Songs like Frozen in La (Clicks Remix) by Alae
Based on a tempo of (+/- 10%) and a similar genre
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Gaudion
Feel Like Clarity
120 bpm • B Maj • 03:08 • -7.97db
37% Popularity • 86% Danceability • 48% Energy • 10% Liveness
0% Instrumentalness • 73% Positiveness
37% Popularity • 86% Danceability • 48% Energy • 10% Liveness
0% Instrumentalness • 73% Positiveness
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Nathan Hawes
Warmth
120 bpm • G# Maj • 03:51 • -6.84db
29% Popularity • 64% Danceability • 42% Energy • 9% Liveness
0% Instrumentalness • 26% Positiveness
29% Popularity • 64% Danceability • 42% Energy • 9% Liveness
0% Instrumentalness • 26% Positiveness
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Alae
Frozen in La (Clicks Remix)
120 bpm • B min • 03:34 • -5.01db
2% Popularity • 76% Danceability • 95% Energy • 8% Liveness
13% Instrumentalness • 73% Positiveness
2% Popularity • 76% Danceability • 95% Energy • 8% Liveness
13% Instrumentalness • 73% Positiveness
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Sons Of The East
Nothing Comes Easy
120 bpm • C Maj • 03:55 • -9.31db
38% Popularity • 75% Danceability • 46% Energy • 8% Liveness
0% Instrumentalness • 51% Positiveness
38% Popularity • 75% Danceability • 46% Energy • 8% Liveness
0% Instrumentalness • 51% Positiveness
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Lime Cordiale
Waking Up Easy
120 bpm • B Maj • 03:56 • -5.5db
56% Popularity • 82% Danceability • 56% Energy • 11% Liveness
0% Instrumentalness • 70% Positiveness
56% Popularity • 82% Danceability • 56% Energy • 11% Liveness
0% Instrumentalness • 70% Positiveness
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Hein Cooper
Rusty
120 bpm • F# Maj • 03:18 • -8db
46% Popularity • 87% Danceability • 57% Energy • 10% Liveness
0% Instrumentalness • 86% Positiveness
46% Popularity • 87% Danceability • 57% Energy • 10% Liveness
0% Instrumentalness • 86% Positiveness
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Sanders Bohlke
Somewhere
120 bpm • C min • 06:03 • -6.26db
23% Popularity • 69% Danceability • 66% Energy • 25% Liveness
0% Instrumentalness • 60% Positiveness
23% Popularity • 69% Danceability • 66% Energy • 25% Liveness
0% Instrumentalness • 60% Positiveness
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Cobi
Don't You Cry For Me - Acoustic
120 bpm • A min • 04:35 • -8db
42% Popularity • 55% Danceability • 28% Energy • 11% Liveness
0% Instrumentalness • 32% Positiveness
42% Popularity • 55% Danceability • 28% Energy • 11% Liveness
0% Instrumentalness • 32% Positiveness
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Garrett Kato
I Wonder Why
120 bpm • C# Maj • 03:40 • -10.89db
21% Popularity • 58% Danceability • 35% Energy • 11% Liveness
0% Instrumentalness • 24% Positiveness
21% Popularity • 58% Danceability • 35% Energy • 11% Liveness
0% Instrumentalness • 24% Positiveness
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Billy Raffoul
1975
120 bpm • D Maj • 03:10 • -8.99db
32% Popularity • 66% Danceability • 41% Energy • 6% Liveness
0% Instrumentalness • 32% Positiveness
32% Popularity • 66% Danceability • 41% Energy • 6% Liveness
0% Instrumentalness • 32% Positiveness
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Josh Cashman
Instinct
120 bpm • F# min • 04:44 • -11.18db
31% Popularity • 64% Danceability • 33% Energy • 8% Liveness
0% Instrumentalness • 30% Positiveness
31% Popularity • 64% Danceability • 33% Energy • 8% Liveness
0% Instrumentalness • 30% Positiveness
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Bombargo
Mr. No Good
120 bpm • A# Maj • 02:14 • -5.66db
25% Popularity • 68% Danceability • 58% Energy • 11% Liveness
0% Instrumentalness • 41% Positiveness
25% Popularity • 68% Danceability • 58% Energy • 11% Liveness
0% Instrumentalness • 41% Positiveness
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The Tin Pigeons
Steel
120 bpm • E Maj • 03:23 • -6.16db
12% Popularity • 53% Danceability • 64% Energy • 28% Liveness
0% Instrumentalness • 29% Positiveness
12% Popularity • 53% Danceability • 64% Energy • 28% Liveness
0% Instrumentalness • 29% Positiveness
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M-Phazes
Weathered - triple j Like A Version
120 bpm • E Maj • 03:17 • -12.12db
33% Popularity • 63% Danceability • 17% Energy • 12% Liveness
0% Instrumentalness • 26% Positiveness
33% Popularity • 63% Danceability • 17% Energy • 12% Liveness
0% Instrumentalness • 26% Positiveness
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Current Swell
Like I Fight for You
119 bpm • D Maj • 03:22 • -5.76db
36% Popularity • 67% Danceability • 70% Energy • 20% Liveness
0% Instrumentalness • 44% Positiveness
36% Popularity • 67% Danceability • 70% Energy • 20% Liveness
0% Instrumentalness • 44% Positiveness
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Lewis Watson
little light (acoustic version)
120 bpm • G Maj • 04:16 • -8.14db
33% Popularity • 67% Danceability • 30% Energy • 16% Liveness
0% Instrumentalness • 54% Positiveness
33% Popularity • 67% Danceability • 30% Energy • 16% Liveness
0% Instrumentalness • 54% Positiveness
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Waazzoo and the Vibes
Supersonic Good Life
121 bpm • D Maj • 03:34 • -9.95db
29% Popularity • 82% Danceability • 50% Energy • 8% Liveness
0% Instrumentalness • 60% Positiveness
29% Popularity • 82% Danceability • 50% Energy • 8% Liveness
0% Instrumentalness • 60% Positiveness
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The Pressure Kids
Fever
121 bpm • B Maj • 03:15 • -10.73db
7% Popularity • 66% Danceability • 50% Energy • 10% Liveness
0% Instrumentalness • 57% Positiveness
7% Popularity • 66% Danceability • 50% Energy • 10% Liveness
0% Instrumentalness • 57% Positiveness
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Harry Marshall
Epilogue
121 bpm • C# min • 04:27 • -5.14db
15% Popularity • 53% Danceability • 77% Energy • 19% Liveness
0% Instrumentalness • 38% Positiveness
15% Popularity • 53% Danceability • 77% Energy • 19% Liveness
0% Instrumentalness • 38% Positiveness
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Gaudion
TV Shows
119 bpm • A Maj • 02:56 • -8.59db
28% Popularity • 78% Danceability • 50% Energy • 12% Liveness
0% Instrumentalness • 75% Positiveness
28% Popularity • 78% Danceability • 50% Energy • 12% Liveness
0% Instrumentalness • 75% Positiveness
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Garrett Kato
Holding on to You
121 bpm • C# Maj • 03:33 • -9.91db
37% Popularity • 68% Danceability • 44% Energy • 13% Liveness
0% Instrumentalness • 50% Positiveness
37% Popularity • 68% Danceability • 44% Energy • 13% Liveness
0% Instrumentalness • 50% Positiveness
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Jordan Merrick
Travellin'
121 bpm • F Maj • 03:22 • -7.57db
16% Popularity • 67% Danceability • 42% Energy • 23% Liveness
0% Instrumentalness • 22% Positiveness
16% Popularity • 67% Danceability • 42% Energy • 23% Liveness
0% Instrumentalness • 22% Positiveness
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Alae
All Gived Up
121 bpm • B min • 03:39 • -9.65db
26% Popularity • 43% Danceability • 41% Energy • 9% Liveness
0% Instrumentalness • 18% Positiveness
26% Popularity • 43% Danceability • 41% Energy • 9% Liveness
0% Instrumentalness • 18% Positiveness
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Jack Botts
Summer Nights
119 bpm • E Maj • 04:09 • -8.91db
37% Popularity • 52% Danceability • 63% Energy • 9% Liveness
0% Instrumentalness • 25% Positiveness
37% Popularity • 52% Danceability • 63% Energy • 9% Liveness
0% Instrumentalness • 25% Positiveness
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Foy Vance
Bangor Town
122 bpm • F# Maj • 04:26 • -12.36db
33% Popularity • 50% Danceability • 26% Energy • 9% Liveness
0% Instrumentalness • 20% Positiveness
33% Popularity • 50% Danceability • 26% Energy • 9% Liveness
0% Instrumentalness • 20% Positiveness
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Toby Johnson
Wilderman
118 bpm • A Maj • 04:16 • -14.33db
15% Popularity • 55% Danceability • 20% Energy • 10% Liveness
0% Instrumentalness • 45% Positiveness
15% Popularity • 55% Danceability • 20% Energy • 10% Liveness
0% Instrumentalness • 45% Positiveness
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Tim Chadwick
Blindfolded
122 bpm • D# Maj • 03:12 • -8.44db
9% Popularity • 68% Danceability • 48% Energy • 21% Liveness
0% Instrumentalness • 51% Positiveness
9% Popularity • 68% Danceability • 48% Energy • 21% Liveness
0% Instrumentalness • 51% Positiveness
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Busby Marou
Getaway Car
122 bpm • B Maj • 03:05 • -5.91db
26% Popularity • 72% Danceability • 65% Energy • 10% Liveness
0% Instrumentalness • 72% Positiveness
26% Popularity • 72% Danceability • 65% Energy • 10% Liveness
0% Instrumentalness • 72% Positiveness
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Alae
She
122 bpm • B Maj • 04:44 • -11.91db
2% Popularity • 46% Danceability • 34% Energy • 37% Liveness
0% Instrumentalness • 15% Positiveness
2% Popularity • 46% Danceability • 34% Energy • 37% Liveness
0% Instrumentalness • 15% Positiveness
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Jordan Mackampa
One in the Same
118 bpm • F min • 04:02 • -8.34db
22% Popularity • 58% Danceability • 61% Energy • 10% Liveness
0% Instrumentalness • 42% Positiveness
22% Popularity • 58% Danceability • 61% Energy • 10% Liveness
0% Instrumentalness • 42% Positiveness
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Riley Pearce
Free Coffee
122 bpm • D# Maj • 03:39 • -10.04db
34% Popularity • 70% Danceability • 48% Energy • 12% Liveness
0% Instrumentalness • 57% Positiveness
34% Popularity • 70% Danceability • 48% Energy • 12% Liveness
0% Instrumentalness • 57% Positiveness
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Didirri
Worth the Wait
122 bpm • C min • 05:38 • -13.38db
23% Popularity • 50% Danceability • 18% Energy • 9% Liveness
0% Instrumentalness • 18% Positiveness
23% Popularity • 50% Danceability • 18% Energy • 9% Liveness
0% Instrumentalness • 18% Positiveness
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Wolf and Willow
Heart on Fire
118 bpm • F# Maj • 04:25 • -10.66db
15% Popularity • 47% Danceability • 42% Energy • 11% Liveness
0% Instrumentalness • 27% Positiveness
15% Popularity • 47% Danceability • 42% Energy • 11% Liveness
0% Instrumentalness • 27% Positiveness
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James Bennett
Matchbox Marilyn
123 bpm • G Maj • 03:34 • -13.45db
19% Popularity • 59% Danceability • 65% Energy • 15% Liveness
1% Instrumentalness • 56% Positiveness
19% Popularity • 59% Danceability • 65% Energy • 15% Liveness
1% Instrumentalness • 56% Positiveness
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Alae
Love Hurts Heavy
118 bpm • C Maj • 03:36 • -12.94db
2% Popularity • 64% Danceability • 37% Energy • 10% Liveness
0% Instrumentalness • 32% Positiveness
2% Popularity • 64% Danceability • 37% Energy • 10% Liveness
0% Instrumentalness • 32% Positiveness
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Boatkeeper
Cleanse
117 bpm • D Maj • 04:03 • -8.43db
30% Popularity • 55% Danceability • 29% Energy • 15% Liveness
0% Instrumentalness • 45% Positiveness
30% Popularity • 55% Danceability • 29% Energy • 15% Liveness
0% Instrumentalness • 45% Positiveness
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Riley Pearce
Circles
118 bpm • D min • 04:39 • -10.99db
22% Popularity • 72% Danceability • 41% Energy • 11% Liveness
0% Instrumentalness • 43% Positiveness
22% Popularity • 72% Danceability • 41% Energy • 11% Liveness
0% Instrumentalness • 43% Positiveness
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Didirri
Blind You
117 bpm • D Maj • 02:54 • -12.83db
36% Popularity • 58% Danceability • 15% Energy • 35% Liveness
0% Instrumentalness • 28% Positiveness
36% Popularity • 58% Danceability • 15% Energy • 35% Liveness
0% Instrumentalness • 28% Positiveness
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Jack Botts
Fireworks
117 bpm • C Maj • 03:12 • -10.83db
33% Popularity • 80% Danceability • 42% Energy • 14% Liveness
0% Instrumentalness • 45% Positiveness
33% Popularity • 80% Danceability • 42% Energy • 14% Liveness
0% Instrumentalness • 45% Positiveness
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Mitch James
It Ain't Helping
117 bpm • B min • 03:52 • -6.76db
20% Popularity • 84% Danceability • 58% Energy • 6% Liveness
0% Instrumentalness • 71% Positiveness
20% Popularity • 84% Danceability • 58% Energy • 6% Liveness
0% Instrumentalness • 71% Positiveness
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nomad
I Will Find You
117 bpm • C Maj • 02:34 • -4.04db
20% Popularity • 56% Danceability • 88% Energy • 7% Liveness
0% Instrumentalness • 73% Positiveness
20% Popularity • 56% Danceability • 88% Energy • 7% Liveness
0% Instrumentalness • 73% Positiveness
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Donovan Woods
All Mine
117 bpm • G Maj • 03:22 • -9.79db
13% Popularity • 79% Danceability • 48% Energy • 8% Liveness
0% Instrumentalness • 68% Positiveness
13% Popularity • 79% Danceability • 48% Energy • 8% Liveness
0% Instrumentalness • 68% Positiveness
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Current Swell
Use Me Like You Do
123 bpm • D Maj • 03:38 • -4.23db
23% Popularity • 44% Danceability • 75% Energy • 8% Liveness
0% Instrumentalness • 23% Positiveness
23% Popularity • 44% Danceability • 75% Energy • 8% Liveness
0% Instrumentalness • 23% Positiveness
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Jack the Fox
Here We Are
124 bpm • C# Maj • 03:59 • -10.86db
17% Popularity • 51% Danceability • 28% Energy • 6% Liveness
0% Instrumentalness • 9% Positiveness
17% Popularity • 51% Danceability • 28% Energy • 6% Liveness
0% Instrumentalness • 9% Positiveness
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Alae
Hit Me Where It Hurts (Lockdown)
123 bpm • C# Maj • 04:48 • -16.48db
1% Popularity • 50% Danceability • 20% Energy • 11% Liveness
0% Instrumentalness • 8% Positiveness
1% Popularity • 50% Danceability • 20% Energy • 11% Liveness
0% Instrumentalness • 8% Positiveness
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Patrick Droney
Always Been the End of the World
124 bpm • C# Maj • 04:04 • -7.34db
35% Popularity • 60% Danceability • 85% Energy • 9% Liveness
0% Instrumentalness • 66% Positiveness
35% Popularity • 60% Danceability • 85% Energy • 9% Liveness
0% Instrumentalness • 66% Positiveness
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The East Pointers
Two Weeks
124 bpm • E Maj • 03:41 • -9.53db
40% Popularity • 67% Danceability • 55% Energy • 13% Liveness
0% Instrumentalness • 42% Positiveness
40% Popularity • 67% Danceability • 55% Energy • 13% Liveness
0% Instrumentalness • 42% Positiveness
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George Ogilvie
Better Man
124 bpm • F Maj • 04:43 • -7db
30% Popularity • 58% Danceability • 48% Energy • 10% Liveness
0% Instrumentalness • 19% Positiveness
30% Popularity • 58% Danceability • 48% Energy • 10% Liveness
0% Instrumentalness • 19% Positiveness
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Riley Pearce
Outside the Lines
124 bpm • F# Maj • 03:58 • -9.76db
32% Popularity • 69% Danceability • 46% Energy • 9% Liveness
0% Instrumentalness • 51% Positiveness
32% Popularity • 69% Danceability • 46% Energy • 9% Liveness
0% Instrumentalness • 51% Positiveness
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Rhys Lewis
Wish I Was Sober
124 bpm • A min • 03:27 • -6.52db
29% Popularity • 69% Danceability • 79% Energy • 11% Liveness
0% Instrumentalness • 71% Positiveness
29% Popularity • 69% Danceability • 79% Energy • 11% Liveness
0% Instrumentalness • 71% Positiveness
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Kim Churchill
Look Too
124 bpm • G# Maj • 04:31 • -7.48db
17% Popularity • 68% Danceability • 66% Energy • 19% Liveness
0% Instrumentalness • 46% Positiveness
17% Popularity • 68% Danceability • 66% Energy • 19% Liveness
0% Instrumentalness • 46% Positiveness
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Elliot Root
10,000
124 bpm • D Maj • 04:07 • -7.8db
27% Popularity • 60% Danceability • 57% Energy • 8% Liveness
0% Instrumentalness • 14% Positiveness
27% Popularity • 60% Danceability • 57% Energy • 8% Liveness
0% Instrumentalness • 14% Positiveness
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Gretta Ray
Long Distance
116 bpm • G min • 04:29 • -11.61db
21% Popularity • 67% Danceability • 19% Energy • 11% Liveness
0% Instrumentalness • 14% Positiveness
21% Popularity • 67% Danceability • 19% Energy • 11% Liveness
0% Instrumentalness • 14% Positiveness
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Jack Botts
I've Got You
124 bpm • G Maj • 03:38 • -8.9db
31% Popularity • 51% Danceability • 50% Energy • 14% Liveness
0% Instrumentalness • 26% Positiveness
31% Popularity • 51% Danceability • 50% Energy • 14% Liveness
0% Instrumentalness • 26% Positiveness
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Riley Pearce
Eastbound
124 bpm • E Maj • 04:04 • -10.44db
27% Popularity • 50% Danceability • 51% Energy • 8% Liveness
0% Instrumentalness • 35% Positiveness
27% Popularity • 50% Danceability • 51% Energy • 8% Liveness
0% Instrumentalness • 35% Positiveness
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Cobi
Nobody Opened The Door
116 bpm • D Maj • 04:42 • -6db
36% Popularity • 41% Danceability • 42% Energy • 10% Liveness
0% Instrumentalness • 34% Positiveness
36% Popularity • 41% Danceability • 42% Energy • 10% Liveness
0% Instrumentalness • 34% Positiveness
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Israel Cannan
Lost
116 bpm • C# Maj • 03:41 • -8.59db
30% Popularity • 64% Danceability • 47% Energy • 10% Liveness
0% Instrumentalness • 56% Positiveness
30% Popularity • 64% Danceability • 47% Energy • 10% Liveness
0% Instrumentalness • 56% Positiveness
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Sam Allen
Barricade
115 bpm • D Maj • 05:03 • -6.86db
15% Popularity • 51% Danceability • 44% Energy • 13% Liveness
0% Instrumentalness • 15% Positiveness
15% Popularity • 51% Danceability • 44% Energy • 13% Liveness
0% Instrumentalness • 15% Positiveness
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The Beach
Our Favourite Song
125 bpm • C# Maj • 04:05 • -6.51db
22% Popularity • 68% Danceability • 48% Energy • 13% Liveness
0% Instrumentalness • 15% Positiveness
22% Popularity • 68% Danceability • 48% Energy • 13% Liveness
0% Instrumentalness • 15% Positiveness
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Jack Botts
The Coffee Song - Acoustic
116 bpm • D Maj • 03:16 • -11.93db
26% Popularity • 87% Danceability • 26% Energy • 37% Liveness
1% Instrumentalness • 57% Positiveness
26% Popularity • 87% Danceability • 26% Energy • 37% Liveness
1% Instrumentalness • 57% Positiveness
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Toby Johnson
Braids
125 bpm • G# Maj • 03:25 • -12db
15% Popularity • 72% Danceability • 14% Energy • 14% Liveness
0% Instrumentalness • 38% Positiveness
15% Popularity • 72% Danceability • 14% Energy • 14% Liveness
0% Instrumentalness • 38% Positiveness
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Alae
From 1 to 3
125 bpm • C# min • 02:51 • -8.78db
1% Popularity • 56% Danceability • 62% Energy • 12% Liveness
1% Instrumentalness • 30% Positiveness
1% Popularity • 56% Danceability • 62% Energy • 12% Liveness
1% Instrumentalness • 30% Positiveness
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Sons Of The East
The Farmer
125 bpm • G# Maj • 04:06 • -8.69db
40% Popularity • 54% Danceability • 62% Energy • 10% Liveness
0% Instrumentalness • 20% Positiveness
40% Popularity • 54% Danceability • 62% Energy • 10% Liveness
0% Instrumentalness • 20% Positiveness
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Foy Vance
She Burns
125 bpm • E Maj • 03:49 • -10.15db
54% Popularity • 73% Danceability • 40% Energy • 10% Liveness
0% Instrumentalness • 50% Positiveness
54% Popularity • 73% Danceability • 40% Energy • 10% Liveness
0% Instrumentalness • 50% Positiveness
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Joe Probert
The Ocean Song
125 bpm • B Maj • 03:11 • -7db
22% Popularity • 66% Danceability • 55% Energy • 9% Liveness
0% Instrumentalness • 24% Positiveness
22% Popularity • 66% Danceability • 55% Energy • 9% Liveness
0% Instrumentalness • 24% Positiveness
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Garrett Kato
Trouble Will Find Me
125 bpm • F Maj • 03:20 • -8.7db
13% Popularity • 72% Danceability • 73% Energy • 20% Liveness
0% Instrumentalness • 73% Positiveness
13% Popularity • 72% Danceability • 73% Energy • 20% Liveness
0% Instrumentalness • 73% Positiveness
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Rationale
Phenomenal
125 bpm • G min • 03:23 • -6.74db
27% Popularity • 71% Danceability • 54% Energy • 14% Liveness
0% Instrumentalness • 17% Positiveness
27% Popularity • 71% Danceability • 54% Energy • 14% Liveness
0% Instrumentalness • 17% Positiveness
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Alae
Time & Money
125 bpm • C Maj • 04:03 • -9.52db
1% Popularity • 45% Danceability • 63% Energy • 9% Liveness
0% Instrumentalness • 22% Positiveness
1% Popularity • 45% Danceability • 63% Energy • 9% Liveness
0% Instrumentalness • 22% Positiveness
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Hazlett
First World Problems
115 bpm • F# Maj • 04:23 • -11db
20% Popularity • 44% Danceability • 32% Energy • 9% Liveness
1% Instrumentalness • 19% Positiveness
20% Popularity • 44% Danceability • 32% Energy • 9% Liveness
1% Instrumentalness • 19% Positiveness
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Jack Biilmann
The Hills Have Eyes
115 bpm • G Maj • 03:49 • -18.51db
14% Popularity • 71% Danceability • 24% Energy • 12% Liveness
0% Instrumentalness • 75% Positiveness
14% Popularity • 71% Danceability • 24% Energy • 12% Liveness
0% Instrumentalness • 75% Positiveness
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Dusty Boots
Hideaway
115 bpm • F# Maj • 04:17 • -9.63db
26% Popularity • 66% Danceability • 61% Energy • 12% Liveness
0% Instrumentalness • 32% Positiveness
26% Popularity • 66% Danceability • 61% Energy • 12% Liveness
0% Instrumentalness • 32% Positiveness
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Terence Ryan
To Live and Die in New England
114 bpm • D Maj • 03:14 • -12.49db
17% Popularity • 73% Danceability • 13% Energy • 22% Liveness
0% Instrumentalness • 49% Positiveness
17% Popularity • 73% Danceability • 13% Energy • 22% Liveness
0% Instrumentalness • 49% Positiveness
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LA WOMEN
Call on Me
126 bpm • A min • 03:11 • -5.72db
8% Popularity • 57% Danceability • 58% Energy • 18% Liveness
0% Instrumentalness • 29% Positiveness
8% Popularity • 57% Danceability • 58% Energy • 18% Liveness
0% Instrumentalness • 29% Positiveness
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Alae
Back in Town
115 bpm • E Maj • 05:06 • -11.59db
3% Popularity • 45% Danceability • 30% Energy • 7% Liveness
0% Instrumentalness • 19% Positiveness
3% Popularity • 45% Danceability • 30% Energy • 7% Liveness
0% Instrumentalness • 19% Positiveness
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AYLA
Throw Your Arms Around Me
114 bpm • A# Maj • 02:53 • -7.19db
16% Popularity • 34% Danceability • 45% Energy • 10% Liveness
0% Instrumentalness • 17% Positiveness
16% Popularity • 34% Danceability • 45% Energy • 10% Liveness
0% Instrumentalness • 17% Positiveness
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Jack Botts
Polaroid
114 bpm • F# Maj • 04:55 • -12.36db
33% Popularity • 72% Danceability • 30% Energy • 10% Liveness
0% Instrumentalness • 20% Positiveness
33% Popularity • 72% Danceability • 30% Energy • 10% Liveness
0% Instrumentalness • 20% Positiveness
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Jacob Banks
Sink or Swim
114 bpm • F Maj • 03:38 • -7.35db
31% Popularity • 74% Danceability • 86% Energy • 10% Liveness
0% Instrumentalness • 49% Positiveness
31% Popularity • 74% Danceability • 86% Energy • 10% Liveness
0% Instrumentalness • 49% Positiveness
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Ferris & Sylvester
Better In Yellow
114 bpm • G# Maj • 02:58 • -9db
23% Popularity • 75% Danceability • 68% Energy • 20% Liveness
0% Instrumentalness • 68% Positiveness
23% Popularity • 75% Danceability • 68% Energy • 20% Liveness
0% Instrumentalness • 68% Positiveness
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Emma McGrath
Love You Better
114 bpm • D Maj • 03:20 • -8db
19% Popularity • 64% Danceability • 60% Energy • 11% Liveness
0% Instrumentalness • 51% Positiveness
19% Popularity • 64% Danceability • 60% Energy • 11% Liveness
0% Instrumentalness • 51% Positiveness
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Alae
If You Were Here
114 bpm • E Maj • 03:30 • -15.02db
2% Popularity • 44% Danceability • 13% Energy • 11% Liveness
0% Instrumentalness • 10% Positiveness
2% Popularity • 44% Danceability • 13% Energy • 11% Liveness
0% Instrumentalness • 10% Positiveness
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Matt Hartke
Goodbye Belongs to You
114 bpm • E Maj • 03:33 • -8db
36% Popularity • 61% Danceability • 60% Energy • 13% Liveness
1% Instrumentalness • 49% Positiveness
36% Popularity • 61% Danceability • 60% Energy • 13% Liveness
1% Instrumentalness • 49% Positiveness
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Jack Botts
Let Go
114 bpm • E Maj • 04:09 • -15db
30% Popularity • 77% Danceability • 35% Energy • 11% Liveness
0% Instrumentalness • 50% Positiveness
30% Popularity • 77% Danceability • 35% Energy • 11% Liveness
0% Instrumentalness • 50% Positiveness
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Saint Raymond
Last Time
127 bpm • G Maj • 03:14 • -10.39db
22% Popularity • 68% Danceability • 47% Energy • 6% Liveness
0% Instrumentalness • 54% Positiveness
22% Popularity • 68% Danceability • 47% Energy • 6% Liveness
0% Instrumentalness • 54% Positiveness
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Troy Ramey
Adderall
113 bpm • F# Maj • 03:43 • -8.55db
19% Popularity • 74% Danceability • 36% Energy • 10% Liveness
0% Instrumentalness • 27% Positiveness
19% Popularity • 74% Danceability • 36% Energy • 10% Liveness
0% Instrumentalness • 27% Positiveness
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Tori Forsyth
Broke Machine
128 bpm • A# Maj • 02:48 • -8.04db
24% Popularity • 68% Danceability • 37% Energy • 11% Liveness
0% Instrumentalness • 20% Positiveness
24% Popularity • 68% Danceability • 37% Energy • 11% Liveness
0% Instrumentalness • 20% Positiveness
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Alae
The Kindest Love
114 bpm • C Maj • 04:16 • -13.69db
2% Popularity • 63% Danceability • 12% Energy • 7% Liveness
0% Instrumentalness • 8% Positiveness
2% Popularity • 63% Danceability • 12% Energy • 7% Liveness
0% Instrumentalness • 8% Positiveness
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Jackson Dyer
Uncle Mike
128 bpm • A# Maj • 03:19 • -8.29db
17% Popularity • 60% Danceability • 39% Energy • 15% Liveness
0% Instrumentalness • 22% Positiveness
17% Popularity • 60% Danceability • 39% Energy • 15% Liveness
0% Instrumentalness • 22% Positiveness
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Matt Corby
All Fired Up
128 bpm • E Maj • 04:30 • -8db
38% Popularity • 56% Danceability • 45% Energy • 11% Liveness
0% Instrumentalness • 26% Positiveness
38% Popularity • 56% Danceability • 45% Energy • 11% Liveness
0% Instrumentalness • 26% Positiveness
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Ciaran McMeeken
I Need Love
128 bpm • A# Maj • 03:47 • -9.03db
13% Popularity • 56% Danceability • 40% Energy • 11% Liveness
0% Instrumentalness • 32% Positiveness
13% Popularity • 56% Danceability • 40% Energy • 11% Liveness
0% Instrumentalness • 32% Positiveness
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Gareth Dunlop
29 Times
128 bpm • C Maj • 03:43 • -10.89db
13% Popularity • 85% Danceability • 41% Energy • 11% Liveness
0% Instrumentalness • 40% Positiveness
13% Popularity • 85% Danceability • 41% Energy • 11% Liveness
0% Instrumentalness • 40% Positiveness
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James Bay
Just For Tonight
128 bpm • A# Maj • 03:36 • -3.51db
42% Popularity • 55% Danceability • 85% Energy • 64% Liveness
0% Instrumentalness • 62% Positiveness
42% Popularity • 55% Danceability • 85% Energy • 64% Liveness
0% Instrumentalness • 62% Positiveness
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Jack Botts
The Coffee Song
112 bpm • D Maj • 03:08 • -12db
45% Popularity • 82% Danceability • 33% Energy • 11% Liveness
0% Instrumentalness • 33% Positiveness
45% Popularity • 82% Danceability • 33% Energy • 11% Liveness
0% Instrumentalness • 33% Positiveness
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Riley Pearce
Elephants
112 bpm • D# Maj • 03:01 • -11db
55% Popularity • 66% Danceability • 43% Energy • 9% Liveness
4% Instrumentalness • 30% Positiveness
55% Popularity • 66% Danceability • 43% Energy • 9% Liveness
4% Instrumentalness • 30% Positiveness
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KAWALA
Mighty River
112 bpm • B Maj • 02:42 • -9db
32% Popularity • 91% Danceability • 31% Energy • 10% Liveness
0% Instrumentalness • 34% Positiveness
32% Popularity • 91% Danceability • 31% Energy • 10% Liveness
0% Instrumentalness • 34% Positiveness
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Octave Lissner
Waves of Time
112 bpm • G Maj • 04:23 • -7.75db
26% Popularity • 73% Danceability • 42% Energy • 10% Liveness
0% Instrumentalness • 12% Positiveness
26% Popularity • 73% Danceability • 42% Energy • 10% Liveness
0% Instrumentalness • 12% Positiveness
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The Rubens
Never Ever
112 bpm • F# min • 03:19 • -7.16db
46% Popularity • 73% Danceability • 40% Energy • 12% Liveness
0% Instrumentalness • 24% Positiveness
46% Popularity • 73% Danceability • 40% Energy • 12% Liveness
0% Instrumentalness • 24% Positiveness
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Jack Biilmann
Keya's Song
129 bpm • G# Maj • 03:01 • -9.03db
19% Popularity • 43% Danceability • 73% Energy • 11% Liveness
0% Instrumentalness • 47% Positiveness
19% Popularity • 43% Danceability • 73% Energy • 11% Liveness
0% Instrumentalness • 47% Positiveness
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Picture This
95
129 bpm • C# Maj • 03:54 • -6.45db
43% Popularity • 66% Danceability • 55% Energy • 18% Liveness
0% Instrumentalness • 34% Positiveness
43% Popularity • 66% Danceability • 55% Energy • 18% Liveness
0% Instrumentalness • 34% Positiveness
