Songs like Fugue in B-Flat Minor, BWV 867 (Arr. String Quintet by Beethoven as Hess 38) by Johann Sebastian Bach

176 bpm • C# Maj • 01:08 • -15.77db

40% Popularity • 37% Danceability • 53% Energy • 37% Liveness
26% Instrumentalness • 57% Positiveness

176 bpm • C min • 05:22 • -29db

32% Popularity • 28% Danceability • 16% Energy • 22% Liveness
0% Instrumentalness • 46% Positiveness

175 bpm • C min • 05:10 • -25.69db

18% Popularity • 36% Danceability • 28% Energy • 21% Liveness
34% Instrumentalness • 84% Positiveness

174 bpm • C# Maj • 01:59 • -16.95db

47% Popularity • 12% Danceability • 14% Energy • 8% Liveness
61% Instrumentalness • 7% Positiveness

173 bpm • C Maj • 02:05 • -37db

49% Popularity • 8% Danceability • 4% Energy • 7% Liveness
94% Instrumentalness • 26% Positiveness

172 bpm • F# Maj • 05:18 • -20.87db

34% Popularity • 19% Danceability • 10% Energy • 18% Liveness
4% Instrumentalness • 27% Positiveness

182 bpm • D# Maj • 06:43 • -24.32db

3% Popularity • 30% Danceability • 7% Energy • 15% Liveness
4% Instrumentalness • 75% Positiveness

181 bpm • E Maj • 04:16 • -26.93db

29% Popularity • 35% Danceability • 12% Energy • 12% Liveness
92% Instrumentalness • 42% Positiveness

178 bpm • D min • 05:23 • -16.04db

14% Popularity • 28% Danceability • 28% Energy • 12% Liveness
4% Instrumentalness • 57% Positiveness

169 bpm • C# min • 03:54 • -14db

41% Popularity • 33% Danceability • 26% Energy • 5% Liveness
77% Instrumentalness • 51% Positiveness

183 bpm • E Maj • 08:04 • -17.76db

22% Popularity • 30% Danceability • 23% Energy • 26% Liveness
4% Instrumentalness • 67% Positiveness

183 bpm • B Maj • 02:17 • -20db

19% Popularity • 41% Danceability • 38% Energy • 11% Liveness
97% Instrumentalness • 88% Positiveness

169 bpm • D Maj • 01:54 • -15.5db

48% Popularity • 26% Danceability • 30% Energy • 15% Liveness
8% Instrumentalness • 52% Positiveness

168 bpm • G min • 01:58 • -37db

55% Popularity • 30% Danceability • 1% Energy • 9% Liveness
91% Instrumentalness • 19% Positiveness

178 bpm • C# min • 08:01 • -12.84db

34% Popularity • 41% Danceability • 43% Energy • 22% Liveness
24% Instrumentalness • 89% Positiveness

166 bpm • G Maj • 02:58 • -23.91db

29% Popularity • 22% Danceability • 5% Energy • 40% Liveness
29% Instrumentalness • 20% Positiveness

162 bpm • A# min • 02:03 • -24db

58% Popularity • 37% Danceability • 8% Energy • 10% Liveness
93% Instrumentalness • 62% Positiveness

166 bpm • G Maj • 01:04 • -25db

48% Popularity • 33% Danceability • 25% Energy • 15% Liveness
87% Instrumentalness • 95% Positiveness

152 bpm • E Maj • 04:30 • -19.44db

32% Popularity • 25% Danceability • 20% Energy • 14% Liveness
92% Instrumentalness • 28% Positiveness

179 bpm • D min • 04:03 • -16db

30% Popularity • 41% Danceability • 33% Energy • 18% Liveness
10% Instrumentalness • 81% Positiveness

173 bpm • C# min • 05:13 • -21db

8% Popularity • 28% Danceability • 25% Energy • 10% Liveness
0% Instrumentalness • 52% Positiveness

172 bpm • E Maj • 04:04 • -14db

40% Popularity • 39% Danceability • 36% Energy • 11% Liveness
70% Instrumentalness • 73% Positiveness

182 bpm • E Maj • 04:23 • -18db

10% Popularity • 32% Danceability • 26% Energy • 23% Liveness
1% Instrumentalness • 79% Positiveness

167 bpm • C min • 04:46 • -30.04db

7% Popularity • 11% Danceability • 2% Energy • 11% Liveness
78% Instrumentalness • 10% Positiveness

161 bpm • C Maj • 07:10 • -19.92db

10% Popularity • 32% Danceability • 27% Energy • 13% Liveness
90% Instrumentalness • 71% Positiveness

161 bpm • C# Maj • 02:40 • -22db

10% Popularity • 35% Danceability • 26% Energy • 10% Liveness
81% Instrumentalness • 82% Positiveness

155 bpm • F Maj • 04:27 • -15.49db

12% Popularity • 43% Danceability • 33% Energy • 11% Liveness
86% Instrumentalness • 80% Positiveness