Songs like Funny Farm by The Blockheads
Based on a tempo of (+/- 10%) and a similar genre
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Simple Minds
Promised You A Miracle
114 bpm • F min • 04:27 • -8.82db
49% Popularity • 67% Danceability • 73% Energy • 34% Liveness
9% Instrumentalness • 78% Positiveness
49% Popularity • 67% Danceability • 73% Energy • 34% Liveness
9% Instrumentalness • 78% Positiveness
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Marianne Faithfull
Why'd Ya Do It
114 bpm • B min • 06:48 • -10.87db
31% Popularity • 77% Danceability • 68% Energy • 19% Liveness
16% Instrumentalness • 97% Positiveness
31% Popularity • 77% Danceability • 68% Energy • 19% Liveness
16% Instrumentalness • 97% Positiveness
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Kilburn & The High Roads
Pam's Moods
114 bpm • G Maj • 03:40 • -11.25db
9% Popularity • 58% Danceability • 33% Energy • 11% Liveness
0% Instrumentalness • 34% Positiveness
9% Popularity • 58% Danceability • 33% Energy • 11% Liveness
0% Instrumentalness • 34% Positiveness
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The Blockheads
Funny Farm
114 bpm • C Maj • 03:32 • -9.63db
0% Popularity • 81% Danceability • 59% Energy • 14% Liveness
0% Instrumentalness • 65% Positiveness
0% Popularity • 81% Danceability • 59% Energy • 14% Liveness
0% Instrumentalness • 65% Positiveness
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Paul Weller
The Changingman
114 bpm • F Maj • 04:02 • -9.57db
49% Popularity • 63% Danceability • 68% Energy • 11% Liveness
3% Instrumentalness • 73% Positiveness
49% Popularity • 63% Danceability • 68% Energy • 11% Liveness
3% Instrumentalness • 73% Positiveness
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Deaf School
Hi Jo Hi
113 bpm • C Maj • 02:22 • -8db
11% Popularity • 82% Danceability • 69% Energy • 9% Liveness
0% Instrumentalness • 94% Positiveness
11% Popularity • 82% Danceability • 69% Energy • 9% Liveness
0% Instrumentalness • 94% Positiveness
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The Charlatans
The Only One I Know
113 bpm • F Maj • 03:58 • -13.1db
59% Popularity • 55% Danceability • 57% Energy • 8% Liveness
0% Instrumentalness • 53% Positiveness
59% Popularity • 55% Danceability • 57% Energy • 8% Liveness
0% Instrumentalness • 53% Positiveness
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Ian Dury
There Ain't Half Been Some Clever Bastar...
115 bpm • D Maj • 03:03 • -16.72db
29% Popularity • 79% Danceability • 33% Energy • 5% Liveness
0% Instrumentalness • 96% Positiveness
29% Popularity • 79% Danceability • 33% Energy • 5% Liveness
0% Instrumentalness • 96% Positiveness
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Kilburn & The High Roads
The Roadette Song
113 bpm • E min • 03:25 • -10.25db
11% Popularity • 72% Danceability • 52% Energy • 16% Liveness
0% Instrumentalness • 64% Positiveness
11% Popularity • 72% Danceability • 52% Energy • 16% Liveness
0% Instrumentalness • 64% Positiveness
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Adam & The Ants
Young Parisians
113 bpm • G Maj • 02:59 • -10.1db
20% Popularity • 87% Danceability • 24% Energy • 3% Liveness
0% Instrumentalness • 40% Positiveness
20% Popularity • 87% Danceability • 24% Energy • 3% Liveness
0% Instrumentalness • 40% Positiveness
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John Cooper Clarke
Post-War Glamour Girl
113 bpm • F# Maj • 03:33 • -13.91db
12% Popularity • 69% Danceability • 77% Energy • 9% Liveness
0% Instrumentalness • 92% Positiveness
12% Popularity • 69% Danceability • 77% Energy • 9% Liveness
0% Instrumentalness • 92% Positiveness
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The Blockheads
Look the Other Way - (Nucleus Remix)
113 bpm • G min • 04:28 • -5.85db
0% Popularity • 80% Danceability • 88% Energy • 7% Liveness
33% Instrumentalness • 92% Positiveness
0% Popularity • 80% Danceability • 88% Energy • 7% Liveness
33% Instrumentalness • 92% Positiveness
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The Stone Roses
Fools Gold - Remastered 2009
113 bpm • G Maj • 09:54 • -6.39db
60% Popularity • 73% Danceability • 88% Energy • 29% Liveness
86% Instrumentalness • 16% Positiveness
60% Popularity • 73% Danceability • 88% Energy • 29% Liveness
86% Instrumentalness • 16% Positiveness
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The Beat
Can't Get Used to Losing You - 2012 Rema...
113 bpm • A min • 03:05 • -11.4db
44% Popularity • 80% Danceability • 48% Energy • 6% Liveness
7% Instrumentalness • 90% Positiveness
44% Popularity • 80% Danceability • 48% Energy • 6% Liveness
7% Instrumentalness • 90% Positiveness
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Grandmaster Flash
White Lines (Don't Do It)
115 bpm • C Maj • 04:29 • -13.28db
50% Popularity • 84% Danceability • 52% Energy • 7% Liveness
0% Instrumentalness • 77% Positiveness
50% Popularity • 84% Danceability • 52% Energy • 7% Liveness
0% Instrumentalness • 77% Positiveness
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Blancmange
Living On The Ceiling
115 bpm • E Maj • 04:10 • -9.06db
48% Popularity • 70% Danceability • 74% Energy • 27% Liveness
4% Instrumentalness • 84% Positiveness
48% Popularity • 70% Danceability • 74% Energy • 27% Liveness
4% Instrumentalness • 84% Positiveness
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Fun Boy Three
The Lunatics (Have Taken over the Asylum...
115 bpm • G Maj • 03:14 • -12db
41% Popularity • 77% Danceability • 49% Energy • 6% Liveness
1% Instrumentalness • 62% Positiveness
41% Popularity • 77% Danceability • 49% Energy • 6% Liveness
1% Instrumentalness • 62% Positiveness
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The Blockheads
Look the Other Way
113 bpm • C Maj • 05:24 • -9.6db
2% Popularity • 69% Danceability • 76% Energy • 10% Liveness
1% Instrumentalness • 75% Positiveness
2% Popularity • 69% Danceability • 76% Energy • 10% Liveness
1% Instrumentalness • 75% Positiveness
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Tenpole Tudor
Throwing My Baby Out With The Bathwater
112 bpm • F Maj • 03:29 • -12db
20% Popularity • 57% Danceability • 57% Energy • 32% Liveness
0% Instrumentalness • 74% Positiveness
20% Popularity • 57% Danceability • 57% Energy • 32% Liveness
0% Instrumentalness • 74% Positiveness
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Aztec Camera
Oblivious
112 bpm • F# min • 03:10 • -8db
44% Popularity • 65% Danceability • 78% Energy • 6% Liveness
12% Instrumentalness • 92% Positiveness
44% Popularity • 65% Danceability • 78% Energy • 6% Liveness
12% Instrumentalness • 92% Positiveness
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Gang Of Four
I Love a Man in a Uniform
112 bpm • A# Maj • 04:07 • -12.61db
34% Popularity • 77% Danceability • 44% Energy • 51% Liveness
0% Instrumentalness • 92% Positiveness
34% Popularity • 77% Danceability • 44% Energy • 51% Liveness
0% Instrumentalness • 92% Positiveness
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The Farm
Groovy Train
116 bpm • G Maj • 04:11 • -7.28db
45% Popularity • 58% Danceability • 97% Energy • 11% Liveness
1% Instrumentalness • 70% Positiveness
45% Popularity • 58% Danceability • 97% Energy • 11% Liveness
1% Instrumentalness • 70% Positiveness
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Kirsty MacColl
They Don't Know
112 bpm • B Maj • 03:06 • -9.47db
36% Popularity • 55% Danceability • 56% Energy • 15% Liveness
0% Instrumentalness • 82% Positiveness
36% Popularity • 55% Danceability • 56% Energy • 15% Liveness
0% Instrumentalness • 82% Positiveness
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The Blockheads
Hold Up
113 bpm • B min • 04:07 • -7.15db
3% Popularity • 79% Danceability • 76% Energy • 14% Liveness
0% Instrumentalness • 57% Positiveness
3% Popularity • 79% Danceability • 76% Energy • 14% Liveness
0% Instrumentalness • 57% Positiveness
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Tom Robinson Band
Bully for You
116 bpm • D# Maj • 03:30 • -10.93db
11% Popularity • 71% Danceability • 56% Energy • 16% Liveness
0% Instrumentalness • 96% Positiveness
11% Popularity • 71% Danceability • 56% Energy • 16% Liveness
0% Instrumentalness • 96% Positiveness
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The Fall
Hit the North - Part 1
112 bpm • D Maj • 04:01 • -8db
36% Popularity • 69% Danceability • 86% Energy • 7% Liveness
76% Instrumentalness • 91% Positiveness
36% Popularity • 69% Danceability • 86% Energy • 7% Liveness
76% Instrumentalness • 91% Positiveness
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Gary Numan
Music for Chameleons
112 bpm • A Maj • 06:06 • -9.77db
36% Popularity • 70% Danceability • 61% Energy • 24% Liveness
14% Instrumentalness • 70% Positiveness
36% Popularity • 70% Danceability • 61% Energy • 24% Liveness
14% Instrumentalness • 70% Positiveness
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John Cooper Clarke
Readers Wives
116 bpm • C# Maj • 03:12 • -14.74db
14% Popularity • 66% Danceability • 51% Energy • 9% Liveness
0% Instrumentalness • 64% Positiveness
14% Popularity • 66% Danceability • 51% Energy • 9% Liveness
0% Instrumentalness • 64% Positiveness
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It's Immaterial
Driving Away From Home (Jim's Tune)
112 bpm • G Maj • 04:13 • -14.23db
36% Popularity • 59% Danceability • 74% Energy • 34% Liveness
26% Instrumentalness • 90% Positiveness
36% Popularity • 59% Danceability • 74% Energy • 34% Liveness
26% Instrumentalness • 90% Positiveness
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The Blockheads
No Go Central
116 bpm • C# Maj • 05:29 • -10.65db
0% Popularity • 68% Danceability • 75% Energy • 91% Liveness
3% Instrumentalness • 88% Positiveness
0% Popularity • 68% Danceability • 75% Energy • 91% Liveness
3% Instrumentalness • 88% Positiveness
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Joe Jackson
Is She Really Going Out With Him?
116 bpm • D# Maj • 03:35 • -6.87db
58% Popularity • 87% Danceability • 32% Energy • 22% Liveness
0% Instrumentalness • 92% Positiveness
58% Popularity • 87% Danceability • 32% Energy • 22% Liveness
0% Instrumentalness • 92% Positiveness
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Hot Chocolate
Heaven Is in the Back Seat of My Cadilla...
112 bpm • D Maj • 05:09 • -6.87db
32% Popularity • 86% Danceability • 62% Energy • 17% Liveness
0% Instrumentalness • 84% Positiveness
32% Popularity • 86% Danceability • 62% Energy • 17% Liveness
0% Instrumentalness • 84% Positiveness
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The Clash
The Magnificent Seven - Remastered
116 bpm • C Maj • 05:33 • -8.21db
54% Popularity • 80% Danceability • 79% Energy • 3% Liveness
0% Instrumentalness • 83% Positiveness
54% Popularity • 80% Danceability • 79% Energy • 3% Liveness
0% Instrumentalness • 83% Positiveness
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Gruppo Sportivo
Beep Beep Love
116 bpm • B min • 02:56 • -8.19db
28% Popularity • 73% Danceability • 77% Energy • 47% Liveness
0% Instrumentalness • 72% Positiveness
28% Popularity • 73% Danceability • 77% Energy • 47% Liveness
0% Instrumentalness • 72% Positiveness
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The Style Council
Money-Go-Round (Parts 1 & 2) - Bert Beva...
116 bpm • B min • 07:44 • -14.13db
12% Popularity • 67% Danceability • 78% Energy • 87% Liveness
7% Instrumentalness • 96% Positiveness
12% Popularity • 67% Danceability • 78% Energy • 87% Liveness
7% Instrumentalness • 96% Positiveness
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The Blockheads
Fact or Fiction
112 bpm • F Maj • 04:12 • -9.4db
2% Popularity • 85% Danceability • 67% Energy • 7% Liveness
0% Instrumentalness • 78% Positiveness
2% Popularity • 85% Danceability • 67% Energy • 7% Liveness
0% Instrumentalness • 78% Positiveness
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Redskins
Keep On Keeping On
112 bpm • B Maj • 03:50 • -3.73db
25% Popularity • 66% Danceability • 95% Energy • 14% Liveness
42% Instrumentalness • 95% Positiveness
25% Popularity • 66% Danceability • 95% Energy • 14% Liveness
42% Instrumentalness • 95% Positiveness
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Ian Dury
Don't Ask Me
111 bpm • F min • 03:19 • -8.37db
18% Popularity • 65% Danceability • 58% Energy • 27% Liveness
0% Instrumentalness • 80% Positiveness
18% Popularity • 65% Danceability • 58% Energy • 27% Liveness
0% Instrumentalness • 80% Positiveness
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Bill Wyman
(Si, Si) Je Suis Un Rock Star
117 bpm • D Maj • 05:59 • -11db
34% Popularity • 76% Danceability • 55% Energy • 9% Liveness
1% Instrumentalness • 88% Positiveness
34% Popularity • 76% Danceability • 55% Energy • 9% Liveness
1% Instrumentalness • 88% Positiveness
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Talking Heads
Slippery People - Live
111 bpm • A min • 04:00 • -8db
54% Popularity • 64% Danceability • 85% Energy • 68% Liveness
4% Instrumentalness • 84% Positiveness
54% Popularity • 64% Danceability • 85% Energy • 68% Liveness
4% Instrumentalness • 84% Positiveness
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M
Pop Muzik (12 Inch Version)
111 bpm • C# Maj • 04:56 • -9.98db
52% Popularity • 94% Danceability • 73% Energy • 8% Liveness
0% Instrumentalness • 97% Positiveness
52% Popularity • 94% Danceability • 73% Energy • 8% Liveness
0% Instrumentalness • 97% Positiveness
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The Blockheads
Confused
116 bpm • C# Maj • 03:12 • -13.64db
0% Popularity • 43% Danceability • 32% Energy • 11% Liveness
1% Instrumentalness • 5% Positiveness
0% Popularity • 43% Danceability • 32% Energy • 11% Liveness
1% Instrumentalness • 5% Positiveness
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Kid Creole And The Coconuts
Annie, I'm Not Your Daddy
111 bpm • F Maj • 03:47 • -12.21db
44% Popularity • 68% Danceability • 82% Energy • 16% Liveness
0% Instrumentalness • 88% Positiveness
44% Popularity • 68% Danceability • 82% Energy • 16% Liveness
0% Instrumentalness • 88% Positiveness
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Fun Boy Three
Summertime
111 bpm • A# min • 03:09 • -12.73db
32% Popularity • 69% Danceability • 54% Energy • 15% Liveness
2% Instrumentalness • 76% Positiveness
32% Popularity • 69% Danceability • 54% Energy • 15% Liveness
2% Instrumentalness • 76% Positiveness
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Wild Willy Barrett
Beware Of The Flowers ('Cause I'm Sure T...
111 bpm • D Maj • 02:30 • -14.72db
16% Popularity • 38% Danceability • 63% Energy • 30% Liveness
0% Instrumentalness • 79% Positiveness
16% Popularity • 38% Danceability • 63% Energy • 30% Liveness
0% Instrumentalness • 79% Positiveness
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Ian Dury
I Want To Be Straight
118 bpm • A Maj • 03:20 • -15.87db
30% Popularity • 85% Danceability • 60% Energy • 8% Liveness
0% Instrumentalness • 84% Positiveness
30% Popularity • 85% Danceability • 60% Energy • 8% Liveness
0% Instrumentalness • 84% Positiveness
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Happy Mondays
Kinky Afro
118 bpm • F Maj • 03:59 • -12.55db
52% Popularity • 55% Danceability • 76% Energy • 28% Liveness
0% Instrumentalness • 72% Positiveness
52% Popularity • 55% Danceability • 76% Energy • 28% Liveness
0% Instrumentalness • 72% Positiveness
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The Blockheads
Head Above Water
111 bpm • C Maj • 04:21 • -6.43db
1% Popularity • 87% Danceability • 80% Energy • 11% Liveness
0% Instrumentalness • 75% Positiveness
1% Popularity • 87% Danceability • 80% Energy • 11% Liveness
0% Instrumentalness • 75% Positiveness
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Talking Heads
Road to Nowhere - 2005 Remaster
110 bpm • D Maj • 04:20 • -4.9db
61% Popularity • 65% Danceability • 79% Energy • 12% Liveness
0% Instrumentalness • 58% Positiveness
61% Popularity • 65% Danceability • 79% Energy • 12% Liveness
0% Instrumentalness • 58% Positiveness
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The Sensational Alex Harvey Band
Next - Remastered 2002
110 bpm • A Maj • 04:03 • -10db
23% Popularity • 57% Danceability • 36% Energy • 6% Liveness
0% Instrumentalness • 57% Positiveness
23% Popularity • 57% Danceability • 36% Energy • 6% Liveness
0% Instrumentalness • 57% Positiveness
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Coati Mundi
Me No Pop I
110 bpm • C# Maj • 04:21 • -12.42db
22% Popularity • 76% Danceability • 71% Energy • 5% Liveness
0% Instrumentalness • 82% Positiveness
22% Popularity • 76% Danceability • 71% Energy • 5% Liveness
0% Instrumentalness • 82% Positiveness
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Ian Dury
Jack Shit George
118 bpm • C# min • 04:23 • -6.98db
18% Popularity • 64% Danceability • 92% Energy • 7% Liveness
0% Instrumentalness • 79% Positiveness
18% Popularity • 64% Danceability • 92% Energy • 7% Liveness
0% Instrumentalness • 79% Positiveness
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Tom Robinson Band
Glad to Be Gay
118 bpm • A min • 04:47 • -9.94db
25% Popularity • 66% Danceability • 56% Energy • 70% Liveness
0% Instrumentalness • 41% Positiveness
25% Popularity • 66% Danceability • 56% Energy • 70% Liveness
0% Instrumentalness • 41% Positiveness
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Fun Boy Three
The Telephone Always Rings
118 bpm • C# Maj • 03:38 • -11db
34% Popularity • 72% Danceability • 59% Energy • 10% Liveness
0% Instrumentalness • 61% Positiveness
34% Popularity • 72% Danceability • 59% Energy • 10% Liveness
0% Instrumentalness • 61% Positiveness
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Big Audio Dynamite
Medicine Show
118 bpm • B min • 06:33 • -9.63db
35% Popularity • 80% Danceability • 67% Energy • 10% Liveness
0% Instrumentalness • 80% Positiveness
35% Popularity • 80% Danceability • 67% Energy • 10% Liveness
0% Instrumentalness • 80% Positiveness
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John Cooper Clarke
The Day My Pad Went Mad
118 bpm • D Maj • 03:12 • -10.51db
6% Popularity • 59% Danceability • 84% Energy • 73% Liveness
0% Instrumentalness • 77% Positiveness
6% Popularity • 59% Danceability • 84% Energy • 73% Liveness
0% Instrumentalness • 77% Positiveness
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Kid Creole And The Coconuts
Annie, I'm Not Your Daddy
110 bpm • E Maj • 06:15 • -10.95db
18% Popularity • 68% Danceability • 83% Energy • 26% Liveness
1% Instrumentalness • 91% Positiveness
18% Popularity • 68% Danceability • 83% Energy • 26% Liveness
1% Instrumentalness • 91% Positiveness
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Ian Dury
Reasons to Be Cheerful, Pt. 3
118 bpm • G Maj • 04:45 • -15.95db
41% Popularity • 83% Danceability • 50% Energy • 14% Liveness
0% Instrumentalness • 79% Positiveness
41% Popularity • 83% Danceability • 50% Energy • 14% Liveness
0% Instrumentalness • 79% Positiveness
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Joe Jackson
It's Different For Girls
118 bpm • B Maj • 03:42 • -14.64db
46% Popularity • 70% Danceability • 51% Energy • 10% Liveness
0% Instrumentalness • 24% Positiveness
46% Popularity • 70% Danceability • 51% Energy • 10% Liveness
0% Instrumentalness • 24% Positiveness
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Fun Boy Three
Things We Do
118 bpm • A# min • 03:35 • -12.78db
27% Popularity • 68% Danceability • 46% Energy • 11% Liveness
0% Instrumentalness • 44% Positiveness
27% Popularity • 68% Danceability • 46% Energy • 11% Liveness
0% Instrumentalness • 44% Positiveness
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Hot Chocolate
You Could've Been a Lady
109 bpm • G Maj • 03:48 • -5.79db
37% Popularity • 75% Danceability • 78% Energy • 5% Liveness
10% Instrumentalness • 84% Positiveness
37% Popularity • 75% Danceability • 78% Energy • 5% Liveness
10% Instrumentalness • 84% Positiveness
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Redskins
Bring It Down
109 bpm • A min • 04:35 • -6.28db
16% Popularity • 64% Danceability • 89% Energy • 33% Liveness
4% Instrumentalness • 51% Positiveness
16% Popularity • 64% Danceability • 89% Energy • 33% Liveness
4% Instrumentalness • 51% Positiveness
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David Bowie
Fashion - Single Version; 2017 Remaster
109 bpm • C Maj • 03:25 • -10.1db
38% Popularity • 85% Danceability • 71% Energy • 10% Liveness
10% Instrumentalness • 96% Positiveness
38% Popularity • 85% Danceability • 71% Energy • 10% Liveness
10% Instrumentalness • 96% Positiveness
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Ian Dury
Bed O'Roses No.9
110 bpm • F# Maj • 05:19 • -6.08db
18% Popularity • 63% Danceability • 82% Energy • 7% Liveness
6% Instrumentalness • 79% Positiveness
18% Popularity • 63% Danceability • 82% Energy • 7% Liveness
6% Instrumentalness • 79% Positiveness
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Tom Robinson Band
Martin
119 bpm • D Maj • 02:50 • -10.25db
13% Popularity • 70% Danceability • 36% Energy • 97% Liveness
0% Instrumentalness • 47% Positiveness
13% Popularity • 70% Danceability • 36% Energy • 97% Liveness
0% Instrumentalness • 47% Positiveness
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Talking Heads
Blind
119 bpm • C Maj • 05:00 • -5.49db
31% Popularity • 79% Danceability • 89% Energy • 20% Liveness
0% Instrumentalness • 92% Positiveness
31% Popularity • 79% Danceability • 89% Energy • 20% Liveness
0% Instrumentalness • 92% Positiveness
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Simple Minds
Chelsea Girl - Remastered 2002
109 bpm • A Maj • 04:34 • -9.27db
27% Popularity • 59% Danceability • 62% Energy • 25% Liveness
0% Instrumentalness • 88% Positiveness
27% Popularity • 59% Danceability • 62% Energy • 25% Liveness
0% Instrumentalness • 88% Positiveness
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Scritti Politti
Asylums in Jerusalem - 2001 Remaster
109 bpm • A# Maj • 03:15 • -4.48db
16% Popularity • 58% Danceability • 70% Energy • 7% Liveness
0% Instrumentalness • 96% Positiveness
16% Popularity • 58% Danceability • 70% Energy • 7% Liveness
0% Instrumentalness • 96% Positiveness
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David Bowie
Fashion - 2017 Remaster
109 bpm • C Maj • 04:50 • -10db
51% Popularity • 86% Danceability • 72% Energy • 8% Liveness
14% Instrumentalness • 96% Positiveness
51% Popularity • 86% Danceability • 72% Energy • 8% Liveness
14% Instrumentalness • 96% Positiveness
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Kevin Ayers
Stranger in Blue Suede Shoes - 1999 Rema...
119 bpm • A Maj • 03:24 • -7db
35% Popularity • 72% Danceability • 85% Energy • 59% Liveness
79% Instrumentalness • 83% Positiveness
35% Popularity • 72% Danceability • 85% Energy • 59% Liveness
79% Instrumentalness • 83% Positiveness
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Malcolm McLaren
Double Dutch
120 bpm • C Maj • 04:41 • -13.13db
40% Popularity • 59% Danceability • 76% Energy • 91% Liveness
2% Instrumentalness • 88% Positiveness
40% Popularity • 59% Danceability • 76% Energy • 91% Liveness
2% Instrumentalness • 88% Positiveness
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Grace Jones
Pull Up To The Bumper
109 bpm • C# Maj • 04:41 • -8db
52% Popularity • 85% Danceability • 87% Energy • 13% Liveness
1% Instrumentalness • 87% Positiveness
52% Popularity • 85% Danceability • 87% Energy • 13% Liveness
1% Instrumentalness • 87% Positiveness
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John Kongos
Tokolshe Man - 2014 Remastered Version
120 bpm • F Maj • 05:12 • -10.59db
21% Popularity • 49% Danceability • 80% Energy • 10% Liveness
1% Instrumentalness • 82% Positiveness
21% Popularity • 49% Danceability • 80% Energy • 10% Liveness
1% Instrumentalness • 82% Positiveness
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Kid Creole And The Coconuts
Stool Pigeon
109 bpm • F min • 03:57 • -12db
40% Popularity • 84% Danceability • 64% Energy • 6% Liveness
0% Instrumentalness • 85% Positiveness
40% Popularity • 84% Danceability • 64% Energy • 6% Liveness
0% Instrumentalness • 85% Positiveness
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David Bowie
Sorrow - 2015 Remaster
120 bpm • C Maj • 02:53 • -12db
52% Popularity • 66% Danceability • 54% Energy • 32% Liveness
0% Instrumentalness • 69% Positiveness
52% Popularity • 66% Danceability • 54% Energy • 32% Liveness
0% Instrumentalness • 69% Positiveness
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Spandau Ballet
Chant No. 1 (I Don't Need This Pressure ...
120 bpm • B min • 04:09 • -6db
42% Popularity • 74% Danceability • 84% Energy • 9% Liveness
4% Instrumentalness • 88% Positiveness
42% Popularity • 74% Danceability • 84% Energy • 9% Liveness
4% Instrumentalness • 88% Positiveness
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The Blockheads
That's Why I'm Blue
120 bpm • G Maj • 04:28 • -11.05db
1% Popularity • 71% Danceability • 41% Energy • 9% Liveness
20% Instrumentalness • 76% Positiveness
1% Popularity • 71% Danceability • 41% Energy • 9% Liveness
20% Instrumentalness • 76% Positiveness
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Aztec Camera
Good Morning Britain
120 bpm • B Maj • 04:02 • -10db
41% Popularity • 57% Danceability • 87% Energy • 6% Liveness
0% Instrumentalness • 56% Positiveness
41% Popularity • 57% Danceability • 87% Energy • 6% Liveness
0% Instrumentalness • 56% Positiveness
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The Osmonds
Crazy Horses
120 bpm • D Maj • 02:33 • -4.51db
41% Popularity • 51% Danceability • 98% Energy • 34% Liveness
0% Instrumentalness • 73% Positiveness
41% Popularity • 51% Danceability • 98% Energy • 34% Liveness
0% Instrumentalness • 73% Positiveness
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Blancmange
Don't Tell Me
120 bpm • D Maj • 03:30 • -10db
45% Popularity • 72% Danceability • 81% Energy • 12% Liveness
0% Instrumentalness • 93% Positiveness
45% Popularity • 72% Danceability • 81% Energy • 12% Liveness
0% Instrumentalness • 93% Positiveness
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David Bowie
Golden Years - 2016 Remaster
108 bpm • F# min • 04:03 • -10.36db
62% Popularity • 68% Danceability • 70% Energy • 11% Liveness
0% Instrumentalness • 93% Positiveness
62% Popularity • 68% Danceability • 70% Energy • 11% Liveness
0% Instrumentalness • 93% Positiveness
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Hot Chocolate
Brother Louie
108 bpm • A min • 04:59 • -8db
37% Popularity • 74% Danceability • 61% Energy • 8% Liveness
0% Instrumentalness • 87% Positiveness
37% Popularity • 74% Danceability • 61% Energy • 8% Liveness
0% Instrumentalness • 87% Positiveness
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The Blockheads
Spread It
108 bpm • B min • 06:26 • -9.77db
0% Popularity • 63% Danceability • 72% Energy • 13% Liveness
4% Instrumentalness • 85% Positiveness
0% Popularity • 63% Danceability • 72% Energy • 13% Liveness
4% Instrumentalness • 85% Positiveness
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10cc
I'm Mandy Fly Me
108 bpm • G Maj • 05:23 • -10db
43% Popularity • 43% Danceability • 55% Energy • 10% Liveness
0% Instrumentalness • 44% Positiveness
43% Popularity • 43% Danceability • 55% Energy • 10% Liveness
0% Instrumentalness • 44% Positiveness
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The Stranglers
96 Tears
121 bpm • B min • 03:13 • -4db
39% Popularity • 67% Danceability • 93% Energy • 26% Liveness
7% Instrumentalness • 96% Positiveness
39% Popularity • 67% Danceability • 93% Energy • 26% Liveness
7% Instrumentalness • 96% Positiveness
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Squeeze
Up The Junction
121 bpm • A Maj • 03:11 • -12.97db
57% Popularity • 50% Danceability • 54% Energy • 9% Liveness
0% Instrumentalness • 89% Positiveness
57% Popularity • 50% Danceability • 54% Energy • 9% Liveness
0% Instrumentalness • 89% Positiveness
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David Bowie
Ashes to Ashes - 2017 Remaster
120 bpm • C# Maj • 03:37 • -9.8db
41% Popularity • 66% Danceability • 77% Energy • 45% Liveness
0% Instrumentalness • 84% Positiveness
41% Popularity • 66% Danceability • 77% Energy • 45% Liveness
0% Instrumentalness • 84% Positiveness
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Nick Lowe
I Love the Sound of Breaking Glass
108 bpm • G Maj • 03:14 • -10.64db
42% Popularity • 71% Danceability • 62% Energy • 10% Liveness
92% Instrumentalness • 92% Positiveness
42% Popularity • 71% Danceability • 62% Energy • 10% Liveness
92% Instrumentalness • 92% Positiveness
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Prefab Sprout
Faron Young - 2007 Remastered Version
121 bpm • A# min • 03:43 • -7db
38% Popularity • 62% Danceability • 94% Energy • 10% Liveness
3% Instrumentalness • 83% Positiveness
38% Popularity • 62% Danceability • 94% Energy • 10% Liveness
3% Instrumentalness • 83% Positiveness
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The Blockheads
Roll Over
121 bpm • B min • 04:48 • -6.99db
1% Popularity • 78% Danceability • 74% Energy • 12% Liveness
0% Instrumentalness • 96% Positiveness
1% Popularity • 78% Danceability • 74% Energy • 12% Liveness
0% Instrumentalness • 96% Positiveness
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Tom Robinson Band
Better Decide Which Side You're On
107 bpm • F# min • 02:50 • -5.53db
13% Popularity • 60% Danceability • 73% Energy • 8% Liveness
0% Instrumentalness • 94% Positiveness
13% Popularity • 60% Danceability • 73% Energy • 8% Liveness
0% Instrumentalness • 94% Positiveness
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Blondie
Rapture
108 bpm • B min • 04:59 • -8.24db
47% Popularity • 72% Danceability • 70% Energy • 55% Liveness
0% Instrumentalness • 95% Positiveness
47% Popularity • 72% Danceability • 70% Energy • 55% Liveness
0% Instrumentalness • 95% Positiveness
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Ian Dury
Sueperman's Big Sister
121 bpm • E min • 02:49 • -8.1db
26% Popularity • 73% Danceability • 81% Energy • 22% Liveness
0% Instrumentalness • 96% Positiveness
26% Popularity • 73% Danceability • 81% Energy • 22% Liveness
0% Instrumentalness • 96% Positiveness
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Womack & Womack
Love Wars
121 bpm • E min • 05:59 • -10db
35% Popularity • 83% Danceability • 57% Energy • 29% Liveness
0% Instrumentalness • 91% Positiveness
35% Popularity • 83% Danceability • 57% Energy • 29% Liveness
0% Instrumentalness • 91% Positiveness
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Fun Boy Three
We're Having All the Fun
122 bpm • C# min • 02:49 • -9.92db
33% Popularity • 80% Danceability • 72% Energy • 8% Liveness
0% Instrumentalness • 96% Positiveness
33% Popularity • 80% Danceability • 72% Energy • 8% Liveness
0% Instrumentalness • 96% Positiveness
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The Blockheads
Sometimes
107 bpm • E Maj • 03:53 • -12.91db
0% Popularity • 53% Danceability • 40% Energy • 16% Liveness
15% Instrumentalness • 36% Positiveness
0% Popularity • 53% Danceability • 40% Energy • 16% Liveness
15% Instrumentalness • 36% Positiveness
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10cc
Good Morning Judge
107 bpm • A Maj • 02:54 • -9.49db
50% Popularity • 74% Danceability • 64% Energy • 7% Liveness
0% Instrumentalness • 47% Positiveness
50% Popularity • 74% Danceability • 64% Energy • 7% Liveness
0% Instrumentalness • 47% Positiveness
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The Human League
Love Action (I Believe In Love)
122 bpm • C Maj • 05:01 • -9.74db
52% Popularity • 70% Danceability • 59% Energy • 18% Liveness
2% Instrumentalness • 73% Positiveness
52% Popularity • 70% Danceability • 59% Energy • 18% Liveness
2% Instrumentalness • 73% Positiveness
