Songs like fuck, i luv my friends by renforshort
Based on a tempo of (+/- 10%) and a similar genre
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renforshort
waves
168 bpm • F Maj • 03:41 • -9.72db
26% Popularity • 65% Danceability • 48% Energy • 11% Liveness
1% Instrumentalness • 14% Positiveness
26% Popularity • 65% Danceability • 48% Energy • 11% Liveness
1% Instrumentalness • 14% Positiveness
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ROLE MODEL
forever&more
168 bpm • A Maj • 02:56 • -5.84db
58% Popularity • 64% Danceability • 64% Energy • 12% Liveness
0% Instrumentalness • 48% Positiveness
58% Popularity • 64% Danceability • 64% Energy • 12% Liveness
0% Instrumentalness • 48% Positiveness
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Grace VanderWaal
Don't Assume What You Don't Know
170 bpm • A min • 02:35 • -5.63db
41% Popularity • 73% Danceability • 49% Energy • 12% Liveness
0% Instrumentalness • 62% Positiveness
41% Popularity • 73% Danceability • 49% Energy • 12% Liveness
0% Instrumentalness • 62% Positiveness
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Christian French
OH WELL
168 bpm • G Maj • 02:54 • -4.59db
42% Popularity • 69% Danceability • 70% Energy • 29% Liveness
0% Instrumentalness • 64% Positiveness
42% Popularity • 69% Danceability • 70% Energy • 29% Liveness
0% Instrumentalness • 64% Positiveness
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Emily Bear
u suck
170 bpm • C# Maj • 03:19 • -6db
28% Popularity • 69% Danceability • 62% Energy • 12% Liveness
0% Instrumentalness • 52% Positiveness
28% Popularity • 69% Danceability • 62% Energy • 12% Liveness
0% Instrumentalness • 52% Positiveness
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Neon Trees
Nights
170 bpm • C min • 03:35 • -4db
46% Popularity • 50% Danceability • 86% Energy • 29% Liveness
0% Instrumentalness • 60% Positiveness
46% Popularity • 50% Danceability • 86% Energy • 29% Liveness
0% Instrumentalness • 60% Positiveness
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renforshort
fuck, i luv my friends
168 bpm • E Maj • 02:43 • -5.67db
42% Popularity • 44% Danceability • 55% Energy • 33% Liveness
0% Instrumentalness • 68% Positiveness
42% Popularity • 44% Danceability • 55% Energy • 33% Liveness
0% Instrumentalness • 68% Positiveness
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ROLE MODEL
minimal
170 bpm • C# Maj • 02:43 • -4.44db
49% Popularity • 57% Danceability • 68% Energy • 34% Liveness
0% Instrumentalness • 20% Positiveness
49% Popularity • 57% Danceability • 68% Energy • 34% Liveness
0% Instrumentalness • 20% Positiveness
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Good Boy Daisy
It Can't Be That Hard
166 bpm • D min • 03:19 • -7db
35% Popularity • 48% Danceability • 59% Energy • 25% Liveness
0% Instrumentalness • 38% Positiveness
35% Popularity • 48% Danceability • 59% Energy • 25% Liveness
0% Instrumentalness • 38% Positiveness
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X Lovers
Too Fast
166 bpm • C# Maj • 02:33 • -4.11db
33% Popularity • 73% Danceability • 67% Energy • 6% Liveness
0% Instrumentalness • 90% Positiveness
33% Popularity • 73% Danceability • 67% Energy • 6% Liveness
0% Instrumentalness • 90% Positiveness
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Kelsy Karter & The Heroines
Love Me or Hate Me
166 bpm • G# Maj • 03:16 • -5.27db
38% Popularity • 48% Danceability • 94% Energy • 25% Liveness
0% Instrumentalness • 56% Positiveness
38% Popularity • 48% Danceability • 94% Energy • 25% Liveness
0% Instrumentalness • 56% Positiveness
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Julia Wolf
High Waist Jeans
170 bpm • B Maj • 02:53 • -7db
35% Popularity • 65% Danceability • 57% Energy • 27% Liveness
0% Instrumentalness • 28% Positiveness
35% Popularity • 65% Danceability • 57% Energy • 27% Liveness
0% Instrumentalness • 28% Positiveness
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renforshort
don't come back
170 bpm • C Maj • 02:21 • -5.97db
25% Popularity • 43% Danceability • 70% Energy • 9% Liveness
0% Instrumentalness • 45% Positiveness
25% Popularity • 43% Danceability • 70% Energy • 9% Liveness
0% Instrumentalness • 45% Positiveness
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Slush Puppy
Juliette
165 bpm • D Maj • 02:50 • -10db
42% Popularity • 46% Danceability • 47% Energy • 21% Liveness
0% Instrumentalness • 50% Positiveness
42% Popularity • 46% Danceability • 47% Energy • 21% Liveness
0% Instrumentalness • 50% Positiveness
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iamnotshane
What A Perfect Day For Crying
165 bpm • A min • 03:01 • -7.23db
44% Popularity • 56% Danceability • 80% Energy • 16% Liveness
0% Instrumentalness • 69% Positiveness
44% Popularity • 56% Danceability • 80% Energy • 16% Liveness
0% Instrumentalness • 69% Positiveness
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bülow
First Place
165 bpm • D# Maj • 02:33 • -6.39db
35% Popularity • 67% Danceability • 64% Energy • 9% Liveness
0% Instrumentalness • 43% Positiveness
35% Popularity • 67% Danceability • 64% Energy • 9% Liveness
0% Instrumentalness • 43% Positiveness
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The Aces
My Phone is Trying to Kill Me
165 bpm • C Maj • 02:55 • -6.68db
29% Popularity • 70% Danceability • 56% Energy • 7% Liveness
0% Instrumentalness • 56% Positiveness
29% Popularity • 70% Danceability • 56% Energy • 7% Liveness
0% Instrumentalness • 56% Positiveness
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Maude Latour
Block Your Number
165 bpm • A Maj • 03:22 • -4.77db
32% Popularity • 52% Danceability • 77% Energy • 23% Liveness
0% Instrumentalness • 66% Positiveness
32% Popularity • 52% Danceability • 77% Energy • 23% Liveness
0% Instrumentalness • 66% Positiveness
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Jenna Doe
Shapeshift
172 bpm • A Maj • 02:25 • -8db
43% Popularity • 53% Danceability • 42% Energy • 10% Liveness
0% Instrumentalness • 32% Positiveness
43% Popularity • 53% Danceability • 42% Energy • 10% Liveness
0% Instrumentalness • 32% Positiveness
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renforshort
hurt like it should
172 bpm • A Maj • 03:23 • -6.56db
45% Popularity • 48% Danceability • 71% Energy • 9% Liveness
1% Instrumentalness • 71% Positiveness
45% Popularity • 48% Danceability • 71% Energy • 9% Liveness
1% Instrumentalness • 71% Positiveness
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girl in red
Say It - Spotify Studio Oyster Recording
172 bpm • A# Maj • 02:53 • -7db
51% Popularity • 52% Danceability • 77% Energy • 28% Liveness
0% Instrumentalness • 78% Positiveness
51% Popularity • 52% Danceability • 77% Energy • 28% Liveness
0% Instrumentalness • 78% Positiveness
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bülow
Revolver
171 bpm • C Maj • 02:48 • -4.33db
43% Popularity • 61% Danceability • 83% Energy • 18% Liveness
0% Instrumentalness • 81% Positiveness
43% Popularity • 61% Danceability • 83% Energy • 18% Liveness
0% Instrumentalness • 81% Positiveness
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Chloe Lilac
MODERATION
164 bpm • G Maj • 02:39 • -6.59db
28% Popularity • 51% Danceability • 53% Energy • 22% Liveness
0% Instrumentalness • 36% Positiveness
28% Popularity • 51% Danceability • 53% Energy • 22% Liveness
0% Instrumentalness • 36% Positiveness
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OSTON
I Think You Should Leave
164 bpm • G# Maj • 03:02 • -5.85db
17% Popularity • 67% Danceability • 66% Energy • 25% Liveness
0% Instrumentalness • 67% Positiveness
17% Popularity • 67% Danceability • 66% Energy • 25% Liveness
0% Instrumentalness • 67% Positiveness
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LØLØ
Convenient
164 bpm • F min • 02:58 • -6.94db
39% Popularity • 71% Danceability • 69% Energy • 30% Liveness
0% Instrumentalness • 60% Positiveness
39% Popularity • 71% Danceability • 69% Energy • 30% Liveness
0% Instrumentalness • 60% Positiveness
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renforshort
not my friend
172 bpm • C min • 02:47 • -10.04db
19% Popularity • 52% Danceability • 37% Energy • 19% Liveness
0% Instrumentalness • 32% Positiveness
19% Popularity • 52% Danceability • 37% Energy • 19% Liveness
0% Instrumentalness • 32% Positiveness
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chloe moriondo
Rly Don't Care
164 bpm • G Maj • 02:26 • -7.69db
40% Popularity • 62% Danceability • 51% Energy • 10% Liveness
0% Instrumentalness • 50% Positiveness
40% Popularity • 62% Danceability • 51% Energy • 10% Liveness
0% Instrumentalness • 50% Positiveness
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TRAMP STAMPS
1-800-miss-ur-guts
164 bpm • F# Maj • 03:03 • -7.24db
32% Popularity • 60% Danceability • 47% Energy • 9% Liveness
0% Instrumentalness • 21% Positiveness
32% Popularity • 60% Danceability • 47% Energy • 9% Liveness
0% Instrumentalness • 21% Positiveness
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Rence
Endless
164 bpm • G Maj • 03:26 • -6.18db
39% Popularity • 58% Danceability • 66% Energy • 16% Liveness
0% Instrumentalness • 59% Positiveness
39% Popularity • 58% Danceability • 66% Energy • 16% Liveness
0% Instrumentalness • 59% Positiveness
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Ricky Himself
I Might Die
174 bpm • F# Maj • 03:09 • -4.6db
28% Popularity • 56% Danceability • 64% Energy • 9% Liveness
0% Instrumentalness • 56% Positiveness
28% Popularity • 56% Danceability • 64% Energy • 9% Liveness
0% Instrumentalness • 56% Positiveness
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Dylan
Someone Else
174 bpm • F# Maj • 03:11 • -4.1db
47% Popularity • 48% Danceability • 86% Energy • 7% Liveness
0% Instrumentalness • 43% Positiveness
47% Popularity • 48% Danceability • 86% Energy • 7% Liveness
0% Instrumentalness • 43% Positiveness
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Chloe Lilac
10 Things
174 bpm • C# min • 02:39 • -6db
20% Popularity • 58% Danceability • 61% Energy • 14% Liveness
0% Instrumentalness • 60% Positiveness
20% Popularity • 58% Danceability • 61% Energy • 14% Liveness
0% Instrumentalness • 60% Positiveness
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renforshort
made for you
162 bpm • C# Maj • 02:52 • -4.89db
33% Popularity • 64% Danceability • 74% Energy • 20% Liveness
0% Instrumentalness • 67% Positiveness
33% Popularity • 64% Danceability • 74% Energy • 20% Liveness
0% Instrumentalness • 67% Positiveness
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Thomas Headon
Bored
162 bpm • D Maj • 02:39 • -6.54db
45% Popularity • 66% Danceability • 61% Energy • 36% Liveness
0% Instrumentalness • 79% Positiveness
45% Popularity • 66% Danceability • 61% Energy • 36% Liveness
0% Instrumentalness • 79% Positiveness
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ella jane
AUGUST IS A FEVER
162 bpm • A# Maj • 03:37 • -10db
33% Popularity • 83% Danceability • 35% Energy • 33% Liveness
0% Instrumentalness • 69% Positiveness
33% Popularity • 83% Danceability • 35% Energy • 33% Liveness
0% Instrumentalness • 69% Positiveness
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Carol Ades
Crying During Sex
162 bpm • G Maj • 03:40 • -7.67db
37% Popularity • 46% Danceability • 70% Energy • 10% Liveness
4% Instrumentalness • 31% Positiveness
37% Popularity • 46% Danceability • 70% Energy • 10% Liveness
4% Instrumentalness • 31% Positiveness
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Alexander 23
Hate Me If It Helps
162 bpm • D Maj • 03:16 • -8.84db
45% Popularity • 53% Danceability • 43% Energy • 11% Liveness
0% Instrumentalness • 60% Positiveness
45% Popularity • 53% Danceability • 43% Energy • 11% Liveness
0% Instrumentalness • 60% Positiveness
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Sarah Barrios
IH8EVERY1
161 bpm • G# Maj • 02:47 • -4db
34% Popularity • 59% Danceability • 84% Energy • 37% Liveness
0% Instrumentalness • 75% Positiveness
34% Popularity • 59% Danceability • 84% Energy • 37% Liveness
0% Instrumentalness • 75% Positiveness
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Julia Wolf
Villain
161 bpm • D Maj • 02:56 • -7.19db
38% Popularity • 73% Danceability • 59% Energy • 11% Liveness
0% Instrumentalness • 57% Positiveness
38% Popularity • 73% Danceability • 59% Energy • 11% Liveness
0% Instrumentalness • 57% Positiveness
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Zolita
Somebody I F*cked Once
176 bpm • F Maj • 03:04 • -5db
54% Popularity • 42% Danceability • 70% Energy • 8% Liveness
0% Instrumentalness • 48% Positiveness
54% Popularity • 42% Danceability • 70% Energy • 8% Liveness
0% Instrumentalness • 48% Positiveness
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Aidan Bissett
Dumped
176 bpm • B Maj • 02:43 • -5db
43% Popularity • 56% Danceability • 76% Energy • 17% Liveness
0% Instrumentalness • 41% Positiveness
43% Popularity • 56% Danceability • 76% Energy • 17% Liveness
0% Instrumentalness • 41% Positiveness
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david hugo
we made it.
176 bpm • F Maj • 02:44 • -7.91db
50% Popularity • 65% Danceability • 52% Energy • 8% Liveness
0% Instrumentalness • 67% Positiveness
50% Popularity • 65% Danceability • 52% Energy • 8% Liveness
0% Instrumentalness • 67% Positiveness
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Valley
hiccup
160 bpm • A Maj • 02:44 • -8.96db
50% Popularity • 42% Danceability • 58% Energy • 33% Liveness
0% Instrumentalness • 55% Positiveness
50% Popularity • 42% Danceability • 58% Energy • 33% Liveness
0% Instrumentalness • 55% Positiveness
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renforshort
better off
160 bpm • D Maj • 03:04 • -5.6db
21% Popularity • 49% Danceability • 76% Energy • 15% Liveness
0% Instrumentalness • 44% Positiveness
21% Popularity • 49% Danceability • 76% Energy • 15% Liveness
0% Instrumentalness • 44% Positiveness
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Olen
DOA
160 bpm • D Maj • 02:43 • -5db
42% Popularity • 55% Danceability • 76% Energy • 9% Liveness
0% Instrumentalness • 82% Positiveness
42% Popularity • 55% Danceability • 76% Energy • 9% Liveness
0% Instrumentalness • 82% Positiveness
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Carlie Hanson
WYA
160 bpm • C# Maj • 03:11 • -4.38db
40% Popularity • 59% Danceability • 79% Energy • 5% Liveness
0% Instrumentalness • 24% Positiveness
40% Popularity • 59% Danceability • 79% Energy • 5% Liveness
0% Instrumentalness • 24% Positiveness
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MOTHICA
upside
160 bpm • D Maj • 02:31 • -7.74db
42% Popularity • 56% Danceability • 61% Energy • 16% Liveness
0% Instrumentalness • 44% Positiveness
42% Popularity • 56% Danceability • 61% Energy • 16% Liveness
0% Instrumentalness • 44% Positiveness
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Christian French
avalanche
160 bpm • B Maj • 03:19 • -3.92db
51% Popularity • 64% Danceability • 86% Energy • 10% Liveness
0% Instrumentalness • 89% Positiveness
51% Popularity • 64% Danceability • 86% Energy • 10% Liveness
0% Instrumentalness • 89% Positiveness
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Avenue Beat
thank you anxiety
160 bpm • G Maj • 02:48 • -4.02db
29% Popularity • 59% Danceability • 70% Energy • 20% Liveness
0% Instrumentalness • 63% Positiveness
29% Popularity • 59% Danceability • 70% Energy • 20% Liveness
0% Instrumentalness • 63% Positiveness
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bülow
Boys Will Be Boys
160 bpm • C Maj • 02:35 • -4.66db
38% Popularity • 64% Danceability • 86% Energy • 23% Liveness
0% Instrumentalness • 75% Positiveness
38% Popularity • 64% Danceability • 86% Energy • 23% Liveness
0% Instrumentalness • 75% Positiveness
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FLETCHER
Healing
160 bpm • D Maj • 03:07 • -7.25db
55% Popularity • 58% Danceability • 62% Energy • 13% Liveness
0% Instrumentalness • 35% Positiveness
55% Popularity • 58% Danceability • 62% Energy • 13% Liveness
0% Instrumentalness • 35% Positiveness
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JORDY
I Just Wanna Be Loved
160 bpm • C Maj • 03:09 • -5.56db
31% Popularity • 65% Danceability • 67% Energy • 14% Liveness
0% Instrumentalness • 77% Positiveness
31% Popularity • 65% Danceability • 67% Energy • 14% Liveness
0% Instrumentalness • 77% Positiveness
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Chloe Lilac
JANSPORT
160 bpm • C# Maj • 02:15 • -4.34db
15% Popularity • 59% Danceability • 74% Energy • 10% Liveness
0% Instrumentalness • 91% Positiveness
15% Popularity • 59% Danceability • 74% Energy • 10% Liveness
0% Instrumentalness • 91% Positiveness
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Isabel Pless
Bechdel Test
159 bpm • D Maj • 02:12 • -9db
32% Popularity • 54% Danceability • 36% Energy • 29% Liveness
0% Instrumentalness • 53% Positiveness
32% Popularity • 54% Danceability • 36% Energy • 29% Liveness
0% Instrumentalness • 53% Positiveness
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Maude Latour
Lola
159 bpm • D# Maj • 02:41 • -7.57db
40% Popularity • 59% Danceability • 63% Energy • 17% Liveness
0% Instrumentalness • 77% Positiveness
40% Popularity • 59% Danceability • 63% Energy • 17% Liveness
0% Instrumentalness • 77% Positiveness
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carobae
dance around
159 bpm • A# Maj • 02:27 • -7db
35% Popularity • 51% Danceability • 22% Energy • 10% Liveness
0% Instrumentalness • 63% Positiveness
35% Popularity • 51% Danceability • 22% Energy • 10% Liveness
0% Instrumentalness • 63% Positiveness
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Robert DeLong
Better In College
178 bpm • C Maj • 03:28 • -5db
31% Popularity • 51% Danceability • 67% Energy • 22% Liveness
0% Instrumentalness • 72% Positiveness
31% Popularity • 51% Danceability • 67% Energy • 22% Liveness
0% Instrumentalness • 72% Positiveness
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ROLE MODEL
alive
158 bpm • F# min • 03:02 • -5.45db
34% Popularity • 54% Danceability • 67% Energy • 40% Liveness
0% Instrumentalness • 30% Positiveness
34% Popularity • 54% Danceability • 67% Energy • 40% Liveness
0% Instrumentalness • 30% Positiveness
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renforshort
fall apart
158 bpm • A# Maj • 02:36 • -6.46db
44% Popularity • 57% Danceability • 75% Energy • 7% Liveness
0% Instrumentalness • 27% Positiveness
44% Popularity • 57% Danceability • 75% Energy • 7% Liveness
0% Instrumentalness • 27% Positiveness
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WRENN
Maggie Gyllenhaal
158 bpm • D Maj • 02:56 • -4db
26% Popularity • 51% Danceability • 78% Energy • 15% Liveness
7% Instrumentalness • 47% Positiveness
26% Popularity • 51% Danceability • 78% Energy • 15% Liveness
7% Instrumentalness • 47% Positiveness
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Xana
Yellow
158 bpm • G Maj • 03:41 • -6db
40% Popularity • 51% Danceability • 69% Energy • 6% Liveness
0% Instrumentalness • 42% Positiveness
40% Popularity • 51% Danceability • 69% Energy • 6% Liveness
0% Instrumentalness • 42% Positiveness
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Julia Wolf
Hoops
157 bpm • C Maj • 03:19 • -9.18db
41% Popularity • 62% Danceability • 56% Energy • 10% Liveness
0% Instrumentalness • 53% Positiveness
41% Popularity • 62% Danceability • 56% Energy • 10% Liveness
0% Instrumentalness • 53% Positiveness
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Carlie Hanson
Your Mom
180 bpm • B Maj • 02:08 • -6.12db
23% Popularity • 54% Danceability • 65% Energy • 12% Liveness
0% Instrumentalness • 43% Positiveness
23% Popularity • 54% Danceability • 65% Energy • 12% Liveness
0% Instrumentalness • 43% Positiveness
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Deza
Boy Violet
157 bpm • B Maj • 02:58 • -9db
29% Popularity • 71% Danceability • 40% Energy • 12% Liveness
0% Instrumentalness • 54% Positiveness
29% Popularity • 71% Danceability • 40% Energy • 12% Liveness
0% Instrumentalness • 54% Positiveness
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Annika Wells
Fuck Being Sober
180 bpm • G# Maj • 03:32 • -6.63db
46% Popularity • 69% Danceability • 55% Energy • 51% Liveness
0% Instrumentalness • 38% Positiveness
46% Popularity • 69% Danceability • 55% Energy • 51% Liveness
0% Instrumentalness • 38% Positiveness
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ROLE MODEL
for the people in the back
156 bpm • D# min • 02:34 • -4.43db
42% Popularity • 78% Danceability • 73% Energy • 38% Liveness
0% Instrumentalness • 83% Positiveness
42% Popularity • 78% Danceability • 73% Energy • 38% Liveness
0% Instrumentalness • 83% Positiveness
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Anna Sofia
Self Aware Bitch
156 bpm • C Maj • 02:49 • -8.72db
34% Popularity • 79% Danceability • 46% Energy • 16% Liveness
0% Instrumentalness • 44% Positiveness
34% Popularity • 79% Danceability • 46% Energy • 16% Liveness
0% Instrumentalness • 44% Positiveness
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Hayley Kiyoko
chance
156 bpm • F# Maj • 03:19 • -6.07db
41% Popularity • 65% Danceability • 63% Energy • 13% Liveness
0% Instrumentalness • 44% Positiveness
41% Popularity • 65% Danceability • 63% Energy • 13% Liveness
0% Instrumentalness • 44% Positiveness
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Grady
kissing girls
181 bpm • C Maj • 01:40 • -7.32db
53% Popularity • 42% Danceability • 46% Energy • 49% Liveness
0% Instrumentalness • 72% Positiveness
53% Popularity • 42% Danceability • 46% Energy • 49% Liveness
0% Instrumentalness • 72% Positiveness
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We Three
i wanna love somebody
156 bpm • A Maj • 03:53 • -7.38db
47% Popularity • 59% Danceability • 68% Energy • 9% Liveness
0% Instrumentalness • 52% Positiveness
47% Popularity • 59% Danceability • 68% Energy • 9% Liveness
0% Instrumentalness • 52% Positiveness
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JayXander
HOODIES
155 bpm • F# Maj • 03:00 • -6.09db
38% Popularity • 61% Danceability • 79% Energy • 32% Liveness
0% Instrumentalness • 85% Positiveness
38% Popularity • 61% Danceability • 79% Energy • 32% Liveness
0% Instrumentalness • 85% Positiveness
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renforshort
virtual reality
155 bpm • F# Maj • 02:41 • -7.96db
35% Popularity • 68% Danceability • 53% Energy • 13% Liveness
0% Instrumentalness • 44% Positiveness
35% Popularity • 68% Danceability • 53% Energy • 13% Liveness
0% Instrumentalness • 44% Positiveness
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Valley
homebody
155 bpm • C# Maj • 03:11 • -7.24db
43% Popularity • 62% Danceability • 63% Energy • 6% Liveness
0% Instrumentalness • 59% Positiveness
43% Popularity • 62% Danceability • 63% Energy • 6% Liveness
0% Instrumentalness • 59% Positiveness
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Lemondrop
Strawberry Wine
155 bpm • G# Maj • 03:53 • -8.34db
43% Popularity • 61% Danceability • 59% Energy • 8% Liveness
1% Instrumentalness • 48% Positiveness
43% Popularity • 61% Danceability • 59% Energy • 8% Liveness
1% Instrumentalness • 48% Positiveness
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Blake Rose
Casanova
155 bpm • B Maj • 03:01 • -6db
44% Popularity • 57% Danceability • 76% Energy • 21% Liveness
0% Instrumentalness • 77% Positiveness
44% Popularity • 57% Danceability • 76% Energy • 21% Liveness
0% Instrumentalness • 77% Positiveness
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Thomas Headon
Nobody Has To Know
154 bpm • A Maj • 03:06 • -4.23db
34% Popularity • 61% Danceability • 85% Energy • 32% Liveness
0% Instrumentalness • 86% Positiveness
34% Popularity • 61% Danceability • 85% Energy • 32% Liveness
0% Instrumentalness • 86% Positiveness
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ROLE MODEL
better the first time
154 bpm • C Maj • 03:09 • -3.51db
36% Popularity • 71% Danceability • 70% Energy • 12% Liveness
0% Instrumentalness • 84% Positiveness
36% Popularity • 71% Danceability • 70% Energy • 12% Liveness
0% Instrumentalness • 84% Positiveness
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Little Hurt
Good As It Gets
154 bpm • F Maj • 02:33 • -4.42db
44% Popularity • 66% Danceability • 80% Energy • 7% Liveness
0% Instrumentalness • 89% Positiveness
44% Popularity • 66% Danceability • 80% Energy • 7% Liveness
0% Instrumentalness • 89% Positiveness
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Fifth Lucky Dragon
I Keep Seeing People I Don't Want To See...
184 bpm • A Maj • 03:03 • -9.26db
22% Popularity • 54% Danceability • 49% Energy • 10% Liveness
0% Instrumentalness • 32% Positiveness
22% Popularity • 54% Danceability • 49% Energy • 10% Liveness
0% Instrumentalness • 32% Positiveness
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COIN
Crash My Car
184 bpm • F Maj • 03:08 • -5.86db
63% Popularity • 24% Danceability • 65% Energy • 30% Liveness
0% Instrumentalness • 53% Positiveness
63% Popularity • 24% Danceability • 65% Energy • 30% Liveness
0% Instrumentalness • 53% Positiveness
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Chloe Lilac
High School
184 bpm • B Maj • 03:24 • -6.09db
30% Popularity • 59% Danceability • 46% Energy • 14% Liveness
0% Instrumentalness • 62% Positiveness
30% Popularity • 59% Danceability • 46% Energy • 14% Liveness
0% Instrumentalness • 62% Positiveness
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Alexander 23
Crash
185 bpm • E Maj • 03:14 • -5.25db
41% Popularity • 57% Danceability • 72% Energy • 24% Liveness
0% Instrumentalness • 72% Positiveness
41% Popularity • 57% Danceability • 72% Energy • 24% Liveness
0% Instrumentalness • 72% Positiveness
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Powfu
the long way home
152 bpm • D Maj • 03:09 • -9.69db
40% Popularity • 58% Danceability • 40% Energy • 32% Liveness
0% Instrumentalness • 52% Positiveness
40% Popularity • 58% Danceability • 40% Energy • 32% Liveness
0% Instrumentalness • 52% Positiveness
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WRENN
All My Friends
186 bpm • A Maj • 02:53 • -7db
27% Popularity • 58% Danceability • 67% Energy • 69% Liveness
0% Instrumentalness • 51% Positiveness
27% Popularity • 58% Danceability • 67% Energy • 69% Liveness
0% Instrumentalness • 51% Positiveness
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Carlie Hanson
Side Effects
186 bpm • E Maj • 03:08 • -5.34db
46% Popularity • 57% Danceability • 73% Energy • 24% Liveness
0% Instrumentalness • 37% Positiveness
46% Popularity • 57% Danceability • 73% Energy • 24% Liveness
0% Instrumentalness • 37% Positiveness
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girl in red
Body And Mind
151 bpm • A# min • 03:06 • -5.93db
59% Popularity • 57% Danceability • 57% Energy • 10% Liveness
0% Instrumentalness • 55% Positiveness
59% Popularity • 57% Danceability • 57% Energy • 10% Liveness
0% Instrumentalness • 55% Positiveness
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renforshort
museum
188 bpm • A# Maj • 02:37 • -6.92db
25% Popularity • 60% Danceability • 58% Energy • 10% Liveness
0% Instrumentalness • 38% Positiveness
25% Popularity • 60% Danceability • 58% Energy • 10% Liveness
0% Instrumentalness • 38% Positiveness
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ROLE MODEL
blind
150 bpm • C Maj • 02:33 • -5.22db
62% Popularity • 76% Danceability • 66% Energy • 9% Liveness
0% Instrumentalness • 69% Positiveness
62% Popularity • 76% Danceability • 66% Energy • 9% Liveness
0% Instrumentalness • 69% Positiveness
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COIN
You Are the Traffic
188 bpm • G Maj • 03:12 • -5.84db
39% Popularity • 43% Danceability • 63% Energy • 16% Liveness
0% Instrumentalness • 51% Positiveness
39% Popularity • 43% Danceability • 63% Energy • 16% Liveness
0% Instrumentalness • 51% Positiveness
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toast
i've been calling
150 bpm • A Maj • 02:24 • -7db
28% Popularity • 58% Danceability • 69% Energy • 9% Liveness
0% Instrumentalness • 83% Positiveness
28% Popularity • 58% Danceability • 69% Energy • 9% Liveness
0% Instrumentalness • 83% Positiveness
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Carlie Hanson
Back in My Arms
150 bpm • C# min • 03:15 • -4.85db
41% Popularity • 54% Danceability • 78% Energy • 9% Liveness
0% Instrumentalness • 52% Positiveness
41% Popularity • 54% Danceability • 78% Energy • 9% Liveness
0% Instrumentalness • 52% Positiveness
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Thomston
JPA989
150 bpm • C Maj • 02:56 • -11.35db
18% Popularity • 66% Danceability • 49% Energy • 8% Liveness
0% Instrumentalness • 27% Positiveness
18% Popularity • 66% Danceability • 49% Energy • 8% Liveness
0% Instrumentalness • 27% Positiveness
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renforshort
luv is stooopid
188 bpm • C Maj • 02:47 • -5.37db
26% Popularity • 32% Danceability • 60% Energy • 6% Liveness
0% Instrumentalness • 32% Positiveness
26% Popularity • 32% Danceability • 60% Energy • 6% Liveness
0% Instrumentalness • 32% Positiveness
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Royal & the Serpent
CHIPS
150 bpm • F Maj • 02:47 • -5.87db
28% Popularity • 60% Danceability • 78% Energy • 21% Liveness
0% Instrumentalness • 55% Positiveness
28% Popularity • 60% Danceability • 78% Energy • 21% Liveness
0% Instrumentalness • 55% Positiveness
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COIN
Boyfriend
150 bpm • C Maj • 02:59 • -4.83db
49% Popularity • 57% Danceability • 92% Energy • 21% Liveness
0% Instrumentalness • 46% Positiveness
49% Popularity • 57% Danceability • 92% Energy • 21% Liveness
0% Instrumentalness • 46% Positiveness
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Valley
Like 1999 - Late Night Mix
188 bpm • G Maj • 03:05 • -8db
30% Popularity • 41% Danceability • 50% Energy • 9% Liveness
0% Instrumentalness • 42% Positiveness
30% Popularity • 41% Danceability • 50% Energy • 9% Liveness
0% Instrumentalness • 42% Positiveness
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Carlie Hanson
Off My Neck
150 bpm • E Maj • 03:01 • -6db
28% Popularity • 67% Danceability • 70% Energy • 14% Liveness
0% Instrumentalness • 39% Positiveness
28% Popularity • 67% Danceability • 70% Energy • 14% Liveness
0% Instrumentalness • 39% Positiveness
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mxmtoon
bon iver
150 bpm • A# Maj • 03:16 • -6.81db
42% Popularity • 58% Danceability • 65% Energy • 10% Liveness
0% Instrumentalness • 32% Positiveness
42% Popularity • 58% Danceability • 65% Energy • 10% Liveness
0% Instrumentalness • 32% Positiveness
