Songs like Full o' the Moon (78 rpm version) by Cile Turner
Based on a tempo of (+/- 10%) and a similar genre
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Little Willie John
Take My Love (I Want To Give It All To Y...
131 bpm • C# Maj • 02:44 • -12.65db
8% Popularity • 46% Danceability • 46% Energy • 18% Liveness
0% Instrumentalness • 79% Positiveness
8% Popularity • 46% Danceability • 46% Energy • 18% Liveness
0% Instrumentalness • 79% Positiveness
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Frankie Ford
Alimony
131 bpm • C min • 02:18 • -6db
20% Popularity • 86% Danceability • 45% Energy • 29% Liveness
0% Instrumentalness • 96% Positiveness
20% Popularity • 86% Danceability • 45% Energy • 29% Liveness
0% Instrumentalness • 96% Positiveness
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Rosco Gordon
Surely I Love You
131 bpm • G# Maj • 02:25 • -14.49db
19% Popularity • 65% Danceability • 40% Energy • 10% Liveness
65% Instrumentalness • 92% Positiveness
19% Popularity • 65% Danceability • 40% Energy • 10% Liveness
65% Instrumentalness • 92% Positiveness
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Cile Turner
Full o' the Moon (78 rpm version)
131 bpm • D Maj • 02:44 • -13.51db
0% Popularity • 58% Danceability • 15% Energy • 15% Liveness
0% Instrumentalness • 49% Positiveness
0% Popularity • 58% Danceability • 15% Energy • 15% Liveness
0% Instrumentalness • 49% Positiveness
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Sugar Pie DeSanto
Wish That You Were Mine
131 bpm • F# Maj • 02:28 • -10.51db
14% Popularity • 76% Danceability • 63% Energy • 7% Liveness
0% Instrumentalness • 96% Positiveness
14% Popularity • 76% Danceability • 63% Energy • 7% Liveness
0% Instrumentalness • 96% Positiveness
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Sanford Clark
A Cheat (Overdubbed)
131 bpm • C# Maj • 02:42 • -11.37db
11% Popularity • 81% Danceability • 22% Energy • 12% Liveness
0% Instrumentalness • 53% Positiveness
11% Popularity • 81% Danceability • 22% Energy • 12% Liveness
0% Instrumentalness • 53% Positiveness
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Little Willie John
Look What You've Done To Me
131 bpm • A# min • 02:13 • -6.66db
9% Popularity • 63% Danceability • 63% Energy • 21% Liveness
7% Instrumentalness • 76% Positiveness
9% Popularity • 63% Danceability • 63% Energy • 21% Liveness
7% Instrumentalness • 76% Positiveness
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Ernie K-Doe
a Certain Girl
131 bpm • C# Maj • 02:49 • -9db
10% Popularity • 82% Danceability • 67% Energy • 12% Liveness
0% Instrumentalness • 88% Positiveness
10% Popularity • 82% Danceability • 67% Energy • 12% Liveness
0% Instrumentalness • 88% Positiveness
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Ike Turner
Cubano Jump
131 bpm • G# Maj • 02:17 • -5.82db
10% Popularity • 73% Danceability • 83% Energy • 8% Liveness
8% Instrumentalness • 84% Positiveness
10% Popularity • 73% Danceability • 83% Energy • 8% Liveness
8% Instrumentalness • 84% Positiveness
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Cile Turner
Didn't it Rain
131 bpm • C# min • 02:49 • -13.4db
0% Popularity • 66% Danceability • 26% Energy • 28% Liveness
0% Instrumentalness • 44% Positiveness
0% Popularity • 66% Danceability • 26% Energy • 28% Liveness
0% Instrumentalness • 44% Positiveness
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The Orioles
Hey Little Woman
131 bpm • E min • 02:21 • -11.95db
11% Popularity • 60% Danceability • 54% Energy • 38% Liveness
0% Instrumentalness • 90% Positiveness
11% Popularity • 60% Danceability • 54% Energy • 38% Liveness
0% Instrumentalness • 90% Positiveness
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Jessie Hill
Ooh Poo Pah Doo (Pt. 1) - 2002 Remaster
132 bpm • B min • 02:19 • -10db
33% Popularity • 73% Danceability • 64% Energy • 32% Liveness
0% Instrumentalness • 70% Positiveness
33% Popularity • 73% Danceability • 64% Energy • 32% Liveness
0% Instrumentalness • 70% Positiveness
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J. J. Jackson and The Jackaels
Oo-Ma-Liddi
132 bpm • C min • 02:29 • -9.89db
12% Popularity • 76% Danceability • 55% Energy • 12% Liveness
0% Instrumentalness • 96% Positiveness
12% Popularity • 76% Danceability • 55% Energy • 12% Liveness
0% Instrumentalness • 96% Positiveness
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The "5" Royales
Right Around The Corner
132 bpm • D# Maj • 02:28 • -12db
19% Popularity • 73% Danceability • 58% Energy • 8% Liveness
0% Instrumentalness • 96% Positiveness
19% Popularity • 73% Danceability • 58% Energy • 8% Liveness
0% Instrumentalness • 96% Positiveness
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The Coasters
Loop De Loop Mambo
130 bpm • F Maj • 02:15 • -8.46db
12% Popularity • 78% Danceability • 59% Energy • 7% Liveness
0% Instrumentalness • 91% Positiveness
12% Popularity • 78% Danceability • 59% Energy • 7% Liveness
0% Instrumentalness • 91% Positiveness
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Ray Smith
Makes Me Feel Good
132 bpm • D min • 02:26 • -7.64db
19% Popularity • 55% Danceability • 54% Energy • 12% Liveness
0% Instrumentalness • 81% Positiveness
19% Popularity • 55% Danceability • 54% Energy • 12% Liveness
0% Instrumentalness • 81% Positiveness
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Jo Ann Henderson
Baby Please Don't Go
130 bpm • G Maj • 02:25 • -7.87db
14% Popularity • 61% Danceability • 71% Energy • 62% Liveness
0% Instrumentalness • 74% Positiveness
14% Popularity • 61% Danceability • 71% Energy • 62% Liveness
0% Instrumentalness • 74% Positiveness
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Ernie K-Doe
A Certain Girl
130 bpm • C# Maj • 02:44 • -10.36db
27% Popularity • 80% Danceability • 60% Energy • 25% Liveness
0% Instrumentalness • 92% Positiveness
27% Popularity • 80% Danceability • 60% Energy • 25% Liveness
0% Instrumentalness • 92% Positiveness
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Smiley Lewis
One Night
130 bpm • D Maj • 02:16 • -7db
13% Popularity • 55% Danceability • 47% Energy • 12% Liveness
0% Instrumentalness • 59% Positiveness
13% Popularity • 55% Danceability • 47% Energy • 12% Liveness
0% Instrumentalness • 59% Positiveness
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Art Neville
The Dummy
132 bpm • G# Maj • 01:53 • -9db
13% Popularity • 79% Danceability • 63% Energy • 28% Liveness
0% Instrumentalness • 96% Positiveness
13% Popularity • 79% Danceability • 63% Energy • 28% Liveness
0% Instrumentalness • 96% Positiveness
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Benny Spellman
Lipstick Traces
132 bpm • D# Maj • 02:23 • -12db
12% Popularity • 61% Danceability • 51% Energy • 15% Liveness
0% Instrumentalness • 92% Positiveness
12% Popularity • 61% Danceability • 51% Energy • 15% Liveness
0% Instrumentalness • 92% Positiveness
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Ann Cole
Got My Mo-Jo Working (But It Just Won't ...
130 bpm • D# Maj • 02:37 • -7.59db
15% Popularity • 68% Danceability • 62% Energy • 24% Liveness
0% Instrumentalness • 93% Positiveness
15% Popularity • 68% Danceability • 62% Energy • 24% Liveness
0% Instrumentalness • 93% Positiveness
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Chance Halliday
Bury Me Deep
132 bpm • C Maj • 02:25 • -6.65db
13% Popularity • 72% Danceability • 63% Energy • 17% Liveness
0% Instrumentalness • 62% Positiveness
13% Popularity • 72% Danceability • 63% Energy • 17% Liveness
0% Instrumentalness • 62% Positiveness
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Peppermint Harris
Cadillac Funeral
130 bpm • B Maj • 01:56 • -10.7db
21% Popularity • 66% Danceability • 46% Energy • 28% Liveness
0% Instrumentalness • 84% Positiveness
21% Popularity • 66% Danceability • 46% Energy • 28% Liveness
0% Instrumentalness • 84% Positiveness
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Smokey Joe Baugh
The Signifying Monkey
132 bpm • F Maj • 03:16 • -8db
9% Popularity • 76% Danceability • 95% Energy • 21% Liveness
0% Instrumentalness • 70% Positiveness
9% Popularity • 76% Danceability • 95% Energy • 21% Liveness
0% Instrumentalness • 70% Positiveness
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Mary Ann Fisher
Put On My Shoes
133 bpm • F# Maj • 02:28 • -9.61db
15% Popularity • 48% Danceability • 30% Energy • 34% Liveness
0% Instrumentalness • 49% Positiveness
15% Popularity • 48% Danceability • 30% Energy • 34% Liveness
0% Instrumentalness • 49% Positiveness
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Clarence "Frogman" Henry
It Went to Your Head
132 bpm • G Maj • 02:10 • -11.55db
14% Popularity • 64% Danceability • 57% Energy • 30% Liveness
0% Instrumentalness • 85% Positiveness
14% Popularity • 64% Danceability • 57% Energy • 30% Liveness
0% Instrumentalness • 85% Positiveness
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Don & Dewey
Farmer John
133 bpm • C Maj • 02:29 • -11.02db
12% Popularity • 68% Danceability • 56% Energy • 23% Liveness
0% Instrumentalness • 92% Positiveness
12% Popularity • 68% Danceability • 56% Energy • 23% Liveness
0% Instrumentalness • 92% Positiveness
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Larry Williams
Let Me Tell You, Baby
133 bpm • C Maj • 02:38 • -10.81db
13% Popularity • 56% Danceability • 54% Energy • 2% Liveness
0% Instrumentalness • 79% Positiveness
13% Popularity • 56% Danceability • 54% Energy • 2% Liveness
0% Instrumentalness • 79% Positiveness
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Cile Turner
All Night Long
129 bpm • A# Maj • 04:02 • -16.25db
0% Popularity • 61% Danceability • 7% Energy • 9% Liveness
0% Instrumentalness • 12% Positiveness
0% Popularity • 61% Danceability • 7% Energy • 9% Liveness
0% Instrumentalness • 12% Positiveness
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The Robins
Truble
129 bpm • F# min • 02:25 • -6db
3% Popularity • 54% Danceability • 55% Energy • 9% Liveness
0% Instrumentalness • 70% Positiveness
3% Popularity • 54% Danceability • 55% Energy • 9% Liveness
0% Instrumentalness • 70% Positiveness
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Cookie & The Cupcakes
I Cried
129 bpm • C Maj • 02:36 • -6.75db
8% Popularity • 52% Danceability • 73% Energy • 47% Liveness
78% Instrumentalness • 83% Positiveness
8% Popularity • 52% Danceability • 73% Energy • 47% Liveness
78% Instrumentalness • 83% Positiveness
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Clarence "Frogman" Henry
Lonely Tramp
133 bpm • C Maj • 02:25 • 0.59db
10% Popularity • 59% Danceability • 84% Energy • 8% Liveness
0% Instrumentalness • 64% Positiveness
10% Popularity • 59% Danceability • 84% Energy • 8% Liveness
0% Instrumentalness • 64% Positiveness
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Little Junior Parker
I'll Forget About You
133 bpm • F# min • 02:19 • -11.34db
14% Popularity • 48% Danceability • 82% Energy • 11% Liveness
0% Instrumentalness • 39% Positiveness
14% Popularity • 48% Danceability • 82% Energy • 11% Liveness
0% Instrumentalness • 39% Positiveness
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Charles Shefield
It´s Your Voodoo Working
133 bpm • D min • 01:47 • -4.56db
21% Popularity • 63% Danceability • 80% Energy • 10% Liveness
0% Instrumentalness • 97% Positiveness
21% Popularity • 63% Danceability • 80% Energy • 10% Liveness
0% Instrumentalness • 97% Positiveness
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Little Willie John
I'm Stickin' With You Baby
129 bpm • C# Maj • 02:53 • -8.77db
9% Popularity • 59% Danceability • 50% Energy • 7% Liveness
0% Instrumentalness • 63% Positiveness
9% Popularity • 59% Danceability • 50% Energy • 7% Liveness
0% Instrumentalness • 63% Positiveness
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The Clovers
Stay Awhile
133 bpm • G# Maj • 02:28 • -5.04db
16% Popularity • 56% Danceability • 76% Energy • 9% Liveness
0% Instrumentalness • 85% Positiveness
16% Popularity • 56% Danceability • 76% Energy • 9% Liveness
0% Instrumentalness • 85% Positiveness
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Mickey Baker
No Good Lover
134 bpm • A Maj • 02:53 • -7db
14% Popularity • 54% Danceability • 78% Energy • 19% Liveness
0% Instrumentalness • 97% Positiveness
14% Popularity • 54% Danceability • 78% Energy • 19% Liveness
0% Instrumentalness • 97% Positiveness
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Hank Ballard
Sexy Ways
128 bpm • G# Maj • 02:30 • -7db
11% Popularity • 48% Danceability • 54% Energy • 8% Liveness
0% Instrumentalness • 92% Positiveness
11% Popularity • 48% Danceability • 54% Energy • 8% Liveness
0% Instrumentalness • 92% Positiveness
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Champion Jack Dupree
Daybreak Rock
128 bpm • E Maj • 02:33 • -9.39db
18% Popularity • 66% Danceability • 61% Energy • 33% Liveness
76% Instrumentalness • 84% Positiveness
18% Popularity • 66% Danceability • 61% Energy • 33% Liveness
76% Instrumentalness • 84% Positiveness
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Benny Joy
Money Money
128 bpm • E Maj • 02:27 • -8db
15% Popularity • 69% Danceability • 96% Energy • 34% Liveness
83% Instrumentalness • 97% Positiveness
15% Popularity • 69% Danceability • 96% Energy • 34% Liveness
83% Instrumentalness • 97% Positiveness
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Huey "Piano" Smith
Havin a Good Time
134 bpm • G Maj • 02:32 • -7.93db
11% Popularity • 55% Danceability • 61% Energy • 34% Liveness
80% Instrumentalness • 75% Positiveness
11% Popularity • 55% Danceability • 61% Energy • 34% Liveness
80% Instrumentalness • 75% Positiveness
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The Clovers
I've Got My Eyes on You
133 bpm • D# Maj • 02:29 • -10.1db
7% Popularity • 70% Danceability • 49% Energy • 9% Liveness
0% Instrumentalness • 96% Positiveness
7% Popularity • 70% Danceability • 49% Energy • 9% Liveness
0% Instrumentalness • 96% Positiveness
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Eddie Bo
Dinky Doo
134 bpm • D# Maj • 02:16 • -10.65db
12% Popularity • 71% Danceability • 47% Energy • 12% Liveness
0% Instrumentalness • 79% Positiveness
12% Popularity • 71% Danceability • 47% Energy • 12% Liveness
0% Instrumentalness • 79% Positiveness
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Charlie Rich
Midnite Blues
128 bpm • G Maj • 02:40 • -11db
29% Popularity • 77% Danceability • 64% Energy • 17% Liveness
2% Instrumentalness • 94% Positiveness
29% Popularity • 77% Danceability • 64% Energy • 17% Liveness
2% Instrumentalness • 94% Positiveness
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Ike Turner
I'm Tore Up
134 bpm • A min • 02:23 • -8.72db
14% Popularity • 66% Danceability • 59% Energy • 8% Liveness
0% Instrumentalness • 92% Positiveness
14% Popularity • 66% Danceability • 59% Energy • 8% Liveness
0% Instrumentalness • 92% Positiveness
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Ernie K-Doe
Te-Ta-Te-Ta-Ta - Remastered
134 bpm • F Maj • 02:37 • -9.08db
21% Popularity • 60% Danceability • 51% Energy • 40% Liveness
0% Instrumentalness • 86% Positiveness
21% Popularity • 60% Danceability • 51% Energy • 40% Liveness
0% Instrumentalness • 86% Positiveness
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Cile Turner
Oh, Mammy! Look at Sam
134 bpm • G# min • 01:08 • -18.67db
0% Popularity • 64% Danceability • 23% Energy • 19% Liveness
36% Instrumentalness • 52% Positiveness
0% Popularity • 64% Danceability • 23% Energy • 19% Liveness
36% Instrumentalness • 52% Positiveness
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The Clovers
You're Cash Ain't Nothin' but Trash - Re...
134 bpm • C Maj • 02:57 • -9.22db
12% Popularity • 73% Danceability • 25% Energy • 17% Liveness
0% Instrumentalness • 64% Positiveness
12% Popularity • 73% Danceability • 25% Energy • 17% Liveness
0% Instrumentalness • 64% Positiveness
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The Edsels
Twenty Four Hours
134 bpm • G# Maj • 02:00 • -8.45db
11% Popularity • 68% Danceability • 63% Energy • 17% Liveness
0% Instrumentalness • 93% Positiveness
11% Popularity • 68% Danceability • 63% Energy • 17% Liveness
0% Instrumentalness • 93% Positiveness
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Lightnin' Slim
It's Mighty Crazy
135 bpm • A Maj • 02:36 • -11db
8% Popularity • 60% Danceability • 71% Energy • 53% Liveness
0% Instrumentalness • 57% Positiveness
8% Popularity • 60% Danceability • 71% Energy • 53% Liveness
0% Instrumentalness • 57% Positiveness
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Champion Jack Dupree
Drunk Again
127 bpm • C Maj • 03:01 • -9.19db
13% Popularity • 81% Danceability • 46% Energy • 14% Liveness
0% Instrumentalness • 94% Positiveness
13% Popularity • 81% Danceability • 46% Energy • 14% Liveness
0% Instrumentalness • 94% Positiveness
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Titus Turner
Hungry Man
127 bpm • F min • 02:26 • -3db
30% Popularity • 51% Danceability • 57% Energy • 12% Liveness
0% Instrumentalness • 74% Positiveness
30% Popularity • 51% Danceability • 57% Energy • 12% Liveness
0% Instrumentalness • 74% Positiveness
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Cile Turner
One-Arm Tom (LP version)
127 bpm • A Maj • 04:13 • -14.4db
0% Popularity • 64% Danceability • 11% Energy • 11% Liveness
0% Instrumentalness • 30% Positiveness
0% Popularity • 64% Danceability • 11% Energy • 11% Liveness
0% Instrumentalness • 30% Positiveness
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Little Willie John
My Nerves
127 bpm • G# min • 02:33 • -7db
18% Popularity • 46% Danceability • 50% Energy • 12% Liveness
0% Instrumentalness • 59% Positiveness
18% Popularity • 46% Danceability • 50% Energy • 12% Liveness
0% Instrumentalness • 59% Positiveness
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The Coasters
Hey Sexy - 2007 Remaster Stereo; Remaste...
127 bpm • C Maj • 02:35 • -7.15db
11% Popularity • 74% Danceability • 81% Energy • 24% Liveness
0% Instrumentalness • 84% Positiveness
11% Popularity • 74% Danceability • 81% Energy • 24% Liveness
0% Instrumentalness • 84% Positiveness
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The "5" Royales
Thirty Second Lover
135 bpm • C# Maj • 02:27 • -12db
14% Popularity • 64% Danceability • 44% Energy • 31% Liveness
0% Instrumentalness • 78% Positiveness
14% Popularity • 64% Danceability • 44% Energy • 31% Liveness
0% Instrumentalness • 78% Positiveness
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Jeannie Barnes
Can't Get You Off My Mind
127 bpm • A# min • 02:45 • -6.24db
7% Popularity • 80% Danceability • 72% Energy • 7% Liveness
0% Instrumentalness • 71% Positiveness
7% Popularity • 80% Danceability • 72% Energy • 7% Liveness
0% Instrumentalness • 71% Positiveness
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Clyde McPhatter
Money Honey
127 bpm • F Maj • 02:54 • -5.59db
22% Popularity • 60% Danceability • 70% Energy • 48% Liveness
0% Instrumentalness • 81% Positiveness
22% Popularity • 60% Danceability • 70% Energy • 48% Liveness
0% Instrumentalness • 81% Positiveness
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Sugar Pie DeSanto
Can't Let You Go
127 bpm • A# Maj • 02:45 • -8.26db
33% Popularity • 69% Danceability • 55% Energy • 17% Liveness
0% Instrumentalness • 91% Positiveness
33% Popularity • 69% Danceability • 55% Energy • 17% Liveness
0% Instrumentalness • 91% Positiveness
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Little Willie John
All Around The World
127 bpm • G Maj • 03:03 • -9db
22% Popularity • 54% Danceability • 47% Energy • 11% Liveness
0% Instrumentalness • 70% Positiveness
22% Popularity • 54% Danceability • 47% Energy • 11% Liveness
0% Instrumentalness • 70% Positiveness
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The Coasters
Riot in Cell Block No. 9
135 bpm • D min • 03:03 • -9.4db
21% Popularity • 54% Danceability • 61% Energy • 34% Liveness
0% Instrumentalness • 54% Positiveness
21% Popularity • 54% Danceability • 61% Energy • 34% Liveness
0% Instrumentalness • 54% Positiveness
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Ronnie Dawson
Congratulations to Me
135 bpm • G Maj • 02:25 • -7db
11% Popularity • 57% Danceability • 68% Energy • 8% Liveness
0% Instrumentalness • 87% Positiveness
11% Popularity • 57% Danceability • 68% Energy • 8% Liveness
0% Instrumentalness • 87% Positiveness
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The "5" Royales
Think
127 bpm • G# Maj • 02:35 • -9db
19% Popularity • 80% Danceability • 38% Energy • 9% Liveness
0% Instrumentalness • 78% Positiveness
19% Popularity • 80% Danceability • 38% Energy • 9% Liveness
0% Instrumentalness • 78% Positiveness
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Ernie K-Doe
Tain't It The Truth
127 bpm • D# Maj • 02:33 • -11.87db
29% Popularity • 52% Danceability • 34% Energy • 9% Liveness
0% Instrumentalness • 66% Positiveness
29% Popularity • 52% Danceability • 34% Energy • 9% Liveness
0% Instrumentalness • 66% Positiveness
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Sugar Pie DeSanto
I Want To Know
126 bpm • C Maj • 03:00 • -6.38db
30% Popularity • 64% Danceability • 63% Energy • 16% Liveness
0% Instrumentalness • 80% Positiveness
30% Popularity • 64% Danceability • 63% Energy • 16% Liveness
0% Instrumentalness • 80% Positiveness
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Little Willie John
My Nerves
127 bpm • C# min • 02:33 • -10.01db
14% Popularity • 48% Danceability • 37% Energy • 31% Liveness
0% Instrumentalness • 66% Positiveness
14% Popularity • 48% Danceability • 37% Energy • 31% Liveness
0% Instrumentalness • 66% Positiveness
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Eddie Banks
Sugar Diabetes
136 bpm • C min • 02:39 • -6db
10% Popularity • 66% Danceability • 56% Energy • 7% Liveness
0% Instrumentalness • 81% Positiveness
10% Popularity • 66% Danceability • 56% Energy • 7% Liveness
0% Instrumentalness • 81% Positiveness
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Huey "Piano" Smith
Little Chickie Wah Wah
126 bpm • C Maj • 02:10 • -5db
32% Popularity • 89% Danceability • 76% Energy • 9% Liveness
0% Instrumentalness • 94% Positiveness
32% Popularity • 89% Danceability • 76% Energy • 9% Liveness
0% Instrumentalness • 94% Positiveness
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The "5" Royales
Think
126 bpm • F min • 02:36 • -12db
23% Popularity • 80% Danceability • 35% Energy • 9% Liveness
1% Instrumentalness • 77% Positiveness
23% Popularity • 80% Danceability • 35% Energy • 9% Liveness
1% Instrumentalness • 77% Positiveness
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Guitar Slim
Well I Done Got Over It
126 bpm • A# min • 02:27 • -13db
31% Popularity • 62% Danceability • 32% Energy • 10% Liveness
0% Instrumentalness • 86% Positiveness
31% Popularity • 62% Danceability • 32% Energy • 10% Liveness
0% Instrumentalness • 86% Positiveness
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The Clovers
Good Lovin' - Remastered
126 bpm • C# min • 02:59 • -8.63db
4% Popularity • 79% Danceability • 46% Energy • 13% Liveness
0% Instrumentalness • 80% Positiveness
4% Popularity • 79% Danceability • 46% Energy • 13% Liveness
0% Instrumentalness • 80% Positiveness
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Clyde McPhatter
I'll Love You Till The Cows Come Home
137 bpm • A# min • 02:22 • -6.09db
10% Popularity • 60% Danceability • 58% Energy • 7% Liveness
0% Instrumentalness • 68% Positiveness
10% Popularity • 60% Danceability • 58% Energy • 7% Liveness
0% Instrumentalness • 68% Positiveness
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Lightnin' Slim
Rooster Blues
137 bpm • A Maj • 02:32 • -10db
8% Popularity • 64% Danceability • 52% Energy • 60% Liveness
0% Instrumentalness • 70% Positiveness
8% Popularity • 64% Danceability • 52% Energy • 60% Liveness
0% Instrumentalness • 70% Positiveness
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Huey "Piano" Smith
Little Chicken Wah Wah
126 bpm • G Maj • 02:05 • -7db
16% Popularity • 82% Danceability • 77% Energy • 7% Liveness
0% Instrumentalness • 98% Positiveness
16% Popularity • 82% Danceability • 77% Energy • 7% Liveness
0% Instrumentalness • 98% Positiveness
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Jane Baker
Sing On Baby
125 bpm • G Maj • 02:40 • -8db
9% Popularity • 55% Danceability • 44% Energy • 19% Liveness
0% Instrumentalness • 70% Positiveness
9% Popularity • 55% Danceability • 44% Energy • 19% Liveness
0% Instrumentalness • 70% Positiveness
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Shirley & Lee
Feel So Good
137 bpm • A Maj • 02:51 • -13.16db
14% Popularity • 72% Danceability • 40% Energy • 7% Liveness
0% Instrumentalness • 84% Positiveness
14% Popularity • 72% Danceability • 40% Energy • 7% Liveness
0% Instrumentalness • 84% Positiveness
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Sugar Pie DeSanto
Tell Me What's The Matter
137 bpm • G Maj • 02:31 • -5.92db
14% Popularity • 70% Danceability • 72% Energy • 7% Liveness
0% Instrumentalness • 96% Positiveness
14% Popularity • 70% Danceability • 72% Energy • 7% Liveness
0% Instrumentalness • 96% Positiveness
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Prince Conley
I'm Going Home
125 bpm • G min • 02:48 • -10db
17% Popularity • 69% Danceability • 41% Energy • 16% Liveness
0% Instrumentalness • 96% Positiveness
17% Popularity • 69% Danceability • 41% Energy • 16% Liveness
0% Instrumentalness • 96% Positiveness
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Ivory Joe Hunter
I'm Cuttin' Out
125 bpm • G# min • 02:09 • -4db
11% Popularity • 47% Danceability • 86% Energy • 35% Liveness
56% Instrumentalness • 77% Positiveness
11% Popularity • 47% Danceability • 86% Energy • 35% Liveness
56% Instrumentalness • 77% Positiveness
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Smiley Lewis
Caldonia's Party
138 bpm • C# Maj • 02:10 • -8db
10% Popularity • 48% Danceability • 60% Energy • 14% Liveness
0% Instrumentalness • 76% Positiveness
10% Popularity • 48% Danceability • 60% Energy • 14% Liveness
0% Instrumentalness • 76% Positiveness
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Little Willie John
(I've Got) Spring Fever
138 bpm • C Maj • 02:10 • -8.94db
14% Popularity • 72% Danceability • 40% Energy • 30% Liveness
0% Instrumentalness • 68% Positiveness
14% Popularity • 72% Danceability • 40% Energy • 30% Liveness
0% Instrumentalness • 68% Positiveness
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The "5" Royales
Not Going to Cry
125 bpm • C# Maj • 02:34 • -7.15db
9% Popularity • 61% Danceability • 70% Energy • 16% Liveness
0% Instrumentalness • 85% Positiveness
9% Popularity • 61% Danceability • 70% Energy • 16% Liveness
0% Instrumentalness • 85% Positiveness
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Ruth Brown
Takin' Care of Business
125 bpm • F min • 02:19 • -10.96db
13% Popularity • 59% Danceability • 48% Energy • 8% Liveness
0% Instrumentalness • 71% Positiveness
13% Popularity • 59% Danceability • 48% Energy • 8% Liveness
0% Instrumentalness • 71% Positiveness
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Eddie Bo
Baby I'm Wise
125 bpm • A# Maj • 02:31 • -8.46db
13% Popularity • 76% Danceability • 68% Energy • 7% Liveness
17% Instrumentalness • 92% Positiveness
13% Popularity • 76% Danceability • 68% Energy • 7% Liveness
17% Instrumentalness • 92% Positiveness
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Exuma
Snake
124 bpm • F Maj • 02:48 • -12.11db
7% Popularity • 62% Danceability • 63% Energy • 16% Liveness
0% Instrumentalness • 60% Positiveness
7% Popularity • 62% Danceability • 63% Energy • 16% Liveness
0% Instrumentalness • 60% Positiveness
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The Collins Kids
Hoy Hoy
124 bpm • G Maj • 01:59 • -4.78db
22% Popularity • 83% Danceability • 95% Energy • 7% Liveness
0% Instrumentalness • 95% Positiveness
22% Popularity • 83% Danceability • 95% Energy • 7% Liveness
0% Instrumentalness • 95% Positiveness
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Sugar Pie DeSanto
Open Your Heart
124 bpm • A Maj • 02:04 • -5.94db
11% Popularity • 52% Danceability • 59% Energy • 7% Liveness
0% Instrumentalness • 93% Positiveness
11% Popularity • 52% Danceability • 59% Energy • 7% Liveness
0% Instrumentalness • 93% Positiveness
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Bull Moose Jackson
If You Ain't Lovin' (You Ain't Livin')
138 bpm • G Maj • 02:26 • -9.46db
13% Popularity • 62% Danceability • 37% Energy • 7% Liveness
0% Instrumentalness • 88% Positiveness
13% Popularity • 62% Danceability • 37% Energy • 7% Liveness
0% Instrumentalness • 88% Positiveness
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Bill Doggett
Ram-Bunk-Shush
124 bpm • G Maj • 02:33 • -8.07db
27% Popularity • 51% Danceability • 61% Energy • 14% Liveness
12% Instrumentalness • 84% Positiveness
27% Popularity • 51% Danceability • 61% Energy • 14% Liveness
12% Instrumentalness • 84% Positiveness
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Cile Turner
A Thousand Years
138 bpm • A Maj • 01:08 • -17.71db
0% Popularity • 52% Danceability • 44% Energy • 11% Liveness
0% Instrumentalness • 55% Positiveness
0% Popularity • 52% Danceability • 44% Energy • 11% Liveness
0% Instrumentalness • 55% Positiveness
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Rosco Gordon
Just A Little Bit
138 bpm • C Maj • 02:03 • -14.01db
28% Popularity • 67% Danceability • 45% Energy • 11% Liveness
0% Instrumentalness • 96% Positiveness
28% Popularity • 67% Danceability • 45% Energy • 11% Liveness
0% Instrumentalness • 96% Positiveness
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Big Mama Thornton
How Come
124 bpm • G# Maj • 02:34 • -12.03db
13% Popularity • 72% Danceability • 28% Energy • 24% Liveness
0% Instrumentalness • 71% Positiveness
13% Popularity • 72% Danceability • 28% Energy • 24% Liveness
0% Instrumentalness • 71% Positiveness
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Mike Pedecin
Burnt Toast and Black Coffee
138 bpm • G Maj • 02:05 • -9.37db
21% Popularity • 71% Danceability • 62% Energy • 22% Liveness
0% Instrumentalness • 89% Positiveness
21% Popularity • 71% Danceability • 62% Energy • 22% Liveness
0% Instrumentalness • 89% Positiveness
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Art Neville
What's Going On
138 bpm • B min • 02:00 • -9db
28% Popularity • 68% Danceability • 57% Energy • 68% Liveness
0% Instrumentalness • 94% Positiveness
28% Popularity • 68% Danceability • 57% Energy • 68% Liveness
0% Instrumentalness • 94% Positiveness
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Hank Ballard
Rock And Roll Wedding
139 bpm • C Maj • 02:40 • -8.11db
8% Popularity • 67% Danceability • 50% Energy • 39% Liveness
0% Instrumentalness • 96% Positiveness
8% Popularity • 67% Danceability • 50% Energy • 39% Liveness
0% Instrumentalness • 96% Positiveness
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Ruth Brown
Daddy Daddy
139 bpm • G# Maj • 02:56 • -16db
17% Popularity • 77% Danceability • 39% Energy • 9% Liveness
0% Instrumentalness • 82% Positiveness
17% Popularity • 77% Danceability • 39% Energy • 9% Liveness
0% Instrumentalness • 82% Positiveness
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Young Jessie
Mary Lou (Alternate Take)
139 bpm • B min • 03:04 • -8db
14% Popularity • 62% Danceability • 37% Energy • 6% Liveness
0% Instrumentalness • 75% Positiveness
14% Popularity • 62% Danceability • 37% Energy • 6% Liveness
0% Instrumentalness • 75% Positiveness
