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Songs like
Full Value
by
Steven Bowman
Based on a tempo of (+/- 10%) and a similar genre
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Steven Bowman
Full Value
128 bpm • D Maj • 02:11 • -8.12db
0% Popularity • 79% Danceability • 88% Energy • 13% Liveness
79% Instrumentalness • 86% Positiveness
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Paul Young
I See A Darkness
128 bpm • G# Maj • 04:41 • -10.62db
12% Popularity • 53% Danceability • 37% Energy • 9% Liveness
0% Instrumentalness • 8% Positiveness
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The Bootleggers UK
Here For You (Always)
128 bpm • G Maj • 03:44 • -7.01db
8% Popularity • 62% Danceability • 65% Energy • 11% Liveness
0% Instrumentalness • 50% Positiveness
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Indelible Grace Music
Oft in Sorrow
128 bpm • G Maj • 03:43 • -10.41db
11% Popularity • 55% Danceability • 55% Energy • 8% Liveness
6% Instrumentalness • 51% Positiveness
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Kirk Ross
I Shall Be Released
128 bpm • E Maj • 04:35 • -10db
32% Popularity • 62% Danceability • 39% Energy • 9% Liveness
0% Instrumentalness • 26% Positiveness
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Ben's Brother
Battling Giants (bvs Jason Mraz)
128 bpm • A# Maj • 03:56 • -8.93db
8% Popularity • 57% Danceability • 38% Energy • 8% Liveness
0% Instrumentalness • 16% Positiveness
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The Land
Won't Let Go
129 bpm • D Maj • 03:12 • -8.13db
11% Popularity • 66% Danceability • 41% Energy • 16% Liveness
0% Instrumentalness • 42% Positiveness
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Matt Andersen
Been My Last
129 bpm • E Maj • 03:44 • -9.93db
25% Popularity • 35% Danceability • 35% Energy • 8% Liveness
0% Instrumentalness • 15% Positiveness
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The Cave Singers
Summer Light
129 bpm • F Maj • 04:06 • -12.41db
24% Popularity • 69% Danceability • 47% Energy • 24% Liveness
0% Instrumentalness • 23% Positiveness
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Jas Nature
So the Story Goes
130 bpm • G# Maj • 04:36 • -13.91db
10% Popularity • 48% Danceability • 10% Energy • 10% Liveness
0% Instrumentalness • 13% Positiveness
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Angelo Kelly
Only Our Rivers Run Free
130 bpm • G Maj • 03:52 • -10.44db
12% Popularity • 46% Danceability • 19% Energy • 34% Liveness
0% Instrumentalness • 24% Positiveness
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Ger O'Donnell
Nobody Knows
130 bpm • A# Maj • 04:18 • -13.92db
14% Popularity • 67% Danceability • 24% Energy • 10% Liveness
0% Instrumentalness • 33% Positiveness
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Man in the Ocean
Contradiction
130 bpm • C Maj • 03:33 • -10.61db
19% Popularity • 63% Danceability • 40% Energy • 12% Liveness
0% Instrumentalness • 19% Positiveness
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Matt Bednarsky
Rewrite the Story
126 bpm • D# Maj • 04:24 • -11.52db
12% Popularity • 63% Danceability • 30% Energy • 10% Liveness
0% Instrumentalness • 21% Positiveness
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Robbie Williams
Make Me Pure - Acoustic
126 bpm • A Maj • 03:47 • -9.14db
13% Popularity • 65% Danceability • 41% Energy • 9% Liveness
0% Instrumentalness • 29% Positiveness
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Colin Hay
Driving With the Brakes On
130 bpm • D# Maj • 04:31 • -10.06db
8% Popularity • 62% Danceability • 37% Energy • 11% Liveness
0% Instrumentalness • 32% Positiveness
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Mic Clark
Desert Sands
130 bpm • A min • 04:04 • -10.93db
3% Popularity • 66% Danceability • 47% Energy • 10% Liveness
0% Instrumentalness • 53% Positiveness
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ATK
等不到爱的人 - 伴奏
126 bpm • B Maj • 03:17 • -10.37db
10% Popularity • 70% Danceability • 50% Energy • 38% Liveness
92% Instrumentalness • 28% Positiveness
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Dimitri's Bats
Love Runs Out
130 bpm • E Maj • 02:54 • -12.41db
9% Popularity • 67% Danceability • 26% Energy • 26% Liveness
0% Instrumentalness • 18% Positiveness
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Jesse Malin
Broken Radio '22
130 bpm • E Maj • 03:41 • -5.27db
30% Popularity • 45% Danceability • 50% Energy • 10% Liveness
0% Instrumentalness • 38% Positiveness
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harry hook is real
FIFO (fly in fly out)
130 bpm • C Maj • 03:30 • -6.17db
14% Popularity • 50% Danceability • 50% Energy • 11% Liveness
0% Instrumentalness • 63% Positiveness
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Low-end project
I See You Like I See the Sun
126 bpm • F# Maj • 03:06 • -10.19db
20% Popularity • 68% Danceability • 39% Energy • 12% Liveness
0% Instrumentalness • 31% Positiveness
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Seth Lakeman
Shoals to turn
126 bpm • A Maj • 04:40 • -12.96db
9% Popularity • 63% Danceability • 26% Energy • 16% Liveness
0% Instrumentalness • 23% Positiveness
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Strahan
Time for a Change Again
126 bpm • D Maj • 04:40 • -18.94db
27% Popularity • 36% Danceability • 5% Energy • 11% Liveness
0% Instrumentalness • 20% Positiveness
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Victor Schuster
The Moon
126 bpm • E min • 04:06 • -10.53db
26% Popularity • 50% Danceability • 37% Energy • 10% Liveness
0% Instrumentalness • 12% Positiveness
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Mark Knopfler
Wherever I Go
131 bpm • B Maj • 06:24 • -16.65db
50% Popularity • 62% Danceability • 11% Energy • 6% Liveness
15% Instrumentalness • 25% Positiveness
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Passenger
Helplessly Lost
125 bpm • C Maj • 02:25 • -12.8db
39% Popularity • 41% Danceability • 23% Energy • 11% Liveness
0% Instrumentalness • 31% Positiveness
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Charles Pasi
Monsters On The Ceiling
131 bpm • G# Maj • 04:18 • -12.84db
11% Popularity • 50% Danceability • 36% Energy • 10% Liveness
1% Instrumentalness • 32% Positiveness
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Christian Lopez
Losing My Mind
125 bpm • G Maj • 03:32 • -7.94db
8% Popularity • 75% Danceability • 44% Energy • 16% Liveness
0% Instrumentalness • 78% Positiveness
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Roch Voisine
Until Death Do Us Part
125 bpm • C# min • 03:18 • -13.02db
13% Popularity • 46% Danceability • 27% Energy • 10% Liveness
0% Instrumentalness • 15% Positiveness
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James Block
Preserve Me - Psalm 16
131 bpm • G Maj • 03:55 • -10.96db
10% Popularity • 47% Danceability • 36% Energy • 13% Liveness
0% Instrumentalness • 34% Positiveness
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St. Christopher Medal
Those Nights...
131 bpm • C Maj • 02:22 • -10.65db
13% Popularity • 57% Danceability • 37% Energy • 8% Liveness
5% Instrumentalness • 31% Positiveness
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Passenger
Tip of My Tongue
125 bpm • G# Maj • 03:01 • -9.09db
38% Popularity • 63% Danceability • 65% Energy • 9% Liveness
0% Instrumentalness • 82% Positiveness
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Robbert Duijf
Going Home
131 bpm • C# Maj • 03:12 • -17.86db
23% Popularity • 56% Danceability • 8% Energy • 9% Liveness
0% Instrumentalness • 13% Positiveness
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For Ernest
Keep Me Warm
125 bpm • C Maj • 03:02 • -11.14db
25% Popularity • 39% Danceability • 28% Energy • 12% Liveness
0% Instrumentalness • 14% Positiveness
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Luke O'Shea
The Drovers Wife
124 bpm • B min • 03:56 • -6.54db
25% Popularity • 42% Danceability • 50% Energy • 19% Liveness
0% Instrumentalness • 23% Positiveness
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Kaz Hawkins
I Gotta Be Me
132 bpm • E min • 04:19 • -8.2db
18% Popularity • 69% Danceability • 31% Energy • 9% Liveness
0% Instrumentalness • 33% Positiveness
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Jessica Askea
New Dew
124 bpm • F# min • 02:17 • -9.62db
15% Popularity • 63% Danceability • 62% Energy • 15% Liveness
0% Instrumentalness • 63% Positiveness
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Passenger
Angie (Cover)
132 bpm • D min • 03:14 • -10.39db
35% Popularity • 52% Danceability • 36% Energy • 14% Liveness
0% Instrumentalness • 21% Positiveness
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Indelible Grace Music
For All the Saints [Dan Haseltine]
132 bpm • D Maj • 04:01 • -10.31db
24% Popularity • 59% Danceability • 36% Energy • 37% Liveness
0% Instrumentalness • 37% Positiveness
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Bahamas
Half Your Love
132 bpm • A min • 02:24 • -9.89db
52% Popularity • 73% Danceability • 25% Energy • 10% Liveness
0% Instrumentalness • 33% Positiveness
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Donavon Frankenreiter
Woman
124 bpm • F# Maj • 03:41 • -11.34db
20% Popularity • 69% Danceability • 39% Energy • 11% Liveness
0% Instrumentalness • 40% Positiveness
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Ritchie
Father and Son
132 bpm • G Maj • 03:41 • -12.81db
17% Popularity • 46% Danceability • 32% Energy • 15% Liveness
0% Instrumentalness • 40% Positiveness
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Ozzy Osbourne
Mrs J. - Demo
132 bpm • G Maj • 02:39 • -9.32db
18% Popularity • 66% Danceability • 47% Energy • 13% Liveness
0% Instrumentalness • 33% Positiveness
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Mikael Rickfors
Lean on Me
132 bpm • A Maj • 03:48 • -15.01db
28% Popularity • 62% Danceability • 22% Energy • 12% Liveness
0% Instrumentalness • 32% Positiveness
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Pigram Brothers
Blue Bay Blues
123 bpm • E Maj • 03:55 • -13db
21% Popularity • 64% Danceability • 28% Energy • 11% Liveness
0% Instrumentalness • 34% Positiveness
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Stian Aamodt
This is What It Feels Like
133 bpm • F Maj • 02:58 • -8.68db
10% Popularity • 61% Danceability • 44% Energy • 11% Liveness
0% Instrumentalness • 14% Positiveness
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Rob Drabkin
Someday
133 bpm • C Maj • 03:55 • -10.1db
11% Popularity • 49% Danceability • 40% Energy • 18% Liveness
0% Instrumentalness • 26% Positiveness
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Sons of Korah
Psalm 116
133 bpm • A# Maj • 04:46 • -9db
26% Popularity • 38% Danceability • 40% Energy • 12% Liveness
0% Instrumentalness • 8% Positiveness
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Paul Izak
Love Is A Bridge
123 bpm • C Maj • 05:05 • -7.35db
14% Popularity • 68% Danceability • 41% Energy • 16% Liveness
0% Instrumentalness • 27% Positiveness
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Mary Chapin Carpenter
Sometimes Just the Sky
133 bpm • C Maj • 06:23 • -15.73db
23% Popularity • 46% Danceability • 34% Energy • 20% Liveness
36% Instrumentalness • 36% Positiveness
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Wakey!Wakey!
Away
123 bpm • F Maj • 02:38 • -8.61db
8% Popularity • 57% Danceability • 37% Energy • 11% Liveness
0% Instrumentalness • 34% Positiveness
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Passenger
Queenstown
123 bpm • F Maj • 04:05 • -13.84db
40% Popularity • 61% Danceability • 17% Energy • 12% Liveness
0% Instrumentalness • 18% Positiveness
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Mike + The Mechanics
Don't Know What Came Over Me - Acoustic
134 bpm • F min • 03:59 • -8.55db
15% Popularity • 57% Danceability • 37% Energy • 12% Liveness
0% Instrumentalness • 28% Positiveness
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James Blundell
Postcards from Siagon
134 bpm • C Maj • 03:55 • -10.38db
12% Popularity • 64% Danceability • 39% Energy • 11% Liveness
0% Instrumentalness • 33% Positiveness
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Darden Smith
Mine Till Morning
134 bpm • C Maj • 03:26 • -10.83db
15% Popularity • 64% Danceability • 45% Energy • 9% Liveness
0% Instrumentalness • 43% Positiveness
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Bryan Adams
Many Rivers To Cross
134 bpm • E Maj • 04:08 • -6.63db
20% Popularity • 59% Danceability • 39% Energy • 22% Liveness
0% Instrumentalness • 30% Positiveness
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James Reyne
Reckless - Acoustic, Live
134 bpm • C# Maj • 04:24 • -7.55db
14% Popularity • 41% Danceability • 36% Energy • 10% Liveness
0% Instrumentalness • 20% Positiveness
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The Cameron Collective
Hear Me Now
122 bpm • D# min • 02:53 • -8.69db
16% Popularity • 71% Danceability • 45% Energy • 10% Liveness
0% Instrumentalness • 31% Positiveness
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Brogan Gaskill
Estuary
122 bpm • C Maj • 03:32 • -16db
7% Popularity • 67% Danceability • 19% Energy • 11% Liveness
0% Instrumentalness • 32% Positiveness
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Martyn Joseph
Folding
134 bpm • E Maj • 03:46 • -13.19db
19% Popularity • 45% Danceability • 16% Energy • 10% Liveness
2% Instrumentalness • 16% Positiveness
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Aleco
Woods
122 bpm • D# Maj • 04:19 • -10.78db
11% Popularity • 60% Danceability • 36% Energy • 13% Liveness
0% Instrumentalness • 30% Positiveness
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Ave Gart
Daddy's Arms
122 bpm • D Maj • 03:36 • -7.88db
25% Popularity • 62% Danceability • 39% Energy • 18% Liveness
0% Instrumentalness • 44% Positiveness
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Passenger
Nothing Aches Like a Broken Heart
135 bpm • F Maj • 04:16 • -9.86db
33% Popularity • 66% Danceability • 44% Energy • 15% Liveness
0% Instrumentalness • 52% Positiveness
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David Gray
Gutters Full Of Rain
135 bpm • B Maj • 04:22 • -14.04db
29% Popularity • 57% Danceability • 20% Energy • 11% Liveness
0% Instrumentalness • 16% Positiveness
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Georg Wadenius
Come Back And Stay
121 bpm • C# min • 03:33 • -9.85db
8% Popularity • 67% Danceability • 27% Energy • 13% Liveness
0% Instrumentalness • 29% Positiveness
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John Gorka
Can’t Get Over It
135 bpm • B Maj • 03:32 • -11.72db
8% Popularity • 40% Danceability • 15% Energy • 11% Liveness
0% Instrumentalness • 23% Positiveness
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Jonah Blacksmith
Ghost
121 bpm • C Maj • 03:45 • -10.41db
32% Popularity • 41% Danceability • 24% Energy • 14% Liveness
0% Instrumentalness • 29% Positiveness
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Patrick Davis
One of These Drinks
135 bpm • F Maj • 03:42 • -7.14db
10% Popularity • 43% Danceability • 56% Energy • 14% Liveness
0% Instrumentalness • 43% Positiveness
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Passenger
The Way That I Love You
121 bpm • C# Maj • 02:39 • -12.73db
39% Popularity • 51% Danceability • 30% Energy • 13% Liveness
0% Instrumentalness • 44% Positiveness
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Ben Lee
Everything Is OK
121 bpm • C Maj • 03:57 • -13.34db
9% Popularity • 64% Danceability • 17% Energy • 9% Liveness
0% Instrumentalness • 43% Positiveness
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Phil Cooper
Clear Winter (The 9 Album Version)
136 bpm • D Maj • 02:37 • -9.42db
16% Popularity • 47% Danceability • 26% Energy • 13% Liveness
0% Instrumentalness • 15% Positiveness
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Tiddas
For A Short Time
136 bpm • A# Maj • 04:59 • -8.25db
8% Popularity • 45% Danceability • 48% Energy • 69% Liveness
0% Instrumentalness • 37% Positiveness
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Dada Ante Portas
Angeleen
136 bpm • F Maj • 03:03 • -9.97db
10% Popularity • 60% Danceability • 47% Energy • 11% Liveness
0% Instrumentalness • 38% Positiveness
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Andrea Notti
What Is Good for Me
136 bpm • C# Maj • 04:46 • -10.35db
21% Popularity • 65% Danceability • 36% Energy • 35% Liveness
0% Instrumentalness • 26% Positiveness
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Passenger
Queenstown (Piano)
121 bpm • F Maj • 03:50 • -14.17db
24% Popularity • 51% Danceability • 18% Energy • 12% Liveness
0% Instrumentalness • 35% Positiveness
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Joshua Hyslop
Come Away
136 bpm • B Maj • 03:43 • -14.31db
21% Popularity • 59% Danceability • 29% Energy • 11% Liveness
3% Instrumentalness • 29% Positiveness
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Johnny Reid
Love Someone
136 bpm • G Maj • 04:29 • -16.01db
17% Popularity • 60% Danceability • 12% Energy • 11% Liveness
0% Instrumentalness • 13% Positiveness
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Matthew Fowler
Rooftops
120 bpm • D# Maj • 04:42 • -12.18db
14% Popularity • 56% Danceability • 21% Energy • 11% Liveness
0% Instrumentalness • 35% Positiveness
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Tom Cochrane
Dreamer's Dream
136 bpm • G Maj • 04:54 • -10.86db
9% Popularity • 48% Danceability • 20% Energy • 11% Liveness
0% Instrumentalness • 34% Positiveness
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Tom Keller
Down by the Riverside
136 bpm • D# Maj • 03:50 • -9.12db
23% Popularity • 63% Danceability • 51% Energy • 16% Liveness
0% Instrumentalness • 63% Positiveness
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Ruins
Dancing on my own (Robyn cover)
120 bpm • C# Maj • 04:16 • -14.34db
16% Popularity • 58% Danceability • 29% Energy • 11% Liveness
0% Instrumentalness • 41% Positiveness
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Gary Clark
Kooks
120 bpm • D Maj • 03:06 • -12.36db
18% Popularity • 67% Danceability • 41% Energy • 10% Liveness
0% Instrumentalness • 60% Positiveness
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Rag'n'Bone Man
Old Habits
120 bpm • D Maj • 04:26 • -12.13db
32% Popularity • 60% Danceability • 14% Energy • 13% Liveness
0% Instrumentalness • 18% Positiveness
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John Mayer
Waitin' On The Day
120 bpm • G Maj • 04:33 • -8.63db
50% Popularity • 66% Danceability • 44% Energy • 14% Liveness
5% Instrumentalness • 30% Positiveness
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海伦
什么是老婆 - 伴奏
120 bpm • C Maj • 04:30 • -11.15db
11% Popularity • 80% Danceability • 34% Energy • 12% Liveness
83% Instrumentalness • 12% Positiveness
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Eduard Rei
My Angel, My Destiny
120 bpm • E min • 03:38 • -12.59db
8% Popularity • 69% Danceability • 44% Energy • 12% Liveness
0% Instrumentalness • 34% Positiveness
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Erlend Gunstveit
Stay
120 bpm • G Maj • 03:49 • -14.34db
10% Popularity • 57% Danceability • 31% Energy • 16% Liveness
0% Instrumentalness • 39% Positiveness
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Busby Marou
Leave It up to Me
120 bpm • D Maj • 03:48 • -10.68db
8% Popularity • 54% Danceability • 20% Energy • 14% Liveness
0% Instrumentalness • 29% Positiveness
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Ronan Keating
The Voyage
137 bpm • D Maj • 03:55 • -8.65db
20% Popularity • 55% Danceability • 44% Energy • 33% Liveness
0% Instrumentalness • 23% Positiveness
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Kris Drever
More Than You Know
119 bpm • A Maj • 04:13 • -9db
10% Popularity • 40% Danceability • 43% Energy • 31% Liveness
5% Instrumentalness • 16% Positiveness
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Sister Hazel
This Kind Of Love
137 bpm • D Maj • 04:14 • -11.75db
12% Popularity • 49% Danceability • 28% Energy • 96% Liveness
0% Instrumentalness • 37% Positiveness
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Phil Hamilton
Kansas
137 bpm • G Maj • 04:03 • -8.94db
11% Popularity • 51% Danceability • 22% Energy • 12% Liveness
0% Instrumentalness • 23% Positiveness
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Passenger
New Until It's Old
137 bpm • C min • 05:00 • -12.2db
30% Popularity • 46% Danceability • 29% Energy • 8% Liveness
0% Instrumentalness • 17% Positiveness
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Caj Morgan
Good Times
119 bpm • D Maj • 01:58 • -9.09db
8% Popularity • 48% Danceability • 31% Energy • 46% Liveness
0% Instrumentalness • 53% Positiveness
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John Gorka
Nazarene Guitar
119 bpm • C Maj • 03:40 • -11.14db
8% Popularity • 66% Danceability • 56% Energy • 10% Liveness
8% Instrumentalness • 50% Positiveness
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Ellis Paul
The World Ain't Slowin' Down
119 bpm • B Maj • 04:49 • -9.36db
36% Popularity • 60% Danceability • 50% Energy • 11% Liveness
0% Instrumentalness • 42% Positiveness
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Colin Hay
(Did You Just Take the) Long Way Home?
119 bpm • D# Maj • 03:44 • -7.43db
21% Popularity • 68% Danceability • 52% Energy • 10% Liveness
0% Instrumentalness • 33% Positiveness
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Anders Jektvik
Drømmevei
119 bpm • D Maj • 04:26 • -10.32db
11% Popularity • 60% Danceability • 34% Energy • 10% Liveness
22% Instrumentalness • 26% Positiveness
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Mike Rhodes
Chasin' Ghosts
138 bpm • F# Maj • 03:04 • -10.51db
20% Popularity • 56% Danceability • 26% Energy • 21% Liveness
0% Instrumentalness • 25% Positiveness
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Full Value