Songs like Fünf Frühlingslieder von Uhland, Op. 33: IV. Frühlings-Feier by Conradin Kreutzer
Based on a tempo of (+/- 10%) and a similar genre
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Gioachino Rossini
Petite messe solennelle: IX. Gloria. Quo...
115 bpm • E Maj • 07:51 • -24.18db
8% Popularity • 34% Danceability • 8% Energy • 7% Liveness
0% Instrumentalness • 10% Positiveness
8% Popularity • 34% Danceability • 8% Energy • 7% Liveness
0% Instrumentalness • 10% Positiveness
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Felix Mendelssohn
Elias, Op. 70: Teil II: Fürchte dich ni...
115 bpm • G Maj • 03:52 • -15.32db
9% Popularity • 35% Danceability • 27% Energy • 21% Liveness
36% Instrumentalness • 20% Positiveness
9% Popularity • 35% Danceability • 27% Energy • 21% Liveness
36% Instrumentalness • 20% Positiveness
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Franz Schubert
Messe C-Dur D 452: Kyrie
115 bpm • C Maj • 02:51 • -12.92db
8% Popularity • 27% Danceability • 32% Energy • 10% Liveness
1% Instrumentalness • 33% Positiveness
8% Popularity • 27% Danceability • 32% Energy • 10% Liveness
1% Instrumentalness • 33% Positiveness
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Conradin Kreutzer
Clarinet Trio, Op. 43: I. Maestoso roman...
114 bpm • D# Maj • 08:21 • -21.99db
0% Popularity • 38% Danceability • 12% Energy • 16% Liveness
89% Instrumentalness • 28% Positiveness
0% Popularity • 38% Danceability • 12% Energy • 16% Liveness
89% Instrumentalness • 28% Positiveness
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Heinrich Schütz
Die mit Tränen säen, SWV 378
116 bpm • D# min • 04:00 • -22db
8% Popularity • 21% Danceability • 9% Energy • 13% Liveness
10% Instrumentalness • 8% Positiveness
8% Popularity • 21% Danceability • 9% Energy • 13% Liveness
10% Instrumentalness • 8% Positiveness
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Orquestra Sacra
339 - Glória sem par
116 bpm • G# Maj • 02:55 • -20.47db
12% Popularity • 19% Danceability • 12% Energy • 13% Liveness
96% Instrumentalness • 16% Positiveness
12% Popularity • 19% Danceability • 12% Energy • 13% Liveness
96% Instrumentalness • 16% Positiveness
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Giacomo Puccini
Messa di Gloria: VII. Qui tollis peccata
116 bpm • F Maj • 04:05 • -23.48db
9% Popularity • 21% Danceability • 7% Energy • 24% Liveness
71% Instrumentalness • 11% Positiveness
9% Popularity • 21% Danceability • 7% Energy • 24% Liveness
71% Instrumentalness • 11% Positiveness
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Franz Liszt
Don Sanche (The Castle of Love), S476/R1...
114 bpm • A Maj • 01:34 • -19.12db
8% Popularity • 32% Danceability • 16% Energy • 33% Liveness
14% Instrumentalness • 16% Positiveness
8% Popularity • 32% Danceability • 16% Energy • 33% Liveness
14% Instrumentalness • 16% Positiveness
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Louis Spohr
Sechs deutsche Lieder, Opus 41: Nr. 5 De...
113 bpm • E Maj • 01:42 • -15.87db
13% Popularity • 50% Danceability • 11% Energy • 9% Liveness
0% Instrumentalness • 18% Positiveness
13% Popularity • 50% Danceability • 11% Energy • 9% Liveness
0% Instrumentalness • 18% Positiveness
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Conradin Kreutzer
Fantasie for Bassoon and Orchestra: II. ...
114 bpm • A# min • 02:02 • -33.09db
1% Popularity • 21% Danceability • 1% Energy • 8% Liveness
90% Instrumentalness • 5% Positiveness
1% Popularity • 21% Danceability • 1% Energy • 8% Liveness
90% Instrumentalness • 5% Positiveness
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Konrad Hagius
Mein Hirt is Got der Herr
113 bpm • D min • 03:17 • -23.21db
8% Popularity • 28% Danceability • 6% Energy • 10% Liveness
0% Instrumentalness • 7% Positiveness
8% Popularity • 28% Danceability • 6% Energy • 10% Liveness
0% Instrumentalness • 7% Positiveness
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Jakarta Oratorio Society
Speak to My Heart
113 bpm • F Maj • 02:48 • -28.43db
8% Popularity • 26% Danceability • 3% Energy • 10% Liveness
80% Instrumentalness • 9% Positiveness
8% Popularity • 26% Danceability • 3% Energy • 10% Liveness
80% Instrumentalness • 9% Positiveness
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Georges Bizet
Te Deum laudamus
113 bpm • E Maj • 05:15 • -17.7db
10% Popularity • 30% Danceability • 15% Energy • 16% Liveness
51% Instrumentalness • 7% Positiveness
10% Popularity • 30% Danceability • 15% Energy • 16% Liveness
51% Instrumentalness • 7% Positiveness
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Felix Mendelssohn
Paulus, Op. 36, MWV A14 / Part 1: No. 3 ...
113 bpm • E Maj • 01:17 • -29db
18% Popularity • 18% Danceability • 4% Energy • 9% Liveness
98% Instrumentalness • 17% Positiveness
18% Popularity • 18% Danceability • 4% Energy • 9% Liveness
98% Instrumentalness • 17% Positiveness
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Friedrich Gluck
In einem kuhlen Grunde
112 bpm • A# Maj • 02:42 • -25.72db
13% Popularity • 29% Danceability • 9% Energy • 12% Liveness
0% Instrumentalness • 12% Positiveness
13% Popularity • 29% Danceability • 9% Energy • 12% Liveness
0% Instrumentalness • 12% Positiveness
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Conradin Kreutzer
Clarinet Trio, Op. 43: II. Andante grazi...
114 bpm • A# Maj • 06:08 • -23.47db
0% Popularity • 28% Danceability • 6% Energy • 11% Liveness
95% Instrumentalness • 12% Positiveness
0% Popularity • 28% Danceability • 6% Energy • 11% Liveness
95% Instrumentalness • 12% Positiveness
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Joseph Haydn
Mass No. 7 in B-Flat Major, Hob. XXII:7,...
112 bpm • D# Maj • 04:53 • -20.57db
6% Popularity • 29% Danceability • 12% Energy • 24% Liveness
13% Instrumentalness • 18% Positiveness
6% Popularity • 29% Danceability • 12% Energy • 24% Liveness
13% Instrumentalness • 18% Positiveness
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Calmus Ensemble
Dir, Dir, Jehova, Will Ich Singen BWV 45...
112 bpm • A Maj • 02:03 • -19db
13% Popularity • 29% Danceability • 31% Energy • 12% Liveness
0% Instrumentalness • 35% Positiveness
13% Popularity • 29% Danceability • 31% Energy • 12% Liveness
0% Instrumentalness • 35% Positiveness
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Anton Bruckner
Messe F-Moll, WAB 28: I. Kyrie
118 bpm • A# min • 09:48 • -21.3db
8% Popularity • 17% Danceability • 7% Energy • 8% Liveness
36% Instrumentalness • 3% Positiveness
8% Popularity • 17% Danceability • 7% Energy • 8% Liveness
36% Instrumentalness • 3% Positiveness
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Felix Mendelssohn
Elias, Op. 70: Teil I: Herr höre unser ...
117 bpm • E Maj • 01:58 • -28.05db
12% Popularity • 22% Danceability • 6% Energy • 8% Liveness
0% Instrumentalness • 11% Positiveness
12% Popularity • 22% Danceability • 6% Energy • 8% Liveness
0% Instrumentalness • 11% Positiveness
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Zoltán Kodály
Stabat mater
118 bpm • D min • 01:50 • -27.08db
11% Popularity • 20% Danceability • 6% Energy • 16% Liveness
0% Instrumentalness • 4% Positiveness
11% Popularity • 20% Danceability • 6% Energy • 16% Liveness
0% Instrumentalness • 4% Positiveness
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Conradin Kreutzer
Grand Septet in E-Flat Major, Op. 62: V....
116 bpm • D# Maj • 03:17 • -13.47db
0% Popularity • 62% Danceability • 14% Energy • 7% Liveness
1% Instrumentalness • 52% Positiveness
0% Popularity • 62% Danceability • 14% Energy • 7% Liveness
1% Instrumentalness • 52% Positiveness
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Carl Maria von Weber
Schone Ahnung ist erglommen, Op. 57, No....
118 bpm • G min • 02:44 • -22.88db
8% Popularity • 28% Danceability • 19% Energy • 20% Liveness
0% Instrumentalness • 19% Positiveness
8% Popularity • 28% Danceability • 19% Energy • 20% Liveness
0% Instrumentalness • 19% Positiveness
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Kurt Schober
Orgelsolo-Messe in C-Dur, KV. 259 'Missa...
119 bpm • C Maj • 02:02 • -19.54db
8% Popularity • 34% Danceability • 13% Energy • 15% Liveness
0% Instrumentalness • 36% Positiveness
8% Popularity • 34% Danceability • 13% Energy • 15% Liveness
0% Instrumentalness • 36% Positiveness
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Ali Ismael
パレスチナ 革命者
111 bpm • D# Maj • 01:08 • -15.54db
9% Popularity • 63% Danceability • 38% Energy • 15% Liveness
0% Instrumentalness • 41% Positiveness
9% Popularity • 63% Danceability • 38% Energy • 15% Liveness
0% Instrumentalness • 41% Positiveness
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Felix Mendelssohn
Magnificat in D Major: I. Magnificat
112 bpm • D Maj • 03:34 • -18.08db
8% Popularity • 32% Danceability • 28% Energy • 10% Liveness
62% Instrumentalness • 34% Positiveness
8% Popularity • 32% Danceability • 28% Energy • 10% Liveness
62% Instrumentalness • 34% Positiveness
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Giacomo Puccini
Messa di Gloria: I. Kyrie
111 bpm • G# Maj • 05:10 • -27.33db
9% Popularity • 18% Danceability • 3% Energy • 6% Liveness
94% Instrumentalness • 4% Positiveness
9% Popularity • 18% Danceability • 3% Energy • 6% Liveness
94% Instrumentalness • 4% Positiveness
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Conradin Kreutzer
Ein Schütz bin ich, in des Regentes Sol...
113 bpm • A# Maj • 02:59 • -13.17db
3% Popularity • 47% Danceability • 18% Energy • 7% Liveness
0% Instrumentalness • 30% Positiveness
3% Popularity • 47% Danceability • 18% Energy • 7% Liveness
0% Instrumentalness • 30% Positiveness
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Friedrich Kuhlau
Uber allen Gipfeln ist Ruh
120 bpm • C# Maj • 01:56 • -36db
23% Popularity • 17% Danceability • 2% Energy • 12% Liveness
94% Instrumentalness • 4% Positiveness
23% Popularity • 17% Danceability • 2% Energy • 12% Liveness
94% Instrumentalness • 4% Positiveness
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Edward Elgar
From the Bavarian Highlands, Op. 27 (Ver...
120 bpm • G Maj • 05:42 • -18.49db
12% Popularity • 29% Danceability • 18% Energy • 12% Liveness
17% Instrumentalness • 24% Positiveness
12% Popularity • 29% Danceability • 18% Energy • 12% Liveness
17% Instrumentalness • 24% Positiveness
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Heikki Rainio
Ihana rauhan ranta
110 bpm • E min • 04:31 • -18.54db
8% Popularity • 27% Danceability • 12% Energy • 13% Liveness
25% Instrumentalness • 10% Positiveness
8% Popularity • 27% Danceability • 12% Energy • 13% Liveness
25% Instrumentalness • 10% Positiveness
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Felix Mendelssohn
Lieder (Duette), Op. 63: VI. Maiglöckch...
118 bpm • G Maj • 01:42 • -18.06db
7% Popularity • 55% Danceability • 11% Energy • 15% Liveness
0% Instrumentalness • 68% Positiveness
7% Popularity • 55% Danceability • 11% Energy • 15% Liveness
0% Instrumentalness • 68% Positiveness
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Smooth Moment
Maria jumping mountains
120 bpm • C Maj • 03:26 • -19.47db
8% Popularity • 20% Danceability • 18% Energy • 17% Liveness
88% Instrumentalness • 8% Positiveness
8% Popularity • 20% Danceability • 18% Energy • 17% Liveness
88% Instrumentalness • 8% Positiveness
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Conradin Kreutzer
Trio for Piano, Clarinet and Bassoon, Op...
113 bpm • A# Maj • 05:22 • -26.87db
0% Popularity • 25% Danceability • 3% Energy • 14% Liveness
89% Instrumentalness • 19% Positiveness
0% Popularity • 25% Danceability • 3% Energy • 14% Liveness
89% Instrumentalness • 19% Positiveness
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Christopher Tyler Nickel
Requiem: V. Dies Irae
120 bpm • G min • 07:09 • -20.01db
13% Popularity • 48% Danceability • 11% Energy • 10% Liveness
92% Instrumentalness • 5% Positiveness
13% Popularity • 48% Danceability • 11% Energy • 10% Liveness
92% Instrumentalness • 5% Positiveness
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Peter Maxwell Davies
O magnum mysterium: I. O magnum mysteriu...
110 bpm • F# Maj • 01:43 • -23.46db
20% Popularity • 26% Danceability • 12% Energy • 9% Liveness
89% Instrumentalness • 3% Positiveness
20% Popularity • 26% Danceability • 12% Energy • 9% Liveness
89% Instrumentalness • 3% Positiveness
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Maurice Duruflé
Requiem, Op. 9: III. Domine Jesu Christe
110 bpm • C# min • 08:02 • -21.09db
11% Popularity • 16% Danceability • 5% Energy • 13% Liveness
33% Instrumentalness • 3% Positiveness
11% Popularity • 16% Danceability • 5% Energy • 13% Liveness
33% Instrumentalness • 3% Positiveness
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Die Feinsliebchen
Brahms: Die Meere
121 bpm • E min • 02:47 • -27.32db
7% Popularity • 28% Danceability • 4% Energy • 8% Liveness
63% Instrumentalness • 11% Positiveness
7% Popularity • 28% Danceability • 4% Energy • 8% Liveness
63% Instrumentalness • 11% Positiveness
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Franz von Suppé
Requiem aeternam: Recordare
121 bpm • D min • 05:40 • -24.31db
9% Popularity • 23% Danceability • 7% Energy • 8% Liveness
17% Instrumentalness • 4% Positiveness
9% Popularity • 23% Danceability • 7% Energy • 8% Liveness
17% Instrumentalness • 4% Positiveness
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Conradin Kreutzer
Grand Septet in E-Flat Major, Op. 62: V....
118 bpm • D# Maj • 03:50 • -19.66db
0% Popularity • 43% Danceability • 17% Energy • 10% Liveness
4% Instrumentalness • 34% Positiveness
0% Popularity • 43% Danceability • 17% Energy • 10% Liveness
4% Instrumentalness • 34% Positiveness
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Robert Schumann
6 Lieder, Op. 33: No. 2. Die Minnesanger
121 bpm • C# Maj • 01:25 • -26.81db
11% Popularity • 44% Danceability • 17% Energy • 26% Liveness
0% Instrumentalness • 37% Positiveness
11% Popularity • 44% Danceability • 17% Energy • 26% Liveness
0% Instrumentalness • 37% Positiveness
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Wolfgang Amadeus Mozart
Te Deum, K. 141
121 bpm • C Maj • 07:36 • -17.2db
10% Popularity • 31% Danceability • 25% Energy • 23% Liveness
1% Instrumentalness • 19% Positiveness
10% Popularity • 31% Danceability • 25% Energy • 23% Liveness
1% Instrumentalness • 19% Positiveness
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Gaetano Amadeo
Verset No. 1: Marziale
109 bpm • C# Maj • 01:07 • -14.4db
13% Popularity • 26% Danceability • 24% Energy • 32% Liveness
87% Instrumentalness • 13% Positiveness
13% Popularity • 26% Danceability • 24% Energy • 32% Liveness
87% Instrumentalness • 13% Positiveness
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Ferdinand David
Trombone Concertino in E-flat Major, Op....
122 bpm • A# Maj • 01:18 • -17.53db
16% Popularity • 31% Danceability • 18% Energy • 11% Liveness
96% Instrumentalness • 15% Positiveness
16% Popularity • 31% Danceability • 18% Energy • 11% Liveness
96% Instrumentalness • 15% Positiveness
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Diego Adinolfi
Venho Adorar-Te, Santo Criador
109 bpm • F Maj • 02:51 • -29.79db
9% Popularity • 16% Danceability • 6% Energy • 10% Liveness
87% Instrumentalness • 8% Positiveness
9% Popularity • 16% Danceability • 6% Energy • 10% Liveness
87% Instrumentalness • 8% Positiveness
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Conradin Kreutzer
Septet in E-Flat Major, Op. 62: IV. Anda...
110 bpm • A# Maj • 04:50 • -22.29db
0% Popularity • 25% Danceability • 2% Energy • 13% Liveness
1% Instrumentalness • 4% Positiveness
0% Popularity • 25% Danceability • 2% Energy • 13% Liveness
1% Instrumentalness • 4% Positiveness
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Anonymous
Im Abendrot, D. 799 (arr. for male choir...
108 bpm • A# Maj • 02:23 • -22.05db
9% Popularity • 21% Danceability • 14% Energy • 14% Liveness
0% Instrumentalness • 11% Positiveness
9% Popularity • 21% Danceability • 14% Energy • 14% Liveness
0% Instrumentalness • 11% Positiveness
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Giacomo Puccini
Messa di Gloria: Qui tollis peccata mund...
108 bpm • F Maj • 04:03 • -22.83db
11% Popularity • 19% Danceability • 9% Energy • 30% Liveness
65% Instrumentalness • 9% Positiveness
11% Popularity • 19% Danceability • 9% Energy • 30% Liveness
65% Instrumentalness • 9% Positiveness
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Felix Mendelssohn
Psalm 42, Op. 42, MWV A15: Coro "Was bet...
108 bpm • G min • 03:46 • -19.19db
9% Popularity • 26% Danceability • 9% Energy • 10% Liveness
2% Instrumentalness • 4% Positiveness
9% Popularity • 26% Danceability • 9% Energy • 10% Liveness
2% Instrumentalness • 4% Positiveness
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Der Montanara Chor
Schon die Abendglocken klangen
108 bpm • G Maj • 05:13 • -15.88db
4% Popularity • 21% Danceability • 15% Energy • 7% Liveness
8% Instrumentalness • 7% Positiveness
4% Popularity • 21% Danceability • 15% Energy • 7% Liveness
8% Instrumentalness • 7% Positiveness
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Wolfgang Amadeus Mozart
Vèpres solennelles d'un confesseur en D...
123 bpm • F Maj • 04:57 • -12.44db
15% Popularity • 21% Danceability • 25% Energy • 20% Liveness
0% Instrumentalness • 4% Positiveness
15% Popularity • 21% Danceability • 25% Energy • 20% Liveness
0% Instrumentalness • 4% Positiveness
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Conradin Kreutzer
Trio in D Major, Op. 9, No. 3: II. Andan...
109 bpm • G Maj • 03:52 • -21.79db
0% Popularity • 34% Danceability • 6% Energy • 10% Liveness
11% Instrumentalness • 11% Positiveness
0% Popularity • 34% Danceability • 6% Energy • 10% Liveness
11% Instrumentalness • 11% Positiveness
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Heinrich Schütz
Matthäus-Passion, SWV 479: Introitus: "...
107 bpm • C Maj • 02:11 • -20.87db
9% Popularity • 37% Danceability • 8% Energy • 53% Liveness
0% Instrumentalness • 6% Positiveness
9% Popularity • 37% Danceability • 8% Energy • 53% Liveness
0% Instrumentalness • 6% Positiveness
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Giacomo Puccini
Messa di Gloria: IX. Cum Sancto Spiritu
122 bpm • C Maj • 03:49 • -17db
10% Popularity • 28% Danceability • 24% Energy • 12% Liveness
94% Instrumentalness • 42% Positiveness
10% Popularity • 28% Danceability • 24% Energy • 12% Liveness
94% Instrumentalness • 42% Positiveness
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Niccolò Moretti
Sonata VI ad uso Offertorio
123 bpm • C# Maj • 02:23 • -16.93db
9% Popularity • 27% Danceability • 23% Energy • 21% Liveness
88% Instrumentalness • 20% Positiveness
9% Popularity • 27% Danceability • 23% Energy • 21% Liveness
88% Instrumentalness • 20% Positiveness
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Felix Mendelssohn
Wer nur den lieben Gott lasst walten: Si...
123 bpm • A min • 01:54 • -20.24db
10% Popularity • 48% Danceability • 21% Energy • 12% Liveness
27% Instrumentalness • 16% Positiveness
10% Popularity • 48% Danceability • 21% Energy • 12% Liveness
27% Instrumentalness • 16% Positiveness
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Wolfgang Amadeus Mozart
Le nozze di Figaro, K.492, Act IV: Final...
123 bpm • G Maj • 05:10 • -15.73db
10% Popularity • 32% Danceability • 27% Energy • 8% Liveness
42% Instrumentalness • 8% Positiveness
10% Popularity • 32% Danceability • 27% Energy • 8% Liveness
42% Instrumentalness • 8% Positiveness
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Conradin Kreutzer
Schafers Sonntagslied, Op. 23, No. 1
108 bpm • C Maj • 02:42 • -22db
13% Popularity • 23% Danceability • 4% Energy • 26% Liveness
0% Instrumentalness • 7% Positiveness
13% Popularity • 23% Danceability • 4% Energy • 26% Liveness
0% Instrumentalness • 7% Positiveness
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Louis Vierne
Messe Solennelle, Op. 16 - Gloria
107 bpm • A Maj • 08:21 • -15.66db
10% Popularity • 20% Danceability • 16% Energy • 10% Liveness
9% Instrumentalness • 4% Positiveness
10% Popularity • 20% Danceability • 16% Energy • 10% Liveness
9% Instrumentalness • 4% Positiveness
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Diego Adinolfi
Glória a Jesus! Glória a Jesus!
124 bpm • G Maj • 03:30 • -27.41db
8% Popularity • 20% Danceability • 8% Energy • 11% Liveness
74% Instrumentalness • 12% Positiveness
8% Popularity • 20% Danceability • 8% Energy • 11% Liveness
74% Instrumentalness • 12% Positiveness
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Johannes Brahms
Liebeslieder-Walzer, Op. 52: No. 1, Rede...
124 bpm • E Maj • 01:11 • -24.36db
9% Popularity • 24% Danceability • 13% Energy • 15% Liveness
76% Instrumentalness • 18% Positiveness
9% Popularity • 24% Danceability • 13% Energy • 15% Liveness
76% Instrumentalness • 18% Positiveness
► Preview
George Lloyd
A Litany for soprano, baritone, chorus &...
107 bpm • G# Maj • 06:03 • -28.28db
8% Popularity • 16% Danceability • 6% Energy • 13% Liveness
10% Instrumentalness • 4% Positiveness
8% Popularity • 16% Danceability • 6% Energy • 13% Liveness
10% Instrumentalness • 4% Positiveness
► Preview
Wolfgang Amadeus Mozart
Missa brevis in C Major, K. 259: I. Kyri...
123 bpm • C Maj • 02:00 • -14.63db
2% Popularity • 32% Danceability • 20% Energy • 14% Liveness
15% Instrumentalness • 23% Positiveness
2% Popularity • 32% Danceability • 20% Energy • 14% Liveness
15% Instrumentalness • 23% Positiveness
► Preview
Conradin Kreutzer
Das Nachtlager in Granada: Act II Scene ...
107 bpm • A Maj • 08:43 • -17.94db
0% Popularity • 36% Danceability • 17% Energy • 5% Liveness
2% Instrumentalness • 9% Positiveness
0% Popularity • 36% Danceability • 17% Energy • 5% Liveness
2% Instrumentalness • 9% Positiveness
► Preview
Camille Saint-Saëns
2 Choeurs, Op. 68: No. 2. Les fleurs et ...
106 bpm • E Maj • 01:43 • -19.4db
11% Popularity • 24% Danceability • 16% Energy • 11% Liveness
76% Instrumentalness • 5% Positiveness
11% Popularity • 24% Danceability • 16% Energy • 11% Liveness
76% Instrumentalness • 5% Positiveness
► Preview
Athesinus Consort Berlin
Der Laden
125 bpm • E min • 04:10 • -16.03db
8% Popularity • 34% Danceability • 27% Energy • 9% Liveness
0% Instrumentalness • 20% Positiveness
8% Popularity • 34% Danceability • 27% Energy • 9% Liveness
0% Instrumentalness • 20% Positiveness
► Preview
Johannes Brahms
Liebeslieder-Walzer, Op. 52: No. 8, Wenn...
124 bpm • G# Maj • 01:30 • -24.57db
8% Popularity • 23% Danceability • 12% Energy • 12% Liveness
71% Instrumentalness • 6% Positiveness
8% Popularity • 23% Danceability • 12% Energy • 12% Liveness
71% Instrumentalness • 6% Positiveness
► Preview
Carl Philipp Emanuel Bach
Bach, CPE: Magnificat in D Minor, Wq. 21...
106 bpm • G Maj • 07:03 • -20.78db
9% Popularity • 20% Danceability • 14% Energy • 17% Liveness
95% Instrumentalness • 3% Positiveness
9% Popularity • 20% Danceability • 14% Energy • 17% Liveness
95% Instrumentalness • 3% Positiveness
► Preview
Wolfgang Amadeus Mozart
Missa solemnis, KV337: Gloria
106 bpm • C Maj • 03:56 • -9.72db
8% Popularity • 38% Danceability • 47% Energy • 9% Liveness
67% Instrumentalness • 37% Positiveness
8% Popularity • 38% Danceability • 47% Energy • 9% Liveness
67% Instrumentalness • 37% Positiveness
► Preview
Conradin Kreutzer
Grand Septet in E-Flat Major, Op. 62: II...
107 bpm • G# Maj • 07:31 • -24db
0% Popularity • 19% Danceability • 7% Energy • 7% Liveness
8% Instrumentalness • 7% Positiveness
0% Popularity • 19% Danceability • 7% Energy • 7% Liveness
8% Instrumentalness • 7% Positiveness
► Preview
Paul Fey
Advent Prelude on "Lift up your Heads"
125 bpm • F Maj • 02:48 • -17.63db
14% Popularity • 19% Danceability • 13% Energy • 9% Liveness
94% Instrumentalness • 7% Positiveness
14% Popularity • 19% Danceability • 13% Energy • 9% Liveness
94% Instrumentalness • 7% Positiveness
► Preview
Giacomo Puccini
Messa di Gloria: VIII. Quoniam
125 bpm • C Maj • 01:07 • -18db
13% Popularity • 29% Danceability • 5% Energy • 10% Liveness
95% Instrumentalness • 28% Positiveness
13% Popularity • 29% Danceability • 5% Energy • 10% Liveness
95% Instrumentalness • 28% Positiveness
► Preview
Felix Mendelssohn
Symphony No. 2, Op. 52, "Lobgesang": II....
125 bpm • A# Maj • 06:37 • -19.32db
13% Popularity • 30% Danceability • 21% Energy • 11% Liveness
1% Instrumentalness • 19% Positiveness
13% Popularity • 30% Danceability • 21% Energy • 11% Liveness
1% Instrumentalness • 19% Positiveness
► Preview
Friedrich Silcher
Die Lorelei: Loreley
105 bpm • F Maj • 02:48 • -27.71db
19% Popularity • 16% Danceability • 4% Energy • 9% Liveness
0% Instrumentalness • 16% Positiveness
19% Popularity • 16% Danceability • 4% Energy • 9% Liveness
0% Instrumentalness • 16% Positiveness
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Ingrid Hofer
Spatzenmesse in C-Dur, KV. 220 'Missa - ...
105 bpm • C Maj • 00:58 • -18.49db
13% Popularity • 45% Danceability • 12% Energy • 14% Liveness
1% Instrumentalness • 42% Positiveness
13% Popularity • 45% Danceability • 12% Energy • 14% Liveness
1% Instrumentalness • 42% Positiveness
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Conradin Kreutzer
Septet in E-Flat Major, Op. 62: III. Men...
124 bpm • D# Maj • 04:15 • -21.3db
0% Popularity • 39% Danceability • 6% Energy • 18% Liveness
10% Instrumentalness • 18% Positiveness
0% Popularity • 39% Danceability • 6% Energy • 18% Liveness
10% Instrumentalness • 18% Positiveness
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Gioachino Rossini
Petite messe solennelle: VII. Gloria. Do...
105 bpm • D Maj • 05:42 • -22db
9% Popularity • 31% Danceability • 6% Energy • 8% Liveness
0% Instrumentalness • 9% Positiveness
9% Popularity • 31% Danceability • 6% Energy • 8% Liveness
0% Instrumentalness • 9% Positiveness
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Athesinus Consort Berlin
Wie Wasser
105 bpm • G Maj • 03:10 • -16.13db
13% Popularity • 19% Danceability • 25% Energy • 10% Liveness
0% Instrumentalness • 17% Positiveness
13% Popularity • 19% Danceability • 25% Energy • 10% Liveness
0% Instrumentalness • 17% Positiveness
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Jean-Baptiste Lully
Exaudiat te Dominus, LWV 77 No. 15: IV. ...
105 bpm • F min • 02:38 • -18.3db
13% Popularity • 19% Danceability • 23% Energy • 61% Liveness
0% Instrumentalness • 15% Positiveness
13% Popularity • 19% Danceability • 23% Energy • 61% Liveness
0% Instrumentalness • 15% Positiveness
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Friedrich Silcher
So nimm denn meine Hande
105 bpm • G# Maj • 01:51 • -19db
18% Popularity • 20% Danceability • 19% Energy • 14% Liveness
0% Instrumentalness • 15% Positiveness
18% Popularity • 20% Danceability • 19% Energy • 14% Liveness
0% Instrumentalness • 15% Positiveness
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Christoph Prégardien
Schneeflöckchen, Weißröckchen
126 bpm • D Maj • 01:10 • -13.3db
7% Popularity • 48% Danceability • 21% Energy • 28% Liveness
0% Instrumentalness • 35% Positiveness
7% Popularity • 48% Danceability • 21% Energy • 28% Liveness
0% Instrumentalness • 35% Positiveness
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Conradin Kreutzer
Kreutzer: Das Nachtlager in Granada, Act...
126 bpm • D Maj • 04:30 • -18.51db
0% Popularity • 20% Danceability • 13% Energy • 12% Liveness
91% Instrumentalness • 4% Positiveness
0% Popularity • 20% Danceability • 13% Energy • 12% Liveness
91% Instrumentalness • 4% Positiveness
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César Franck
Die sieben Worte Christi am Kreuz für S...
105 bpm • D# Maj • 06:55 • -22.99db
10% Popularity • 18% Danceability • 12% Energy • 8% Liveness
46% Instrumentalness • 5% Positiveness
10% Popularity • 18% Danceability • 12% Energy • 8% Liveness
46% Instrumentalness • 5% Positiveness
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Peter Cornelius
Vöglein fliegt dem Nestchen zu
127 bpm • D Maj • 02:29 • -23.27db
10% Popularity • 39% Danceability • 4% Energy • 25% Liveness
0% Instrumentalness • 27% Positiveness
10% Popularity • 39% Danceability • 4% Energy • 25% Liveness
0% Instrumentalness • 27% Positiveness
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Wolfgang Amadeus Mozart
Große Credomesse, KV 257: IV. Sanctus
127 bpm • C Maj • 01:40 • -7.12db
7% Popularity • 30% Danceability • 60% Energy • 32% Liveness
2% Instrumentalness • 34% Positiveness
7% Popularity • 30% Danceability • 60% Energy • 32% Liveness
2% Instrumentalness • 34% Positiveness
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Jakob van Berchem
O Jesu Christe
127 bpm • D Maj • 03:16 • -28db
8% Popularity • 17% Danceability • 4% Energy • 11% Liveness
24% Instrumentalness • 3% Positiveness
8% Popularity • 17% Danceability • 4% Energy • 11% Liveness
24% Instrumentalness • 3% Positiveness
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Karl Jenkins
The Armed Man (Ensemble Version): XIII. ...
127 bpm • G Maj • 09:26 • -19.29db
12% Popularity • 35% Danceability • 21% Energy • 14% Liveness
0% Instrumentalness • 12% Positiveness
12% Popularity • 35% Danceability • 21% Energy • 14% Liveness
0% Instrumentalness • 12% Positiveness
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Joseph Haydn
Te Deum, Hob. XXIIIc:2
104 bpm • C Maj • 08:21 • -19.64db
18% Popularity • 35% Danceability • 23% Energy • 9% Liveness
1% Instrumentalness • 14% Positiveness
18% Popularity • 35% Danceability • 23% Energy • 9% Liveness
1% Instrumentalness • 14% Positiveness
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Johannes Brahms
11 Zigeunerlieder (Gypsy-Songs), Op. 103...
127 bpm • D Maj • 01:15 • -20.15db
8% Popularity • 46% Danceability • 17% Energy • 11% Liveness
0% Instrumentalness • 64% Positiveness
8% Popularity • 46% Danceability • 17% Energy • 11% Liveness
0% Instrumentalness • 64% Positiveness
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Francis Poulenc
Stabat Mater, FP 148: I. Stabat Mater do...
104 bpm • A min • 03:40 • -23.75db
12% Popularity • 15% Danceability • 9% Energy • 10% Liveness
65% Instrumentalness • 4% Positiveness
12% Popularity • 15% Danceability • 9% Energy • 10% Liveness
65% Instrumentalness • 4% Positiveness
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Giuseppe Gherardeschi
Offertorio in B-Flat Major
104 bpm • A# Maj • 03:17 • -8.86db
9% Popularity • 35% Danceability • 32% Energy • 6% Liveness
44% Instrumentalness • 42% Positiveness
9% Popularity • 35% Danceability • 32% Energy • 6% Liveness
44% Instrumentalness • 42% Positiveness
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Franz Schubert
Schubert: Deutsche Messe, D. 872: Zum Gl...
127 bpm • A# Maj • 01:47 • -16.75db
11% Popularity • 22% Danceability • 9% Energy • 33% Liveness
80% Instrumentalness • 9% Positiveness
11% Popularity • 22% Danceability • 9% Energy • 33% Liveness
80% Instrumentalness • 9% Positiveness
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Wolfgang Amadeus Mozart
Große Credomesse, KV 257: III. Credo
127 bpm • C Maj • 09:19 • -9.4db
8% Popularity • 27% Danceability • 38% Energy • 29% Liveness
25% Instrumentalness • 7% Positiveness
8% Popularity • 27% Danceability • 38% Energy • 29% Liveness
25% Instrumentalness • 7% Positiveness
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Arturo Sacchetti
Fanfare (Lemmens)
104 bpm • D Maj • 02:53 • -15db
11% Popularity • 34% Danceability • 33% Energy • 22% Liveness
90% Instrumentalness • 60% Positiveness
11% Popularity • 34% Danceability • 33% Energy • 22% Liveness
90% Instrumentalness • 60% Positiveness
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Oulun kamariorkesteri
Alkukuoro, Vuorten Ylle Aurinko on Nouss...
128 bpm • G Maj • 04:27 • -23.6db
15% Popularity • 17% Danceability • 10% Energy • 10% Liveness
79% Instrumentalness • 4% Positiveness
15% Popularity • 17% Danceability • 10% Energy • 10% Liveness
79% Instrumentalness • 4% Positiveness
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Mårten Jansson
Missa Popularis: II. Gloria
129 bpm • F Maj • 04:19 • -18db
9% Popularity • 21% Danceability • 15% Energy • 9% Liveness
8% Instrumentalness • 12% Positiveness
9% Popularity • 21% Danceability • 15% Energy • 9% Liveness
8% Instrumentalness • 12% Positiveness
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Felix Mendelssohn
Elijah, Op. 70: "For He Shall Give His A...
129 bpm • G Maj • 02:36 • -27db
8% Popularity • 20% Danceability • 13% Energy • 10% Liveness
1% Instrumentalness • 18% Positiveness
8% Popularity • 20% Danceability • 13% Energy • 10% Liveness
1% Instrumentalness • 18% Positiveness
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Franz Schubert
Mass No. 6 in E-Flat Major, D. 950: IVb....
129 bpm • D# Maj • 01:06 • -21.47db
12% Popularity • 29% Danceability • 14% Energy • 13% Liveness
98% Instrumentalness • 31% Positiveness
12% Popularity • 29% Danceability • 14% Energy • 13% Liveness
98% Instrumentalness • 31% Positiveness