Songs like Fuck It by Charlie Collins
Based on a tempo of (+/- 10%) and a similar genre
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Betty Taylor
Stallin'
156 bpm • C Maj • 04:25 • -6db
33% Popularity • 55% Danceability • 88% Energy • 19% Liveness
5% Instrumentalness • 56% Positiveness
33% Popularity • 55% Danceability • 88% Energy • 19% Liveness
5% Instrumentalness • 56% Positiveness
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Charlie Collins
Fuck It
156 bpm • A min • 04:04 • -5.24db
5% Popularity • 44% Danceability • 95% Energy • 35% Liveness
0% Instrumentalness • 17% Positiveness
5% Popularity • 44% Danceability • 95% Energy • 35% Liveness
0% Instrumentalness • 17% Positiveness
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Teenage Joans
Terrible
156 bpm • B Maj • 03:38 • -4.22db
28% Popularity • 27% Danceability • 94% Energy • 13% Liveness
0% Instrumentalness • 37% Positiveness
28% Popularity • 27% Danceability • 94% Energy • 13% Liveness
0% Instrumentalness • 37% Positiveness
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Tyne-James Organ
Honey
155 bpm • C# Maj • 03:49 • -4.56db
18% Popularity • 56% Danceability • 86% Energy • 13% Liveness
3% Instrumentalness • 43% Positiveness
18% Popularity • 56% Danceability • 86% Energy • 13% Liveness
3% Instrumentalness • 43% Positiveness
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Holy Holy
Amateurs
155 bpm • E Maj • 03:14 • -5.5db
25% Popularity • 42% Danceability • 81% Energy • 16% Liveness
18% Instrumentalness • 21% Positiveness
25% Popularity • 42% Danceability • 81% Energy • 16% Liveness
18% Instrumentalness • 21% Positiveness
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Noah Dillon
That's Just How I Feel
155 bpm • F min • 03:39 • -6.06db
28% Popularity • 50% Danceability • 91% Energy • 19% Liveness
0% Instrumentalness • 62% Positiveness
28% Popularity • 50% Danceability • 91% Energy • 19% Liveness
0% Instrumentalness • 62% Positiveness
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Maddy Jane
It's a Lot
158 bpm • E Maj • 03:54 • -5.98db
19% Popularity • 49% Danceability • 72% Energy • 17% Liveness
0% Instrumentalness • 55% Positiveness
19% Popularity • 49% Danceability • 72% Energy • 17% Liveness
0% Instrumentalness • 55% Positiveness
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Charlie Collins
Just My Luck
156 bpm • G Maj • 02:23 • -4.48db
19% Popularity • 55% Danceability • 74% Energy • 18% Liveness
0% Instrumentalness • 66% Positiveness
19% Popularity • 55% Danceability • 74% Energy • 18% Liveness
0% Instrumentalness • 66% Positiveness
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The Buoys
Carpark
158 bpm • D Maj • 03:06 • -4db
22% Popularity • 46% Danceability • 82% Energy • 18% Liveness
0% Instrumentalness • 51% Positiveness
22% Popularity • 46% Danceability • 82% Energy • 18% Liveness
0% Instrumentalness • 51% Positiveness
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Tyne-James Organ
The Fire
158 bpm • C# Maj • 03:05 • -5.39db
17% Popularity • 52% Danceability • 89% Energy • 10% Liveness
0% Instrumentalness • 68% Positiveness
17% Popularity • 52% Danceability • 89% Energy • 10% Liveness
0% Instrumentalness • 68% Positiveness
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Dulcie
Nothing Left
158 bpm • C# Maj • 03:03 • -6.61db
12% Popularity • 67% Danceability • 64% Energy • 8% Liveness
0% Instrumentalness • 62% Positiveness
12% Popularity • 67% Danceability • 64% Energy • 8% Liveness
0% Instrumentalness • 62% Positiveness
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Ruby Fields
Song About A Boy
154 bpm • F Maj • 03:49 • -4.57db
31% Popularity • 41% Danceability • 81% Energy • 20% Liveness
0% Instrumentalness • 24% Positiveness
31% Popularity • 41% Danceability • 81% Energy • 20% Liveness
0% Instrumentalness • 24% Positiveness
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CLEWS
Feel
159 bpm • D# Maj • 04:03 • -4.64db
18% Popularity • 40% Danceability • 84% Energy • 13% Liveness
0% Instrumentalness • 45% Positiveness
18% Popularity • 40% Danceability • 84% Energy • 13% Liveness
0% Instrumentalness • 45% Positiveness
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Seaside
Sycamore
153 bpm • C Maj • 03:26 • -7.6db
24% Popularity • 46% Danceability • 77% Energy • 10% Liveness
0% Instrumentalness • 61% Positiveness
24% Popularity • 46% Danceability • 77% Energy • 10% Liveness
0% Instrumentalness • 61% Positiveness
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Aodhan
Empty Spaces
152 bpm • G# Maj • 03:47 • -5.37db
24% Popularity • 50% Danceability • 78% Energy • 11% Liveness
17% Instrumentalness • 44% Positiveness
24% Popularity • 50% Danceability • 78% Energy • 11% Liveness
17% Instrumentalness • 44% Positiveness
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Tyne-James Organ
Overtime
154 bpm • F Maj • 03:25 • -6.29db
14% Popularity • 63% Danceability • 72% Energy • 10% Liveness
0% Instrumentalness • 32% Positiveness
14% Popularity • 63% Danceability • 72% Energy • 10% Liveness
0% Instrumentalness • 32% Positiveness
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Spacey Jane
Hardlight
152 bpm • B Maj • 03:33 • -4db
53% Popularity • 47% Danceability • 77% Energy • 15% Liveness
0% Instrumentalness • 53% Positiveness
53% Popularity • 47% Danceability • 77% Energy • 15% Liveness
0% Instrumentalness • 53% Positiveness
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Molly Payton
Honey
160 bpm • D Maj • 03:44 • -7.78db
31% Popularity • 42% Danceability • 63% Energy • 13% Liveness
0% Instrumentalness • 39% Positiveness
31% Popularity • 42% Danceability • 63% Energy • 13% Liveness
0% Instrumentalness • 39% Positiveness
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Bec Sandridge
EYES WIDE
160 bpm • D Maj • 03:58 • -4.89db
17% Popularity • 48% Danceability • 93% Energy • 13% Liveness
0% Instrumentalness • 39% Positiveness
17% Popularity • 48% Danceability • 93% Energy • 13% Liveness
0% Instrumentalness • 39% Positiveness
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Noah Dillon
Drifting Apart
160 bpm • B Maj • 03:09 • -8db
10% Popularity • 50% Danceability • 73% Energy • 9% Liveness
0% Instrumentalness • 65% Positiveness
10% Popularity • 50% Danceability • 73% Energy • 9% Liveness
0% Instrumentalness • 65% Positiveness
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Telenova
Stained Glass Love
160 bpm • G min • 05:54 • -5.86db
23% Popularity • 50% Danceability • 91% Energy • 10% Liveness
1% Instrumentalness • 65% Positiveness
23% Popularity • 50% Danceability • 91% Energy • 10% Liveness
1% Instrumentalness • 65% Positiveness
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Charlie Collins
Backseat Valentine
152 bpm • E Maj • 03:25 • -4.96db
17% Popularity • 46% Danceability • 92% Energy • 16% Liveness
0% Instrumentalness • 27% Positiveness
17% Popularity • 46% Danceability • 92% Energy • 16% Liveness
0% Instrumentalness • 27% Positiveness
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Cheap Date
Beside Me
160 bpm • E Maj • 03:57 • -13.48db
11% Popularity • 53% Danceability • 43% Energy • 10% Liveness
0% Instrumentalness • 57% Positiveness
11% Popularity • 53% Danceability • 43% Energy • 10% Liveness
0% Instrumentalness • 57% Positiveness
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Ball Park Music
Sunscreen
151 bpm • F# Maj • 04:07 • -3.42db
33% Popularity • 36% Danceability • 94% Energy • 17% Liveness
6% Instrumentalness • 20% Positiveness
33% Popularity • 36% Danceability • 94% Energy • 17% Liveness
6% Instrumentalness • 20% Positiveness
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Tyne-James Organ
Sunday Suit
162 bpm • B Maj • 04:07 • -4.96db
37% Popularity • 55% Danceability • 78% Energy • 56% Liveness
0% Instrumentalness • 70% Positiveness
37% Popularity • 55% Danceability • 78% Energy • 56% Liveness
0% Instrumentalness • 70% Positiveness
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Carla Geneve
2001
150 bpm • D Maj • 03:49 • -7.83db
21% Popularity • 56% Danceability • 41% Energy • 43% Liveness
0% Instrumentalness • 12% Positiveness
21% Popularity • 56% Danceability • 41% Energy • 43% Liveness
0% Instrumentalness • 12% Positiveness
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The Moving Stills
Better
162 bpm • F Maj • 03:01 • -7.5db
25% Popularity • 44% Danceability • 77% Energy • 25% Liveness
0% Instrumentalness • 67% Positiveness
25% Popularity • 44% Danceability • 77% Energy • 25% Liveness
0% Instrumentalness • 67% Positiveness
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Charlie Collins
Lovers To Strangers
150 bpm • A# min • 03:50 • -7.13db
4% Popularity • 48% Danceability • 57% Energy • 12% Liveness
0% Instrumentalness • 46% Positiveness
4% Popularity • 48% Danceability • 57% Energy • 12% Liveness
0% Instrumentalness • 46% Positiveness
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George Alice
Hold On
150 bpm • A Maj • 03:15 • -10.48db
33% Popularity • 43% Danceability • 42% Energy • 8% Liveness
0% Instrumentalness • 25% Positiveness
33% Popularity • 43% Danceability • 42% Energy • 8% Liveness
0% Instrumentalness • 25% Positiveness
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Sahara Beck
I Haven't Done A Thing Today
150 bpm • A Maj • 03:39 • -3.1db
13% Popularity • 52% Danceability • 94% Energy • 6% Liveness
0% Instrumentalness • 87% Positiveness
13% Popularity • 52% Danceability • 94% Energy • 6% Liveness
0% Instrumentalness • 87% Positiveness
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Tyne-James Organ
Better Than This
150 bpm • B Maj • 03:48 • -5.44db
27% Popularity • 52% Danceability • 86% Energy • 14% Liveness
19% Instrumentalness • 52% Positiveness
27% Popularity • 52% Danceability • 86% Energy • 14% Liveness
19% Instrumentalness • 52% Positiveness
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Middle Kids
Cellophane (Brain)
150 bpm • C Maj • 03:30 • -6.6db
32% Popularity • 54% Danceability • 43% Energy • 22% Liveness
0% Instrumentalness • 29% Positiveness
32% Popularity • 54% Danceability • 43% Energy • 22% Liveness
0% Instrumentalness • 29% Positiveness
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Sloan Peterson
Here
150 bpm • D# Maj • 02:54 • -6.86db
20% Popularity • 25% Danceability • 78% Energy • 11% Liveness
68% Instrumentalness • 30% Positiveness
20% Popularity • 25% Danceability • 78% Energy • 11% Liveness
68% Instrumentalness • 30% Positiveness
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Kita Alexander
Ocean Blue
163 bpm • F# Maj • 03:22 • -4.98db
35% Popularity • 60% Danceability • 76% Energy • 10% Liveness
0% Instrumentalness • 60% Positiveness
35% Popularity • 60% Danceability • 76% Energy • 10% Liveness
0% Instrumentalness • 60% Positiveness
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Darcie Haven
Pheromones
163 bpm • A# Maj • 03:47 • -9.44db
8% Popularity • 43% Danceability • 50% Energy • 60% Liveness
1% Instrumentalness • 18% Positiveness
8% Popularity • 43% Danceability • 50% Energy • 60% Liveness
1% Instrumentalness • 18% Positiveness
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Sesame Girl
Get Up
164 bpm • E Maj • 03:55 • -7.93db
12% Popularity • 35% Danceability • 70% Energy • 9% Liveness
12% Instrumentalness • 62% Positiveness
12% Popularity • 35% Danceability • 70% Energy • 9% Liveness
12% Instrumentalness • 62% Positiveness
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Dulcie
Sake Of Sound
164 bpm • B min • 02:59 • -7db
10% Popularity • 53% Danceability • 75% Energy • 5% Liveness
0% Instrumentalness • 53% Positiveness
10% Popularity • 53% Danceability • 75% Energy • 5% Liveness
0% Instrumentalness • 53% Positiveness
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Carla Geneve
What I Already Know
164 bpm • G Maj • 04:03 • -7.88db
13% Popularity • 54% Danceability • 33% Energy • 9% Liveness
0% Instrumentalness • 32% Positiveness
13% Popularity • 54% Danceability • 33% Energy • 9% Liveness
0% Instrumentalness • 32% Positiveness
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Greta Stanley
Red Earth Dirt
164 bpm • E min • 03:50 • -3.74db
15% Popularity • 60% Danceability • 83% Energy • 20% Liveness
16% Instrumentalness • 78% Positiveness
15% Popularity • 60% Danceability • 83% Energy • 20% Liveness
16% Instrumentalness • 78% Positiveness
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Thelma Plum
Better in Blak
148 bpm • C# Maj • 03:12 • -5.24db
51% Popularity • 67% Danceability • 85% Energy • 12% Liveness
0% Instrumentalness • 38% Positiveness
51% Popularity • 67% Danceability • 85% Energy • 12% Liveness
0% Instrumentalness • 38% Positiveness
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Lime Cordiale
Colin
148 bpm • D Maj • 03:39 • -6.93db
47% Popularity • 56% Danceability • 79% Energy • 14% Liveness
0% Instrumentalness • 62% Positiveness
47% Popularity • 56% Danceability • 79% Energy • 14% Liveness
0% Instrumentalness • 62% Positiveness
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Yorke
next life
148 bpm • C# Maj • 03:01 • -7.06db
15% Popularity • 59% Danceability • 58% Energy • 54% Liveness
1% Instrumentalness • 58% Positiveness
15% Popularity • 59% Danceability • 58% Energy • 54% Liveness
1% Instrumentalness • 58% Positiveness
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Kat Edwards
Safety
165 bpm • G min • 04:32 • -6.71db
20% Popularity • 46% Danceability • 53% Energy • 8% Liveness
0% Instrumentalness • 11% Positiveness
20% Popularity • 46% Danceability • 53% Energy • 8% Liveness
0% Instrumentalness • 11% Positiveness
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Sloan Peterson
New Direction
165 bpm • C Maj • 02:29 • -5.62db
24% Popularity • 48% Danceability • 92% Energy • 15% Liveness
28% Instrumentalness • 87% Positiveness
24% Popularity • 48% Danceability • 92% Energy • 15% Liveness
28% Instrumentalness • 87% Positiveness
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EGOISM
Enemies
165 bpm • A# Maj • 03:32 • -5.52db
17% Popularity • 41% Danceability • 76% Energy • 9% Liveness
0% Instrumentalness • 35% Positiveness
17% Popularity • 41% Danceability • 76% Energy • 9% Liveness
0% Instrumentalness • 35% Positiveness
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Jet City Sports Club
Green Thumb
165 bpm • C# Maj • 03:32 • -5.6db
11% Popularity • 27% Danceability • 61% Energy • 10% Liveness
2% Instrumentalness • 41% Positiveness
11% Popularity • 27% Danceability • 61% Energy • 10% Liveness
2% Instrumentalness • 41% Positiveness
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Charlie Collins
Space Between
147 bpm • A Maj • 04:15 • -9.51db
3% Popularity • 48% Danceability • 28% Energy • 10% Liveness
0% Instrumentalness • 41% Positiveness
3% Popularity • 48% Danceability • 28% Energy • 10% Liveness
0% Instrumentalness • 41% Positiveness
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Sputnik Sweetheart
Rolling
147 bpm • G Maj • 04:20 • -3.83db
9% Popularity • 51% Danceability • 86% Energy • 26% Liveness
0% Instrumentalness • 77% Positiveness
9% Popularity • 51% Danceability • 86% Energy • 26% Liveness
0% Instrumentalness • 77% Positiveness
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Thelma Plum
Nick Cave
166 bpm • B Maj • 02:45 • -9db
33% Popularity • 55% Danceability • 31% Energy • 10% Liveness
0% Instrumentalness • 66% Positiveness
33% Popularity • 55% Danceability • 31% Energy • 10% Liveness
0% Instrumentalness • 66% Positiveness
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Ball Park Music
Beautiful Blueberries
146 bpm • E Maj • 03:07 • -14.13db
22% Popularity • 43% Danceability • 27% Energy • 16% Liveness
3% Instrumentalness • 46% Positiveness
22% Popularity • 43% Danceability • 27% Energy • 16% Liveness
3% Instrumentalness • 46% Positiveness
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Bec Stevens
James' Song - single version
146 bpm • D# Maj • 04:39 • -4.26db
15% Popularity • 49% Danceability • 88% Energy • 16% Liveness
0% Instrumentalness • 30% Positiveness
15% Popularity • 49% Danceability • 88% Energy • 16% Liveness
0% Instrumentalness • 30% Positiveness
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Middle Kids
Don’t Be Hiding
146 bpm • E Maj • 03:04 • -4.17db
33% Popularity • 47% Danceability • 75% Energy • 13% Liveness
0% Instrumentalness • 34% Positiveness
33% Popularity • 47% Danceability • 75% Energy • 13% Liveness
0% Instrumentalness • 34% Positiveness
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Yorke
i’ll keep driving
146 bpm • D Maj • 03:42 • -7.65db
21% Popularity • 65% Danceability • 74% Energy • 11% Liveness
0% Instrumentalness • 43% Positiveness
21% Popularity • 65% Danceability • 74% Energy • 11% Liveness
0% Instrumentalness • 43% Positiveness
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The Preatures
Magick
146 bpm • C# Maj • 04:14 • -7.05db
21% Popularity • 56% Danceability • 65% Energy • 38% Liveness
1% Instrumentalness • 49% Positiveness
21% Popularity • 56% Danceability • 65% Energy • 38% Liveness
1% Instrumentalness • 49% Positiveness
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Goodwill
Get Angry
146 bpm • F Maj • 04:02 • -8db
27% Popularity • 67% Danceability • 81% Energy • 21% Liveness
4% Instrumentalness • 67% Positiveness
27% Popularity • 67% Danceability • 81% Energy • 21% Liveness
4% Instrumentalness • 67% Positiveness
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Sesame Girl
Bored
145 bpm • A Maj • 02:57 • -8.88db
12% Popularity • 45% Danceability • 76% Energy • 21% Liveness
12% Instrumentalness • 36% Positiveness
12% Popularity • 45% Danceability • 76% Energy • 21% Liveness
12% Instrumentalness • 36% Positiveness
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Sloan Peterson
105
145 bpm • C# Maj • 02:38 • -4.06db
26% Popularity • 60% Danceability • 90% Energy • 11% Liveness
0% Instrumentalness • 61% Positiveness
26% Popularity • 60% Danceability • 90% Energy • 11% Liveness
0% Instrumentalness • 61% Positiveness
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HANNI
See Through
145 bpm • G Maj • 03:14 • -6.62db
20% Popularity • 55% Danceability • 64% Energy • 15% Liveness
0% Instrumentalness • 45% Positiveness
20% Popularity • 55% Danceability • 64% Energy • 15% Liveness
0% Instrumentalness • 45% Positiveness
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Cry Club
Two Hearts
145 bpm • A Maj • 03:39 • -4.87db
13% Popularity • 51% Danceability • 76% Energy • 11% Liveness
0% Instrumentalness • 35% Positiveness
13% Popularity • 51% Danceability • 76% Energy • 11% Liveness
0% Instrumentalness • 35% Positiveness
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Sunbather
No Charm
145 bpm • E Maj • 03:28 • -6.79db
16% Popularity • 48% Danceability • 73% Energy • 28% Liveness
13% Instrumentalness • 40% Positiveness
16% Popularity • 48% Danceability • 73% Energy • 28% Liveness
13% Instrumentalness • 40% Positiveness
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EGOISM
Happy
145 bpm • D Maj • 03:22 • -6.44db
13% Popularity • 49% Danceability • 80% Energy • 11% Liveness
1% Instrumentalness • 39% Positiveness
13% Popularity • 49% Danceability • 80% Energy • 11% Liveness
1% Instrumentalness • 39% Positiveness
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Middle Kids
Run With You
145 bpm • F# Maj • 03:25 • -6.02db
21% Popularity • 48% Danceability • 86% Energy • 12% Liveness
0% Instrumentalness • 18% Positiveness
21% Popularity • 48% Danceability • 86% Energy • 12% Liveness
0% Instrumentalness • 18% Positiveness
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The Buoys
Arm Wrestle
168 bpm • C# Maj • 03:38 • -3.52db
22% Popularity • 40% Danceability • 86% Energy • 12% Liveness
0% Instrumentalness • 45% Positiveness
22% Popularity • 40% Danceability • 86% Energy • 12% Liveness
0% Instrumentalness • 45% Positiveness
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Holy Holy
Stand Where I'm Standing
168 bpm • A Maj • 03:55 • -5.18db
23% Popularity • 44% Danceability • 80% Energy • 34% Liveness
0% Instrumentalness • 24% Positiveness
23% Popularity • 44% Danceability • 80% Energy • 34% Liveness
0% Instrumentalness • 24% Positiveness
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Cry Club
Nine Of Swords
145 bpm • F# min • 03:53 • -4db
23% Popularity • 44% Danceability • 98% Energy • 20% Liveness
0% Instrumentalness • 39% Positiveness
23% Popularity • 44% Danceability • 98% Energy • 20% Liveness
0% Instrumentalness • 39% Positiveness
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Ruby Fields
Redneck Lullaby
145 bpm • G# Maj • 03:23 • -11db
28% Popularity • 30% Danceability • 32% Energy • 6% Liveness
0% Instrumentalness • 37% Positiveness
28% Popularity • 30% Danceability • 32% Energy • 6% Liveness
0% Instrumentalness • 37% Positiveness
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Ball Park Music
The Present Moment
169 bpm • E Maj • 05:24 • -6.9db
20% Popularity • 49% Danceability • 69% Energy • 25% Liveness
3% Instrumentalness • 45% Positiveness
20% Popularity • 49% Danceability • 69% Energy • 25% Liveness
3% Instrumentalness • 45% Positiveness
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Sahara Beck
Queen of Hearts
169 bpm • B min • 04:11 • -4.42db
18% Popularity • 54% Danceability • 85% Energy • 8% Liveness
0% Instrumentalness • 70% Positiveness
18% Popularity • 54% Danceability • 85% Energy • 8% Liveness
0% Instrumentalness • 70% Positiveness
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The Buoys
Bad Habit
168 bpm • E Maj • 02:59 • -2.97db
33% Popularity • 37% Danceability • 83% Energy • 17% Liveness
0% Instrumentalness • 51% Positiveness
33% Popularity • 37% Danceability • 83% Energy • 17% Liveness
0% Instrumentalness • 51% Positiveness
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Hope D
Happy Hangover
144 bpm • B Maj • 03:38 • -5.45db
25% Popularity • 67% Danceability • 79% Energy • 17% Liveness
0% Instrumentalness • 71% Positiveness
25% Popularity • 67% Danceability • 79% Energy • 17% Liveness
0% Instrumentalness • 71% Positiveness
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Dulcie
tell ur friends
144 bpm • G# Maj • 02:41 • -5.06db
27% Popularity • 59% Danceability • 69% Energy • 6% Liveness
0% Instrumentalness • 49% Positiveness
27% Popularity • 59% Danceability • 69% Energy • 6% Liveness
0% Instrumentalness • 49% Positiveness
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Charlie Collins
No More To Lose
144 bpm • C Maj • 04:06 • -7.82db
2% Popularity • 60% Danceability • 32% Energy • 12% Liveness
0% Instrumentalness • 20% Positiveness
2% Popularity • 60% Danceability • 32% Energy • 12% Liveness
0% Instrumentalness • 20% Positiveness
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Ball Park Music
Writing Hand
145 bpm • F# Maj • 03:40 • -5.84db
25% Popularity • 39% Danceability • 69% Energy • 9% Liveness
77% Instrumentalness • 30% Positiveness
25% Popularity • 39% Danceability • 69% Energy • 9% Liveness
77% Instrumentalness • 30% Positiveness
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E^ST
WALKING HOME IN THE RAIN
170 bpm • G Maj • 02:43 • -7.93db
31% Popularity • 53% Danceability • 43% Energy • 9% Liveness
0% Instrumentalness • 18% Positiveness
31% Popularity • 53% Danceability • 43% Energy • 9% Liveness
0% Instrumentalness • 18% Positiveness
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The Buoys
Subject A
169 bpm • E min • 02:59 • -3.99db
10% Popularity • 50% Danceability • 70% Energy • 8% Liveness
4% Instrumentalness • 42% Positiveness
10% Popularity • 50% Danceability • 70% Energy • 8% Liveness
4% Instrumentalness • 42% Positiveness
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Telenova
Silver Lining
170 bpm • A min • 04:59 • -4.06db
17% Popularity • 49% Danceability • 82% Energy • 10% Liveness
35% Instrumentalness • 74% Positiveness
17% Popularity • 49% Danceability • 82% Energy • 10% Liveness
35% Instrumentalness • 74% Positiveness
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Tia Gostelow
Get to It
170 bpm • B Maj • 02:50 • -8.4db
23% Popularity • 56% Danceability • 49% Energy • 8% Liveness
0% Instrumentalness • 57% Positiveness
23% Popularity • 56% Danceability • 49% Energy • 8% Liveness
0% Instrumentalness • 57% Positiveness
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Spici Water
GOOD NIGHT
170 bpm • E Maj • 02:33 • -6db
18% Popularity • 51% Danceability • 87% Energy • 12% Liveness
0% Instrumentalness • 77% Positiveness
18% Popularity • 51% Danceability • 87% Energy • 12% Liveness
0% Instrumentalness • 77% Positiveness
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The Moving Stills
U and Me
170 bpm • F# min • 03:05 • -8db
24% Popularity • 54% Danceability • 84% Energy • 8% Liveness
1% Instrumentalness • 82% Positiveness
24% Popularity • 54% Danceability • 84% Energy • 8% Liveness
1% Instrumentalness • 82% Positiveness
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Middle Kids
Questions
170 bpm • C Maj • 02:53 • -6db
36% Popularity • 39% Danceability • 71% Energy • 15% Liveness
0% Instrumentalness • 57% Positiveness
36% Popularity • 39% Danceability • 71% Energy • 15% Liveness
0% Instrumentalness • 57% Positiveness
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Holy Holy
Teach Me About Dying
170 bpm • C Maj • 03:25 • -5.38db
43% Popularity • 54% Danceability • 72% Energy • 10% Liveness
0% Instrumentalness • 35% Positiveness
43% Popularity • 54% Danceability • 72% Energy • 10% Liveness
0% Instrumentalness • 35% Positiveness
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Carla Geneve
I Never Noticed The Weight
170 bpm • D Maj • 04:04 • -5.18db
12% Popularity • 37% Danceability • 54% Energy • 9% Liveness
0% Instrumentalness • 36% Positiveness
12% Popularity • 37% Danceability • 54% Energy • 9% Liveness
0% Instrumentalness • 36% Positiveness
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Thelma Plum
The Brown Snake
143 bpm • C# Maj • 03:15 • -8db
35% Popularity • 70% Danceability • 69% Energy • 10% Liveness
1% Instrumentalness • 29% Positiveness
35% Popularity • 70% Danceability • 69% Energy • 10% Liveness
1% Instrumentalness • 29% Positiveness
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Ruby Fields
Climate
143 bpm • D Maj • 03:09 • -4.88db
33% Popularity • 62% Danceability • 57% Energy • 10% Liveness
1% Instrumentalness • 47% Positiveness
33% Popularity • 62% Danceability • 57% Energy • 10% Liveness
1% Instrumentalness • 47% Positiveness
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Hallie
Babysitter
171 bpm • D Maj • 03:20 • -4.3db
15% Popularity • 25% Danceability • 85% Energy • 16% Liveness
0% Instrumentalness • 38% Positiveness
15% Popularity • 25% Danceability • 85% Energy • 16% Liveness
0% Instrumentalness • 38% Positiveness
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Adam Newling
Leather Face
142 bpm • G Maj • 03:29 • -6.07db
26% Popularity • 52% Danceability • 66% Energy • 32% Liveness
0% Instrumentalness • 34% Positiveness
26% Popularity • 52% Danceability • 66% Energy • 32% Liveness
0% Instrumentalness • 34% Positiveness
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Tyne-James Organ
Graceful
142 bpm • F Maj • 03:46 • -7db
29% Popularity • 56% Danceability • 92% Energy • 10% Liveness
0% Instrumentalness • 42% Positiveness
29% Popularity • 56% Danceability • 92% Energy • 10% Liveness
0% Instrumentalness • 42% Positiveness
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Rowena Wise
F**ked Up Over You
142 bpm • F Maj • 03:22 • -5.68db
14% Popularity • 55% Danceability • 55% Energy • 12% Liveness
0% Instrumentalness • 31% Positiveness
14% Popularity • 55% Danceability • 55% Energy • 12% Liveness
0% Instrumentalness • 31% Positiveness
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Thelma Plum
Backseat of My Mind
143 bpm • D Maj • 04:24 • -7.09db
41% Popularity • 56% Danceability • 85% Energy • 20% Liveness
15% Instrumentalness • 62% Positiveness
41% Popularity • 56% Danceability • 85% Energy • 20% Liveness
15% Instrumentalness • 62% Positiveness
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Ruby Fields
Pokies
142 bpm • D Maj • 03:09 • -6.34db
24% Popularity • 56% Danceability • 44% Energy • 11% Liveness
0% Instrumentalness • 42% Positiveness
24% Popularity • 56% Danceability • 44% Energy • 11% Liveness
0% Instrumentalness • 42% Positiveness
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Betty Taylor
Glitter
172 bpm • A min • 03:53 • -6.26db
29% Popularity • 50% Danceability • 81% Energy • 7% Liveness
0% Instrumentalness • 59% Positiveness
29% Popularity • 50% Danceability • 81% Energy • 7% Liveness
0% Instrumentalness • 59% Positiveness
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Body Type
Palms
172 bpm • C# min • 03:37 • -6.59db
20% Popularity • 38% Danceability • 84% Energy • 12% Liveness
0% Instrumentalness • 66% Positiveness
20% Popularity • 38% Danceability • 84% Energy • 12% Liveness
0% Instrumentalness • 66% Positiveness
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Middle Kids
Big Softy
172 bpm • D# Maj • 03:59 • -3db
26% Popularity • 31% Danceability • 81% Energy • 9% Liveness
0% Instrumentalness • 23% Positiveness
26% Popularity • 31% Danceability • 81% Energy • 9% Liveness
0% Instrumentalness • 23% Positiveness
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The Buoys
I Want You
172 bpm • B Maj • 02:50 • -3.2db
34% Popularity • 42% Danceability • 93% Energy • 30% Liveness
2% Instrumentalness • 64% Positiveness
34% Popularity • 42% Danceability • 93% Energy • 30% Liveness
2% Instrumentalness • 64% Positiveness
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Thelma Plum
Backseat of My Mind - Radio Edit
143 bpm • D Maj • 03:30 • -7.19db
35% Popularity • 60% Danceability • 84% Energy • 23% Liveness
4% Instrumentalness • 70% Positiveness
35% Popularity • 60% Danceability • 84% Energy • 23% Liveness
4% Instrumentalness • 70% Positiveness
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The Preatures
Lip Balm
142 bpm • D Maj • 02:17 • -3.62db
13% Popularity • 52% Danceability • 96% Energy • 13% Liveness
0% Instrumentalness • 77% Positiveness
13% Popularity • 52% Danceability • 96% Energy • 13% Liveness
0% Instrumentalness • 77% Positiveness
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CLEWS
Museum
141 bpm • C Maj • 02:37 • -5.88db
20% Popularity • 36% Danceability • 90% Energy • 20% Liveness
1% Instrumentalness • 39% Positiveness
20% Popularity • 36% Danceability • 90% Energy • 20% Liveness
1% Instrumentalness • 39% Positiveness
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The Jezabels
The Others
141 bpm • C# min • 04:21 • -8.07db
31% Popularity • 54% Danceability • 90% Energy • 15% Liveness
8% Instrumentalness • 47% Positiveness
31% Popularity • 54% Danceability • 90% Energy • 15% Liveness
8% Instrumentalness • 47% Positiveness
