Songs like Funky Fanfare by Keith Mansfield
Based on a tempo of (+/- 10%) and a similar genre
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Nicolas Godin
Alger la blanche
96 bpm • C# min • 03:47 • -7.84db
39% Popularity • 67% Danceability • 57% Energy • 11% Liveness
88% Instrumentalness • 86% Positiveness
39% Popularity • 67% Danceability • 57% Energy • 11% Liveness
88% Instrumentalness • 86% Positiveness
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Lesiman
Melos Blue
96 bpm • A min • 03:01 • -13.31db
7% Popularity • 62% Danceability • 34% Energy • 11% Liveness
74% Instrumentalness • 81% Positiveness
7% Popularity • 62% Danceability • 34% Energy • 11% Liveness
74% Instrumentalness • 81% Positiveness
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Simon Begg
Phunky Fanfare
96 bpm • F min • 02:55 • -6.56db
27% Popularity • 59% Danceability • 86% Energy • 14% Liveness
91% Instrumentalness • 72% Positiveness
27% Popularity • 59% Danceability • 86% Energy • 14% Liveness
91% Instrumentalness • 72% Positiveness
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Keith Mansfield
Powerhouse Pop
96 bpm • A Maj • 02:35 • -7db
9% Popularity • 46% Danceability • 85% Energy • 30% Liveness
34% Instrumentalness • 72% Positiveness
9% Popularity • 46% Danceability • 85% Energy • 30% Liveness
34% Instrumentalness • 72% Positiveness
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Carnaby Street Pop Orchestra
Funky Fanfare
96 bpm • A# Maj • 02:28 • -4.15db
20% Popularity • 60% Danceability • 84% Energy • 8% Liveness
84% Instrumentalness • 81% Positiveness
20% Popularity • 60% Danceability • 84% Energy • 8% Liveness
84% Instrumentalness • 81% Positiveness
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Jacky Giordano
Don't Be Cool
96 bpm • F min • 02:20 • -16.58db
32% Popularity • 70% Danceability • 44% Energy • 7% Liveness
84% Instrumentalness • 86% Positiveness
32% Popularity • 70% Danceability • 44% Energy • 7% Liveness
84% Instrumentalness • 86% Positiveness
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Alain Goraguer
Le bracelet
96 bpm • C# min • 01:27 • -12.68db
45% Popularity • 61% Danceability • 43% Energy • 11% Liveness
96% Instrumentalness • 35% Positiveness
45% Popularity • 61% Danceability • 43% Energy • 11% Liveness
96% Instrumentalness • 35% Positiveness
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Piero Piccioni
Pearls
96 bpm • C# Maj • 03:41 • -15db
28% Popularity • 69% Danceability • 41% Energy • 30% Liveness
88% Instrumentalness • 72% Positiveness
28% Popularity • 69% Danceability • 41% Energy • 30% Liveness
88% Instrumentalness • 72% Positiveness
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Claude Bolling
Pop Mod
96 bpm • F Maj • 04:21 • -7.56db
14% Popularity • 58% Danceability • 81% Energy • 13% Liveness
36% Instrumentalness • 75% Positiveness
14% Popularity • 58% Danceability • 81% Energy • 13% Liveness
36% Instrumentalness • 75% Positiveness
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Keith Mansfield
Incidental Backcloth (3)
96 bpm • C Maj • 02:59 • -18db
18% Popularity • 75% Danceability • 24% Energy • 13% Liveness
85% Instrumentalness • 85% Positiveness
18% Popularity • 75% Danceability • 24% Energy • 13% Liveness
85% Instrumentalness • 85% Positiveness
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Karl-Heinz Schäfer
Kidnapping
96 bpm • F Maj • 01:22 • -14.82db
23% Popularity • 47% Danceability • 48% Energy • 9% Liveness
52% Instrumentalness • 93% Positiveness
23% Popularity • 47% Danceability • 48% Energy • 9% Liveness
52% Instrumentalness • 93% Positiveness
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Giuliano Sorgini
Pausa mensa
97 bpm • G# Maj • 03:25 • -8.99db
15% Popularity • 67% Danceability • 69% Energy • 6% Liveness
89% Instrumentalness • 78% Positiveness
15% Popularity • 67% Danceability • 69% Energy • 6% Liveness
89% Instrumentalness • 78% Positiveness
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Alain Goraguer
Voir Venise
96 bpm • C min • 01:59 • -11.54db
22% Popularity • 63% Danceability • 51% Energy • 31% Liveness
1% Instrumentalness • 57% Positiveness
22% Popularity • 63% Danceability • 51% Energy • 31% Liveness
1% Instrumentalness • 57% Positiveness
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John Cameron
Range Rover
97 bpm • C Maj • 03:28 • -12.86db
7% Popularity • 56% Danceability • 51% Energy • 5% Liveness
94% Instrumentalness • 63% Positiveness
7% Popularity • 56% Danceability • 51% Energy • 5% Liveness
94% Instrumentalness • 63% Positiveness
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Gap Mangione
Boys with Toys
95 bpm • F min • 02:46 • -7.77db
27% Popularity • 53% Danceability • 47% Energy • 9% Liveness
89% Instrumentalness • 44% Positiveness
27% Popularity • 53% Danceability • 47% Energy • 9% Liveness
89% Instrumentalness • 44% Positiveness
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Keith Mansfield
Life of Leisure
95 bpm • G# Maj • 03:04 • -15db
20% Popularity • 62% Danceability • 29% Energy • 15% Liveness
69% Instrumentalness • 30% Positiveness
20% Popularity • 62% Danceability • 29% Energy • 15% Liveness
69% Instrumentalness • 30% Positiveness
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Alan Hawkshaw
Girl in a Sportscar
95 bpm • F# Maj • 02:42 • -12.48db
31% Popularity • 53% Danceability • 50% Energy • 16% Liveness
64% Instrumentalness • 81% Positiveness
31% Popularity • 53% Danceability • 50% Energy • 16% Liveness
64% Instrumentalness • 81% Positiveness
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Drew Milligan
Ride High
95 bpm • A min • 03:37 • -9db
4% Popularity • 82% Danceability • 82% Energy • 14% Liveness
4% Instrumentalness • 78% Positiveness
4% Popularity • 82% Danceability • 82% Energy • 14% Liveness
4% Instrumentalness • 78% Positiveness
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Alain Goraguer
Maquillage de Tiwa
97 bpm • F# min • 01:17 • -10db
33% Popularity • 72% Danceability • 51% Energy • 24% Liveness
90% Instrumentalness • 53% Positiveness
33% Popularity • 72% Danceability • 51% Energy • 24% Liveness
90% Instrumentalness • 53% Positiveness
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Puccio Roelens
Peggy
97 bpm • G# Maj • 03:23 • -3db
13% Popularity • 40% Danceability • 76% Energy • 9% Liveness
2% Instrumentalness • 90% Positiveness
13% Popularity • 40% Danceability • 76% Energy • 9% Liveness
2% Instrumentalness • 90% Positiveness
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Jack McDuff
The Shadow of Your Smile
95 bpm • G# Maj • 03:52 • -18.22db
31% Popularity • 73% Danceability • 15% Energy • 19% Liveness
6% Instrumentalness • 61% Positiveness
31% Popularity • 73% Danceability • 15% Energy • 19% Liveness
6% Instrumentalness • 61% Positiveness
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Pete Jolly
Seasons
95 bpm • E min • 03:45 • -17.12db
24% Popularity • 60% Danceability • 32% Energy • 11% Liveness
93% Instrumentalness • 71% Positiveness
24% Popularity • 60% Danceability • 32% Energy • 11% Liveness
93% Instrumentalness • 71% Positiveness
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Stelvio Cipriani
Bambole di droga - Originale
95 bpm • G# Maj • 02:16 • -17.89db
19% Popularity • 77% Danceability • 43% Energy • 10% Liveness
85% Instrumentalness • 85% Positiveness
19% Popularity • 77% Danceability • 43% Energy • 10% Liveness
85% Instrumentalness • 85% Positiveness
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Minoru Muraoka
The Positive and the Negative
97 bpm • G Maj • 09:24 • -11db
34% Popularity • 48% Danceability • 49% Energy • 7% Liveness
72% Instrumentalness • 43% Positiveness
34% Popularity • 48% Danceability • 49% Energy • 7% Liveness
72% Instrumentalness • 43% Positiveness
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Neil Richardson
Full Speed Ahead (1)
97 bpm • A# min • 02:05 • -10.27db
13% Popularity • 27% Danceability • 73% Energy • 27% Liveness
92% Instrumentalness • 71% Positiveness
13% Popularity • 27% Danceability • 73% Energy • 27% Liveness
92% Instrumentalness • 71% Positiveness
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Janko Nilovic
Ballet dans l'espace - Remastered
95 bpm • A Maj • 03:05 • -5.12db
15% Popularity • 28% Danceability • 66% Energy • 22% Liveness
77% Instrumentalness • 31% Positiveness
15% Popularity • 28% Danceability • 66% Energy • 22% Liveness
77% Instrumentalness • 31% Positiveness
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Stephen Gray
Finding My Feet
97 bpm • D min • 03:08 • -14.07db
16% Popularity • 56% Danceability • 56% Energy • 8% Liveness
84% Instrumentalness • 53% Positiveness
16% Popularity • 56% Danceability • 56% Energy • 8% Liveness
84% Instrumentalness • 53% Positiveness
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Keith Mansfield
Morning Broadway
94 bpm • C Maj • 02:05 • -8.12db
42% Popularity • 76% Danceability • 62% Energy • 11% Liveness
79% Instrumentalness • 64% Positiveness
42% Popularity • 76% Danceability • 62% Energy • 11% Liveness
79% Instrumentalness • 64% Positiveness
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The Chakachas
Stories??
94 bpm • A Maj • 02:47 • -17.29db
44% Popularity • 76% Danceability • 45% Energy • 8% Liveness
0% Instrumentalness • 96% Positiveness
44% Popularity • 76% Danceability • 45% Energy • 8% Liveness
0% Instrumentalness • 96% Positiveness
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Riz Ortolani
Il ricordo di Serena - Version 2
98 bpm • A min • 03:34 • -10.64db
16% Popularity • 70% Danceability • 55% Energy • 11% Liveness
91% Instrumentalness • 80% Positiveness
16% Popularity • 70% Danceability • 55% Energy • 11% Liveness
91% Instrumentalness • 80% Positiveness
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Perrey and Kingsley
One Note Samba - Spanish Flea
98 bpm • F min • 02:07 • -8.63db
8% Popularity • 58% Danceability • 92% Energy • 21% Liveness
6% Instrumentalness • 64% Positiveness
8% Popularity • 58% Danceability • 92% Energy • 21% Liveness
6% Instrumentalness • 64% Positiveness
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Trevor Bastow
Shades
98 bpm • A Maj • 02:12 • -13db
17% Popularity • 64% Danceability • 22% Energy • 10% Liveness
91% Instrumentalness • 34% Positiveness
17% Popularity • 64% Danceability • 22% Energy • 10% Liveness
91% Instrumentalness • 34% Positiveness
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David Axelrod
The Fly
94 bpm • A min • 04:54 • -7db
22% Popularity • 34% Danceability • 46% Energy • 11% Liveness
13% Instrumentalness • 34% Positiveness
22% Popularity • 34% Danceability • 46% Energy • 11% Liveness
13% Instrumentalness • 34% Positiveness
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Keith Mansfield
Morning Broadway
94 bpm • C Maj • 01:41 • -10db
32% Popularity • 76% Danceability • 53% Energy • 10% Liveness
35% Instrumentalness • 69% Positiveness
32% Popularity • 76% Danceability • 53% Energy • 10% Liveness
35% Instrumentalness • 69% Positiveness
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Alessandro Alessandroni
Sunday Theme
94 bpm • G Maj • 02:23 • -8db
22% Popularity • 39% Danceability • 56% Energy • 19% Liveness
0% Instrumentalness • 62% Positiveness
22% Popularity • 39% Danceability • 56% Energy • 19% Liveness
0% Instrumentalness • 62% Positiveness
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Gert Wilden & Orchestra
Sexy Girls (Mädchen, Die Nach München ...
94 bpm • C# Maj • 02:37 • -10.63db
17% Popularity • 55% Danceability • 42% Energy • 9% Liveness
9% Instrumentalness • 37% Positiveness
17% Popularity • 55% Danceability • 42% Energy • 9% Liveness
9% Instrumentalness • 37% Positiveness
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Bobby Hutcherson
Rain Every Thursday
98 bpm • F Maj • 03:43 • -10db
9% Popularity • 52% Danceability • 68% Energy • 16% Liveness
55% Instrumentalness • 96% Positiveness
9% Popularity • 52% Danceability • 68% Energy • 16% Liveness
55% Instrumentalness • 96% Positiveness
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Puccio Roelens
Eveline
98 bpm • A min • 02:28 • -6db
29% Popularity • 30% Danceability • 51% Energy • 17% Liveness
92% Instrumentalness • 42% Positiveness
29% Popularity • 30% Danceability • 51% Energy • 17% Liveness
92% Instrumentalness • 42% Positiveness
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Riz Ortolani
Il ricordo di Serena
98 bpm • A min • 02:41 • -20db
39% Popularity • 65% Danceability • 34% Energy • 11% Liveness
96% Instrumentalness • 64% Positiveness
39% Popularity • 65% Danceability • 34% Energy • 11% Liveness
96% Instrumentalness • 64% Positiveness
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Keith Mansfield
Funky Fanfare (Small Group)
98 bpm • C# Maj • 01:35 • -12.37db
23% Popularity • 73% Danceability • 69% Energy • 20% Liveness
18% Instrumentalness • 89% Positiveness
23% Popularity • 73% Danceability • 69% Energy • 20% Liveness
18% Instrumentalness • 89% Positiveness
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Sven Libaek
Lonely Australian Landcape
98 bpm • A min • 03:39 • -21.52db
23% Popularity • 43% Danceability • 14% Energy • 11% Liveness
80% Instrumentalness • 42% Positiveness
23% Popularity • 43% Danceability • 14% Energy • 11% Liveness
80% Instrumentalness • 42% Positiveness
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Dave Grusin
Condor!
94 bpm • G# Maj • 03:35 • -12.89db
17% Popularity • 60% Danceability • 52% Energy • 13% Liveness
81% Instrumentalness • 24% Positiveness
17% Popularity • 60% Danceability • 52% Energy • 13% Liveness
81% Instrumentalness • 24% Positiveness
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The Mohawks
Senior Thump
94 bpm • F Maj • 02:45 • -3.82db
14% Popularity • 69% Danceability • 88% Energy • 9% Liveness
3% Instrumentalness • 90% Positiveness
14% Popularity • 69% Danceability • 88% Energy • 9% Liveness
3% Instrumentalness • 90% Positiveness
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Gary Pacific Orchestra
Soft Wind
98 bpm • G min • 02:05 • -8.5db
18% Popularity • 50% Danceability • 42% Energy • 15% Liveness
74% Instrumentalness • 89% Positiveness
18% Popularity • 50% Danceability • 42% Energy • 15% Liveness
74% Instrumentalness • 89% Positiveness
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Alan Moorhouse
Boss Man
98 bpm • A Maj • 02:05 • -10.41db
14% Popularity • 62% Danceability • 54% Energy • 7% Liveness
84% Instrumentalness • 88% Positiveness
14% Popularity • 62% Danceability • 54% Energy • 7% Liveness
84% Instrumentalness • 88% Positiveness
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Syd Dale
Beguine for Trombone
98 bpm • D# Maj • 02:41 • -17.2db
32% Popularity • 57% Danceability • 28% Energy • 11% Liveness
97% Instrumentalness • 53% Positiveness
32% Popularity • 57% Danceability • 28% Energy • 11% Liveness
97% Instrumentalness • 53% Positiveness
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Jack McDuff
Theme From Electric Surfboard
98 bpm • F# Maj • 03:34 • -5.04db
16% Popularity • 50% Danceability • 65% Energy • 11% Liveness
59% Instrumentalness • 62% Positiveness
16% Popularity • 50% Danceability • 65% Energy • 11% Liveness
59% Instrumentalness • 62% Positiveness
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Alessandro Alessandroni
Love Feeling
98 bpm • G Maj • 02:24 • -8.76db
35% Popularity • 50% Danceability • 45% Energy • 11% Liveness
30% Instrumentalness • 23% Positiveness
35% Popularity • 50% Danceability • 45% Energy • 11% Liveness
30% Instrumentalness • 23% Positiveness
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Cortex
La rue
98 bpm • C Maj • 04:27 • -9.45db
45% Popularity • 58% Danceability • 86% Energy • 10% Liveness
64% Instrumentalness • 96% Positiveness
45% Popularity • 58% Danceability • 86% Energy • 10% Liveness
64% Instrumentalness • 96% Positiveness
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Clive Hicks
Transit
99 bpm • G Maj • 01:36 • -19.51db
22% Popularity • 83% Danceability • 18% Energy • 10% Liveness
80% Instrumentalness • 44% Positiveness
22% Popularity • 83% Danceability • 18% Energy • 10% Liveness
80% Instrumentalness • 44% Positiveness
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Muzak Orchestra
3 Days of the Condor
94 bpm • C min • 02:06 • -10.73db
26% Popularity • 62% Danceability • 44% Energy • 11% Liveness
51% Instrumentalness • 76% Positiveness
26% Popularity • 62% Danceability • 44% Energy • 11% Liveness
51% Instrumentalness • 76% Positiveness
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Alan Moorhouse
Soul Skimmer
99 bpm • C Maj • 02:12 • -8.19db
21% Popularity • 57% Danceability • 89% Energy • 5% Liveness
92% Instrumentalness • 78% Positiveness
21% Popularity • 57% Danceability • 89% Energy • 5% Liveness
92% Instrumentalness • 78% Positiveness
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Dr. Lonnie Smith
Sweet Honey Wine
99 bpm • F min • 06:11 • -13db
28% Popularity • 56% Danceability • 68% Energy • 10% Liveness
88% Instrumentalness • 76% Positiveness
28% Popularity • 56% Danceability • 68% Energy • 10% Liveness
88% Instrumentalness • 76% Positiveness
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John Cameron
Afro Metropolis
99 bpm • C Maj • 02:43 • -11.57db
10% Popularity • 60% Danceability • 63% Energy • 7% Liveness
94% Instrumentalness • 87% Positiveness
10% Popularity • 60% Danceability • 63% Energy • 7% Liveness
94% Instrumentalness • 87% Positiveness
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Syd Dale
Kinky Boots
99 bpm • C min • 02:51 • -6.25db
5% Popularity • 45% Danceability • 86% Energy • 12% Liveness
3% Instrumentalness • 79% Positiveness
5% Popularity • 45% Danceability • 86% Energy • 12% Liveness
3% Instrumentalness • 79% Positiveness
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Keith Mansfield
Ode to a Rock Opera
93 bpm • G Maj • 03:32 • -10.77db
10% Popularity • 50% Danceability • 65% Energy • 12% Liveness
54% Instrumentalness • 63% Positiveness
10% Popularity • 50% Danceability • 65% Energy • 12% Liveness
54% Instrumentalness • 63% Positiveness
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Barry Morgan
Light (6)
93 bpm • G Maj • 02:41 • -20db
19% Popularity • 64% Danceability • 29% Energy • 11% Liveness
92% Instrumentalness • 82% Positiveness
19% Popularity • 64% Danceability • 29% Energy • 11% Liveness
92% Instrumentalness • 82% Positiveness
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Alan Moorhouse
West Coastin
93 bpm • E min • 02:30 • -9.41db
11% Popularity • 48% Danceability • 66% Energy • 11% Liveness
96% Instrumentalness • 76% Positiveness
11% Popularity • 48% Danceability • 66% Energy • 11% Liveness
96% Instrumentalness • 76% Positiveness
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Roger Webb
Heavy Lace
92 bpm • A Maj • 01:31 • -13.01db
17% Popularity • 68% Danceability • 40% Energy • 11% Liveness
78% Instrumentalness • 51% Positiveness
17% Popularity • 68% Danceability • 40% Energy • 11% Liveness
78% Instrumentalness • 51% Positiveness
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Alan Parker
Ice Breaker
99 bpm • G Maj • 03:54 • -17.49db
11% Popularity • 73% Danceability • 42% Energy • 7% Liveness
95% Instrumentalness • 82% Positiveness
11% Popularity • 73% Danceability • 42% Energy • 7% Liveness
95% Instrumentalness • 82% Positiveness
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Franco Chiari
Rio Tu Ed Io
92 bpm • G Maj • 03:22 • -16db
16% Popularity • 63% Danceability • 43% Energy • 11% Liveness
92% Instrumentalness • 84% Positiveness
16% Popularity • 63% Danceability • 43% Energy • 11% Liveness
92% Instrumentalness • 84% Positiveness
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Keith Mansfield
Hot Property
99 bpm • D min • 01:59 • -10.97db
16% Popularity • 60% Danceability • 51% Energy • 13% Liveness
77% Instrumentalness • 55% Positiveness
16% Popularity • 60% Danceability • 51% Energy • 13% Liveness
77% Instrumentalness • 55% Positiveness
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Roland Vincent
L.S.D. Partie
100 bpm • A min • 03:00 • -11.52db
30% Popularity • 53% Danceability • 50% Energy • 14% Liveness
85% Instrumentalness • 49% Positiveness
30% Popularity • 53% Danceability • 50% Energy • 14% Liveness
85% Instrumentalness • 49% Positiveness
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Janko Nilovic
Scratching Machine - Remastered
92 bpm • E min • 02:39 • -6db
23% Popularity • 64% Danceability • 64% Energy • 29% Liveness
88% Instrumentalness • 81% Positiveness
23% Popularity • 64% Danceability • 64% Energy • 29% Liveness
88% Instrumentalness • 81% Positiveness
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Syd Dale
Walk and Talk
100 bpm • A min • 02:29 • -7.94db
13% Popularity • 74% Danceability • 59% Energy • 7% Liveness
0% Instrumentalness • 84% Positiveness
13% Popularity • 74% Danceability • 59% Energy • 7% Liveness
0% Instrumentalness • 84% Positiveness
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John Cameron
Swamp Fever
100 bpm • A min • 02:12 • -14.37db
30% Popularity • 68% Danceability • 58% Energy • 11% Liveness
80% Instrumentalness • 62% Positiveness
30% Popularity • 68% Danceability • 58% Energy • 11% Liveness
80% Instrumentalness • 62% Positiveness
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Stelvio Cipriani
Mark il poliziotto - Originale
100 bpm • E min • 02:41 • -16.49db
20% Popularity • 73% Danceability • 49% Energy • 15% Liveness
84% Instrumentalness • 95% Positiveness
20% Popularity • 73% Danceability • 49% Energy • 15% Liveness
84% Instrumentalness • 95% Positiveness
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Keith Mansfield
West Coast Surf Ride
92 bpm • B min • 02:33 • -5db
19% Popularity • 43% Danceability • 64% Energy • 19% Liveness
2% Instrumentalness • 45% Positiveness
19% Popularity • 43% Danceability • 64% Energy • 19% Liveness
2% Instrumentalness • 45% Positiveness
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Sunbirds
Ocean Song
92 bpm • G min • 04:10 • -11.56db
13% Popularity • 79% Danceability • 47% Energy • 9% Liveness
84% Instrumentalness • 94% Positiveness
13% Popularity • 79% Danceability • 47% Energy • 9% Liveness
84% Instrumentalness • 94% Positiveness
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The Mohawks
Beat Me Till I'm Blue
100 bpm • C# Maj • 02:36 • -10db
33% Popularity • 70% Danceability • 82% Energy • 14% Liveness
46% Instrumentalness • 80% Positiveness
33% Popularity • 70% Danceability • 82% Energy • 14% Liveness
46% Instrumentalness • 80% Positiveness
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Nick Perito Orchestra
Last Tango in Paris
100 bpm • F min • 02:27 • -11db
13% Popularity • 40% Danceability • 67% Energy • 17% Liveness
37% Instrumentalness • 37% Positiveness
13% Popularity • 40% Danceability • 67% Energy • 17% Liveness
37% Instrumentalness • 37% Positiveness
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Universal Production Music
Soft Throttle
92 bpm • F min • 03:04 • -7db
4% Popularity • 64% Danceability • 80% Energy • 12% Liveness
93% Instrumentalness • 88% Positiveness
4% Popularity • 64% Danceability • 80% Energy • 12% Liveness
93% Instrumentalness • 88% Positiveness
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Trevor Bastow
Power Plant
100 bpm • F Maj • 01:30 • -9db
11% Popularity • 44% Danceability • 54% Energy • 9% Liveness
0% Instrumentalness • 4% Positiveness
11% Popularity • 44% Danceability • 54% Energy • 9% Liveness
0% Instrumentalness • 4% Positiveness
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Keith Mansfield
Whistle Stop Tour
92 bpm • F Maj • 02:31 • -13.18db
16% Popularity • 29% Danceability • 30% Energy • 20% Liveness
74% Instrumentalness • 63% Positiveness
16% Popularity • 29% Danceability • 30% Energy • 20% Liveness
74% Instrumentalness • 63% Positiveness
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James Clarke
Horn Soliloquy
92 bpm • C min • 03:32 • -12.59db
10% Popularity • 49% Danceability • 31% Energy • 22% Liveness
33% Instrumentalness • 67% Positiveness
10% Popularity • 49% Danceability • 31% Energy • 22% Liveness
33% Instrumentalness • 67% Positiveness
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Alberto Baldan Bembo
Pedro come
100 bpm • A# Maj • 02:42 • -10db
26% Popularity • 43% Danceability • 68% Energy • 51% Liveness
78% Instrumentalness • 37% Positiveness
26% Popularity • 43% Danceability • 68% Energy • 51% Liveness
78% Instrumentalness • 37% Positiveness
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Roger Webb
Exotica
100 bpm • E min • 03:04 • -11db
18% Popularity • 59% Danceability • 49% Energy • 8% Liveness
37% Instrumentalness • 23% Positiveness
18% Popularity • 59% Danceability • 49% Energy • 8% Liveness
37% Instrumentalness • 23% Positiveness
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Arawak
Accadde a Yellow Park
92 bpm • A# min • 02:33 • -18.6db
30% Popularity • 63% Danceability • 43% Energy • 18% Liveness
90% Instrumentalness • 52% Positiveness
30% Popularity • 63% Danceability • 43% Energy • 18% Liveness
90% Instrumentalness • 52% Positiveness
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Brian Bennett
Nuplex
92 bpm • D min • 04:01 • -18.07db
14% Popularity • 44% Danceability • 27% Energy • 7% Liveness
41% Instrumentalness • 36% Positiveness
14% Popularity • 44% Danceability • 27% Energy • 7% Liveness
41% Instrumentalness • 36% Positiveness
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CHIC
São Paulo - 2018 Remaster
92 bpm • A Maj • 05:03 • -13.14db
41% Popularity • 66% Danceability • 46% Energy • 35% Liveness
90% Instrumentalness • 74% Positiveness
41% Popularity • 66% Danceability • 46% Energy • 35% Liveness
90% Instrumentalness • 74% Positiveness
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Stefano Torossi
Walking in the dark
92 bpm • D min • 04:46 • -15.86db
21% Popularity • 58% Danceability • 33% Energy • 12% Liveness
19% Instrumentalness • 83% Positiveness
21% Popularity • 58% Danceability • 33% Energy • 12% Liveness
19% Instrumentalness • 83% Positiveness
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Alan Tew
Headlights
100 bpm • E min • 01:10 • -17.76db
30% Popularity • 62% Danceability • 41% Energy • 10% Liveness
87% Instrumentalness • 56% Positiveness
30% Popularity • 62% Danceability • 41% Energy • 10% Liveness
87% Instrumentalness • 56% Positiveness
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Sven Libaek
Music for Eels
92 bpm • F Maj • 02:23 • -17db
30% Popularity • 50% Danceability • 33% Energy • 11% Liveness
57% Instrumentalness • 46% Positiveness
30% Popularity • 50% Danceability • 33% Energy • 11% Liveness
57% Instrumentalness • 46% Positiveness
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Muzak Orchestra
If You Really Love Me
92 bpm • C Maj • 02:18 • -9.86db
24% Popularity • 46% Danceability • 45% Energy • 10% Liveness
92% Instrumentalness • 51% Positiveness
24% Popularity • 46% Danceability • 45% Energy • 10% Liveness
92% Instrumentalness • 51% Positiveness
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René Costy
Scrabble
101 bpm • G Maj • 04:12 • -6.34db
23% Popularity • 48% Danceability • 76% Energy • 15% Liveness
41% Instrumentalness • 93% Positiveness
23% Popularity • 48% Danceability • 76% Energy • 15% Liveness
41% Instrumentalness • 93% Positiveness
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Gene Harris & The Three Sounds
Book Of Slim
91 bpm • D min • 03:23 • -9.07db
41% Popularity • 68% Danceability • 51% Energy • 16% Liveness
0% Instrumentalness • 76% Positiveness
41% Popularity • 68% Danceability • 51% Energy • 16% Liveness
0% Instrumentalness • 76% Positiveness
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Alan Parker
Heavy Water
91 bpm • A Maj • 03:21 • -10.55db
11% Popularity • 74% Danceability • 80% Energy • 8% Liveness
80% Instrumentalness • 96% Positiveness
11% Popularity • 74% Danceability • 80% Energy • 8% Liveness
80% Instrumentalness • 96% Positiveness
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I Marc 4
Andrè
101 bpm • D# Maj • 02:58 • -14db
39% Popularity • 48% Danceability • 43% Energy • 11% Liveness
95% Instrumentalness • 92% Positiveness
39% Popularity • 48% Danceability • 43% Energy • 11% Liveness
95% Instrumentalness • 92% Positiveness
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Gene Harris
I Remember Summer
91 bpm • F# min • 02:03 • -12.73db
41% Popularity • 52% Danceability • 72% Energy • 50% Liveness
80% Instrumentalness • 74% Positiveness
41% Popularity • 52% Danceability • 72% Energy • 50% Liveness
80% Instrumentalness • 74% Positiveness
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Keith Mansfield
Sunset Trip
91 bpm • D min • 02:16 • -19.79db
14% Popularity • 58% Danceability • 24% Energy • 7% Liveness
70% Instrumentalness • 37% Positiveness
14% Popularity • 58% Danceability • 24% Energy • 7% Liveness
70% Instrumentalness • 37% Positiveness
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Sven Libaek
Music for Eels
91 bpm • A# Maj • 02:26 • -21.28db
20% Popularity • 38% Danceability • 22% Energy • 12% Liveness
68% Instrumentalness • 43% Positiveness
20% Popularity • 38% Danceability • 22% Energy • 12% Liveness
68% Instrumentalness • 43% Positiveness
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Jean-Jacques Perrey
Cat In The Night
101 bpm • F min • 03:34 • -9.88db
21% Popularity • 52% Danceability • 79% Energy • 10% Liveness
53% Instrumentalness • 91% Positiveness
21% Popularity • 52% Danceability • 79% Energy • 10% Liveness
53% Instrumentalness • 91% Positiveness
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Vic Flick
Why Not?
101 bpm • G Maj • 02:28 • -9.71db
18% Popularity • 61% Danceability • 50% Energy • 35% Liveness
94% Instrumentalness • 90% Positiveness
18% Popularity • 61% Danceability • 50% Energy • 35% Liveness
94% Instrumentalness • 90% Positiveness
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Mandrill
Chutney
91 bpm • E Maj • 03:05 • -21db
33% Popularity • 53% Danceability • 18% Energy • 10% Liveness
79% Instrumentalness • 32% Positiveness
33% Popularity • 53% Danceability • 18% Energy • 10% Liveness
79% Instrumentalness • 32% Positiveness
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Alessandro Alessandroni
Hovercraft
101 bpm • A Maj • 02:48 • -9.71db
25% Popularity • 43% Danceability • 63% Energy • 20% Liveness
85% Instrumentalness • 72% Positiveness
25% Popularity • 43% Danceability • 63% Energy • 20% Liveness
85% Instrumentalness • 72% Positiveness
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Keith Mansfield
The Joys Ol Spring
91 bpm • D Maj • 03:43 • -12db
12% Popularity • 55% Danceability • 54% Energy • 9% Liveness
81% Instrumentalness • 76% Positiveness
12% Popularity • 55% Danceability • 54% Energy • 9% Liveness
81% Instrumentalness • 76% Positiveness
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Janko Nilovic
Sacha Pacha - Remastered
91 bpm • G Maj • 03:24 • -10db
26% Popularity • 44% Danceability • 56% Energy • 11% Liveness
66% Instrumentalness • 21% Positiveness
26% Popularity • 44% Danceability • 56% Energy • 11% Liveness
66% Instrumentalness • 21% Positiveness
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David Axelrod
Mucho Chupar
101 bpm • G Maj • 03:13 • -11.31db
29% Popularity • 52% Danceability • 72% Energy • 8% Liveness
89% Instrumentalness • 65% Positiveness
29% Popularity • 52% Danceability • 72% Energy • 8% Liveness
89% Instrumentalness • 65% Positiveness
