Songs like Fun Up Here (feat. Logic) by Mike Posner
Based on a tempo of (+/- 10%) and a similar genre
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Drama Relax
All That
130 bpm • F min • 02:53 • -3.55db
31% Popularity • 79% Danceability • 78% Energy • 16% Liveness
0% Instrumentalness • 48% Positiveness
31% Popularity • 79% Danceability • 78% Energy • 16% Liveness
0% Instrumentalness • 48% Positiveness
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Bas
Boca Raton
130 bpm • A# min • 03:17 • -6.66db
51% Popularity • 91% Danceability • 64% Energy • 22% Liveness
0% Instrumentalness • 39% Positiveness
51% Popularity • 91% Danceability • 64% Energy • 22% Liveness
0% Instrumentalness • 39% Positiveness
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Dreamville
Outta Pocket
130 bpm • D Maj • 02:37 • -7.42db
45% Popularity • 91% Danceability • 46% Energy • 8% Liveness
1% Instrumentalness • 55% Positiveness
45% Popularity • 91% Danceability • 46% Energy • 8% Liveness
1% Instrumentalness • 55% Positiveness
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Beast Coast
Rubberband
130 bpm • G# Maj • 03:49 • -8db
34% Popularity • 72% Danceability • 68% Energy • 47% Liveness
0% Instrumentalness • 36% Positiveness
34% Popularity • 72% Danceability • 68% Energy • 47% Liveness
0% Instrumentalness • 36% Positiveness
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REASON
Show Stop
130 bpm • G# Maj • 02:59 • -4db
46% Popularity • 75% Danceability • 72% Energy • 12% Liveness
0% Instrumentalness • 54% Positiveness
46% Popularity • 75% Danceability • 72% Energy • 12% Liveness
0% Instrumentalness • 54% Positiveness
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blackwave.
Up There
130 bpm • A# min • 04:16 • -7db
23% Popularity • 80% Danceability • 72% Energy • 8% Liveness
0% Instrumentalness • 49% Positiveness
23% Popularity • 80% Danceability • 72% Energy • 8% Liveness
0% Instrumentalness • 49% Positiveness
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Shawn Smith
FOMO
130 bpm • G# Maj • 03:27 • -9db
10% Popularity • 88% Danceability • 48% Energy • 11% Liveness
0% Instrumentalness • 38% Positiveness
10% Popularity • 88% Danceability • 48% Energy • 11% Liveness
0% Instrumentalness • 38% Positiveness
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Bas
Nirvana
130 bpm • A min • 02:45 • -8.15db
36% Popularity • 72% Danceability • 54% Energy • 15% Liveness
0% Instrumentalness • 53% Positiveness
36% Popularity • 72% Danceability • 54% Energy • 15% Liveness
0% Instrumentalness • 53% Positiveness
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Dreamville
Sunset
130 bpm • C# Maj • 02:58 • -7.05db
55% Popularity • 92% Danceability • 38% Energy • 13% Liveness
0% Instrumentalness • 39% Positiveness
55% Popularity • 92% Danceability • 38% Energy • 13% Liveness
0% Instrumentalness • 39% Positiveness
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Lil West
Not Sure
130 bpm • G Maj • 02:42 • -13.22db
29% Popularity • 79% Danceability • 21% Energy • 12% Liveness
0% Instrumentalness • 39% Positiveness
29% Popularity • 79% Danceability • 21% Energy • 12% Liveness
0% Instrumentalness • 39% Positiveness
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Mike Posner
Fun Up Here
130 bpm • A min • 02:51 • -9db
35% Popularity • 91% Danceability • 41% Energy • 11% Liveness
0% Instrumentalness • 34% Positiveness
35% Popularity • 91% Danceability • 41% Energy • 11% Liveness
0% Instrumentalness • 34% Positiveness
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lilbootycall
Prescriptions
130 bpm • C# min • 03:13 • -5db
26% Popularity • 86% Danceability • 66% Energy • 10% Liveness
0% Instrumentalness • 82% Positiveness
26% Popularity • 86% Danceability • 66% Energy • 10% Liveness
0% Instrumentalness • 82% Positiveness
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Darnell Williams
Buckhead
130 bpm • G Maj • 02:49 • -4.94db
13% Popularity • 87% Danceability • 80% Energy • 10% Liveness
0% Instrumentalness • 71% Positiveness
13% Popularity • 87% Danceability • 80% Energy • 10% Liveness
0% Instrumentalness • 71% Positiveness
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Landon Cube
Drugs
130 bpm • A min • 03:14 • -7.31db
36% Popularity • 61% Danceability • 72% Energy • 11% Liveness
0% Instrumentalness • 61% Positiveness
36% Popularity • 61% Danceability • 72% Energy • 11% Liveness
0% Instrumentalness • 61% Positiveness
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Landon Knox
Snow White
130 bpm • F# min • 02:45 • -11.52db
13% Popularity • 76% Danceability • 54% Energy • 24% Liveness
0% Instrumentalness • 72% Positiveness
13% Popularity • 76% Danceability • 54% Energy • 24% Liveness
0% Instrumentalness • 72% Positiveness
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High Klassified
1919
130 bpm • D# min • 03:14 • -5.79db
24% Popularity • 51% Danceability • 64% Energy • 9% Liveness
0% Instrumentalness • 42% Positiveness
24% Popularity • 51% Danceability • 64% Energy • 9% Liveness
0% Instrumentalness • 42% Positiveness
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Arizona Zervas
LM$
130 bpm • G# min • 02:46 • -4.5db
41% Popularity • 76% Danceability • 64% Energy • 16% Liveness
0% Instrumentalness • 42% Positiveness
41% Popularity • 76% Danceability • 64% Energy • 16% Liveness
0% Instrumentalness • 42% Positiveness
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lil Tr33zy
Wolf
130 bpm • G# Maj • 02:30 • -5db
24% Popularity • 81% Danceability • 74% Energy • 32% Liveness
0% Instrumentalness • 21% Positiveness
24% Popularity • 81% Danceability • 74% Energy • 32% Liveness
0% Instrumentalness • 21% Positiveness
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Chuuwee
Slave King
129 bpm • D Maj • 04:23 • -11.31db
16% Popularity • 64% Danceability • 52% Energy • 10% Liveness
0% Instrumentalness • 12% Positiveness
16% Popularity • 64% Danceability • 52% Energy • 10% Liveness
0% Instrumentalness • 12% Positiveness
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Travis Thompson
WE GOOD!
131 bpm • C min • 02:50 • -5.33db
17% Popularity • 85% Danceability • 64% Energy • 9% Liveness
0% Instrumentalness • 44% Positiveness
17% Popularity • 85% Danceability • 64% Energy • 9% Liveness
0% Instrumentalness • 44% Positiveness
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Aminé
BLACKJACK - Remix
131 bpm • D Maj • 02:43 • -6.06db
39% Popularity • 96% Danceability • 58% Energy • 6% Liveness
0% Instrumentalness • 89% Positiveness
39% Popularity • 96% Danceability • 58% Energy • 6% Liveness
0% Instrumentalness • 89% Positiveness
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Buddy
Bad Boys
129 bpm • F# min • 02:58 • -8db
22% Popularity • 94% Danceability • 58% Energy • 38% Liveness
0% Instrumentalness • 60% Positiveness
22% Popularity • 94% Danceability • 58% Energy • 38% Liveness
0% Instrumentalness • 60% Positiveness
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Domo Genesis
Consecutive Normal Punches
129 bpm • C Maj • 02:05 • -4.95db
48% Popularity • 83% Danceability • 63% Energy • 12% Liveness
22% Instrumentalness • 36% Positiveness
48% Popularity • 83% Danceability • 63% Energy • 12% Liveness
22% Instrumentalness • 36% Positiveness
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Flatbush Zombies
Big Shrimp
131 bpm • A min • 03:57 • -9db
43% Popularity • 66% Danceability • 66% Energy • 23% Liveness
0% Instrumentalness • 14% Positiveness
43% Popularity • 66% Danceability • 66% Energy • 23% Liveness
0% Instrumentalness • 14% Positiveness
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Chase Murphy
30 Below
131 bpm • G min • 03:25 • -6.23db
20% Popularity • 78% Danceability • 71% Energy • 8% Liveness
0% Instrumentalness • 78% Positiveness
20% Popularity • 78% Danceability • 71% Energy • 8% Liveness
0% Instrumentalness • 78% Positiveness
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![Shawshank [Feat. Tate Kobang] cover art](https://i.scdn.co/image/ab67616d00001e02389bbe4177543ec074741f87)
Denzel Curry
Shawshank [Tate Kobang]
129 bpm • B Maj • 02:07 • -6.68db
40% Popularity • 85% Danceability • 68% Energy • 11% Liveness
0% Instrumentalness • 22% Positiveness
40% Popularity • 85% Danceability • 68% Energy • 11% Liveness
0% Instrumentalness • 22% Positiveness
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Aminé
BLACKJACK
131 bpm • D Maj • 01:57 • -6.37db
53% Popularity • 96% Danceability • 56% Energy • 6% Liveness
0% Instrumentalness • 90% Positiveness
53% Popularity • 96% Danceability • 56% Energy • 6% Liveness
0% Instrumentalness • 90% Positiveness
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Glass Animals
Tokyo Drifting
129 bpm • G# min • 03:36 • -9.87db
63% Popularity • 72% Danceability • 44% Energy • 11% Liveness
0% Instrumentalness • 42% Positiveness
63% Popularity • 72% Danceability • 44% Energy • 11% Liveness
0% Instrumentalness • 42% Positiveness
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OG Louie The XIII
Picc Up The Bandz
132 bpm • A# Maj • 02:28 • -7.47db
9% Popularity • 79% Danceability • 58% Energy • 13% Liveness
0% Instrumentalness • 66% Positiveness
9% Popularity • 79% Danceability • 58% Energy • 13% Liveness
0% Instrumentalness • 66% Positiveness
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99 Neighbors
Fake Pods
131 bpm • D min • 03:03 • -6.82db
26% Popularity • 65% Danceability • 55% Energy • 10% Liveness
0% Instrumentalness • 36% Positiveness
26% Popularity • 65% Danceability • 55% Energy • 10% Liveness
0% Instrumentalness • 36% Positiveness
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Kirk Knight
Downtime
132 bpm • A# min • 04:07 • -4.33db
29% Popularity • 50% Danceability • 90% Energy • 16% Liveness
0% Instrumentalness • 43% Positiveness
29% Popularity • 50% Danceability • 90% Energy • 16% Liveness
0% Instrumentalness • 43% Positiveness
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King Colee
KING COLEE
132 bpm • C# min • 02:55 • -5.94db
14% Popularity • 86% Danceability • 62% Energy • 11% Liveness
0% Instrumentalness • 52% Positiveness
14% Popularity • 86% Danceability • 62% Energy • 11% Liveness
0% Instrumentalness • 52% Positiveness
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Travis Thompson
Malice
132 bpm • F# Maj • 04:29 • -7.14db
26% Popularity • 78% Danceability • 58% Energy • 11% Liveness
0% Instrumentalness • 46% Positiveness
26% Popularity • 78% Danceability • 58% Energy • 11% Liveness
0% Instrumentalness • 46% Positiveness
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Armani White
Onederful
132 bpm • G min • 04:42 • -5.93db
34% Popularity • 72% Danceability • 61% Energy • 36% Liveness
0% Instrumentalness • 52% Positiveness
34% Popularity • 72% Danceability • 61% Energy • 36% Liveness
0% Instrumentalness • 52% Positiveness
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ScHoolboy Q
CrasH
132 bpm • C# Maj • 02:41 • -6db
62% Popularity • 82% Danceability • 64% Energy • 9% Liveness
0% Instrumentalness • 79% Positiveness
62% Popularity • 82% Danceability • 64% Energy • 9% Liveness
0% Instrumentalness • 79% Positiveness
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Sol
Tour de Sol
128 bpm • C Maj • 04:34 • -9.56db
11% Popularity • 82% Danceability • 54% Energy • 30% Liveness
0% Instrumentalness • 70% Positiveness
11% Popularity • 82% Danceability • 54% Energy • 30% Liveness
0% Instrumentalness • 70% Positiveness
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Bravo
Friend Zone
128 bpm • G# Maj • 03:16 • -8.71db
31% Popularity • 79% Danceability • 60% Energy • 15% Liveness
0% Instrumentalness • 69% Positiveness
31% Popularity • 79% Danceability • 60% Energy • 15% Liveness
0% Instrumentalness • 69% Positiveness
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Tyla Yaweh
Goals
132 bpm • A Maj • 03:24 • -6db
16% Popularity • 85% Danceability • 72% Energy • 10% Liveness
0% Instrumentalness • 84% Positiveness
16% Popularity • 85% Danceability • 72% Energy • 10% Liveness
0% Instrumentalness • 84% Positiveness
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Travis Thompson
Eyelids
132 bpm • D min • 03:12 • -6.32db
26% Popularity • 90% Danceability • 65% Energy • 10% Liveness
0% Instrumentalness • 64% Positiveness
26% Popularity • 90% Danceability • 65% Energy • 10% Liveness
0% Instrumentalness • 64% Positiveness
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Post Malone
Saint-Tropez
132 bpm • C Maj • 02:30 • -3.62db
69% Popularity • 62% Danceability • 68% Energy • 10% Liveness
0% Instrumentalness • 30% Positiveness
69% Popularity • 62% Danceability • 68% Energy • 10% Liveness
0% Instrumentalness • 30% Positiveness
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Arizona Zervas
Parted Ways
133 bpm • D Maj • 03:25 • -8db
47% Popularity • 85% Danceability • 32% Energy • 9% Liveness
0% Instrumentalness • 7% Positiveness
47% Popularity • 85% Danceability • 32% Energy • 9% Liveness
0% Instrumentalness • 7% Positiveness
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L8LOOMER
shinelikewhoa
127 bpm • G Maj • 02:34 • -5db
19% Popularity • 87% Danceability • 61% Energy • 17% Liveness
0% Instrumentalness • 67% Positiveness
19% Popularity • 87% Danceability • 61% Energy • 17% Liveness
0% Instrumentalness • 67% Positiveness
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Ajani Jones
Lucid
134 bpm • A# min • 03:39 • -8db
23% Popularity • 82% Danceability • 64% Energy • 11% Liveness
0% Instrumentalness • 13% Positiveness
23% Popularity • 82% Danceability • 64% Energy • 11% Liveness
0% Instrumentalness • 13% Positiveness
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Tyla Yaweh
Who Shot Johnny?
127 bpm • A min • 02:45 • -4.14db
44% Popularity • 89% Danceability • 63% Energy • 11% Liveness
0% Instrumentalness • 33% Positiveness
44% Popularity • 89% Danceability • 63% Energy • 11% Liveness
0% Instrumentalness • 33% Positiveness
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Logic
Wannabe
134 bpm • D Maj • 01:18 • -7.55db
42% Popularity • 92% Danceability • 83% Energy • 8% Liveness
0% Instrumentalness • 71% Positiveness
42% Popularity • 92% Danceability • 83% Energy • 8% Liveness
0% Instrumentalness • 71% Positiveness
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Bas
Fried Rice
134 bpm • B Maj • 02:55 • -8db
42% Popularity • 74% Danceability • 62% Energy • 33% Liveness
0% Instrumentalness • 40% Positiveness
42% Popularity • 74% Danceability • 62% Energy • 33% Liveness
0% Instrumentalness • 40% Positiveness
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Moosh & Twist
A Little More
126 bpm • C# min • 03:53 • -2.56db
11% Popularity • 77% Danceability • 78% Energy • 23% Liveness
0% Instrumentalness • 18% Positiveness
11% Popularity • 77% Danceability • 78% Energy • 23% Liveness
0% Instrumentalness • 18% Positiveness
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MAJ
Come Here
126 bpm • E min • 02:17 • -6.51db
14% Popularity • 95% Danceability • 49% Energy • 12% Liveness
0% Instrumentalness • 59% Positiveness
14% Popularity • 95% Danceability • 49% Energy • 12% Liveness
0% Instrumentalness • 59% Positiveness
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Caskey
People Suck
126 bpm • E min • 02:47 • -7.8db
23% Popularity • 80% Danceability • 54% Energy • 15% Liveness
0% Instrumentalness • 60% Positiveness
23% Popularity • 80% Danceability • 54% Energy • 15% Liveness
0% Instrumentalness • 60% Positiveness
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Travis Thompson
I Wish
134 bpm • E min • 02:31 • -6.22db
32% Popularity • 78% Danceability • 72% Energy • 14% Liveness
0% Instrumentalness • 50% Positiveness
32% Popularity • 78% Danceability • 72% Energy • 14% Liveness
0% Instrumentalness • 50% Positiveness
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Beast Coast
Snow In The Stadium
135 bpm • F# min • 04:38 • -8.22db
35% Popularity • 65% Danceability • 69% Energy • 19% Liveness
0% Instrumentalness • 58% Positiveness
35% Popularity • 65% Danceability • 69% Energy • 19% Liveness
0% Instrumentalness • 58% Positiveness
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Dreamville
Late Night
125 bpm • C# Maj • 03:16 • -7.8db
36% Popularity • 68% Danceability • 66% Energy • 32% Liveness
0% Instrumentalness • 71% Positiveness
36% Popularity • 68% Danceability • 66% Energy • 32% Liveness
0% Instrumentalness • 71% Positiveness
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Katori Walker
Too Many Foes
135 bpm • A min • 02:29 • -7.07db
18% Popularity • 91% Danceability • 53% Energy • 11% Liveness
0% Instrumentalness • 78% Positiveness
18% Popularity • 91% Danceability • 53% Energy • 11% Liveness
0% Instrumentalness • 78% Positiveness
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Beau Young Prince
Price
135 bpm • D min • 03:12 • -7.5db
11% Popularity • 76% Danceability • 57% Energy • 12% Liveness
0% Instrumentalness • 7% Positiveness
11% Popularity • 76% Danceability • 57% Energy • 12% Liveness
0% Instrumentalness • 7% Positiveness
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ILOVEMAKONNEN
Money Fiend
135 bpm • B min • 03:06 • -10.04db
12% Popularity • 78% Danceability • 40% Energy • 14% Liveness
0% Instrumentalness • 23% Positiveness
12% Popularity • 78% Danceability • 40% Energy • 14% Liveness
0% Instrumentalness • 23% Positiveness
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Isaac Zale
Steps
135 bpm • B Maj • 03:49 • -7.07db
21% Popularity • 93% Danceability • 76% Energy • 18% Liveness
0% Instrumentalness • 86% Positiveness
21% Popularity • 93% Danceability • 76% Energy • 18% Liveness
0% Instrumentalness • 86% Positiveness
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ripmattblack
Winnebago
135 bpm • A min • 02:53 • -7.44db
11% Popularity • 74% Danceability • 58% Energy • 10% Liveness
0% Instrumentalness • 35% Positiveness
11% Popularity • 74% Danceability • 58% Energy • 10% Liveness
0% Instrumentalness • 35% Positiveness
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Chuuwee
JPEG/IMG
135 bpm • G Maj • 03:33 • -11db
16% Popularity • 70% Danceability • 42% Energy • 12% Liveness
0% Instrumentalness • 44% Positiveness
16% Popularity • 70% Danceability • 42% Energy • 12% Liveness
0% Instrumentalness • 44% Positiveness
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Dreamville
LamboTruck
135 bpm • A# min • 03:49 • -5.32db
49% Popularity • 68% Danceability • 70% Energy • 25% Liveness
0% Instrumentalness • 24% Positiveness
49% Popularity • 68% Danceability • 70% Energy • 25% Liveness
0% Instrumentalness • 24% Positiveness
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C Dot Castro
Masked Up
135 bpm • C# Maj • 02:36 • -6.1db
40% Popularity • 82% Danceability • 58% Energy • 9% Liveness
0% Instrumentalness • 48% Positiveness
40% Popularity • 82% Danceability • 58% Energy • 9% Liveness
0% Instrumentalness • 48% Positiveness
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Pryde
RESPEC & PROTEC
135 bpm • F# Maj • 02:50 • -8.08db
23% Popularity • 94% Danceability • 71% Energy • 20% Liveness
0% Instrumentalness • 24% Positiveness
23% Popularity • 94% Danceability • 71% Energy • 20% Liveness
0% Instrumentalness • 24% Positiveness
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Beast Coast
One More Round
125 bpm • C# Maj • 03:50 • -9.58db
42% Popularity • 80% Danceability • 55% Energy • 14% Liveness
0% Instrumentalness • 70% Positiveness
42% Popularity • 80% Danceability • 55% Energy • 14% Liveness
0% Instrumentalness • 70% Positiveness
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Kelechief
Bag
125 bpm • C# min • 02:43 • -8.31db
15% Popularity • 86% Danceability • 66% Energy • 13% Liveness
0% Instrumentalness • 88% Positiveness
15% Popularity • 86% Danceability • 66% Energy • 13% Liveness
0% Instrumentalness • 88% Positiveness
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Cordae
Kung Fu
125 bpm • G# Maj • 03:19 • -6.02db
56% Popularity • 88% Danceability • 61% Energy • 11% Liveness
0% Instrumentalness • 26% Positiveness
56% Popularity • 88% Danceability • 61% Energy • 11% Liveness
0% Instrumentalness • 26% Positiveness
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Arizona Zervas
L O Well
125 bpm • F min • 02:39 • -6.3db
28% Popularity • 74% Danceability • 65% Energy • 15% Liveness
0% Instrumentalness • 49% Positiveness
28% Popularity • 74% Danceability • 65% Energy • 15% Liveness
0% Instrumentalness • 49% Positiveness
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Jay Rock
OSOM
125 bpm • G# min • 05:23 • -6.76db
54% Popularity • 75% Danceability • 67% Energy • 30% Liveness
0% Instrumentalness • 40% Positiveness
54% Popularity • 75% Danceability • 67% Energy • 30% Liveness
0% Instrumentalness • 40% Positiveness
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Armani White
Public School
135 bpm • A# min • 03:21 • -7.62db
34% Popularity • 81% Danceability • 68% Energy • 7% Liveness
0% Instrumentalness • 65% Positiveness
34% Popularity • 81% Danceability • 68% Energy • 7% Liveness
0% Instrumentalness • 65% Positiveness
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Rittz
Inside of the Groove
136 bpm • F min • 02:49 • -4.52db
31% Popularity • 85% Danceability • 88% Energy • 22% Liveness
0% Instrumentalness • 70% Positiveness
31% Popularity • 85% Danceability • 88% Energy • 22% Liveness
0% Instrumentalness • 70% Positiveness
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SAINt JHN
Surf Club
136 bpm • C# Maj • 04:00 • -7.09db
41% Popularity • 78% Danceability • 66% Energy • 10% Liveness
11% Instrumentalness • 45% Positiveness
41% Popularity • 78% Danceability • 66% Energy • 10% Liveness
11% Instrumentalness • 45% Positiveness
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Beast Coast
Problemz
136 bpm • F# min • 03:46 • -5.73db
41% Popularity • 78% Danceability • 74% Energy • 13% Liveness
0% Instrumentalness • 48% Positiveness
41% Popularity • 78% Danceability • 74% Energy • 13% Liveness
0% Instrumentalness • 48% Positiveness
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Bryce Vine
Bella
124 bpm • A min • 03:19 • -5db
51% Popularity • 76% Danceability • 58% Energy • 13% Liveness
0% Instrumentalness • 40% Positiveness
51% Popularity • 76% Danceability • 58% Energy • 13% Liveness
0% Instrumentalness • 40% Positiveness
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Harris Rudman
Influential
124 bpm • C# Maj • 03:22 • -3.66db
10% Popularity • 85% Danceability • 61% Energy • 28% Liveness
0% Instrumentalness • 23% Positiveness
10% Popularity • 85% Danceability • 61% Energy • 28% Liveness
0% Instrumentalness • 23% Positiveness
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WESTSIDE BOOGIE
Skydive II
124 bpm • E Maj • 02:53 • -6.82db
41% Popularity • 74% Danceability • 48% Energy • 10% Liveness
0% Instrumentalness • 35% Positiveness
41% Popularity • 74% Danceability • 48% Energy • 10% Liveness
0% Instrumentalness • 35% Positiveness
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Dreamville
Don't Hit Me Right Now
124 bpm • A# min • 02:54 • -6.69db
46% Popularity • 78% Danceability • 60% Energy • 13% Liveness
0% Instrumentalness • 43% Positiveness
46% Popularity • 78% Danceability • 60% Energy • 13% Liveness
0% Instrumentalness • 43% Positiveness
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Audio Push
SAFE.
124 bpm • C Maj • 02:57 • -7.16db
8% Popularity • 93% Danceability • 61% Energy • 10% Liveness
0% Instrumentalness • 50% Positiveness
8% Popularity • 93% Danceability • 61% Energy • 10% Liveness
0% Instrumentalness • 50% Positiveness
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Travis Thompson
God's Favorite
124 bpm • C Maj • 02:33 • -7.87db
26% Popularity • 84% Danceability • 70% Energy • 10% Liveness
0% Instrumentalness • 52% Positiveness
26% Popularity • 84% Danceability • 70% Energy • 10% Liveness
0% Instrumentalness • 52% Positiveness
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O.E.
Contraband
124 bpm • F min • 03:22 • -10db
20% Popularity • 86% Danceability • 69% Energy • 14% Liveness
0% Instrumentalness • 68% Positiveness
20% Popularity • 86% Danceability • 69% Energy • 14% Liveness
0% Instrumentalness • 68% Positiveness
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Cordae
Locationships
136 bpm • F min • 03:02 • -9.38db
43% Popularity • 72% Danceability • 48% Energy • 14% Liveness
0% Instrumentalness • 69% Positiveness
43% Popularity • 72% Danceability • 48% Energy • 14% Liveness
0% Instrumentalness • 69% Positiveness
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Eddy I.
Coupe
124 bpm • G# Maj • 04:13 • -5.28db
23% Popularity • 93% Danceability • 56% Energy • 14% Liveness
0% Instrumentalness • 50% Positiveness
23% Popularity • 93% Danceability • 56% Energy • 14% Liveness
0% Instrumentalness • 50% Positiveness
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Hennessy
Drag Queen
124 bpm • E min • 03:52 • -7.93db
28% Popularity • 62% Danceability • 66% Energy • 11% Liveness
0% Instrumentalness • 33% Positiveness
28% Popularity • 62% Danceability • 66% Energy • 11% Liveness
0% Instrumentalness • 33% Positiveness
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Carlton Carvalho
Growing Pains
137 bpm • A Maj • 03:02 • -10.54db
17% Popularity • 74% Danceability • 52% Energy • 8% Liveness
0% Instrumentalness • 37% Positiveness
17% Popularity • 74% Danceability • 52% Energy • 8% Liveness
0% Instrumentalness • 37% Positiveness
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Snax
Peasant
124 bpm • F# Maj • 04:07 • -12.61db
11% Popularity • 84% Danceability • 39% Energy • 8% Liveness
0% Instrumentalness • 34% Positiveness
11% Popularity • 84% Danceability • 39% Energy • 8% Liveness
0% Instrumentalness • 34% Positiveness
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Eminem
Lock It Up
137 bpm • F# min • 02:50 • -3.05db
61% Popularity • 85% Danceability • 74% Energy • 8% Liveness
0% Instrumentalness • 52% Positiveness
61% Popularity • 85% Danceability • 74% Energy • 8% Liveness
0% Instrumentalness • 52% Positiveness
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WESTSIDE BOOGIE
Soho
137 bpm • F min • 02:13 • -7.22db
51% Popularity • 79% Danceability • 60% Energy • 8% Liveness
0% Instrumentalness • 52% Positiveness
51% Popularity • 79% Danceability • 60% Energy • 8% Liveness
0% Instrumentalness • 52% Positiveness
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Sol
Stuck On You
138 bpm • A min • 03:11 • -6.69db
10% Popularity • 88% Danceability • 66% Energy • 10% Liveness
0% Instrumentalness • 81% Positiveness
10% Popularity • 88% Danceability • 66% Energy • 10% Liveness
0% Instrumentalness • 81% Positiveness
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Aminé
CANTU
138 bpm • C# Maj • 02:37 • -8.35db
39% Popularity • 91% Danceability • 40% Energy • 54% Liveness
0% Instrumentalness • 86% Positiveness
39% Popularity • 91% Danceability • 40% Energy • 54% Liveness
0% Instrumentalness • 86% Positiveness
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Lungz
20/20
138 bpm • C Maj • 04:00 • -4.39db
35% Popularity • 69% Danceability • 67% Energy • 24% Liveness
0% Instrumentalness • 10% Positiveness
35% Popularity • 69% Danceability • 67% Energy • 24% Liveness
0% Instrumentalness • 10% Positiveness
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![Anything Can Happen [Feat. Meek Mill] cover art](https://i.scdn.co/image/ab67616d00001e02965914632a8d25ecd5f9f242)
SAINt JHN
Anything Can Happen [Meek Mill]
138 bpm • D Maj • 03:02 • -5.86db
51% Popularity • 67% Danceability • 81% Energy • 40% Liveness
0% Instrumentalness • 18% Positiveness
51% Popularity • 67% Danceability • 81% Energy • 40% Liveness
0% Instrumentalness • 18% Positiveness
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Brendan Bennett
Long Year
138 bpm • G Maj • 02:52 • -6.36db
13% Popularity • 61% Danceability • 69% Energy • 56% Liveness
0% Instrumentalness • 32% Positiveness
13% Popularity • 61% Danceability • 69% Energy • 56% Liveness
0% Instrumentalness • 32% Positiveness
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Cordae
Have Mercy
138 bpm • C min • 03:22 • -7.86db
57% Popularity • 79% Danceability • 44% Energy • 20% Liveness
0% Instrumentalness • 28% Positiveness
57% Popularity • 79% Danceability • 44% Energy • 20% Liveness
0% Instrumentalness • 28% Positiveness
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Sol
Soon Enough
138 bpm • C Maj • 03:44 • -6.76db
10% Popularity • 79% Danceability • 55% Energy • 65% Liveness
0% Instrumentalness • 29% Positiveness
10% Popularity • 79% Danceability • 55% Energy • 65% Liveness
0% Instrumentalness • 29% Positiveness
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Lute
GED (Gettin Every Dolla)
122 bpm • F Maj • 02:34 • -6db
52% Popularity • 79% Danceability • 57% Energy • 12% Liveness
0% Instrumentalness • 33% Positiveness
52% Popularity • 79% Danceability • 57% Energy • 12% Liveness
0% Instrumentalness • 33% Positiveness
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Mez
The Shift
138 bpm • E Maj • 04:31 • -8.35db
15% Popularity • 55% Danceability • 64% Energy • 9% Liveness
0% Instrumentalness • 34% Positiveness
15% Popularity • 55% Danceability • 64% Energy • 9% Liveness
0% Instrumentalness • 34% Positiveness
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Cody Ray
Fine
122 bpm • A# min • 02:54 • -9.66db
24% Popularity • 93% Danceability • 52% Energy • 8% Liveness
0% Instrumentalness • 34% Positiveness
24% Popularity • 93% Danceability • 52% Energy • 8% Liveness
0% Instrumentalness • 34% Positiveness
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Dizzy Wright
Dope Talent
122 bpm • F min • 02:53 • -5.68db
29% Popularity • 80% Danceability • 68% Energy • 14% Liveness
0% Instrumentalness • 56% Positiveness
29% Popularity • 80% Danceability • 68% Energy • 14% Liveness
0% Instrumentalness • 56% Positiveness
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Aminé
Riri
122 bpm • A# min • 03:01 • -6.15db
52% Popularity • 81% Danceability • 62% Energy • 32% Liveness
0% Instrumentalness • 54% Positiveness
52% Popularity • 81% Danceability • 62% Energy • 32% Liveness
0% Instrumentalness • 54% Positiveness
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CHRIS YONGE
tone
122 bpm • F# Maj • 02:55 • -8.08db
8% Popularity • 96% Danceability • 43% Energy • 9% Liveness
0% Instrumentalness • 64% Positiveness
8% Popularity • 96% Danceability • 43% Energy • 9% Liveness
0% Instrumentalness • 64% Positiveness
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JXN
Going Off
139 bpm • A min • 02:41 • -5.42db
16% Popularity • 75% Danceability • 70% Energy • 20% Liveness
0% Instrumentalness • 60% Positiveness
16% Popularity • 75% Danceability • 70% Energy • 20% Liveness
0% Instrumentalness • 60% Positiveness
