy • 17% Liveness
0% Instrumentalness • 56% Positiveness
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Arlie
blackboard.edu
129 bpm • B min • 03:39 • -4db
37% Popularity • 58% Danceability • 71% Energy • 53% Liveness
0% Instrumentalness • 68% Positiveness
37% Popularity • 58% Danceability • 71% Energy • 53% Liveness
0% Instrumentalness • 68% Positiveness
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Del Water Gap
High Tops
128 bpm • G Maj • 03:58 • -5.13db
55% Popularity • 56% Danceability • 46% Energy • 18% Liveness
0% Instrumentalness • 26% Positiveness
55% Popularity • 56% Danceability • 46% Energy • 18% Liveness
0% Instrumentalness • 26% Positiveness
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Yot Club
Spiral Stairs
122 bpm • G# Maj • 02:26 • -7.61db
54% Popularity • 83% Danceability • 57% Energy • 8% Liveness
21% Instrumentalness • 72% Positiveness
54% Popularity • 83% Danceability • 57% Energy • 8% Liveness
21% Instrumentalness • 72% Positiveness
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Tim Atlas
Courtside
129 bpm • C Maj • 02:26 • -7db
62% Popularity • 71% Danceability • 83% Energy • 35% Liveness
1% Instrumentalness • 94% Positiveness
62% Popularity • 71% Danceability • 83% Energy • 35% Liveness
1% Instrumentalness • 94% Positiveness
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Ethan Tasch
GPS (w/ Felly)
121 bpm • B min • 02:48 • -9db
45% Popularity • 77% Danceability • 52% Energy • 11% Liveness
2% Instrumentalness • 55% Positiveness
45% Popularity • 77% Danceability • 52% Energy • 11% Liveness
2% Instrumentalness • 55% Positiveness
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young friend
CRASH COURSE
129 bpm • G Maj • 03:37 • -6.97db
28% Popularity • 61% Danceability • 72% Energy • 78% Liveness
0% Instrumentalness • 59% Positiveness
28% Popularity • 61% Danceability • 72% Energy • 78% Liveness
0% Instrumentalness • 59% Positiveness
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Arlie
poppin
121 bpm • G Maj • 03:49 • -5db
28% Popularity • 78% Danceability • 84% Energy • 8% Liveness
0% Instrumentalness • 87% Positiveness
28% Popularity • 78% Danceability • 84% Energy • 8% Liveness
0% Instrumentalness • 87% Positiveness
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Wallows
Quarterback
121 bpm • B Maj • 03:00 • -3.88db
59% Popularity • 69% Danceability • 72% Energy • 11% Liveness
0% Instrumentalness • 56% Positiveness
59% Popularity • 69% Danceability • 72% Energy • 11% Liveness
0% Instrumentalness • 56% Positiveness
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dad sports
gf haircut
121 bpm • F# Maj • 03:54 • -8.64db
25% Popularity • 76% Danceability • 70% Energy • 11% Liveness
7% Instrumentalness • 85% Positiveness
25% Popularity • 76% Danceability • 70% Energy • 11% Liveness
7% Instrumentalness • 85% Positiveness
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Quarters of Change
T Love
121 bpm • G# Maj • 05:10 • -6.05db
50% Popularity • 67% Danceability • 74% Energy • 13% Liveness
0% Instrumentalness • 44% Positiveness
50% Popularity • 67% Danceability • 74% Energy • 13% Liveness
0% Instrumentalness • 44% Positiveness
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Gus Dapperton
Medicine
130 bpm • E Maj • 04:00 • -4.75db
41% Popularity • 60% Danceability • 39% Energy • 24% Liveness
0% Instrumentalness • 21% Positiveness
41% Popularity • 60% Danceability • 39% Energy • 24% Liveness
0% Instrumentalness • 21% Positiveness
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binki
Invisible Fence
130 bpm • E Maj • 02:35 • -3.21db
37% Popularity • 66% Danceability • 86% Energy • 29% Liveness
1% Instrumentalness • 80% Positiveness
37% Popularity • 66% Danceability • 86% Energy • 29% Liveness
1% Instrumentalness • 80% Positiveness
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Arlie
too long
130 bpm • C Maj • 03:46 • -4db
36% Popularity • 56% Danceability • 68% Energy • 10% Liveness
0% Instrumentalness • 69% Positiveness
36% Popularity • 56% Danceability • 68% Energy • 10% Liveness
0% Instrumentalness • 69% Positiveness
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Ashes To Amber
Outskirts Of Infinity
130 bpm • E Maj • 03:07 • -7db
55% Popularity • 74% Danceability • 66% Energy • 14% Liveness
0% Instrumentalness • 74% Positiveness
55% Popularity • 74% Danceability • 66% Energy • 14% Liveness
0% Instrumentalness • 74% Positiveness
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Your Neighbors
Rx
130 bpm • E Maj • 03:25 • -4.96db
36% Popularity • 70% Danceability • 86% Energy • 10% Liveness
0% Instrumentalness • 96% Positiveness
36% Popularity • 70% Danceability • 86% Energy • 10% Liveness
0% Instrumentalness • 96% Positiveness
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Quarters of Change
Kiwi
130 bpm • D Maj • 05:32 • -8db
51% Popularity • 60% Danceability • 59% Energy • 13% Liveness
0% Instrumentalness • 25% Positiveness
51% Popularity • 60% Danceability • 59% Energy • 13% Liveness
0% Instrumentalness • 25% Positiveness
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sleep well.
Pictures of Dogs
120 bpm • E Maj • 04:18 • -9.83db
35% Popularity • 72% Danceability • 62% Energy • 11% Liveness
38% Instrumentalness • 58% Positiveness
35% Popularity • 72% Danceability • 62% Energy • 11% Liveness
38% Instrumentalness • 58% Positiveness
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Rook Monroe
Jolie
120 bpm • F Maj • 03:00 • -5db
39% Popularity • 80% Danceability • 66% Energy • 16% Liveness
0% Instrumentalness • 78% Positiveness
39% Popularity • 80% Danceability • 66% Energy • 16% Liveness
0% Instrumentalness • 78% Positiveness
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Wallice
Hey Michael
120 bpm • E Maj • 02:59 • -6.39db
36% Popularity • 76% Danceability • 63% Energy • 64% Liveness
0% Instrumentalness • 92% Positiveness
36% Popularity • 76% Danceability • 63% Energy • 64% Liveness
0% Instrumentalness • 92% Positiveness
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Sure Sure
This Time
130 bpm • D# Maj • 02:13 • -5db
47% Popularity • 84% Danceability • 65% Energy • 12% Liveness
0% Instrumentalness • 89% Positiveness
47% Popularity • 84% Danceability • 65% Energy • 12% Liveness
0% Instrumentalness • 89% Positiveness
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Grady
The Idea of You
120 bpm • C Maj • 02:56 • -5.83db
43% Popularity • 66% Danceability • 74% Energy • 24% Liveness
0% Instrumentalness • 80% Positiveness
43% Popularity • 66% Danceability • 74% Energy • 24% Liveness
0% Instrumentalness • 80% Positiveness
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Worry Club
In My Ear
120 bpm • B Maj • 02:48 • -13db
43% Popularity • 80% Danceability • 42% Energy • 13% Liveness
0% Instrumentalness • 73% Positiveness
43% Popularity • 80% Danceability • 42% Energy • 13% Liveness
0% Instrumentalness • 73% Positiveness
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Sam Austins
JOY FOR YOUTH
120 bpm • F# Maj • 03:33 • -6.14db
25% Popularity • 67% Danceability • 74% Energy • 11% Liveness
1% Instrumentalness • 45% Positiveness
25% Popularity • 67% Danceability • 74% Energy • 11% Liveness
1% Instrumentalness • 45% Positiveness
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Husbands
3AM
120 bpm • B Maj • 03:18 • -5.32db
32% Popularity • 61% Danceability • 64% Energy • 14% Liveness
4% Instrumentalness • 60% Positiveness
32% Popularity • 61% Danceability • 64% Energy • 14% Liveness
4% Instrumentalness • 60% Positiveness
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young friend
WHEN WE WERE KIDS
120 bpm • E Maj • 03:18 • -6.44db
46% Popularity • 80% Danceability • 81% Energy • 9% Liveness
0% Instrumentalness • 96% Positiveness
46% Popularity • 80% Danceability • 81% Energy • 9% Liveness
0% Instrumentalness • 96% Positiveness
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Vacation Manor
Can't Run Forever
120 bpm • A Maj • 03:49 • -6db
49% Popularity • 69% Danceability • 76% Energy • 19% Liveness
0% Instrumentalness • 79% Positiveness
49% Popularity • 69% Danceability • 76% Energy • 19% Liveness
0% Instrumentalness • 79% Positiveness
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Jelani Aryeh
Patagonia
120 bpm • C# Maj • 03:12 • -8.36db
29% Popularity • 77% Danceability • 51% Energy • 18% Liveness
0% Instrumentalness • 38% Positiveness
29% Popularity • 77% Danceability • 51% Energy • 18% Liveness
0% Instrumentalness • 38% Positiveness
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Gus Dapperton
Post Humorous
120 bpm • D Maj • 04:39 • -4.83db
52% Popularity • 64% Danceability • 84% Energy • 8% Liveness
0% Instrumentalness • 78% Positiveness
52% Popularity • 64% Danceability • 84% Energy • 8% Liveness
0% Instrumentalness • 78% Positiveness
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The Greeting Committee
Can I Leave Me Too?
120 bpm • D# Maj • 03:43 • -4.74db
37% Popularity • 44% Danceability • 77% Energy • 62% Liveness
0% Instrumentalness • 27% Positiveness
37% Popularity • 44% Danceability • 77% Energy • 62% Liveness
0% Instrumentalness • 27% Positiveness
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WILLIS
27 Reasons
130 bpm • B min • 03:28 • -8.36db
40% Popularity • 52% Danceability • 62% Energy • 25% Liveness
1% Instrumentalness • 35% Positiveness
40% Popularity • 52% Danceability • 62% Energy • 25% Liveness
1% Instrumentalness • 35% Positiveness
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COIN
Sagittarius Superstar
120 bpm • F Maj • 02:53 • -8.63db
54% Popularity • 55% Danceability • 65% Energy • 25% Liveness
0% Instrumentalness • 65% Positiveness
54% Popularity • 55% Danceability • 65% Energy • 25% Liveness
0% Instrumentalness • 65% Positiveness
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Miloe
Greenhouse
131 bpm • A Maj • 04:33 • -7.85db
30% Popularity • 69% Danceability • 74% Energy • 14% Liveness
9% Instrumentalness • 78% Positiveness
30% Popularity • 69% Danceability • 74% Energy • 14% Liveness
9% Instrumentalness • 78% Positiveness
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Jelani Aryeh
Marigold
131 bpm • E Maj • 04:03 • -8db
44% Popularity • 78% Danceability • 56% Energy • 12% Liveness
0% Instrumentalness • 62% Positiveness
44% Popularity • 78% Danceability • 56% Energy • 12% Liveness
0% Instrumentalness • 62% Positiveness
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meija
How You Like
119 bpm • C Maj • 03:40 • -2.95db
22% Popularity • 67% Danceability • 85% Energy • 23% Liveness
0% Instrumentalness • 81% Positiveness
22% Popularity • 67% Danceability • 85% Energy • 23% Liveness
0% Instrumentalness • 81% Positiveness
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Mt. Joy
Orange Blood
119 bpm • F min • 03:46 • -10db
58% Popularity • 71% Danceability • 53% Energy • 13% Liveness
51% Instrumentalness • 50% Positiveness
58% Popularity • 71% Danceability • 53% Energy • 13% Liveness
51% Instrumentalness • 50% Positiveness
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Sure Sure
Peaceful In My Mind
119 bpm • E Maj • 02:49 • -8db
46% Popularity • 85% Danceability • 58% Energy • 21% Liveness
0% Instrumentalness • 48% Positiveness
46% Popularity • 85% Danceability • 58% Energy • 21% Liveness
0% Instrumentalness • 48% Positiveness
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The Hails
Till I See You Again
132 bpm • D# Maj • 03:44 • -9.12db
23% Popularity • 76% Danceability • 49% Energy • 15% Liveness
0% Instrumentalness • 78% Positiveness
23% Popularity • 76% Danceability • 49% Energy • 15% Liveness
0% Instrumentalness • 78% Positiveness
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Dreamer Boy
Falling for the Wrong One
119 bpm • G Maj • 04:11 • -8.27db
44% Popularity • 66% Danceability • 67% Energy • 32% Liveness
2% Instrumentalness • 46% Positiveness
44% Popularity • 66% Danceability • 67% Energy • 32% Liveness
2% Instrumentalness • 46% Positiveness
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Jelani Aryeh
Angels
119 bpm • A Maj • 02:34 • -9.37db
36% Popularity • 74% Danceability • 59% Energy • 11% Liveness
29% Instrumentalness • 50% Positiveness
36% Popularity • 74% Danceability • 59% Energy • 11% Liveness
29% Instrumentalness • 50% Positiveness
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binki
Clay Pigeon
132 bpm • A Maj • 02:29 • -2.7db
38% Popularity • 58% Danceability • 99% Energy • 60% Liveness
50% Instrumentalness • 25% Positiveness
38% Popularity • 58% Danceability • 99% Energy • 60% Liveness
50% Instrumentalness • 25% Positiveness
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Peach Pit
Psychics in LA
132 bpm • C# min • 03:26 • -5.02db
50% Popularity • 33% Danceability • 85% Energy • 23% Liveness
0% Instrumentalness • 62% Positiveness
50% Popularity • 33% Danceability • 85% Energy • 23% Liveness
0% Instrumentalness • 62% Positiveness
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WILLIS
Pool House
118 bpm • D# min • 03:59 • -7.03db
38% Popularity • 70% Danceability • 65% Energy • 7% Liveness
0% Instrumentalness • 83% Positiveness
38% Popularity • 70% Danceability • 65% Energy • 7% Liveness
0% Instrumentalness • 83% Positiveness
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Teenage Priest
Distant Crush
118 bpm • A Maj • 03:28 • -5.71db
27% Popularity • 72% Danceability • 67% Energy • 14% Liveness
62% Instrumentalness • 66% Positiveness
27% Popularity • 72% Danceability • 67% Energy • 14% Liveness
62% Instrumentalness • 66% Positiveness
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Gus Dapperton
Palms
118 bpm • E min • 04:00 • -8.34db
43% Popularity • 75% Danceability • 56% Energy • 13% Liveness
9% Instrumentalness • 84% Positiveness
43% Popularity • 75% Danceability • 56% Energy • 13% Liveness
9% Instrumentalness • 84% Positiveness
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Joe P
Leaves
133 bpm • F# Maj • 04:03 • -7db
41% Popularity • 44% Danceability • 88% Energy • 10% Liveness
0% Instrumentalness • 39% Positiveness
41% Popularity • 44% Danceability • 88% Energy • 10% Liveness
0% Instrumentalness • 39% Positiveness
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TOLEDO
FOMO
118 bpm • A# Maj • 03:39 • -5.45db
28% Popularity • 66% Danceability • 84% Energy • 18% Liveness
0% Instrumentalness • 66% Positiveness
28% Popularity • 66% Danceability • 84% Energy • 18% Liveness
0% Instrumentalness • 66% Positiveness
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Ritt Momney
Sunny Boy
133 bpm • C Maj • 03:43 • -8db
35% Popularity • 72% Danceability • 61% Energy • 11% Liveness
23% Instrumentalness • 43% Positiveness
35% Popularity • 72% Danceability • 61% Energy • 11% Liveness
23% Instrumentalness • 43% Positiveness
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WILLIS
In Between
118 bpm • C# min • 02:27 • -7.31db
54% Popularity • 72% Danceability • 71% Energy • 11% Liveness
55% Instrumentalness • 55% Positiveness
54% Popularity • 72% Danceability • 71% Energy • 11% Liveness
55% Instrumentalness • 55% Positiveness
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Wallows
At the End of the Day
117 bpm • A Maj • 03:53 • -5db
51% Popularity • 56% Danceability • 88% Energy • 14% Liveness
0% Instrumentalness • 57% Positiveness
51% Popularity • 56% Danceability • 88% Energy • 14% Liveness
0% Instrumentalness • 57% Positiveness
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Hether
Sex Wax
133 bpm • C# min • 03:36 • -5db
30% Popularity • 72% Danceability • 85% Energy • 55% Liveness
61% Instrumentalness • 81% Positiveness
30% Popularity • 72% Danceability • 85% Energy • 55% Liveness
61% Instrumentalness • 81% Positiveness
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Dominic Fike
Why
117 bpm • F# Maj • 02:19 • -2.68db
71% Popularity • 68% Danceability • 86% Energy • 11% Liveness
1% Instrumentalness • 34% Positiveness
71% Popularity • 68% Danceability • 86% Energy • 11% Liveness
1% Instrumentalness • 34% Positiveness
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Peach Pit
Tommy's Party
134 bpm • G Maj • 06:01 • -8.72db
62% Popularity • 56% Danceability • 44% Energy • 11% Liveness
5% Instrumentalness • 21% Positiveness
62% Popularity • 56% Danceability • 44% Energy • 11% Liveness
5% Instrumentalness • 21% Positiveness
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Wallice
23
134 bpm • F Maj • 02:44 • -4.97db
49% Popularity • 57% Danceability • 59% Energy • 9% Liveness
0% Instrumentalness • 60% Positiveness
49% Popularity • 57% Danceability • 59% Energy • 9% Liveness
0% Instrumentalness • 60% Positiveness
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Winnetka Bowling League
Slow Dances
134 bpm • B Maj • 03:52 • -5.39db
54% Popularity • 60% Danceability • 77% Energy • 15% Liveness
0% Instrumentalness • 76% Positiveness
54% Popularity • 60% Danceability • 77% Energy • 15% Liveness
0% Instrumentalness • 76% Positiveness
